Woolley & Wallis Asian Art I Wednesday 21st May by ATGMEDIA

WOOLLEY & WaLLis SALISBURY

A siAn A rt i

W ednesdAy 21 st M Ay 2014

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

asian art i

Wednesday 21st May 2014

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price Gemma Bush

424506 424591 424583 424589

07741 242421 339752

English & EuropEAn CErAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

FurniturE Mark Richards Jim Gale Anna Brown

411854 339161 411854

JEwEllEry Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silvEr Rupert Slingsby Lucy Chalmers

424501 424594

20th CEntury DEsign Michael Jeffery Amanda Lawrence

424505 329477

tribAl Art Will Hobbs Gemma Bush

339752 339752

vAluAtions For insurAnCE & probAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA mArkEting Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

gEnErAl oFFiCE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAlEroom mAnAgEr David Jordan

424500

boArD oF DirECtors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director CompAny sECrEtAry Jim Macarthur CA AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

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424509

424599

Asian Art i

亞洲藝術品 I

Wednesday 21st May 2014 at 10.30am Viewing Times Saturday 17th may 10.00am – 1.00pm Monday 19th May 10.00am – 5.00pm John Axford

Sophie Lister Alexandra Doméracki

Freya Yuan

John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Freya Yuan +44 (0)1722 424589 freyayuan@woolleyandwallis.co.uk

Alexandra Doméracki +44 (0)1722 424583 alexdomeracki@woolleyandwallis.co.uk

Tuesday 20th May 10.00am – 7.00pm Wednesday 21st May 9.00am – 10.30am

Trains from London There are regular trains from London Waterloo to Salisbury Waterloo to Salisbury – at twenty past and at ten minutes to the hour Salisbury to Waterloo – at twenty past and fifteen minutes to the hour The journey takes approximately 90 minutes 每天有定時的火車來往于倫敦滑鐵盧和索爾茲伯里之間，滑鐵盧 – 索爾茲伯里的出發時間：在每個小時的二十分和五十分發車。索爾茲伯里 – 滑鐵盧的出發時間：在每個小時的二十分和四十五分發車。倫敦與滑鐵盧的車程需要九十分鐘左右。 **注：本中文條款如有任何詮釋上的問題，一概以英語版本為準

新浪微博 @艾思福

Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

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Wednesday 21st May at 10.30aM

Lt Col John Grenville Fortescue (1896-1969)

1. A Chinese pale celadon jade carving of two geese, Qianlong 1736-95, one seated in front of the other with its head turned over its back, a large millet stalk held between them, raised on a reticulated hardwood stand carved as swirling waves, 9.5cm. (2) £4,000-6,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 清乾隆青白玉雕雙鵝銜穗擺件來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

2. Three Chinese pale celadon jade carvings, 19th century, two depicting figures, one holding a lotus flower, the other a lingzhi spray, the third a small flared bowl and cover, each with a hardwood stand, 6.2cm max. (7) £2,000-3,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 十九世紀青白玉雕童子及蓋碗一組三件來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

3. A Chinese interior-painted glass snuff bottle, 19th or 20th century, depicting flowering chrysanthemum and small birds perched on blue rockwork, the stopper blue glass, 9.5cm. £150-250 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 十九/二十世紀花鳥內畫鼻煙壺來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

4. A Chinese famille rose chicken bowl, six character Qianlong seal mark and probably of the period, finely painted to the exterior with a young boy and a cockerel with blue rockwork and peony, the reverse with a hen and her chicks below a poetic inscription, together with a four-legged hardwood stand, 8.1cm dia. (2) £5,000-8,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 乾隆或更晚五彩雞缸碗《大清乾隆仿古》青花篆書仿款來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

5. A pair of Chinese millefleurs U-shaped bowls, six character Jiaqing marks in iron-red and of the period 1796-1820, each brightly enamelled with a dense floral design, raised on a reticulated hardwood stand, 6.7cm. (4) £10,000-20,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 清嘉慶粉彩百花不落地杯一對來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

6. A large Chinese soapstone model of the dragon luohan, 19th century, sitting holding a pearl in his left hand, and with a dragon emerging from a bowl to his right, his robes engraved with cloud scrolls, the base carved with a poem, including an inscription for the Qianlong reign, raised on an elaborate hardwood stand, 16cm. (2) £5,000-8,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 十九世紀壽山石雕降龍羅漢擺件來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）

7. A Chinese white soapstone model of Guanyin, 18th century, seated on a rocky plinth wearing long robes, her hair secured in a high chignon and covered by a headdress, holding a small vase of flowers in her hands, a small child standing to her left, with a parrot perched to her right, a four character mark which reads Wang Zhu, jing xie, and with a seal mark for the artist, a paper label for John Sparks Ltd., a hardwood stand, 16cm. (2) £10,000-20,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. This rare figure relates to a small group of carvings by Wang Zhu, an artist prevalent in the Qianlong reign, which includes an elaborate soapstone mountain in the Tianjin Museum, China. 十八世紀壽山芙蓉石雕淨瓶觀音擺件《汪洙敬寫》款來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969），附John Sparks標籤

8. A fine Chinese Imperial pale celadon jade model of a sampan, Qianlong/Jiaqing, with Ma Gu steering with an oar, standing wearing a hat and flowing robes, and with a vase of lingzhi fungi to the stern. A small deer and a crane holding a peach spray sit on the bow, and a canopy of woven basket shields the centre of the deck, the underside finely carved with swirling waves, raised on an elaborate hardwood stand, a paper label for John Sparks, 17.5cm. (2) £20,000-30,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. Cf. S Marchant & Son, 80th Anniversary Exhibition of Chinese Jades from Han to Qing, 2005, no.88, for examples of similar size. See also, Compendium of Collections in the Palace Museum, Jade 8, Qing dynasty, pp.162-164, nos.125 and 126. 清乾隆/嘉慶青白玉雕麻姑乘槎擺件來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）附John Sparks標籤

9. A Chinese celadon jade marriage bowl, Qianlong/Jiaqing, the oval bowl finely carved with twin fish to the centre, and with animal mask loose ring handles to the sides, the four feet carved as lingzhi, a paper label for John Sparks, raised on a reticulated foliate hardwood stand, 21cm. (2) £20,000-30,000 Provenance: Lt Col John Grenville Fortescue (1896-1969), of Dropmore, Buckinghamshire and Boconnoc, Cornwall, and thence by descent. 清乾隆/嘉慶青白玉雕雙魚活環如意洗來源：約翰·格尼利·福特斯基軍官舊藏（1896-1969）附John Sparks標籤

10. A Chinese gilt bronze figure of Sakyamuni, 17th century, sitting in padmasana, wearing an elaborate headdress and raised on a double lotus throne, the base plate incised with a double vajra, 17.8cm. £1,500-2,500 十七世紀

銅鎏金釋迦摩尼坐像

11. Three small Chinese gilt bronze figures, 18th/19th century, the largest the god of war Guan Di, standing, wearing an elaborate headdress adorned with ribbons, another Guanyin, depicted with four arms and seated on a double lotus base, the third of the god of wealth Pita-Jambhala, seated and holding a small animal in his left hand, 7.7cm max. (3) £500-1,000 十八/十九世紀三件

銅鎏金關帝、四臂觀音及黃財神像一組

12. A Chinese gilt bronze model of Shamvara, probably 18th century, standing in yabyum, holding Vajravarahi in his arms, mounted on a modern perspex stand, 7.8cm. £1,500-2,000 十八世紀（可能）

銅鎏金金剛上樂佛立像

13. A Chinese bronze figure of Guanyin, late Ming dynasty, seated with her legs crossed, wearing an elaborate headdress, holding a small ewer in her right hand, raised on a high lotus base above a spreading foot, traces of gilding, 23.5cm. £2,000-3,000 晚明

滴水观音坐像

14. A massive Chinese gilt bronze model of Yama, 19th or 20th century, standing in pratyalidhasana on a human figure which lies prone on a bull, he wears a flayed elephant skin on his back and dharmapala ornaments, holding in his twelve arms tantric symbols including gada, danda, damaru and kapa, his sakti holds a kapala and a karttrka, all upon a double lotus base, the hair and details with traces of cold paint, and inset with turquoise, 35cm. £1,000-2,000 十九/二十世紀

銅鎏金上樂金剛立像

15. A Nepalese gilt bronze model of a boddhisatva, 18th century or earlier, seated on a double lotus base, with an elaborate headdress and holding a small urn, 12.2cm. £2,000-3,000 十八世紀或更早

16. A small Chinese gilt bronze model of Amoghasiddhi, 17th/18th century, seated on a high lotus throne, wearing an elaborate headdress inset with turquoise, 9cm. £2,500-3,500 十七/十八世紀

銅鎏金不空成就佛坐像

尼泊爾銅鎏金菩薩坐像

17. A rare Chinese cast bronze scholar’s table screen, 17th/18th century, depicting numerous figures with pine sprays, cloud scrolls, a crane and a deer and other auspicious things above a reticulated fence with lotus and a turtle below, with a hardwood stand, the screen 24cm x 26.5cm, 35.5cm overall. (2) £3,000-5,000 Provenance: the Gerald Mere collection, Redhill, formed in the 1920s. Purchased from Christie, Manson & Woods, 6th December 1932, lot 78. This screen depicts the famous meeting of literati at the Orchid Pavilion, Lan Ting Wen Hui, in the year 353 AD. 十七/十八世紀銅制蘭亭文匯插屏來源：1930年代由莫洛斯·莫科斯家族收藏，佳士得Manson & Woods，1932年12月6日·編號78

18. A Chinese cloisonné jardinière, Qianlong 1736-95, the cartouche-shaped body decorated with four stylized lotus flowerheads and formal scrollwork on a turquoise ground, the rim with key fret bands, the four feet shaped as ruyi-heads, 22.2cm. £2,000-3,000 清乾隆

銅胎掐絲琺瑯纏枝蓮紋花盆

19. A Chinese cloisonné finial, 17th/18th century, the domed top with a gilt metal lotus mount and decorated with a scrolling foliate flowerhead design, all reserved on a turquoise ground, 11.5cm. £500-1,000 十七/十八世紀

銅胎掐絲琺瑯纏枝蓮紋爐頂

20. A Chinese Canton enamel incense burner, four character Qianlong mark and perhaps of the period, made for the Islamic market, the compressed circular body with two loop handles, painted to each side with a shaped panel containing an Arabic inscription, reserved on a dense ground of lotus flowers and foliage, 19.5cm. £1,000-2,000 Cf. Bonhams, London, 16th May 2013, lot 342 for an almost identical incense burner. 清乾隆（可能）

廣彩銅胎畫琺瑯阿拉伯文香爐

21. A massive Chinese cloisonné dish, 19th century, decorated with three peony, viburnum and chrysanthemum issuing from blue and white rockwork, the turquoise ground with butterflies and other insects, the reverse with the eight Buddhist symbols on a formal lotus scroll and a geometric cash pattern within the footrim, 59cm. £2,500-3,500 十九世紀

銅胎掐絲琺瑯花鳥紋大盤

22. A Chinese bronze model of a luohan, Ming dynasty, seated with a calm expression, wearing flowing robes and with a recumbent tiger at his side, a paper label for Blitz Oriental Art Amsterdam, 17.5cm. £2,500-3,500

23. Two Chinese bronze models of Buddhist lion dogs, 17th/18th century, both crouching with a curling mane and bushy tail, one with three puppies clambering upon her back, 13.5cm. (2) £1,800-2,500 十七/十八世紀

銅製臥獅擺件一組兩件

明銅伏虎羅漢坐像附：阿姆斯特丹Blitz Oriental Art標籤

24. A Chinese bronze model of a mythical beast, probably 17th century, crouching low with a long curled tail, its teeth bared and its ears flattened, 10.5cm. £800-1,200

25. A Dian culture bronze appliqué, Han dynasty, depicting two jugglers with their arms outstretched, a snake beneath their feet, 14.6cm. £400-600

十七世紀

Cf. The Yunan Provincial Museum, for a closely related example excavated at Shi Zhai Shan in 1956.

銅製瑞獸擺件

漢

銅雲南二人盤武扣飾品

26. A Chinese silver gilt filigree box, 18th/19th century, the hinged cover in the form of a butterfly, applied with enamelled flowering tendrils, all reserved on grounds of curls and scales, and with small flowerheads and gourds to the borders, the front panel with a lock, 17.2cm. £3,000-5,000

27. A Chinese cloisonné incense burner and cover, 18th century, heavily cast, the compressed circular body decorated with phoenix flying amidst peony, foliage and cloud scrolls, the knop modelled as a flowerhead, with handles rising from the shoulder, all raised on three shaped legs, 11cm. (2) £3,500-4,500

Cf. The Imperial Packing Art of Qing Dynasty, Classics of the Forbidden City, pp.178-9, for a related filigree box. See also Woolley & Wallis, 22nd May 2013, lot 255.

