The Collection of Henry Rogers Broughton, 2nd Baron Fairhaven by ATGMEDIA

Henry Rogers Broughton, 2nd Baron Fairhaven (1900-1973) Henry Rogers Broughton succeeded his older brother, Urban Huttleston Broughton, as 2nd Lord Fairhaven in 1966. Born in America, Henry was educated at St Paulâ&#x20AC;&#x2122;s School, USA and Harrow before Commissioning from the Royal Military Academy

Works on Paper from the Collection of Henry Rogers Broughton, 2nd Baron Fairhaven (1900-1973)

Sandhurst into the Royal Horse Guards in 1920. Five years later he and his brother bought the Barton Stud near Bury St Edmunds and the following year they acquired Anglesey Abbey. Here, and at his subsequent houses, Bakeham House and later at South Walsham Hall, he formed a remarkable collection of oil paintings, watercolours, gouaches, miniatures and sketches. Lord Fairhaven bequeathed a comprehensive collection of 120 flower paintings to the Fitzwilliam Museum in Cambridge (the Broughton Bequest), including 12 Months of Flowers by van Huysum, over nine hundred individually mounted watercolours and gouaches and forty-four volumes of drawings by Ehret, RedoutĂŠ and many others. The works in this sale represent the variety and quality of what was one of the largest such collections amassed in the 20th century.

72 440. Johannes Bronkhorst (Dutch 1648-c.1726) Ducks and geese by the water; Study of a crow The second inscribed: Bouts Kraij (?) Two, the first watercolour with bodycolour, the second bodycolour, unframed 16.5 x 21.5cm and 15 x 19cm (2) £500-700 441. Augusta Innes Withers (1793-1870) Chickens and chicks with a dove Signed and inscribed 26 Grove Place Watercolour with bodycolour, unframed 11.75 x 23.75cm With another, signed, of a cockerel and hens by Samuel Howitt 13 x 18.25cm (2) £200-300

442. English School c.1830 Decorative studies of birds Two, both watercolour with bodycolour, unframed Each 15.5 x 13.25cm (2) £200-300 443. William Lewin (1747-1795) A Finch Signed with initials and dated indistinctly Watercolour with bodycolour, heightened with white, unframed 20.5 x 16cm £200-300

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444. Friedrich Specht (German 1839-1909) Cats, kittens and dogs Three, all signed All bodycolour with pencil, unframed 13.25 x 20.75cm (3) ÂŁ1,500-2,000 445. Johannes Bronkhorst (Dutch 1648-c.1726) A study of a Blackcock Signed with initials Bodycolour and watercolour, unframed 15.7 x 20cm ÂŁ600-800 444

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446. Louis Alexander Fagan (1845-1903) Coastal views in decorative borders Eight, three signed with initials L.F. All bodycolour, unframed Each 14.75 x 10.24cm (8) ÂŁ1,800-2,200

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447 447. Saviero Xavier Della Gatta (Italian act.1777-1829) Neapolitan scenes from peasant life Five, some signed and dated 1800 All bodycolour, unframed Each 20 x 14.75cm and similar With six further similar Neapolitan School scenes c.1820 and c.1830 (11) ÂŁ3,000-4,000

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450 448. Johann Christoph Dietzsch (German 1710-1769) Figures by a lake, a Schloss beyond; A gypsy encampment Two, both bodycolour, unframed 11.75 x 16.5cm and 11 x 15cm (2) £400-600

449. Franz de Paula Ferg (Austrian 1689-1740) Figures at a well Bodycolour, unframed 16.5 x 20.5cm With another Italian school c.1740 of a Musical Instrument Workshop (2) £400-600

450. Johann Christoph Dietzsch (German 1710-1769) Summer landscape Bodycolour, unframed 17.4 x 22.4cm With another similar Austrian School c.1760, of a winter landscape (2) £400-600

451. Johann Christoph Dietzsch (German 1710-1769) Figures in an Italianate landscape; A Gypsy encampment; Travellers by a river Three, all bodycolour, unframed 12.5 x 17.5cm and 14 x 19cm and 11 x 15.2cm (3) £1,000-1,500

451 452. Henri Désiré van Blarenberghe (French 1734-1812) Military encampment; Military provisioning Two, both bodycolour, unframed 15.25 x 20.75cm (2) £1,000-1,500

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453. Jean Duplessis-Bertaux (French 1747-1819) Soldiers defending a stockade Pen, ink and grisaille wash, unframed 13 x 23.5cm £400-600

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78 454. Portuguese School late 18th Century Customs of Brasil, a Sedan chair Bodycolour, unframed 15.5 x 23.25cm £1,500-2,000

454 455. Johann Conrad Kleemann (German 1741-1788) A harbour scene Signed Bodycolour, unframed 12.75 x 16.25cm £1,200-1,800

456. Spanish Colonial School c.1800 Washerwomen; Figures with goats Two, both bodycolour, unframed Each 11.25 x 18.5cm (2) £700-900

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457. Portuguese School late 18th Century Views of Rio de Janeiro Five, all bodycolour, unframed Each 11.25 x 18.25cm and similar (5) £1,500-2,000

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458. German School c.1790 Ships in a sea port Bodycolour, unframed 16.75 x 22.5cm £400-600

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459. Jacob Burgi (Swiss 1745-c.1795) Figures in river landscape Bodycolour, unframed 16 x 20.75cm with two further river landscapes signed with initials FF, bodycolour, each 13.75 x 19.5cm (3) £1,500-2,000

459 460. François Ludwig, Comte de Kasselstatt (German 1753-1841) Figures in a town and in landscapes Three, all inscribed and dated 1811, 1807 and 1820, All bodycolour, unframed 13.25 x 18.25cm and smaller (3) £400-600

