Woolley & Wallis Paintings 23 September 2015 by ATGMEDIA

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 23rd September 2015

www.woolleyandwallis.co.uk

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20th Century Design Michael Jeffery

424505

Asian Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

424506 424591 424583 424589

English & European Ceramics & Glass Clare Durham Furniture, Works Of Art & Clocks Mark Richards Jim Gale Jewellery Jonathan Edwards FGAA Marielle Whiting FGA

424507

411854 339161

424504 424595

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Arms & Armour Will Hobbs Ellie Osmond

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline West Sharon Ringwood Nicola Young Amanda Lawrence Saleroom Manager David Jordan

424500

Board of Directors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Paintings 9th December – Part I – Fine Old Masters & 19th Century Paintings Part II – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Arms & Armour 7th October Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Furniture, Works Of Art & Clocks 7th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

Silver 28th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

English & European Ceramics & Glass 15th September – Fine Porcelain & Pottery 24th November Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

20th Century Design 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

Company Secretary Jim Macarthur CA 339752 339752

Tribal Art, Antiquities 2nd September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

424599

Jewellery 29th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Asian Art 17th & 18th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Miniatures, Prints, Watercolours & Oil Paintings PLEASE NOTE THIS SALE STARTS AT 10AM

Wednesday 23rd September 2015 at 10.00am

Enquiries

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 19th September 10.00am – 1.00pm Monday 21st September 10.00am – 5.00pm Tuesday 22nd September 10.00am – 4.00pm Wednesday 23rd September 9.00am – 9.45am Front cover: Lot 423 Back cover: Lot 268 This page: Lot 192 Overleaf: Lot 187

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 24th and 25th September - collection of lots on these days and Saturday 26th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 28th September collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

INDEX Miniatures

1-28

Prints

29-66

Miscellanea

67-72

for this lot – please see our Terms & Conditions, Section 21, for details

Watercolours

73-341

CITES

Oil Paintings

342-604

λ This symbol indicates that Cites regulations may apply. Please see the auction information page

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

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Catalogue: £12.00 (£15.00 by post) Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

of Fine Art Auctioneers

MINIATURES 1. λ English School late 18th Century A lady, thought to be Miss Banks Oval in a gilt frame 28 x 23mm £200-300 2. λ English School late 18th Century A lady, head and shoulders Oval in a gilt frame with seed pearls surround 53 x 38mm £400-600 3. λ English School c.1800 Portrait of Charlotte St. John half length, facing left, in a landscape Oval in a red leather case 75 x 59mm Charlotte was the daughter of George St John, 3rd Viscount Bolingbroke and his fist wife Charlotte Collins. St John later left his wife and had a relationship with his younger half-sister. As a result of the scandal they moved to France. £120-180

4. λ English School 18th Century A boy, head and shoulders; A girl, half length Two, both in ebonized frames 40 x 32mm; 36 x 30mm (2) £80-120 5. λ English School 19th century A miniature of a lady, in profile facing left in a white bonnet Oval in a gilt frame, with hair back 30 x 23mm with another of a child, oval, hair back 26 x 23mm (2) £200-300 6. λ English School early 19th century A gentleman in a blue coat, facing left Oval, gilt frame 53 x 45mm with another of a gentleman, continental, 60 x 42mm (2) £150-250

7. λ English School c.1800 A lady wearing a white frilled dress Oval, in a rectangular gilt wood frame 80 x 65mm £150-200

4 8. λ R.H. (19/20th Century) Miniature of Sir Douglas Strutt Galton K.C.B. (1823-1899) Signed with initials and dated 1899 Oval, in a gold frame, the reverse with blue glass over guilloche ground 77 x 60mm £100-150

9. λ English School 19th Century General Sir William Lockhart GCB; KCSI (1841-1900) Commander-in-Chief, India Oval, in an ebonized frame 63 x 50mm With 6 other miniatures mainly in ebonized frames (7) £100-150 10. λ English School 19th Century A gentleman, in a black and a blue waistcoat Oval 48 x 38mm With another of a young lady (2) £100-150 11. λ Italian School 18/19th Century A priest praying at an alter Oval, in a gilt frame 72 x 54mm £120-180

12. λ English School c.1840 Mrs Elizabeth Barchard, 2nd wife of Charles Fassett Burnett, d. 1869 Oval, in a gold frame with serpent motif 45 x 33mm With a portrait of Charles Fassett Burnett (1779-1853) and one of his first wife Harriet Barons m. 1806 and d. 1830. £200-300 13. λ English School late 18th Century Robert, eldest son of Sir Robert Burnett 1763-1815 Head and shoulders wearing green Oval, in a gilt frame 40 x 32mm With a lady c.1840 in a gold locket frame 38 x 31mm and a lady c.1900, oval 60 x 43mm £200-300

5 14. λ English School late 18th Century A lady, head and shoulders, with a blue bow and roses in her hair Oval in a brooch frame 35 x 29mm £100-150 15. λ English School c.1900 A lady, head and shoulders Oval 65 x 50mm £150-200 16. λ Henry Collen (1798- c.1872) Miniature of a girl, head and shoulders, facing left Signed and dated 1827 Oval in a gilt frame, with a hair back containing the initials KMJ 39 x 33mm £600-800

17. λ English School c.1900 A lady, head and shoulders in pink, facing left Oval, gilt frame 60 x 43mm With a lady, oval, 85 x 72mm (2) £120-180 18. λ Continental School late 19th Century A lady, head and shoulders Oval in an ebonized frame 60 x 43mm With 5 other miniatures in similar frames (6) £100-150 19. λ English School 19th Century Mrs Robert Scott Moncrieff née Susan Pringle of Fossoway, Scotland Oval in a gilt metal frame 55 x 45mm With a photograph of a similar portrait, two further miniature portraits and a photograph of another (5) £100-150 20. λ English School 19th/20th Century A lady, bust length 60 x 43mm With 7 other miniatures, some over prints (8) £100-150 21. λ Manner of Richard Cosway A lady, head and shoulders in white Bears signature Oval, gilt frame 82 x 64mm With another of a lady, oval 82 x 63mm (2) £100-150

6 22. λ Rosa Carter (c.1900) A Wild Rose; Little Sunlocks Two, both signed, titled and inscribed verso 83 x 55mm and 75 x 60mm (2) £300-400

23. λ English School 19th Century A gentleman, in brown robes Later inscribed verso Oliver Goldsmith by Dart Oval in an ebonized frame 76 x 63mm With two others of a lady and a gentleman in ebonized frames (3) £120-180 22 24. λ Dutch School 18th/19th Century A rustic in a beret Oil on copper, in a gilt frame 85 x 65mm £150-200

25. English School 19th Century A silhouette of gentleman, facing left Oval 85 x 65mm Provenance: William Bullock Collection £70-100 23

24 26. λ Continental School 19th Century Susanna and the Elders in a gilt frame 45 x 75mm £400-600

27. λ After Louis Marie Sicard The Marriage of Napoleon and Josephine Rectangular in an ebonised frame 72 x 57mm £100-200

28. λ Continental School 19th Century Putti playing on a seesaw Oval in a gilt frame 54 x 75mm £150-250

prints

31 29. Giovanni Battista Piranesi (Italian 1720-1778) Veduta della fonte e delle Spelonche d’Egeria … Etching from Vedute di Roma 40.5 x 68.5cm; 16 x 27in £200-300 30. Giovanni Battista Piranesi (Italian 1720-1778) Veduta del Tempio della Fortuna Virile, 1758 Etching 38 x 58.5cm; 15 x 23in £300-500 31. Giovanni Battista Piranesi (Italian 1720-1778) The Lion Bas-Relief from the Carceri series, second edition Etching 56 x 41cm; 22 x 16¼in £400-600

32. Lucas van Leyden (Dutch 1494-1533) Venus la Tresbelle Deesse D’amours With initial L and date 1528 in the print and stamp lower left, also inscribed indistinctly by unknown hand Engraving 16 x 11.25cm; 6¼ x 4½in £1,000-1,500 33. After Pierre Mignard Portrait of Edouard Colbert Engraving by Gerard Edelinck 48.5 x 35.5cm; 19 x 14in £50-80 34. After Rembrandt Harmensz Van Rijn Man with a high cap Etching 11 x 9cm; 4¼ x 3½in £200-300

35 35. Thomas Vivares (c.1785-1810), Daniel Lerpiniere (1745-1785) and James Mason (1710-1785) after George Robertson View in the Island of Jamaica No.s 1-6: Part of the River Cobre near Spanish Town; The Roaring River Estate belonging to William Beckford Esq near Savannah la Marr; Fort William Estate, with part of Roaring River belonging to William Beckford Esq near Savannah la Marr; The Bridge crossing the Cabaritta River on the Estate of William Beckford Esq.; The Spring-head of Roaring River on the Estate of William Beckford Esq.; The Bridge Crossing the River Cobre near Spanish Town Six, all engravings, published by J. Boydell, London, 1778, all unframed 40.5 x 55cm; 17¾ x 21¾in (6) £2,000-3,000

36. Christian Gottfried Morasch (1749-1813) and Friedrich August von Lawrence (1761-1810) Views of Dresden: Scholss Pillnitz an der Elbe; Vue de la ville de Dresde, prise du côte de la galerie au jardin de Brühl; Dresden; Three, all hand-coloured etchings, unframed 34.5 x 43.5cm; 13 x 17in and similar (3) £400-600 37. François Morelli (c.1768-c.1840) View of Italian ruins Set of four etchings with later hand colouring Each 31 x 44cm; 12 x 17¼in (4) £200-300

36 38. After W. I. Pringle The review of the Queens own regiment of Yeomanry Cavalry Aquatint engraved by Henry H. Paprill (c.1816-1903) 39 x 61.5cm; 16¼ x 24¼in £100-150

39. Francesco Panini (1745-1813) Santa Maria Maggiore, Rome Bodycolour over the engraving by Francesco Barbazzo (1765-1790) 42 x 67cm; 16½ x 26¼in £300-500

10 40. After John Frederick Herring Reveller; Barefoot A pair, both hand-coloured aquatints, engraved by Thomas Sutherland with Minerva blind-stamp Each 31 x 41cm; 12¼ x 16in (2) £200-300 41. Samuel and Nathaniel Buck (17/18th Century) Panoramic view of London Set of five, all hand coloured engravings published Sept. 11th 1749 Each 28 x 80cm; 11 x 31½in (5) £700-1,000 40 42. After Hyacinthe Rigaud Portraits of Cardinals Three, all engravings, one engraved by Francois Chereau Each 50 x 36.5cm; 29¾ x 14½in With a further similar of a gentleman and a mezzotint after Sir Joshua Reynolds (5) £100-150 43. After William Blake Illustrations to the Book of Job Engravings, later restrikes with hand colouring, unframed Each 21.5 x 16cm; 8½x 6¼in (plate size) (2) £150-250 44. Jean Ignace Isidore Grandville (French 1803-1847) A travelling mouse Signed Hand coloured etching 17.5 x 13cm; 7 x 5in £400-600

49 45. ‡ Malcolm Osborne R.A. (1880-1963) Cheyne Walk, Chelsea; Sloane Square; On the run at Sloane Square Three, all signed and titled All etchings 25 x 41cm; 10 x 16in and similar (3) £200-300 46. ‡ Malcolm Osborne R.A. (1880-1963) Old Stirling Bridge; Chartres Cathedral; Stirling Church of Holyrood; Norton Bavant; A continental town; A portrait Six, all signed All etchings 31 x 19cm;12 x 7½in and smaller With an etching by Alfred Bentley of a covered market (7) £150-250

50 47. ‡ Malcolm Osborne R.A. (1880-1963) Winter at Ambleside; The veil of Spring Windermere Two, both signed and titled, one inscribed To Biddy with all best wishes Both etchings 20.5 x 39.5cm; 8 x 15½in and smaller (2) £150-250 48. Frederick Landseer Griggs (1876-1938) Palace Farm Signed, inscribed: Palace Farm 4th Etching, mounted unframed 12.5 x 18cm; 5 x 7in £300-500

49. After Charles Johnson Payne, (Snaffles) Tally-Ho Back; That far, far-away Echo Two, both with signatures, blind-stamped and with remarques to backing paper Both reproductions 23.5 x 37cm; 9¼ x 14½in and similar (2) £200-300 50. Francis Sydney Unwin (1885-1925) The Farm; The Stable Two, the first signed Both etchings 18 x 23.5cm; 7 x 9¼in and similar (2) £100-150

12 51. Malcolm Osborne R.A. (1880-1963) Maggie; Marjorie; Fur Cloak; Mrs Siddons Four, all signed, two dated 1906 and 05 All etchings 17.5 x 12.5cm; 7 x 5in and smaller (4) £200-300 52. ‡ Elizabeth Keith (1887-1956) St. Isabella Tower, Manila Signed Woodcut 39 x 27cm; 15½ x 10½in £200-300

53. Stephen Gooden R.A. (1892-1955) Tobias and the Angel Signed Etching, mounted, unframed 18 x 12.5cm; 7 x 5in £100-150

55 54. William Strang R.A. (1859-1921) The Prodigal Son; The Supper at Emmaus Two, both signed Both etchings, mounted, unframed Each 18 x 20cm; 7 x 8in (2) £100-150 55. Charles Sims R.A. (1873-1928) Iris Etching with aquatint, artist’s proof 28 x 35cm; 11 x 15in (plate size) £100-150

56. ‡ Sir Frank Brangwyn R.A. (1867-1956) Two folios of works - L’Art de Frank Brangwyn; Brangwyn L’Unique Etchings and lithographs published in 1927 by E. F. D’Alignan and Paul Turpin, the first with a preface by Steinlen, the second with prefaces by Emile Verhaeren and Jean Richepin The first missing plates 11 and 29 and the second missing plates 57, 77, 79 and 100 66 x 47cm; 26 x 18½in (folio size) (2 folios) £700-1,000

57. ‡ John Piper (1903-1992) Fotheringhay, Northamptonshire Signed and numbered 51/70 Lithograph 48 x 68.5cm; 19 x 27in £500-700 58. ‡ John Piper (1903-1992) Welsh quarry Reproduction 54 x 69cm; 21¼ x 27in Provenance: British Council Fine Arts Dept. £200-300 59. ‡ John Piper (1903-1992) Besse, Dordogne, 1968 Numbered 4/70 Screenprint 81 x 61cm; 32 x 24in Provenance: Century Galleries, Sonning, John Piper Exhibition, No. 23 £400-600

60. ‡ Edna Whyte (20th Century) The Clachan; Highland Village; Peat Cutting; The Ceilidh Four, all signed and titled All linocuts Each 38 x 49cm; 15 x 19¼in (4) £200-300 61. After George Franklin Arbuckle (Canadian 1909-2001) Lake Louise, Canadian Rockies Serigraph published by Canadian Pacific 60 x 75cm; 23¾ x 29½in £50-100

14 62. ‡ Patrick Caulfield R.A. (1936-2005) Fern pot Signed and numbered 12/65 Screenprint in colours 83 x 59cm; 32¾ x 23¼in £400-600

63. ‡ Patrick Caulfield R.A. (1936-2005) Plant pot Signed and numbered 12/100 Screenprint in colours 84 x 60cm; 33 x 23¾in £400-600

63 64. ‡ Henry Moore O.M., R.A. (1898-1986) Six stones Signed and numbered 85/200 Lithograph 33.5 x 24cm; 13¼ x 9½in £250-350

65. Attributed to Marie Laurencin (French 1883-1956) Animal studies and children with animals A group, all etchings, unframed Each 25 x 16cm; 9¾ x 6¼in (sheet size) (c.18) Commissioned by Madame D’aulignac, possibly for an unfinished publication £100-150

66. ‡ Kate Dineen (20th Century) Buffalo composition Etching 38.5 x 54.5cm; 15 x 21¼in £150-200

MISCELLANEA

67 67. Napoleon at St Helena A contemporary hand-written inventory of the ‘Schedule of the Allowance of Wines, Provisions, etc. forwarded to the Establishment at Longwood in the Island of St Helena together with the Names of the persons comprising the Establishment’, signed Denzil Ibbetson ACG and dated 13th October 1820. This fascinating document gives a detailed insight into the quality and quantity of wine, spirits and food that were enjoyed by Napoleon and his retinue during his exile on St Helena. Their daily allowance included over 50 bottles of wine as well as cyder (sic), malt liquor, champagne and other drinks. The daily food allowance was equally remarkable and included 50lbs of beef and veal, 68lbs of bread, 50lbs of mutton and pork, 1 roasting pig, 2 turkeys, 2 geese, 4 ducks, 9 fowls, 12 pigeon, 42 eggs, 15 bottles of milk and much else. The list of personnel includes General Buonaparte, 7 members of the Bertrand family, and numerous staff including ‘32 Chinese’. Denzil Ibbetson was commissary in St Helena from 1815-23. A talented artist he drew numerous sketches of Napoleon including on his death bed. Provenance: Richard Booth, purser at St Helena and thence by family descent. £300-500 68. Wellesley, First Duke of Wellington Letter to Frederick da Goia Esq. from Wellington with regrets that he cannot attend a day at Winchester College, with envelope with seal stamped 18 June 1844 £100-150 68

69 part 69. Churchill (Winston S.) and Baldwin (Stanley) A large photograph of Winston Churchill and Stanley Baldwin, signed by both of them and dated (in another hand?) April 69 part 1929. The photo 273 x 365mm, the mount 400 x 475mm. Sold with two glass inkwells which by family tradition are the same ones that feature in the photograph on the Cabinet table. This photograph was taken in the Cabinet Room at Downing Street when Baldwin was Prime Minister and Churchill the Chancellor of the Exchequer. A month later the Conservatives lost the General Election and Churchill began his years in the wilderness. ÂŁ4,000-6,000

69A

69A. Churchill (Winston S.) Letter to Sir Frank Moulden congratulating him on his Knighthood, written on Colonial office notepaper and dated Dec. 24th (1921); Together with a typed letter signed by Godfrey Thomas (Private Secretary to the Prince of Wales, later Edward VIII) offering similar congratulations, dated Hyderabad January 25th 1922 (2) Sir Frank Beaumont Moulden (1876-1932) spent his life involved in South Australian politics and was Mayor of Adelaide 1919-21. ÂŁ100-150

