Woolley & Wallis Asian Art Day II 18 November by ATGMEDIA

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

Asian Art ii

SALISBURY

Wednesday 18th November 2015

A siAn A rt ii

W ednesdAy 18 th n ovember 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan English & EuropEAn CErAmiCs & glAss Clare Durham

424506 424591 424583 424589

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FurniturE & CloCks Mark Richards Jim Gale Anna Brown

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JEwEllEry Jonathan Edwards FGAA Marielle Whiting FGA

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vAluAtions For insurAnCE & probAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

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mArkEting Tamzin Corbett

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ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

gEnErAl oFFiCE Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence sAlEroom mAnAgEr David Jordan

pAintings Victor Fauvelle Jo Butler

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silvEr Rupert Slingsby Lucy Chalmers

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John Axford MRICS ASFAV Deputy Chairman

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Clive Stewart-Lockhart FRICS FRSA Managing Director

20th CEntury DEsign Michael Jeffery tribAl Art & AntiquitiEs, Arms & Armour Will Hobbs Ellie Osmond

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boArD oF DirECtors Paul Viney ASFAV Chairman

CompAny sECrEtAry Jim Macarthur CA AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

Asian Art ii Wednesday 18th November 2015 at 10.30am Viewing Times Saturday 14th November 10.00am – 1.00pm Monday 16th November 10.00am – 5.30pm Tuesday 17th November 10.00am – 5.30pm John Axford

Sophie Lister Alex Aguilar Doméracki

Freya Yuan

John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Freya Yuan +44 (0)1722 424589 freyayuan@woolleyandwallis.co.uk

Alex Aguilar Doméracki +44 (0)1722 424583 alexaguilar@woolleyandwallis.co.uk

Trains from London There are regular trains from London Waterloo to Salisbury Waterloo to Salisbury – at twenty past and at ten minutes to the hour Salisbury to Waterloo – at twenty past and fifteen minutes to the hour The journey takes approximately 90 minutes

Wednesday 18th November 9.00am – 10.30am

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Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

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Wednesday 18th November at 10.30am

300 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

301 λ A JAPANESE IVORY NETSUKE MEIJI 1868-1912

Depicting a tanuki (Japanese raccoon) wearing flowing robes and carrying a large mokugyo on its back, the bell with a lotus flower mon, its head turned to dexter and bearing its teeth, its right forepaw resting on a drumstick, the base with a two character signature possibly for Shigeyasu, 8.5cm.

Carved as a fierce-looking shishi, its right forepaw resting on a reticulated brocade ball with a loose ball inside, the undulating hair of its mane rolling up into many spirals, the eyes inlaid, paper label to the base, signed Kô/Mitsu Tô in a red cartouche, 4.5cm.

£1,000-1,500

£800-1,200

302 位 A JAPANESE IVORY NETSUKE MEIJI 1868-1912

303 位 A JAPANESE IVORY NETSUKE MEIJI 1868-1912

Depicting a wild boar and her squeaker, standing on an irregular-shaped base simulating the ground, the hair finely carved, the base signed Tomochika, 3.9cm.

Carved as a monkey examining a flea between his fingers, his other hand scratching his leg where the insect has bitten him, the hair finely depicted, the eyes inlaid in dark and yellow horn, signed Masatsugu in an oblong reserve, 4.8cm.

拢300-500

拢500-800 Cf. Bonhams, 13th September 2011, for a comparable monkey holding a flea signed Masamitsu originally in the Alan Liss Collection.

304 λ TWO JAPANESE NETSUKE MEIJI 1868-1912 Carved in ivory, one depicting a Daruma doll, unsigned, the other carved as Daruma yawning and stretching after his nine year meditation, the base signed Mingyoku, together with a Kobe toy of Daruma in wood and coral with pop-out ivory tongue and eyes, 7.6cm. (3) £500-1,000 305 λ TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 Both depicting fruiting branches, the smallest of loquat signed Mitsuhiro with kakihan, the other of persimmon with an insect and fly, the fruit with a small horn inlay, unsigned, 6.8cm. (2) £500-800 Cf. F Meinerzhagen, The Meinerzhagen Card Index on Netsuke in the Archives of the British Museum, Part A, pp.534-546, which are dedicated to the works of Ohara Mitsuhiro (1810-1875) and where it is noted the particular kakihan used on this netsuke occurs ‘on some of the finest work’. 306 λ TWO JAPANESE IVORY NETSUKE 18TH AND 19TH CENTURIES The first depicting Tobosaku Sennin holding a peach branch, wearing long flowing robes and a coat of mugwort leaves over his shoulders, unsigned, the other carved as Ashinaga carrying Tenaga on his back, the latter holding a fish in his hand, signed Minkoku, 8.4cm. (2) £200-300 307 λ TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first carved as Fukurokuju sitting before a tree stump smoking his pipe, the base signed Ikko, the other depicting Daruma yawning and stretching after meditating for nine years, his limbs atrophied, the base with the character Sei, meaning ‘quiet’, 5.3cm. (2) £400-600 308 A JAPANESE BOX WOOD SASHI NETSUKE 19TH CENTURY With two long lotus stems forming the shaft, one issuing a curled leaf, the other a pod with articulated seeds, 31.5cm. £300-500

309 λ TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first carved as a man holding bells, the details picked out in coloured lacquer, signed Yoshi, the other as a drunk man with a gourd over his shoulder, holding a fan before him, signed Masaharu in seal script, 5.4cm. (2) £300-500 Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part A, p.410 for a netsuke of a fisherman bearing the same Masaharu seal. 310 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912 Depicting Seiobo, the Queen Mother of the West, wearing an elaborate headdress and draped in a long billowing sash, holding a fan, a child attendant by her side presenting her with a peach, the base with a three character mark, possibly for Toshi Ryusai, 6.1cm. £400-600 311 λ THREE JAPANESE NETSUKE 19TH CENTURY Two in ivory, the first carved as a man holding a bowl and wearing a demon mask sideways, signed Seiga/Shizumasa, the other as Ebisu on a carp, signed Gyokuzan, the third in wood depicting an oni hiding under a large straw hat as beans are being thrown at him on Setsubun, signed Tadakuni, 4.8cm. (3) £600-1,000 Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part B, p.838, where an oni netsuke by Tadakuni is illustrated, possibly this very piece. 312 λ TWO JAPANESE IVORY NETSUKE 18TH/19TH CENTURY The first depicting a man on a horse holding a scroll, an attendant by his side, possibly Choryo and Kosekiko, signed Minkoku, the other a horse on a rectangular base, its head lowered to its hooves, possibly adapted from a seal, 4cm. (2) £300-500

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313 λ FIVE JAPANESE IVORY NETSUKE MEIJI 1868-1912 Variously carved as an oni beating a drum and another making a sword with an attendant, both unsigned; another carved as two oni trying to fish a carp under a large lotus leaf, signed Kyoko, a man carrying a mask, signed Gyokuzan, and Raiden and Raitaro amongst scrolling clouds, signed Toun, 4.7cm. (5) £500-1,000

314 λ FIVE JAPANESE IVORY NETSUKE MEIJI 1868-1912 Variously carved as Benkei emerging from a large shell and blowing a conch shell horn, Emma sat before a bowl, with mother of pearl inlays, signed Yoshitama; Benten holding a wrapped biwa, a man climbing on a large shell containing tiny figures, the last of Hotei carrying a bag and small child, two further signed, 5.7cm. (5) £500-1,000

315 λ FIVE JAPANESE IVORY NETSUKE MEIJI 1868-1912 Two carved as boys playing musical instruments, one signed Sadatsugu, the other unsigned; another of a boy with a minogame, signed Gyokumin; the fourth depicting two boys fighting, signed Hidechika, and the last a woman and boy, signed Riugioku, 3.9cm. (5) £500-1,000 Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part B, p.668, for a comparable netsuke of a woman and child by Riugioku from the G H Naunton collection.

316 λ A JAPANESE WOOD OKIMONO OF A DEER MEIJI 1868-1912 Standing with its left leg raised, its head turned to sinister, the hair realistically carved and the eyes inlaid in horn, with a three character signature on an ivory plaque to the belly, 13.3cm. £400-600

317 λ TWO JAPANESE WOOD NETSUKE MEIJI 1868-1912 The first carved as Saigyo Hoshi sitting with his hat and staff on the slopes of Mount Fuji, unsigned, the other depicting a blind man holding his hypertrophied scrotum, his lifeless eye and teeth inlaid with ivory, signed Gyokkei in an ivory cartouche to the base, 5.3cm. (2) £800-1,200 Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part A, pp.84-85 for a biography of Gyokkei and two other examples of blind masseurs by the same carver.

318 λ FIVE JAPANESE IVORY NETSUKE MEIJI 1868-1912 Variously carved as figures, one dancing with a dog behind him, another a thwarted rat catcher, the third a man laying by an incense burner, a man at work and the last depicting Okame stroking a mask of Saruta Hiko, all signed, 4.2cm. (5) £500-1,000

319 λ TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first carved as a fisherman about to kill a large fish, his jacket inlaid with mother of pearl, the other depicting an oni carving a massive demon mask, both signed Gyokuzan to the base, 7.4cm. (2) £500-1,000

320 λ THREE JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first depicting a rat with Daikoku’s mallet, the eyes inlaid in horn and signed Okatomo, the second a tanuki turning into a tea kettle, signed Koku, the third a monkey with its two young, the eyes inlaid and details picked out in red ink, signed Masatami, 6.8cm. (3) £500-1,000

321 λ FIVE JAPANESE IVORY NETSUKE MEIJI 1868-1912 Variously carved as a sarumawashi with a monkey on his shoulder, a Chinese boy, a man holding a mokugyo, another with a basket of fish, another a woman smoking a pipe, together with an ivory snuff bottle carved as a man holding a peach, one netsuke with a signature, 6.8cm. (6) £200-300

322 λ TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first depicting boys playing around a tsuitate (standing screen), signed Gyokko in an inlaid rectangular cartouche to the base, the other carved as a caparisoned elephant with a boy sat on its back and two other children playing musical instruments at its feet, signed Chikuyosai Tomochika with a seal for Tomochika and inscribed with the name of the Tokyo shop for which the piece was made, 5.6cm. (2) £500-800 Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part B, p.891, where the netsuke by Tomochika is described.

323 λ FOUR JAPANESE NETSUKE AND A CANE HANDLE MEIJI 1868-1912 Three of the netsuke in ivory, carved as a cat with an awabi shell, a mask of Ebisu and a crab amongst clams, one of his eyes inlaid in horn, the fourth in polychrome lacquer and ivory depicting a shishi mask, all unsigned, together with a cane handle with many masks, signed Masatomo, 4cm. (5) £300-500

324 λ FOUR JAPANESE IVORY NETSUKE 18TH/19TH CENTURY Variously carved as five monkeys wrestling, a hare with inlaid horn eyes, a shishi hiding in a rocky outcrop, a moveable ball in his mouth, and a Pekingese dog standing by a frog, their eyes inlaid in horn, the latter signed Kazuko, 4.7cm. (4) £300-500

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325 λ TWO JAPANESE IVORY OKIMONO MEIJI 1868-1912

326 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

Both depicting a woman carrying a boy on her back, one holding a fruiting branch, signed Bizan in a red cartouche, the other with a sword, signed with a kakihan to the base, 12.3cm. (2)

Carved as a man holding a bundle of flowers over his shoulder, a small child before him, the base signed Homin on a red plaque, 17.7cm.

£200-300

£400-600

327 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

328 λ TWO JAPANESE IVORY OKIMONO MEIJI 1868-1912

Carved as a Niõ carrying a large mokugyo in which Immortals are hiding from oni attacking them, a further oni strangling another Immortal above, the base incised Mitsumune in a mother of pearl cartouche, 16.2cm.

The first depicting a bijin placing flowers in her hair, signed Shinsui, the other a woman sitting in seiza and playing the flute, unsigned, 17.5cm. (2)

£400-600

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329 λ TWO JAPANESE IVORY OKIMONO MEIJI 1868-1912

330 λ A JAPANESE WOOD AND IVORY OKIMONO MEIJI 1868-1912

One carved as a fisherman holding a cormorant in one hand, his catch in the other, a child playing with a model boat at his feet, signed Mitsume, the other a man giving a piece of lotus pod to a boy before him, signed Yoshimasa, 18.8cm. (2)

Depicting a fisherman on a rocky outcrop surrounded by waves, the figure carved in ivory wearing a large hat and holding a net, the hardwood base with small mother of pearl inlays simulating sea foam and ivory shells and leaves, the base signed Munefusa in a rectangular ivory plaque, 33.7cm.