十八世紀

十八/十九世紀

銅胎掐絲琺瑯鳳戲牡丹三足爐

鍍銀累絲填琺瑯蝶戀花蓋盒

28. A Chinese hardwood scholar’s or games table, 18th/19th century, the structure probably huanghuali, the square top inset with a marble panel, the square legs with shaped spandrels beneath the frieze, 76.5cm x 86.5cm. £3,000-5,000 Provenance: William Cleverley Alexander (1840-1916), Aubrey House, Aubrey Walk, Holland Park, London. Purchased from Dante Gabriel Rossetti, by repute. 十八/十九世紀硬木嵌大理石方桌來源：威廉·克萊爾利·亞歷山大（1840-1916）舊藏，奧伯瑞別墅，倫敦Holland Park。購于Dante Gabriel Rossetti

29. A Chinese hardwood armchair, 19th century, the curving central splat with two panels inset with carved ivory figures, birds and a pine tree, the apron with stylized bat motifs, the rectangular seat with an inset rattan panel, 93.5cm x 46.5cm x 64cm. £800-1,200 Provenance: Aubrey House, Aubrey Walk, Holland Park, London. 十九世紀硬木嵌象牙人物故事扶手椅來源：奧伯瑞別墅舊藏，倫敦Holland Park

30. A Chinese hardwood armchair, 19th century, the curving central splat carved in relief with a stylized design and ruyi-heads, flanked by ruyi back rails supporting squared low arm rests, the rectangular woven rattan seat with scrolling aprons carved in shallow relief beneath, the legs joined by stepped stretchers, 94.5cm x 48.5cm x 59.7cm. £800-1,200 Provenance: Aubrey House, Aubrey Walk, Holland Park, London. 十九世紀硬木如意紋藤心扶手椅來源：奧伯瑞別墅舊藏，倫敦Holland Park

31. A pair of Chinese hardwood side chairs, 18th/19th century, the central splats each with two marble panels, the seats with an inset rattan panel, supported by scrolling aprons within cylindrical legs joined by four stretchers, 93cm x 48cm x 40cm. (2) £1,500-2,500 Provenance: William Cleverley Alexander (1840-1916), Aubrey House, Aubrey Walk, Holland Park, London. Purchased from Dante Gabriel Rossetti, by repute. Cf. Chinese Furniture, One Hundred Examples from the Mimi and Raymond Hung Collection, pp.62-3, where a comparable pair of chairs is illustrated. 十八/十九世紀硬木嵌大理石藤心靠背椅一對來源：威廉·克萊爾利·亞歷山大（1840-1916）舊藏，奧伯瑞別墅，倫敦Holland Park。購于Dante Gabriel Rossetti 31

32. A pair of Chinese hardwood chairs, 19th century, each with a reticulated scrollended splat flanked by back rails supporting squared low arm rests, the rectangular seat with scrolling aprons beneath carved in shallow relief, the legs joined by stepped stretchers, 92.4cm x 47.5cm x 63.5cm. (2) £3,000-5,000 十九世紀

硬木如意扶手椅一對

33. A Chinese Imperial zitan rectangular table base, 18th/19th century, constructed in sections, elaborately carved with Chinese rococo-style scrolling foliate designs, each leg with a circular convex cartouche above curling ball feet, 70cm x 125cm x 55cm. £1,000-2,000 Cf. The Complete Collection of Treasures of the Palace Museum, Furniture of the Ming and Qing Dynasties (II), p.34, no.26, where a throne with related carving and identical feet is illustrated.

十八/十九世紀

御制紫檀雕洛可可風格方桌足

34 top 34. A Chinese hardwood and lacquered eight-legged stand, 19th century, the octagonal top decorated in gilt with four pagodas in a mountainous landscape, the apron pierced with ruyi-headshaped panels above slender legs which elegantly curve to the base, which is further decorated with a gilt floral roundel and stylized leaf designs, 94cm x 51cm. £2,000-3,000 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), and thence by descent. 十九世紀褐漆荷葉式描金山水彎足花几來源：霍雷肖·赫爾伯特·基欽納（1850-1916）收藏

35. A Chinese hardwood travelling scholar’s table, 19th century, the circular top raised on a folding sixlegged support and stand, all carved in shallow relief with reeding, 83.5cm x 94.5cm. (3) £500-1,000 Provenance: Aubrey House, Aubrey Walk, Holland Park, London. Cf. Classics of The Forbidden City, Architecture of the Forbidden City, p.105, where another table of very similar style is illustrated in the Shu Fang Zhai room. 十九世紀硬木圓桌來源：奧伯瑞別墅舊藏，倫敦Holland Park

36 36. λ A pair of large Chinese brown lacquer cabinets, 19th century, each with two outward-opening hinged doors, one opening to reveal three shelves, the other with mirror backing and a smaller cabinet topped with drawers, the doors’ interiors mounted with rectangular Chinese paintings, applied to the exterior with ivory, hardstones and mother of pearl depicting many figures engaged in leisure pursuits beside a pagoda in a fenced rocky garden, beneath wutong and pine trees, the fittings brass, 156.5cm x 41.2cm x 98.3cm. (2) £6,000-10,000 十九世紀

褐漆嵌百寶櫃

37. A Chinese hardwood circular stand, 19th century, with five loop-ended feet carved to simulate bamboo joined by a circular stretcher, the top inset with a burrwood panel, a paper label for Blitz Oriental Art Amsterdam, 27.2cm dia. £2,000-3,000 十九世紀 37

硬木雕竹紋五足杌

38. A rare Chinese small black lacquer stand or table, Wanli 1573-1620, the shaped rectangular top onlaid with mother of pearl depicting birds in flight and perched upon blossoming peony branches issuing from rockwork, the apron with further blossoms above four scrolling legs raised on high feet and joined by a similarly shaped rectangular platform, 36cm x 32cm x 27cm. £2,000-3,000 Provenance: from the collection of Brian McElney Esq. Cf. S Kwan, Chinese Mother-of-Pearl, The Muwen Tang Collection Series, p.158 for a similar stand dated to the Ming dynasty. 明萬曆黑漆嵌螺鈿彎足花几来源：布莱恩·麦克艾尼收藏

39. A rare laque burgauté rectangular box, 18th century, with a hinged lid, removable inner tray and a detachable base plate, decorated in mother of pearl with scenes of buildings and city walls, and with flowers, vases and a fence, the copper mounts gilded, 12.8cm. (3) £3,000-5,000 十八世紀

黑漆嵌螺鈿蓋盒

40. A small rare laque burgauté rectangular box, 18th century, the hinged lid decorated in mother of pearl with ruins and distant buildings, the sides and base with flowers, the copper mounts gilded, 8.1cm. £2,000-3,000 十八世紀

黑漆嵌螺鈿山水花卉紋蓋盒 38

41. A large and imposing Chinese hardwood six-poster canopy bed, probably 2nd half 19th century, the rectangular frame with a woven mat seat supported by sturdy scroll legs with a shaped apron carved in relief with lingzhi and chilongs. The back and side railing panels, probably in zitan, carved with stylized dragons, bats and other auspicious things, the upper canopy set with matching reticulated panels, 231cm x 215cm x 150cm. £20,000-30,000 Provenance: purchased in China in 1960 or ‘61 by an Asian diplomat in Beijing. 十九世紀晚期（可能）硬木靈芝螭龍紋華蓋大床來源：1960年代亞洲外交官在北京購入

42 detail

42. A rare pair of Chinese scroll paintings on silk, 19th or early 20th century, one depicting twelve scenes of rice cultivation, the other with twelve scenes of sericulture, each divided by panels of calligraphy and with title panels to each end, the scene panels 430cm x 25.5cm. (2) £1,000-2,000 Provenance: from the collection of Captain W E Frank Jones DFC CAC, one of China’s first Air Advisers and Air Route Pilots, flying China’s original Air Mail in 1921. He was also adviser to the Chinese Government in Beijing during the 1930s. Exhibited: Chinese Science and Arts Exhibition, Atoamere Hotel Hall, Bournemouth, from May 1939. 十九/二十世紀初《焦秉貞先生耕種圖》及《焦秉貞先生絲織圖》設色絹本卷軸設色絹本來源：W E 弗蘭克·瓊斯 DFC CAC上尉收藏（他是1921年最早飛行中國航綫的飛行員之一，并在2930年代在北京擔任中國政府顧問）展覽：在1939年英國伯恩茅斯Ataomere Hotel Hall展出

43. A Chinese scroll painting on silk, 19th/early 20th century, depicting Immortals in an extensive mountain landscape, engaged in meditation and other pursuits, one carried on the shoulders of four demonic bearers, another on horseback, others attended by lion dogs. A sinuous scaly dragon at one end rises from breaking waves, five character mark and two red seals, and with a separate title panel to one end, the main panel 518cm, the title panel 91cm x 40cm. £1,000-2,000 Provenance: from the collection of Captain W E Frank Jones DFC CAC, one of China’s first Air Advisers and Air Route Pilots, flying China’s original Air Mail in 1921. He was also adviser to the Chinese Government in Beijing during the 1930s Exhibited: Chinese Science and Arts Exhibition, Atoamere Hotel Hall, Bournemouth, from May 1939. 十九/二十世紀初曾國藩（傳）《嵩山仙品》設色絹本來源：W E 弗蘭克·瓊斯 DFC CAC上尉收藏（他是1921年最早飛行中國航綫的飛行員之一，并在2930年代在北京擔任中國政府顧問）展覽：在1939年英國伯恩茅斯Ataomere Hotel Hall展出

43 detail

45 44. A pair of Chinese overlaid glass bangles, 19th century, each decorated in red with peaches and bats, 8cm. (2) £2,000-3,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀白地套紅料福壽延年鐲一對來源：路易斯·艾斯塔凡·法納得收藏（1897-1988） 45. A pair of Chinese Imperial gilt metal bangles, 19th century, each reticulated and formed as interwoven twisted threads, another pair of gilt metal bangles decorated with geometric designs and stamped with maker’s marks, and a pair of gilt metal perfumiere finials or holders, reticulated with butterflies and fruiting foliage, 10.8cm max. (6) £1,500-2,500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). Cf. Jewellery of the Empress and Imperial Concubines in the Collection of The Palace Museum, Classics of the Forbidden City, p.184, no.166, for a related pair of reticulated bangles. 十九世紀銅鎏金累絲鐲一對、銅鎏金花卉紋鐲一對及銅鎏金水滴一對一組六件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988） 46. A Chinese miniature gilt bronze figure of Palden Lhamo, 18th century, the goddess seated sideways on a mule with a saddle of human skin, her right arm raised holding a sceptre, with two demonic attendants, the base cast as a sea of blood encircled by mountains, 4.3cm wide. £500-1,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988).

十八世紀銅鎏金吉祥天母像來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

47. A fine pair of Chinese Imperial gilt metal and kingfisher feather earrings, late Qing dynasty, formed as two reticulated plaques, one decorated with a phoenix, the other with a stylized bat, from which five chains are suspended, together with a kingfisher feather and filigree earpick-hairpin, in the shape of a dragon’s head, the pin with a four character mark which reads xie cheng yi ji, 22.7cm. (3) £1,500-2,500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). Cf. Jewellery of the Empress and Imperial Concubines in the Collection of The Palace Museum, Classics of The Forbidden City, p.151, no.130, for a closely related pair of earrings. See also Royal Style, Qing Dynasty and Western Jewellery, p.173 for a related earpick-hairpin. 晚清銀鍍金累絲龍形點翠耳挖簪及銀鍍金點翠竹葉紋耳墜一對一組三件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

48. A set of Chinese gilt metal appliqués, 19th century, depicting seven Daoist Immortals and Shou Lao, and a small Buddhist pendant, set in an amber-coloured resin, 5.2cm. (9) £300-500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀銅鎏金仙人、壽老頭飾及琥珀佩一組九件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

49. A Chinese enamelled bracelet, 19th century, the articulated chain formed as many links, with dragon’s head terminals, together with two pairs of gilt metal and enamel nail protectors, punch marks to the latter, 9.8cm max. (5) £1,000-2,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). Cf. Jewellery of the Empress and Imperial Concubines in the Collection of The Palace Museum, Classics of The Forbidden City, p.183, no.165, where gilt metal examples of the bangle are illustrated. 十九世紀烤藍瓷花卉護甲、花鳥紋護甲及套鏈雙龍戲珠鐲一組五件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

50. λ Nine Chinese gilt metal rings, 19th century, two pairs decorated with enamel, two with hardstones, and three decorated in relief with fruit and flowers, together with a tortoiseshell and silver bangle, and a small cylindrical box and cover, 7cm max. (12) £300-500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀鑲銀玳瑁鐲、銀質蓋盒及銅鎏金戒指一組十一件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

51. A Chinese Imperial hardwood rectangular stand, Qianlong 1736-95, the rectangular top set with a zitan panel, the border inlaid with silver wire above a reticulated frieze decorated with stylized scrolling chilongs, the apron applied with four carved bats and the legs with tassels suspended from eight mythical beasts, the acanthus-capped feet joined by a rectangular platform, itself with four leaf-carved bracket feet, 92.5cm x 50cm x 42.5cm. £10,000-20,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). Purchased from Kaneko’s Art Studio, Yokohama, Japan, the 26th of April 1940, for £120. The original invoice is available. Cf. Classics of The Forbidden City, Imperial Furniture of The Qing Dynasties, No.344 for a closely related stand. 清乾隆硬木鑲紫檀香几來源：路易斯·艾斯塔凡·法納得收藏（1897-1988），1940年4月26日以£120購于日本Kaneko’s Art Studio, Yokohama

52. A good Chinese heavily cast gilt bronze and cloisonné dish, Qianlong 1736-95, brightly decorated with a continuous scrolling lotus design on a light turquoise ground, a band of stylized dragons to the rim, the reverse with five bats within borders of key fret, 22.8cm. £2,000-3,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 清乾隆銅胎掐絲琺瑯螭龍纏枝蓮紋盤來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

53. Two Chinese hardstone pendants, 19th century, one in agate carved as three peanuts, the other rock crystal carved as a squirrel amidst leaves and grapes, 5.1cm. (2) £1,500-2,500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀瑪瑙巧雕花生擺件及水晶雕松鼠葡萄佩一組兩件來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

54. A rare Chinese bamboo belthook, 18th/19th century, carved with a dragon’s head terminal, the shaft with a sinuous chilong, a lingzhi fungus grasped in its mouth, together with a gilt metal belthook of similar design, 10.3cm. (2) £1,000-2,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十八/十九世紀竹雕蒼龍教子帶鉤及銅鎏金螭龍帶鉤來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

55. A Chinese brown silk gourd-shaped purse, 17th/18th century, each side with a yellow-gold panel containing peony, chrysanthemum and other blooms, the mouth secured by a draw-string with spiral attachments, 10.5cm. £800-1,200 十七/十八世紀

絲質福祿荷包袋

56. A Chinese gilt metal and enamel ewer, 1st half 20th century, with eight matching goblets and a carrying tray, decorated with colourful birds perched in flowering prunus branches on an embossed foliate scroll inset with turquoise, the tray’s base marked ‘CRP’, the ewer ‘SILVER’ and ‘CRP’, 50.5cm max. (11) £4,000-6,000 二十世紀初