70. Autograph Album A remarkable autograph album, dating from the late 19th century containing over 260 signatures and 20 envelopes. Most of the signatures are either cut from letters or fragments and nearly all are stuck down. They include: Royalty: Charles II, George III, George IV, William IV, Victoria Politicians: Addington, Canning, Disraeli, Fox, Grey, Herbert, Lansdowne, Liverpool, Palmerston, Peel, Pitt, Wilberforce Dukes: Beaufort, Bedford, Buckingham, Leinster, Marlborough, Richmond, Sutherland, Wellington Artists: Eastlake, Etty, Frith, Holman Hunt, Landseer, Ruskin Bishops of Salisbury: Six from 1782-1885 Writers: Victor Hugo, Samuel Taylor Coleridge, and numerous others Others: Viscount Chelmsford, Garibaldi, David Livingstone ÂŁ300-500

71 71. Lilford (Thomas L. Powys, 4th Baron) Coloured Figures of the Birds of the British Isles, London 1885-97, 7 vols., 8vo, contemporary half morocco, with photogravure portrait and 421 plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines, plate 62 in vol. VI (Bulmers Petrel) is absent with a repeat of Sooty Shearwater in its place; and Notes on the Birds of Northamptonshire, London 1895, 2 vols., 8vo, contemporary half morocco, folding map and 37 (of 67) plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines (9) £1,000-1,500 72. After George Chinnery (1774-1852) Scenes of life in China in the early 19th century Portfolio of six prints after drawings in the collection of Sir John Keswick KCMG and Matheson and Co. Ltd., London, with title plate and folio box Published by the Curwen press 1960 50 x 36cm; 19½ x 14in (folio size) £120-180

watercolours 73. French School late 18th Century A young lady holding a bouquet Pastel 41 x 31cm; 16 x 12in £200-300

74. Richard Corbould (1757-1831) The eunuch dropping the billet at the feet of Don Raphael; Booth returning the letter to Col. Bath Two, both titled, one inscribed page 129 Both pencil and watercolour 13 x 7.5cm; 5 x 3in and 12 x 8cm; 4¾ x 3¼in (2) Provenance: Abbott & Holder £150-250

75. Follower of Francesco Bartolozzi Two Putti Red chalk 19 x 12cm; 7½ x 4¾in With a further drawing of a Mother and two children (2) £150-250

76. Continental School 19th Century Study of a man kneeling Red chalk 36.5 x 26cm; 14¼ x 10¼in £300-500

77. Thomas Allom (1804-1872) Figures by a waterfall Sepia pen, ink and wash 14.5 x 9.5cm; 5¾ x 3¾in £150-250

78. English School early 19th Century Classical scene Pen ink and grisaille washes 22 x 16cm; 8½ x 6½in £200-300

20 79. Isaac Cruikshank (Scottish 1756-1811) Boots and shoes Signed Pen, ink and watercolour 17 x 24.5cm; 6¾ x 9½in £200-300

80. George Romney (1734-1802) The Effects of Pride and Jealousy Pencil 13.5 x 22cm; 5¼ x 8¾in Provenance: The Leger Galleries December 1986 £500-800

81. George Morland (1763-1804) A family in a horse and cart by a village church Signed and dated 1794 Pencil heightened with red chalk 34 x 43cm; 13½ x 17in £400-600

82. Thomas Barclay Hennell (1903-1945) Gipsy Boy Asleep Signed with initials, also titled in pencil Pen and ink 20 x 32.5cm; 8 x 12¾in Provenance: Ernest Ohly, Berkeley Galleries, London. £120-180 83. John Scarlett Davis (1804-1845) Bolton Castle; Helmsley Castle A pair, both mounted, unframed Both sepia washes over pencil 12 x 17.5cm; 4¾ x 7in (2) £300-500

85 85. Manner of Francesco Guardi The Grand Canal, Venice Pen, ink and wash 19 x 26cm; 7½ x 10¼in £150-250

86 86. Nicholas Pocock (1740-1821) River Conway, 1794 Signed Grisaille washes, mounted, unframed 15 x 28.5cm; 6 x 11¼in With unframed watercolours by John Varley and W. F. Varley (3) £300-500

84. William Payne (c.1760-c.1830) On the River Wye Said to be titled on original mount Aquatint with some hand-colouring 14 x 20.5cm; 5½ x 8in £100-150

90 87. Thomas Rowlandson (1756-1827) The Captain’s Request Thought to be inscribed verso Rowlandson 1796 Pen, grey ink and watercolour 14 x 9.25cm; 5½ x 3½in Provenance: Private collection, Scotland £800-1,200 88. Attributed to George Dawe R.A. (1781-1829) Princess Charlotte Augusta of Wales and Prince Leopold of Saxe Cobourg Gotha in their box at Covent Garden Watercolour 44.5 x 35cm; 17½ x 13¾in Thought to be a preliminary drawing for the engraving by W. T. Fry £1,000-1,500

91 89. Attributed to Elisabeth Sophie Cheron (French 1648-1711) A Classical sacrifice Watercolour and chalk after an engraving 24 x 19cm; 9½ x 7½in £500-700 90. Giuseppe Valeriani (Italian 1708-1762) A design for a ceiling decoration Grisaille watercolour 22.5 x 24cm; 9 x 9½in £500-700

92 91. Robert Hills (1769-1844) The Watering Place Watercolour 16.5 x 14cm; 6½ x 5½in Provenance: Thomas Agnew & Sons, No. 36978 £200-300 92. Myles Birket Foster R.W.S (1825-1899) Figures by country cottages A pair, both signed with a monogram Both pencil heightened with white on buff paper Each 12 x 11cm; 4¾ x 4¼in (2) £200-300

22 93. Walter John Trower, Bishop (c.1805-1877) Continental and Scottish landscapes Nine, some inscribed and dated Most pen, ink and wash Various sizes 13 x 35.5cm; 5 x 14in and similar and two small (9) £400-600

94. Paul Sandby R.A. (1730-1809) Hastings Castle Inscribed Pencil, mounted, unframed 19 x 28cm; 7½ x 11in With 3 more unframed sketches by Sandby, Temple of Apollo, Naples; View near Norwich and Entrance into Easton Park (4) £500-800

96. James Bourne (1773-1854) Chislehurst Churchyard; Bromley from the meadows Two, both inscribed verso Grisaille and blue washes 30 x 42.5cm; 11¾ x 16¾in and similar (2) Painted c.1820 Provenance: No. 7 & 8 from Volumes ‘Drawings from Nature in the vicinity of Beckenham, Kent’ Exhibited: Abbott & Holder, James Bourne Exhibition, May/June 1988 £200-300

95. David Charles Read (1790-1851) A collection of drawings of mainly romantic landscapes and etchings, including views of Salisbury, Stonhenge and and an etched self portrait Some signed and inscribed to his dear friends Mrs Mack and Miss Riseborough and dated from the 1830s Pencil, a few with pen and ink, prints in drypoint etching Various sizes (drawings c.23, prints c.46) £200-300

97. Henry Edridge A.R.A. (1768-1821) Babbacombe Bay, Devon Inscribed Babbicombe Bay and dated Sep 16 1818 Pencil, mounted, unframed 25 x 41cm; 10 x 16in With a grisaille of a well by Edridge and 2 charcoal sketches by Dr Thomas Munro, mounted, unframed (4) £250-350 98. English School 19th Century Figures in a lake landscape, a town beyond Watercolour 43 x 61cm; 17 x 24in £200-300 99. English School early 19th Century The morning gun Watercolour 30 x 50cm; 12 x 20in £150-250

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101

102

103

100. William Payne (c.1760-c.1830) View of Meavy, Devon with Sheepstor in the distance Watercolour 21 x 27.5cm; 8¼ x 10¾in £600-800 101. William Payne (c.1760-c.1830) Delivering a barrel Signed Watercolour 20 x 25cm; 8 x 10in £300-500

102. William Payne (c.1760-c.1830) A man with a dog by a lake Signed Watercolour 20 x 25cm; 8 x 10in £300-500 103. William Payne (c.1760-c.1830) A cart and horse by a lake Signed Watercolour 20 x 25cm; 8 x 10in £300-500 104. No lot

24 105. French School 18th Century A design for a column in a square; Design for a Palladian villa Two, both pen, ink, pencil and watercolour 35 x 63cm; 13 x 24¾in and smaller With a further design for a fortified palazzo, possibly Italian (3) £1,000-1,500 106. Giuseppe Bernardino Bison (Italian 1762-1844) Design for the wall of a chamber Watercolour over pencil 37 x 13cm; 14½ x 5in £250-350 107. Sambrooke Freeman (19th Century) Aviary at Lord Rockinghams; A Stable block Two, both inscribed (one indistinctly) Both pen and ink, one with pencil 13.5 x 8cm; 5½ x 3¼in Provenance: Christie’s 30th November 1983 With a pen and ink sketch of ladies by Ozias Humphry (1742-1810) (3) £150-250 108. After Annibale Carracci and Domenichino Perseus and Andromeda Red chalk 34 x 67cm; 13½ x 26¼in Previously thought to be by Hugh Douglas Hamilton (Irish c.1739-1808) £300-400

105

109. Carlo Labruzzi (Italian 1748-1817) Ruin near Capua Signed and titled on attached sheet Watercolour over pencil, mounted, unframed 18 x 27cm; 7 x 10½in £300-500

106

107

108

109

110 110. Charles George Nicholls (fl. 1792-1818) Bridge at Saumpoor near Dacca; Guptar Ghaut near Fyzabad on the Goggra; Burrumdeo near where the Gaggra issues; View of an ancient gateway at Dacca; View of Peer Pointy; A mosque on the north bank of the Gagra near Debowly Six, two signed All watercolour with scratching out Each 16.5 x 22.5cm; 6½ x 9in (6) £1,500-2,500

111

111. Anglo-Chinese School mid 19th Century The Hong Kong Embassy following the first Opium War with Commissioner Keying/Qiying, Major General D’Aguilar, Sir John Davis and Dr. Gutzlaff the Interpreter Inscribed with participants names Watercolour, unframed 35.5 x 53cm; 14 x 21in £600-800

112. William James Muller (1812-1845) Spaniards and Mexicans in discussion Watercolour on buff paper 28 x 45cm; 11 x 17¾in Provenance: F. R. Meatyard, London £300-500

112

26 113. Edward Lear (1812-1888) Mount Sinai Inscribed and dated twice 26th Jany. 1849 Pen and ink with pencil inscriptions, mounted, unframed 21 x 32cm; 8¼ x 12½in £700-1,000

113 114. Edward Lear (1812-1888) Mount Sinai Inscribed and dated twice 29th January 1849 Pen and ink on grey paper, mounted, unframed 18 x 26cm; 7 x 10¼in With a small sheet of studies by the same hand (2) £400-600

115. Anglo-Indian School mid 19th Century Indian sketch books Five albums, two books signed M. A. Scott Moncrieff, one J. Ballard Mixed media - mainly watercolour or pencil 28 x 38cm; 11 x 15in and smaller (5) £700-1,000

114

115

116

117

116. Cornelius Pearson (1805-1891) On the Conway; Lowes Water, Westmorland; A river landscape; A castle by a river A set of four, all signed and dated 1952 All watercolour, circular Each, 42cm diameter (4) £750-1,000 117. David Cox O.W.S. (1783-1859) Figures on a Bridge, North Wales Inscribed verso: Mr Rainbow from David Cox 1835 Watercolour over pencil heightened with bodycolour and stopping out 15.5 x 23cm; 6¼ x 9in Provenance: Michael Bryan, June 1998 Private Collection, UK £2,000-3,000

118

118. George Pyne (1800-1884) Christ Church College Oxford; A college courtyard A pair, both signed and dated 1848 Both watercolour 17 x 24.5cm; 6¾ x 9½in and similar (2) £400-600 119. Samuel Jackson (1794-1869) View of the Avon from Durdham Down with Cooks Folly to the left, Clifton beyond Possibly signed below mount Watercolour with scratching out 29 x 40.5cm; 11½ x 16in Provenance: Sotheby’s 31.3.99, Lot 130 £500-700

119

28 120. Henry Birtles (1838-1907) Sheep in Springtime Signed and dated 1906 Watercolour 20.5 x 30.5cm; 8 x 12in Provenance: The Keyser Gallery, Cirencester, K1146 £200-300

120

122

121

123

121. John Fullylove (1845-1908) Interior scene with figures by a fire Signed Watercolour 18 x 26cm; 7 x 10¼in £250-350 122. K. Jackman (20th Century) Dursley Market Hall, Gloucestershire Signed Watercolour 26 x 36.5cm; 10¼ x 14½in £120-180 123. Albert Pollitt (1856-1926) Near Cullingworth, Yorkshire Signed and dated 1896 Watercolour 40 x 56.5cm; 15¾ x 22¼in £200-300

124

125

124. Thomas Charles Leeson Rowbotham (1823-1875) Near Penshurst, Kent Titled Watercolour 18.5 x 25cm; 7¼ x 10in £200-300 125. Cecil Jack Keats (19/20th Century) Barge by a lock Signed Watercolour 31 x 48.5cm; 12¼ x 19in £150-200

126 126. John Syer R.I. (1815-1885) Crossing the Bar Signed and dated 1878 Watercolour 24 x 35cm; 9½ x 13¾in Provenance: The St Helier Galleries Ltd £150-250

127 127. D’Esposito (19/20th Century) Harbour view, possibly the Grand Harbour, Malta Signed Watercolour, unframed 18 x 28cm; 7 x 11in £200-300

29 128. Albert Goodwin R.W.S. (1845-1932) Castor Signed, titled and dated 1872 Watercolour with scratching out 20 x 34.5cm; 7¾ x 13½in £600-800 129. Harry Sutton Palmer (1854-1933) Leith Hill from Oakley Watercolour 35 x 53cm; 14 x 20¾in Provenance: Christie Manson and Woods, Remaining Works of the Late H. Sutton Palmer, December 11th 1933, part of lot 77, purchased by Charles H.P. Betenson £750-1,000

128

130. John Edmund Buckley (1824-1876) Elegant figures outside Exeter Cathedral Bears signature and date Watercolour 36.5 x 56.5cm; 14½ x 22¼in £400-600 131. Joseph Michael Gandy A.R.A. (1771-1843) Near Chamonix Signed and titled Watercolour 30 x 44cm; 11¾ x 17¼in £500-800

129

130

131

30 132. Edward Duncan R.W.S. (1803-1882) View from Oaks Weald, Nr. Sevenoaks Signed and dated 1849 Watercolour 23 x 33cm; 9 x 13in £250-350

132

134

133

135

133. ‡ Charles Edward Brittan (1870-1949) Among the Tors, near Princetown Gouache 35.5 x 53cm; 14 x 21in £100-150 134. Edward H. Thompson (1879-1949) October’s ever varying hues, the junction of the Wye and Severn Signed and dated 1916 Watercolour 58.5 x 88cm; 23 x 34½in £300-500 135. Charles Edmund Rowbotham (1826-1921) Figures and goats by a lake Signed and dated 1909 Watercolour with bodycolour 13 x 18.5cm; 5 x 7¼in £300-400

136

138 138. ‡ Frederick John Widgery (1861-1942) Near Perranporth, Cornwall Signed Gouache on cream paper 27 x 44.5cm; 10½ x 17½in £200-300

137

139 139. ‡ Charles Edward Brittan (1870-1949) Sunset over a moorland homestead Signed Watercolour 47 x 73cm; 18½ x 28½in £300-500

136. David Bates (1840-1921) Near Colwall Signed, titled and dated 1904 Watercolour 35.5 x 51.5cm; 14 x 20in £300-500 137. ‡ William H. Bradley (1868-1962) Swans on the river Signed and dated 1882 Watercolour 45 x 67cm; 17¾ x 26¼in £200-300

140

141

140. Thomas Sidney Cooper R.A. (1803-1902) Sheep resting on a moor Signed and dated 1872 Watercolour 19.5 x 30cm; 7¾ x 11¾in £1,200-1,500

142. Sidney Baker (19/20th Century) Church Street, Cromer, Afternoon Signed Watercolour 44.5 x 30.5cm; 17½ x 12in £100-150

141. Thomas Sidney Cooper R.A. (1803-1902) Three sheep by a gate Signed and dated 1871 Pencil 19.5 x 14cm; 7¾ x 5½in With another sketch of a hut by a river verso (2) £200-300

143. ‡ Denys George Wells (1881-1973) St. Bride’s Church Passage Signed Watercolour 55 x 37.5cm; 21½ x 14¾in £200-300

142

143

144. French School 19th Century French Village scene with the Hotel de la Poste Watercolour 50 x 36cm; 19½ x 14in £200-300

144

32 146. Augustus J. Cuthbert Hare (1834-1903) Taormina, from my window; Temple of Concord, Girgenti One signed with initials verso and each dated 1879 and 1880 Both watercolour 35.5 x 25.5cm; 14 x 10in and 27 x 40.5cm; 10½ x 16in (2) Provenance: Albany Gallery, London £300-500

145. Alfred East R.A. (1849-1913) View over a continental city Signed Watercolour 24.5 x 35.75cm; 9¾ x 14in £400-600

147. Neapolitan School late 19th Century View off the coast of Naples Signed with initials PA Pastel 46 x 71cm; 18 x 28in £300-500

148. N. Gianni (Italian 19/20th Century) Amalfi near Salerno; Capri from Sorrento A pair, both signed Both watercolour with bodycolour Each 30.5 x 46cm; 12 x 18in (2) £250-350

149. Alfred Robert Quinton (1853-1934) Trinity Church, Stratford on Avon Signed Watercolour 34 x 52cm; 12½ x 20½in £100-150

145

150. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Ashbourne Village Signed, titled Ashbourne and dated 1901 Watercolour 34.5 x 49cm; 13½ x 19¼in £300-500

146

147

151. ‡ Charles Sim Mottram (1852-1919) Boats in a harbour Signed and dated 1901 Watercolour 21.5 x 65cm; 8½ x 25½in £300-500

148

149

152. Thomas Charles Leeson Rowbotham (1823-1875) A highland track Signed and dated 1873 Watercolour 8 x 24cm; 3¼ x 9¼in £150-200