£400-600

£2,000-3,000

331 λ TWO JAPANESE IVORY OKIMONO MEIJI 1868-1912

332 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

The first carved as a man holding a basket of fish and feeding one to a cormorant before him, signed Munehisa, the other depicting a man on a straw mat being attacked by a snake, signed Rakushin, 10.6cm. (2)

Carved as a sarumawashi carrying a small monkey on his shoulder, the simian wearing a Shinto priest’s hat and with a small mask for the lion dance, the base inscribed with calligraphy, 24.8cm.

£500-800

£1,500-2,500

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333 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

334 λ TWO JAPANESE IVORY OKIMONO MEIJI 1868-1912

Depicting the Shichifukujin (Seven Gods of Good Fortune), all standing with their attributes, Hotei accompanied by a child attendant, the details stained in black, signed Munefusa, 12.3cm.

The first a man with a fish in a basket, the other depicting Ebisu holding a large fish, its eyes inlaid with horn, both unsigned, 8.5cm. (2)

£400-600

£200-300

Provenance: Christie’s, 21st March 1991, lot 66.

335 λ A JAPANESE IVORY OKIMONO MEIJI 1868-1912

336 λ SEVEN JAPANESE NETSUKE 18TH AND 19TH CENTURIES

Depicting a sculptor examining a demon mask, a small cabinet and tools by his side, the base with a green seal mark for Mune, 5.3cm.

One in stag antler carved as a frog, one a corozo nut carved as an elderly man’s face, signed Gyokumon, another in ivory carved as a grimacing face, the eye inlaid in horn, and four in wood, one carved as many masks, the himotoshi lined with green-stained ivory, another a man seated holding a piece of bamboo, the third a mask of Hannya, the last a man trying to push a large ball, two with signatures, 4.9cm. (7)

£300-500

£200-300

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337 λ A JAPANESE IVORY KISERUZUTSU MEIJI 1868-1912

338 A JAPANESE WOOD OKIMONO 19TH/20TH CENTURY

The pipe case of musozutsu form carved in high relief with Shoki the demon queller fighting four oni, the lid left undecorated, signed Ômin, 22cm. (2)

Carved as a frog, the pupils inlaid, signed Tomotoshi, in a rectangular cartouche to the belly, 20.5cm.

£300-500

£400-600

Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part B, p.625, where another ivory kiseruzutsu bearing the same signature is described.

339 AN UNUSUAL JAPANESE SINGLE-CASE INRO 18TH CENTURY

340 A SMALL JAPANESE BRONZE WATER DROPPER MEIJI 1868-1912

The heart-shaped body decorated with pomegranates and leaves in red and green on a gold lacquer background, a central square panel with a kirin and scrolling clouds in aogai (abalone shell) inlays, the reverse with a ho-ho bird, together with a lacquer ojime, unsigned, 7.8cm.

Modelled as a woven flower basket containing two large daisies and leaves, the base with a rectangular cartouche, unsigned, 6.3cm.

£2,000-3,000

£150-250 Provenance: a private collection, London.

Provenance: Spink & Son Ltd.

341 A JAPANESE MIXED METAL OKIMONO MEIJI 1868-1912 Depicting a pair of oshidori (Mandarin ducks) on a rocky outcrop, unsigned, 21.2cm. £1,500-2,500

342 A JAPANESE BRONZE FIGURE OF A SAMURAI MEIJI 1868-1912 Wearing a flowing jacket and trousers with large mon designs in gilt, holding a large hammer over his head, signed Yoshimitsu, on a wooden base, 38.5cm. (2) £2,000-3,000

343 A JAPANESE WATER CONTAINER, KENSUI 19TH CENTURY The bulbous body inscribed with a poem, probably by Otagaki Rengetsu, together with a fitted box, 3.5cm. (3) £800-1,200

344 A JAPANESE GOLD LACQUER DOCUMENT BOX AND COVER, BUNKO EDO 1615-1868 Decorated in relief with gold lacquer to the cover with a kago amongst vines, with rocks in the distance, the interior with a mountain landscape, a bridge across the river, a water wheel and with buildings beyond, the water wheel containing a mercury waterfall enclosed in a cavity set into the cover, which tilts to provide the illusion of water and which turns the wheel, the background in gold nashiji, 22.5cm x 21cm. (2) £1,500-2,000 Cf. The Complete Collection of Treasures of the Palace Museum, Lacquer Wares of the Qing Dynasty, p.115, no.81, where an example described as Chinese is illustrated.

345 A JAPANESE LACQUER WRITING BOX AND COVER, SUZURIBAKO EDO 1615-1868 The lid decorated with an ornate jardinière containing a rock and bonsai on a nashiji background, the reverse with an owl perched on a flowering prunus branch, with two inner trays, one with the ink stone and water-dropper, the other decorated with a further prunus tree, unsigned, 21.4cm. (4) £800-1,200

346 A JAPANESE GOLD LACQUER CYLINDRICAL NETSUKE MEIJI 1868-1912 Decorated in shallow relief with a dragon to one side, a flowerhead around the himotoshi and a seal to the reverse, 11.1cm. £150-250

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347 A PAIR OF JAPANESE SATSUMA PLATES MEIJI 1868-1912

348 A JAPANESE HIRADO PORCELAIN KOGO AND COVER 19TH/20TH CENTURY

One decorated with a blindfolded man playing with women and children around a standing tsuitate, the other with twelve samurai seated in a room decorated with many taka-no-ha mon, the rims painted in dark blue with gilded flowers, both plates with gilt and impressed marks for Kinkozan, 22.2cm dia. (2)

The incense box shaped as an elaborately decorated court carriage, the lid and front decorated with applied flowers, the base with a signature, possibly for Moemon Nakazato, 20.5cm. (2) £300-500

£500-800

349 A JAPANESE KORO AND COVER MODELLED AS HOTEI MEIJI 1868-1912

350 A SMALL JAPANESE SATSUMA KOGO AND COVER MEIJI 1868-1912

The god of happiness holding a fan in his right hand, his large belly exposed, a benevolent expression on his face, 18.3cm. (2)

The ovoid body raised on three short feet, painted with small figures in boats and standing at a lakeside, with blossoming trees and small dwellings in a mountain landscape, the base with a seal mark for Yabu Meizan, 8.5cm. (2)

£200-300

£1,000-2,000

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351 A JAPANESE SATSUMA VASE MEIJI 1868-1912

352 A JAPANESE BLUE AND WHITE BOTTLE VASE LATE 17TH CENTURY

The pear-shaped body rising to a tall slender neck, decorated to one side with a panel of women and children playing musical instruments, to the other with warriors and two smaller panels with birds and blossoming branches, the neck with a continuous scene of tennin floating amongst auspicious objects and with brocade borders, unsigned, 20.2cm.

The pear-shaped body with a tapering neck, painted with three large panels, one containing chrysanthemum and iris, another willow, the third with a pair of phoenix beside peony, the neck with foliate panels on a key fret ground, 42cm. £150-250

£500-800 353 A JAPANESE BLUE AND WHITE JARDINIERE LATE 19TH CENTURY

354 A JAPANESE SATSUMA SHELL-SHAPED DISH 19TH CENTURY

Painted with birds perched on flowering branches and in flight, between bands of stiff leaves and scrolling geometric panels, the octagonal neckrim with panels of prunus, chrysanthemum and bamboo beneath key fret, 29.4cm.

Painted with figures beneath a fruiting grape vine, seated at tables with auspicious objects and playing board games, the reverse with sea shells, and two Chinese iron-red models of carp, the fins forming the finial, 41.8cm max. (5)

£100-200

£150-250

355 A JAPANESE SIX-FOLD PAPER SCREEN 19TH CENTURY Decorated in ink and colour on a gold ground with kiku (chrysanthemum) and four bamboo fences, 182cm x 370cm. £2,500-3,500

356 A JAPANESE SIX-FOLD PAPER SCREEN 19TH CENTURY Decorated in ink and colour on a gold ground with kiku (chrysanthemum) and five bamboo fences, 182cm x 370cm. £2,500-3,500

357 A PAIR OF JAPANESE SADDLE FLAPS EDO 1615-1868 The leather aori embossed and lacquered with a checkered design in black and gold, one with a three character inscription in red to the back, 68cm x 52cm. (2) £200-300

358 A JAPANESE PAINTED PAPER FAN 18TH CENTURY One side depicting Eight Immortals in a bamboo grove on a gold ground, the reverse with a sage riding a crane amongst scrolling clouds, unsigned, 37cm across. £300-500

359 A JAPANESE METAL AND ENAMEL PLAQUE MEIJI 1868-1912 Decorated with a large lobster in red, blue and black enamel on a gilt metal background, unsigned, 36.7cm x 24cm. £300-500

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360 A JAPANESE SIX-FOLD PAPER SCREEN 18TH CENTURY Decorated in ink and colour on a buff and gold wash ground with kiku (chrysanthemum) and autumn grasses, 178cm x 378cm. £1,000-2,000

361 A LARGE JAPANESE CARVED GILT WOOD FIGURE OF BUDDHA 19TH/20TH CENTURY Seated in dhyanasana on a double lotus base, above an elaborate tiered hexagonal stand, the large flame-shaped mandala carved with dense cloud scrolls, 117cm. (4) £500-800

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363 362 λ A CHINESE HARDWOOD TRAVELLING VANITY CHEST LATE QING DYNASTY The hinged top lifting to reveal a rectangular mirror, with two front compartments opening outwards and an arrangement of various sized drawers within, the exterior with loose ring handles and decorated with soapstone, ivory and mother of pearl, depicting figures engaged in various pursuits within garden landscapes with maple trees and rockwork, 21cm x 25.7cm x 34.3cm. £200-300 363 A CHINESE HARDWOOD TWO-TIER STAND LATE QING DYNASTY With a square and rectangular platform, each raised on a structure of formal scrolls, the legs joined by stretchers, 97cm x 79cm x 31cm.

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£500-1,000 364 A CHINESE STANDING SCREEN 19TH CENTURY The hardwood frame inlaid with mother of pearl, enclosing an embroidered silk panel depicting a phoenix and many other birds beneath a tree, 93cm x 76.5cm. £800-1,200 365 λ A CHINESE HARDWOOD TRAVELLING VANITY CHEST 19TH CENTURY

365

The hinged cover opening to reveal a mirror above an arrangement of variously sized drawers, with two further hinged compartments extending to the sides, each carved with curling acanthus leaves, the cover applied to the exterior with mother of pearl, ivory, soapstone and hardstones depicting figures, birds and animals, carrying handles to the sides, 22cm x 38.5cm x 28cm. £200-300

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366 A CHINESE HARDWOOD STAND LATE QING DYNASTY

367 A CHINESE HARDWOOD CIRCULAR STAND LATE QING DYNASTY

With a rectangular top inset with a grey and white marbled stone panel, supported by a structure of formal scrolls joined by stretchers, 84cm x 41cm x 31.5cm.

With a reticulated frieze and five straight legs joined by a shaped stretcher, 85cm x 44cm.

£1,000-2,000

£400-600

368 A CHINESE HARDWOOD STAND LATE QING DYNASTY

369 A CHINESE HARDWOOD SIDE TABLE LATE QING DYNASTY

The square top raised on cylindrical legs, and with a stylized reticulated frieze beneath, 72cm x 42cm.

With a long rectangular top and up-turned ends, the frieze with lingzhi-shaped apertures, the four moulded legs joined by stretchers, 89cm x 142cm x 35cm.

£300-500

£500-1,000

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370 FOUR CHINESE HARDWOOD STANDS QING DYNASTY

371 A CHINESE HARDWOOD STAND 19TH CENTURY

Of various shapes, one carved as fallen leaves, another with openwork fruiting pomegranate branches, another raised on five legs joined by a stretcher, together with a rectangular hardwood tray, 30.8cm x 20.6cm max. (5)

The reticulated circular base carved with clouds and raised on three ruyi-shaped feet, with three stylized dragons rising from the top, 9.8cm.

