Woolley & Wallis 20th Century & Contemporary Art 9th December by ATGMEDIA

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

20th Century & Contemporary Art Wednesday 9th December 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

Asian Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan English & European Ceramics & Glass Clare Durham

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Furniture, Works of Art & Clocks Mark Richards Jim Gale Anna Brown

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Jewellery Jonathan Edwards FGAA Marielle Whiting FGA

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Paintings Victor Fauvelle Jo Butler

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Silver Rupert Slingsby Lucy Chalmers

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20th Century Design Michael Jeffery

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Tribal Art & Antiquities Arms & Armour Will Hobbs Ellie Osmond

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Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

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Accounts Janice Clift (Office Manager)

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General Office Pauline West Sharon Ringwood Nicola Young Amanda Lawrence Saleroom Manager David Jordan

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Board of Directors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director Company Secretary Jim Macarthur CA Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

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Enquiries

20th Century & Contemporary Art Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk

Wednesday 9th December 2015 at 11am Viewing Times Saturday 5th December 10.00am – 1.00pm Monday 7th December 10.00am – 5.00pm Tuesday 8th December 10.00am – 4.00pm Wednesday 9th December 9.00am – 10.45am

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Catalogue: £12.00 (£15.00 by post)

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 10th and 11th December - collection of lots on these days and Saturday 12th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details

From 14th December collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street.

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

Member of The Society

of Fine Art Auctioneers

Front cover: Lot 122 Back cover: Lot 136 This page: Lot 112 Overleaf: Lot 25

1. ‡ Lionel Dalhousie Robertson Edwards R.I. (1878-1966) Illustration to The Children of the New Forest by Captain Marryat Watercolour on grey paper 30.75 x 20cm Illustration to If born and bred in this forest you must fain know all its mazes and paths (opp. p.20) published by J. M. Dent & Sons Ltd. With a copy of the book (2) £800-1,200 2. ‡ Lionel Dalhousie Robertson Edwards R.I. (1878-1966) Illustration to The Black Arrow by R.L. Stevenson Watercolour on grey paper 29.5 x 20cm Illustration to Sir Daniel inspected his new troops, published by J. M. Dent & Sons Ltd. With a copy of the book (2) £800-1,200 3. Janet C. Fisher (1867-1926) The seamstress among the sweet peas Signed with a monogram Pastel 68 x 51.5cm £600-800

5 4. Henry Scott Tuke R.A. (1858-1929) Portrait of William Humphries Signed and dated 99 Oil on board 26 x 21cm Provenance: By family descent to the present owner £1,500-2,500 5. Henry Scott Tuke R.A. (1858-1929) Harbour scene in Kingston, Jamaica Signed, dated 1924 and inscribed Kingston, Jamaica Watercolour 21 x 13cm £1,200-1,800 6. ‡ Francis Dodd R.A., R.W.S. (1874-1949) By the Serpentine Signed and dated 1922 Watercolour 21.25 x 16.5cm £500-800

Lots 7 to 24 – The Property Of A Lady

7. ‡ Sir Henry George Rushbury R.A., R.W.S. (1889-1968) The Pont Royal & Louvre, Paris Signed Pencil, ink and watercolour 34 x 43cm £800-1,200

9. ‡ Sir Henry George Rushbury R.A., R.W.S. (1889-1968) The Fish Market, Dieppe Signed and dated 1926 Pencil and wash on cream paper 32 x 45cm £800-1,200

8. ‡ Sir Henry George Rushbury R.A., R.W.S. (1889-1968) The Basilica of Santa Maria della Salute, Venice Signed, dated 1931 and inscribed Venice Pencil and watercolour 36.5 x 44cm £800-1,200

10. ‡ Sir Henry George Rushbury R.A., R.W.S. (1889-1968) The Greek Ship Signed Pencil and watercolour on buff paper 24.5 x 36.5cm £400-600

11. ‡ Sir Henry George Rushbury R.A., R.W.S. (1889-1968) Mullion Cove Signed and dated 1927 Watercolour over pencil 27.5 x 41cm Provenance: New English Art Club £600-800

13 12. William Bruce Ellis Ranken (1881-1941) A Colonnade at Greenwich Signed and dated 1913 Watercolour 54 x 75cm Exhibited: Birmingham Exhibition 1936 £400-600 13. Arthur Henry Knighton-Hammond (1875-1970) Hay ricks and hay carts in France Signed Watercolour 34 x 48.25cm £300-500 14

14. ‡ Claude Muncaster R.W.S. (1903-1974) West coast, Scotland Signed and dated 1937 Watercolour 22.5 x 37cm £250-350 15. ‡ Norman Wilkinson C.B.E., R.W.S. (1878-1971) Highland view, Scotland Signed Watercolour over pencil 25 x 35cm £400-600

18 16. ‡ Sir David Muirhead Bone R.W.S. (Scottish 1876-1956) Distant Lido, Venice Signed and titled Venice Pencil and watercolour 25 x 36.5cm £700-1,000 17. ‡ Sir David Muirhead Bone R.W.S. (Scottish 1876-1956) Villafranca del Bierzo - Torquemada’s House Signed Pen, ink and watercolour 37 x 28cm Provenance: Robertson & Bruce, Dundee £800-1,200

19 18. ‡ Robert Sargent Austin R.A., R.W.S. (1895-1973) Mother and child in a railway carriage Stamped Watercolour over pencil on buff paper 38.5 x 34cm Exhibited: 20th Century Gallery, London (2004), No. 53 £600-800 19. Harry Watson R.W.S. (1871-1936) Castle at the end of Loch Awe Signed Watercolour 31.5 x 41cm Provenance: Royal Society of Painters in Watercolours, Sir Laurence Halsey, K.B.E. £600-800