150

151

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153

154 156. English School 19th Century La Vallière, portrait of a lady by a window, thought to be Helen Douglas Inscribed Helen and dated 1848, also inscribed verso This Picture of ‘La Valliere’ belongs to Mrs. Arch.d Douglas, 13 Royal Circus, Edinburgh, July 1882 Watercolour, in a pierced scrolling frame 21 x 16cm; 8¼ x 6¼in Thought to be in the style Sir William Fettes Douglas (1822-1891) £300-500

153. Agnes Gardner King (fl. 1880-1902) Mud pies Signed Watercolour 56 x 78cm; 22 x 30¾in £1,000-1,500 154. John Dawson Watson (1832-1892) A little girl seated on a wall Signed and dated 1860 Watercolour 20 x 13.5cm; 8 x 5¼in £600-800

157. Continental School 19th Century A mother and child Pastel 81 x 46cm; 24 x 18in £200-300

155. William Jabez Muckley (1837-1905) Portrait of a lady holding pearls at a window Signed and dated 1876 Watercolour with bodycolour 38.5 x 26cm; 15¼ x 10¼in £300-500

155

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157

34 158. James Walter Gozzard (1880-1950) Westminster Bridge Signed, also later inscribed by a different hand verso Earth has not anything to show more fair Watercolour 28 x 40cm; 11 x 15¾in £100-150 158

159

160

159. Walter Stocks (19th Century) Geese by a farm pond Signed and dated 1861 Watercolour over pencil 25.5 x 42.5cm; 10 x 16¾in £200-300 160. H. Dolland Hulke (20th Century) Views in the Lake District A pair, both signed Both watercolour Each 34.5 x 50cm; 13½ x 19¾in £150-200

161

162

163

164 163. Cyril Walduck Edwards (b.1902-?) Shipbuilding Signed Watercolour on buff paper 32.5 x 46cm; 12¾ x 18¼in £100-150

165 164. Italian School 19th Century Sirmione, Lake Garda Titled Watercolour 16 x 34cm; 6¼ x 13½in £100-150

165. Martin Snape (fl. 1874-1905) H.M.S. Victory in Portsmouth Harbour Signed (below mount) Watercolour 26.5 x 43cm; 10½ x 17in £300-400

161. Theodore Fort (French 1810-1896) White mare and foal at dusk Signed Watercolour 19 x 33cm; 7½ x 13in £150-250 162. Richard Caton Woodville (1825-1857) Chinese soldiers entering the Principal gate of Peking Signed with initials 30.5 x 23cm; 12 x 9in With another framed watercolour and two unframed by the same hand and 5 unframed watercolours by Adolphe Forestier and two mezzotints (11) £200-300

166 166. Thomas Colman Dibdin (1810-1893) Figures by church doors Two, one signed and indistinctly dated Both watercolour Each 33 x 23cm; 13 x 9in (2) £200-300 167. Thomas Colman Dibdin (1810-1893) Continental street scene Signed and dated 1864 Watercolour with bodycolour 37 x 26cm; 14½ x 10¼in £200-300 168. Thomas Colman Dibdin (1810-1893) Beauvais Cathedral, France Signed and dated 1880 Pen, ink and watercolour 75 x 53cm; 29½ x 21in £300-500

167

168

169

170

169. Thomas Colman Dibdin (1810-1893) Unloading at the Wharf Signed and dated 1880 Pen, ink and watercolour 54 x 37cm; 21¼ x 14½in £300-500 170. Thomas Colman Dibdin (1810-1893) Fountain in the Market place, Dieppe Signed and dated 1881 Pen, ink and watercolour 37 x 26cm; 14½ x 10¼in £300-500 171. Thomas Colman Dibdin (1810-1893) A busy continental market town Signed and dated 1881 Pen, ink and watercolour 37 x 54.5cm; 14½ x 21½in £300-500

171

172. Thomas Colman Dibdin (1810-1893) Continental market before a Cathedral Signed and dated 1881 Pen, ink and watercolour 37 x 54.5cm; 14½ x 21½in £300-500

172

36 173. Henry John Kinnaird (fl. 1880-1920) View of Salisbury Signed and titled Watercolour 27 x 18.5cm; 10½ x 7¼in £300-500 174. ‡ Henry John Sylvester Stannard (1870-1951) Granny’s house at Hilwick Signed Watercolour 35 x 25cm; 14 x 10in £700-900

173

174

175. Benjamin Williams Leader R.A. Near Betws-y-Coed, North Wales Signed Watercolour 23 x 34cm; 9 x 13½in £200-300 176. Harold Waite (fl. 1892-1939) On the cliffs Signed Watercolour 33 x 49.5cm; 13 x 19½in £70-100

175

177

176

178

178. Edward Wilkins Waite (1854-1924) River scene with a bridge Watercolour 17.5 x 28cm; 7 x 11in With a drawing and a pen and ink sketch by the same hand (3) Provenance: Gainsborough’s House, Sudbury E.W. Waite 16th July - 4th Sept 1983 nos. 60, 33 and 34 £80-120

177. Harold Waite (1870-1939) Brockham January 1989 Inscribed and dated verso Watercolour 11 x 19cm; 4¼ x 7½in Together with two further works by the same hand, 2 larger watercolours by Edward Waite (1824-1910) and two by Arthur Waite (1871-1900), and a pencil sketch signed G. Waite all mounted, unframed (8) £100-150

37 179. Follower of Giuseppe Gustavo Scoppa Neapolitan views: Napoli da Posilipo; Molo Piccolo; Isola di Capri; Riviera di Chiaja Set of four, all titled All gouache, unframed Each 42 x 65cm; 16½ x 25½in (excluding border) (4) Provenance: Sotheby’s, 8 May 1962, lots 223, 224, 225, 227 £2,000-3,000

179 180. Amos Green (1735-1807) Fishermen and cattle in a lakeland landscape Pen, ink and wash 19 x 25cm; 7½ x 9¾in Provenance: Peter Stiles, Guildford £150-250

181. David Cox O.W.S. (1783-1859) Hyde Park; Pack Horses; A cart horse Inscribed, 3 sheets of sketches, mounted, unframed 18 x 24cm; 7 x 9½in (sheet size) (3) £200-300 180

181

38 182. Alfred Downing Fripp (1822-1895) The Mill Pool, Swanage Signed, also signed and titled on a label verso Watercolour 45.5 x 73cm; 18 x 28¾in Provenance: Christie’s, May 09(?), lot 104 £800-1,200

183. Robert George Talbot Kelly R.I. (1861-1934) Cloud Wreaths, Lugano Signed indistinctly and titled on an old label attached verso Watercolour 33 x 50cm; 13 x 19½in £300-500

182

183

184

185

186

185. John Atkinson (1863-1924) The Beach at Whitley Bay Signed Watercolour and bodycolour 29.5 x 45cm; 11½ x 17¾in Provenance: Christopher Wood Gallery, London 10th March 1983 £300-500

186. Woodbine K. Hinchliff ARE (fl. 1895-1913) Wild rose and Bracken Signed and dated 06 Watercolour 29 x 39.5cm; 11½ x 15½in Provenance: Christopher Wood Gallery 21st November 2002 £200-400

184. Reginald Vicat Cole (1870-1940) Summer’s Noon Signed and dated 1896 Watercolour and bodycolour 38 x 48cm; 15 x 19in Provenance: Miss M. Vicat Cole, 9 Camden Hill Square, Kensington Christopher Wood Gallery 18th May 1987 Exhibited: Institute of Painters in Watercolour, 1896 £200-400

39 187. Barbara Bodichon, née Miss Barbara Leigh Smith (1827-1891) Ventnor, Isle of Wight Signed inscribed and dated: Barbara Leigh Smith Ventnor I W 1856 Watercolour and bodycolour with scratching out, arched top, in the original leaf and berry frame 71 x 108cm; 28 x 42½in In 1856 the artist stayed with Anna Mary Howitt on the Isle of Wight and painted this work, amongst others, during the stay. The picture was well received, the critic W.M. Rosetti described it as a ‘capital coast scene, full of real pre-Raphaelitism’. Bodichon, seeking more wild coastal landscapes as subjects, went on to visit North Africa and the landscapes she painted from the villa which the Bodichons purchased near the coast in Algeria formed the basis of many of her future exhibitions. Provenance: 187 Christopher Wood, London Exhibited: Royal Academy, London 1956, no. 913 Manchester City Art Gallery, November 1997 Pre-Raphaelite Women Artists Literature: Jan Marsh/Pamela Gerrish Nunn Pre-Raphaelite Women Artists, 1997, catalogue no. 3, illustrated pg. 23 £1,000-1,500

188. Simeon Solomon R.A. (1840-1905) Amor Militans, Spes, Invida Signed with initials and dated 1886 Pencil 32.5 x 49.5cm; 12¾ x 19½in Provenance: The Piccadilly Gallery, May 2007 Christopher Wood Gallery, London £1,500-2,500

188

40 189. ‡ Charles Murray Padday (1868-1954) Auction on the beach Signed and dated 97 Watercolour 49 x 90cm; 19¼ x 35½in Provenance: Christie’s, 19 Sep 2002, lot 168 £400-600

189 190. William Lionel Wyllie R.A. (1851-1931) SS Magnetic of the White Star Line, launched 1891 Inscribed ‘’Magnetic’’ and Charlie(?) Watercolour, unframed 11.5 x 9cm; 4½ x 3½in Together with a group of 10 unframed etched greetings cards and invitations from W.L.Wyllie, Fred Slocombe, Mr and Mrs Stanhope Forbes, R.M. McBeth and others £100-150 190

191

192

191. French School 19th Century Costume du Haut Ton Four, all hand-coloured lithographs Each 26 x 20.5cm; 10¼ x 8in With a further costume print from the Caucasus (5) £150-250

193. ‡ Richard Jack R.A. (1866-1952) Illustrations of soldiers and militia 7, all signed and dated ‘92 All grisaille washes, mounted, unframed 24 x 20cm; 9½ x 8in (7) £100-150

192. Frederick Tully Lott (act.1857-1879) A view from the cliffs Signed Watercolour 46.5 x 30cm; 18½ x 11¾in £200-300

193

194 194. Paul Jacob Naftel (1817-1891) View over lobster pots with Vale Church, Guernsey beyond Signed with a monogram and dated 1867 Watercolour with bodycolour 24 x 49cm; 9½ x 19¼in £1,500-2,500

195. Roberto Angelo Kittermaster Marshall (1849-1926) Between Stockbridge and Longstock, Hampshire Signed and dated 4/21 Watercolour 44 x 79cm; 17¼ x 31in £800-1,200

195

42 196. Jules Achille Noel (1810-1881) River at low tide in a French town Watercolour 24 x 32cm; 9¼ x 12½in £300-500

196

198

200

197

199

201

197. Thomas Bush Hardy R.B.A. (1842-1897) On the beach at Katwyk, Guernsey Signed and dated 1885, also titled on a label verso, possibly by another hand Watercolour 25 x 39cm; 10 x 15½in £300-500 198. Frederick Edward Joseph Goff (1855-1931) The Pool; Sonning A pair Both signed and titled Watercolour Each 11.5 x 15.25cm; 4½ x 6in (2) £300-500 199. Hugh L. Norris (c.1863-1942) A meadow with willow trees Signed Watercolour 26 x 36cm; 10¼ x 14¼in £200-300 200. George Lowthian Hall (Scottish 1825-1888) Brodick Bay, Isle of Arran, Scotland; Fisherman by a river Two, both signed and dated 1873, the first titled verso Watercolour 39 x 68.5cm; 15 x 27in and smaller (2) £200-300

202 202. Sir David Young Cameron R.S.A. (Scottish 1865-1945) Church on the coast Signed Watercolour with chalk 35.5 x 45.5cm; 14 x 18in £300-500

203 203. George Oyston (1861-1937) Moonrise on the Ouse at St. Ives, Hampshire; Sunset on a country lane Two, both signed and dated 1918 Both watercolour 35 x 52cm and similar (2) £300-500

201. Malcolm Crosse (19th/20th Century) Westpoint, Clewe Bay; Downing Bay, Sheephaven, Ireland A pair, both signed and titled Both watercolour Each 19.5 x 39cm; 7¾ x 15½in (2) £200-300

204

208 204. ‡ Paul Hagemans (Belgian 1884-1959) The birch tree Signed and dated ‘08 Gouache 42 x 26cm; 16½ x 10¼in £100-150 205. ‡ Frank O. Salisbury (1874-1962) Portrait of Tom P. Salisbury Woods Signed and dated Oct. 14 1940 Chalks 56 x 35.5cm; 22 x 14in £200-300 206. Indian School 19th Century Figures with a bird of prey by a stream Gouache in a decorative border 34 x 16.5cm; 13½ x 6½in £200-300

205

206

209 207. Takashi Nakayama (Japanese 1893-1978) Studies of rustic figures Five, all signed All watercolour, one unframed 33 x 16.5cm; 13 x 6½in With a further watercolour signed K.H (6) £200-300 208. ‡ Edward Loxton Knight (1905-1933) View through an arch in the Alps Signed Gouache 66 x 41cm; 26 x 16in £200-300

207

210 209. Persian School 20th Century Study of a scholar Inscribed 25 x 15.5cm; 9¾ x 6¼in £80-120 210. William Huggins (1820-1884) Study of a cat Signed Coloured chalk on grey paper 23.5 x 20cm; 9¼ x 8in Exhibited: Lowndes Lodge Gallery, Nov. 1966, No. 47 £200-300

211

212

213

214

215

216

211. William Wilde (1826-1901) Harvest landscapes A pair, both signed and dated 67 Both watercolour heightened with white Each 21.5 x 36cm; 8½ x 14in (2) £500-700

213. Leyton Forbes (19/20th Century) A cottage path Signed Watercolour 16.5 x 24cm; 6½ x 9½in £100-150

212. ‡ Raymond Sheppard (1913-1958) Polar Bears on the ice Signed Pastel on buff paper 44 x 59.5cm; 17¼ x 23½in £300-500

214. William Henry Hunt (1789-1864) Primroses, violets, an orchid and a bird’s nest on a mossy bank Signed Watercolour 27 x 37cm; 10½ x 14½in £500-700

215. ‡ Andrew Archer Gamley R.S.W. (1869-1949) Mending the nets, Pittenweem Signed Watercolour 17.5 x 21cm; 7 x 8¼in Provenance: St. Andrews Fine Art, Scotland £200-400 216. George Quartus Pine Talbot (1853-1888) A house and terraced garden; A lake view A pair, both signed, one dated 87 Both watercolour Each 22 x 32cm; 8¾ x 12½in £150-250

45 217. ‡ Sir Frank Brangwyn R.A. (1867-1956) Interior of the Church of St. Hilaire, Poitiers Signed with a monogram (very faint) Watercolour with bodycolour 71 x 54.5cm; 28 x 21½in Exhibited: Exhibition of Paintings, Drawings and Etchings by Frank Brangwyn R.A., Barbizon House, London, 1924 (111) £1,000-1,500 218. ‡ Sir William Russell Flint P.R.W.S., R.A. (1880-1969) The Departing of the Knights from Le Mort d’Arthur Signed and dated MCMXI Watercolour heightened with bodycolour on buff paper 21.5 x 27.5cm Literature: Le Mort d’Arthur, Book VIII, chapter VIII £1,500-2,500 219. ‡ Paul Emile Pissarro (French 1884-1972) Barge on the Seine at Vétheuil Signed Pen, ink and watercolour 20.5 x 30cm; 8 x 11¾in Provenance: Authenticated by David Stern, Stern Pissarro Gallery £600-800

217

218

219

220

221

220. Hercules Brabazon Brabazon (1821-1906) View of a lake Signed with initials Mixed media on blue paper, unframed 15.5 x 19cm; 6 x 7½in £250-350

221. Hercules Brabazon Brabazon (1821-1906) Venice after Turner Signed with initials, titled on the mount Pastel over pencil, unframed 12 x 18cm; 4¾ x 6in £300-500

223. Hercules Brabazon Brabazon (1821-1906) Sailing barge Pencil, inscribed on another sheet, attached, with a quotation from Ruskin, unframed 24.5 x 15.5cm; 9¾ x 6in £200-300

222. Hercules Brabazon Brabazon (1821-1906) Florence Signed with initials and titled Pencil heightened with red and yellow pastel, unframed 14.5 x 20.5cm; 5¾ x 8in £250-350

224. Hercules Brabazon Brabazon (1821-1906) Mountain scene Signed with initials Watercolour, unframed 13 x 14.5cm; 5 x 5¾in £250-350

222

223

224

47 225. Hercules Brabazon Brabazon (1821-1906) Venice after Turner Signed with initials, inscribed on a label Watercolour and bodycolour over pencil on light blue paper, mounted, unframed 17.5 x 24.5cm; 7 x 9½in £750-850

225 226. Hercules Brabazon Brabazon (1821-1906) A town square, possibly North Africa Signed with initials Pastel over pencil, unframed 17 x 20cm; 6¾ x 8in £700-900

226

227

228

227. Hercules Brabazon Brabazon (1821-1906) Landscape after Constable Signed with initials, also titled After Constable on backing paper Watercolour with bodycolour, unframed 18.75 x 22.25cm; 7½ x 8¾in £600-800

229. Hercules Brabazon Brabazon (1821-1906) Landscape after Turner Signed with initials Watercolour over pencil, unframed 13 x 17.5cm; 5 x 7in £300-400

228. Hercules Brabazon Brabazon (1821-1906) View of an archway Signed with initials Watercolour and bodycolour over pencil on brown paper, unframed 22 x 15cm; 8½ x 6in £400-450

230. Hercules Brabazon Brabazon (1821-1906) View of a lake, possibly Lake Geneva Signed with initials, inscribed indistinctly Watercolour over pencil, unframed 17.5 x 21.5cm; 7 x 8½in £300-400

229

230

49 231. Hercules Brabazon Brabazon (1821-1906) Alassio Signed with initials twice, also titled on mount Pastels on card, unframed 13.25 x 19cm; 5¼ x 7½in £400-500

232. Hercules Brabazon Brabazon (1821-1906) Monte Carlo Signed with initials, titled on mount and inscribed with a quotation Pastel on blue paper, unframed 12 x 18.5cm; 4¾ x 7¼in £400-500

233. Hercules Brabazon Brabazon (1821-1906) After Tintoretto Signed with initials, also titled on the mount Watercolour and bodycolour, unframed 21 x 17cm; 8¼ x 6¾in £250-350