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463 461. Johann Conrad Kleemann (German 1741-1788) Harbour scenes with ships at anchor A pair, one signed and dated 1762 Bodycolour, unframed 9.5 x 15.25cm (2) £2,000-3,000

462. Austrian School c.1790 Travellers on a track; A village fire at night Two, both bodycolour, unframed 10.75 x 15cm and similar (2) £300-400

463. Follower of Abraham Jansz Begeyn (Dutch 1637-1697) Sheep and goats by an urn in a landscape Watercolour, unframed 15.5 x 12.5cm With another Dutch School landscape c.1770 in bodycolour (2) £200-300

82 464. Jan Dircksz Both (1618-1652) Figures in Italianate landscapes Four, one signed All bodycolour on vellum, with gum arabic, unframed 16.5 x 14.2cm and similar (4) £400-600

465. German School c.1790 Figures on a track by a pond, a cottage beyond Bodycolour, unframed 16 x 23.25cm £400-600

466. Follower of William Daniell R.A. Figures on a track by a lake Bodycolour, unframed 21.25 x 30cm £400-600

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468 467. Abraham Rademaker (Dutch 1675-1835) Figures in a wooded landscape; Fishermen on an estuary Two both signed Both bodycolour, unframed 12.3 x 18.75cm and 10.75 x 16cm (2) £1,200-1,800 468. Jean Baptiste Francois Genillion (French 1750-1829) Basilica of Constantine, Rome; Tempio della Fosse Two both signed, later titled verso Both pencil and watercolour, unframed Each 17 x 24.5cm (2) £1,000-1,500 469. Aignan Thomas Desfriches (French 1715-1800) Figures by a gateway Signed Pen, ink and grisaille wash, unframed 11.2 x 17.2cm £500-700

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472 470. John Laporte (1761-1839) Whalebone Farm Bodycolour, unframed 19.25 x 25.25cm £500-700 471. Thomas Walmsley (Irish 1763-1806) View of Tintern Abbey, Monmouthshire Bodycolour, unframed 27.5 x 40cm £500-700

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472. Thomas Walmsley (Irish 1763-1806) Melincourt Mill, South Wales Titled verso Bodycolour, unframed 23.75 x 32cm £300-500

473. Thomas Walmsley (Irish 1763-1806) Part of the Great Lake of Killarney, Ireland Signed and titled verso Bodycolour, unframed 18 x 25.5cm £200-300 474. Thomas Walmsley (Irish 1763-1806) Figures by a lake in Cumberland Bodycolour, unframed 28.5 x 39.25cm £300-400

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476 475. Thomas Walmsley (Irish 1763-1806) Tintern Abbey; A farmer by a mill Two, the first signed and titled verso Both bodycolour, unframed 22.75 x 36cm and 26 x 34.5cm (2) £300-400 476. John Laporte (1761-1839) Horses by a wood in the moonlight Bodycolour, unframed 24 x 31cm £400-600

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477. James Webb (1825-1895) Chepstow Castle, Monmouthshire Signed with initials and titled verso Bodycolour, unframed 27.5 x 40.5cm £300-400 478. James Webb (1825-1895) View near Hampstead Inscribed Stowers, also titled verso Bodycolour, oval, unframed 23 x 29.75cm £500-700

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479. John Claude Nattes (1765-1822) Hotwells, Bristol; A Palladian temple in a river landscape A pair, both bodycolour, unframed Each 17.5 x 26.5cm (2) £600-800

481. English School early 19th Century Hailes Abbey, Gloucester Bodycolour, unframed 27 x 27.25cm £400-600

480. Thomas Walmsley (Irish 1763-1806) Herdsmen by a wood; Herdsmen, cattle and sheep by a lake, a Castle beyond Two, one signed indistinctly Both bodycolour, unframed Each 27.75 x 35cm (2) £600-800

482. John Laporte (1761-1839) View over an extensive river landscape Bodycolour, unframed 16.75 x 22.25cm £300-400

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485 483. John Laporte (1761-1839) Welsh lakeland landscapes Two, one signed indistinctly Both bodycolour, unframed 22.25 x 33.25cm (2) £600-800 484. John Laporte (1761-1839) An estuary with a waterfall; Peasants on a track Two, both bodycolour, unframed 31 x 44.75 and similar (2) £500-600

486 485. Follower of Philip James de Loutherbourg R.A. Cattle and a donkey in a river landscape Watercolour with bodycolour, unframed 29.75 x 40.75cm £200-300 486. Thomas Walmsley (Irish 1763-1806) Stoke Gabriel, River Dart, Devon Signed, titled and inscribed For Mrs Hopkinson verso Bodycolour, unframed 27.75 x 40.5cm £200-300

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490 487. German School 18th Century A river landscape in the rain Bodycolour, unframed 22.25 x 28cm £200-300 488. Follower of William Daniell R.A. Deer in a wooded lake landscape Bodycolour, unframed 20.75 x 29.6cm £200-300

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489. A. C. Krygeer (Continental 18th Century) Peasants on a country track, a windmill beyond Signed verso Watercolour, unframed 25.5 x 32.5cm £100-200

490. German School c.1770 A traveller passing a chalet in a winter landscape Bodycolour, unframed 19 x 28cm £400-600 491. Christoph Ludwig Agricola (1667-1719) View over a town at sunset Bodycolour, unframed 17.5 x 22.25cm £700-900

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494 492. Georg Christoph Gottleib von Bemmel (German 1765-1811) River landscape in Nuremburg with a mill Signed Bodycolour, unframed 19 x 28.25cm £200-300 493. Georg Christoph Gottleib von Bemmel (German 1765-1811) A ruined gateway to town Stamped CR lower left Bodycolour, unframed 17.5 x 22.75cm Provenance: The Charles Rogers Collection £500-700