£400-600

£200-300

372 A CHINESE HARDWOOD RECTANGULAR WRITING BOX QING DYNASTY

373 A PAIR OF CHINESE HARDWOOD PLATE STANDS 19TH CENTURY

With two narrow drawers, each with a lock fitting and one with a key, the top inset with two loop handles, each folding flat into a recess, the exterior with a ridged design, together with a hardwood square tray of similar style, set with two drawers beneath, 9.8cm x 33.3cm x 22cm and 5.5cm x 35cm x 35cm respectively. (6)

The front panel with curved feet and carved in relief with flowering prunus beneath a band of key fret, 28cm. (2)

£500-1,000

£100-200

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374 TWO CHINESE HARDWOOD TRAYS 19TH CENTURY

375 A COLLECTION OF CHINESE HARDWOOD STANDS QING DYNASTY

Each with raised rounded sides, 38cm x 38.5cm max. (2)

Two formed in two parts, five circular, the remainder of various forms, 59cm max. (17)

£200-300

376 SEVENTEEN CHINESE HARDWOOD STANDS 19TH AND 20TH CENTURIES Of various shapes, one formed as a leaf, 14.5cm max. (17) £200-300

£200-300

377 A CHINESE LACQUER AND MOTHER OF PEARL RECTANGULAR BOX 19TH CENTURY The hinged cover with a silver metal butterfly-shaped fitting, a loose ring handle to each end, inlaid with mother of pearl, the top depicting a scholar at a table beneath a maple tree, with a pair of geese on the water, the sides with fruiting and flowering branches, 17.6cm x 18.5cm. £150-250

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379

378 A CHINESE HARDWOOD WRITING DESK 1ST HALF 20TH CENTURY Elaborately carved with a fruiting vine and flowers, the super-structure with two small cupboards, the base with an arrangement of drawers to the right and carved legs to the left, 136cm x 102cm x 72cm. £800-1,200 379 A SMALL BLACK AND GOLD LACQUER WRITING DESK 19TH CENTURY

380

The upper section with a pair of doors enclosing drawers and cupboards, the top with a detachable writing box with an arrangement of compartments and a writing slope, all raised on cabriole legs, 129cm x 64cm x 64cm. £400-600 380 A SMALL CHINESE HARDWOOD BARREL-SHAPED SEAT 20TH CENTURY With eight legs joined by a circular base above stump feet, 39cm wide. £250-350 381 THREE CHINESE HARDWOOD SNUFF BOTTLE CABINETS 20TH CENTURY Each with a single-glazed door enclosing an arrangement of irregular scrolling shelves and decorated in gilt, 87cm x 57cm. (3) £600-1,000

381

382 A COLLECTION OF GESSO MODELS OF LOTUS LEAVES AND SEED PODS 20TH CENTURY Comprising two pods, six leaves and various fragments, naturalistically modelled with long stems, the leaves curling inwards, 40cm max. (15) £200-300 383 A CHINESE BAMBOO MODEL OF A BIRDCAGE QING DYNASTY Constructed with narrow bars simulating bamboo raised on an openwork base, containing two carved perches, two miniature porcelain bottle vases, two white glazed water pots and carved bone fittings, suspended by a brass hook, 21.2cm x 18.7cm. £600-1,000 384 A CHINESE PORCELAIN CIRCULAR SCREEN LATE QING DYNASTY

382

One side painted in underglaze blue with an egret in a lotus pond, the other with Zhong Kui riding a water buffalo, mounted in a hardwood frame with an elaborate endless knot base, 94.5cm x 63cm. £3,000-5,000 385 FIVE CHINESE IRON PICTURES, TIEHUA LATE 19TH/EARLY 20TH CENTURY Comprising: a pair depicting the eight horses of Mu Wang, two with figural landscapes and pagodas, the fifth with a tall pine surrounded by swirling clouds, the latter mounted on board and with an inscription and seal mark, 81cm x 41.5cm max. (5) £150-250

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387 386 A LARGE CHINESE BRONZE INCENSE BURNER QING DYNASTY The compressed circular body with an S-shaped handle to each side, raised on three robust legs, each surmounted by an animal mask and tapering to a hoof, 41cm across. £1,500-2,500

387 A SMALL CHINESE BRONZE BOTTLE VASE 19TH CENTURY Made for the Islamic market, the pear-shaped body with a shaped panel to each side containing an Islamic inscription, a band of key fret to the neckrim, 14.2cm. £300-500

388 388 A CHINESE ARCHAISTIC HAN-STYLE BOTTLE VASE LATE MING DYNASTY With a garlic-mouthed neck, cast with wide concentric bands of stylized designs within key fret borders, the tall flaring foot with ruyi-heads, 31.6cm. £150-250

389 A CHINESE SCHOLAR’S ROCK QING OR LATER Of irregular oblong form, the grey stone with pale striations, with a fitted hardwood stand, 34.5cm overall. (2) £200-300

389

390 A SMALL CHINESE BRONZE VASE YUAN DYNASTY 1271-1368 The square-section pear-shaped body cast in shallow relief to each face with a stylized leaf panel containing an artemesia leaf and key fret designs, all above a band of abstract forms, 17.5cm. £150-250

391 A RARE MONGOLIAN BRONZE CLOAK BUCKLE 13TH CENTURY The circular open-work buckle with an interlocking continuous geometric design, all bordered by a herring bone band, 11.4cm. £250-350 Provenance: formerly in a private Russian collection, discovered in 1919 at a Mongol site in the village of Veliki-Ustyug.

390 392 A LARGE BRONZE FIGURE OF GUANYIN 19TH CENTURY Seated with her right knee raised, her robes flowing around her, a shawl covering her hair and her head slightly bent, 46.5cm. £300-500

393 A PAIR OF LARGE JAPANESE GILT WOOD MODELS OF MYTHICAL BEASTS 19TH CENTURY Each seated with its teeth bared, one with a single horn to its forehead, the other with a curling mane, 54cm. (2) £150-250

391

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394 A CHINESE GILT METAL OCTAGONAL JARDINIERE QIANLONG/JIAQING Each face with a cloisonné panel depicting lotus flowers and foliage on a blue ground, all reserved on scrolling foliate designs, the rim with key fret, 24.7cm. £300-500

395 TWO CHINESE BRONZE INCENSE BURNERS 17TH/18TH CENTURY

394

One formed as a Mandarin duck, the other as a Buddhist lion dog, each with a removable cover to its back, 15.5cm. (4) £150-250

396 A CHINESE CLOISONNE DISH C.1900 The well with a single phoenix, with colourful plumage and curling tail feathers, reserved on a white spiral ground, the rim with bands of clouds and ruyi-heads reserved on a blue ground, 22.3cm. £100-200

397 A CHINESE BRONZE MODEL OF A BACTRIAN CAMEL 19TH/20TH CENTURY Standing with its head turned over its back, with a small monkey seated between its humps holding an ingot, 16cm. £150-250

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399

398 398 A CHINESE SILVER METAL AND ENAMEL-MOUNTED MIRROR LATE QING DYNASTY Of oval form, with a rectangular plaque to the base depicting three bearded figures, the reverse with a phoenix and peony flowers, a ruyi-shaped model of a padlock suspended beneath, 23.5cm. (2) £300-500 399 A CHINESE SANDALWOOD FAN 19TH CENTURY Painted with European-style decoration depicting foliate festoons and scrolling designs, with three rhomboid panels containing parasols, musical instruments and a ewer, contained in a fitted box, 33.5cm across. (2)

400

£500-1,000 400 A CHINESE CANTON ENAMEL FAMILLE ROSE SWEETMEAT TRAY 19TH CENTURY With seven lobed dishes, each decorated with flowering and fruiting sprays, raised on a circular supporting tray, 29.6cm overall. (2) £200-300 Provenance: the property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire. 401 A LARGE CHINESE CLOISONNE QUATREFOIL JARDINIERE C.1900 Brightly decorated with an elaborate repeating lotus scroll design, all reserved on a rich turquoise ground, the body raised on four short feet, a metal liner to the interior, 39.1cm. (2)

401

£600-1,000

402 TWO CHINESE GILT BRONZE FIGURES 17TH/18TH CENTURY One depicting Guanyin, seated with her right knee bent and holding a scroll, the other a man standing with a small deer held in his arms, each raised on a hardwood stand, 17cm. (4) £1,000-2,000

403 A NEPALESE GILT COPPER MODEL OF A SEATED FIGURE 15TH/16TH CENTURY Seated before a mandala on a lotus base and holding a sword in his right hand, adorned with a tall headdress and jewellery, together with a gilt bronze and enamel double lotus base, 27cm. (2) £800-1,200

402

Provenance: from the collection of Alan Presencer, acquired in the early 1970s.

404 FOUR JAPANESE MIXED METAL ITEMS MEIJI 1868-1912 Comprising two small bronze vases, both with seal marks, a figure of an oni drinking from a bowl, and a rectangular white metal incense burner, the lid decorated with a large chrysanthemum, the latter two unsigned, 14.5cm. (5) £250-350

405 A JAIN BRONZE FIGURE OF BUDDHA 14TH CENTURY Seated on an elaborate throne, flanked by smaller figures and beneath a canopy, the eyes, head and chest inlaid in silver, the reverse with an inscription, 21cm. £400-600

403

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406 A THAI BRONZE FIGURE OF RATANAKOSIN 19TH CENTURY The Emaciated Buddha seated in dhyanasana with hands in dhyana mudra, beneath a bo tree which acts as the stand, 29.3cm. (2) £400-600

407 A CHINESE LACQUERED BRONZE FIGURE LATE MING DYNASTY Standing wearing flowing robes and with a tall hat, holding an offering before him, raised on a four-legged rectangular plinth, 27.2cm. £200-300

408

408 TWO CHINESE RUYI SCEPTRES 19TH/20TH CENTURY One in polychrome lacquer, the stem decorated with auspicious objects divided by lotus flowers, the head with a phoenix in flight, all reserved on a key fret ground, the other naturalistically carved as a gnarled lingzhi fungus, 40.5cm. (2) £1,000-1,500

409 A TIBETAN CEREMONIAL AXE 19TH CENTURY The head with two half vajra terminals, the iron shaft decorated with gilt designs, together with two brass hand mirrors, 107cm max. £200-300

409

410 A TIBETAN THANGKA 19TH CENTURY

411 A TIBETAN THANGKA 20TH CENTURY

Depicting a seated four-armed Avalokiteshvara before a mandala holding a lotus flower, with smaller figures to each corner, together with a small gilt metal cup stand and cover, the domed cover with a red glass bead, 34cm x 25.2cm and 11.5cm respectively. (3)

Depicting Sakyamuni Buddha touching the earth amidst numerous depictions of events from his life, framed and glazed, 74cm x 51cm. £250-350

£500-1,000 Provenance: purchased c.1940, and thence by descent.

412 A TIBETAN THANGKA 19TH CENTURY

413 A TIBETAN MANDALA 20TH CENTURY

Depicting a group of Buddhist figures in a mountain landscape, 52cm x 36cm.

Depiting many figures in concentric geometric designs, 54cm x 40cm.