231

234. Hercules Brabazon Brabazon (1821-1906) Naples Signed with initials and titled Pencil and watercolour, unframed 15 x 26.75cm; 6 x 10½in £400-500

232

233

234

235

236 235. Hercules Brabazon Brabazon (1821-1906) Righi Signed with initials twice and titled Pastel and watercolour, unframed 22.5 x 29.5cm; 9 x 11¾in £250-350

238. Hercules Brabazon Brabazon (1821-1906) Figures in a classical setting Watercolour over chalk on light blue paper, unframed 15 x 22.5cm; 6 x 8¾in £300-500

236. Hercules Brabazon Brabazon (1821-1906) Venice, After Guardi Signed with initials, titled After Guardi on backing paper Pencil and chalks on buff paper, unframed 16 x 20cm; 6¼ x 8in £350-450

239. Hercules Brabazon Brabazon (1821-1906) Villa Arson Signed with initials and titled Pastel on blue paper, unframed 7.75 x 24.5cm; 7 x 9½in £250-350

237. Hercules Brabazon Brabazon (1821-1906) Study of a North African figure Watercolour over pencil, unframed 36 x 25.5cm; 14 x 10in £250-350 237

238

239

240 240. Hercules Brabazon Brabazon (1821-1906) Annunciation Titled and inscribed after Botticelli, Ufizzi, Florence on backing paper Watercolour over pencil, unframed 16.5 x 21.5cm; 6½ x 8½in £250-350 241. Hercules Brabazon Brabazon (1821-1906) Venetian sunset Signed with initials Pastel, unframed 12 x 15cm; 4¾ x 6in £200-300

241 243. Hercules Brabazon Brabazon (1821-1906) Lucerne Signed with initials Pastel on buff paper, unframed 18 x 22cm; 7 x 8½in £250-350 244. Hercules Brabazon Brabazon (1821-1906) Beaulau Signed with initials and titled indistinctly Pastel and watercolour, unframed 15 x 23cm; 6 x 9in £250-350

242. Hercules Brabazon Brabazon (1821-1906) A Rose Signed with initials, also titled on mount Watercolour with bodycolour, unframed 24 x 17.5cm; 9½ x 7in £350-450

243

242

244

245

246

247

248 246. Hercules Brabazon Brabazon (1821-1906) Coronation of the Virgin, after the original by Velazquez Signed twice with initials Watercolour with bodycolour 30 x 23cm; 11¾ x 9in Provenance: P. & D. Colnaghi & Co, London £300-500

249 245. Hercules Brabazon Brabazon (1821-1906) Ships in a storm after Turner Signed with initials indistinctly, also inscribed After Turner verso Watercolour and bodycolour with pencil, unframed 15.5 x 23cm; 6¼ x 9in £700-900

247. Walter Bayes (1869-1956) Dusty Road, Provence; At the Theatre; Café Trellis Three, all signed with initials and dated 29, 30 and 31 All pen, sepia ink and wash 26 x 19cm; 10¼ x 7½in and similar (3) £250-350

248. Walter Bayes (1869-1956) Deck Chairs; Looking Seaward Two both signed with initials Both pen, sepia ink and wash, one on buff paper 22 x 25cm; 8½ x 10in and smaller (2) £150-250 249. Alexander Bayes (20th Century) S. Frediano in Cestello, Florence; St. Valery-s-Somme, Looking across to Le Crotoy Two, the first signed and dated 1972 Both pen, ink and watercolour Each 20.5 x 29.5cm; 8 x 11½in (2) £100-150

53 250. Harry Bright (1846-1895) Guarding the nest Signed and dated 1888 Watercolour 29 x 23.5cm; 11½ x 9¼in Provenance: Christie’s, 28 Sep 2005, Lot 305 £350-450

251. Harry Bright (1846-1895) A peregrine falcon Signed and dated 1876 Watercolour with bodycolour on buff paper 29.5 x 20.5cm; 11½ x 8in £300-500

252. Harry Bright (1846-1895) Long tailed tits Signed and dated 1884 Watercolour, oval 28 x 22.5cm; 11 x 9in £250-350

250

251

253. Harry Bright (1846-1895) Cockatiels by a river Signed and dated 1875 Watercolour 41 x 28cm; 16 x 11in £300-500

254. Harry Bright (1846-1895) Magpie and bird’s nest in a landscape Signed and dated 1877 Watercolour 43 x 29cm; 17 x 11½in £200-300

252

253

255. Harry Bright (1846-1895) Music in the day Signed and dated 1886 Watercolour 23 x 27cm; 9 x 10½in £300-500

254

255

54 256. Johannes Gerardus Keulemans (Dutch 1842-1912) Nutcracker Signed with initials Watercolour 19 x 15cm; 7½ x 6in £250-350

256

257

257. Johannes Gerardus Keulemans (Dutch 1842-1912) Tawny pipit Signed with initials Watercolour 19 x 15cm; 7½ x 6in £250-350

258. Johannes Gerardus Keulemans (Dutch 1842-1912) A coal titmouse Signed with initials Watercolour 20 x 15cm; 8 x 6in £300-400

258

259

259. Johannes Gerardus Keulemans (Dutch 1842-1912) Pair of Wallcreepers Signed with initials Watercolour 22.5 x 15cm; 9 x 6in Provenance: Christie’s, 14 May 96, Lot 43 £300-500

260. Johannes Gerardus Keulemans (Dutch 1842-1912) A male woodcock and dragonfly, 1907 Signed Watercolour 32 x 48.5cm; 12½ x 19in £300-500

260

55 261. ‡ George Edward Lodge (1860-1954) Bridled tern, Bonaparte’s gull, Ross’s gull; Grey phalarope - winter and summer Two, both signed Both watercolour 23 x 29cm; 9 x 11¼in and 28 x 21.5cm; 11 x 8½in (2) £400-600

261 262. ‡ Philip Rickman (1891-1982) Partridge covey in flight Signed Watercolour 33 x 47cm; 13 x 18½in £500-700

263. ‡ A. J. Simpson (19th Century) Birds building a nest by the pond; Birds on a thorny branch A pair, both signed and dated 1878 Both watercolour Each 33 x 48cm; 13 x 19in (2) £250-350

262

263

264 264. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) A pair of pintails in shallow water Signed Watercolour 41.5 x 53cm; 16¼ x 21in Provenance: Given by the artist to the vendor’s Grandmother following a holiday in Anglesey with her sister Jose Christopherson, who was a friend of the artist £1,500-2,500 265. ‡ Terence Lambert (b.1951) Black winged stilt Signed Watercolour with bodycolour on blue paper 39 x 30cm; 15¼ x 11¾in £150-250

266

265 266. ‡ Andrew Stock (b.1960) Pintails Signed and dated 89 Watercolour 35 x 53.5cm; 13¾ x 21in See lot 335 by the same hand £500-700 267. ‡ Peter Partington (b.1941) Stockholm Oystercatchers Signed Watercolour 18 x 27cm; 7 x 10½in £80-120

267

57 268. Archibald Thorburn (1860-1935) House martins on a ledge Signed and dated 1932 Watercolour with bodycolour 26.5 x 18cm; 10½ x 7in Provenance: Gift to C. R. Peacock from Mrs Thorburn after the artist’s death £4,000-6,000

268

269

270

269. Attributed to James Abbott McNeill Whistler (American 1834-1903) Fishing Village 4; Landscape Nocturne 23 Two, both inscribed with a device Pastel 12 x 18cm; 4¾ x 7in and smaller (2) Provenance: Nordness Madison Gallery, New York £150-250 270. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 24, Landscape Nocturne 28, Fishing village 16 Three, two inscribed with a device Two pastel on buff paper, one sepia ink, pastel and wash 11 x 18cm; 4¼ x 7in and smaller (3) Provenance: Nordness Madison Gallery, New York £200-300

273

272

271 271. Attributed to Henri Fantin-Latour (French 1836-1904) Reclining nude Signed on the mount Red chalk on buff paper 45 x 63cm; 17¾ x 24¾in £800-1,200

272. Follower of Simeon Solomon R.A. Portraits of young ladies Two, both red chalk on buff paper, one with some black chalk, framed as a pair 28 x 20.5cm; 11 x 8¼in (2) £400-600

274 273. ‡ Sir William Orpen R.A., R.H.A. (Irish 1878-1931) Self portrait, Poor old Orps He’s done in Titled and inscribed To Kathleen in memory of my young days in Ireland Pencil 21 x 16cm; 8¼ x 6¼in Provenance: Kathleen Fairbanks (b.1903) £200-300

274. ‡ Sir Jacob Epstein (1880-1959) Isadora Duncan dancing, 1920 Pencil on buff paper 42 x 31.5cm; 16½ x 12in Provenance: Brook Street Gallery Lady Epstein private collection £400-600

59 275. ‡ Wilfred Gabriel de Glehn R.A. (1870-1951) View over Florence Signed and dated 1909 Watercolour 31 x 39cm; 12¼ x 15¼in Provenance: David Messum, Studio Collection, 616 £600-800 276. ‡ George Denholm Armour (1864-1949) American anxiously addressing powerful jumper … Pen and ink with blue crayon 22 x 17.5cm; 8¾ x 7in Provenance: The Moorland Gallery, 17482 £200-300

275

277. ‡ Frank Algernon Stewart (1877-1945) The Craven Hunt crossing a road Signed Watercolour over pencil 21 x 33cm; 8¼ x 13in £400-600

276

278

277

278. Hubert John Williams (1905-1989) The homeward path Pastel on buff paper 29 x 27.5cm; 11½ x 10¾in Provenance: Campbell Wilson, Aberdeenshire, from the artist’s studio £150-250 279. ‡ Bernard Philip Batchelor (b.1924) ‘Caerphilly Castle’, retired to South Kensington Signed Pencil and wash on buff paper 27 x 21cm; 10¾ x 8¾in £200-300

279 280. ‡ William E. Powell (1878-1955) Cornflowers; Delphiniums Two, both signed and dated 27 Watercolour 32.5 x 21cm; 12¾ x 8¼in and 42 x 24cm; 16½ x 9½in (2) £300-500

280 281. Manner of Walter Langley A boy practising the violin Watercolour on buff paper 23 x 15.25cm; 9 x 6in £100-150

281

60 282. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Luss Glen, Loch Lomond Signed, titled and dated 1941 Watercolour with scratching out 24.5 x 34.5cm; 9½ x 13½in Provenance: The Fine Art Society, 1945 £300-500

282

283

283. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Cornish Landscape Signed Watercolour 23 x 33cm; 9 x 13in £300-500 284. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Cottages at Sennen Signed Watercolour over pencil 18.5 x 23.5cm; 7¼ x 9¼in £200-300

284

285

286

287

285. English School early 20th Century Billingsgate Fish Market looking towards the Fishmongers Hall Watercolour 31.5 x 47cm; 12½ x 18½in £300-500 286. James Aitken (act.1880-1935) Shipping at sea; A punt on a river; A shepherd on a coastal path Three, all signed All watercolour Each 34 x 49cm; 13½ x 19½in Provenance: Lord Charles Spencer-Churchill £100-150 287. Continental School 19th/20th Century Hazy day on the lakes Signed indistinctly, possibly J. Masters Pastel 54 x 73cm; 21¼ x 28in £150-250

288

288. ‡ Harrington Bird (1846-1936) A Cheetah pursuing an Antelope Signed Watercolour 30 x 68.5cm; 12 x 27in £200-300

290

289 289. ‡ Ernest Howard Shepard (1879-1976) Sketch for the verse - ‘’Vespers’’ Pencil 13 x 11cm; 5 x 4¼in Provenance: Chris Beetles Gallery, The Illustrators, The British Art of Illustration 1780-1980 No. 216 £800-1,200 290. Attributed to Victor Pasmore R.A. (1908-1989) At the Opera Signed and titled Pen ink and watercolour 24 x 22cm; 9½ x 8½in £300-400

292. Cecil Charles Windsor Aldin (1870-1935) A mounted huntsman Signed Pencil 13 x 18cm; 5 x 7in £400-600

291. ‡ Henry Sanders né Helmut Saloman (1918-1982) An album of sketches mostly of animals Most signed and dated 50 Black chalk, some with coloured chalk and watercolour 23 x 30cm; 9 x 12in With 5 loose signed illustrations to Fables in watercolour with chalk and an exhibition catalogue for Metropolitan Borough of Stoke Newington, 1955 £500-700

293. ‡ Josef Herman R.A. (1911-2000) Workers Pen and ink, watercolour and oil pastel on buff paper 21.5 x 31cm; 8½ x 12¼in £300-500

291

292

293

62 294. ‡ E. B. Watts (b.1940) Blue and white teapot with flowers Signed and dated 93 Watercolour 47 x 63cm; 18½ x 25in Provenance: The Gallery, Manchester £100-150

294

296

295. ‡ David Remfry R.A. (b.1942) Still life with Easter eggs Signed and dated 1987 Watercolour 62 x 103cm; 24½ x 40in £400-600

295

297

296. ‡ Robert van Cleef (b.1914) Sleeping woman Signed Pastel 33 x 48cm; 13 x 19in £200-300

297. ‡ Terry McKivragan (b.1929) The Foursome, Golf Signed Gouache 32 x 50cm; 12½ x 19¾in £100-150

298

300 300. ‡ Watson Charlton (c.1930) 28 interior designs Most signed Watercolour, 27 unframed 35 x 38cm; 13¾ x 15in (and similar) With 12 further designs for accessories (c.40) £200-300

299

301 301. A. Viegelmann (Continental 20th Century) Summer flowers in a vase Signed and dated 1919 Gouache 45 x 55.5cm; 17¾ x 22in £100-150

298. ‡ Kenneth Draper R.A. (b.1944) Deep Cave Signed, also titled and dated 97 on backing board verso Pastel 56 x 66cm; 22 x 26in Provenance: Hart Gallery London Exhitibed: R.A. Summer Exhibition, 2003, No. 4 £120-180

299. ‡ Libby January (b.1947) Goldfish Signed with a monogram Pastel 34 x 39cm; 13½ x 15½in £300-400

63 302. ‡ Gladys Mccabe R.O.I. (Irish b.1918) Irish market Signed Watercolour on grey paper 36 x 48cm; 14 x 19in £600-800 303. ‡ Anthony Eyton R.A. (b.1923) The Art Class Signed and dated 98 Pastel on grey paper 47 x 63cm; 18½ x 25in £200-300

305. ‡ Roger McPhail (b.1953) Grayling Signed Grisaille watercolour 16.5 x 24.5cm; 6½ x 9¾in (paper size) £150-250

306. ‡ Roland Batchelor R.W.S. (1889-1990) Richmond riverside Signed with initials Pen, ink and watercolour 17 x 24cm; 6¾ x 9¼in £300-500

304. ‡ James Cowie R.S.A. (Scottish 1886-1956) Mists in the Valley Signed Watercolour 14 x 18cm; 5½ x 7in Provenance: Arts Council, Scottish Committee, Memorial Exhibition, 1957, No. 94 £300-400 302

303

304

305

306

307

308

309 307. ‡ Polly Rockberger (b.1950) The Lord Chief Justice’s Corridor Signed and dated 90 Pen, ink and watercolour 48 x 35cm; 19 x 13¾in £100-150

310

311

312

308. ‡ Phyllis Ginger R.W.S. (1907-2005) A colourful interior Signed and dated 93 Watercolour 46.5 x 33cm; 18¼ x 13in £150-250 309. ‡ Bernard Fleetwood-Walker R.A. (1892-1965) Study of a girl in green, seated full length; Head of a girl in blue Two, both signed, the second dated 1945 Both watercolour with some pen and ink and pencil 47 x 36cm; 18½ x 14in and 28 x 21cm; 11 x 8¼in (2) £300-500

313

310. English School 20th Century View of Salisbury Cathedral Signed indistinctly Watercolour 43 x 31.5cm; 17 x 12½in £100-200

311. ‡ Kathy McNally (b.1950) Nude Signed and dated ‘84 Charcoal 58 x 76cm; 23 x 30in £250-350

312. ‡ Roy Petley (b.1950) A female nude, half length; Female nude, seated Two both signed and dated 93 and 88 Both red chalk 39 x 25cm; 15¼ x 9¾in and 37 x 27cm; 14½ x 10½in (2) £100-150

313. ‡ Lawson Wood (1878-1957) Spooky beasties Signed Pen, ink and wash 10 x 30.5cm; 4 x 12in £200-300

314

315

316

317. ‡ David McClure R.S.A. (Scottish 1926-1998) Still life Signed Gouache over pencil on brown paper 11 x 17cm; 4¼ x 6½in £150-250

314. ‡ Lin Jammet (b.1958) Horse and Rider Signed and dated ‘92 Gouache 41 x 21cm; 16 x 11in £100-150 315. ‡ Leo McDowell (1936-2011) Etruscan fresco with flowers Signed Mixed media 29.5 x 34.5cm; 19¼ x 13½in Provenance: The Richmond Hill Gallery, Richmond Surrey £250-350

318. ‡ Leonore Fini (Argentine/French 1908-1996) Le Masque Signed Watercolour 31.5 x 23cm; 12 x 9in £800-1,200 319. ‡ Eric J. Mellon (1925-2014) Sennan c.1982 Signed Watercolour 19 x 27cm; 7½ x 19½in £80-120

316. ‡ Brian Fielding (1933-1987) Red abstract Signed and dated 64 Crayon 27.5 x 38cm; 10¾ x 15in £150-250

318

317

319

320

321

320. ‡ Rodolphe Strebelle (Belgian 1880-1959) Le Faubourg de Collioure Signed, dated 1926 and inscribed Collioure, also signed and titled verso Gouache 42 x 53.5cm; 16½ x 21in Exhibited: Exposition d’art Belge a Venise Provenance: Sotheby’s, 17 Sept. 2002, Lot 253 £150-250 321. ‡ Ralston Gudgeon R.S.W. (1910-1984) Cockfight Set of three, all signed All watercolour on grey paper Each 24.5 x 37cm; 9½ x 14½in (3) Provenance: W. B. Simpson, Glasgow £300-400