494. Attributed to John Inigo Richards (1731-1810) Goats and cattle in a river landscape with a castle beyond; Herdsman and cattle on a bridge Two, both bodycolour, unframed 18.5 x 25.25cm and similar (2) £250-350 495. Jan Anthonie Langendyk (Dutch 1780-1818) A coach party crossing a stream Signed and dated 1805 Watercolour, unframed 22 x 32.5cm £600-700

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90 496. Aert Schouman (Dutch 1710-1792) Traders in a port scene Signed verso with initals, inscribed and dated Na Weenix 1749 Bodycolour, unframed 24 x 30.5cm £3,000-4,000 497. J. C. Wissing (18/19th Century) Figures by a farmstead; Cattle watering, a castle beyond Two, both bodycolour, unframed 16.5 x 24.75 and similar (2) £300-400

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498. Attributed to Johann Gottlieb Hackert (1744-1773) Herdsman and livestock in a river landscape Bodycolour, unframed 17.25 x 22.25cm £300-500 499. Austrian School c.1760 Figures in a winter landscape Bodycolour, unframed 17 x 21.25cm £300-400

500 500. Christoph Ludwig Agricola (1667-1719) Figures in river landscapes Four, all bodycolour, unframed 16.25 x 21.75cm and similar (4) £1,500-2,000 501. Juriaan Andriessen (Dutch 1742-1819) Figures in a boat on the river Watercolour, unframed 25 x 18cm £150-200 502. John Laporte (1761-1839) Figures in an autumn landscape Bodycolour, unframed 33.2 x 27.2cm £300-500

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503. Attributed to Johann Gottleib Hackert (German 1744-1773) Figures and cattle in a river landscape Bodycolour, unframed 17.25 x 22.5cm £200-300

504. Henri Désiré van Blarenberghe (French 1734-1812) Cavalry on the move Bodycolour, unframed 16.5 x 21.75cm £400-600 505. Abraham Rademaker (Dutch 1675-1735) An extensive river landscape with a natural arch Signed and stamped WE Watercolour, unframed 20.25 x 31.75cm Inscribed W. Esdaile 1805 verso £200-300 506. German School c.1820 A house in Heiligenstadt Bodycolour, unframed 17.5 x 27.5cm £300-400

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507. Louis Chalon (Dutch 1687-1741) View over a valley with peasants in the foreground Bodycolour, unframed 17.25 x 22.75cm £300-400

508. Dutch School c.1630 Travellers at an Inn Bodycolour, unframed 26.75 x 32cm £300-400 509. Wybrand Hendriks (Dutch 1744-1831) after Jan Wynants Peasants on a road overlooking a valley Signed and inscribed verso Watercolour, unframed 23 x 27.25cm £250-350

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510. Flemish School 18th Century Figures by a ferry on a river in an Italianate landscape Bodycolour, unframed 23.75 x 30.5cm £300-400 511. G. Gill early 19th Century Figure on a track in a wood Bodycolour, unframed 19 x 25cm £300-400 512. Jacob Burgi (Swiss 1745-c.1795) Figures with a wagon in a river landscape Bodycolour, unframed 18.75 x 26.5cm £600-800

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513. Peter Tillemans (1684-1734) Officers watching a battle A pair, one signed Both watercolour heightened with bodycolour, unframed 29 x 44.25 and similar (2) £800-1,200 514. German School c.1790 A ship by a sea port Bodycolour, unframed 17.25 x 22.5cm £200-300 515. Johann Christoph Dietzsch (German 1710-1769) Figures and livestock in barn interiors A pair, both bodycolour and gum arabic, unframed Each 17.2 x 22.4cm (2) £500-700

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95 516. Johann Christoph Dietzsch (German 1710-1769) A Naval engagement on the coast Bodycolour and gum arabic, unframed 20.75 x 28cm £500-700 517. Johann Martin Daubler (German 1756-1800) A village fire at dusk Bodycolour, unframed 17.75 x 22.25cm With another similar by a different hand c.1750 (2) £350-450

518. Jacob Burgi (Swiss 1745-c.1795) Figures fishing by a natural arch Bodycolour, unframed 16.5 x 23.75cm £300-500 519. Attributed to Christian Wilhelm Ernst Dietrich (German 1712-1774) A chalet by a river in a mountainous landscape Bodycolour, unframed 19.75 x 26.75cm £150-200

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96 520. Jacob Cats (Dutch 1741-1799) A Herdsman and lady fording a river Signed and dated 1790 verso Watercolour, unframed 18.5 x 24.75cm £500-700

521. Johann Martin Daubler (German 1756-1800) Travellers by a river, a town beyond Bodycolour, unframed 17.5 x 22.75cm £250-350

523. Georg Christoph Gottleib von Bemmel (German 1765-1811) Skaters in a winter landscape Bodycolour, unframed 17.25 x 23cm £400-600 524. Nuremburg School c.1750 Figures heading home in a storm Bodycolour and gum arabic, unframed 17 x 22.25cm £300-400

522. Eustache François Duval (French act.1784-1836) and L. Braundet A town gateway in a landscape Inscribed on a label verso Bodycolour, unframed 20.5 x 28.5cm £250-350

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97 525. Philip James de Loutherbourg (French 1740-1812) Figures by a mill in a rocky landscape Bodycolour, unframed 36.3 x 28.3cm £600-800 526. Baron Louis Albert Guillain Bacler D’Albe (French 1761-1848) River landscapes with figures by a cottage and figures by a tower A pair, both bodycolour, unframed Each 18.25 x 24.75cm (2) £300-400 527. J. C. Wissing (18/19th Century) Travellers by a river, a town beyond Bodycolour, unframed 16.5 x 25.5cm £300-400 528. Ambrosius Gabler (German 1762-1834) River landscape with figures by a watermill Bodycolour, unframed 22.25 x 30.25cm £300-400 525