22 20. Gertrude Martineau (1840-1924) Birches in Spring, Loch-an-Eilan, Aviemore, Scotland Signed and dated 1905 Watercolour with bodycolour 27 x 21.5cm £200-400 21. Alexander Henry Hallam Murray (1854-1934) Roman Aquaduct, Segovia Signed, titled and dated 1883 Watercolour 35 x 24cm £200-300

22. Sir Guy Dawber R.A. (1861-1938) St. Agata, Brescia, Italy Signed with initials, titled and dated 1926 Watercolour 35 x 24.25cm £200-300 23. James Orrock (1829-1913) River Tweed with Norham Castle beyond Watercolour 21.5 x 31.5cm £200-300 24. ‡ Cecil Arthur Hunt R.W.S. (1873-1965) Chepstow Castle Signed and inscribed Chepstow Watercolour 26 x 35cm £300-500

Lots 25 to 33 - The Estate of Michael and Doreen Lester, Broadway, Worcestershire

26 25. Albert Goodwin R.W.S. (1845-1932) Salisbury Cathedral Signed, titled Salisbury and dated 1916 Oil on board 36 x 52cm With an annotated pencil study for the painting (2) ÂŁ4,000-6,000

26. Albert Goodwin R.W.S. (1845-1932) Viznau, Lake Lucerne Signed and titled Watercolour with bodycolour 33.5 x 49.5cm Painted in 1919 ÂŁ4,000-6,000

28 27. Albert Goodwin R.W.S. (1845-1932) Gathering for battle, Knole Park, Sevenoaks Signed, titled and dated 1921 Watercolour with bodycolour 35 x 52cm ÂŁ2,000-3,000

28. Albert Goodwin R.W.S. (1845-1932) Windsor Signed, titled and dated 1908 Oil on paper heightened with pen and ink 27 x 37.25cm ÂŁ2,000-3,000

30 29. Albert Goodwin R.W.S. (1845-1932) Antibes Signed and titled Mixed media 23 x 28.5cm £1,500-2,500

30. Albert Goodwin R.W.S. (1845-1932) The Valley of the sea Signed and dated 82 Watercolour 30 x 45cm Provenance: Spink, No. K3 7462 £1,500-2,500

31. Albert Goodwin R.W.S. (1845-1932) Naples Signed, titled and inscribed indistinctly, possibly The Procession Oil on paper 25.25 x 36cm ÂŁ1,500-2,500

32. Albert Goodwin R.W.S. (1845-1932) Storm on the Simplon Pass Signed and dated 82 Watercolour with pen and ink 21.5 x 30.75cm ÂŁ1,200-1,800

13 33. Albert Goodwin R.W.S. (1845-1932) Tombs of the Mamelukes, Cairo Signed and titled Watercolour with bodycolour 18 x 27cm ÂŁ1,500-2,500

Other Properties 34. Albert Goodwin R.W.S. (1845-1932) St. Mary Redcliffe, Bristol Signed, titled and dated 1926 Pen, ink and watercolour 21.5 x 27.25cm ÂŁ1,000-1,500

36 35. Albert Goodwin R.W.S. (1845-1932) Salisbury Signed, titled and dated 1921 Watercolour and mixed media 25 x 34.5cm ÂŁ1,500-2,500

36. Albert Goodwin R.W.S. (1845-1932) Canterbury Signed, titled and dated 1914 Watercolour 25 x 36.5cm ÂŁ1,500-2,500

37 37. ‡ Christopher Richard Wynne Nevinson A.R.A. (1889-1946) Portrait of a wounded soldier Signed Oil on canvas 50.5 x 40.5cm Painted c.1916 This painting was executed almost 100 years ago by Nevinson who had been at the heart of the action on the Western Front. Nevinson’s early works in the Futurist mould took a diversion with the onset of the First World War but he was determined to continue with the ‘Futurist technique’ to express the reality of War. However by 1916 his métier was in retreat to a form of moderate modernism which won him much critical acclaim. His works at the time of the War are bleak, outspoken and often angry but his paintings of 1915-16 count among the masterpieces of his career. The unknown sitter is depicted gazing calmly at the artist but with a wealth of emotion in the eyes. He was to turn more to portrait painting after the War and this painting is a rare glimpse of Nevinson succeeding as a portrait artist at a watershed moment of his career £8,000-12,000

38. William Lionel Wyllie R.A. (1851-1931) Timber ships on the Thames Signed Etching 11 x 33cm Provenance: The Late Peter J. Rankin £150-250 39. William Lionel Wyllie R.A. (1851-1931) Blackfriars to Westminster from the top of St Paul’s Cathedral Signed Etching 16.5 x 38cm £250-350

40. William Lionel Wyllie R.A. (1851-1931) Tower Bridge, London Signed Etching 28.5 x 53cm £300-500 41. ‡ Sir Frank Brangwyn R.A. (1867-1956) Trees and factory, Hammersmith Signed Etching 33 x 40cm Provenance: The Late Peter J. Rankin £100-200 42. ‡ Rowland Langmaid (1897-1956) Trawlers - Reykjavik, Iceland Signed and dated 1938 Watercolour 21 x 31cm £200-300

43. ‡ Gabriel Deschamps (French b.1919) St. Tropez harbour Signed Oil on canvas 73 x 60.5cm £1,500-3,000

45. ‡ Luigi Pagan (Italian 1907-1980) Crowds in Piazza San Marco Signed Oil on panel 40 x 30cm £300-500

44. ‡ Thomas Saunders Nash (1891-1968) The apple pickers Oil on panel 46 x 37cm £800-1,200