323

322

324

325

322. ‡ Derek George Montague Gardner (1917-2007) H.M.S. Durban off Singapore in 1941 Signed Pen, ink and watercolour 21.5 x 28cm; 8½ x 11in £200-300 323. ‡ John Humphrey Spender (1910-2005) Cottages in Lavenham Signed and dated 1947 Pastel on buff paper 29 x 37cm; 11½ x 14½in £300-500 324. ‡ Rowland Hilder O.B.E. (1905-1993) Lymington Pen, ink and watercolour on buff paper 25 x 35cm; 10 x 13¾in £200-300 325. ‡ Rowland Hilder O.B.E. (1905-1993) El Medano, Tenerife Signed Pen, ink and watercolour over pencil 24 x 33cm; 9½ x 13in £300-400

326

326. ‡ Raymond Allen Jackson (JAK) (1927-1997) Cadaqués Signed, titled and dated 1980 Green pen and watercolour 29 x 41.5cm; 11½ x 16¼in £150-250

67 327. Percy French (1854-1920) Peat stacks on the moor Signed Watercolour 15.5 x 24cm; 6 x 9½in £1,000-1,500

328. Percy French (1854-1920) Sunlit moorland river Signed Watercolour 15.5 x 24cm; 6 x 9½in £1,000-1,500

329. ‡ Phillip Rickman (1891-1982) Highland landscapes Two, both signed and dated 1934 and 39 Both watercolour 25 x 34cm; 10 x 13¼in (2) £400-600

327

330. ‡ Sir Robin Philipson R.A. P.R.S.A. R.S.W. (1916-1992) Landscape with a distant town Signed, also with inscribed dedication on a label verso Mixed media 29 x 46cm; 11½ x 18in £400-600

328

329

330

68 331. ‡ Rowland Hilder O.B.E. (1905-1993) A Glory Class Carrier, Patrol Boats and Hawker Sea Hawks off Gibraltar Watercolour and gouache on buff paper 49 x 34cm; 19¼ x 13¼in £400-600 332. ‡ R. Matthieu (20th Century) Sunflowers and bees Signed Gouache 31.5 x 22.5cm; 12½ x 9in £100-150

331 333. ‡ Léon Haffner (1881-1972) Racing yacht Signed and numbered 307 Gouache 43 x 32cm; 17 x 12½in £100-150 334. No lot

333

332 335. ‡ Andrew Stock (b.1960) Great spotted woodpecker Signed and dated ‘98 Watercolour 35.5 x 25cm; 14 x 10in also see lot 266 by the same hand £300-500

335

336. ‡ Robert Sawyers (1923-2002) Tangerines and dried flowers; Victoria Plums Two, both signed with initials Both watercolour 27.5 x 17.5cm; 10¾ x 6¾in and 18 x 13cm; 7 x 5in (2) £150-250

336

69 337. ‡ Keith Vaughan (1912-1977) Man with army; Idol II, 1940 A pair, both signed with initials Both pen, ink and watercolour 12.5 x 17cm; 5 x 6¾in (2) Provenance: Christie’s, 12 Dec 2013, Lot 21 £1,000-1,500

338. ‡ Keith Vaughan (1912-1977) Persiphae, 1976 Signed with studio stamp Pencil 17 x 15cm; 6¾ x 7in Provenance: Redfern Gallery, 1998 Abbott & Holder, London £700-1,000

337

339. ‡ Keith Vaughan (1912-1977) Figure in Iowa, 1959 Pencil 17 x 15cm; 6¾ x 7in £600-800

340. ‡ Roger Hilton (1911-1975) Man running a race Signed with initials and titled Pen and ink 14 x 16cm; 5½ x 6¼in Provenance: Dan Klein London £200-300

341. ‡ Raoul Millais (1901-1999) On the Bull Farm; Rejoneador; Toro Three, all signed One pen and ink, one watercolour and one charcoal, the first on buff paper 20 x 27.5cm; 8 x 10¾in and similar (3) Provenance: The Tryon Gallery, London £400-600

338

340

339

341

Oil Paintings

342

345 342. Circle of Sir Joshua Reynolds P.R.A. Portrait of a girl Oil on canvas 56.5 x 47.5cm; 22¼ x 18¾in Provenance: James Frederick Nigel Rutter, Lincolnshire Passed to his son, James Rutter Private English collection £400-600 343. English School 19th Century Portrait of a gentleman Oil on canvas 62.5 x 54cm; 24½ x 21in £80-120

343

346

344

347

344. Circle of Sir Thomas Lawrence P.R.A. Portrait of a gentleman in a brown coat, seated Oil on canvas 78.5 x 64cm; 31 x 25in £200-300

346. Circle of Arthur Devis Portrait of a lady, half length wearing a blue dress Oil on canvas 36 x 24cm; 14 x 9½in £400-600

345. English School 19th Century Portrait of John Adcock Inscribed on a label verso Died June 26th 1879, Aged 75 years, Buried in St. Lawrence’s Church, London, also Sir Hugh Evelyn Oil on canvas 61 x 48cm; 24 x 19in £500-800

347. After Agostino Carracci Self Portrait Oil on canvas 38 x 29cm; 15 x 11½in A copy of the original in the Uffizzi £500-700

348

350 348. Circle of Allan Ramsay Portrait of a Gentleman, possibly John Coutts (1699-1751), Lord Provost of Edinburgh Oil on canvas in a carved Carlo Maratta frame 82 x 66cm; 32¼ x 26in Provenance: Private New York collection Private English collection £2,000-3,000 349. Follower of Enoch Seeman Portrait of Richard Lamb (1685-1746) Oil on canvas 126 x 101cm; 49½ x 40in £2,000-3,000

349

351 350. George Henry Harlow (1789-1819) Portrait of Johann Baptist Cramer (1771-1858) Oil on panel 53.5 x 41cm; 21 x 16in Provenance: T. McLeans Gallery, London Christie’s, 12th Jan 1901, Lot 67 S. A. Taylor By descent in the Wellesley family Private English collection £2,000-3,000 351. Sir George Hayter (1792-1871) Portrait study of Sir Edmund Hayes, M. P. for Donegal Signed and inscribed on a label verso Study for my great picture of the House of Commons in 1833 Oil on panel 34.5 x 27cm; 13½ x 10¾in £800-1,200

72 352. H. Bigee (19th Century) Still life of flowers in an urn Signed Oil on canvas 53.5 x 38cm; 21 x 15in £400-600

353. Dutch School 18/19th Century Still life of roses and summer flowers in an urn Oil on canvas 73.5 x 60cm; 29 x 23¾in £200-300

352

353

354. Byzantine School 19th Century The Resurrection Oil on panel 36 x 27cm; 14 x 10½in £200-300

355. Italian School 18th/19th Century Madonna and child with angels Oil on copper 16.5 x 13cm; 6½ x 5¼in With a leaf from the Book of Hours printed for Gilles Hardouyn in Paris 1516 (2) £300-500

354

355

356. Follower of Jan van Kessel Still life of flowers in an urn Oil on panel 23.5 x 17.5cm; 9¼ x 7in £100-150

357. Follower of Bartolomé Esteban Murillo Madonna and putti Oil on canvas, laid on panel 22.5 x 18cm; 9 x 7½in £200-300

356

357

358

359

360

361

362 358. After Peter Paul Rubens and Frans Snyders Christ, St. John, an angel and a little girl Signed indistinctly and dated 185* Oil on canvas 39.5 x 50.5cm; 15½ x 20in A copy of the original in Wilton House, Wiltshire £800-1,200 359. Follower of David Teniers A tavern scene Oil on canvas 40.5 x 54cm; 16 x 21¼in £800-1,200

363 360. Follower of David Teniers A village scene with figures gathered by a house Oil on canvas 35.5 x 45.5cm; 14 x 18in £200-300 361. Fong Qua (Chinese 19th Century) A junk off the coast Artist’s label verso Oil on canvas 15.5 x 23cm; 6¼ x 9in £400-600

362. Flemish School 17th Century Lot being guided by an angel Oil on panel 19 x 27cm; 7½ x 10½in Provenance: Leonard Koetser Ltd., London, 1966 £300-400 363. Dutch School 18th Century Figures and cattle by a stream Oil on panel 33 x 38cm; 13 x 15in £300-400

74 364. After Raphael Sanzio Madonna della sedia Oil on canvas 76 x 76cm; 30 x 30in £400-600

364

366 367. Follower of Francisco Bayeau y Subias Portrait of a lady wearing blue Oil on canvas 48 x 38cm; 19 x 15in £300-500 368. After Sir Thomas Lawrence P.R.A. The Red Boy Oil on canvas 84 x 63cm; 33 x 25in A copy of the original £300-400

369

365

365. Circle of William Etty R.A. Study of two girls seated in a landscape Oil on board, circular 48.5cm; 19in diameter £500-700

367

368 370. English School c.1800 Portrait of a girl in a red fur-trimmed wrap in a painted garland Oil on canvas 70 x 56cm; 27½ x 22in £100-150

369. Sir Edwin Henry Landseer R.A. (1802-1873) Head study of a woman, possibly Lady Louisa Russell (1812-1905) Oil on board, oval 19.5 x 16.5cm; 7¾ x 6½in Provenance: Sotheby’s Belgravia, 30 March 1982, lot 200 (as a study for Harvest in the Highlands) Christie’s, 22 February 1985, Lot 61 Bonhams Knightsbridge, 20 March 1997, Lot 1 Peter Johnson, 2000 Sotheby’s 29th October 2008, Lot 508

371. English School 18/19th Century Portrait of Charles I with armorial bearings of his adherents Oil on canvas 64 x 67cm; 25 x 26¼in £300-500

We would like to thank Richard Ormond for his assistance in cataloguing this lot. £800-1,200

370

366. English School 19th Century Portrait of Anna Maria Draycott, later Lady Shuckburgh Oil on panel 25.5 x 20cm; 10 x 8in £150-250

371

372. Dutch School 19th Century Rustic with sheep and cattle watering Oil on board, circular 12.5cm; 5in diameter £200-300

373. After Sir Anthony Van Dyck Portrait of the Earl of Stratford Oil on canvas, oval 53.5 x 41cm; 21 x 16in £600-800

372

373

374. English School 18th Century Portraits believed to be William Seton of Mounie (1750-1781) and his sister A pair, both oil on copper, oval Each 16 x 12.5cm; 6¼ x 5in (2) £200-300 374

375. English School c.1800 Portraits of two girls, both head and shoulders Both oil on canvas, ovals Each 32 x 26cm; 12½ x 10¼in (2) £100-150

375

376

377

378 376. Follower of Adriaen Brouwer A rustic drinking from a flask Oil on panel 18 x 13cm; 7 x 5¼in £400-600 377. Flemish School 18th Century Elegant figures in an interior Oil on panel 29.5 x 24cm; 11½ x 9½in £300-500

379

380

378. Attributed to Jan Miense Molenaer (Dutch 1610-1668) A scholar at work Oil on panel 16 x 12.5cm; 6¼ x 5in £400-600 379. English School (19th Century) Study of a boy, head and shoulders Oil on canvas 61 x 51cm; 24 x 20in £100-200 380. Manner of Antonio Allegri Correggio Ecco Homo Oil on canvas in a decorative frame 44 x 35.5cm; 17¼ x 13in £200-300 381. French School 18th Century The Hunter’s refreshment Oil on canvas 49 x 62cm; 19¼ x 24½in £1,500-2,500

381

382 384. Norwich School 19th Century A windmill by a river Oil on panel 19.5 x 15cm; 7½ x 6in £250-350

382. Edward Charles Williams (1807-1881) Rustic figures on wooded tracks A pair, both said to be signed and dated 1857 verso Both oil on canvas Each 46 x 37cm; 18 x 14½in (2) £1,000-1,500

385. Follower of Nicolaes Berchem Rustics herding sheep and cattle in a Continental landscape Oil on canvas laid on panel with wax seal verso 33 x 41cm; 13 x 16in £500-800

383. Benjamin Blake (1757-1830) Still life of game on a table Signed and dated 1875 Oil on panel 24 x 21.5cm; 9½ x 8½in Provenance: Woolley & Wallis, 17th October 1994, Lot 14 £400-600

383

384

385

78 386. William Alfred Ingpen (Continental 19th Century) A falconry scene Signed and dated Jun 1874 Oil on board 30 x 38cm; 11¾ x 15in £400-600

386

387

387. G. P. André (19th Century) Figures on the coast before a cottage Signed and dated 1844 Oil on canvas 30.5 x 40.5cm; 12 x 16in £200-300 388. English School 19th Century Figures in a landscape with boats on a lake Oil on canvas 46 x 61cm; 18 x 24in £200-300

389

388

389. Sydney Amos Driver (1865-1934) after Meindart Hobbema The Avenue at Middelharnis Signed and titled verso Oil on canvas 76 x 101.5cm; 30 x 40in A copy of the original in the National Gallery With a print of geese on the marshes after Peter Scott (2) £300-500 390. English School 19th Century Ships in a swell Oil on panel 30 x 42cm; 12 x 16½in £100-150

390

391

391. Circle of William Simpson A horseman in a Middle Eastern landscape Oil on board 26.5 x 33cm; 10½ x 13in £100-150 392. Italian School 19th Century Figures in Italianate landscapes Two, both oil on canvas, one laid on board, framed alike 38 x 48cm; 15 x 19in (2) £250-350

392

393

394

393. Richard Whitford (c.1821-1890) In-calf Hereford cow, Bell Inscribed on the stretcher verso: In-calf Hereford cow ‘’Bell’’ bred by the late F. William Haile 15 or 16 years old and the property of Messrs. G. and …….. of Ford Gloucestershire / Painted by Richard Whitford of Evesham Animal painter to the Queen 1869 Oil on canvas 46 x 61cm; 18 x 24in Literature: Andrew J.A. Sheldon Richard Whitford paintings: a catalogue Part 2 no. 6905 £800-1,200 395 394. Edward Williams (1782-1855) Figures on a track by a working mill Inscribed indistinctly on a label verso Oil on panel 58 x 79cm; 23 x 31in £1,500-2,500

395. E.R. Lautter (18/19th Century) Still life of copper pans, moulds and vegetables on a ledge Signed Oil on panel 22 x 33cm; 8½ x 13in £800-1,200

396

396. Italian School 18th Century The sleep of Venus Later inscribed on a label verso Ani Bad Orello Ivtor Del. 1695 Oil on canvas 35.5 x 98cm; 14 x 38½in £500-700

80 397. English School 19th Century Portrait of Arthur Wellesley, 1st Duke of Wellington, full length standing, wearing the Order of the Garter and Waterloo medal issued 1815-16 Oil on canvas 64 x 42cm; 25¼ x 16½in This is a portrait of Wellington in the mid to late 1840s when his political career was coming to an end and is unusual in that he is not wearing his Spanish Order of the Golden Fleece £1,000-1,500 398. Follower of Sir Thomas Lawrence P.R.A. Portrait of Humble Lamb (1774-1844) Oil on canvas 129 x 102cm; 51 x 40in £800-1,200 397

398

399. English School late 17th Century Portrait of Sir Thomas Powell, 1st Bt. of Broadway, Laugharne, Carmarthenshire and Coldbrook Park, Monmouthshire (c.1665-1720) Oil on canvas, oval 69 x 56cm; 27 x 22in £500-800 400. Charles Edward Hallé (1846-1914) Mother and her daughter having tea Signed and dated 1862 Oil on canvas 105 x 78cm; 41½ x 30½in £800-1,200

399

400

401. English School 19th Century Portrait of George, Earl of Pomfret Oil on canvas 97 x 80cm; 38½ x 31½in Old canvas loosely attached to back implies the sitter is either George William Denys (1788-1857), 1st Baronet Denys or George, Earl of Pomfret 1820 and painted by Arthur Perigal £500-700 402. Dutch School 17/18th Century Portrait of a boy holding a basket of fruit Oil on canvas 65 x 51cm; 25½ x 20in £1,000-1,500

401

402

403

404

405

406

407 403. Sebastian Pether (1790-1844) Fishermen on the Loch with Inveraray Castle beyond Oil on canvas 55 x 81cm; 21½ x 32in £1,000-1,500 404. Follower of John Ferneley Extensive landscape with huntsmen and hounds Oil on canvas 76 x 107cm; 30 x 42in Provenance: Lord Charles Spencer-Churchill £600-800

408 405. Follower of John Frederick Herring A horse and pet spaniel Oil on panel 39.5 x 50.5cm; 15½ x 20in £300-500

407. Continental School 18th Century Elegant company inspecting a piebald Oil on canvas 66 x 81cm; 26 x 32in £800-1,200

406. Apelles (19th Century) Reprieve, a hunter Signed and inscribed Reprieve Oil on canvas 40.5 x 51cm; 16 x 20in £400-600

408. Dutch School c.1800 Cattle in a landscape, a tower beyond Oil on canvas 40.5 x 57cm; 16 x 22½in £400-600

409

410

411

412 409. Manner of John Wilson Carmichael Fishing boats and figures on the shore Oil on panel 36 x 54cm; 14 x 21¼in Provenance: Woolley & Wallis, 25th March 2009, Lot 298 £600-900

413 410. J. Colinson (19th Century) Fishing boats on the coast with St. Michael’s Mount A pair, both signed Both oil on panel Each 22.5 x 30.5cm; 9 x 12in (2) £400-600 411. English School 19th Century Ships on stormy seas A pair, both oil on canvas 23 x 30.5cm; 9 x 12in (2) £400-600

412. Dutch School late 18th Century Ships in a stormy sea Oil on canvas 36 x 45cm; 14 x 17¾in £400-600 413. John Wilson Carmichael (1800-1868) Traders off the coast Oil on canvas 27.5 x 43cm; 10¾ x 17in £200-300

83 414. Mark Anson (19th Century) View of Scarborough Signed and dated 85 Oil on canvas 85 x 132cm; 33½ x 52in £800-1,200 415. ‡ H. Crane (20th Century) SS Roscommon Signed Oil on board 15 x 31cm; 6 x 12¼in SS Roscommon, built by Workman, Clark & Co. Ltd., Belfast in 1902 for Union Steamship Co. of New Zealand, Ltd., London, was a British steamer of 8238 tons. On August 21st, 1917, Roscommon, en route from Manchester to Australia, was torpedoed by the U-53 (Hans Rose) £100-150 414 416. ‡ Marie-Edouard Adam (French 1847-1929) The SS Mount Evans off the coast Signed and dated 1920 Oil on canvas 60 x 92cm; 23½ x 36in SS Mount Evans of 5,598 GRT was built in 1919 for the Pacific Coast Steamship Company. She was part of Convoy ON113 from UK to USA

in mid-1942; of Convoy SC100 from Halifax to UK in Sept 1942, and of Convoy HX297 from USA to UK in mid-1944. The last record of the Mount Evans is in Rio de Janiero in 1961 when she was operated by the Mount Evans Steamship Company. £400-600