鍍銀嵌百寶酒具一組十件

57. A small Chinese Yixing teapot and cover, 19th/20th century, the circular body inscribed yu nü quan peng guang rong yi pian, Meng Chen, the base with a further mark for Meng Chen, 10.2cm. (2) £2,000-3,000 Provenance: from the collection of Friedrich Wilhelm Sohm. Formerly the collection of Sir Percival David. Purchased from Antiques & Old Masters Ltd., 7th August 1963, for £25. A copy of the original invoice is available. Cf. Transactions of the Oriental Ceramic Society, 1936-37, pl.36b, where this teapot is illustrated. 十九/二十世紀惠孟臣款紫砂茶壺銘文：玉女泉烹光融一片底款：孟臣來源：弗瑞德裡克·威廉姆·蘇收藏，1963年8月7日以25磅購于 Antiques & Old Masters Ltd（附發票）

58. A Chinese Yixing phoenix teapot and cover, early 18th century, the bird’s head turned over its back, its finely incised tail forming the handle, the legs tucked beneath the body, the cover formed as clouds, unmarked, 16cm. (2) £1,500-2,500 Cf. P Valfré, Yixing Teapots for Europe, no.226 for a similar example. 十八世紀早期

紫砂鳳凰戲珠壺

59. A Chinese Yixing teapot and cover, 18th/19th century, modelled as bamboo, the handle, spout and finial formed as branches, unmarked, 18.8cm. (2) £500-1,000 Provenance: from the collection of Friedrich Wilhelm Sohm. 十八/十九世紀紫砂一捆竹茶壺來源：弗瑞德裡克·威廉姆·蘇收藏

60. A Chinese Yixing pewter-encased san xiang hu teapot and cover, 19th century, the domed body with bamboo and a poem by Wang Qia, the handle, spout and finial jade, the interior with a seal mark, 16cm. (2) £800-1,200 十九世紀紫砂包錫三镶壺銘文：茶香入座午煙淡，茗味宜人曉露濃。王洽

61. A small Chinese Yixing teapot and cover, 19th/20th century, with a plain circular body and rounded knop, the base with an impressed mark which reads mo yuan zhai zhi for the potter Gu Jing Zhou, 11.5cm. (2) £400-600 Provenance: from the collection of Friedrich Wilhelm Sohm. 十九/二十世紀紫砂茶壺《墨緣齋制》來源：弗瑞德裡克·威廉姆·蘇收藏

62. A Chinese Yixing teapot and cover made for the Thai market, 19th century, the body of compressed circular form, the surface with a high shine, the finial, spout and rims with gilt, the lid marked Shui Ping, the base with a poem which reads shan shui zuo zhu ren, Meng Chen, 13.2cm. (2) £1,000-2,000 Provenance: from the collection of Friedrich Wilhelm Sohm, purchased from Bluett & Sons, London, c.1957. 十九世紀孟臣款紫砂茶壺蓋款：水平底款：山水做主人，孟臣來源：弗瑞德裡克·威廉姆·蘇收藏

63. Two Chinese Yixing teapots and covers, 19th century, each with a duanni body, one with an overhead handle and a circular body, the cover marked Guo xing, the other teapot with a plain ovoid body, the base with an impressed mark which reads Fan Guoxin, 13cm. (4) £500-1,000 Provenance: from the collection of Friedrich Wilhelm Sohm. 十九世紀紫砂段泥壺一組兩件蓋款：國新底款：范國新來源：弗瑞德裡克·威廉姆·蘇收藏

64. Two Chinese Yixing teapots and covers, 20th century, one of plain ovoid form, inscribed to the base with a poem which reads wei zhan xian chen, xiang tian shi xing, the other of compressed circular form, the shoulder and cover lobed, a mark for Shen Ju Fang to the base, another to the cover, 15.4cm. (4) £400-600 Provenance: from the collection of Friedrich Wilhelm Sohm. 二十世紀紫砂茶壺一組兩件《未占先春香添詩性》、《沈菊芳》來源：弗瑞德裡克·威廉姆·蘇收藏

65. Two Chinese Yixing teapots, 18th/early 19th century, one with a duanni body modelled as bamboo and decorated with darker spots, xiang fei zhu, the handle and finial modelled as branches, the spout metal, the other cylindrical, enamelled to the exterior with pagodas, horses and rockwork, the latter with an impressed mark which reads shao yong ding zhi, 26cm max. (2) £500-1,000 Provenance: from the collection of Friedrich Wilhelm Sohm. 十八/十九世紀初紫砂段泥湘妃竹壺及紫砂彩繪包錫壺一組兩件《邵永鼎制》來源：弗瑞德裡克·威廉姆·蘇收藏

66. A Chinese Yixing teapot and cover, the circular body decorated with moulded flowering peony and two phoenix, the knop as a Buddhist lion dog, the handle as a fish, the spout as a mask-head, all on a hollow, cylindrical base pierced with a cash band, unmarked, 21.5cm. (2) £2,000-3,000 宜兴紫砂鳳戲牡丹狮钮壶

67. Two Chinese Yixing teapots and covers, 18th/19th century, one cylindrical and decorated with moulded figures and dragons, the other of flattened circular form, inscribed to one side with a poem, with a domed cover, the handle metal-mounted, both unmarked, 19.3cm. (4) £400-600 Provenance: from the collection of Friedrich Wilhelm Sohm. 十八/十九世紀紫砂八仙壺及扁壺一組兩件銘文：況有庭花作主人，茂餘來源：弗瑞德裡克·威廉姆·蘇收藏

68. A Chinese Yixing teapot and cover, 20th century, the duanni body of compressed circular form, inscribed to one side with a poem by Zhi Tao, the cover marked huo xi, 17.5cm. (2) £300-500 Provenance: from the collection of Friedrich Wilhelm Sohm. 二十世紀紫砂段泥茶壺《后溪》、《全記》銘文：今夕止可談風月跂匋來源：弗瑞德裡克·威廉姆·蘇收藏

69. Two Chinese Yixing teapots and covers, probably 19th century, with circular bodies, the larger inscribed to one side with a poem by Shao Er Quan, the base with a mark which reads shao shun chang zhi, the cover marked Shun Chang, the smaller teapot marked to the base yi pian you xiang chu, Meng Chen, the cover marked Shui Ping, 15cm. (4) £500-1,000 Provenance: from the collection of Friedrich Wilhelm Sohm. 十九世紀（可能）邵順昌款紫砂壺及孟臣款紫砂壺一組兩件銘文：*品香山六班，豪呑子鍵八斗。二泉仿古（邵二泉）蓋款：順昌底款：邵順昌制蓋款：水平底款：一片幽香出，孟臣來源：弗瑞德裡克·威廉姆·蘇收藏

70. A Chinese Yixing teapot and cover, 18th century, moulded with two bands of petals beneath an overhead handle, the cover and footrim formed from eight overlapping petals, 11cm across. (2) £2,500-3,500 Cf. P Valfré, Yixing Teapots for Europe, no.27 for an identical example. 十八世紀

宜興紫砂蓮瓣執壺

71. Ω Four rare Chinese tiehua or iron pictures, early 18th century, depicting landscapes containing figures and small huts before mountains, amidst willow, plantain and other leafy trees, each with a hardwood frame, 125cm x 138cm. (4) £3,000-5,000 Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30. Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron XVIII and XIX Centuries’. Cf. C Li & J C Y Watt, The Chinese Scholar’s Studio: Artistic Life in the late Ming Period, an Exhibition From the Shanghai Museum; Jenyns and Watson, Chinese Art: The Minor Arts; B March, “Iron Pictures: A Chinese Craft,” in Chinese Economic Monthly , Vol.iii. See also B March, “Iron In Art” in The Romance of Chinese Art; and “Iron in Art” in The Encyclopaedia Britannica, 14th Edition, and The Complete Collection of Treasures of The Palace Museum, Furniture of the Ming and Qing dynasties (II), p.204, no.177. 十八世紀初鐵花山水四屏來源：1920-30年代由約翰·瑞利購自中國，之後由美國私人收藏展覽：1942年十月在美國大都會博物館展出

72. A rare pair of Chinese Imperial wall panels, 19th century, each decorated in buffalo horn, carved in shallow relief with tall trees and leafy maple on small rocky islands, with flocks of small birds flying to roost in the treetops, all on a brown lacquer ground and mounted within zitan and hardwood frames, 99.5cm x 66cm overall. (2) £20,000-25,000 Cf. Imperial Furniture of the Ming and Qing Dynasties, Classics of the Forbidden City, pp.290-1, no.323, for a closely related panel in the Palace of Gathered Elegance, Chu Xiu Gong, in the Dowager Empress’s quarters. 十九世紀

御製紫檀嵌硬木框漆地水牛角雕山水掛屏一對

73. λ A Chinese black lacquer wall panel, 19th/20th century, set with jade, cloisonné, hardwood, ivory and hardstones depicting a vase of flowers, a bowl, two boxes, two further vessels and a pair of crossed chilli peppers, the hardwood frame with a complex key fret border, 97.8cm x 68cm. £2,000-3,000 十九/二十世紀

黑漆地嵌百寶掛屏

74. A Chinese purple dragon robe, jifu, 19th century, embroidered in gold with nine five-clawed dragons amidst clouds, seven depicted with a flaming pearl of wisdom, with bats, peach sprays, shou characters and auspicious objects, all above waves crashing upon rockwork, with borders of smaller dragons and key fret, 187cm across. £5,000-8,000 Cf. G Dickinson & L Wrigglesworth, Imperial Wardrobe, pp.44-45, where the jifu is explained and a dragon robe illustrated. 十九世紀

絳紫色金龍紋龍吉服

75. A Chinese blue dragon robe, jifu, 19th century, embroidered in yellowish-gold with nine five-clawed dragons amidst clouds, seven depicted with a flaming pearl of wisdom, with bats, flower sprays, and shou characters, all above waves crashing upon rockwork, with borders of smaller dragons above waves, 177cm across. £5,000-8,000 Cf. G Dickinson & L Wrigglesworth, Imperial Wardrobe, pp.44-45, where the jifu is explained and a dragon robe illustrated. 十九世紀

藍色福壽趕珠龍紋吉服

76. A Chinese duan ink stone, 19th/20th century, formed as a gourd, with curling leafy tendrils at the stalk and another smaller fruit, contained in a fitted hardwood box and cover, 15.5cm. (3) £3,000-5,000 Provenance: Christie’s, London, 1st October 1998, lot 100. 十九/二十世紀福祿綿綿端硯來源：倫敦佳士得1998年10月1日·編號100

77. A Chinese duan ink stone, 19th/20th century, simulating a cross-section of bamboo, the reverse with a poem by Di Ji Zi, and an accompanying seal which reads Ji, an inscription to one side which reads you cheng zhen cang, together with a seal which reads xin ping, contained in a fitted hardwood box and cover, 9cm. (3) £3,000-5,000 Provenance: Christie’s, London, 5th March 1998, lot 95. 十九/二十世紀詩文端硯來源：倫敦佳士得1998年3月5日·編號95

78. λ A good Chinese ivory brush washer, 19th century, carved naturalistically as a large peach, with many other smaller fruits issuing from a leafy stalk, with two bats perched in the centre with their wings outstretched, a small ruyi-head between them, 9.6cm. £3,000-5,000

79. λ A good Chinese ivory wrist rest, 19th century, finely carved as a large section of bamboo, the Three Friends of Winter, bamboo, prunus and pine issuing from gnarled trees, with two cranes perched in the branches, 25.2cm. £6,000-10,000

十九世紀

象牙雕如意福壽筆洗

象牙雕松鶴延年臂擱

80. λ A set of eight Chinese coral snuff bottles, 19th/20th century, formed as the eight Daoist Immortals, each with a small silk stand, contained in a fitted box, 6.5cm max. (16) £2,000-3,000 十九世紀/二十世紀

珊瑚雕八仙立像鼻煙壺一組八件

81. λ A large and fine Chinese Canton ivory basket, 1st half 19th century, the lantern-shaped body constructed in three sections, each with eight panels, delicately carved with a multitude of figures engaged in various pursuits and on horseback with pagodas, trees and other animals, the cover’s finial a bouquet of poppy seed heads and peach, the handle rising from the reticulated scroll-work base and formed as twisted scaly dragons and clouds, surmounted by two further dragons confronting a puzzle ball, 54.9cm. (3) £10,000-20,000 Provenance: Henry Trail (1755-1832), who was an agent of the East India Company, and thence by descent. Cf. Chinese Export Art in the Hermitage Museum, Late 16th-19th centuries, p.105, cat.114, where another basket of cylindrical form is illustrated. An almost identical example is exhibited in the Peabody Essex Museum, Salem, Massachusetts. 十九世紀初廣東象牙雕山水人物籃來源：亨利·泰爾（1755-1832）舊藏，其曾任東印度公司的中介

82. λ A fine Chinese Canton ivory casket, 19th century, the hinged cover carved in relief with a central rectangular panel within bamboo and foliate borders, with figures engaged in various pursuits, boats, pagodas and trees, the side panels similarly carved, 19.3cm. £10,000-12,000 Cf. Chinese Ivories from the Shang to the Qing, An Exhibition Organised by the Oriental Ceramic Society Jointly with The British Museum, 1984, p.185 for a box with related carving. 十九世紀

象牙雕人物故事盒

83. λ A Chinese carved ivory model of Lan Cai He, late 16th/early 17th century, the Immortal standing holding up a basket of flowers in his right hand, a fly whisk in his left, mounted on a ruyi-carved hardwood stand, 16.6cm. (2) £3,000-5,000 Cf. Selected Ivory Carvings from the Victor Sassoon Chinese Ivories Trust, p.47, no.26, for a related figure of Han Xiangzi. 十六/十七世紀

象牙雕藍采和立像

84. λ A rare Chinese rhinoceros horn libation cup, 17th/18th century, carved in relief with a rocky landscape with pine trees, with many figures engaged in scholarly pursuits seated at tables and gathered in small groups, beneath the outlines of pagoda roofs, the horn with an even brown patina, 6.5cm x 12cm, 158g. £15,000-20,000 Sold with a CITES pre-sale authorisation letter. A copy is available upon request. 十七/十八世紀