46. ‡ Rudolf Weigel (Austrian/Brazilian 1907-1987) Fundo, Brazil Signed Oil on board 35 x 27cm £300-500

47. ‡ Rudolf Weigel (Austrian/Brazilian 1907-1987) Ouro Preto, Brazil Signed Oil on board 18 x 12cm £200-300

18 48. ‡ Gordon Beningfield (1936-1998) A Red Admiral butterfly on a bramble Signed Watercolour 29 x 19.5cm £500-800

49. ‡ Cecil Kennedy (1905-1997) Christmas Roses Signed Oil on canvas 30.5 x 25cm Provenance: The Fine Art Society Ltd., March 1968, No. 680/114 £1,000-1,500

50. ‡ Sir Hugh Casson P.R.A. (1910-1999) Trinity College, Oxford Signed with initials and titled Pen, ink and watercolour 20 x 15cm £200-300

51. ‡ Bryan Reed (b.1934) Goldcrest Signed Gouache on grey paper 21 x 15cm Provenance: The Sladmore Gallery, London Exhibited: Bird Artists of Today, 1st Mar. - 15th Mar. 1972 £300-400

52. ‡ Gordon Beningfield (1936-1998) A study of a Snipe Signed Watercolour on pale grey paper 24 x 34cm Provenance: The Sladmore Gallery, London Exhibited: Bird Artists of Today, 1st Mar. - 15th Mar. 1972 £400-600

19 53. ‡ Wilfred Gabriel de Glehn R.A. (1870-1951) The Palladian Bridge, Wilton Park Oil on canvas 67 x 76cm £2,000-3,000

54. ‡ John Anthony Park (1880-1962) Welsh trout river Signed Oil on canvas 63.5 x 76cm Provenance: Sotheby’s, 4.10.95, Lot 140 Exhibited: Royal Academy, 1949, No. 345 £2,500-3,500

20 55. ‡ Margaret Dovaston (1884-1955) Private H. J. Hastings D.C.M. of the 2nd Battalion, Oxfordshire & Buckinghamshire Light Infantry firing on the enemy … October 23rd 1914 Signed Mixed media 26 x 52cm Further information online £300-500 56. ‡ Frank O. Salisbury (1874-1962) Adelaide, Countess Brownlow; Edith Player; Study of two children Three, two signed and one with stamped signature verso, Countess Brownlow painted 1954, Edith player dated 1911 Two, one watercolour with chalk, one chalk and one watercolour over pencil, all on brown paper, unframed Each 50.5 x 42cm and similar (3) Provenance: By direct descent from the artist £400-600

57. ‡ Frank O. Salisbury (1874-1962) A young lady in blue; Portrait of Mrs. Buchannan; Col Hutton Piers Lagle Three, all signed and titled, one indistinctly, Mrs. Buchannan painted 1908 All chalk on brown/grey paper, unframed 62 x 48cm and smaller (3) Provenance: By direct descent from the artist £400-600

58 58. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Towards the cliffs of Tregiffian, Lamorna Signed Oil on canvas 51 x 71cm £2,500-3,500 59. Attributed to Samuel John Lamorna Birch R.A. (1869-1955) Extensive moorland landscape in winter Oil on canvas 61 x 92cm £800-1,200

60. Sir Herbert Hughes-Stanton R.A., P.R.W.S. (1870-1937) La Tour Phillipe le Bel, Avignon, France Signed, titled on a label verso Oil on canvas 52 x 66cm Provenance: The Fine Art Society, London May 1966, no. 2676 £800-1,200

61 61. ‡ Richard Hamilton R.A. (1922-2011) Picasso’s Meninas, from Homage à Picasso Signed, titled and numbered EA 7/15 Etching with aquatint 57 x 49cm Provenance: Sotheby’s, 1st July 1998, Lot 768 Elizabeth Harvey Lee, 2000 The Late Peter J. Rankin £8,000-12,000

62 62. ‡ Pablo Picasso (Spanish 1881-1973) La Magie Quotidienne Signed and numbered 24/70 Etching, Bloch 1460; Baer 1505 22 x 32cm (plate size) Provenance: Christie’s, 18 June 1981, Lot 531 £3,000-5,000

63. ‡ Henry Moore O.M., R.A. (1898-1986) Ewe and lamb Signed and numbered 33/50 Lithograph 18 x 18cm £400-600 64. ‡ Henry Moore O.M. (1898-1986) Girl doing homework III Signed and numbered 44/50 Etching 22 x 17.5cm £300-500

65. James Abbott McNeill Whistler (American 1834-1903) La Robe Rouge Lithograph, 1894, published by ‘The Studio’, 1896 24.5 x 19cm £200-300

67 66. ‡ Georgina Moutray Kyle (Irish 1865-1950) Study of a punt, Mousehole Signed Oil on canvasboard 27 x 37cm Provenance: The Late Peter J. Rankin £500-800

67. ‡ Georges Cosmadopoulos (Greek 1895-1967) Mykonos Signed Oil on board 24 x 35.5cm £800-1,200

68. ‡ Georges Cosmadopoulos (Greek 1895-1967) The English Girl Signed Oil on board 17 x 26cm £600-800

69. ‡ Cecil Doyly John (1906-1993) Harbour scene near St. Maxime Signed Oil on board 45 x 55cm £500-700

70. ‡ Leon Underwood (1890-1975) Harvest Corn Linocut in colours Signed and dated 43 in pencil 47 x 62cm (to mount) £800-1,200

72. ‡ Harold Workman (1897-1975) Chelsea Hospital Signed Oil on board 40.5 x 50.5cm £800-1,200