417. Chinese School c.1900 H.M.S. Blenheim near Hong Kong Oil on linen 45 x 59.5cm; 17¾ x 23½in Provenance: Hampshire Gallery 3/3/08 £200-300

415

417

416

418

418. Chinese School c.1895 The battleship H.M.S. Centurion at sea Oil on linen 47 x 60cm; 18½ x 23¾in Provenance: Hampshire Gallery 10/9/97 £250-350

419

421

420

422

85 419. Augustus Henry Fox (c.1822-1895) Three children in an interior Signed indistinctly and dated 1856 Oil on canvas 91 x 71cm; 36 x 28in £700-1,000 420. English School 19th Century The letter Oil on canvas 77.5 x 55cm; 30½ x 21½in £1,000-1,500 421. Pierre Edouard Frère (French 1819-1886) The Connoiseur Signed and dated 79 Oil on panel 25.5 x 2.5cm; 11 x 8in £800-1,200 423

422. Follower of William Powell Frith R.A. Intercepted Letter Bears signature and date, also titled verso Oil on canvas 46 x 35.5cm; 18 x 14in £400-600 423. Thomas Sewell Robbins (1810-1880) Fishermen off the coast Signed and dated 1851 Oil on canvas 25.5 x 35.5cm; 10 x 14in £1,500-2,500 424. Frederick Richard Lee R.A. (1798-1879) Highgate from the hill Signed Oil on panel 23 x 30.5cm; 9 x 12in Provenance: E. Stacy-Marks, Eastbourne, 16-4-81, No. L. 324 £200-300 425. English School 19th Century Figures in a landscape Oil on panel 15 x 17.5cm; 6 x 7in £150-250

424

426 426. English School c.1900 Study of an oak tree Oil on paper, mounted, unframed 17.5 x 25cm; 7 x 9¾in With 4 mounted, unframed watercolours by different hands (5) £80-120

425

427 427. English School 19th Century Figures on a track by a country cottage Oil on canvas 28 x 37cm; 11 x 14½in £100-150

86 428. English School early 20th Century Figure with a horse and cart in a landscape Oil on panel 30.5 x 40.5cm; 12 x 16in £200-300

428

430

429

431

429. ‡ Tony Sheath (b.1946) Home at last Signed Oil on canvas 50.5 x 76cm; 20 x 30in Provenance: E. Stacey Marks, 5.11.83., S-943 £200-300 430. R. Nightingale (late 19th Century) Still life of fruit on a shelf with a kitten and butterfly Signed and dated 1886 Oil on canvas 45.5 x 61cm; 18 x 24in £300-500 431. Georg Schlugg (German 19/20th Century) Traveller in a wooded mountain landscape Signed Oil on canvas 56 x 68.5cm; 22 x 27in £150-250

432

434 434. Jack Orr (1890-1961) The Veterans Signed, titled on a label verso Oil on board 46 x 61cm; 18 x 24in £300-500

433

435 435. Robert Bell (1806-1872) Bell’s Life in London Oil on canvas 52 x 62cm; 20½ x 20¼in With a still life of apples by David Smith (2) £200-400

432. Neapolitan School 19th Century View of the Bay of Naples Oil on paper 13.5 x 20.5cm; 5¼ x 8in £150-250 433. West Indies School c.1890 West Indian landscape Signed indistinctly and dated Sep 1890 Oil on canvas 51 x 91.5cm; 20 x 36in £300-500

437

436 436. Jules Émile Saintin (French 1829-1894) Portrait of a lady seated in an interior Signed and dated 1872 Oil on panel 27 x 21cm; 10¾ x 8¼in £800-1,200

439

438

437. T. Greenwood Hunt (fl. 1873-1878) A tempting treat Signed and dated 1874 Oil on canvas 40.5 x 30.5cm; 16 x 12in £350-450 438. Neapolitan School 19th Century A country girl Signed indistinctly and dated 1886 Oil on canvas 55 x 44cm; 21½ x 17¼in £500-800

440

439. Maurice Greiffenhagen R.A. (1862-1931) Portrait of a young lady with long brown hair Signed Oil on canvas 30.5 x 25cm £500-700 440. James Butler Brenan R.H.A. (Irish 1825-1889) Portraits of Mr. & Mrs. Pitts of Hardingham Hall, Hingham, Norfolk A pair, both signed and dated 1872 Both oil on canvas Each 35 x 30.5cm; 14 x 12in (2) £300-500

88 441. Oliver Clare (1853-1927) Peaches, plums and raspberries on a mossy bank; Grapes, apples and raspberries by a path A pair, both signed Both oil on canvas Each 25.5 x 30.5cm; 10 x 14in (2) £500-800

441

442

443 442. James Poulton (fl. 1844-1859) Woodland still life with an apple, pear and grapes Signed Oil on board 16 x 24cm; 6¼ x 9½in £100-150 443. George Hardy (1822-1909) The pink doll Oil on canvas 24 x 33cm; 9½ x 13in £400-600

444

444. William Henry Mander (1850-1922) Welsh views: Nr. Dinas, Mawdwy; Scene Nr. Arthog A pair, both signed, also both signed and titled verso Both oil on canvas, unframed Each 46 x 35.5cm; 18 x 14in (2) £600-800

89 445. Thomas Sidney Cooper R.A. (1803-1902) Sheep on a chalk down with cliffs beyond, 1861 Signed Oil on panel 25.5 x 40.5cm; 10 x 16in Provenance: Christie’s, March 1st 1929 £3,000-5,000 446. Follower of John Frederick Herring Pigs in a farmyard; Horse and donkey in a farmyard A pair, both oil on canvas, circular in rectangular frames Each 48cm; 19in diameter (2) £800-1,200 447. S. Bird (19th Century) A pack horse by a stable Signed and dated 1870 Oil on canvas 25.5 x 30.5cm; 10 x 12in £400-600

445

448. Franz Van Severdonck (Belgian 1809-1889) A rooster, hens and chicks feeding Signed and dated 1859 Oil on panel 17 x 22.5cm; 6¾ x 9in £600-800

446

447

448

90 449. Herbert H. St John Jones (1870-1939) The Great Dane Highfield Lady K.C.S.B. with her litter of 10 puppies, in a landscape Signed, titled and dated 1902 also signed and titled verso and also with original inscription verso: Highfield Lady The Property of George Ray of Highfield, Nantwich Oil on canvas 71 x 101cm; 28 x 40in £1,000-1,500 450. George Armfield (1808-1893) Terriers at a burrow Signed Oil on canvas 43 x 53.5cm; 17 x 21in Provenance: Printed on frame Presented by Captain W.C. Wingfield, Late Kings Dragoon Guards 1889 Christie’s, 15 October 1976, lot 150 £400-600

449

451. F. Williams (19/20th Century) Study of a terrier Signed and dated 1900 Oil on canvasboard 23 x 25.5cm; 9 x 10in £300-500

450

452

451

453

452. French School 19th Century A stand-off Signed and inscribed indistinctly verso Oil on panel 21.5 x 26cm; 8½ x 10¼in £300-500 453. G. R. Jackson and A. P. Norton (19th Century) Two hounds in a landscape Signed and dated 1860 Oil on canvas 28 x 43cm; 11 x 17in £300-500

454 454. Henry Charles Bryant (1812-1890) Cattle in the water meadows, Salisbury Cathedral beyond Signed and inscribed on a label verso Oil on board 51 x 63cm; 20 x 25in £700-1,000

455 455. Continental School 19th Century Interior scene with figures and a monk playing dice Signed indistinctly Oil on canvas 64 x 79cm; 25 x 31in £600-800

456. Edwin Longsden Long R.A. (1829-1891) Caravan by the water Signed and dated 1886 Oil on canvas 33 x 41cm; 13 x 16in £600-800

457. Francis Sydney Muschamp (1851-1929) The clumsy suitor Signed Oil on canvas laid on board 50 x 75cm; 19 x 29in Provenance: Woolley & Wallis, 17th October 2007, Lot 472 £500-800 458. Manner of Canaletto View of the Grand Canal Oil on canvas 90 x 120cm; 35½ x 47in £800-1,200

456

457

459. Robert Fleury (French 1797-1890) The presentation in the temple Signed with initials Oil on canvas 42 x 57cm; 16½ x 22½in £400-600 458

459

92 460. R. Benedict (19th Century) Cattle watering; Sheep resting A pair, both signed, one dated 81 Both oil on canvas Each 15 x 20cm; 6 x 8in (2) £300-400

460

461

462

463

461. R. Allan (19th Century) A view of Bisham on Thames Signed Oil on canvas 41 x 61cm; 16 x 24in £400-600 462. Wilfred Jenkins (1857-1936) Moonlit village scene Signed Oil on canvas 32 x 46cm; 12½ x 18in £200-300 463. Frank Hider (1861-1939) The Chills of Autumn Gild the Verdant Scene Signed, titled verso 31 x 51cm; 12 x 20in £150-250

464

465

466

467

465. Joseph Horlor (1809-1887) Near Coombe Martin, Devon Signed and dated 60, also signed and titled verso Oil on board 17.75 x 35.5cm; 7 x 14in Provenance: Bonhams, 27 Feb 2007, Lot 109 £200-300

466. English School 19th Century A break from the hunt Oil on canvas 53 x 66cm; 21 x 26in £150-250

464. Attributed to James Baker Pyne (1800-1870) Sunset over a river landscape Signed with initials Oil on panel 14 x 25.5cm; 5½ x 10in £200-300

467. Joseph Van Dieghem (Belgian 1843-1885) Sheep and lambs by a sawn tree Signed and dated 77 Oil on panel 17 x 25cm; 6¾ x 9¾in £300-500

468 468. Circle of John-Laurents Jensen Still life of roses, iris, narcissi and convolvulus Oil on canvas 28 x 37cm; 11 x 14½in £700-1,000 469. William Harding Smith (1848-1922) Still life of grapes and plums on a mossy bank Signed and dated 1870 Oil on canvas 25 x 30.5cm; 10 x 12in £750-1,000

469 471. A. Friedmann (20th Century) Still life of flowers in a vase on a marble ledge Signed Oil on panel 40 x 30cm; 16 x 12in £300-500 472. Follower of George Lance Still life of fruit by a column Oil on board 23 x 27cm; 9 x 10½in £150-250

470. Maud Earl (1864-1943) A cockerel on a branch in a wooded landscape Signed Oil on board 155 x 68cm; 61 x 27in £1,000-1,500

471

472

470

94 473. H. M. (19/20th Century) View near Frome, Somersetshire Signed with a monogram and dated 96, also titled on stretcher verso Oil on canvas 91.5 x 71cm; 36 x 28in £200-300 474. Ernest Parton R.I. (1845-1933) The Silence of the Woods Signed Oil on canvas 92 x 62cm; 36¼ x 24½in Exhibited: Royal Academy, London £700-1,000

473

474

475. H. Sherbourne (Late 19th Century) Sheep on a track by a windmill Signed and dated ‘59 Oil on canvas 46 x 61cm; 18 x 24in £350-450 476. Charles Nicholl Woolnoth (1815-1906) Moffat Well Burn in spate Signed, also signed and titled on a label verso Watercolour 44 x 64cm; 17¼ x 25in £150-250

475

476

477

477. Walter Boodle (1862-1914) Pastoral river landscapes A pair, both signed Both oil on board Each 24 x 31cm; 9½ x 12¼in (2) £150-250

95 478. Stanislas Lépine (French 1835-1892) Cattle on the water meadows Signed Oil on canvas 43 x 55cm; 17 x 21½in £2,000-3,000

478

479. Benjamin Williams Leader R.A. (1831-1923) A view of Sutton Church Signed and dated 1902 Oil on canvas 41 x 61cm; 16 x 24in £2,000-3,000

479

480 480. Rudolph Stone (19/20th Century) Hunting Scenes A pair, both signed Oil on panel 15.5 x 31.5cm; 6 x 12¼in (2) £400-600

481

482

481. English School c.1900 Studies of farm horses and calves 5, all oil on panel, unframed Each 12.5 x 21.5cm; 5 x 8½in (5) £100-150 482. Circle of John Frederick Herring Three members of The Temperance Society Bears signature and date 1832 Oil on canvas laid on board 47 x 62cm; 18½ x 24¼in £200-300

483

484

485 483. Charles H. Branscombe (fl. 1891-1922) Hunters with setters in a landscape Signed and dated 1893 Oil on canvas 30.5 x 45.5cm; 12 x 18in £150-250

484. ‡ Vincent Haddelsey (1929-2010) The Brocklesby Hunt Signed with initials Oil on canvas 61 x 91cm; 24 x 36in Provenance: Tooth Paintings, London, No. C0305 £500-800

485. Thomas Whittle (act.1856-1897) Summer evening; Autumn evening A pair, both signed and dated 1869 Both oil on canvas Each 25.5 x 35.5cm; 10 x 14in (2) Provenance: Christopher Cole Fine Paintings £200-300

97 486. Julius Olsson R.A. (1864-1942) The coast in the moonlight Signed Oil on canvas 45.5 x 61cm; 18 x 24in Provenance: The Annesley family of Northern Ireland and by descent ÂŁ2,000-3,000 487. Daniel Sherrin (1868-1940) Surrey Pines Signed, also titled verso on overlap Oil on canvas 77 x 130cm; 30 x 51in In original giltwood frame- see website for image ÂŁ2,000-3,000

486

487

98 488. Circle of Grandma Moses Farm buildings with a windmill Oil possibly on paper laid on canvas 45.5 x 59.5cm; 18 x 23½in £400-600

488

489

489. Frank Reynolds (1876-1953) Carriages in a city square Signed and dated 1942 Oil on canvas 46 x 61cm; 18 x 24in £200-300 490. Joslin (19th Century) The Thames with figures near Richmond Bridge Signed Oil on canvas 38 x 50.5cm; 15 x 20in £200-300

490

491

491. After Jan Van Beers Boarding a rowing boat Oil on panel over a printed base 11.75 x 19cm; 5 x 7½in £100-150 492. Frank E. Jamieson (1834-1899) Scottish landscapes: Loch Goil, Ayrshire; Loch Fyne A pair, both signed, also both titled verso Both oil on canvas Each 45.5 x 61cm; 18 x 24in (2) £200-300 493. English School 19th Century Children at a counter Oil on board 27 x 21.5cm; 10½ x 8½in £100-150

492

494. Attributed to Thomas Benjamin Kennington (1856-1916) Spring holding flowers Signed and dated 1900 Oil on canvas 57 x 44cm; 22½ x 17¼in £300-500

493

494

99 495. Georgina Lara (act.1840-1880) Busy village scenes A pair, one signed Both oil on canvas Each 20.5 x 38cm; 8 x 15in (2) ÂŁ1,500-2,500

495 496. William Archibald Wall (1828-1875) Fishing boats and figures on the shore Three, all signed All oil on canvas Each 20.5 x 40.5cm; 8 x 16in (3) ÂŁ800-1,200

496

100

497

498

499

500

501

502

497. William Kay Blacklock (1872-1924) Loading the hay carts Signed Oil on panel 21 x 28.5cm; 8½ x 11¼in £800-1,200

499. Alfred Walter Williams (1824-1905) Cattle and a traveller on a misty heath Signed with initials and dated 1870 Oil on canvas 26 x 40cm; 10¼ x 16in £400-600

501. H. Hutchinson (19th Century) Yorkshire cottage views A pair, both signed Both oil on board Each 23 x 33cm; 9 x 13in (2) £100-150

498. English School c.1930 Boats in the shade by the river Inscribed indistinctly on stretcher verso Oil on canvas 48.5 x 61cm; 19 x 24in £500-800

500. Henri Joseph Harpignes (French 1819-1916) Stormy landscape Signed with initials Oil on canvas laid on panel 9.5 x 15.5cm; 3¾ x 6in £500-800

502. Henry Harold Vickers (Canadian 1851-1919) Cows on the Avon, a Warwickshire pasture; On the Severn, Shropshire A pair, both signed and dated 1909, also signed titled and dated verso Both oil on board Each 18 x 25.5cm; 7 x 10in £300-500

101 503. After Joseph Mallord William Turner R.A. The Dogana, San Giorgio, Citella from the steps of the Europa Oil on canvas 61 x 91cm; 24 x 36in A copy of the original in the Tate £700-1,000 504. James Webb (c.1825-1895) Shades of evening (with windmill); Wimbledon A pair, both signed and titled verso Both oil on board Each 15 x 30cm; 6 x 5in (2) Provenance: Duffield Gallery, Guildford £500-700 505. William Raymond Dommersen (1850-1927) On the Rhine Signed with initials and dated 82 Oil on panel 20 x 30.5cm; 8 x 12in £400-600

503 506. Charles I’Anson (1924-1983) Broken weather on the Solway, looking towards England; Scotch side of the Solway Firth Both signed Both oil on canvas 63.5 x 102cm; 25 x 40in and 35.5 x 54cm; 14 x 21in Exhibited: Royal Academy, 1907, No. 11 The Modern Galleries, 1908, No. 45 (2) £500-800

504

505

506

102

507 507. ‡ Antoine Bouvard (French 1870-1955) Gondola on a side Canal, Venice Signed Oil on canvas 50 x 65cm; 19½ x 25½in Provenance: Sotheby’s, 3rd Dec 2002, Lot 308 £6,000-10,000

103

508 508. ‡ Antoine Bouvard (French 1870-1955) Santa Maria della Salute from the Grand Canal, Venice Signed Oil on canvas 50 x 65cm; 19½ x 25½in Provenance: Sotheby’s, 3rd Dec 2002, Lot 304 £6,000-10,000

104

509 509. ‡ Stanhope Alexander Forbes R.A. (1857-1947) Man in a sou’wester Oil on canvas 76 x 60cm; 30 x 23½in Provenance: Newlyn Orion Galleries Ltd; Stanhope and Elizabeth Forbes Exhibition 20th June - 21st July 1981 no. 45 £3,000-5,000