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529 529. Thomas Denny (early 19th Century) Studies of exotic birds in a landscape Both numbered, one signed and dated 1820, the other inscribed indistinctly Both watercolour with bodycolour, unframed Each 40 x 32.25cm (2) ÂŁ600-800

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530. English School 18/19th Century The Long-tailed green humming bird from Jamaica Watercolour with bodycolour, unframed 30.5 x 22.5cm ÂŁ300-400

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99 531. Attributed to Christoph Ludwig Agricola (1667-1719) A bird on a thistle Bodycolour, unframed 26.5 x 17.75cm £200-300

532. Aert Schouman (Dutch 1710-1792) Exotic heron Signed with initials and inscribed verso Watercolour, unframed 36.75 x 25.5cm £2,500-3,000

533. English School 18/19th Century Ducks among the waterlilies Watercolour with bodycolour, unframed 29 x 36.75cm £300-500

534. Jan Gerritsz van Bronkhorst (Dutch 1603-1662) Duck and fowl by a stump Signed with initials Watercolour with bodycolour, unframed 19.25 x 25cm £400-600

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100 535. Chinese School 19th Century Two birds on a branch Bodycolour, unframed 26 x 39.5cm £300-500

536. English School 19th Century Nest on an oak branch; Blackcurrant Two, one signed with initials H.E.B. Both bodycolour, unframed Each 35 x 50cm (2) £300-500

537. Chinese School 18/19th Century A pair of Australasian swamphens Bodycolour, unframed 11.75 x 19.7cm £200-300 538. Chinese School early 19th Century An Oriental bird Inscribed Chawhaw Watercolour with bodycolour, unframed 26.5 x 40.75cm £300-500 539. Attributed to Johann Christoph Gottlieb Reiler (18th Century) Chinese pheasants on a tree Inscribed verso Watercolour with bodycolour, unframed 36 x 24.25cm £4,000-5,000

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540 540. Jean-Baptiste Le Prince (French 1734-1781) Study of a peasant child Pencil and chalk, unframed 23 x 16.3cm £500-700

541 541. Alessandro D’Anna (Italian 1746-1810) Figures in Neapolitan costumes Two, both signed, dated 1793/4 and inscribed Napoli, one inscribed Donna delle colline di Posillipo Both bodycolour, unframed Each 24 x 18cm (2) £300-400

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542. Victor Jean Nicolle (French 1754-1826) Ladies by a town gate; Lady at a grotto Two, the first signed Both watercolour with bodycolour, unframed 18.3 x 12.5cm £500-700

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544 543. Johann Jacob Hoch (German 1750-1839) Courtesans at their windows A pair, one signed and dated 1798 Bodycolour, unframed Each 24 x 20cm (2) £800-1,000

545 544. French School c.1690 A lady seated by a fire in a painted border Bodycolour, unframed 18 x 12.7cm £700-900

545. German School c.1790 A lady playing the Clavichord Bodycolour, unframed 28 x 22cm £400-600

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546. Follower of Isaac de Moucheron (Dutch 1667-1744) Figures in a classical garden Bodycolour, unframed 18 x 23.75cm £300-400

548. English School c.1840 A church by a lake Signed with initials E.C or E.G. Watercolour with bodycolour, unframed 22.5 x 33cm £150-200

547. Daniel Dupré (Dutch 1752-1817) An angler in a river landscape Signed and dated 1794 Bodycolour, unframed 19.75 x 27cm £150-200

549. Attributed to Joseph Augustus Knip (Dutch 1777-1847) A windy day Bodycolour, unframed 24 x 36.5cm £200-300 550. Jean Augustin Renard (French 1744-1807) Figures by a ruined aquaduct Signed Bodycolour, unframed 22.75 x 30.25cm £250-350

105 551. Attributed to Pierre Antoine Patel (French 1648-1707) Women at a well in a classical landscape Bodycolour, unframed 16.5 x 23.25cm £1,000-1,500

552. Attributed to Marco Ricci (Italian 1676-1729) Figures on a road in an open landscape Bodycolour, unframed 24.25 x 27.75cm £500-700 551

553. French School c.1760 An Italianate landscape with figures by ruins Bodycolour, unframed 16.75 x 24in £250-350

554. Italian School c.1800 Figures in a the ruins of an amphitheatre Bodycolour, unframed 26.5 x 40.75cm £300-400

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558 555. Flemish School 18/19th Century An Italianate landscape with figures and livestock Bodycolour, unframed 24.5 x 30.25cm £200-300 556. Johannes Adriaansz. Bemme (Dutch 1775-1841) Peasants on a riverside track by a bridge and farmstead Signed, dated 1880 and extensively inscribed verso Watercolour, unframed 35 x 47.5cm £400-600

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557. Pierre-Joseph Wallaert (French 1753-c.1812) Anglers by a rustic bridge over a river Signed and inscribed Watercolour, unframed 31.75 x 41cm £400-600

558. Louis Bélanger (French 1736-1815) A family with livestock by a lake Pen, ink and bodycolour, unframed 34.25 x 48.25cm £500-600 559. Joseph Augustus Knip (Dutch 1777-1847) A woman on a donkey by a waterfall with a peasant and livestock Bodycolour, unframed 47.75 x 36.75cm £1,200-1,800

107 560. Di Angelis (Early 19th Century) The crater of Mount Vesuvius at sunset Signed, titled and dated Aug. 7th 1832 verso Bodycolour, unframed 26.2 x 40.75cm £600-800