犀角雕人物山水杯

85. λ A large good Chinese tortoiseshell circular box and cover, 19th century, carved in relief with many figures with pagodas, bamboo, pine and willow, all within a border of fruiting vine, 12.6cm. (2) £2,000-3,000 十九世紀

玳瑁山水人物紋蓋盒

86. A small Chinese red cinnabar lacquer circular box and cover, 18th/19th century, carved in relief with a standing scholar holding a fly whisk, the reverse with a man seated and holding a fan, 5.1cm. (2) £1,000-1,500 十八/十九世紀

剔紅松下高士蓋盒

87. A Chinese red cinnabar lacquer box and cover, Qianlong 1736-95, the lid carved in relief with a ribbon-tied sceptre, from which peaches and lingzhi flow, and with three bats in flight on a scrolling ground, the borders and sides with key fret and geometric diaper designs, 15.5cm. (2) £600-1,000 Cf. Woolley & Wallis, 14th November 2012, lot 52, for a similar box sold in these rooms. 清乾隆

剔紅錦地福壽雙全蓋盒

88. λ A fine Chinese Canton ivory rectangular sewing box, c.1800, with a removable compartmentalised tray containing various implements, the hinged cover intricately carved in relief with many figures engaged in daily life, with pagodas, river boats and bridges amidst pine, prunus and willow, all within an elaborate foliate border, the underneath with a cartouche containing the monogram ‘I W’, a loose metal handle to each end, 28.1cm. (3) £3,000-5,000 1800年代

象牙雕人物故事方盒

89. A rare pair of Chinese Imperial red cinnabar lacquer stem bowls, Qianlong 1736-95, the bowls with flared rims, each carved in relief with eight lança characters amidst an elaborate lotus and fern scroll, the base with bands of ruyi, beaded borders and lappets, the interiors with gilt metal liners, each with a paper label which reads ‘Taken out of the Summer Palace, Peking, Lt Gosset (?), 2nd Queens (Regiment?), Oct. 1860’, with associated reticulated hardwood stands,13cm x 15.2cm. (4) £50,000-80,000 Provenance: The Summer Palace, Beijing, 1860. Arthur Wellesley Gosset (b.1837). And then a French private collection. Cf. Carved Lacquer in the Collection of The Palace Museum, no.338, where a similar example is illustrated. See also Sotheby’s, Hong Kong, 8th October 2010, lots 2756 and 2757. Arthur Wellesley Gosset is recorded in The London Gazette upon entry into the British Army, ‘Gent., to be Ensign, by purchase, vice Mulock. Dated 24th October 1856’. 清乾隆剔紅纏枝蓮六字真言高足杯一對來源：法國私人收藏，Arthur Wellesley Gosset舊藏

90. A Chinese bamboo bitong, 18th/19th century, the cylindrical body raised on three low feet, carved in relief with four figures playing go beneath a pine tree, a pagoda, further trees and rockwork to one side, 11.8cm. £500-800

91. λ A Chinese boxwood and ivory ruyi sceptre, late Qing dynasty, naturalistically formed as a gnarled branch, from which an abundance of lingzhi fungus grow, the ivory fruits stained in shades of red, green and yellow, 34.5cm. £3,000-5,000

十八/十九世紀

晚清

竹雕松下高士筆筒

象牙雕加彩靈芝如意

92. A small Chinese bamboo bitong, 18th/19th century, the cylindrical body raised on three short feet, finely carved in shallow relief with figures in a pagoda beneath a pine tree, with craggy rocks and further figures in a bamboo grove beyond, the reverse with two phrases of a poem by Yang Wan Li, 11.7cm. £1,000-1,500

93. A Chinese black lacquer bitong, probably Kangxi, decorated in gilt with a kingfisher catching a small frog whilst perched on a lotus flower stem, the reverse with calligraphy and two seal marks, 13.7cm. £2,000-3,000 清康熙（可能）

黑漆一路連升筆筒

十八/十九世紀竹雕人物山水紋筆筒銘文：接天蓮葉無窮碧，映日荷花別樣紅。松坡

94. A large Chinese hardwood model of a luohan, late Ming dynasty, standing barefoot, wearing long billowing robes decorated with wave designs, his hair curling over his shoulders, 50.2cm. £500-800 明晚期

硬木雕羅漢立像

95. A Chinese rootwood carving, 19th century, depicting a figure holding a large coin and with his right leg outstretched, mounted in a modern hardwood stand, 30cm. (2) £1,000-2,000 十九世紀

木雕人物立像

96. A Chinese red cinnabar lacquer rectangular jardinière, Qianlong/Jiaqing, carved in relief with shaped panels containing deer and cranes amongst rockwork and pine, with borders of bats amongst scrolling foliate and key fret designs, all on a geometric floral ground, the flared body raised on four ruyi-shaped feel, the base and interior lacquered black, 31.5cm. £5,000-8,000 Cf. S Kwan, Chinese Lacquer, The Muwen Tang Collection Series 20, no.106 for a closely related example. 清乾隆/嘉慶

剔紅鶴鹿同春盆

97. A Chinese table screen, 18th/19th century, set with a spinach-green jade rectangular panel, carved in relief with peony and rockwork, mounted in a burrwood and hardwood frame, 36.6cm x 26cm. (2) £1,500-2,000 十八/十九世紀

碧玉雕富貴吉祥插屏

98. A Chinese carved hardwood brush rest, 19th/20th century, formed as craggy rockwork emerging from waves, with two scaly sinuous dragons clambering upon it, 11.7cm. £1,000-2,000

十九/二十世紀

硬木雕海水龍紋筆架

99. A Chinese bamboo bitong, late 18th century, carved in deep relief with figures in an extensive mountainous landscape, with pagodas and pavilions, bamboo groves and other trees, all beneath a band of cloud scrolls to the rim, 17.5cm. £1,000-1,500 Cf. I Yee & L Tam, Chinese Bamboo Carving, part I, pp.286-7 for a similar example. 十八世紀晚期

竹雕松山高士圖筆筒

100. A Chinese zitan ruyi-shaped panel, 18th/19th century, carved in shallow relief with rocky outcrops, breaking waves and pine trees, 25.2cm. £1,000-2,000 十八/十九世紀

紫檀雕如意山水掛屏

100

101. A Chinese red cinnabar lacquer circular box and cover, 14th/15th century, the domed cover carved in relief with stylized petals encircling a central hexagonal seed pod, 7.5cm. (2) £8,000-10,000 Provenance: formerly in a New England collection. Cf. Carving the Subtle Radiance of Colors, Treasured Lacquerware in the National Palace Museum, p.58, no.035, where a slightly larger box is illustrated, dated to the 15th century. And also The Linden Museum, Germany, where two examples from the Fritz Low-Beer collection (1906-1976) are held, one dated to the Yongle period, the other to the Xuande period. 十四/十五世紀剔紅蓮花蓋盒來源：英國私人收藏

102. λ Ten Chinese porcelain blue and white snuff bottles, 19th century, variously decorated with figures, dragons, horses, landscapes and roundels, 9.5cm. (10) £2,000-3,000 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. 十九世紀青花鼻煙壺一組十件來源：Viscount Bearsted 收藏

103. λ Eight Chinese snuff bottles, 19th/20th century, two in ivory, two in coral, three in lacquer and one in amber, variously decorated and carved with animals and insects, figures in mountainous pagoda landscapes and calligraphy, one formed as a gourd, two with Qianlong seal marks, 8.8cm. (8) £3,000-5,000 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. 十九/二十世紀鼻煙壺一組八件來源：Viscount Bearsted 收藏

104. A Chinese Peking glass bottle vase, 18th century, the globular body with a tall cylindrical neck, overlaid with red glass and carved in relief with two panels, one side depicting a phoenix with bamboo, peony and lingzhi, the other with a small bird perched on prunus beside bamboo, all reserved on a snow-flecked ground, 27.7cm. £5,000-7,000

105. A Chinese Beijing glass bottle vase, four character Qianlong mark but later, the hexagonal body with an even smoky orange-brown tone, 22cm. £300-500 料制六棱長頸瓶《乾隆年制》仿款

十八世紀套紅料鳳戲牡丹如意長頸瓶

106

106A 106. A Chinese Beijing glass snuff bottle, 18th/19th century, the compressed circular body an even mustard-yellow tone, the stopper formed from jadeite, 6.3cm. £150-250 十八/十九世纪

黄料鼻烟壶

106A. λ A Chinese coral snuff bottle, 18th/19th century, carved in high relief with a large peony bloom to one side, and with magnolia to the reverse. The neck and stopper with key fret bands, the oval foot with reticulation, an associated hardwood stand, 6cm. (2) £2,000-3,000 Provenance: an English private collection. Purchased from Cyril Andrade, annotated on a receipt dated 5th May 1945, for £40. A copy of the original invoice is available. 十八/十九世紀珊瑚雕折枝牡丹鼻煙壺來源：英國私人收藏，1945年5月5日以£40購于Cyril Andrade（附發票）

107 107. A pair of Chinese enamelled and gilt metal belt fittings, 18th century, each set with an oval portrait of a European boy, 6cm. (2) £1,000-1,500 Provenance: formerly in the collection of Jacques and Galila Hollander, Belgium. 十八世紀銅胎畫琺瑯西洋人物帶扣來源：比利時Jacques and Galila Hollander收藏

108. A Chinese bamboo veneer hexagonal box and cover, 19th/20th century, carved in shallow relief with bats and stylized shou characters, the base with a band of formal lappets, a paper label for Blitz Oriental Art Amsterdam, 12cm. (2) £1,000-2,000 十九世紀/二十世紀竹雕福壽如意六棱盒附：阿姆斯特丹Blitz Oriental Art標籤

108

109. A Chinese Beijing enamel snuff bottle, four character Qianlong mark and of the period 1736-95, painted with European ladies, a small child and a dog in landscapes, the stopper gilded, 6.5cm. £800-1,200 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. 清乾隆銅胎畫琺瑯西洋人物鼻煙壺《乾隆年制》楷書款來源：Viscount Bearsted 收藏

Allan Gibson Hughes - Lots 110-142 Allan Gibson Hughes (1889-1938), was married to Kathleen Louisa Paget on the 17th April 1928, and together they resided at Chalfont, The Mount in Shrewsbury. Hughes trained as a solicitor, qualifying in 1912. During his career, he held the position of Registrar of Shrewsbury and Whitchurch County Courts, as well as that of District Registrar of the High Court, and Clerk to the Magistrates. He also gained the rank of Captain, serving in the King’s Shropshire Light Infantry. During his life, Hughes was a regular client of Sparks and Bluett’s, collecting across a wide range of areas spanning blue and white and polychrome porcelains from the Ming and Qing periods, snuff bottles, jade carvings and other works of art. Following his sudden death at the age of forty-nine, a posthumous sale was held at Sotheby’s of about seventy lots from his collection. The lots offered here are some of the remaining items from that collection. Cf. R Davids and D Jellinek, Provenance, p.245 for further details. 艾倫•葛森•修斯（拍賣編號110-142）艾倫•葛森•修斯（1889-1938）和凱瑟玲•路易斯•派吉于1928年4月17日結婚後，一起在英國舒茲伯利生活。修斯是一個專業的律師，曾任舒茲伯利及溫澈奇法院的註冊律師及其高等法院註冊法官。并在國王什羅普郡軍隊里擔任船長。在他傳奇的一生中，修斯是英國著名古董店Sparks 和Bluett’s的常客，購買并收藏了一系列明清青花瓷及單色釉、鼻煙壺、玉器及雜項。令人惋惜的是他在49歲時突然離世，他的家人將其收藏仔細整理之後，有近七十件拍品在當時蘇富比進行拍賣。此次春拍中標號110-142為其家人存放在貴族銀行中餘下的部份藏品。注：有關其中國藝術品收藏的記載可查閱R Davids and D Jellinek的《Provenance》一書（245頁）

110. A large Chinese jadeite vase and cover, c.1900, the cylindrical body carved in relief with a latticework of studs, the base formed as a four-legged stand with scrolling ruyi-head legs, the domed cover with bands of studs and stiff leaves, the finial a flowerhead, 30.5cm. (2) £5,000-8,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 1900年代翡翠雕仿古如意荷花蓋瓶來源：艾倫·葛森·修斯（1889-1938）收藏

Reproduced from the Allan Hughes purchase ledger in the family archive Lot 132 (in red box)

111. A Chinese pebble jade snuff bottle, 19th century, hollowed from a natural stone, the stopper in green glass formed as a frog, 8.5cm. £1,000-2,000

112. A Chinese small white jade vase and cover, 19th century, carved as a gourd, the base and cover joined by a link chain, together with a fitted hardwood stand, 8cm. (2) £800-1,200

Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury.