105

510 510. ‡ Harry Robert Mileham (1873-1957) Tristram’s Deathbed Signed with monogram and dated 1902 Oil on canvas 78 x 90cm; 30½ x 35½in Together with a sketch for the head of Isolde, oil on paper, her profile with pin pricks for transfer, 21 x 26cm and a sketch for Tristram’s death, oil on brown paper 26 x 38cm (3) The influence of Frederic Lord Leighton’s work Elisha raising the son of the Shunamite of 1881, now at Leighton House, on the composition and the treatment of the fabrics in Tristram’s Deathbed is clear. Mileham would have been familiar with the picture as he visited the artist’s house. Provenance: Sotheby’s, London 13th December 1989, lot 181 (as attributed to Marianne Stokes) Christopher Wood Gallery, 9th January 1990 Literature: Paintings of 1902; Whitford and Hughes Catalogue Peintres de l’Ame, London, 1984, no 10 (as attributed to Marianne Stokes); Roger Simpson, Arthurian Legend in fine and Applied Art, of 19th and early 20th Centuries in Ed Richard Barber, Arthurian Literature X1, 1992, p. 89; Edited by Patrick Mileham, Harry Mileham, A Catalogue, 1995, pg. 31 and 51, ill. plate 23 £4,000-6,000

510

106

511 511. Thomas Cooper Gotch (1854-1931) Study for The Awakening Green oil on canvas 131 x 182cm; 51½ x 71½in This is a full size sketch for the original which is in the Bristol Museums and Art Gallery Literature: Pamela Lomax, The Golden Dream, A Biography of Thomas Cooper Gotch 2004, 2 other studies and the original illustrated p.112/3 £800-1,200 512. Walter Richard Sickert A.R.A. (1860-1942) George Moore reading a newspaper Signed Oil on canvas, unframed 35.5 x 25.5cm; 14 x 10in Including a copy of the Christie’s catalogue of sale Provenance: Christie’s, 26th Oct. 1995, Lot 5 (2) £1,000-1,500

512

107

513

513. Marie Méloé Marsaud (act.1835-1857) The Evening Signed and dated 1854 Oil on canvas 61 x 99cm; 24 x 39in A copy of The Evening or Lost Illusions by Charles Gleyre (1806-1874) in the Louvre, Paris £2,000-3,000 514. Hans Nicolaj Hansen (Danish 1853-1923) Hading and Harthgrepa visit the underworld Signed with a monogram and dated 93, also inscribed in Latin: Hadingus in ea loca vivus adducitur quae morienti petenda fuerant Saxo Oil on canvas 105 x 145cm; 41½ x 57in The subject is from Saxo’s History of the Danes £800-1,200

514

108 515. ‡ William Lee-Hankey (1869-1952) Pinks Signed Oil on canvas 41 x 51cm; 16 x 20in Provenance: Atkinson Art Gallery, Southport £700-1,000 516. ‡ Sheila MacLeod Robertson (b.1927) Loch Carron, Ross-shire Signed Oil on board 30 x 40.5cm; 12 x 16in £200-300 517. ‡ Campbell Archibald Mellon (1876-1955) The Breakwater Gorleston Signed, also titled and dated Nov. 1936 1pm verso Oil on board, unframed 23 x 30cm; 9 x 12in £200-300

515

518. Victor Visser (South African 1907-1995) Drakensberg Mountains Signed, also inscribed indistinctly on stretcher verso Oil on canvas 33 x 48cm; 13 x 19in £150-250

516

517

518

519

519. ‡ Stuart Scott Somerville (1908-1983) Still life of fruit with a bowl Signed Oil on board 35 x 51cm; 13¾ x 20in £500-700

109

520

523

521

522

524

525

520. ‡ Stephen Spurrier R.A. (1878-1961) Figures resting in a landscape Signed Oil on canvas 51 x 38cm; 20 x 15in £200-300

522. ‡ James Sinton Sleator (1885-1950) Still life of peonies in a green vase Signed Oil on canvas 61 x 50.5cm; 24 x 20in £400-600

524. After Samuel John Peploe R.S.A. Flowers in a green vase Signed Willy and dated 19** Oil on canvas laid on board 90 x 60cm; 35½ x 23½in £200-300

521. English School 20th Century A corner of the garden Oil on canvas 61 x 51cm; 24 x 20in £200-300

523. ‡ Mary Godwin (1887-1960) Still life of marigolds Signed Oil on canvas 39 x 33cm; 15½ x 13in Provenance: J. Leger & Son, London, 6.2.36 £300-500

525. John Henderson (Scottish 1860-1924) Still life of yellow daisies in a blue vase Signed Oil on canvas 60 x 46cm; 23½ x 18in £150-250

110

526

528 526. Manner of Paul Cezanne Summer bathers Oil on canvas, unframed 68.5 x 78.5cm; 26 x 31in £700-1,000 527. Gilbert Holiday (1879-1937) The Cavalry Charge Signed with initials Oil on board 21.5 x 20.5cm; 8½ x 8in £300-400

527

529

528. ‡ Francis Ernest Jackson A.R.A. (1872-1945) Portrait of the climber Jack St Clair Lindsay Inscribed, titled and dated c.1924 verso Oil on panel 47 x 38cm; 18½ x 15in Provenance: Commissioned by W.M. Hornby 1924/5 Bequested to Anna Hornby in 1955 £500-700 529. Alfred Bentley (1879-1923) Continental square in summer and winter A pair, one signed and dated 1909 Both oil on canvasboard Each 23 x 27cm; 9 x 10½in (2) £400-600

111

530

532

531

533

530. Edmond Marie Petitjean (French 1844-1925) Boulevard des Patignoles Signed with initials Oil on board 16 x 24cm; 6¼ x 9½in £1,500-2,500

532. Paul Maitland (1863-1909) On the Thames near Wargrave Signed verso Oil on canvas laid on board 30 x 25cm; 12 x 9¾in £600-800

531. ‡ Bernard Dunstan R.A. (b.1920) Dressing III Signed, also dated 2.73 and inscribed Dressing in front of door (Holding Bra) III verso Oil on board 34 x 26.5cm; 13½ x 10½in Provenance: Thomas Agnew & Sons, No. 36129 £1,000-1,500

533. ‡ Charles James McCall (1907-1989) Nude Signed and dated 63 Oil on canvas 30.5 x 46cm; 12 x 18in £600-800

112 534. ‡ Arthur Spooner (1873-1962) Autumn woodland Signed Oil on canvas laid on board 35 x 40.5cm; 13¾ x 16in Exhibited: Robert Sielle, London, No. 6189 £700-900

535. William Wade (early 20th Century) The plough-team at work Signed and dated 1937 Oil on canvas laid on board 35 x 38cm; 13¾ x 15in £200-300

536. ‡ Mervyn Goode (b.1948) Two elms in winter Signed and dated 75 Oil on canvas 30.5 x 30.5cm; 12 x 12in £250-350

537. ‡ Pierre Lelong (French 1908-1984) Rue Mouffetard Signed Oil on canvas 46 x 55cm; 18 x 21½in Exhibited: Leicester Square Galleries, New Year Exhibition, January 51 £300-500 538. ‡ Attributed to Elizabeth Keith (1887-1956) Figure and goats on a bridge Oil on canvas 45.5 x 35cm; 18 x 17in £300-500

534

535

539. Cyril Chitty (19/20th Century) Beaucaire Signed and dated 82, also signed and titled with artist’s address verso Oil on panel 35.5 x 25.5cm; 14 x 10in With an oil of women and a cottage by a river (2) £100-150 540. English School 19th Century Shanklin Chine, Isle of Wight Bears signature and date 1890 Oil on canvas 61 x 46cm; 24 x 18in £200-300

536

537

538

539

540

113 541. ‡ Peter Biegel (1913-1987) Huick Holler! Signed, also titled and inscribed B.V. Cucklington verso Oil on canvas 51 x 61cm; 20 x 24in Provenance: Tryon Gallery £2,000-3,000

542. ‡ Arthur Spooner (1873-1962) A mare and foal in springtime Signed Oil on canvas laid on board 35 x 43cm; 13¾ x 17in £600-800

541

543. ‡ Rosemary Sarah Welch (b.1946) The plough team Signed Oil on canvas 46 x 61cm; 18 x 24in £800-1,200 544. No lot

542 545. ‡ Rosemary Sarah Welch (b.1946) Evening falls in the Forest Signed Oil on canvas 76 x 61cm; 30 x 20in Provenance: Bonhams Oxford, 6-7 July 2010, Lot 21 £300-500

543

545

114 546. French School 20th Century Maison a campagne Titled and possibly signed indistinctly verso Oil on panel 21 x 29cm; 8¼ x 11¼in £200-300

546

548

547

549

547. ‡ Eva Walbourne (1878-1954) Pulborough Hill, Sussex Signed Oil on board 26 x 46cm; 10¼ x 18in £200-300 548. ‡ Beatrice Parsons (1870-1955) Flower borders and fountain Signed with initials Oil on canvas 70 x 100cm; 27½ 39¼in £400-600 549. Italian School early 20th Century View over Sorrento Oil on canvas, unframed 91 x 127cm; 36 x 50in £200-300

550

552 552. ‡ Clemence Dane (1885-1965) Still life of tulips in a vase Oil on canvas 76 x 102cm; 30 x 40in £200-300

551

553 553. John Shirley-Fox (c.1860-1939) The White Tablecloth Signed Oil on canvas 46 x 61cm; 18 x 24in With a small oil sketch of a landscape by the same hand 10 x 17cm; 4 x 6½in (2) £300-500

550. K.W. c.1927 Still life of flowers and a book on a table Signed with initials and dated 27 Oil on canvas 73.5 x 89.5cm; 29 x 35¼in £100-200 551. Edmond De Maertelaere (Belgian 1876-1938) Still life of Chrysanthemums Signed Oil on canvas 90 x 116cm; 35½ x 45½in Provenance: The Nick Rocke collection £500-700

115 554. ‡ Ken Moroney (b.1949) Snow goose Oil on canvas 56 x 76cm; 22 x 30in Commissioned from the artist by the present owner £300-500

554

556

555

557

555. ‡ Michael Heseltine (b.1961) The Rialto Bridge and gondolas, Venice Signed Oil on canvas 71 x 102cm; 28 x 40in £500-700 556. ‡ Pierre de Clausade (1910-1976) River landscape in Bergerac Signed, also titled Bergerac verso Oil on canvas, unframed 73 x 100cm; 28¾ x 39½in £500-800 557. ‡ Charles Jamieson (b.1952) On the Punta Signed Oil on canvas 46 x 51cm; 18 x 20in Provenance: Duncan R. Miller Fine Arts, London, 2003 £300-500

558 558. ‡ Ian Houston (20th Century) Canada geese in summer, Gloucester Signed, titled verso Oil on board 40.5 x 50.5cm; 16 x 20in This is not by Ian Houston (b.1934) Provenance: Given to the present owner by his father in the late 1960s £150-250

559 559. Geoffrey Campbell-Black (20th Century) Canada geese in flight Signed Oil on canvas 56 x 71cm; 22 x 28in £150-200

116

560

562

564 560. ‡ Julian Barrow (b.1939) Dubai Creek from Deira Bank looking towards the Majus Signed and dated 82 Oil on canvas 25.5 x 45.5cm; 14 x 18in £700-1,000

561

563

565 561. ‡ Julian Barrow (b.1939) Wadi scene in the Hatta Mountains Signed Oil on canvas 25.5 x 45.5cm; 14 x 18in £600-800

117 562. ‡ Juan Soler (Spanish b.1951) A Paris street scene Signed Oil on canvas 33 x 41cm; 13 x 16in £400-600

563. ‡ Louis Sola (French 1928-2011) Mas en Provenance Signed Oil on canvas 50 x 70cm; 19¾ x 27½in £400-600

564. ‡ Louis Sola (French 1928-2011) Pêcheures Signed Oil on canvas 37 x 44.5cm; 14½ x 17½in £250-350

566

565. ‡ Louis Sola (French 1928-2011) Vue de Garavan Signed Oil on canvas 40 x 50cm; 15½ x 19½in £250-350

566. ‡ Marcel Dyf (French 1899-1985) Falaises de Dieppe Signed Oil on board 38 x 45.5cm; 15 x 18in Provenance: Number 3693 in the Catalogue Raisonné, painted 1983 £3,000-5,000

567. ‡ Marcel Dyf (French 1899-1985) Fleurs des champs Signed Oil on canvas 55.5 x 46cm; 22 x 18in Provenance: Number 4764 in the Catalogue Raisonné, painted 1940 £2,500-3,500 567

118 568. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Anemones in a vase Signed Oil on board 45.5 x 56cm; 18 x 22in £800-1,200

568

569

569. ‡ George Kennerley (1908-2009) White Roses Signed Oil on canvas 40.5 x 51cm; 16 x 20in £300-500 570. ‡ Diana Maxwell Armfield R.A. (b.1920) Marigolds with other flowers Signed with initials Oil on board 30.5 x 23cm; 12 x 9in Provenance: Sotheby’s 16.2.05, Lot 182 £800-1,200

570

571

572

571. ‡ Sir Norman Reid (1915-2007) Geraniums and Rokeby Venus Dated May 15, 83 and inscribed indistinctly verso Oil on board 46 x 56cm; 18 x 22in £400-600 572. ‡ Sir Matthew Smith (1879-1959) Fruit and flowers Oil on canvas 18 x 76cm; 7 x 30in Provenance: Given by the artist to his model Sotheby’s, London, 8.3.1995, Lot 19 £300-500 573. Scottish School 20th Century Shoppers at night Oil on canvas 17.5 x 43cm; 7 x 17in £150-250

573

119 574. ‡ William Thomson (1928-1988) Seated nude Signed, also signed and inscribed with artist’s address verso Oil on canvas 25.5 x 20cm; 10 x 8in £400-600 575. ‡ John Emanuel (b.1930) Standing Nude Signed and dated 1980 Oil on paper 76 x 57cm; 30 x 22½in Provenance: Newelyn Orion Gallery Montpellier Studios £500-800

574

576

576. ‡ David Michie R.S.A. (b.1928) Skunk Cabbage at Arduaine Gardens Signed, also signed and titled on a label verso Oil on canvas 38 x 38cm; 15 x 15in £500-700

575

577

577. Christopher Sanders R.A. (1905-1991) Lilium Auratum - Lilies Signed Oil on canvas 71 x 61cm; 28 x 24in £800-1,200

120

578

581

584

579

582

580

583

578. ‡ Roy Ray (b.1936) Peninsula Fragments III Signed, titled and dated 1985 verso Mixed media on board 30 x 25.5cm; 12 x 10in £300-400

581. ‡ Arthur Hayward (1889-1971) Still life of roses in a glass vase Signed Oil on canvas 46 x 36cm; 18 x 14in £400-600

579. ‡ Trevor Stubley (1932-2010) The Prince of the Eastern World Acrylic on board 40.5 x 46cm; 16 x 18in Provenance: Artist’s label verso, Cat. No. 02T5574E £200-300

582. ‡ Eugène Begarat (French b.1943) Kimono dans les Gorges du Cians Signed Oil on canvas 65 x 50cm; 25.5 x 19¾in £100-150

580. ‡ Stanley Bird (20th Century) Still life Signed Oil on board 68 x 52cm; 26¾ x 20½in £400-600

583. ‡ James Noble (1919-1989) Yellow and flame roses Signed Oil on canvas 25 x 20in Provenance: E. Stacy-Marks Ltd, 1970 No. 398 £200-300

121 584. ‡ Yona Shiryan Caffrey (Irish 20/21st Century) Abstract Signed Oil on canvas 30 x 25cm; 12 x 10in £80-120 585. ‡ Richard Eurich R.A. (1903-1992) Sunset Signed and dated ‘66 Oil on canvas laid on board 31.5 x 51.5cm; 12 x 20in £1,500-2,500 586. Victor H. Voysey (fl. 1929-1933) Sunset from Portsbridge Signed and dated Sept ‘29, also signed and titled verso Oil on canvas 76 x 97cm; 30 x 38in £150-250

585

586

587

588

587. ‡ Thomas Edwin Mostyn R.O.I. (1864-1930) Moonlight on the terrace Oil on canvasboard 29 x 38cm; 11½ x 15in Provenance: Vincent Kosman Fine Art Christie’s 12.6.98, lot 145 £500-700 588. ‡ Lawrence James Isherwood (1917-1988) Tower Bridge Signed Oil on board, unframed 29 x 51cm; 11½ x 20in £150-250 589. ‡ Gerald Wilde (1905-1986) Fata Morgana (Bird in a landscape), 1949 Oil on paper laid on board 66 x 56cm; 26 x 22in Exhibited: The Millinery Works Gallery, In Situ, Joc13 Cheltenham Art Gallery & Museum Provenance: Sotheby’s, 4/10/95, Lot 234 £500-700

589

590

590. ‡ Gerald Wilde (1905-1986) Fata Morgana, 1949 Oil on canvas laid on board 74 x 35cm; 29 x 13¾in Exhibited: The October Gallery, Gerald Wilde Retrospective, Spring 1988 The Millinery Works Gallery, In Situ, Joc14 Cheltenham Art Gallery & Museum Provenance: Abbott & Holder £500-700

591 591. ‡ Irene Lesley Main (b.1959) Flowers in the Studio Signed and dated 1989 Mixed media on board 35.5 x 25.5cm; 10 x 14in £300-500

122

592 592. ‡ Duncan McGregor Whyte (Scottish 1866-1953) Evening reflections Bailephuil Tiree A pair, both signed, one titled verso, the other with a further painting verso Both oil on canvasboard Each 30.5 x 38cm; 12 x 15in (2) £1,500-2,500 593

594

595

596

594. ‡ Gladys Mccabe R.O.I. (Irish b.1918) Race day Signed Oil on board 42 x 55cm; 16¾ x 21½in £600-800

595. ‡ Juliett Pannett (1911-2005) Cabbage Fields, Ireland Signed Oil on canvas 41 x 51cm; 16 x 20in £150-250

593. ‡ David Tindle R.A. (b.1932) View from the artist’s garden, Lucca, Italy Oil on canvas 48 x 58.5cm; 19 x 23in Provenance: Bonham’s, 29 May 2012, Lot 48 £600-800

596. ‡ John Miller (1931-2002) Moorland - summer evening Signed, also signed and titled verso Oil on canvas 71 x 101.5cm; 28 x 40in Provenance: David Messum, Ref. 28/1982 £400-600