£100-200

£150-250

414 AN INDIAN BRASS SEATED FIGURE 19TH CENTURY OR EARLIER

415 THREE THAI GILT BRONZE FIGURES 19TH CENTURY

Seated before a mandala, with her eight arms extending to each side and holding various attributes, and a brass rectangular plaque, depicting a standing figure in relief, with two acolytes at his feet, 23.3cm max. (2)

Each seated in dhyanasana with hands in bhumisparsa on a tall triangular three-tiered base, the largest with a tall pointed headdress and elaborate jewelled robes, 43.6cm. (3) £1,000-2,000

£500-1,000

416 A SMALL TIBETAN TRAVELLING BUDDHIST SHRINE 19TH CENTURY The metal casing decorated in relief to the exterior in silver and gilt metal with a Buddhist lion dog and the eight Buddhist Emblems divided by scrolling foliage, the centre with an aperture for a deity, contained in a textile pouch, 15cm. (2)

417 A SMALL TIBETAN THANGKA 19TH CENTURY Depicting Green Tara, seated on a lotus throne, holding two long flowering stems, 27cm x 25cm. £2,000-3,000

418 A CHINESE FRAGMENT OF A WALL FRESCO MING DYNASTY Depicting a figure holding an offering beneath billowing clouds, contained in a glazed case, 34cm x 20cm. £200-300

£150-250

419

420 419 A CHINESE SILK ROBE 20TH CENTURY Decorated with cranes, phoenix, peacocks and other birds amongst flower sprays, reserved on electric and midnight blue grounds, together with a cream silk skirt, embroidered with two panels depicting deer, lingzhi, flower sprays and birds, bordered by foliate and butterfly panels, 146cm across and 197cm respectively. (2) £500-1,000

421

420 A CHINESE PALE YELLOW SILK EMBROIDERED PANEL 19TH CENTURY Decorated with a central stylized motif and four circular panels containing peacocks, the border with leafy festoons and hanging lanterns, 240cm x 184cm. £200-300 Provenance: given to the current owner’s Great Grandparents as a wedding gift in 1883, in Assam. 421 A CHINESE SILK EMBROIDERED PANEL 19TH/20TH CENTURY Depicting a duck swimming amongst lotus flowers, with kingfishers and insects above, all reserved on a rich purple ground, bordered by celadon and cream silk tassels, 148cm x 145cm. £150-250 422 A PAIR OF CHINESE SCROLL PAINTINGS 20TH CENTURY Depicting aquatic birds amidst lotus and peony, one framed and glazed, the other unmounted, 144cm x 65cm. (2)

422

£200-300

423 A PAIR OF CHINESE REVERSE GLASS PAINTINGS 19TH CENTURY One depicting figures beneath a large tree on a riverbank, the other with a seated figure and attendant boys in a garden before a pagoda, each framed with a gilt wood key fret border, 48cm x 33cm. (2) £300-500 424 TWO CHINESE REVERSE GLASS PAINTINGS 19TH CENTURY One depicting a girl, seated at a table in floral robes and holding a fan, the other with an official holding a ruyi-sceptre, with four officials in a fenced garden, the latter mounted as a table screen, the screen 70.5cm x 41cm overall. (3) £300-500 425 THREE CHINESE REVERSE GLASS PAINTINGS 19TH CENTURY

423

Two of the same design, depicting a standing woman beside a tree, her long sleeves covering her hands, the third a smaller portrait of a seated lady wearing blue robes, 64cm x 45.5cm and 39cm x 32cm respectively, all framed. (3) £300-500 426 TWO INDIAN MINIATURE PAINTINGS 19TH/20TH CENTURY One depicting a hawk perched on a stand, the other with demons engaged in rituals, bordered by peacocks, flower sprays and buffalo, each framed and glazed, 18cm x 10.5cm and 30cm x 20cm respectively. (2) £200-300

424

425

426

427 A SET OF FOUR CHINESE SCROLL PAINTINGS ON SILK 19TH CENTURY Depicting butterflies amidst flowers, one with an inscription and two seals, 61cm x 20cm. (4) £200-300

428 A KOREAN SIX-FOLD MUNJADO-CHAEKKORI SCREEN 20TH CENTURY Decorated with pictorial ideographs and roundels of birds and animals, 123cm x 275cm. £100-200

429 FIVE CHINESE PITH PAPER PAINTINGS 19TH CENTURY Each delicately depicting a basket of flowers with peony, magnolia, chrysanthemum and other blooms, all contained within one frame, 17cm x 65.5cm overall. £100-200

430 AN ALBUM OF SIX CHINESE PAINTINGS ON SILK QING DYNASTY Depicting mountain landscapes with accompanying inscriptions and seals, each with a panel of calligraphy, 30cm x 38cm. £150-250

431

432

433

431 A CHINESE SCROLL PAINTING ON SILK 19TH/20TH CENTURY Depicting bamboo and calligraphy, with two red seal marks, 82cm x 27cm. £300-500 432 A PAIR OF CALLIGRAPHIC SCROLL PAINTINGS ON SILK 19TH CENTURY Inscribed with calligraphy on a brown ground, 128cm x 29cm. (2) £100-200 433 TWO JAPANESE SCROLL PAINTINGS MEIJI 1868-1912

434

One depicting a bird perched on a prunus branch, contained in a wooden case, with a signature, possibly for Yokoyama Seiki, the other of a bird above fruiting trees, signed Matsumoto Hahuki, 120cm x 47cm and 111cm x 27.5cm. (2) £150-250 434 A JAPANESE SCROLL PAINTING ON PAPER 19TH/20TH CENTURY

435 EIGHT CHINESE PAINTED FAN PANELS ON PAPER QING DYNASTY

Depicting two panels of calligraphy, 145cm x 34cm.

Depicting flowers, fruit, birds and calligraphy, together with a watercolour of a snuff bottle, mounted on card, 55cm max. (9)

£100-200

£150-250

435 part lot illustrated

436 LITERATURE: SEVEN SALE CATALOGUES RELATING TO ASIAN ART, AND AN EXHIBITION OF IMPORTANT CERAMICS FROM THE ROBERT CHANG COLLECTION. (8) £100-200 437 A SET OF FOUR CHINESE CANTON ENAMEL SQUARE-SECTION DISHES 18TH CENTURY Each with chamfered corners, painted to the well with scenes of European figures in gardens, the borders with foliate scrolls on a pale blue ground, a two character mark to the base, 9.7cm. (4) £800-1,200 438 A CHINESE SILVER-COLOURED METAL PORTABLE SUNDIAL 19TH CENTURY Raised on three feet surmounted by red glass beads, with a hinged gnomon to one end, a compass to the other with an orange-coloured jewel, contained in a fitted box, 10.5cm. (3) £400-500 439 A SMALL COLLECTION OF CHINESE PAINTINGS, PRINTS AND DRAWINGS 19TH/20TH CENTURY Two in colour, the remainder in ink or pencil, depicting figures with boats, playing games and engaged in other occupations, the majority mounted on paper, 21.5cm x 37cm max. (10) £150-250 Provenance: formerly in the collection of Lord and Lady Fairhaven. 440 A PERSIAN PEN BOX 19TH/20TH CENTURY Comprising two sliding pieces, painted to the exterior with panels containing birds perched amongst flower blooms on a deep red ground, 23.4cm. (2) £200-300 441 LITERATURE: GENSHOKU NIHON NO BIJUTSU PUBLISHED IN JAPAN 1967-1972 Primary Colours of Japanese Art, thirty volumes, each in its original slipcase, text in Japanese and plates indexed in English. (30) £150-250 442 LITERATURE: A SMALL COLLECTION OF BOOKS AND CATALOGUES RELATING TO CHINESE ART. (8) £100-200 443 λ A CHINESE CARVED HORNBILL CASQUE 19TH CENTURY Decorated with a panel depicting a girl playing a flute before a pagoda, with a phoenix in flight above, 20.5cm. £150-250 444 LITERATURE: TWENTY-NINE VOLUMES OF THE TRANSACTIONS OF THE ORIENTAL CERAMIC SOCIETY Together with three other publications relating to Chinese ceramics. (32) £100-200

436

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441

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443

444

445 A SMALL CHINESE BRONZE ARCHAISTIC GU BEAKER VASE 17TH CENTURY OR LATER The flaring body cast in relief with two sinuous dragons amongst clouds, with mythical creatures emerging from the waves beneath, the central knop with a key fret band, all reserved on geometric grounds, the base with a six character mark, 8.5cm. £400-600

446 λ TWO CHINESE FANS QING DYNASTY AND LATER One in tortoiseshell, decorated with figures, pagodas and seashells, the other in gilt metal filligree, decorated with green and blue enamel, 42.5cm. (2)

445

£300-500

447 A CHINESE BAMBOO MODEL OF LIU HAI 19TH CENTURY Riding on his three-legged toad, holding a string of cash in his right hand, a bowl raised in his left, 25cm. £1,000-2,000

448 A CHINESE GILT METAL CIRCULAR BOX AND COVER FOUR CHARACTER QIANLONG MARK BUT PROBABLY LATER Decorated in relief to the exterior with gourd vines, with three large fruits to the top amongst leaves and flowers, smaller fruits extending around the sides beneath a band of key fret, 8cm. (2) £1,000-1,500

446

447

448

449

450

449 A MASSIVE CHINESE GILT BRONZE MODEL OF YAMA QING OR LATER Standing in pratyalidhasana on a human figure which lies prone on a bull, he wears a flayed elephant skin on his back and dharmapala ornaments, holding in his twelve arms tantric symbols including gada, danda, damaru and kapa, his sakti holds a kapala and a karttrka, all upon a double lotus base, the hair and details with traces of cold paint and inset with turquoise, 35cm. £1,000-2,000

450 A CHINESE RED CINNABAR LACQUER BOAT-SHAPED DISH MING DYNASTY The exterior carved in relief with flowerheads and leafy tendrils, the interior painted in gilt with a foliate geometric design surrounding a central flower, 16cm. £800-1,200

451

451 A CHINESE BLACK LACQUER BOWL AND A SAUCER 18TH CENTURY Inlaid with mother of pearl, each depicting figures in fenced gardens with rockwork, willow and maple trees, all within chevron and foliate borders, and a small coconut cup, carved in relief with two figures playing a board game, the bowl and cup each with a metal liner, 12.8cm max. (3) £400-600

452 A CHINESE BOX WOOD RECTANGULAR BOX LATE QING DYNASTY With a sliding cover to one end, two sides carved with figures and a tiger, the narrow sides with columns of calligraphy, 12cm. (2) £1,500-2,000

452

453 A PAIR OF CHINESE CLOISONNE VASES PROBABLY LATE QING DYNASTY Each decorated with two birds perched amongst peony blooms, with other flowers emerging from rockwork, all reserved on a key fret ground, the neck with bats and shou characters divided by foliate designs, 32cm. (2) £800-1,200 454 AN UNUSUAL PAIR OF CHINESE SILVER AND ENAMEL MODELS OF IMMORTALS LATE QING DYNASTY/REPUBLIC PERIOD One depicting Shoulao holding a staff and a peach, the other of Ma Gu, a basket of flowers over her right shoulder and holding a peach, each raised on a silk stand and contained in a fitted glazed box, the figures 18.5cm max. (8) £3,000-5,000

453

454

455 A CHINESE MODEL OF A GARDEN FROM A JARDINIERE QING DYNASTY Set with jade, coral, malachite and metal branches, 48cm. £100-200

455

456 A CHINESE RED CINNABAR LACQUER VASE LATE QING DYNASTY Carved in relief with figures engaged in various activities in a rocky landscape amongst pine, maple and willow trees, with bands of foliate designs, key fret and stylized leaves, the flaring neck with lotus flowers beneath a band of ruyi-heads, raised on a hardwood stand, 45.2cm. (2) £800-1,200 457 A CHINESE BRONZE TRIPOD INCENSE BURNER 18TH CENTURY The ovoid body raised on three tall slightly tapering feet and with two loop handles, decorated in relief to the exterior with three rams’ heads divided by roundels of spirals, the bronze with a rich dark patina, raised on a hardwood ruyi-shaped stand and with a cover carved as a domed curling lotus leaf, 20cm. (3) £300-500

456

457

458 A LARGE CHINESE FAMILLE ROSE BALUSTER VASE AND COVER EARLY 19TH CENTURY Brightly painted in coloured enamels with flowers and foliage, together with a large hardwood carved stand, 61cm, 123cm overall. (3) £500-800

458

459 A CHINESE SILVER TRAY 19TH CENTURY Of octagonal form, the border embossed with birds and insects amongst bamboo, the centre with a monogram encircled by panels of birds, flowers, figures and a Chinese junk, punch marks to the reverse, 40cm, 42oz/300g. £1,500-2,500

460 A CHINESE CIRCULAR HARDWOOD STAND 18TH CENTURY The lobed rim carved in relief with scrolls, the solid domed interior with a central indent, 22.5cm. £2,000-3,000

459

461 A LARGE CHINESE COPPERED BRASS BOWL C.1900 With a wide shaped rim, decorated with shou characters, prunus and ruyi-heads, 49cm. £100-200

462 A CHINESE GILT WOOD RECTANGULAR RETICULATED PANEL LATE QING DYNASTY Carved in high relief with a scene of lovers, with two ladies on a balcony over-looking two gentlemen in a garden beneath, contained in a hardwood frame, 27.7cm x 17cm. £100-200

460

461

462

463

464

463 A GANDHARAN SCHIST FRAGMENT OF A FRIEZE C.2ND CENTURY AD Depicting a seated figure of Buddha beneath a dentil frieze, with two attendants at his side, 16cm x 21cm. £800-1,200

464 A GANDHARAN GREY SCHIST PANEL C.2ND CENTURY AD Depicting three pairs of figures wearing Greek-style robes, divided by pillars and beneath a band of stylized leaves, 14cm x 55cm. £800-1,200

465 A SMALL CHINESE BAMBOO BITONG LATE QIANLONG

465

Carved in shallow relief with scholars in a bamboo grove, a small group viewing a scroll, the others playing a board game, with tall pine trees framing the scene, 14.3cm. £200-300

466 A CHINESE HARDWOOD WATER POT 19TH CENTURY Naturalistically carved as a finger citron, the fruit growing from a gnarled branch, with smaller fruits and flower buds extending to form the base, the wood with a rich patina, 10.4cm. £200-300

466

467

468

469

470

467 A CHINESE BUFFALO HORN NECKLACE AND BRACELET 20TH CENTURY

468 A CHINESE WHITE JADE BEAD NECKLACE 20TH CENTURY

Comprising oval and circular beads, the bracelet with silver metal mounts, 35cm. (2)

A pair of gold-mounted jade cuff links and a gold-mounted jade ring, 25cm max. (4)

£150-250

£400-600 Please note the stones have not been tested for colour enhancement.