561. Francesco Zerrilli (Italian 1793-1837) View of Sicily Inscribed Veduta di Bala verso Bodycolour, unframed 27.25 x 40.75cm £300-400 560 562. Carlo Bossoli (Swiss 1815-1884) Travellers in a landscape in Spain, a city beyond Signed Bodycolour, unframed 25.5 x 41.75cm £400-600

563. Thomas Walmsley (Irish 1763-1806) Light House, Mumbles near Swansea, South Wales Signed, titled and dated 1804 verso Bodycolour, unframed 31 x 47.5cm £400-600

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565 564. German School 18th Century Travellers by a bridge and Italianate buildings in a landscape Bodycolour, unframed 11 x 16.5cm £300-500

565. Dutch School 18th Century Travellers by a river in a landscape Bodycolour, unframed 10.5 x 15cm £300-500

566 566. Thomas Walmsley (Irish 1763-1806) A ruined Castle entrance and bridge Signed and titled indistinctly verso Bodycolour, unframed 34.5 x 47cm £500-700

567. John Laporte (1761-1839 Boats on a river on a calm evening Bodycolour, unframed 29.25 x 46cm £800-1,200 567

109 568. John Laporte (1761-1839) Travellers on a track, a river beyond Bodycolour, unframed 28.2 x 39.2cm £800-1,200

569. John Laporte (1761-1839) A beacon on the coast Bodycolour, unframed 29.3 x 44.3cm £800-1,200

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570. J. West (18/19th Century) A house on a lake at dusk; Peasants by a river at dusk Two, one signed Watercolour with bodycolour, unframed 29.5 x 41.5cm and similar (2) £800-1,200 569

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110 571. Hendrik van de Sande Bakhuysen (Dutch 1795-1860) Fishermen on the shore Signed verso Bodycolour, unframed 30 x 25.75cm £500-700 572. Attributed to Joseph Augustus Knip (Dutch 1777-1847) Travellers in a mountainous landscape Bodycolour, unframed 33.25 x 31.5cm £200-300

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573. German School c.1760 Bathers by a bridge Bodycolour, unframed 10 x 16.5cm £150-200

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575. Tethart Philip Christian Haag (German 1737-1812) after Philips Wouwerman Figures resting in a landscape Signed, dated 1787 and inscribed verso Watercolour, unframed 33 x 38.75cm £200-300

574. Pierre Antoine Patel (1648-1707) Figures at dusk in an Italianate landscape Signed and dated 1685 Bodycolour with gum arabic, possibly on vellum, unframed 10.2 x 12.5cm £300-500

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576. Attributed to Marco Ricci (Italian 1676-1729) Figures by a bridge over a river, a cappriccio of Rome beyond Bodycolour, unframed 28.75 x 44.75cm £1,500-2,000

577. Francesco Zerilli (Italian 1793-1837) Messina, Sicily Inscribed verso Bodycolour, unframed 24.75 x 40.25cm £800-1,200

578. Francesco Zerilli (Italian 1793-1837) An Italian Palace, possibly Palazzo Portici, Naples Bodycolour, unframed 27.25 x 40.75cm £800-1,200

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579. School of Marco Ricci (Italian 1676-1729) Travellers on a road by a country villa Bodycolour, unframed 38.25 x 58.5cm £2,000-2,500

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580. Roman School c.1780 View of the river Aniene at Tivoli; The Pantheon; The Colosseum Three, all bodycolour, unframed Each 9 x 14.5cm and similar (3) ÂŁ1,500-2,000 581. Attributed to Gerrit Rademaker (1672-1711) Figures before ruins A pair, both signed with initials Both watercolour, unframed Each 12 x 20.75cm (2) ÂŁ500-700 580

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582. Roman School c.1780 Views of Italian buildings and ruins Some inscribed verso Nine, all bodycolour, unframed Each 9 x 14cm and similar (9) ÂŁ1,000-1,500

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114 583. Willem van Leen (Dutch 1753-1825) Parrots on a branch Signed, inscribed and dated 1789 verso Watercolour, unframed 35.8 x 22.1cm £1,200-1,800 584. Karel Borchaert Voet (Dutch 1670-1743) A bird on a fallen branch Signed Watercolour, unframed 26 x 18.5cm £500-700

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584 585. Aert Schouman (Dutch 1710-1792) Bird of Paradise; Exotic bird in a landscape Two, both signed, one with initials and inscribed, one dated 1781 on the backing paper Both watercolour with bodycolour, unframed Each 36.5 x 26cm (2) £6,000-8,000

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586. William Hayes (1729-1799) A bird of prey with a snake and a tortoise; A duck and a fish by a stream A pair, both signed and dated 4th and 9th July 1760 Bodycolour on embossed paper, unframed Each 42 x 32.75cm (2) ÂŁ800-1,200

587. Isaac Spackman (c.1700-1771) Studies of sparrows Signed and dated 1765, also inscribed in detail verso Watercolour with bodycolour on vellum, unframed 22.75 x 32.25cm ÂŁ1,500-2,000

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590 588. Aert Schouman (Dutch 1710-1792) Antelope; Deer Two, one signed and dated 1779, both inscribed verso Both watercolour, unframed 16 x 19.5cm and 13 x 21cm (2) £700-900

589. C. Holstein (18/19th Century) Domestic fowl among ruins; Swans and birds by a lake Two, both bodycolour, unframed Each 27 x 37cm (2) £300-400

590. H. Locnen (18/19th Century) Domestic fowl by ponds Two, one signed Both bodycolour on vellum, unframed Each 29 x 43cm (2) £300-400

117

591 591. After Jan Van Kessel (c.1626-1679) The Mockery of the Owl Watercolour with bodycolour, unframed 37 x 54.75cm This is a loose copy of the original in the Royal Museum of Fine Arts, Antwerp. This copy is missing the owl. £2,500-3,500