71. ‡ Edward Ardizzone R.A. (1900-1979) Girls at the Bathing Pool Signed with initials Watercolour over pencil 21.5 x 26cm Provenance: Michael Parkin Gallery, London, Oct. 1991 Exhibited: Middlesborough Borough Council, Ardizzone by the sea, No. 51 £700-1,000

73. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) Little ringed plovers Signed with a monogram Gouache and watercolour on silk 40 x 59.5cm £1,000-1,500

74. ‡ Robin Tanner (1904-1988) The Plough Signed, dated 1974 and inscribed This impression was printed for my friend Cecil Crouch … Etching 16 x 18.5cm £400-600 75. ‡ Julian Trevelyan R.A. (1910-1988) Florence at night Signed, titled and numbered 63/100 Etching with aquatint, unframed 35.25 x 47.5cm £300-500

78. Rex John Whistler (1905-1944) No. 7 Holding Coy. Welsh Guards, correct layout for kit inspection Two, both prints on handkerchief Each 36.75 x 36.75cm (2) Provenance: Michael Parkin Gallery, 1987 Literature: The Work of Rex Whistler, p.41, No. 271 £300-500

76. ‡ Peter Howson (b.1958) Centurion; Old Man Two, both signed, titled, dated ‘90 and numbered 13/50 and 18/50 Both etchings, one unframed 30.25 x 22.25cm (plate sizes) (2) £300-500

77. ‡ Robert Arthur Wilson (1884-1979) Vorticist School design in two sections Signed and dated 1919 Watercolour and pencil 29 x 16.25cm (sheet size) Provenance: Waterhouse & Dodd, London, 2006, No. 36 Including a copy of the exhibition catalogue (2) £600-800

79 79. William McTaggart R.S.A. (Scottish 1835-1910) Carnoustie Bay, Scotland Signed and dated 1880 Oil on canvas 59 x 88.5cm £4,000-6,000

80. Josef Herman R.A. (1911-2000) Workmen resting Thought to be signed and inscribed verso Mixed media 19 x 24.5cm £300-500

81. ‡ John Piper (1903-1992) Thornton Abbey Gateway Signed Screenprint, unframed 46 x 59.5cm £600-800

82 82. ‡ William Miller Frazer R.S.A. (Scottish 1864-1961) A view of Perth, Scotland from the South Signed and dated 1924 Oil on canvas 89 x 127cm £1,000-1,500

83 83. Gemima Williams (early 20th Century) The Jungfrau from Wengen Signed and titled Gouache 38 x 46cm £700-1,000 86. ‡ Henry Robertson Craig (1916-1984) Mountain farm Signed, also signed and titled verso Oil on canvasboard 25.5 x 27.5cm Provenance: The Late Peter J. Rankin £400-600

84. ‡ Hans Fiebusch (German 1898-1998) Fish Signed with initials Oil on canvas 51 x 91.5cm £1,500-2,500

85. ‡ Giovanni Panza (Italian 1894-1989) Summer fun Signed Oil on board 31 x 40cm £400-600

87 87. Sir David Young Cameron R.S.A., R.A. (1865-1945) Scottish highlands Signed Oil on canvas 56 x 73.5cm £1,200-1,800

90. ‡ Julian Trevelyan R.A. (1910-1988) French landscape with a farmstead Signed and dated 1932 Watercolour, gouache and pencil 37 x 52.5cm £1,000-1,500

88 88. ‡ John Mathison (Scottish 1935-1991) Wester Ross and Sutherland Signed and dated 86 Oil on canvas 122 x 183cm £700-1,000

89. ‡ John Mathison (Scottish 1935-1991) Carbost, Skye, Scotland Signed, and dated ‘91 Oil on canvas 71 x 114cm £300-500

91. ‡ Derek Hill (1916-2000) Forestry above Lough Gartan Signed with initials in pencil Oil on panel 16.5 x 25.25cm Provenance: Gordon Galleries, Feb.1995 The Late Peter J. Rankin £600-800

92. ‡ Robert Arthur Wilson (1884-1979) View of a French village Signed Oil on canvas, unframed 46 x 61cm £200-300

94. ‡ Oliver Hall R.A. (1869-1957) Pope’s Palace, Avignon Signed, also signed and titled on a label verso Oil on canvas 56 x 71cm £300-500

93. ‡ Charles R. Manners (20th Century) Botelle woods Signed Watercolour 46 x 65cm £150-250

95. William Alfred Gibson (1866-1931) On the canal near Edam, Holland Signed Oil on board 23 x 28cm Provenance: W. B. Simpson, Glasgow £300-500

96. ‡ Norman Ackroyd C.B.E., R.A. (b.1938) Petworth Park Signed, titled and dated 94 Etching, artist’s proof 19.5 x 30cm Provenance: Gordon Galleries, Londonderry, April 1996 The Late Peter J. Rankin £300-500 97. ‡ Bertram Walter Priestman R.A. (1868-1951) Sailing ships off the coast Signed, also dated indistinctly Oil on canvasboard 46 x 61cm £300-500

98 98. ‡ Orestis Kanellis (Greek 1910-1979) Girls in an interior Signed Oil on canvas 73.5 x 101.5cm Provenance: Sotheby’s, London, 18th November 2003, lot 139 £3,000-5,000

98A. ‡ Berthe Art (Belgian 1857-1934) La Baigneuse Signed Pastel 137 x 76cm £600-800

98A 99. ‡ Constantine Parthenis (Greek 1878-1967) A woman bearing a bowl of fruit Signed Pastel on linen 41.5 x 28.5cm £2,000-3,000

100

100. Zygmunt Dobrzycki (Ukranian 1896-1970) A Bacchanalian scene Signed and dated 1932-1967 Tempera on canvas, unframed, unstretched 145 x 180cm £1,000-1,500