469 A COLLECTION OF VARIOUS ASIAN ITEMS 19TH AND 20TH CENTURY

470 TWO CHINESE JADEITE CARVINGS QING DYNASTY

Comprising a jade bi disc, three Tibetan silver-coloured metal items, a bronze plaque, a bronze bat and a carved granite pebble, 34cm. (7)

One a small plaque surmounted by leaf scrolls, the other a model of a bird with a lotus flower, together with an agate plaque carved in relief with a single fish, and a gilt metal-mounted cabochon ring, 5.3cm max. (4)

£150-250

£1,000-2,000 Please note the stones have not been tested for colour enhancement.

471

472

473

474

471 AN AMBER THREE-STRING NECKLACE 20TH CENTURY

472 FIVE CHINESE BEAD NECKLACES 19TH/20TH CENTURY

Comprising graduated circular beads, joined by an oblong clasp, together with fifteen loose carved wood beads, four rose quartz beads and two other small items, 23cm, the amber 89g. (22)

Two in jadeite, one wood, another made from nut kernels, the last a chaozhou with purple glass and amber-coloured beads and glass pendants, 85cm max. (5)

£300-500

£500-1,000 Please note the stones have not been tested for colour enhancement.

473 A CHINESE GOLD FILIGREE NECKLACE QING DYNASTY

474 TWO CHINESE CELADON JADE DISC PENDANTS MING DYNASTY OR LATER

With three oval horn plaques carved in high relief with flowers and foliage, divided by two filigree phoenix and articulated flowerheads, the clasp with a writhing snake to each side, 21cm.

One formed as a stylized mythical beast, its body curling inwards, the other a small bi disc, carved with a dog to one side, the other with C-scrolls, the latter with a silk suspension cord, the stones with dark brown striations, 7cm max. (2)

£600-800

£800-1,000

475

476

477 475 A CHINESE ENAMELLED NECKLACE QING DYNASTY/EARLY REPUBLIC PERIOD

476 FOUR GLASS BEAD NECKLACES 20TH CENTURY AND EARLIER

Together with a matching perfumiere fashioned as a basket, and a hair ornament, 57cm. (3)

Comprising beads of various sizes in red, black, celadon, orange and blue glass, 32cm. (4)

£400-600

£150-250

477 A CHINESE GILT METAL FILIGREE CARD CASE QING DYNASTY

478 A SMALL CHINESE JADEITE UNCUT SEAL QING DYNASTY/REPUBLIC PERIOD

A gilt metal-mounted jadeite buckle, a small gilt metal filigree sewing case, and three other items, the card case contained in a fitted box, 9.5cm max. (9)

And five small coral items, 5cm max. (6)

£500-800

478

£300-500 The jadeite seal with a certificate from the Gemmological Certification Services, stating that ‘there are no indications of impregnation’.

479 λ A CHINESE IVORY AND ENAMEL COURT NECKLACE, CHAOZHU LATE QING DYNASTY With 105 reticulated ivory beads divided by three larger enamel beads, the centre with a two-part gourd-shaped pierced bead and with tassels of smaller enamel beads supporting flowerhead pendants, 114cm. £800-1,200

480 A CHINESE WHITE GLASS PENDANT 20TH CENTURY Carved as two lotus leaves, a silk cord for suspension, together with a collection of ninety-one unstrung amber beads, the pendant 6cm, the beads 106g. (92) £100-200 Provenance: from the collection of John Shaw (d.1947), and thence by descent. After finishing his service in the Royal Marines in 1903, John Shaw joined the Municipal Police in Shanghai where he spent twenty-five years, eventually reaching the rank of Chief Inspector.

481 A CHINESE AMBER BEAD COURT NECKLACE, CHAOZHU 19TH/20TH CENTURY Comprising 108 circular beads, divided by three larger jadeite beads, with three strings of pale green jadeite beads and a two-part gourd-shaped jadeite bead supporting angel hair quartz pendants, 122cm. £1,500-2,500 Please note the stones have not been tested for colour enhancement, and the amber may be reconstituted.

482

483

484

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482 EIGHT CHINESE PENDANTS IN JADE AND GLASS 19TH/20TH CENTURY

483 A PAIR OF CHINESE SMALL WHITE JADE BOWLS LATE QING DYNASTY/REPUBLIC PERIOD

All carved in shallow relief, seven depicting figures engaged in various pursuits to one side, with inscriptions to the other and a mark for Zi Gang, surmounted by stylized dragon designs, the eighth carved with studs, a shou character to each side, 7.3cm max. (8)

The plain gently flaring bodies raised on a ring foot, each with a fitted hardwood ruyi-footed stand, contained within a fitted hardwood box, the top with two brass handles, 5.7cm. (6) £200-300

£400-600 484 THREE CHINESE SMALL AGATE TWO-HANDLED CUPS 19TH CENTURY

485 TWO CHINESE AMBER PENDANTS 19TH CENTURY

One with loose rings, together with a plain U-shaped cup, 10.2cm max. (4)

One an openwork rectangular plaque depicting a mythical creature amongst flowers, the other carved as a magnolia flower, with small flower buds and leaves extending from the stalk, 6.8cm max, 8g and 25g respectively. (2)

£100-200 Provenance: the property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire.

£300-400

486

487

488

489

486 THREE CHINESE PALE CELADON JADE PLAQUES REPUBLIC PERIOD OR LATER

487 A SMALL CHINESE RED CINNABAR LACQUER PLAQUE 19TH CENTURY

One carved as a bell, another a roundel containing a chicken surmounted by a prunus tree, the third archaistic, 10.6cm max. (3)

Carved in shallow relief with flowers and foliage, mounted in gilt metal as a brooch, 4.2cm.

£1,000-1,500

£100-200 Provenance: a private collection, London.

488 ELEVEN CHINESE PENDANTS IN JADE AND GLASS 19TH/20TH CENTURY

489 A CHINESE SILVER GILT JADE-MOUNTED MAGNIFYING GLASS QING DYNASTY

Variously carved in shallow relief, depicting figures engaged in various pursuits, animals and inscriptions, surmounted by stylized scrolling designs, six with a mark for Zi Gang, 6.5cm max. (11)

The handle formed from a pale celadon jade hair ornament flanked by bats, the glass mounted in a reticulated circular frame decorated with bamboo, prunus and chrysanthemum and with six cabochon stones and two jadeite beads to each side, 22.5cm overall.

£500-1,000

£1,000-1,500

490

491

490 A CHINESE CELADON JADE OVOID VASE 18TH/19TH CENTURY The pear-shaped body raised on a flared foot, the neck carved in relief with three concentric bands, the stone with black-brown striations, and a small celadon-brown jade carving of a recumbent ram, each with a hardwood stand, one inlaid with silver wire, 9.8cm. (4) £300-500 Provenance: an English private collection. Purchased from Sydney L. Moss Ltd. 491 THREE CHINESE SNUFF BOTTLES 19TH CENTURY One in moss agate, another pale brown jade, both carved to the shoulder with animal mask handles, the third glass, of plain ovoid form in russet, green and white, 8.2cm. (3) £200-300

492

492 λ A LARGE CHINESE PALE CELADON JADE BRUSH WASHER C.1900 Carved as two large curling lotus leaves, with leafy tendrils and seed pods beneath forming the base, a small pale celadon jade two-handled cup, carved with prunus, a celadon jade belthook, and two nail protectors, one in jade, the other silver-mounted tortoiseshell, with two hardwood stands, 19cm max. (7) £500-1,000 493 A LARGE COLLECTION OF CHINESE SNUFF BOTTLES MODERN The majority glass interior decorated, all with various subjects including flowers, tigers, figures, calligraphy, and other animals, 10.5cm max. (58) £400-600

493

494 A SMALL COLLECTION OF JADEITE JEWELLERY MODERN Comprising: two pairs of earrings, a ring and a pendant, 3.5cm. (6) £500-1,000 Sold with three test certificates from the Hong Kong Jewellers’ and Goldsmiths’ Association Limited for the ring and both pairs of earrings, which all state ‘Natural colour, without any resin’. 495 A CHINESE AGATE SMALL WATER POT 19TH CENTURY

494

Carved as a curling leaf, with a branch forming the base and smaller leaves encircling the rim, the stone with russet markings, 9cm. £300-500 496 A CHINESE PALE CELADON JADE MODEL OF A HANGING BASKET QING DYNASTY Suspended from a link chain within a four-legged hardwood stand, 15cm overall. (2) £500-1,000 497 A SMALL COLLECTION OF CHINESE JEWELLERY 20TH CENTURY Comprising: a jadeite heart-shaped pendant, a jadeite cabochon mounted as a brooch, a jadeite plaque carved with bats, a gilt metal bracelet mounted with jadeite foliate plaques, a jadeite tie pin, a pale celadon hardstone bangle carved as twisted rope, a silver-coloured metal pendant mounted with jadeite and purple hardstone, and a pair of green glass earrings, 8.8cm max. (9)

495

£500-1,000 Please note the stones have not been tested for colour enhancement.

496

497

498

499

500

501

498 TWO CHINESE PALE CELADON JADE CARVINGS LATE QING DYNASTY

499 A CHINESE PALE CELADON JADE RETICULATED PLAQUE PROBABLY 20TH CENTURY

One carved as a dragon amidst clouds, the other as a bird amongst prunus, 8cm. (2)

Carved in relief to one side with a magpie perched on a flowering prunus branch, to the other with a four character mark which reads xi shang mei shao, bordered by four scrolling stylized dragons, 7.5cm.

£1,000-1,500

£500-1,000 500 A CHINESE PALE CELADON JADE RETICULATED PLAQUE 18TH/19TH CENTURY

501 TWO CHINESE PLAQUES QING DYNASTY OR LATER

Carved with a central bird flanked by two mythical beasts and enclosed by open scroll work, 7cm.

One in celadon jade, carved with a revolving oval panel of two figures, the other an abstinence plaque, one side marked zhai jie in Chinese, the other with the Manchu characters bolgomi karga, 6.5cm. (2)

£300-500

£500-800 Please note the stone has not been tested for colour enhancement.

502

503

504

505

502 A CHINESE WHITE JADE BELT BUCKLE MODELLED AS A VASE QIANLONG/JIAQING

503 A CHINESE PALE CELADON JADE MODEL OF A VASE QING DYNASTY

Carved in relief to one side with a xi xi character, 6.8cm.

Tied with a long ribbon over a cracked-ice ground, 7.2cm.

£600-1,000

£1,000-2,000

504 A SMALL CHINESE JADEITE BANGLE LATE QING DYNASTY

505 A CHINESE JADEITE BRUSH WASHER 20TH CENTURY

The stone of a rich green tone with darker markings, 6.7cm.

Carved as a log with two egrets to one end, one with a lingzhi branch, the other end with openwork pine branches, a wood stand, 15cm. (2)

£300-500 Please note the stone has not been tested for colour enhancement.

£200-300

506

507

508

509

506 A CHINESE PALE CELADON JADE MODEL OF A BIXIE 20TH CENTURY

507 A CHINESE SPINACH-GREEN JADE LIBATION CUP 19TH CENTURY

Crouching with its head slightly raised, the stone with pale brown inclusions, 11cm.

The rounded body with a flaring lip, carved to one end with a bevelled handle, a sinuous chilong clambering within, another smaller chilong carved to the body, 13cm.

£300-500

£200-300

508 A CHINESE BROWN JADE BRUSH WASHER PROBABLY LATE MING DYNASTY

509 A SMALL CHINESE CELADON JADE BI DISC MING DYNASTY

Formed as a large curling lotus leaf, with flowers and seed pods to the rim, the interior with two moor fish swimming with a single stem, the stone with black and cream mottling, 26cm.