592. Dutch School c.1760 Exotic and domestic fowl Watercolour, unframed 27 x 43cm £200-300

592

118

593

594

595 593. Johann Christoph Dietzsch (German 1710-1769) A squirrel eating a pine cone Bodycolour and gum arabic, unframed 29 x 21.5cm £300-500

594. S. Bright (Late 19th Century) Birds on a blossom Signed indistinctly Watercolour with bodycolour, unframed 20.25 x 22.75cm £400-600

596 595. Dutch School c.1750 Peasants by a tomb in a landscape Bodycolour, unframed 16.5 x 13cm £300-500

596. Giuseppe Florenzo Vanni (Italian 18th Century) An exotic bird of the Aracari family Watercolour, unframed 36.5 x 26.75cm £800-1,200

119

597 597. Johannes Jansen (18th Century) Farmers and livestock in river landscapes Two, both signed Both watercolour, unframed 19.75 x 15.25cm (2) £800-1,200

598

598. Pauline de Knip (French 1781-1851) An exotic bird on a branch Watercolour with bodycolour, unframed 43.75 x 30.5cm £100-150

599. Sydenham Teast Edwards (1768-1819) An exotic brown bird Signed with initials, unframed 50.5 x 37.75cm £1,200-1,800

599

120 600. Jan van der Straet (Stradanus) (Flemish 1523-1605) A stag hunt Signed Bodycolour, unframed 16 x 23cm ÂŁ500-700

601. Italian School 18th Century Amateur astronomers among the ruins Bodycolour, unframed 32.25 x 48.25cm ÂŁ400-600

600

601

603

602

604

121

605 602. Abraham Rademaker (Dutch 1675-1735) Soldiers by a town gate Signed Pen, ink and grisaille wash, unframed 14.5 x 23.5cm £400-600

603. Louis Gabriel Moreau L’Ainé (1740-1806) Angler by a cottage Bodycolour, unframed 14.5 x 22.5cm £300-500

604. Dutch School c.1780 A pastoral landscape Bodycolour, unframed 10.7 x 15.2cm £400-600

605. Jacob Burgi (Swiss 1745-c.1795) Travellers in a wooded river landscape Bodycolour, unframed 15.25 x 20.5cm With another of a chapel on a river (2) £800-1,200

606. Jacob Burgi (Swiss 1745-c.1795) Figures in river landscapes Both bodycolour, unframed 17 x 22.5cm and 15.7 x 22.7cm (2) £1,000-1,500

606

122

607

609

608

610

607. Jacob Burgi (Swiss 1745-c.1795) Figures by a water trough in a landscape Bodycolour, unframed 21.75 x 27cm £500-700

609. Jacques Willem van Blarenberghe (Dutch 1679-1742) Figures in a wooded river landscape Bodycolour, unframed 14 x 19cm £300-500

608. Johann Christoph Dietzsch (German 1710-1769) A family and a traveller at sunset Bodycolour, unframed 11 x 15.2cm £400-600

610. J. West (18/19th Century) A mill in a mountainous landscape Bodycolour, unframed 28.5 x 37.5cm £150-200

123

611 611. Jacques Willem van Blarenberghe (Dutch 1679-1742) A village scuffle; Figures by a waterfall Two, both bodycolour, unframed 15.3 x 21.2cm and 17 x 22.5cm (2) £800-1,200

612. Claude Louis Châtelet (French 1753-1794) Ships on the coast at Stromboli Signed and inscribed verso Grisaille watercolour, unframed 15.5 x 26cm £700-900

612

613. Jacob Cats (Dutch 1741-1799) Figures and livestock by an Inn Inscribed and dated May 1789 verso Grisaille watercolour, unframed 24.75 x 36cm £600-800

613

124 614. Johann Christoph Dietzsch (German 1710-1769) Lightning strikes in stormy scenes Bodycolour, unframed 11 x 17cm and 11.5 x 15.5cm (2) ÂŁ1,000-1,500

614 615. Attributed to Johann Christoph Dietzsch (German 1710-1769) A lightning strike Bodycolour, unframed 14.2 x 21cm ÂŁ500-700

615

125

616

616. Henri Désiré van Blarenberghe (French 1734-1812) A battle aftermath; Military encampment Two, both bodycolour, unframed 15 x 20.75cm and similar (2) £800-1,200 617. German School 18th Century Italianate landscapes Three, all bodycolour, unframed 10.7 x 14.3 and 10.7 x 16.7cm (3) £800-1,200

617

126

618 618. Agostino Aglio (1777-1857) View over Mount Etna Signed and dated 1803 Bodycolour, unframed 40.5 x 55cm £2,500-3,500

619

619. Joseph Augustus Knip (Dutch 1777-1847) Fisherman in a boat on a millpond Signed Bodycolour, unframed 27.5 x 42cm £800-1,200

127

620 620. John Claude Nattes (c.1765-1822) View over the Thames with St. Paul’s beyond, 1807 Bodycolour, unframed 37.5 x 53cm £2,000-2,500

621. John Claude Nattes (c.1765-1822) View over the Thames looking West towards Somerset House with Westminster Abbey beyond Bodycolour, unframed 37 x 52.5cm £1,000-1,500 621

128 622. Italian School c.1790 Travellers in a wooded river landscape, a town beyond Bodycolour, unframed 41.75 x 51.25cm ÂŁ2,500-3,500

622 623. Pieter Pietersz. Barbiers (1749-1842) Figures by a farmstead, a church beyond Signed and dated 1807 Watercolour, unframed 41 x 53cm ÂŁ1,000-1,500