十九世紀灑金皮白玉籽料鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏

十九世紀白玉雕鏈瓶來源：艾倫·葛森·修斯（1889-1938）收藏

113. A pair of Chinese celadon jadeite archaistic vases, 19th century, each with asymmetric loose-ring animal mask handles, the flared body with square-section flanges and carved in shallow relief with taotie masks, together with a third gu-shaped vase of flared cylindrical form, the body with a central knop, carved as leaves with flowerhead flanges, each with a wood stand, 17.5cm. (6) £1,500-2,500 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀碧玉雕仿古花觚及翡翠雕仿古活環杯一對來源：艾倫·葛森·修斯（1889-1938）收藏

114. A pair of Chinese small jadeite water pots, 19th century, each with a compressed circular body carved in relief, one with a cover and two birds of paradise amidst plum blossoms, the other with a butterfly, each with a reticulated hardwood stand, 5.7cm. (5) Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. The bird of paradise and the plum blossom seen together represent longevity and marital fidelity. £2,000-3,000 十九世紀翡翠雕舉案齊眉、瓜瓞綿綿水盂一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏

115. Seven small Chinese vases, 18th and 19th centuries, one green glazed and formed as a fish, a four character Chenghua mark to the base, another moulded with Chinese characters within bands of stiff leaves, another garlic-mouthed, incised with shou characters, a six character Yongzheng mark to the base, the fourth moulded in relief with bamboo, five with hardwood stands, one stand with a paper label for John Sparks, 8.5cm max. (12) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八/十九世紀單色釉小瓶一組七件《成化年制》、《大清雍正年制》來源：艾倫·葛森·修斯（1889-1938）收藏，其一附John Sparks標籤

116. Seven Chinese snuff bottles, 19th century, five in hardstones variously carved with figures, birds, flowers and dragons, one in a mottled coral-coloured glass, the seventh interior-painted with landscapes, 8cm. (7) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀石雕人物故事、石雕花鳥、石雕螭龍、珊瑚紅料制及內畫山水鼻煙壺一組七件來源：艾倫·葛森·修斯（1889-1938）收藏

117. Seven small Chinese vases, 19th century, two monochrome bottles, the others variously formed and decorated with dragons, fish, horses, figures and Buddhist lion dogs, three marked, four with hardwood stands, 7.6cm max. (11) £800-1,200 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀單色釉、素三彩及白釉小瓶一組七件《洪憲年制》、《大明洪武年制》、《慎德堂制》來源：艾倫·葛森·修斯（1889-1938）收藏

118. Six Chinese porcelain snuff bottles, 19th century, two moulded with figures, one with leaping fish, another with two buffaloes, one painted with geese with a Qianlong mark in blue enamel, and one with dragons, the moulded polychrome bottle with a four character Qianlong mark, the blue bottle marked wan yu, two with wood stands, 9cm. (8) £600-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀鼻煙壺一組六件《玩玉》、《大清乾隆年制》、《乾隆年制》來源：艾倫·葛森·修斯（1889-1938）收藏

119. λ Three Chinese snuff bottles, 19th century, two carved in jadeite, one with a bird stopper carved with flowers, the other with a plain ovoid body, the third bottle in spinachgreen jade carved with figures, together with a small jadeite uncut seal, one with a hardwood stand, 7.6cm. (6) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀翡翠獅鈕章、碧玉雕鼻煙壺及翡翠雕鼻煙壺一組四件來源：艾倫·葛森·修斯（1889-1938）收藏

120. A Chinese aventurine glass washer, 19th century, carved as a peach issuing from a gnarled leafy stem, a small agate washer and a Japanese wood netsuke of a shishi, a hardwood stand, 6cm. (4) £300-500 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀金沙石水盂、瑪瑙水盂及日本獅型佩一組三件來源：艾倫·葛森·修斯（1889-1938）收藏

121. λ Three Chinese red cinnabar lacquer snuff bottles, 19th century, two decorated with figures, the third with the fu shou on a flyfot ground, 8cm. (3) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀剔紅人物山水紋鼻煙壺一組三件來源：艾倫·葛森·修斯（1889-1938）收藏

122. A Chinese lavender jadeite vase, 20th century, elaborately carved as a large fish dragon, the reverse with smaller chilongs contesting flaming pearls of wisdom, the stone with apple-green striations, together with a soapstone carving of two peony blooms issuing from a branch, with insects climbing to one side, the former with a wood stand, 12.7cm. (3) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 二十世紀翡翠巧雕魚化龍瓶及壽山石雕蝶戀花擺件一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏

123. λ Two Chinese amber snuff bottles, 19th century, one formed as a group of fruits, the other of an organic form, 7cm. (2) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀珊瑚雕多子多福鼻煙壺一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏

124. A Chinese jadeite archaistic vase and cover, 19th century, carved in shallow relief with taotie masks and acanthus leaves, with loose ring handles, the cover surmounted by a Buddhist lion dog holding a lingzhi fungus, two malachite snuff bottles, another in turquoise, and two turquoise figures, the latter with wood stands, 11cm. (9) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀翡翠雕蓋瓶、鼻煙壺、綠松石羅漢及布袋和尚一組六件來源：艾倫·葛森·修斯（1889-1938）收藏

125

126

125. A Chinese rose quartz double snuff bottle, 19th century, formed as conjoined vases decorated with dragons, together with a carved hardwood stand, 5.2cm. (2) £500-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世纪玫瑰石英石雕雙聯瓶鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏 126. λ Two Chinese agate snuff bottles, 19th century, one carved with the Ma shang feng hou symbol of a monkey riding a horse, the other with two figures beneath a prunus branch, the horse’s saddle marked with a shou character, 7.8cm. (2), £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury.

127

十九世紀瑪瑙巧雕馬上封侯及松下對弈鼻煙壺一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏 127. A Chinese white jade snuff bottle, 18th/19th century, formed as a fruit issuing from a gnarled branch, with other leaves curling around it, 6.5cm. £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八/十九世紀白玉雕蔬果鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏 128. Two Chinese snuff bottles, 19th century, one in realgar glass with a green stopper, the other moss agate, 7.5cm. (2) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury.

128

十九世紀料制及瑪瑙鼻煙壺一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏

129. λ A large Chinese coral vase and cover, 19th century, the vase emerging from waves, carved in high relief with two scaly dragons contesting a flaming pearl at its base, two further dragons amidst clouds forming the handles, with bands of key fret at the rims, the cover’s finial a phoenix, raised on a high hardwood stand carved as waves, 17.7cm. (3) £3,000-5,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀珊瑚雕海水雙龍戲珠蓋瓶來源：艾倫·葛森·修斯（1889-1938）收藏

130. λ A Chinese jadeite snuff bottle, 19th century, the ovoid body with a cylindrical neck, the stopper coral, a hardwood stand, 6cm. (2) £600-1,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀翡翠珊瑚鈕鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏

131. An unusual marbled glass snuff bottle, 18th/19th century, formed as a fist, 5.5cm. £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. Cf. H Moss, Chinese Snuff Bottles From the Collection of the Rt. Hon. The Marquess of Exeter, K.C.M.G., p.65, G.30, where another snuff bottle formed as a fist is illustrated. 十八/十九世紀红白料制手型鼻烟壶來源：艾倫·葛森·修斯（1889-1938）收藏

132. A Chinese agate snuff bottle, 18th/19th century, carved as a large fruit, with areas of the seeds within revealed, with foliate tendrils encircling insects to one side, the stopper in glass formed as a frog, 5.8cm. £3,000-5,000

133. A rare Chinese yellowish-green jade snuff bottle, Qianlong 1736-95, the tapering body carved in relief with four rows of studs above formal pointed lappets, the shoulder with ram’s head handles, 6.8cm. £1,500-2,500

Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. According to Hughes’ purchase ledger, from the collection of Tzar Nicholas II of Russia.

Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury.

十八/十九世紀瑪瑙巧雕蝶戀花鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏

清乾隆黃玉雕仿青銅羊首瓶來源：艾倫·葛森·修斯（1889-1938）收藏

134. Five small Chinese monochrome vases, 18th/19th century, variously formed and decorated in green, turquoise and pink glazes, each with a hardwood stand, 9.6cm. (10) £1,500-2,500 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八/十九世紀單色釉小瓶一組五件來源：艾倫·葛森·修斯（1889-1938）收藏

135. A pair of Chinese mirror-black glazed vases, Qianlong 1736-95, each gourd-shaped body decorated with an unctuous black glaze stopping short of the rim, the interior glazed white, each with a paper label for John Sparks, 12.5cm. (2) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 清乾隆黑釉葫蘆瓶一對來源：艾倫·葛森·修斯（1889-1938）收藏，附John Sparks 標籤

136. Six small Chinese monochrome vases, 18th and 19th centuries, variously formed and decorated in glazes of celadon, yellow, red and aubergine, one lobed with a whiskered dragon to the shoulder, one with a paper label for Hancock, 14.2cm. (6) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八/十九世紀單色釉小瓶一組六件來源：艾倫·葛森·修斯（1889-1938）收藏，其一附Hancock標籤

137. Three small Chinese bottle vases, 18th century, decorated in lavender blue, pale grey and mottled pink glazes, one with elephant head handles moulded to the neck and a four character Qianlong mark, another with a paper label for John Sparks, each with a hardwood stand, 10.2cm. (6) £2,000-3,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八世紀單色釉小瓶一組三件來源：艾倫·葛森·修斯（1889-1938）收藏，附John Sparks標籤

138. A small Chinese doucai water pot and cover, 18th century, the compressed circular body painted with two scaly five-clawed dragons amidst flames, the flattened cover with a confronting dragon and a pearl, a six character Wanli mark to the base, 5.5cm. (2) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十八/十九世紀鬥彩火龍紋水盂《大明萬歷年制》仿款來源：艾倫·葛森·修斯（1889-1938）收藏

139. λ A Chinese coral double snuff bottle, 19th century, carved in shallow relief with taotie, key fret and stiff leaves, a pomegranate at the base, and another coral carving, depicting a dog and a bird in a tree, with fruiting vines emerging from the base, mounted as a seal, the former with a hardwood stand, 8.7cm. (3) £2,000-3,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀珊瑚雕松鼠葡萄擺件及多子多福仿古鼻煙壺來源：艾倫·葛森·修斯（1889-1938）收藏

140. λ A pair of Chinese coral snuff bottles, 19th century, naturalistically carved with magnolia and birds, each with a reticulated red-painted hardwood stand, 5.7cm. (4) £1,000-2,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀珊瑚雕舉案齊眉鼻煙壺一對來源：艾倫·葛森·修斯（1889-1938）收藏

141. λ A pair of Chinese coral snuff bottles, 19th century, each formed as a vase and carved in relief, one with two mythical beasts and a bat, the other with a small boy holding a lotus flower and a dragon clambering to one side, a Buddhist lion dog surmounting each stopper, each with a hardwood reticulated stand, 7.6cm max. (4) £3,000-5,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 十九世紀珊瑚雕福自天來、蓮花童子鼻煙壺一組兩件來源：艾倫·葛森·修斯（1889-1938）收藏

142. A fine Chinese miniature famille rose double gourd vase, six character Jiaqing mark and of the period 1796-1820, decorated with a lotus flowerhead design, encircled with peaches and a continuous foliate scroll, all reserved on a vibrant yellow ground, 7.5cm. £5,000-8,000 Provenance: Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. 清嘉慶黃地粉彩纏枝花卉葫蘆瓶《大清嘉慶年制》礬紅篆書款來源：艾倫·葛森·修斯（1889-1938）收藏

143. A pair of Chinese fluted tobacco leaf pattern plates, 18th century, each decorated with flowers, leaves and gilding, 22.5cm. (2) £3,000-5,000 十八世紀

五彩花卉紋碟一對

144. A pair of Chinese famille rose shaped oval dishes, 18th century, each depicting a man carrying a persimmon and a fan with a small dog and a maiden, the border with panels of floral and mountain designs on a gilt ground, 36.2cm. (2) £2,500-3,500 十八世紀

粉彩人物故事碟一對

145. A good pair of Chinese tobacco leaf pattern plates, 18th century, each of scrolling hexagonal form, decorated with bold leaves and flowers, 33.5cm. (2) £6,000-8,000 十八世紀

五彩花卉紋盤一對

146. A pair of Chinese tobacco leaf pattern plates, 18th century, brightly painted with leaves, flowers and birds, with two squirrels clambering on branches above, 22.5cm. (2) £1,500-2,500 十八世紀

五彩花鳥紋碟一對

147. A set of eight Chinese rouge-de-fer decorated plates, 1st half 18th century, decorated with Cornelius Pronk designs of La Dame au parasol, 23.5cm. (8) £4,000-6,000 Provenance: a private European collection. Cf. C J A Jorg, Pronk Porcelain, p.61, no.5 for the original design. 十八世紀初五彩描金人物故事紋碟一組八件來源：歐洲私人收藏

148. A pair of small Chinese tobacco leaf pattern octagonal plates, 18th century, 15.7cm. (2) £400-600 十八世紀

五彩花卉紋碟一對

149. A Chinese leaf-shaped tobacco leaf pattern plate, 18th century, decorated with flowers emerging from colourful rockwork, 20.5cm. £400-600 十八世紀

五彩花卉紋碟

150. A rare Chinese blue and white ovoid tea canister for the Portuguese market, Kangxi 1662-1722, painted with a debased version of the arms of Don Pedro de Lancastre Silveira Valente Castelo Branco Vasconcelos Barreto e Meneses, 16.2cm. £2,000-3,000 Cf. N De Castro, Chinese Porcelain and the Heraldry of the Empire, p.51 for a silver-mounted canister of this design, and where the author notes, ‘It is known that two services were rejected at this period due to the coat of arms being full of errors’. See also Sotheby’s, 27th October 1989, lot 457. 清康熙

青花鳥獸花卉紋瓶

151. A Chinese blue and white armorial dish, 18th century, made for the Portuguese market, painted with the arms of Ginori, a central shield encircled by bands of dense foliate scrolls, the reverse with a lingzhi mark, 28cm. £4,000-6,000 Cf. N de Castro, Chinese Porcelain and the Heraldry of the Empire, p.43, where a plate with these arms is illustrated. 十八世紀

青花如意花卉紋碟

152. A massive Chinese famille rose ovoid fish bowl, 19th century, painted with four large roundels containing the eight Immortals in fenced gardens with rockwork and trees, reserved on a ground of the eight Buddhist emblems and flower sprays, all within bands of rectangular lappets, ruyi-framed lotus and chrysanthemum designs and key fret, 52.5cm dia. £3,000-5,000 十九世紀

粉彩開光八仙故事大缸

153. A large Chinese blue and white jardinière, 18th century, of tapering cylindrical form, the body painted with a continuous elaborate foliate peony scroll above a band of lappets, the rim with bands of ruyi-heads and a six character Xuande mark, 43cm. £6,000-8,000 十八世紀青花如意纏枝牡丹紋花盆《大明宣德年制》青花楷書仿款

154. † A massive Chinese underglaze blue and copper-red fish bowl, 19th century, the exterior painted with twenty-three carp swimming amongst breaking waves, all within bands of flowering prunus, the rim with key fret, the base unglazed, 41cm. £8,000-12,000 十九世紀

青花釉裡紅大魚缸

155. A Chinese blue and white hu-shaped vase, 19th century, the ovoid body with four circular panels, painted with large flower blooms and birds in flight, all reserved on a continuous lotus scroll, the neck with bands of geometric floral designs, the base with a six character Qianlong mark, 52.2cm. £3,000-5,000 十九世紀青花開光花卉紋壺形大瓶《大清乾隆年制》青花篆書款