Carved in relief to one side with a sinuous chilong, holding a lingzhi fungus in its jaws, the reverse with C-scrolls, the stone with dark-brown striations, 5.5cm.

£1,500-2,500

£200-300 Provenance: formerly in the Rossum collection, The Hague. Collected in the 1960s.

510

511

512

513

510 A CHINESE JADE HU TABLET LATE QING DYNASTY

511 A CHINESE BROWN JADE CARVING OF A GOOSE MING/QING DYNASTY

The highly polished surface carved with four stylised mountains, 27.8cm.

Seated with its head turned over its back, its feet tucked beneath its body, a fruiting peach spray clasped in its beak, the stone with russet and cream mottling, 5.5cm.

£200-300

512 A CHINESE CELADON-YELLOW JADE TRIPOD INCENSE BURNER AND COVER 20TH CENTURY The compressed circular body carved in relief with taotie masks and with two dragon head handles, each supporting a loose ring, all supported on three lion dog mask feet, the cover with further loose rings, the finial formed as a sinuous curled chilong, 11.2cm. (2)

£150-250

513 A SMALL CHINESE WHITE JADE CARVING OF A KYLIN QING DYNASTY OR LATER In a recumbent position, its head turned over its back, the stone an even translucent tone, 4.5cm. £1,000-2,000

£800-1,200

514

515

516

517

514 A CHINESE SOAPSTONE MODEL OF A LUOHAN 19TH CENTURY

515 A PAIR OF CHINESE SOAPSTONE CARVINGS OF GUANYIN 19TH CENTURY

In a reclining seated position and holding a peach, a mythical creature seated at his side, a fitted hardwood stand, 9.5cm. (2)

Each wearing billowing robes, decorated with clouds and wave borders, with heads turned slightly to one side, one holding a scroll, the other a ruyi sceptre, 20cm. (2)

£400-600

516 A CHINESE CALCIFIED JADE CARVING OF A CRANE LATE QING DYNASTY Sitting with its head turned and holding a fruiting peach branch in its beak, 6.5cm. £200-300

£300-500

517 A SMALL CHINESE SOAPSTONE MODEL OF A CROUCHING TOAD 18TH CENTURY With its legs tucked beneath its body and its back right leg raised, 5cm. £600-1,000

518

519

520

521

518 A CHINESE SILVER TEA SET 19TH CENTURY

519 A CHINESE SILVER METAL ABSTINENCE PLAQUE QING DYNASTY OR LATER

Comprising: a teapot with a hinged cover, a sugar bowl and cover, a milk jug and a circular tray, decorated with flowering prunus sprays on key fret grounds, the spout, handles and finials modelled as bamboo, the tray with a roundel containing the monogram ‘HK’, marks for ‘LUENWO SHANGHAI’, 35.5cm. (5)

The rectangular plaque with indented corners, decorated in shallow relief with stylized dragons, one side marked zhai jie in Chinese, the other with the Manchu chatacters bolgomi karga, 6.8cm. £400-600

£400-600 520 A CHINESE CLOISONNE CYLINDRICAL BITONG 19TH CENTURY

521 λ A CHINESE TORTOISESHELL SNUFF BOTTLE 19TH OR 20TH CENTURY

Decorated with a continuous design of flowerheads and scrolling foliate tendrils, the rim with a band of ruyi-heads, all reserved on a white ground, 11.5cm.

The ovoid body with a shaped cartouche to each side, each containing reticulated articulated birds amongst flowers, 7cm.

£400-600

£200-300

522 A SMALL CHINESE PALE CELADON JADE RECTANGULAR BOX AND COVER 18TH/19TH CENTURY Of quatrefoil form, the cover carved in shallow relief with a curling dragon, 4.7cm. (2) £300-500 523 A CHINESE WHITE JADE PLAQUE MING DYNASTY Carved in relief to one side with a sinuous dragon, with a bird and a bat in flight to each side and flowering peony beneath, all amongst cloud scrolls, 17.2cm. £800-1,200 Cf. J Rawson, Chinese Jade from the Neolithic to the Qing, p.327, fig.8, for a comparable example.

522

524 A CHINESE PALE CELADON JADE CIRCULAR PLAQUE 20TH CENTURY One side carved in high relief with two figures carrying ducks at the water’s edge, with trees, mountains and a small pagoda, the reverse with a flowering prunus tree, 14cm. £1,000-1,500 525 λ A CHINESE IVORY MODEL OF A FEMALE WARRIOR 19TH CENTURY Her robes open to reveal her armour beneath, her sword resting on her left hand and a flaming heart in her right, with four standards secured at her shoulders, raised on a circular domed hardwood base, 27.4cm. (2) £300-500

523

524

525

526

527

526 A CHINESE CELADON JADE RETICULATED VASE AND COVER 20TH CENTURY The body intricately carved with scrolling leafy tendrils and flowerheads, with mythical creatures and fruiting branches, the domed cover with a rounded finial, 28.5cm. (2) £2,000-3,000 527 A CHINESE CELADON JADE CARVING OF A BUDDHIST LION DOG QING DYNASTY OR LATER In a crouched position, with a bushy tail and eyebrows, holding a brocade ball between his front paws, 6.1cm. £400-600 528 A SMALL CHINESE CELADON JADE TWO-HANDLED CUP QING DYNASTY The compressed circular body with a ring foot and carved in relief with three rows of studs, the handles with flattened terminals, 12cm. £300-500

528

529

530

531

532

529 A CHINESE FAMILLE VERTE CYLINDRICAL JAR KANGXI 1662-1722

530 A CHINESE FAMILLE VERTE BALUSTER VASE 19TH CENTURY

Painted with panels of flowers and birds amidst prunus, together with an associated later cover, 16cm. (2)

Painted with small birds in flight and perched on bamboo amongst peony blooms and rockwork, all within chevron bands, 33cm.

£300-500

531 A CHINESE PORCELAIN BRUSH WASHER 18TH/19TH CENTURY

532 A CHINESE U-SHAPED BOWL C.1640

The lobed rim formed as petals, decorated in a smoky-blue glaze, 15.1cm.

Painted with figures in a fenced garden with rockwork, with two columns of calligraphy, together with a hexagonal famille rose bitong painted with panels of foliate sprays, and a pot and cover painted with boys engaged in outdoor pursuits, 14cm max. (4)

£150-250

£600-1,000

533

534

535

536

533 A CHINESE FAMILLE ROSE BARBER’S BOWL 18TH CENTURY

534 FOUR CHINESE BLANC DE CHINE ITEMS 18TH/19TH CENTURY

Painted with an incense burner, a bowl of fruit and two vases, the rim with three floral panels on a cell diaper ground, 30.5cm.

Comprising: a flared octagonal libation cup modelled to the exterior with the eight horses of Mu Wang, two compressed circular incense burners, one with loose handles, the other with lion masks, and a cylindrical incense burner, the exterior with concentric bands and incised key fret designs, 13cm. (4)

£1,000-2,000 Provenance: formerly in the collection of Queen Victoria’s dentist, by family tradition.

535 THREE CHINESE CELADON GLAZED ITEMS 19TH/20TH CENTURY One a lobed dish, modelled as a flowerhead with radiating petals, the other two rectangular jardinières, each with a key fret band to the exterior, together with a yellow glazed garlic-neck bottle vase, incised with two five-clawed dragons and a flaming pearl of wisdom, the latter three each with a Qianlong mark, 35cm max. (4) £300-500

£1,000-2,000

536 A CHINESE FAMILLE ROSE SURPRISE CUP FOUR CHARACTER TONGZHI MARK AND PROBABLY OF THE PERIOD 1862-74 Painted to the exterior with three figures seated in a garden with peaches and an attendant boy, the domed interior with a ruyi border, containing a standing bearded figure, 8.5cm. £150-250

537 A CHINESE FAMILLE VERTE VASE 19TH CENTURY Decorated with four panels of baskets on a floral ground, raised on an elaborate ormolu stand with festoons of laurel, 37.5cm overall. (2) £300-500

538 A CHINESE WUCAI VASE 19TH CENTURY Decorated with warriors in a rocky landscape, practising archery and carrying banners, the rim with a band of peony, 32cm. £100-200

537 539 A CHINESE WUCAI VASE 17TH CENTURY Painted with many figures in a garden amongst clouds, with rockwork and plantain, 32.5cm. £2,000-3,000

540 A CHINESE CANTON ROUGE-DE-FER VASE 19TH CENTURY Painted to each side with a key fret-bordered panel, one depicting figures, the other with long-tailed birds perched on bamboo, all within borders of flowers, foliage, auspicious objects and smaller figural panels, 36cm. £200-300

538

539

540

541

542

541 A CHINESE FAMILLE ROSE INCENSE BURNER 18TH CENTURY Depicting two colourful dragons with a flaming pearl of wisdom and clouds, 17.5cm. £600-1,000

542 A CHINESE FAMILLE ROSE WINE POT AND COVER FOUR CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 Brightly enamelled with two lobed panels, one containing lotus, the other peony, encircled by a dense foliate peony scroll on a turquoise ground, 16cm. (2) £500-1,000

543 A CHINESE FAMILLE VERTE REDUCED YEN YEN VASE WITH ORMOLU MOUNTS 19TH CENTURY

543

Painted to one side with a vase containing flowering peony, to the other a vase containing pomegranate, both flanked by other smaller vessels, the neck and foot mounted with ormolu, the base with a six character Chenghua mark, 32.5cm. £300-500

544 A PAIR OF CHINESE CANTON FAMILLE ROSE VASES 19TH CENTURY Typically decorated with panels of figures in interiors, on dense foliate and gilt grounds, 35cm. (2) £300-500

544

545 A CHINESE BLUE AND WHITE BOWL C.1640 The conical body with a flaring rim, painted with three Buddhist lion dogs divided by peony blooms, the base with a six character Jiajing mark, 17.4cm. £400-600

546 A PAIR OF CHINESE BLUE AND WHITE BOXES AND COVERS QING DYNASTY

545

Each painted to the top with a confronting five-clawed scaly dragon amongst clouds, the base with further dragons above waves, each with a six character Kangxi mark, 8.3cm. (4) £400-600 Provenance: an English private collection, Hampshire.

547 A PAIR OF CHINESE BLUE AND WHITE SMALL PLATES SIX CHARACTER KANGXI MARKS AND OF THE PERIOD 1662-1722 Each painted with a pair of ladies and a plantain tree, the rims with flower sprays, 10.3cm. (2) £200-300

548 A CHINESE BLUE AND WHITE TRIPOD INCENSE BURNER QING DYNASTY

546

Painted with a panel containing a seated solitary figure in a mountainous landscape with rocks and trees, 19.7cm. £150-250

547

548

550

549

549 A LARGE CHINESE FAMILLE ROSE MODEL OF SHOULAO 19TH CENTURY Standing wearing colourful flowing robes, and holding a peach in his detachable hand, 48.5cm. (2) £800-1,200 550 A CHINESE FAMILLE VERTE PORCELAIN MODEL OF AN ASCETIC LUOHAN 19TH CENTURY

551

Wearing a loin cloth decorated with flowers and with his feet bare, his ribs and shoulders protruding from his emaciated frame, his head resting in his left hand, 14.2cm. £300-500 551 A CHINESE POTTERY MODEL OF BUDAI HE SHANG QING DYNASTY Seated with his robes open, exposing his large belly, holding a sack in his right hand and with a happy expression on his face, the base with a four character mark which reads Shi Da Bin zhi, raised on a fitted silk stand and contained in a fitted box, 15cm. (4) £1,000-2,000 552 A CHINESE BLUE AND WHITE RECTANGULAR JARDINIERE 19TH CENTURY Painted with garlands of garrya elliptica flowers, 39.5cm x 25.5cm. £200-300

552

553

554

555

556

553 A CHINESE FAMILLE ROSE MILLEFLEURS BOX AND COVER LATE QING DYNASTY

554 A CHINESE MILLEFLEURS SEAL PASTE BOX AND COVER EARLY 20TH CENTURY

Of square form with chamfered corners, the cover with a flattened panel containing a flowering prunus spray, all reserved on a dense foliate ground, the base with a six character Qianlong mark, 9.3cm. (2)

The domed circular cover brightly painted with dense flowers on a gilt ground, the base with a four character Qianlong mark, 6.5cm. (2)

£400-600 555 A PAIR OF CHINESE BLUE AND WHITE CYLINDRICAL DRAGON BITONGS LATE QING DYNASTY Each painted to the exterior with many scaly dragons amongst cloud scrolls, four character Chenghua marks, 13.7cm high. (2) £400-600

£400-600

556 A CHINESE BLUE AND WHITE PLATE KANGXI 1662-1722 Painted with a central panel of figures at a table encircled by prunus, peony, chrysanthemum and lotus, 26cm. £200-300

557

558

559

560

557 A MIDDLE-EASTERN BLUE AND WHITE BOWL 18TH CENTURY

558 A CHINESE GE-TYPE DISH 18TH/19TH CENTURY

Painted to the exterior with five stylized lotus flowers amidst foliage, the interior with a single flower roundel, 17cm.