623

129

INDEX OF ARTISTS A Asch, Pieter Jansz van Aumonier, James Austrian School

337 436 418

B Baillie, Capt Wm. E 231 Baker, Attrib to Thomas 423 262 Bale, Edwin Ball, Wilfred Williams 267 Barraud, After Henry 241 Baschenis, After Evaristo 358 Batt, Arthur 366, 368, 397 Batt, Edythe B 438 Beauclerk, Lady Diana 243 Bell, Arthur George 392 Biard, Francois Auguste 407 Black, Andrew 434 Blacklock, William Kay 390 Bowden, W J 426 Brett, John 265, 271 Breughel, Foll of Jan 312 Bright, Harry 285, 286, 287, 288, 289, 290, 291, 292, 293 360 Browne, Alfred J W Bukovac, Vlaho 403 Burleigh-Bruhl, Louis 255 C Calderon, William Frank Campbell, John Henry Canal, After Giovanni A Canaletto, Foll of A Carrick, John Mulcaster Carse, After Alexander Cei, Cipriano Chambers, George Chinnery, Manner of G Clevenbergh, Charles Antoine Clouet, Foll of Francois Cobbe, Bernard H Collins, Attrib to Richard Continental School Cooper, Thomas Sidney Cosway, Richard Cosway, Richard ????????? Coventry, C C Cox, David Crawford, Edmund T Crome, John Berney Crossland, James Henry Crowe, Eyre

396 275 319 320 405 234 415 354 311 364 297 432 196 323, 394 266 197, 242, 244 194 344 250 363 373 406 398

D 246 Daniell, Thomas Davidson, Charles Grant 273 Dibdin, Thomas colman 283, 284 Diest, Circle of Willem H 316 Dommersen, Pieter 425 Drulin 269 Durer, After Albrecht 306 Dyck, After Sir Anthony van 300 E Edouart, Foll. Of A A 221 Ellis, Edwin John 386, 393 Emms, John 388, 389 Engleheart, George 189, 193, 198, 199, English School 190, 209, 211, 212, 213, 218, 326, 327, 328, 330, 346, 350 F Famin, E M Fitchew, Ernest H Fleury, James Vivien de Foster, Myles Birket Fowke, Thomas

433 258 355 272 359

G Gainsborough, Thomas Gerard, Theodore German School Gianni, Girolamo Grutzner, Circle of Ed von

225, 226, 227, 228 421 302 347 428

H Hague School 435 Hannam, Florence 217 Harding, Attrib to George P 207 Harding, George Perfect 200, 201, 202, 203, 204, 205, 206 279, 280, 281, 282, Hardy, Thomas Bush Havell, Robert 236 Hayllar, Edith 381 Hayllar, James 380 Hayter, Sir George 342 Hone, Nathanial 376 Hudson, Foll of Thomas 325 Hughes, Arthur 409 Hunt, Edward Aubrey 361 404 Hurt, Louis Bosworth I Italian School J Jagger, Charles Jones, Charles Joy, William

310, 335 208 270 278

K Keulemans, Johannes G 294 Kirchoffer, Henry 253 Klisser 414 Knight, George 391 L Laissement, Henri A Lawrence, Sir Thomas Lawrence, Studio of Sir T Le Brun, After E L Vigee Leader, Benjamin William Legros, Alphonse Leslie, Charles Leyden, Lucas van Linnig, William Lloyd, Walter Stuart Lucas, Albert Durer Lucas, David Luny, Attrib to Thomas Lutz, Jorg

417 251 345 341 375 400 378 224 357 419 399 229, 230 348 257

M Malton, James Marshall, Roberto Angelo Mee, Circle of Anne Mesgrigny, Claude F A de Millet, Jean F Millington Mannin, Mary A Moni, Louis de Morland, Foll of George Mottram, Charles Sim

233 268 195 383 333 210 308 336, 424 263

N Neapolitan School Neer, Attrib to Aert van der Noel, John Bates Northcote, James

427 315 377 329

O Onken, E Owen, Samuel

411 259

P Paice, George Palmer, Samuel Papprill, Henry A Paul, John Peeters, Circle of Jan Pennell, Harry

367 237, 238, 239, 240 235 313 318 410

Persogli, M Pether, Sebastian Petit, Cornielle Petit, Eugene Poingdestre, Charles Henry Pollentine, Alfred Prior, Jessie Edith

362 349 416 370, 401 365 356 222

R Raeburn, After Sir H Ramsay, Circle of Allan Ranvier, Joseph Victor Ravesteyn, Circle of Jan A Reinagle, Ramsay Richard Rinzi, Ernest Rivers, Leopold Roberts, David Rowlandson, Thomas Rubens, After Peter Paul Russian School

332 331 430 301 422 219 374 340 247, 248 305 322, 343

S Saltmer, Florence A Sanzio, After Raphael Schelfhout, Andreas Schetky, John Christian Scott, John Scottish School Senton, Annie F Serres, Dominic M Serres, John Thomas Serres, Valerie Short, Frederick Golden Siberechts, Attrib to J Smart, John Smith, David Murray Southall, Joseph E Spencer, Attrib to Gervase Storck, Circle of Abraham J Stry, Jacob van Stubbs, George Syer, John

384 309 408 371 353 298, 351 220 254 352 216 437, 439 334 191, 192 413 245 215 304, 317 314 232 412

T Teniers, David Thorburn, Archibald Thors, Joseph Tissot, Foll of James J J

307 295, 296 385 429

V Valckert, Attrib to W van den Valter, Henry Varley, John Velde, Willem van de Verbruggen, Attrib to P Vinne, Vincent J van der Vollon, Alexis W Ward, James Wardlow, Alexander H Wardlow, Attrib to Alex H Watts, James Thomas Weiss, Jose Wheeler, John Alfred Williams, Edward C Williams, Walter Willis, John Wint, Peter de Wright, John Massey Wright, Robert Murdoch Z Zais, Foll of Guiseppe Zommer, Richard K