156. A good small Chinese blue and white beaker vase, gu Kangxi 1662-1722, decorated with a band containing two figures in a landscape, the central section with four shou characters, paper label for Marchant, 24.3cm. £3,000-5,000 清康熙

山水人物壽字花觚

157. A Chinese blue and white bottle vase, c.1640, painted with scholars in a rocky landscape, the knopped neck with formal foliage, a metal mount to the rim, 34cm. £1,000-2,000 1640年代

青花人物故事花卉紋瓶

158. A Chinese blue and white baluster vase, Kangxi 1662-1722, depicting many figures at leisure, playing chess, musical instruments and other games in a fenced garden, the neck with four auspicious symbols, 36cm. £3,000-5,000 清康熙

青花人物故事紋將軍罐

156

157

158

159. A large Chinese blue and white bowl, 17th century, painted with large peony blooms emerging from rockwork with leaves and grasses, all beneath a band of similar scrolling design, the interior with a central patera of chrysanthemum and shield-shaped leaves, the rim with a metal band, 35.2cm. £10,000-15,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 十七世紀青花富貴長壽紋碗來源：牛津郡安德魯·威廉姆斯先生收藏

160. A pair of Chinese blue and white plates, Kangxi 1662-1722, each painted with the eight horses of Mu Wang before a large willow tree, the rim with a band of rockwork and leafless spiny trees, the base with a ding mark, 22.2cm. (2) £1,500-2,500 清康熙押花款

青花穆王八駿碟一對

161. A fine pair of Chinese semieggshell porcelain tea bowls, Kangxi 1662-1722, each decorated to the exterior with tables displaying vases, incense burners and scholars’ objects, a Xuande mark to each base, 8.7cm. (2) £2,000-3,000 清康熙青花博古圖紋酒杯一對《大明宣德年制》青花楷書仿款

162. A good Chinese blue and white bowl, six character Daoguang mark and of the period 1821-50, the flared body painted to the exterior with two scaly five-clawed dragons amidst clouds, the interior with a further dragon within double concentric bands, 17.2cm. £5,000-7,000 清道光青花雲龍紋折腰碗《大清道光年制》青花篆書款

163. A pair of Chinese blue and white dishes, Kangxi 1662-1722, each with a central roundel containing a gnarled blossoming prunus branch reserved on a cloudy blue ground, the rim with a band of flowerheads on a cracked-ice ground, the reverse with a flower mark, 16.2cm. (2) £1,200-1,800 清康熙押花款

青花臘梅碟一對

164. A Chinese blue and white incense burner, Kangxi 1662-1722, the compressed circular body raised on three short feet, painted to the exterior with two scaly dragons contesting flaming pearls amidst cloud scrolls and auspicious objects, all beneath a band of key fret, the base with a six character Chenghua mark, 21.5cm. £2,000-3,000 清康熙青花雙龍戲珠香爐《大明成化年制》青花楷書仿款

165. A pair of Chinese blue ground dishes, six character Guangxu marks and of the period 1875-1908, each decorated with an even cobalt-blue glaze, 20.7cm. (2) £800-1,000 清光緒霽藍盤一對《大清光緒年制》青花楷書款

166

166A

166. A Chinese underglaze blue and iron-red vase, Kangxi 1662-1722, the ovoid body with a cylindrical neck rising to an everted rim, painted with three crouching kylin, the cloud-hidden moon above, 23.7cm. £2,500-3,500 清康熙

青花釉裡紅瑞獸瓶

166A. A small Chinese langyao bottle vase, danping, Kangxi 1662-1722, the globular body raised on a thickly potted flared foot, the deep red glaze draining from the rim, paper labels for Bluett London, George Eumorfopoulos and ‘D.M.S.W.’, 16.2cm. £2,000-3,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 清康熙郎窯紅膽瓶來源：牛津郡安德魯·威廉姆斯先生收藏，附Bluett London、George Eumorfopoulos 及‘D.M.S.W’標籤 167. A Chinese underglaze blue and copper-red vase, 19th century, painted to one side with a panel containing a solitary crane beneath a pine tree with bamboo and lingzhi fungus, to the other with a bird perched on a peony, with smaller panels containing calligraphy and flowers, moulded with scroll handles and key fret, two bats to the neck, mounted on a metal base, 37cm. £1,500-2,500 十九世紀

167

青花釉裡紅開光花卉紋瓶

168. A small unusual Chinese celadon bottle vase, six character Qianlong seal mark but probably 19th century, the compressed circular body raised on three short feet and rising to a long cylindrical neck, crisply moulded with flowerheads and foliage between bands of key fret and stiff leaves, the shoulder with three loop handles above a band of studs, 14.1cm. £5,000-8,000 Provenance: from the collection of Charles Oswald Liddell (1855-1941), by repute. Cf. Christie’s, New York, 29th March 2006, lot 116 for a celadon glazed archaistic vase with a comparable seal mark. 十九世紀青釉浮雕花卉紋三繫長頸瓶《大清乾隆年制》篆書款

169. A large Chinese monochrome bottle vase, six character Qianlong mark and of the period 1736-95, the globular body with a rich midnight-blue glaze stopping short of the footrim, 45.3cm. £6,000-10,000 Cf. Christie’s, London 7th June 2004, lot 154 for a related coral-glazed bottle vase. 清乾隆霁蓝天球瓶《大清乾隆年制》青花篆书款

170. A Chinese blue and white bottle vase, c.1640, finely painted with sprays of peony, prunus and chrysanthemum, a band of continuous scrolling foliage to the shoulder, the neck with a gently flaring rim, 34.3cm. £4,000-6,000 1640年代

青花花卉紋長頸瓶

171. † A large Chinese monochrome vase, tianqiuping, 19th century, the globular body powerfully potted with a slightly flared cylindrical neck above a swollen body, decorated with an even pale lavender-blue glaze, the base with a six character Yongzheng seal mark, 52cm. £6,000-8,000 十九世紀天藍釉天球瓶《大清雍正年制》青花篆書仿款

172. A Chinese langyao glazed bottle vase, 19th century, the ovoid body rising to a cylindrical neck, the rich sang de boeuf glaze draining from the rim, unmarked, 40.8cm. £2,000-3,000 十九世紀

郎窯紅瓶

173. A Chinese langyao hong bowl, Kangxi 1662-1722, the flaring body with a mottled red glaze, raised on a short straight foot, the base with a crackled celadon glaze, a hardwood stand, 21cm. (2) £1,000-2,000 Provenance: an English private collection. Purchased from John Sparks Ltd., 17th July 1945, for £55. Previously the Lindley-Scott collection. The original invoice is available. Cf. Sotheby’s, London, 4th July 1945, lot 123. 清康熙紅釉撇口碗來源：英國私人收藏，1945年7月17日以£55購于John Sparks Ltd （附發票）。Lindley-Scott舊藏

172

173

174. A Chinese celadon lozenge-shaped vase, 19th century, each face moulded in relief with yin-yang symbols between the eight trigrams, the base with a six character Yongzheng seal mark in underglaze blue, a hardwood stand, 27.5cm. (2) £1,000-2,000 Provenance: an English private collection. Cf. Zhong Ding Auction House, Beijing, 14th June 2008, lot 38 for a closely related vase with a Guangxu mark. 十九世紀青釉菱口八卦紋瓶《大清雍正年制》青花篆書仿款來源：英國私人收藏

175. A small Chinese celadon wine ewer, probably Qing dynasty, with an ovoid body and cylindrical neck flaring at the rim, the spout and handle formed as mythical beasts, the foot with a band of stylized stiff leaves, 17cm. £1,500-2,500 Provenance: an English private collection. Purchased from Cyril Andrade, 5th May 1945, for £65. A copy of the original invoice is available. 十五世紀青釉鳳頭壺來源：英國私人收藏, 1945年5月5日以£65購于Cyril Andrade（附發票）

176. A Chinese blanc de Chine model of Guanyin, late Ming dynasty, seated on a high rocky plinth wearing long flowing robes and beaded necklaces, with two attendant children and a stem bowl before her, a bird and a meiping vase on rocky stands at her sides, 22.7cm. £3,000-5,000 Cf. P J Donnelly, Blanc de Chine, no.71B, for a related figure of Guanyin dated 1629. 晚明

德化觀音童子坐像

177. † A large Chinese blanc de Chine model of Guanyin, 17th century, seated on a high rocky outcrop, flanked by two soldiers, with a rabbit and a deer at her feet, 30cm. £800-1,000 十七世紀

德化觀音坐像

178. † A large and rare Chinese pottery incense burner dated 1636, Chongzheng 1628-44, boldly modelled to one side with a writhing dragon amidst foliage, to the other with three large flowerheads, the cylindrical neck with a small figure seated beneath a band of ruyi-heads and rockwork, the handles formed as two large kylin, the body raised on three ferocious animal mask feet, decorated in green, turquoise, ochre and aubergine glazes, an inscription to the neckrim which reads Chong Zhen jin nian si yue chu ba ri Yuan Guo Si, (made for the Guoyuan Temple on the eight day of the fourth month in the ninth year of the reign of Chongzhen, 8th April 1636), together with a hardwood reticulated cover, 48.2cm. (2) £12,000-15,000 Cf. Oriental Ceramics, The World’s Great Collections, The Metropolitan Museum of Art, New York, no.20, where a comparable dated incense burner is illustrated. See also Rare Treasure in Shanxi Museum, p.170 for an example with a cover. 明崇禎素三彩如意海水龍紋獅耳香爐銘文：崇禎九年四月初八日圓果寺

179

179. A pair of Chinese blanc de Chine seals, probably 19th century, each surmounted by a Buddhist lion dog and its puppy, raised on a tall rectangular plinth, the bases marked zhu zhi shan yin and yun ming, 13.6cm. (2) £2,000-2,500 Cf. P J Donnelly, Blanc de Chine, pl.67C for similar examples dated ‘18th century and later’.

180

180. A very rare Chinese Dehua porcelain black glazed box and cover, 17th century, moulded in relief with three prunus sprays to the bowl, and with peony flowers and leaves to the cover, 16.3cm. (2) £4,000-6,000 十七世紀

德化黑釉蓋盒

十九世紀（可能）德化獅鈕章一對《祝枝山印》、《允明》

181. A pair of Chinese blanc de Chine libation cups, 18th century, each moulded in relief with a deer and a monkey beneath prunus and pine with dragons and other beasts, 10.5cm and 10.2cm across. (2) £800-1,200 Provenance: an English private collection. Purchased from Cyril Andrade, annotated on a receipt dated 5th May 1945, for £25. A copy of the original invoice is available. 十八世紀德化鶴鹿同春酒杯一對來源：英國私人收藏, 1945年5月5日以£25購于Cyril Andrade（附發票）

182. A good Chinese blanc de Chine ‘Marco Polo’ incense burner, cover and stand, late 17th century, of octagonal form with four scrolling handles, moulded in shallow relief with foliate designs, the cover and stand with flowerheads, all raised on eight short feet, 17cm across. (3) £1,000-1,500 Cf. P J Donnelly, Blanc de Chine, pl.16 for a similar example, where the author notes that the link to Marco Polo is apocryphal, but originates from two examples which were recorded in the Treasury of St Mark in Venice. 十九世紀

德化花卉紋香爐及底座

181

182

183

184

183. A Chinese blanc de Chine incense burner, c.1700, the compressed circular body raised on a flaring foot and with lion mask handles, paper label for Blitz Oriental Art Amsterdam, 15.5cm. £3,000-5,000 1700年代德化香爐附：阿姆斯特丹Blitz Oriental Art標籤

184. A rare Chinese blanc de Chine figure of Guanyin, 18th century, seated wearing long flowing robes, the reverse incised with a flower design, her hair covered by a headdress, her right hand resting on her knee, a paper label for Bluett London, 14.3cm. £2,500-3,500 十八世紀德化觀音坐像附：Bluett London標籤

185. A pair of Chinese famille verte ovoid vases, Kangxi 1662-1722, each depicting the fu lu shou, with Shou Lao presenting a peach to the other Immortals, a small attendant boy holding a sheng and a lotus flower for longevity, the reverse with pine, each with a hardwood cover carved with prunus and a reticulated stand, 18.6cm. (6) £5,000-8,000 清康熙

五彩福祿壽罐一對

186. A pair of Chinese wucai ormolu-mounted vases, Kangxi 1662-1722, the bodies moulded with spiralling lappets and painted with flower sprays, the ormolu cast with foliage, flowers and scrolls, 32.5cm. (2) £3,000-5,000 清康熙

鑲銅五彩花卉瓶一對

187. † A pair of Chinese famille rose hexagonal garden seats, 19th century, each mirroring the other, painted with jardinières and vases of flowers, incense burners and other auspicious objects, moulded with studs and with reticulated cash to opposing sides, 47.3cm. (2) £3,000-5,000 十九世紀

100

五彩博古紋六棱鼓墩一對

188. A Chinese famille verte baluster vase, 19th century, with an ovoid body and flared neck, painted with two sinuous dragons amidst scrolling foliage and flowerheads on an iron-red cloud scroll ground, the neck with a further dragon in aubergine, 44.5cm. £500-1,000 Provenance: an English private collection. 十九世紀五彩花卉龍紋瓶來源：英國私人收藏

189. A near pair of Chinese famille verte guglets, Kangxi 1662-1722, painted with shaped panels of stylized flowers and leaves, with bands of prunus and stiff leaves to the necks, 21cm. (2) £2,500-3,000 清康熙

五彩花卉紋瓶一對

101

190. A Chinese blue and white bowl, Kangxi 1662-1722, decorated with a central four-clawed dragon, the exterior with eight foreign merchants carrying attributes, a stylized camel pulling a cart, the base with a square seal mark, the rim with a border of linked cash, 20.5cm. £1,500-2,500 清康熙押花款

青花西域人物紋碗

191. A Chinese blue and white incense burner, Kangxi 1662-1722, the compressed circular body raised on three short feet, the exterior painted with four luohans seated in a garden, one holding a fan, a band of flowerheads on a cracked-ice ground beneath the rim, the base with an artemesia leaf mark, 11cm. £800-1,200 清康熙押花款

青花羅漢三足爐

192. A Chinese blue and white lotus ewer and cover, Kangxi 1662-1722, the body with an overhead handle, painted with panels of floral blooms and figures with small huts and willow trees, the cover moulded with five studs, the base with an artemesia leaf mark, 15.5cm. (2) £3,000-5,000 清康熙

102

青花花卉紋提梁壺

193. A Chinese blue and white plate, Wanli 1573-1620, painted with two deer beneath an expansive pine tree, with flowers emerging from rockwork, the fluted rim with birds, prunus and peony, 20cm. £800-1,200 清康熙

青花福祿長壽盤

194. A Chinese blue and white ovoid jar, Kangxi 1662-1722, painted with prunus blossoms on a cracked-ice ground, a hardwood reticulated cover, 21.3cm. (2) £2,000-3,000 Provenance: Sydney L Moss Ltd., 19th June 1950. 清康熙青花冰梅紋罐來源：1950年6月19日購于Sydney L Moss Ltd.