Decorated with a fine crackle glaze, the reverse with seven brown spur marks, 22cm.

£200-300

£200-300 Provenance: a French private collection.

559 A CHINESE FAMILLE ROSE BOWL, COVER AND STAND SIX CHARACTER DAOGUANG MARKS AND OF THE PERIOD 1821-50 Painted with figures divided by panels of calligraphy, cash and a pagoda in the clouds, 14.7cm. (3) £200-300

560 FOUR CHINESE FAMILLE ROSE BOWLS 20TH CENTURY Three decorated with scaly dragons above crashing waves, the larger with four phoenix and gilt roundels encircling a crane on an iron-red ground to the interior, the fourth with four circular panels depicting flower blooms on a yellow key fret ground, the interior with foliate scrolls, each with a Qianlong mark, 12.8cm max. (4) £500-1,000

561 A LARGE CHINESE FAMILLE ROSE BITONG LATE QING DYNASTY Painted with two five-clawed dragons confronting a flaming pearl of wisdom amongst clouds, all above waves, the rim with a key fret border, 23.4cm dia. £200-300 562 A CHINESE ROBIN’S EGG GLAZED INK STAND LATE QING DYNASTY Of rectangular form, reticulated with cash and flowerheads, a paper label for Jehanne de Biolley Oriental Art, 6.5cm. £100-200 Provenance: a private collection, London. 563 A CHINESE YIXING TEAPOT AND COVER 20TH CENTURY The ovoid body enamelled in blue with flowers and insects, an impressed mark to the base, 18cm. (2) £100-200 564 A CHINESE FAMILLE ROSE WATER DROPPER GUANGXU 1875-1908 Formed as a large lotus flower moulded with petals, the stalk forming the handle, unmarked, 19cm. £200-300 565 A CHINESE YIXING DUANNI TEAPOT AND COVER QING DYNASTY The ovoid body with a bail handle, inscribed to one side with a poem, the base marked Chen Ming Yuan, the cover marked Ming Yuan, 18.4cm. (2) £1,500-2,500 Cf. Woolley & Wallis, 15th November 2011, lot 197 for a comparable example with the same inscription. 566 A CHINESE CELADON GLAZED BOTTLE VASE MING DYNASTY The pear-shaped body moulded to each side with a flower spray, the glaze with an irregular crackle, 22cm. £200-300 567 A CHINESE PLATE KANGXI 1662-1722 Enamelled in England c.1760-70 in the Imari manner in iron-red and gilt with three ogee-petal panels reserved on a diamond diaper ground, alternating with a gilt figure of a European man holding a bundle on the end of a stick, the border with red and gilt floral detailing, 22.6cm. £100-200 Provenance: the Helen Espir Collection, no.459. Purchased from Geoffrey Waters. 568 A CHINESE FAMILLE VERTE DRAGON DISH LATE QING DYNASTY Painted with nine writhing scaly dragons encircling a central pearl of wisdom, all above a wave ground, the reverse with five bats amongst clouds, 46.7cm. £300-500 569 A CHINESE BROWN GLAZED BOWL 19TH CENTURY Painted to the exterior with five roundels, each containing a crane amidst clouds, the interior with a further crane, a band of key fret to the rim, a six character Wanli mark to the base, raised on a fitted hardwood stand, 19.7cm. (2) £100-200

561

562

563

564

565

566

567

568

569

570 A CHINESE WUCAI SQUARE SECTION TIERED BOX AND COVER 17TH CENTURY Formed in four sections, the top painted with five roundels containing cranes divided by clouds, the sides with chrysanthemum flowers and foliage, the middle sections each with a six character Chenghua mark, 9.5cm. (4) £500-800 Provenance: an English private collection, Hampshire. Cf. S Marchant & Son, Exhibition of Transitional Wares for the Japanese and Domestic Markets, p.56, no.99, where a comparable tiered box is illustrated.

570

571 A CHINESE FAMILLE VERTE TEAPOT AND COVER KANGXI 1662-1722 With a bail handle, the domed body raised on three short feet and moulded with eight panels, each painted with peony, prunus and chrysanthemum, the neck with key fret, 17.5cm. (2) £1,000-2,000

571

572 A CHINESE FAMILLE VERTE WATER CISTERN AND COVER KANGXI 1662-1722 Painted with colourful birds perched on a flowering branch, the metal spigot cast as a mythical bird, surmounted by two fish, 40.8cm. (2) £200-400

572

573 A PAIR OF CHINESE FAMILLE VERTE BUDDHIST LION DOGS KANGXI 1662-1722 Each raised on a rectangular plinth, one with a puppy, the other a brocade ball, each with articulated eyes and a ribbon in its mouth, 19.4cm. (2) £1,000-2,000

573

574 A CHINESE BLUE AND WHITE DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the well with a roundel containing three ladies, one riding a horse, the wide rim with petal-shaped panels radiating from the centre, containing further pairs of ladies and peony emerging from rockwork on a key fret ground, 35cm. £300-500

574

575 A CHINESE QINGBAI INCENSE BURNER 19TH/20TH CENTURY Modelled as a recumbent billy goat, its flanks with stylized lingzhi stems, the cover formed as a reticulated cloth, a paper label for John Sparks Ltd., 22.5cm. (2) £1,000-2,000

575

576 A PAIR OF CHINESE FAMILLE ROSE DISHES LATE QING DYNASTY Each painted with pagodas and gardens beside a lake and a pleasure barge, together with a quatrefoil bowl of similar decoration, six character iron-red Daoguang marks, the latter with a wood stand, 24.5cm. (4) £600-1,000

577 A CHINESE FAMILLE ROSE OCTAGONAL DISH 18TH CENTURY Painted to the well with a scene from the Romance of the Western Chamber, the rim with a wide band of dense scrolling geometric designs and butterflies, 40.5cm.

576

£150-250

578 A PAIR OF JAPANESE ARITA BLUE AND WHITE PLATES 18TH CENTURY Painted to the centre with a scene of a man beside a beast, within a border moulded with chrysanthemum and figures, the shaped rims with a brown line, painted marks, 21.5cm. (2) £200-300

579 A CHINESE FAMILLE VERTE DISH KANGXI 1662-1722 Painted to the well with a circular panel containing two long-tailed birds amongst peony and a gnarled flowering branch, the rim with two concentric bands of flower sprays and further panels of birds and insects, 35.3cm. £1,000-1,500

577

578

579

580 TWO CHINESE CORAL GROUND BOWLS SIX CHARACTER DAOGUANG MARKS AND OF THE PERIOD 1821-50 One painted to the interior with birds, peaches, flowers and a bat, the exteriors with flowers, foliage and rockwork, 18.5cm. (2) £1,500-2,000

581 A PAIR OF CHINESE UNDERGLAZE RED BOWLS SIX CHARACTER QIANLONG MARKS BUT PROBABLY LATER Decorated with the eight Buddhist Emblems above a band of lotus sprays, the interior with a central medallion of lotus, 11.5cm. (2) £1,000-2,000

582 A PAIR OF CHINESE YELLOW GROUND BOWLS FOUR CHARACTER TONGZHI MARKS AND PROBABLY OF THE PERIOD Decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, with bamboo leaf sprays, 9.1cm. (2) £1,000-2,000 Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.368, fig.17, where a dish of this pattern is illustrated.

583 A CHINESE YELLOW GROUND DRAGON BOWL SIX CHARACTER KANGXI MARK BUT PROBABLY LATER The exterior finely incised with a pair of dragons chasing flaming pearls above a band of petals around the foot, the centre with a further dragon, 18cm. £300-500

584 A CHINESE BLUE AND WHITE LOTUS DISH SIX CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908 Painted with a scrolling continuous lotus design, with five flowerheads encircling a central roundel, 17.5cm. £150-250

585 A CHINESE MILLEFLEURS VASE QING DYNASTY

586 A PAIR OF CHINESE CORAL GROUND VASES QING DYNASTY

The ovoid body with a flaring neckrim and gilt coral handles, the base with a four character mark which reads qing mu de tang, 38cm.

Each painted to one side with Ma Gu and a deer, to the other with an extensive lakeside landscape, reserved on a bright coral ground, a four character Qianlong mark to the base, raised on a rectangular hardwood stand, 29cm. (4)

£1,000-2,000

£1,000-1,500 Provenance: from the collection of John Shaw (d.1947), and thence by descent. After finishing his service in the Royal Marines in 1903, John Shaw joined the Municipal Police in Shanghai where he spent twenty-five years, eventually reaching the rank of Chief Inspector.

587 A CHINESE GREEN GLAZED BOWL SIX CHARACTER JIAQING MARK AND OF THE PERIOD 1796-1820 The gently flaring bowl decorated with a bright green glaze, the interior glazed white, raised on a circular five-legged stand, 10.9cm. (2) £200-300

588 A CHINESE TEA BOWL AND SAUCER 18TH CENTURY Painted with a portrait of Petrus Boudaan (1666-1734) within a circular panel and the inscription ‘PETRUS BOUDAAN Ecclesiastes Amstelodmensis’, the rim with a gilt scrolling border, 11.7cm. (2) £150-250 Cf. D Howard and J Ayers, China for the West, vol.I, p.255, where a canister with Pieter Boudaan’s portrait is illustrated.

589 A CHINESE QUATREFOIL BOWL LATE QING DYNASTY Painted to the exterior in iron-red with a symmetrical scrolling lotus design, with four bats above xi characters to the rim, the foot with a band of waves, raised on a fitted hardwood stand, 26.1cm. (2) £200-300

590 A CHINESE QINGBAI LOBED BOWL AND A SPOON SONG DYNASTY 960-1279 AD The shallow body with five lobes, raised on a short ring foot, the spoon with a flowerhead terminal, 14.5cm. (2) £200-300

591 A CHINESE JUNYAO SHALLOW DISH SONG/YUAN DYNASTY

592 A CHINESE PORCELAIN RECTANGULAR SCROLL WEIGHT PROBABLY LATE QING DYNASTY

The body with an upturned rim, decorated with a pale blue-green glaze stopping short of the footrim to reveal the reddish stoneware, contained in a fitted box, 15cm. (2)

Modelled as a book with gilt edges, the exterior with a bright pink geometric design and a panel containing the hall mark le shan Tang, 18cm.

£300-500

£600-1,000

Provenance: purchased from Sotheby’s, c.1982.

593 A CHINESE PORCELAIN WRIST REST 20TH CENTURY Painted with small figures at a lakeside with distant mountains, and inscribed with a poem and with a mark for Wang Ye-ting, 17.2cm. £600-800

594 A CHINESE BRONZE INCENSE BURNER PROBABLY LATE MING The compressed circular body with lobed radiating petals and raised on three squat feet, the base with a six character Xuande mark, 12cm. £1,500-2,000 595 A CHINESE BRONZE TRIPOD INCENSE BURNER 19TH CENTURY

594

The compressed circular body raised on three tapering feet, with two strap handles to the rim, the base with a four character mark, 16.5cm. £300-500 596 A CHINESE BLANC DE CHINE MODEL OF GUANYIN 18TH CENTURY In a seated position, her left hand resting on her knee with her robes draped around her, holding a scroll in her right hand, a flowing shawl covering her high chignon, 12.5cm. £300-500 597 A CHINESE BLANC DE CHINE MODEL OF TWO EUROPEANS 18TH CENTURY Standing before a brazier wearing hats and typically dressed, each holding a baton and with a small dog at their feet, 17cm. £800-1,200

595

596

597

598

599

598 A CHINESE CIZHOU MODEL OF GUANYIN MING DYNASTY Seated on a tall rocky plinth wearing a headdress, flanked by a bird to one side, a small child holding a bowl to the other, a ferocious dragon writhing beneath, decorated in cream, brown and russet glazes, 30.5cm. £200-300 599 A CHINESE BLANC DE CHINE MODEL OF GUANYIN QING DYNASTY Seated on a high rocky plinth, her robes flowing around her, holding a scroll in her left hand, an impressed mark to the reverse, 33cm.