299 372 256 303 321 249 431 339 223 214 260, 261, 274 387, 395 369 420 382 338 252 277 276 324 401

130

WORKS ON PAPER - PRIVATE COLLECTION A Aglio, Agostino Agricola, Attrib to Christoph L Agricola, Christoph Ludwig Andriessen, Juriaan Angelis, Di Austrian School

618 531 491, 500 501 560 462, 499

B Bakhuysen, Hendrik van de S 571 Barbiers, Pieter Pietersz 623 463 Begeyn, Foll Of Abraham J Belanger, Louis 558 Bemme, Johannes Adriaansz 556 492, 493, 523 Bemmel, Georg Christoph G Blarenberghe, Henri Desire van 452, 504, 616 Blarenberghe, Jacques W van 609, 611 562 Bossoli, Carlo Both, Jan Dircksz 464 Bright, S 594 440, 445 Bronkhorst, Johannes 534 Bronkhorst, Jan Gerritsz van Burgi, Jacob 459, 518 Burgi, Jacob 512, 605, 606, 607 C Cats, Jacob Chalon, Louis Chatelet, Claude Louis Chinese School

520, 613 507 612 535, 537, 538

D 526 D’Albe, Baron Louis A G B Daniell, Foll of William 466, 488 D’Anna, Alessandro 541 Daubler, Johann Martin 517, 521 Denny, Thomas 529 Desfriches, Aignan Thomas 469 Dietrich, Attrib to Christian W E 519 615 Dietzsch, Attrib to Johann C Dietzsch, Johann Christoph 448, 450, 451, 515, 516, 593, 608, 614 Duplessis-Bertaux 453 Dupre, Daniel 547 Dutch School 508, 592, 595, 604 Duval, Eustache Francois 522

E Edwards, Sydenham Teast 599 English School 442, 481, 530, 533, 536548 F Fagan, Louis Alexander Ferg, Franz de Paula Flemish School French School

446 449 510, 555 544, 553

G Gabler, Ambrosius 528 Gatta, Saviero Xavier della 447 468 Genillion, Jean Baptiste F German School 458, 465, 487, 490, 506, 514, 545, 573, 617 511 Gill, G H Haag, Tethart Philip C Hackert, Attrib to Johann G Hayes, William Hendriks, Wybrand Hoch, Johann Jacob Holstein, C I Italian School J Jansen, Johannes K Kessel, After Jan van Kleemann, Johann Conrad Knip, Attrib to Joseph A Knip, Joseph Augustus Knip, Pauline de Krygeer, A C

575 498, 503 586 509 543 589 554, 601, 622 597 591 455, 461 549, 572 559, 619 598 489

L L’Aine, Louis Gabriel M 603 495 Langendyk, Jan Anthonie Laporte, John 470, 476, 482, 483, 484, 502, 567, 568, 569 Leen, Willem van 583 Lewin, William 443 Locnen, H 590 Loutherbourg, Foll of Philip J de 485 Loutherbourg, Philip J de 525 Ludwig, Francois 460

M Moucheron, Foll of Isaac de N Nattes, John Claude Nicolle, Victor Jean Nuremburg School P Patel, Attrib to Pierre Antoine Patel, Pierre Antoine Portuguese School Prince, Jean-Baptiste Le R Rademaker, Abraham Rademaker, Attrib to G Reiler, Attrib to Johann C G Renard, Jean Augustin Ricci, Attrib to Marco Ricci, School of Marco Richards, Attrib to John I Roman School S Schouman, Aert Spackman, Isaac Spanish Colonial School Specht, Friedrich Straet, Jan van der

546 479, 620, 621 542 524 551 574 454, 457 540 467, 505, 602 581 539 550 552, 576 579 494 580, 582 496, 532, 585, 588 587 456 444 600

T Tillemans, Peter

513

V Vanni, Giuseppe Florenzo Voet, Karel Borchaert

596 584

W Wallaert, Pierre-Joseph Walmsley, Thomas

557 471, 472, 473, 474, 475, 480, 486, 566 Webb, James 477, 478 West, J 570, 610 497, 527 Wissing, J C Withers, Augusta Innes 441 Z Zerrilli, Francesco

561, 577, 578

Furniture, Works of Art & Clocks Thursday 7th January 2016

A Collection of Bronzes, 17th â&#x20AC;&#x201C; 19th century. The property of a deceased estate.

Enquiries Mark Richards +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

Silver Tuesday 19th & Wednesday 20th January 2016

A pair of George III silver candlesticks, by John Green, Roberts, Mosley and Co., Sheffield 1800. Estimate: £1,000 - £1,500

Enquiries Rupert Slingsby +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Oil Paintings, Watercolours, Miniatures and Prints Wednesday 16th March 2016

John Nost Sartorius (1759-c.1830) Hunting Scenes A set of four All signed and dated 1804 All oil on canvas Each 37 x 47cm; 14½ x 18½in Estimate: £5,000-7,000

Enquiries Victor Fauvelle +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

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Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Packing and Shipping Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form Fine Old Masters & 19th Century Paintings Wednesday 9th December 2015 & Thursday 10th December 2015 PW091215

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Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Signature �� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

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Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Auction Calendar Asian Art 18th & 19th May 2016 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk Paintings 16th March 2016 – Oils, Watercolours, Prints & Miniatures Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century Design 20th April 2016 – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture & Works of Art 7th January 2016 – Furniture, Works of Art & Clocks Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk Silver 19th & 20th January 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 21st January 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Tribal Art & Antiquities 9th February 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Arms & Armour 6th April 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk English & European Ceramics & Glass 23rd February 2016 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS Fine Old Masters & 19th Century Paintings

9th & 10th December 2015