123 597. ‡ Michael J. Praed (b.1941) Cornish Farm Signed, also signed and titled verso Oil on board 28 x 43cm; 11 x 17in £150-250 598. ‡ John Hubbard (b.1931) Water and rocks Signed and dated 1994/5 Oil on paper 50.5 x 78.5cm; 20 x 31in £200-300

597

598

599. ‡ M. Kaplan (20th Century) Sand dunes and sea Signed, also signed and dated 81 verso Oil on canvas 127 x 152.5cm; 50 x 60in £200-300 600. ‡ William Rawson Lawson (Scottish 20th Century) View of a Mediterranean village Signed and dated 1930 Oil on canvas 77 x 102cm; 30¼ x 40¼in Lawson exhibited 14 pictures at the Royal Scottish Academy between 1919 and 1935. £400-600 601. ‡ Edward Callam (1904-1980) The Barbican, Sandwich, Kent Signed, also signed verso Oil on board 61 x 76cm; 24 x 30in £200-300 602. ‡ Oliver Warman (b.1932) Salisbury, Harnham Bridge Signed Oil on board 39.5 x 49.5cm; 15½ x 19½in £200-300

599

600

601

602

603

604

603. ‡ Sven Berlin (1911-1999) Dawn on Beaulieu Moor Signed and titled verso Oil on board 30 x 40.5cm; 11¾ x 16in £300-400

604. Ndjeng Rigo (African 20th Century) Hope of Africa Signed and dated 92 Oil on canvas 74 x 100cm; 29 x 39½in £100-150

124

INDEX OF ARTISTS A Adam, Marie-Edouard 416 Aitken, James 286 Aldin, Cecil 292 Allan, R. 461 Allom, Thomas 77 Andre, G. P. 387 Anglo-Chinese School 111 Anglo-Indian School 115 414 Anson, Mark Apelles 406 61 Arbuckle, After Geo. F. Armfield, Diana M. 570 450 Armfield, George Armour, George D. 276 Arthur Wellesley interest 68 Atkinson, John 185 70 Autograph album B Baker, Sydney 142 Barrow, Julian 560, 561 Bartolozzi, Foll. Of F. 75 Batchelor, Bernard Philip 279 Batchelor, Roland 306 Bates, David 136 367 Bayeau y Subias, Foll. Of F. 249 Bayes, Alexander 247, 248 Bayes, Walter Beers, After Jan Van 491 582 Begarat, Eugene 435 Bell, Robert Benedict, R. 460 529 Bentley, Alfred Berchem, Foll. Of Nicolaes 385 603 Berlin, Sven Biegel, Peter 541 352 Bigee, H. Birch, Samuel John L. 150, 282, 283, 284 288 Bird, Harrington Bird, S. 447 580 Bird, Stanley Birtles, Henry 120 93 Bishop, Walter John T. Bison, Giuseppe B. 106 497 Blacklock, William Kay Blake, After William 43 383 Blake, Benjamin Bodichon, Barbara 187 Boodle, Walter 477 96 Bourne, James Bouvard, Antoine 507, 508 Brabazon, Hercules B. 220, 221, 222, 223, 224, 225, 226, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246 Bradley, William H. 137 Brangwyn, Sir Frank 56, 217 Branscombe, Charles H. 483 Brenan, James Butler 440 Bright, Harry 250, 251, 252, 253, 254, 255 Brittan, Charles Edward 132, 139 Brouwer, Foll. Of Adriaen 376 Bryant, Henry Charles 454 Buck, Samuel & Nathaniel 41 Buckley, John Edmund 130 Byzantine School 354 C Caffrey, Yona Shiryan 584 601 Callam, Edward Cameron, David Young 202 Campbell-Black, Geoffrey 559 Canaletto, Manner of 458 Carmichael, John Wilson 413 Carmichael, Manner of J. W. 409 Carracci, After Agostino 347 Carraci, After Annibale 108 Carter, Rosa 22 Caulfield, Patrick 62, 63 Cezanne, Manner of Paul 526 Charlton, Watson 300 Cheron, Attrib. to Elisabeth 89

Chinese School Chinnery, After George Chitty, Cyril Churchill interest Clare, Oliver Clausade, Pierre de Cleef, Robert van Cole, Reginald Vicat Colinson, J. Collen, Henry Continental School

417, 418 72 539 69, 69A 441 556 296 184 410 16 18, 26, 28, 76, 157, 287, 407, 455 Cooper, Thomas Sidney 140, 141, 445 Corbould, Richard 74 Correggio, Manner of A. A. 380 Cosway, Manner of R. 21 Cowie, James 304 117, 181 Cox, David Crane, H. 415 Crosse, Malcolm 201 Cruickshank, Isaac 79 D 552 Dane, Clemence Davis, John Scarlett 83 88 Dawe, Attrib. to Geo. D’Esposito 127 Devis, Circle of Arthur 346 166, 167, 168, Dibden, Thomas Colman 169, 170, 171, 172 Dieghem, Joseph van 467 Dineen, Kate 66 Dommersen, William R. 505 Draper, Kenneth 298 Driver, Sydney Amos 389 568 Dunlop, Ronald Ossory 531 Dunstan, Bernard Dutch School 24, 353, 363, 372, 402, 408, 412 566, 567 Dyf, Marcel E Earl, Maud 470 East, Alfred 145 Edridge, Henry 97 Edwards, Cyril Walduck 163 575 Emanuel, John English School 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13, 14, 15, 17, 19, 20, 23, 25, 78, 98, 99, 156, 285, 310, 343, 345, 366, 370, 371, 374, 375, 379, 388, 390, 397, 399, 401, 411, 420, 425, 426, 427, 428, 466, 481, 498, 521, 540. 274 Epstein, Sir Jacob 365 Etty, Circle of William Eurich, Richard 585 Eyton, Anthony 303 F 271 Fantin-Latour, Attrib. to H. Ferneley, Foll. Of John 404 Fielding, Brian 316 Fini, Leonore 318 Fleetwood-Walker, Bernard 309 Flemish School 362, 377 Fleury, Robert 459 Flint, Sir William Russell 218 Fong Qua 361 Forbes, Leyton 213 Forbes, Stanhope A. 509 Fort, Theodore 161 Foster, Myles Birket 92 Fox, Augustus Henry 419 Freeman, Sambrooke 107 French School 73, 105, 191, 381, 452, 546 French, Percy 327, 328 Frere, Pierre Edouard 421 Friedmann, A. 471 Fripp, Alfred Downing 182 Frith, Foll. Of Wm. P. 422 Fullylove, John 121 G Gamley, Andrew Archer 215 Gandy, John Michael 131 Gardner, Derek George M. 322

Gianni, N. 148 Ginger, Phyllis 308 Glehn, Wilfred G. de 275 Godwin, Mary 523 198 Goff, Frederick E. J. Goode, Mervyn 536 Gooden, Stephen 53 Goodwin, Albert 128 Gotch, Thomas Cooper 511 Gozzard, James Walter 158 Grandville, Jean I. I. 44 Green, Amos 180 Green, John Kenneth 496 Greiffenhagen, Maurice 439 48 Griggs, Frederick L. Guardi, Manner of F. 85 Gudgeon, Ralston 321 H 473 H. M. Haddlesey, Vincent 484 Haffner, Leon 333 Hagemans, Paul 204 Hall, Goerge Lowthian 200 Halle, Charles Edward 400 Hansen, Hans Nicolaj 514 443 Hardy, George Hardy, Thomas Bush 197 146 Hare, Augustus J. C. 350 Harlow, George Henry Harpignes, Henri J. 500 351 Hayter, Sir George Hayward, Arthur 581 525 Henderson, John Hennell, Thomas Barclay 82 Herman, Josef 293 40 Herring, After John F. Herring, Circle of J. F. 482 446 Herring, Foll. Of John F. 405 Herring, Style of John F. Heseltine, Michael 555 Hider, Frank 463 Hilder, Rowland 324, 325, 331 340 Hilton, Roger Hinchliff, Woodbine K. 186 Hobbema, After M 389 527 Holiday, Gilbert Horlor, Joseph 465 558 Houston, Ian Hubbard, John 598 Huggins, William 210 Hulke, H. Dolland 160 437 Hunt, T. Greenwood Hunt, William Henry 214 501 Hutchinson, H. I I’Anson, Charles 506 Indian School 206 386 Ingpen, William Alfred Isherwood, Lawrence James 588 Italian School 11, 355 Italian School 164, 392, 396, 549 J Jack, Richard 193 Jackman, K. 122 Jackson, Francis Ernest 528 Jackson, G. R. 453 Jackson, Raymond A. 326 Jackson, Samuel 119 Jamieson, Charles 557 Jamieson, Frank E. 492 Jammet, Lin 314 January, Libby 299 Jenkins, Wilfred 462 Jensen, Circle of J-L. 468 Jones, Herbert H. St. J. 449 Joslin 490 K 550 K. W. Kaplan, M. 599 Keats, Cecil Jack 125

125

INDEX OF ARTISTS Keith, Attrib. to Elizabeth Keith, Elizabeth Kelly, Robert George T. Kennerley, George Kennington, Attrib. to Th. B. Kessel, Foll. Of Jan van Keulemans, Johannes G. King, Agnes Gardner Kinnaird, Henry John Knight, Edward Loxton L Labruzzi, Carlo Lambert, Terence Landce, Foll. Of George Landseer, Sir Edwin H. Langley, Manner of W. Lara, Georgina Laurencin, Attrib. to Marie Lautter, E. R. Lawrence, After Sir T. Lawrence, Circle of Sir T. L. Lawrence, Foll. Of T. Lawrence, Friedrich A. von Lawson, William R. Leader, Benjamin W. Lear, Edward Lee, Frederick R. Lee-Hankey, William Lelong, Pierre Lepine, Stanislas Lerpiniere, Daniel Leyden, Lucas van Lilford, Thomas Lodge, George Long, Edwin Longsden Lott, Frederick Tully M Maertelaere, Edmond de Main, Irene Lesley Maitland, Paul Mander, William Henry Marsaud, Marie Meloe Marshall, Roberto A. K. Mason, James Matthieu, R. Mccabe, Gladys McCall, Charles James McClure, David McDowell, Leo McKivragan, Terry McNally, Kathy McPhail, Roger Mellon, Campbell Archibald Mellon, Eric J. Michie, David Mignard, After Pierre Mileham, Harry Robert Millais, Raoul Miller, John Molenaer, Attrib. to Jan M. Moore, Henry Morasch, Christian Gottfried Morelli, Francois Morland, George Moroney, Ken Moses, Circle of Grandma Mostyn, Thomas Edwin Mottram, Charles Sim Muckley, William Jabez Muller Wiliam James Murillo, Foll. Of Bartolome E. Muschamp, Francis Sydney N Naftel, Paul Jacob Nakayama, Takashi Napoleon interest Neapolitan School Nicholls, Charles George Nightingale, R. Noble, James

538 52 183 569 294 356 256, 257, 258, 259, 260 153 173 208 109 265 472 369 281 495 65 395 368 344 398 36 600 175, 479 113, 114 424 515 537 478 35 32 71 261 456 192 551 591 532 444 513 195 35 332 302, 594 533 317 315 297 311 305 517 319 576 33 510 341 596 378 64 36 37 81 554 488 587 151 155 112 357 457 194 207 67 147, 432, 438 110 430 583

Noel, Jules Achille 196 Norris, Hugh L. 199 Norwich School 384 O Olsson, Julius 486 Orpen, Sir William 273 Orr, Jack 434 45, 46, 47, 51 Osborne, Malcolm Oyston, George 203 P Padday, Charles Murray 189 129 Palmer, Harry Sutton Panini, Francesco 39 Pannett, Juliett 595 Parson, Beatrice 548 Partington, Peter 267 474 Parton, Ernest Pasmore, Attrib. to V. 290 Payne, After Charles J. 49 Payne, William 84, 100, 101, 102, 103 Pearson, Cornelius 116 524 Peploe, After S. J. Persian School 209 Pether, Sebastian 403 Petitjean, Edmond Marie 530 Petley, Roy 312 Philipson, Robin 330 57, 58, 59 Piper, John Piranesi, After Giovanni B. 31 Pissaro, Paul Emile 219 Pocock, Nicholas 86 Pollitt, Albert 123 Poulton, James 442 Powell, William E. 280 Praed, Michael 597 Pringle, After W. I. 38 Pyne, Attrib. to J. B. 464 118 Pyne, George Q Quinton, Alfred Robert 149 R 8 R. H. Ramsay, Circle of Allan 348 Ray, Roy 578 Read, David Charles 95 571 Reid, Sir Norman Rembrandt H. Van Rijn, After 34 Remfry, David 295 Reynolds, Circle of Sir Joshua 342 Reynolds, Frank 489 262, 329 Rickman, Philip Rigaud, After Hyacinthe 42 Rigo, Ndjeng 604 Robbins, Thomas Sewell 423 Robert Hills 91 516 Robertson, Sheila MacLeod Rockberger, Polly 307 80 Romney, George Rowbotham, Charles E. 135 Rowbotham, Thomas C. L. 124, 152 Rowlandson, Thomas 87 358 Rubens, After Peter Paul S Saintin, Jules Emile 436 Salisbury, Frank O. 205 Saloman/Sanders, Henry 291 Sandby, Paul 94 Sanders, Christopher 577 Sanzio, After Raphael 364 Sawyers, Robert 336 Schlugg, Georg 431 Scoppa, Foll. Of Giuseppe G. 179 Scottish School 573 Seeman, Foll. Of Enoch 349 Severdonck, Franz van 448 Sheath, Tony 429 Shepard, Ernest H. 289 Sheppard, Raymond 212 Sherbourne, H. 475 Sherrin, Daniel 487

Shirley-Fox, John Sicard, After Louis M. Sickert, Walter Richard Simpson, A. J. Simpson, Circle of William Sims, Charles Sleator, James Sinton Smith, Sir Matthew Smith, William Harding Sola, Louis Soler, Juan Solomon, Attirb. To Simeon Solomon, Simeon Somerville, Stuart Scott Spender, John Humphrey Spooner, Arthur Spurrier, Stephen Stannard, Henry J. S. Stewart, Frank Algernon Stock, Andrew Stocks, Walter Stone, Rudolph Strang, William Strebelle, Rodolphe Stubley, Trevor Syer, John T Talbot, George Quartus P. Teniers, Foll. Of David Thompson, Edward Thomson, William Thorburn, Archibald Tindle, David Tunnicliffe, Charles F. Turner, After Joseph M. W. U Unwin, Francis Sydney V Valeriani, Giuseppe Van Dyck, After Sir Anthony Vaughan, Keith Vickers, Henry Harold Viegelmann, A. Visser, Victor Vivares, Thomas Voysey, Victor H. W Wade, William Waite, Edward W. Waite, Harold Walbourne, Eva Wall, Willaim Archibald Warman, Oliver Watson, John Dawson Watts, E. B. Webb, James Welch, Rosemary Sarah Wells, Denys George West Indies School Whistler, Attrib. to James A. Whitford, Richard Whittle, Thomas Whyte, Duncan McGregor Whyte, Edna Widgery, Frederick John Wilde, Gerald Wilde, William Williams, Alfred Walter Williams, Edward Williams, Edward Charles Williams, F. Williams, Hubert John Wood, Lawson Woodville, Richard Caton Woolnoth, Charles N. Wyllie, William Lionel

553 27 512 263 391 55 522 572 469 563, 564, 565 562 272 188 519 323 534, 542 520 174 277 266, 335 159 480 54 320 579 126 216 359, 360 134 574 268 593 264 503 50 90 373 337, 338, 339 502 301 518 35 586 535 178 176, 177 547 496 602 154 294 504 543, 545 143 433 269, 270 393 485 592 60 138 589, 590 211 499 394 382 451 278 313 162 476 190

Fine Old Masters & 19th Century Paintings Wednesday 9th December 2015 Closing date for entries Friday 23rd October

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

John Emms (1843-1912) Waiting for master Signed, oil on canvas, 61 x 92cm ÂŁ6,000-8,000

20th Century & Contemporary Art Wednesday 9th December 2015 Closing date for entries Friday 23rd October

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Wilfred Gabriel de Glehn R.A. (1870-1951) The Palladian Bridge, Wilton Park Oil on canvas, 67 x 76cm ÂŁ2,000-3,000

Furniture, Works of Art & Clocks Wednesday 7th October 2015

ENQUIRIES Mark Richards +44 (0) 1722 411854 markrichards@woolleyandwallis.co.uk

A Regency calamander centre table, 134.5cm diameter Provenance: Hilborough Hall, Norfolk. Estimate: ÂŁ3,000-4,000

20th Century Design Wednesday 21st October 2015

ENQUIRIES Michael Jeffery +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk

Sujet Poisson a Madoura jug by Pablo Picasso Estimate: ÂŁ3,000-4,000

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. Viewing All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. Bidding in the Room To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. Commission Bidding If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Telephone Bidding It is usually possible to bid on the telephone by prior arrangement with the office.

Live Online Bidding Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. Condition Reports The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. Sale Results These will be posted on our website shortly after the sale. Buyer’s Premium Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

Payment and clearance Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

Artist’s Resale Right / Droit De Suite ‡ Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: Lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Packing and Shipping Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Furniture, Works of Art, Clocks & Tribal Art. 2 Danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

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Woolley WOOLLEY & & Wallis WALLIS Salisbury Salisbury Salerooms Salerooms

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TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street

Design & Production by

Woolley & Wallis Absentee Bid Form Miniatures, Prints, Watercolours & Oil Paintings Wednesday 23rd September 2015 PW230915

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Signature �� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery

424505

Asian Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

424506 424591 424583 424589

English & European Ceramics & Glass Clare Durham Furniture, Works Of Art & Clocks Mark Richards Jim Gale Jewellery Jonathan Edwards FGAA Marielle Whiting FGA

424507

411854 339161

424504 424595

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Arms & Armour Will Hobbs Ellie Osmond

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline West Sharon Ringwood Nicola Young Amanda Lawrence Saleroom Manager David Jordan

424500

Board of Directors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

English & European Ceramics & Glass 15th September – Fine Porcelain & Pottery 24th November Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

20th Century Design 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

Company Secretary Jim Macarthur CA 339752 339752

Tribal Art, Antiquities 2nd September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

424599

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 23rd September 2015