32 101. ‡ Martin Frederick Hamlyn (1886-1996) The Thames from Greenwich Signed, also signed and titled verso Oil on canvasboard 41 x 46cm £200-300

101

102. ‡ Roy Perry (1935-1993) Thames at Lambeth; A pair, both signed Both gouache Each 10.75 x 17cm (2) £120-180

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103

104

103. Robert Johnson (Australian 1890-1964) Snowy Mountains, near Tooma Signed, also titled and inscribed with a map verso Oil on canvasboard 43 x 56cm Provenance: Lauraine Diggins, Fine Art Pty Ltd, Melbourne, 990968 £250-350 104. ‡ Robin Goodwin (1909-1997) The Pool of London from Cherry Garden Pier in 1950 Signed and dated, also signed and inscribed verso Oil on canvasboard 32 x 42cm Painted in 1974/6 £150-200

105

105. ‡ Edward Wesson R.I., R.B.A. (1910-1983) A Surrey Lane Signed Watercolour 31.5 x 50.5cm £300-500 106. ‡ Edward Wesson R.I., R.B.A. (1910-1983) The beach at low tide Signed Watercolour 21 x 29cm £300-400

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107

109

108 107. ‡ Marcel Dyf (French 1899-1985) La Halte des Gitans Signed, painted in 1960 Oil on canvas 46 x 55cm £2,500-3,500 1537 in the catalogue raisonné

108. ‡ Donald McIntyre R.I. (1923-2009) Waves and dark sky Signed with initials Oil on board 20 x 28.5cm £500-1,000

109. ‡ Donald McIntyre R.I. (1923-2009) Fishing huts and boats on the shore Signed with initials Oil on board 29 x 39cm £600-1,200

110

112

111

113

110. ‡ Harold Clayton (1896-1979) Still life of roses, iris, auricula and other flowers in a vase Signed Oil on canvas 46 x 67cm Provenance: Frost and Reed 50329S £2,000-3,000

112. ‡ Marie-Claire Romagny (French/British b.1955) Soupière, 2000 Signed Oil on board 47 x 60cm Exhibited: The Society of Women Artists, 2001 £400-600

111. Christopher Sanders R.A. (1905-1991) Lilium Auratum - Lilies Signed Oil on canvas 71 x 61cm £400-600

113. ‡ Norman R. Hepple R.A. (1908-1994) Daffodils and Lilac in a vase Signed and dated 1959 Oil on canvas 51 x 61cm £300-500

114

115

116 114. ‡ William Dennis Dring R.A. (1904-1990) Melissa’s bath Signed and dated 44 Oil on canvas 61 x 51cm £1,000-1,500

117 115. ‡ Michael Scott (Scottish 1946-2006) The Judgement of Paris Signed Oil on canvas 122 x 122cm £2,000-3,000

116. James Bolivar Manson (1879-1945) Still life of flowers in a pot Signed twice Oil on panel 45.75 x 35cm Provenance: From the collection of Lady Cunard Exhibited: National Gallery, date unknown, No. 32 £2,000-3,000

117. ‡ Francis William Helps (1890-1972) The Daydream Oil on canvas 61 x 51cm Exhibited: Leeds College of Art £600-800

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120

119

121

118. ‡ Nicola Toms (b.1969) Three little pigs Signed and stamped Patinated bronze 9cm high (including base) £1,000-1,500

120. ‡ John Doubleday (b.1947) Magic Eye, 1974 Signed Bronze on a stone plinth 25cm high £200-300

119. ‡ Vivien Mallock (20th Century) Goose Signed with initials and numbered 3/12 Patinated bronze 42cm high £800-1,200

121. Tim Nicklin (Kenyan 20/21st Century) Elephant family Signed, dated 1983 and numbered 9/10 Bronze 33cm (h) x 80cm (l) including plinth £600-800

122. ‡ Frank Dobson R.A. (1886-1983) Portrait bust of Cecil Beaton Signed Bronze Height 47cm Provenance: Christie’s sale on the premises at Reddish House, Broadchalke, Wiltshire, the Collection of Cecil Beaton, 9-10th June 1980, lot 471 Private collection £10,000-15,000

122

123. ‡ Martin Hayward-Harris (b.1959) Resting hare Signed with a monogram and numbered 3/9 Patinated bronze 60cm long £2,000-3,000

123

124 124. ‡ Stephen Tennant (1906-1987) Portraits of soldiers and sailors from his unfinished novel Lascar Four, all inscribed Pen, ink and watercolour 23 x 17.5cm and similar (4) Provenance: Sotheby’s, 15 October 1987, Lot 690 £600-800

125

126

125. ‡ Dame Elisabeth Frink R.A. (1930-1993) Spinning man II Signed, dated 65 and numbered 36/50 Lithograph 57.5 x 80cm £500-700 126. ‡ Dame Elisabeth Frink R.A. (1930-1993) Water buffalo Signed, studio stamped and numbered 42/100 Etching with aquatint 21 x 19.5cm (plate size) £400-600

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128

127. ‡ Dame Elisabeth Frink R.A. (1930-1993) Bookplates for The Iliad by Homer, translated by E.V. Rieu for the Folio Society Set of 15, all lithographs, published by Curwen Press, 1975 Each 24 x 15cm (15) Provenance: Sally Hunter Fine Art, British design and illustration, November 2008 £300-500

129 128. ‡ Dame Elisabeth Frink R.A. (1930-1993) Coriolanus Signed and numbered 50/50 Lithograph 53 x 43cm £250-350