195. A Chinese blue and white incense burner, Kangxi 1662-1722, painted to the exterior with two ferocious scaly dragons and flaming pearls of wisdom amidst cloud scrolls, all beneath a band of ruyi, 22.3cm. £3,000-5,000 清康熙

青花雙龍戲珠香爐

103

196. † A rare Chinese wucai circular box and cover, six character Wanli mark in underglaze blue and of the period 1573-1620, thickly potted, the domed cover with a central circular raised panel, painted in underglaze blue, underglaze red and green with two parrots perched in a willow tree, with insects in flight and flowers in bloom beneath, all within double concentric bands surrounded by fruiting boughs of pomegranate and peach and flowering branches, the base with grape vines and other fruits, 24cm. (2) £30,000-50,000 Cf. Sotheby’s, Hong Kong, 9th October 2012, The Meiyintang Collection, part IV, lot 48 for a comparable example. See also R Krahl, Chinese Ceramics of the Meiyintang Collection, Vol.4, no.1703. 明萬曆五彩花鳥蟲蝶團圓蓋盒《大明萬曆年制》青花楷書款

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197. A Chinese pink sgraffito ground medallion bowl, six character Daoguang mark in underglaze blue and probably of the period, painted to the exterior with four roundels of auspicious things on a formal floral ground, the interior painted in blue with a small animal beneath a leafy tree and with four flower sprays, 14.7cm. £2,000-3,000 Provenance: a private Austrian collection. 清道光粉地粉彩軋道開光博古圖紋碗《大清道光年制》青花篆書款來源：奧地利私人收藏

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198. † A Chinese famille rose dragon bowl, six character Jiaqing seal mark in iron-red and of the period 1796-1820, the body moulded with petals below a wavy rim, painted with four dragons amidst lingzhi, divided by orchids and with small crickets, the interior with white enamelled flower scrolls, 18.5cm. £2,000-3,000 清嘉慶粉彩靈芝龍紋花口碗《大清嘉慶年制》礬紅篆書款

199. † A Chinese fencai chicken bowl, six character Qianlong seal mark and of the period 1736-95, painted to the exterior with cockerels and chickens with their chicks, with rockwork and flower blooms, the interior with two chickens beside plantain within double concentric bands, 13.9cm. £4,000-6,000

200. A Chinese famille rose medallion bowl, six character Qianlong seal mark but probably later, the interior painted in underglaze blue with four lanterns and a central roundel, the exterior with vases and auspicious things reserved on a pink sgraffito floral ground, 14.5cm. £3,000-5,000

清乾隆粉彩雞缸碗《大清乾隆年制》青花篆書款

清乾隆（可能）粉地粉彩軋道開光博古圖紋碗《大清乾隆年制》青花篆書仿款

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201. † A pair of Chinese fencai bowls and covers, Daoguang 1821-50, painted with branches of prunus blossom and camellia, the bases and covers with four character marks which read Shuang Qing bie shu (the house of Shuang Qing), 11.4cm. (4) £2,000-3,000 清道光粉彩花卉紋蓋碗一对《雙清別墅》款

202. Four small Chinese fu shou dishes, six character Jiaqing marks and of the period 1796-1820, each decorated to the interior in ironred with four bats encircling a shou character, the exterior with roundels containing the characters wan nian jia zi for the sexagenary cycle, on a foliate lotus scroll, 11.5cm. (4) £2,500-3,500 清嘉慶珊瑚紅萬年甲子碟一組四件《大清嘉慶年制》礬紅篆書款

203. † A Chinese celadon fu shou dish, six character Qianlong seal mark and late in the period, painted in blue with a central shou character, within a band of eight lingzhi-heads, surrounded by five stylized bats and scrolls to the border, 29.3cm. £1,000-1,500 清乾隆或更晚青花五福捧壽碟《大清乾隆年制》青花篆書款

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204. A Chinese blue and white rice-grain bowl, six character Guangxu mark and of the period 1875-1908, painted to the exterior with bands of pine and auspicious objects, the interior with a central roundel containing a crane beside large lotus plants beneath a four character mark which reads yi lu lian sheng, 13.5cm. £1,000-2,000 清光緒青花花卉玲珑碗《一路連升》《大清光緒年制》青花楷書款

205. A small Chinese blue and white dish, Kangxi 1662-1722, painted to the well with a central roundel containing a scrolling lotus flower design, the reverse with a similar design, the base marked hui fu si (for the temple Hui Fu), 16cm. £800-1,200 清康熙青花纏枝蓮紋盤《慧福寺》款

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206. A Chinese Imperial dragon and phoenix bowl, six character Jiaqing mark and of the period 1796-1820, crisply enamelled with two scaly five-clawed dragons and two phoenix amidst scrolling flowers and flaming pearls of wisdom, a band containing the eight Buddhist Emblems and ruyi to the rim, the interior with a roundel depicting a further confronting dragon and a pearl, 15.6cm. £5,000-6,000 清嘉慶五彩龍鳳呈祥碗《大清嘉慶年制》青花篆書款

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207. A pair of Chinese fencai dragon dishes, six character Guangxu marks and of the period 1875-1908, each painted with a central iron-red five-clawed dragon with a flaming pearl of wisdom, encircled by elaborate scrolling foliate lotus borders, paper labels for the L E Fernandes Collection, 18.7cm. (2) £2,000-3,000 Provenance: formerly in the collection of Luís Esteves Fernandes (1897-1988). 清光緒粉彩趕珠龍紋碟一對《大清光緒年制》青花楷書款來源：路易斯·艾斯塔凡·法納得收藏（1897-1988）

208. A Chinese underglaze blue and iron-red decorated bats dish, six character Yongzheng mark and of the period 1723-35, painted to the well with five bats with wings outstretched to form a circle, the rim with a further twelve bats in flight, all between concentric double bands, the reverse with eight bats, a band of key fret to the foot, contained in a fitted box, 15cm. £20,000-30,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 清雍正珊瑚紅洪福齊天碟《大清雍正年制》青花楷書款來源：牛津郡安德魯·威廉姆斯先生收藏

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209. † An exceptional Chinese Imperial underglaze blue and copper-red bottle vase, six character Qianlong seal mark and of the period 1736-95, the globular body with a garlic-mouth neck and raised on a flaring foot, painted with three Buddhist lions dogs, each with a tightly curling mane and bushy tail, variously depicted playing with large brocade balls adorned with ribbons amidst flame wisps, all within double concentric underglaze blue bands, a band of lappets to the foot, the shoulder with a lotus scroll reserved on a fish roe ground, all beneath acanthus, lingzhi and lotus to the neck, the neckrim with large upright lotus petals, 36.3cm. £300,000-400,000 Cf. The Complete Collection of Treasures of the Palace Museum, Blue and White Porcelain with Underglaze Red (III), p.235, no.215, where a circular box and cover with a seal mark of similar style is illustrated. 清乾隆青花釉裏紅獅子繡球蒜頭瓶《大清乾隆年制》青花篆書款

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210. A Chinese famille rose garlic-mouth vase, 20th century, painted with a pagoda in an extensive mountainous landscape, with small boats on a lake, a geometric band containing panels of auspicious objects to the shoulder, the rim with a continuous formal design, with calligraphy to one side, a seal mark for Xiong Xiau Feng, a hardwood stand, 32.2cm. (2) £2,000-3,000 二十世紀粉彩人物山水瓶《曉峰》（熊曉峰）

211. A large Chinese famille rose ovoid vase, Republic period, decorated with Bao Yu sitting at a table in a garden attended by Bao Chai and twelve other ladies, the reverse with a poem from The Red Chamber, the neck and shoulder with bands of foliate scrolls, the base with a four character Qianlong mark in blue enamel, paper label for Wain Antiques, no.D361, 40cm. £1,500-2,500 Provenance: purchased from Peter Wain Oriental Art. 民國粉彩紅樓夢人物故事瓶來源：購于Peter Wain Orental Art

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212. A Chinese square-section famille rose vase, 19th or 20th century, painted with panels of calligraphy and figures, the handles modelled as elephant’s heads, the interior glazed turquoise, the rim decorated in gilt, 45.3cm. £1,200-1,800 十九/二十世紀

粉彩人物故事方瓶

213. A Chinese millefleurs bottle vase, c.1900, brightly enamelled with many flowers, with a gilt iron-red dragon encircling the neck, the base with a six character Qianlong mark in iron-red, a wood stand, 39.5cm. (2) £2,000-3,000 1900年代

粉彩萬花螭龍瓶

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214. A Chinese famille rose yellow ground fu shou dish, four character Tongzhi mark in iron-red and probably of the period, decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, with six gilt shou characters, each encircled by five stylized bats, with peach sprays and beribboned swastikas, the reverse with three flower sprays, 22.2cm. £1,500-2,500 Provenance: formerly in a private Swedish collection, purchased in China in 1956. Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.368, fig.16, where another dish of this pattern is illustrated. 清同治（可能）黃地粉彩五福捧壽碟《同治年制》礬紅楷書款來源：瑞典私人收藏，1956年購于中國

215. A Chinese famille rose yellow ground magpie dish, four character Tongzhi mark in iron-red and probably of the period, decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, with twelve magpies in flight amidst prunus blossoms, the reverse with three flower sprays, 22.3cm. £1,500-2,500 Provenance: formerly in a private Swedish collection, purchased in China in 1956. Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.368, fig.14, where a bowl of this pattern is illustrated. 清同治（可能）黃地粉彩喜上眉梢碟《同治年制》礬紅楷書款來源：瑞典私人收藏，1956年購于中國

216. A Chinese yellow ground orchid dish, four character Tongzhi mark in iron-red and probably of the period, decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, with sprays of orchid reserved on a bright yellow ground, the reverse with three flower sprays, 22.3cm. £1,500-2,500 Provenance: formerly in a private Swedish collection, purchased in China in 1956. Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.369, fig.18, where a bowl and cover of this pattern is illustrated. 清同治（可能）黃地粉彩蘭花紋碟《同治年制》礬紅楷書款來源：瑞典私人收藏，1956年購于中國

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217. A Chinese yellow ground dish, four character Tongzhi mark and probably of the period, decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, with bamboo leaf sprays, the reverse with three famille rose flower sprays, 22.4cm. £1,500-2,500 Provenance: formerly in a private Swedish collection, purchased in China in 1956. Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.368, fig.17, where another dish of this pattern is illustrated. 清同治（可能）黃地粉彩竹節紋碟《同治年制》礬紅楷書款來源：瑞典私人收藏，1956年購于中國

218. A Chinese yellow ground ‘happiness’ dish, four character Tongzhi mark in iron-red and probably of the period, and three similar spoons, decorated with a design for the wedding of the Dowager Empress Cixi’s son, Zaichun, brightly enamelled in iron red with rows of xi characters radiating from a central shou character, all reserved on a bright yellow ground, the reverse with flower sprays, 22.4cm. (4) £1,500-2,500 Provenance: formerly in a private Swedish collection, purchased in China in 1956. Cf. R Longsdorf, The Tongzhi Imperial Wedding Porcelain, included in Chinese Ceramics, Selected Articles from Orientations 1982-1998, p.369, fig.19, where bowls of this pattern are illustrated. 清同治（可能）黃地粉彩大婚碟及湯勺一組四件《同治年制》礬紅楷書款來源：瑞典私人收藏，1956年購于中國

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219. A Chinese wucai incense burner, c.1640, boldly painted with two confronting scaly dragons and a flaming pearl of wisdom, all above waves crashing against rockwork, with flames and a lozenge mark, a paper label for Blitz Oriental Art Amsterdam, 23cm dia. £4,000-5,000 1640年代五彩双龙戏珠香炉附：阿姆斯特丹Blitz Oriental Art標籤

220. A Chinese famille verte cylindrical bitong, Kangxi 1662-1722, painted with two phoenix in flight, their colourful plumage trailing behind before polychrome clouds, 12.8cm. £3,000-4,000 清康熙

五彩如意鳳凰筆筒

221. Two Chinese pottery figures, 16th century, one depicting Xuanwu, the God of the North, wearing dragon robes and raised on a throne, the other a seated figure of Guanyin, with two acolytes at her feet, decorated in turquoise and aubergine glazes, 34.4cm. (2) £1,000-1,500 Provenance: formerly in the A Arts Collection. 十六世紀琺華釉真武大帝及觀音坐像一組兩件來源：A Arts收藏

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222. A good Chinese famille verte cylindrical bitong, Kangxi 1662-1722, finely painted to the exterior with two scholars reclining and conversing in a rocky fenced garden, one holding a fan, a paper label for Bluett & Sons, London, 13cm. £6,000-10,000

223. † A Chinese white glazed stem cup, 18th century, the flared body raised on a high tapering foot, decorated to the interior in anhua with four lança characters, lotus flowers and flames, the exterior plain, 14.7cm dia. £6,000-8,000

Provenance: from the collection of Friedrich Wilhelm Sohm. Purchased from Bluett & Sons, London, c.1957.

Provenance: formerly a private European collection, purchased c.1970s.