600

£500-1,000 600 A CHINESE CIZHOU EWER AND COVER MING DYNASTY Modelled as Shoulao seated on the back of a large goose, with a gourd to his back forming the cover with its top, the spout the bird’s beak, decorated with cream and brown glazes, 21cm. (2) £200-300 601 A CHINESE POTTERY MODEL OF A HORSE’S TORSO HAN DYNASTY 206BC - 220AD Facing forward, with traces of earth pigments, a modern wood stand, 41cm. (2) £500-1,000 Provenance: from the collection of Brian McElney.

601

602

603

604

605

602 A MOGHUL ALABASTER EWER AND COVER 18TH/19TH CENTURY

603 A CHINESE QINGBAI OCTAGONAL BOX AND COVER SONG DYNASTY 960-1279 AD

The compressed circular body and domed cover carved in shallow relief with a complex geometric floral design, the spout with four decorative bands, all detailed in green, red and gold, 20.5cm. (2)

With a circular panel containing a large chrysanthemum bloom, decorated with a pale celadon-blue glaze stopping short of the foot, a paper label for S. Marchant & Son, contained in a fitted box, 7.7cm. (2)

£200-300

£400-600 Provenance: purchased from S Marchant & Son, London.

604 THREE SMALL CHINESE BLUE AND WHITE SAUCERS SIX CHARACTER KANGXI MARKS AND OF THE PERIOD 1662-1722

605 A CHINESE YIXING TEAPOT AND COVER 18TH CENTURY

Each painted with a young woman sitting beside a jardinière of flowers, the borders with precious objects, 10cm. (3)

The square-section body decorated in slip with a small hut in a mountain landscape to each side, the domed cover with reticulated prunus flowers, the base with an impressed mark which reads Jing xi hua feng xiang zhi, 15cm. (2)

£200-300

£400-600

606

607

608

609

606 TWO CHINESE POTTERY TWO-HANDLED VASES HAN DYNASTY 206BC - 220AD

607 A CHINESE BLANC DE CHINE TEAPOT AND COVER 17TH CENTURY

Each with an ovoid body rising to a flaring elliptical neckrim, with two strap handles extending into spirals beneath, 17.4cm. (2)

Moulded to the exterior with flowering prunus sprays, the octagonal cover with a flowerhead finial, the spout a silver replacement, 15cm. (2)

£150-250

608 A CHINESE BLANC DE CHINE VASE QING DYNASTY

609 A LARGE CHINESE FLAMBE GLAZED VASE QING DYNASTY OR LATER

The pear-shaped body with two mask handles joined by an incised band, 25.6cm.

The rectangular-section body with chamfered corners, the neck with two zoomorphic handles, the base with a four character Yongzheng mark, 50.5cm.

£150-250

£1,000-2,000

610

611

612

613

610 A CHINESE FAMILLE ROSE PART SERVICE 18TH CENTURY Comprising: two large plates and thirteen smaller, painted with a central pair of Buddhist lion dogs playing with ribbons and brocade balls, the rim with four foliate sprays within spearhead borders, 35cm. (15) £600-1,000

611 THREE CHINESE BLUE AND WHITE CIRCULAR BOXES AND COVERS QING DYNASTY Variously painted with figures, a dragon and geometric panels, six porcelain snuff bottles decorated with figures and mountainous landscapes, and a small celadon jade cup carved with studs, 8.5cm max. (13) £400-600

612 A COLLECTION OF FAMILLE ROSE DISHES 19TH CENTURY

613 A SMALL COLLECTION OF POTTERY ITEMS TANG DYNASTY AND LATER

Two of lobed lozenge form, one rectangular, the rest circular, typically decorated with flowering foliate sprays, fruits, colourful birds and insects, all reserved on a celadon ground, eleven with a shop mark to the base, 27cm max. (14)

Comprising: a model of an altar table, two models of chests, eight miniature ovoid vases, one with a cover, a small circular box and cover, and a small figure’s head mounted on a modern stand, variously decorated in glazes of blue, green, ochre and brown, 30.5cm max. (15)

£150-250

614

615

616

617

614 λ TWO CHINESE YELLOW GLASS SNUFF BOTTLES 18TH/19TH CENTURY

615 TWO CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY

One of plain ovoid form, the other with a compressed circular body decorated with blue splashes, and three ivory snuff trays, 5cm. (5)

One of plain ovoid form, the dark brown stoneware with prunus emerging from the handle, the other with scrolling stylized dragons and peony to each side, the cover surmounted by a Buddhist lion dog and her puppy, 22.5cm max. (4)

£200-300

£1,000-2,000

616 A SMALL COLLECTION OF CHINESE FAMILLE ROSE TEA WARES 18TH CENTURY Comprising: a teapot and cover, a jug, a hexagonal dish and a tea bowl, all depicting birds and flower sprays within gilt borders, 16cm. (5) £200-300

617 NINE CHINESE YIXING TEAPOTS AND COVERS 19TH/20TH CENTURY Variously modelled as hexagonal, rounded and melon-shaped vessels, one enamelled with flower sprays, all with marks, 24.8cm. (18) £150-250

618 A NEAR PAIR OF CHINESE FAMILLE VERTE DECAGONAL DISHES KANGXI 1662-1722 Each depicting a butterfly in flight above large peony blooms within a band of prunus and peony, with paper labels for McElney and S Marchant & Son, The Oriental Ceramic Society of Hong Kong, Ch’ing Polychrome Exhibition 1977, No.21, 22.6cm. (2) £600-1,000 Provenance: from the collection of Brian McElney. 619 TWO CHINESE BLUE AND WHITE KRAAK PORCELAIN DISHES 17TH CENTURY

618

Each painted with a central medallion, one depicting insects with flowers, the other two geese at the water’s edge, each encircled by roundels containing auspicious things and flowerheads, 21.2cm. (2) £200-300 620 A CHINESE TEA BOWL AND SAUCER 18TH CENTURY Painted with a lady carrying a basket and leading a small ox, all within cell diaper borders, together with a famille rose saucer dish painted with a shepherdess and her three sheep in a mountain landscape, 20.8cm. (3) £400-600 621 A CHINESE BLUE AND WHITE HEXAGONAL PAGODA BASE 18TH CENTURY

619

Each face alternately modelled with a set of arched doors, or with a similarly-shaped aperture, encircled with scrolling peony flowers and foliage and surmounted by twin fish, all within a rectangular panel beneath a band of scrolls, 29cm across. £1,500-2,500

620

621

622 A CHINESE ARMORIAL DISH LATE 18TH CENTURY Painted with the arms of Chadwick within a spearhead border, inscribed to the reverse ‘Canton in China, 24th Jan. 1791’, and a famille rose plate painted with an allegory of Earth after Albani, 25.3cm. (2) £200-300 Provenance: the property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire.

622

622 detail

623 A PAIR OF CHINESE BLUE AND WHITE CHARGERS 18TH CENTURY Each painted with three figures in a mountainous landscape, one riding a buffalo, with pagodas in the distance, the rim with four flower sprays within cell diaper bands, 37.5cm. (2) £250-350

623

624 THREE CHINESE FAMILLE ROSE BOWLS 18TH CENTURY One depicting European couples and a ship, the others with panels of figures and foliate borders, 31cm max. (3) £300-500

624

625

626

627

628

625 A PAIR OF CHINESE FAMILLE ROSE TULIP VASES 19TH CENTURY

626 A CHINESE FAMILLE ROSE BOTTLE VASE LATE QING/REPUBLIC PERIOD

In the Dowager Empress style, decorated with dragons on a yellow ground, 25cm. (2)

The pear-shaped body raised on four ruyi feet and with two coral ground handles, painted with a single colourful bird perched on a blossoming branch, a butterfly in flight above, the reverse with a single peony bloom, the base with a six character Qianlong mark, 21.5cm.

£1,000-2,000

£1,000-1,500 627 THREE CHINESE FAMILLE ROSE VASES PROBABLY REPUBLIC PERIOD A pair painted with birds and lotus, the third with a praying mantis, all with calligraphy to the reverse, 33cm and 30.5cm respectively. (3) £1,000-2,000

628 A COLLECTION OF CHINESE PORCELAIN MONOCHROME VASES AND OTHER VESSELS QING DYNASTY Variously formed as bottles and water pots, one an ovoid box and cover, together with ten various stands, 16.5cm. (25) £500-1,000

629 A CHINESE CELADON GLAZED HU-SHAPED VASE SIX CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908 The moulded body with two lug handles, decorated with a pale blue glaze, mounted as a lamp, the vase 31cm. £250-350 630 A CHINESE FAMILLE NOIRE VASE 19TH CENTURY Painted with panels of prunus, chrysanthemum, lotus and peony, with small birds in flight, mounted as a lamp, undrilled, 50cm. £500-800 631 THREE CHINESE FAMILLE VERTE VASES KANGXI 1662-1722 Each decorated with panels of flowers emerging from rockwork, with borders of geometric designs, scrolling foliage and panels of Buddhist emblems, 27.2cm. (3) £1,500-2,000 632 A MASSIVE CHINESE FAMILLE ROSE NINE PEACH BOTTLE VASE REPUBLIC PERIOD

629

The ovoid body rising to a cylindrical neck, painted to the exterior with an extensive fruiting peach tree, with blossoms and foliage extending around the body, the base with a six character Qianlong mark, 54.3cm. £1,500-2,500

630

631

632

End of Sale 91

English & European Ceramics & Glass Tuesday 24th November 2015

Three Thomas Webb & Co (Stourbridge) cameo glass scent bottles. Estimates between ÂŁ800-3,000

EnquiriEs Clare Durham +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

British Art Pottery Wednesday 25th November 2015

Dame Lucie Rie DBE A fine blue glazed bowl with bronzed rim. Purchased as a present for the vendor directly from the artist. Estimate: ÂŁ6,000-9,000

ENQUIRIES Michael Jeffery +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Auction Information OPEninG HOurs Monday to Friday 9am to 5.30pm and 10am to 1pm on saturdays. ViEwinG All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BiddinG in tHE rOOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. rEGistErinG witH us All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMissiOn BiddinG if you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. tElEPHOnE BiddinG it is usually possible to bid on the telephone by prior arrangement with the office.

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17th & 18th November 2015 Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Billing name (please print) �� Address �� Postcode �� daytime telephone �� signature �� there is no surcharge for debit card payments, but for credit cards there will be a 2% + VAt surcharge. id is required for all first time bidders.

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INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

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The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (†) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European union and is not operating the dealers Margin scheme or because VAt is due at 20% on importation into the uk. the symbol (Ω) indicates that the lot has been imported from outside the European union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of sale. neither the seller nor we, as the auctioneers, accept any responsibility for their condition. in particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. if two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of sale state about collection and storage. it is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. in these terms the words ‘you’, ‘yours’, etc. refer to the seller and if the consignment of goods to us is made by an agent we assume that the seller has authorised the consignment and that the consignor has the seller’s authority to contract. similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FsA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. if the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. if we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (interference with Goods) Act 1977, schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. if an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of sale. in particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. subject to our normal trading conditions, payment will be made by BACs or cheque four weeks after the sale unless the buyer has not paid for the goods. in this case no settlement will then be made but we will take your instructions in the light of our Conditions of sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis salisbury salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis salisbury salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis salisbury salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘information for Buyers’ for a brief explanation of the VAt position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (iF lAtEr) after which you shall be responsible for any COllECtiOn, storage and insurance charges. (c) no purchase MAY be COllECtEd And wE sHAll nOt rElEAsE AnY lOt tO YOu Or YOur AGEnt until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) if any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS in accordance with long standing practice in Fine Art sale rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €12,500

Auction Calendar silvEr 28th October 2015 – Fine Silver and Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEwEllEry 29th October 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk AsiAn Art 17th & 18th November 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk English & EuropEAn CErAmiCs & glAss 24th November 2015 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20th CEntury DEsign 25th November 2015 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk pAintings 9th December 2015 Part I – Fine Old Masters & 19th Century Part II – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FurniturE, works oF Art & CloCks 7th January 2016 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk tribAl Art, AntiquitiEs, Arms & Armour 9th February 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY

A siAn A rt ii

W ednesdAy 18 th n ovember 2015