design portfolio a selection of architectural works
atacan okumuĹ&#x;
education 2012ted university architecture department 2008-2012 cumhuriyet anatolian highschool 2000-2008 teğmen kalmaz elementary school
experience atabaş mimarlık ltd. şti. - office internship mes a.ş. - mesa koza 66 construction internship mesa mesken
competitions
wedding oasis / young architects competitions, castello of rosciano, italy (present) (w/mehmet beyazlı, eren yazıcıoğlu) experiential beer garden competition / young architects competition, castel maggiore, italy (w/mehmet beyazlı, eren yazıcıoğlu) izmir selçuk belediyesi gençlik ve kültür merkezi binası yarışması, izmir, turkey (24.11.2016) (w/ çağrım koçer, melis acar) balıkesir büyükşehir belediyesi hizmet binası yarışması, balıkesir, turkey (04.10.2016) (w/çağrım koçer, melis acar) rönesans inşaat sürdürülebilir geleceği tasarla, istanbul, turkey (28.02.2016) (w/çağrım koçer, melis acar) bahçeni yarat fikir projesi yarışması, ted university, ankara, turkey (29.05.2015) (2nd prize) (w/ çağrım koçer, aysu gürman, melis gayretli, sena kocakaya, bora meral, çelinay şahin) belsin semt pazarı ve yakın çevresi ulusal öğrenci mimari fikir projesi yarışması, kayseri, turkey (14.10.2014) (w/ esin sarıkoç, alper can memioğlu)
skills
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photoshop
sketchup
autocad
msoffice
rhinoceros
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gölbaşı, ankara
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selçuk, izmir
taşpınar 102
culture center
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beylikdüzü, istanbul
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maggiore, italy
sustainable school
beer garden
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II.sakarya, balıkesir
municipality
radiotedü, ankara
ana akım mizah
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taşpınar 102
studio coordinators: bilge imamoğlu, ferit can aker, mehmet ziya imren, onur özkoç, elif yabacı
taşpınar 102 named itself by where its located. in taşpınar district of gölbaşı, plot of 102. a painter, four and five years old children and a sixteen years old adolescence was the scenario. the problem that i need to solve in that semester was, the painter’s need of work, have a leisure time, living spaces and have exhibitions and should take care of children while in their playing time. four and five years old children in the scenario needs to play because they are just kids again they need leisure time, they need living spaces and need to educate. sixteen years old adolescence is pretty adolescence in scenario even i am calling him not a child, an adolescence. he is an e-sports player. e-sports are basically competitive online computer games. he needs a space that he and his four friends can make practices for electronic sports tournaments. again, he need leisure space, living space and because he is a student, a study place and he need to alien himself from the whole house because, we all had that time right?
Light Diagram
Rendering Design Strategy
Circulation Diagrams
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arch202 studio project
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sustainable school
competition rönesans sürdürülebilir geleceği tasarla habitat w/ çağrım koçer, melis acar
project presents the spaces that are possessed in nature to the students and combines the school concept with the concept of living space as a whole. the project title ‘habitat’ inspired by this point. this point emphasizes the new meaning, the habitat, brought to the school. habitat is defined literally as the place where an organism lives and develops. education is included in the dictionary as a work of raising, developing and educating a certain branch of science or art. as a matter of fact, the more they are different, the more they develop. this adaptation of nature to the nature is very important as it is in the habitat.
the orientations of the classes are directly in the greenery of the northwestern part of the skyscraper. classes with transparent facades frame the greenest area in the city and the student does not separate course from nature. in addition, the botanical terraces and laboratory, a different function that is installed in the school, is a design that connects the students to the green. in the school there are three botanical terraces placed between the classrooms on the first floor and a large terrace next to the laboratory with a total of four botanical terraces and one laboratory. in these areas, students have to plant plants that they can grow in their own pots.
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municipality
competition balıkesir büyükşehir belediyesi hizmet binası proje yarışması baladî w/ çağrım koçer, melis acar
the publicity created by the integration of the green tapes around the building and the hard ground bands in the green is desirable in this design. the municipal building has a rigid and loaded program, and it has to be. nevertheless, it is wrong to think that this project, which is supposed to be the focal point of the city, is regarded only as a municipal service building. a design that responds not only to municipal employees and the municipality but also to the people with social needs, should be proposed, not a structure and environmental regulation for the people. at this point, it is necessary to remember once more the etymological conclusion stated at the beginning: the municipality; urba urban, urban.