129. ‡ Dame Elisabeth Frink R.A. (1930-1993) Tribute head II Signed and dated ‘82 Pencil 38 x 28cm £4,000-6,000

130 130. ‡ John Armstrong A.R.A. (1893-1973) Jewelled leaf Signed with initials and dated 47 Tempera 44 x 64.5cm Provenance: J. Leger & Son, London, November 1947 £2,500-3,500

131

131. ‡ Sir Osbert Lancaster C.B.E. (1908-1986) Zuleika Conjuring with her Assistant the MacQuern Oil on canvas 71 x 91.5cm (Title is from the South Ken sale in 2002) £300-500

132. ‡ Ursula Vivian McCannell (b.1923) The Bird Sellers Signed and dated 40 Oil on board 76 x 63.5cm Provenance: Twenty Brook Street Gallery £800-1,200

132

133 133. ‡ Mary Fedden R.A. (1915-2012) Michael’s plants Signed and dated 1993, also signed and titled on a label verso Watercolour 25 x 32.5cm £2,500-3,500

134

134. ‡ Mary Fedden R.A. (1915-2012) Still life of fruit and butterflies Signed and dated 1987 Pencil 55.5 x 76cm £5,000-7,000

135 135. â&#x20AC;Ą John Bellany R.A. (Scottish 1942-2013) Mary Stuart Signed and inscribed Mary Stuart, also signed, titled and dated 1987 verso Oil on canvas 173 x 152cm ÂŁ6,000-8,000

136 136. â&#x20AC;Ą John Houston O.B.E., R.S.A. (Scottish 1930-2008) Poppies and fruit Signed and dated 1996 on the stretcher verso Oil on canvas 112 x 86.5cm Provenance: Roger Billcliffe Fine Art, Glasgow ÂŁ3,000-5,000

137

137. ‡ Alberto Morrocco O.B.E., R.S.A. (Scottish 1917-1998) Still life with five pink cakes Signed and dated 90 Oil on canvas 71 x 76cm

Exhibited: Cyril Gerber Exhibition, Glasgow, 266 Compass Gallery, Glasgow, Compass Contribution, May & June 1990 £8,000-12,000

138

138. ‡ Alexander Goudie (Scottish 1933-2004) The Port Signed Large oil on board 84 x 244cm £3,000-5,000

45 139. ‡ David Donaldson R.S.A. (Scottish 1916-1996) Ma Brown’s Sauchiehall Street Signed Oil on canvas 61 x 71cm Provenance: Fine Art Society, Nov. 1989, GD9/8 £800-1,200

140. ‡ Linda Mary Weir (b.1951) August, St. Ives Signed with initials, titled August and dated 2011 Oil on board 43 x 85cm £300-400

139

141. ‡ Linda Mary Weir (b.1951) Book and flowers, Spring Signed with initials and dated 86 Oil on board 83 x 57cm £300-400 140

142. ‡ Eric Ward (b.1945) Boats on the coast, St. Ives Signed Oil on canvas unframed 25.5 x 25.5cm £150-250

141

142

143

143. ‡ Ray Richardson (b.1964) Plash Signed, dated 97 and numbered 67/75 Screenprint with woodblock 89 x 88cm £800-1,200 144. ‡ Barbara Rae R.S.A. (Scottish b.1943) Downpatrick Storm Signed, titled and numbered 1/75 Screenprint 58 x 58cm £500-700

145

144

145. ‡ Henry Cliffe (1919-1983) Variation 5 Signed, titled, dated 70 and numbered 2/4 Lithograph 58 x 68cm £300-400

146

146. ‡ Robyn Denny (1930-2014) Untitled, 1968-9 Signed and numbered 16/75 Screenprint 61 x 53cm £200-300 147. ‡ John M. Gemmell (20th Century) Winds of change Signed, titled and dated ‘88 Engraving, artist’s proof 33 x 33cm £100-150

147

148 148. ‡ Jack Vettriano (Scottish b.1951) Ties that bind Signed Oil on canvas 81 x 71cm Painted in 1995 £20,000-30,000

48 149. ‡ David Shepherd (b.1931) Serengeti Cheetah Signed and inscribed Pencil 20.5 x 37cm £2,000-3,000

149 150. ‡ Ernest Howard Shepard (1879-1976) Fish Knitting; The Elegant Whale Two, both pen and ink 8 x 5cm and 12.5 x 10cm (2) Provenance: The Fine Art Society, E.H. Shepard, 2006, No’s 286 and 287, for Punch £300-500

150

151

152

151. ‡ Eileen Alice Soper (1905-1990) Fox Cubs playing Signed Watercolour 27 x 36.5cm £300-500 152. ‡ Ken Lilly (1929-1996) Guineapigs; Squirrel and a Marsupial Three, all signed All gouache, unframed Each 21.5 x 26cm (3) £200-300

49 153. ‡ Frederick Gore R.A. (1913-2009) Wild flowers on a roadside hedge Signed and dated 1998 Watercolour over pencil 60 x 43.5cm £1,000-1,500 154. ‡ Reg Gammon (1894-1997) Irish smallholdings Signed Oil on board 46 x 61cm £300-400

154

153

155 155. ‡ John Elwyn (1916-1997) Welsh Farm Entrance II Signed, also signed and dated 1997 verso Gouache, unframed 32 x 51cm £300-500

156 156. ‡ Henry Cliffe (1919-1983) Farm buildings Signed and dated 47 Oil on board 21.5 x 32cm £200-300