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municipality
competition balıkesir büyükşehir belediyesi hizmet binası proje yarışması baladî w/ çağrım koçer, melis acar
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culture center
competition izmir selçuk belediyesi kültür ve gençlik merkezi binası yarışması w/ çağrım koçer, melis acar
every town has its own horseshoe-shaped topographies, and even the people in the city have a lot of code. the city of selçuk, the climatic conditions of the city, and the pedestrians are all in harmony with the people. the city has made the most decisive design decisions. the city is the most important cities in the world.. this city (the street, the avenue, the park, the city, etc.) constitutes the city axis in many ways because of the fact that the city controls the pedestrian movement in the city itself, the questionnaire in front of the mass on this side was manipulated so that it would be based on the axes. from this point of curvature, it was shown that the valley worked on the balconies perspective from roads. the mass direction of the described structure is related to the urban openings. the proposed design uses the large closure of a single enclosed space and the appropriate climatic conditions of izmir that have been used, and the massive masses are interconnected with each other by the open space
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culture center
competition izmir selçuk belediyesi kültür ve gençlik merkezi binası yarışması w/ çağrım koçer, melis acar
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beer garden
competition y.a.c. / experiential beer garden competition circolazioné w/ mehmet beyazlı, eren yazıcıoğlu
among thousands of years, beer lasted its existence through most of the cultures in the world. beer characterized and fermented culture to culture. with this culturalization, this alcoholic drink which made from yeast-fermented malt flavored with hops, made a duo with the food. ‘circolazioné’ respects this culture accumulation. for an experiential beer garden, circolazioné allows this duo with following architectural solutions. firstly, two main circulation axis located perpendicular each other. secondly, beer process units located for the sake of production line. thirdly, upper catwalk located because of observing the production process while tasting products. after that, paths expand among themselves, acquiring certain functions and loading program. beer pipes not only a technical obligation in ‘circolazioné’, but also a design element in entire organization. the internal organization of the pipes may resemble an organism whose internal organs are outdoors. pipes carry products through whole process to the restaurant tables. besides this, pipes act as architectural elements such as railings, leads the way of circulation in upper catwalk as guidance. with all that, pipes drop-downs itself through tables and bars for its own duty. this might be an action of showing respect to the culture and its proceeds and exhibiting these to the visitors and tasters. circolazioné uses free-organized surfaces for the sake of defining space. while these continuous surfaces creating space, this element helps to respect and protect the existing conditions of the structure. these surfaces eliminate columns and provide structural-flexible spaces. these free-organized continuous surfaces not only provide spaces but also time to time can be act as furnishing. in somewhere, element can act as a seating unit in ground level, when it is elevated through upper catwalk, it can become a restaurant table or when it stretches outside, it can become shelter for the landscape or ground cover. the path which helps users to experience whole program in upper height. this path leads the production process and guides user to experience the process while tasting products. before it starts, the initiator ramp does not directly welcoming users, makes them explore the surrounding and lets them after use catwalk. then it starts with the ramp which is in the main axis. goes up to the upper height and creates restaurant sections and continues with multi-purpose hall which functions as amphitheatre, performance hall and foyer and in there. in the amphitheatre all the start and end points of the production process are observable at ease.
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beer garden
competition y.a.c. / experiential beer garden competition circolazioné w/ mehmet beyazlı, eren yazıcıoğlu
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ana akım mizah
voluntary www.radiotedu.com ana akım mizah w/ çağrım koçer
ana akım mizah is a live-radio show which broadcasts on radiotedü which is a broadcasting-radio in ted university. i also was in the process of founding the media society and radiotedü. still, i am the chairman of ted university media society. ana akım mizah, basically is a comedy show which is live on every friday, 9pm. ana akım mizah is online from october 2013. the co-host çağrm koçer and i, doing this show for fifty-seven episodes.
related links www.mimaring.com www.radiotedu.com www.thevoidmag.com
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Thank you.
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