157

158

159

157. Tom Christopher (American b.1952) Blue elephant Oil on canvas 78 x 51cm Painted in 1990 £700-1,000

159. Tom Christopher (American b.1952) Grey green elephant Signed verso Oil on canvas 78 x 51cm £700-1,000

158. Tom Christopher (American b.1952) Red elephant Signed and dated ‘90 Oil on canvas 76 x 61cm £700-1,000

160. ‡ Kurt Jackson (b.1961) White horses Signed and dated 11.3.98 in pencil Acrylic 22 x 23.75cm Provenance: Newlyn Art Gallery £300-500

160

161

51 161. ‡ Judy Buxton (b.1961) Jangye-Ryn Cove II; Goonhilly grasses Two, both signed with initials and dated 97 One oil on canvas, one on board Each 20.25 x 20.25cm (2) Provenance: Beatrice Royal Contemporary Art & Craft, Eastleigh, 1999 £200-300 162. ‡ Padraig Macmiadhachain (Irish b.1929) Carpet Sellers outside the City Signed and dated ‘80 also signed, titled, dated April 1980 and inscribed Tunisia verso Oil on canvas 79 x 79cm £500-700 163. ‡ Padraig Macmiadhachain (Irish b.1929) Below the Red Sea, Gulf of Aquba, Jordan Signed, also signed titled and inscribed verso Oil on board 23 x 23cm £300-500 164. ‡ Padraig Macmiadhachain (Irish b.1929) Fire in the Sky, Santiago de Cuba 76 Signed, also signed titled and dated verso Oil on board 20.5 x 20.5cm £300-500

162

165. ‡ Padraig Macmiadhachain (Irish b.1929) Undersea Scape I Gulf of Aqaba, Jordan Signed, also signed, titled and inscribed verso Oil on board 23 x 23cm £300-500 166. ‡ Andy Harper (b.1971) Grass painting 3 Signed and titled on backing board verso Oil on board, unframed 81 x 122cm Painted in 1998 £400-600

163

165

164

166

52 167. ‡ Jo Barker (Scottish b.1963) A Happening Tapestry 188 x 163cm £400-600 168. ‡ Alastair Mack (Scottish b.1955) Air Signed, titled, dated ‘88 and numbered 1/10 Screenprint 50.5 x 80cm £250-350

167

168

169

170

169. ‡ Alastair Mack (Scottish b.1955) Into the light Signed, titled, dated ‘89 and numbered 7/10 Screenprint 53.5 x 83cm £250-350 170. ‡ Ophelia Redpath (b.1965) A lady with a lyre; A bird figure A pair, both signed Both watercolour and bodycolour over pen and ink Each 21.5 x 28cm (2) Provenance: L.F. Boothby, The Castle Hill Gallery Cambridge £500-700

53 171. ‡ Susie Paterson (Scottish b.1957) Hard Signed, titled, dated ‘91 and numbered 19/19 Screenprint 48 x 34cm £150-250 172. ‡ Susie Paterson (Scottish b.1957) Noel Signed, titled, dated 91 and numbered 54/60 Screenprint 30 x 30cm £150-250 173. ‡ Susie Paterson (Scottish b.1957) Heart of the month Signed, titled, dated ‘91 and numbered 17/18 Screenprint 48 x 42cm £150-250

171

172

174. ‡ Susie Paterson (Scottish b.1957) Grimey Signed, titled, dated ‘91 and numbered 15/22 Screenprint 54 x 39cm £150-250 175. ‡ Susie Paterson (Scottish b.1957) My lips are sealed Signed, titled, dated ‘91 and numbered 15/19 Screenprint 48 x 42cm £150-250

173

174

175

176

176. ‡ Susie Paterson (Scottish b.1957) Searing, Shearing Signed, titled, dated ‘91 and numbered 20/20 Screenprint 54 x 39cm £150-250

177

177. Xu Zhongmin (Chinese b.1961) The Net Signed, titled, dated 1997 and numbered 2/40 Woodcut 78 x 126cm sheet size £200-300

180. Xu Zhongmin (Chinese b.1961) Up & Down No. 2 Signed, titled, dated 1993 and numbered 15/25 Woodcut 123 x 63cm £200-300

178. Xu Zhongmin (Chinese b.1961) Tidal Wave Signed, titled, dated 1995 and numbered 12/25 Woodcut 78 x 125cm sheet size £200-300

181. Xu Zhongmin (Chinese b.1961) Up & Down No. 1 Signed, titled, dated 1993 and numbered 15/25 Woodcut 123 x 63cm £200-300

179. Xu Zhongmin (Chinese b.1961) Up & Down No. 3 Signed, titled, dated 1993 and numbered 15/25 Woodcut 123 x 63cm £200-300

178

179

180

181

55 182. ‡ Walter G. Poole/Wally Poole (1916-1988) Seated nude Signed, also inscribed on a label verso Property of Janet Freeman from Wally possibly in another hand Oil on canvas, unframed 91 x 71cm £200-300 183. ‡ Walter G. Poole/ Wally Poole (1916-1988) Head of Pierrot Signed and dated 60 Oil on canvas 61 x 60cm Provenance: Fimbarrus Gallery, Bath, 1987 £200-300

182

183

184. English School 20th Century World map with distilleries and other notations Mixed media on panel 152 x 220cm £400-600 185. ‡ William Hunter Littlejohn (1929-2006) Fish, dragonfly and mirror Signed, titled and numbered 45/50 Screenprint 66 x 94cm £100-150

186

185

184 186. ‡ Tom Quinn (b.1918) Standing nude in a blue necklace Signed Oil on board 54 x 36.5cm £100-150

187

187. ‡ Pamina Liebert Mahrenholtz (20th Century) Portrait of a seated figure Signed with initials Oil on board 24 x 26cm £200-300

188. ‡ James Christison (20th Century) Boats by the shore Signed Oil on panel 23 x 30.5cm £150-250

188

INDEX OF ARTISTS A Ackroyd, Norman Ardizzone, Edward Armstrong, John Art, Berthe Attrib. to Birch, Samuel J L Austin, Robert Sargent

96 71 130 99 59 18

B Barker, Jo Bellany, John Beningfield, Gordon Birch, Samuel J L Bone, Sir David Muirhead Brangwyn, Sir Frank Buxton, Judy

167 135 48, 52 58 16, 17 41 161

C Cameron, Sir David Y Casson, Sir Hugh Christison, James Christopher, Tom Clayton, Harold Cliffe, Henry Cosmadopoulos, Georges Craig, Henry R

87 50 188 157, 158, 159 110 145, 156 67, 68 86

D Dawber, Sir Guy Denny, Robyn Dobrzycki, Zygmunt Dobson, Frank Dodd, Francis Donaldson, David Doubleday, John Dovaston, Margaret Doyly John, Cecil Dring, William Dennis Dyf, Marcel

22 146 100 122 6 139 120 55 69 114 107

E Edwards, Lionel D R Elwyn, John English School

1, 2 155 184

F Fedden, Mary 133, 134 Fiebusch, Hans 84 Fisher, Janet C 3 Frazer, William M 82 Frink, Dame Elisabeth 125, 126, 127, 128, 129 G 44 Gabriel Deschamps Gammon, Reg 154 Gemmell, John M. 147 Gibson, William Alfred 95 Glehn, Wilfred G de 53 Goodwin, Albert 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36

Goodwin, Robin Gore, Frederick Goudie, Alexander

104 153 138

H Hall, Oliver Hamilton, Richard Hamlyn, Martin Frederick Harper, Andy Hayward-Harris, Martin Helps, Francis William Hepple, Norman R Herman, Josef Hill, Derek Houston, John Howson, Peter Hughes-Stanton, Sir Herbert Hunt, Cecil Arthur

94 61 101 166 123 117 113 80 91 136 76 60 24

J Jackson, Kurt Johnson, Robert

160 103

K Kanellis, Orestis Kennedy, Cecil Knighton-Hammond, A H Kyle, Georgina M L Lancaster, Sir Osbert Langmaid, Rowland Lilly, Ken Littlejohn, William H

98 49 13 66 131 42 152 185

M Mack, Alastair 168, 169 MacMiadhachain, Padraig 162, 163, 164, 165 Mahrenholtz, Pamina L 187 Mallock, Vivien 119 Manners, Charles R 92 Manson, James Bolivar 116 Martineau, Gertrude 20 Mathison, John 88, 89 McCannell, Ursula Vivian 132 McIntyre, Donald 108, 109 McTaggart, William 79 Moore, Henry 63, 64 Morrocco, Alberto 137 Muncaster, Claude 14 Murray, A. 21

Panza, Giovanni Park, John Anthony Parthenis, Constantine Paterson, Susie Perry, Roy Picasso, Pablo Piper, John Poole, Wally Priestman, Bertram W Q Quinn, Tom

186

R Rae, Barbara Ranken, William Bruce E Redpath, Ophelia Reed, Bryan Richardson, Ray Romagny, Marie-Claire Rushbury, Sir Henry G

56, 57 111 115 150 149 151

T Tanner, Robin Tennant, Stephen Toms, Nicola Trevelyan, Julian Trevelyan, Julian Tuke, Henry Scott Tunnicliffe, Charles F

74 124 118 75 90 4, 5 73

U Underwood, Leon

V Vettriano, Jack

148

O Orrock, James

P Pagan, Luigi

X Xu, Zhongmin

37 121

144 12 170 51 143 112 7, 8, 9, 10, 11

S Sailsbury, Frank O Sanders, Christopher Scott, Michael Shepard, Ernest H Shepherd, David Soper, Eileen Alice

W Ward, Eric Watson, Harry Weigel, Rudolf Weir, Linda Mary Wesson, Edward Whistler, James A M Whistler, Rex John Wilkinson, Norman Williams, Gemima Wilson, Robert Arthur Workman, Harold Wyllie, William

N Nevinson, Christopher R W Nicklin, Tim

85 54 99 171, 172, 173, 174, 175, 176 102 62 81 182, 183 97

142 19 46, 47 140, 141 105, 106 65 78 15 83 77, 92 72 38, 39, 40

177, 178, 179, 180, 181

Oil Paintings, Watercolours, Miniatures and Prints Wednesday 16th March 2016

John Nost Sartorius (1759-c.1830) Hunting Scenes A set of four All signed and dated 1804 All oil on canvas Each 37 x 47cm; 14½ x 18½in Estimate: £5,000-7,000

Enquiries Victor Fauvelle +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. Viewing All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. Bidding in the Room To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. Commission Bidding If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Telephone Bidding It is usually possible to bid on the telephone by prior arrangement with the office.

Live Online Bidding Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. Condition Reports The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. Sale Results These will be posted on our website shortly after the sale. Buyer’s Premium Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

Payment and clearance Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

Artist’s Resale Right / Droit De Suite ‡ Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: Lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Packing and Shipping Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form 20th Century & Contemporary Art Wednesday 9th December 2015 PW091215

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Signature �� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Auction Calendar Asian Art 18th & 19th May 2016 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk Paintings 16th March 2016 – Oils, Watercolours, Prints & Miniatures Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century Design 20th April 2016 – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture & Works of Art 7th January 2016 – Furniture, Works of Art & Clocks Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk Silver 19th & 20th January 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 21st January 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Tribal Art & Antiquities 9th February 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Arms & Armour 6th April 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk English & European Ceramics & Glass 23rd February 2016 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS 20th Century & Contemporary Art

Wednesday 9th December 2015