清康熙五彩人物故事筆筒來源：弗瑞德裡克·威廉姆·蘇收藏，1957年代購于倫敦Bluett & Sons

十八世紀白釉暗刻梵文花卉紋高足杯來源：歐洲私人收藏，購于1970年代

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224. A good Chinese famille verte hexagonal bitong, Kangxi 1662-1722, painted alternately to each face with mountainous pagoda landscapes and poems, raised on six shaped feet, 13.9cm. £3,000-5,000 清康熙五彩開光詩文山水六棱筆筒

225. A pair of Chinese famille rose dishes, 18th century or later, each brightly enamelled with large peony blooms and a gnarled flowering prunus, 21.2cm. (2) £4,000-6,000 十八世紀

粉彩榮華富貴碟一對

224

225

226. A Chinese famille verte bitong, 19th century, painted with four fish swimming in a pond amidst water weeds and flowers, unmarked, a hardwood stand, 17.6cm. (2) £1,000-2,000 十九世紀

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226

粉彩松石綠地魚藻花卉紋筆筒

227. A Chinese famille verte cylindrical bitong, Kangxi 1662-1722, painted to one side with a scene from The Romance of the Western Chamber, with a man and a girl in a fenced garden, the reverse with two lines of calligraphy from the story, 12.2cm. £2,000-3,000 清康熙五彩西廂記人物故事筆筒詩文：纒頭紅錦謝紅娘，水溢藍橋路未通

228. A Chinese famille verte tea bowl, Kangxi 1662-1722, brightly enamelled to the exterior with flowering branches issuing from green and blue rockwork, and with insects in flight, paper label for the Joan Barrow collection, 6.8cm dia. £500-800 Provenance: formerly the Joan Barrow collection, purchased by her from Bluett’s on the 6th December 1971, for £125. Cf. R Davids & D Jellinek, Provenance, p.62 for information about Joan Barrow. 清康熙五彩花卉紋茶碗來源：Joan Barrow收藏，1971年12月6日購于Bluett’s（附發票）

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229. A Chinese blue and white plate, six character Kangxi mark and of the period 1662-1722, painted with a scene from The Romance of the Western Chamber, with figures beneath a pine tree with a saddled horse and a wagon, the rim with a wide band containing oval panels of figures on geometric grounds, the reverse with auspicious objects, 26.9cm. £2,000-3,000 清康熙青花西廂記人物故事紋盤《大清康熙年制》青花楷書款

230. A large Chinese blue and white dish, Kangxi 1662-1722, painted to the well with two equestrian warriors and attendants carrying banners, the rim with six shaped panels containing further warriors and attendants on chevron and key fret grounds, the base with a six character Chenghua mark, 35cm. £4,000-6,000 清康熙青花刀馬旦紋盤《大明成化年制》青花楷書仿款

231. A Chinese blue and white ‘Master of the Rocks’ landscape plate, c.1640, painted with a square panel containing a small boat with a figure in an extensive watery mountain landscape, reserved on a blue swastika ground, the base with a six character Xuande mark, a paper label for the Eisenbach-Erie Collection, 24.7cm. £1,500-2,500 Cf. R Davids & D Jellineck, Provenance, p.162, for further information about Mr and Mrs Eisenbach-Erie. 1640年代青花開光山水紋盤《大明宣德年制》青花楷書仿款

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232. A small Chinese blue and white bowl, six character Jaijing mark and of the period 1522-66, the exterior painted with a flowerhead design above a band of stiff leaves, the interior with a large single flowerhead, 8cm. £1,500-2,000 明嘉靖青花纏枝蓮紋小碗《大明嘉靖年制》青花楷書款

233. A small Chinese blue and white reticulated bowl, c.1640, with six circular panels painted alternately with chrysanthemum, lotus and prunus, and panoramic scenes, all between bands of ruyi-heads and geometric designs, 11.6cm. £1,000-1,500 1640年代

青花開光山水花卉鏤空碗

234. A Chinese blue and white vase, Yongzheng 1723-35, painted with a continuous lotus flower scroll between bands of stylized foliate lappets, the base with a tian mark, 9.2cm. £1,500-2,000 清雍正青花纏枝蓮天字罐《天》款

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235. A Chinese blue and white bowl, six character Qianlong seal mark and of the period 1736-95, painted with sprays of peach, pomegranate and kumquat between bands of lappets and stylized scrolls, the interior with a spray of three peaches, 12cm. £5,000-7,000 Provenance: Bonhams, London, 14th May 2009, lot 40. 清乾隆青花世代繁榮小碗《大清乾隆年制》篆書款來源：倫敦邦瀚斯2009年5月1日·編號40

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236. A Chinese blue and white bowl, Wanli 1573-1620, painted to the exterior with figures in a fenced rocky garden, two with fans, another in a horse and cart with an attendant, a single figure within a roundel to the well, the base with a mark which reads qian kun sheng hua, 12cm. £1,000-2,000 Cf. J Harrison-Hall, Ming Ceramics in The British Museum, p.308, for related bowls. 明萬曆青花人物故事紋碗《乾坤聖化》款

237. A Chinese dingyao bowl, Song dynasty 960-1279 AD, the centre moulded with a medallion of four fish within a key fret band, all encircled by a wide border of flowerheads and foliage, the rim bound in copper, a hardwood stand, 25.2cm. (2) £5,000-10,000 Provenance: an English private collection. Purchased from John Sparks Ltd., 17th October 1945 for £140. The original invoice is available.

238. A Chinese qingbai small rounded bowl, Song dynasty or later, the plain ovoid body with a wide neckrim, decorated with a very pale even blue glaze, the base unglazed, 10.5cm. £2,000-3,000 宋或更晚

青白釉碗

Cf. Selection of Ding Ware, the Palace Museum’s Collection and Archaeological Excavation, pp.208-9, no.87, where a comparable dish is illustrated. 宋定窯刻花碟來源：英國私人收藏，1945年10月17日以 £140購于John Sparks Ltd（附發票）

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239. A large Chinese junyao deep bowl, Song dynasty or later, the ovoid body raised on a short slightly flaring foot, decorated with a sky-blue glaze deepening to lavender at the rim, the well unglazed, 18.3cm dia. £8,000-10,000 Cf. M Tregear, Song Ceramics, p.118, no.142, where a comparable bowl dated to the Northern Song dynasty from the Percival David Foundation is illustrated. And also, Eskenazi, Junyao, November 2013 exhibition, pp.47-61 for various junyao glazed wares. Together with an Oxford Authentication Thermoluminescence Analysis Report, sample no. P112n80, which states, ‘it is not possible to issue a result for this piece as the clay is too insensitive for TL measurements and cannot be dated’. 宋或更晚

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鈞窯大碗

240. A Chinese Longquan celadon deep stamped bowl, 15th century, robustly potted, rising from a short straight foot, the interior decorated with seated and standing figures, flags, constellations and other auspicious things below a key fret band, the exterior with loosely carved flower motives beneath a second key fret band, 15cm dia. £600-1,000 Cf. J Harrison-Hall, Ming Ceramics in the British Museum, where two Longquan celadon bowls of this type with impressed decoration are illustrated, pp.482-83, nos.16:52 and 16:53. 十五世紀

龍泉青釉人物故事直口碗

241. A small Chinese cizhou cup, Jin/Yuan dynasty, decorated with a scrolling leaf design, reserved on a cream ground, a paper label for Blitz Oriental Art Amsterdam, 9cm. £3,000-5,000 金/元磁州窯花卉紋碗附：阿姆斯特丹Blitz Oriental Art標籤

242. A rare Chinese cizhou dish, Yuan dynasty 1271-1368 AD, decorated with brown slip, depicting loosely stylized flowers and leaves, the reverse with a brown band, raised on a short unglazed foot, a paper label for Blitz Oriental Art Amsterdam, 18cm. £1,000-2,000 元磁州窯花卉紋碗附：阿姆斯特丹Blitz Oriental Art標籤

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243

244

243. A Chinese jianyao ‘hare’s fur’ glazed bowl, Song dynasty 960-1279 AD, the flared body decorated with an unctuous glaze of black and brown, and with irregular russet markings draining from the rim, stopping before a short footrim, 13cm dia. £2,000-3,000 Cf. M Tregear, Song Ceramics, p.187, no.257, where a similar bowl is illustrated. 宋

建窯兔毫盞

244. A Chinese cizhou black glazed bottle vase, yuhuchunping, Jin/Yuan dynasty, with a pear-shaped body and a slender neck flaring at the rim, raised on a spreading circular foot, a paper label for Blitz Oriental Art Amsterdam, 28.5cm. £2,500-3,500 金/元磁州窯玉壺春瓶附：阿姆斯特丹Blitz Oriental Art標籤

245. A Chinese junyao bowl, Song dynasty 960-1279 AD, the conical body with a slightly turned-in rim, decorated with a pale lavender glaze, with a single purple splash to the interior, raised on a slightly flaring unglazed foot, 17.8cm. £3,000-5,000 宋

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245

钧窑篮釉紫斑碗

246. A small Chinese junyao flared bowl, Song dynasty 960-1279 AD, the body raised on a short foot, decorated with a pale blue glaze irregularly splashed with cerise and mottled celadon, 9cm. £15,000-20,000 Cf. F Xiaoqi, The Specimens of Ancient Chinese Kilns in the Collection of the Palace Museum, Henan Volume I, p.383, no.343, where a comparable bowl is illustrated. 宋

鈞窯藍釉紅斑小碗

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247. A Chinese junyao U-shaped bowl, Jin dynasty 1115-1234 AD, with a compressed circular body gently narrowing to the rim, decorated with an unctuous lavender-blue and purple splash glaze, stopping short irregularly of the flaring foot to reveal the grey-brown stoneware, the well unglazed, 11.3cm dia. £15,000-25,000 Provenance: an English private collection. Purchased from John Sparks Ltd., 1st January 1946, for £275. Previously the collection of the late Dowager Viscountess Harcourt. The original invoice is available. Cf. Selection of Jun Ware, the Palace Museum’s Collection and Archaeological Excavation, p.34, no.5, where a bowl of the same form is illustrated. Lady Harcourt, Viscountess Harcourt was wife to Lewis Vernon Harcourt, 1st Viscount Harcourt PC (1863-1922). Harcourt was Secretary of State for the Colonies between 1910-15, and was also a trustee for The British Museum, the Wallace Collection, The London Museum and The National Portrait Gallery, where his portrait now hangs. Through the Viscountess, the family also acquired the famous ‘Harcourt Emeralds’. 宋鈞窯藍釉紫斑小碗來源：英國私人收藏，1956年1月1日以£275購于John Sparks Ltd （附發票）， Late Dowager Viscountess Harcourt 舊藏

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247 alternate views

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248. A rare Chinese red sandstone head of Buddha, Northern Song dynasty 960-1127 AD, the oval face carved with downcast eyes and a serene expression, the hair neatly arranged in an unusual complex network of interwoven plaits above an indented urna, the full face with protruding lips framed by elongated earlobes, mounted on a modern plinth, 25cm. £8,000-10,000 Cf. Collection of Chinese Art, No.8, Sculpture in the Caves of the Maijishan Mountain in the Gansu Province, no.187, Cave 36, where a figure with the same hairstyle is illustrated. 北宋石雕佛首注：甘肅省麥積山石窟的第36號洞窟有非常相似的佛像

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249. A rare Chinese qingbai cosmetics box and cover, Song dynasty 960-1279 AD, moulded in relief with a regular florette design within godrooned borders, the base with a five character mark moulded in relief which reads duan jia he zi ji (made by the Duan family in Jingdezhen at the Hu Tian kiln), 8.5cm. (2) £3,000-5,000 Provenance: an English private collection. Purchased from John Sparks Ltd., 30th July 1945, for £30. The original invoice is available. Cf. S Pierson, Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, p.188, no.102, where a qingbai box and cover with the same mark is illustrated. 宋青白釉菊瓣盒《段家合子記》款來源：英國私人收藏， 1945年7月30日以£30購于John Sparks Ltd （附發票）

250. A Chinese jianyao ‘hare’s fur’ glazed bowl, probably Song dynasty, the flared body decorated with a rich glaze draining from the rim in black and brown tones with irregular russet markings, all stopping before a short footrim, 12.5cm dia. £4,000-6,000 Cf. M Tregear, Song Ceramics, p.187, no.257, where a similar bowl is illustrated. 宋（可能）建窯兔毫盞

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251. A Chinese qingbai ewer, cover and basin, Song dynasty 960-1279 AD, the ewer with an ovoid body rising to a cylindrical neck, delicately carved to the shoulder with peony above a band of stiff leaves, the cover surmounted by a Buddhist lion dog, the lobed basin raised on a gently flaring foot and with a continuous foliate peony scroll, decorated with a pale gently-crackled turquoise glaze, 28.1cm overall. (3) £30,000-50,000 Provenance: an English private collection, purchased c.1960. Sotheby’s, London, 4th November 2009, lot 52. Cf. The Johnson Museum of Art, New York, for another example of a ewer and basin from the George and Mary Rockwell Collection. 宋青白釉花口碗及壺一組兩件來源：英國私人收藏，購于1960年代，倫敦蘇富比2009年11月4日·編號52

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252. A Chinese cizhou dish, Song dynasty 960-1279 AD, the conical body painted with fern, the rim with concentric bands, a paper label for Eskenazi London, 18.3cm. £3,000-5,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋磁州窯白地黑花碗來源：牛津郡安德魯·威廉姆斯先生收藏，附埃斯坎納奇（Eskenazi London）標籤

253. A Chinese miniature guan, Yuan/Ming dynasty, the ovoid body decorated in sancai glazes, with three large scaly fish and lotus to the exterior, all reserved on a green ground stopping short of the foot, paper labels for Bluett London and The Cunliffe Collection, 9cm. £2,000-3,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Formerly the Lord Cunliffe Collection. This small fahua-type jar, passed through Bluetts’ hands several times. It was purchased from Shimizu (a London-based dealer connected with Yamanaka & Co., from which Bluett’s bought a number of pieces) on the 21st March 1931 for £20, and was sold to Arthur J Whittall on 24th March 1931 for £25. It was among the many pieces from Whittall’s collection sold through Bluett’s from 1948 onwards, selling to Lord Cuniffe on the 29th October 1948 for £35. It is among the pieces photographed by Brian Morgan when much of the remaining Cunliffe Collection was in storage as Mssrs. C R Fenton in 1987. 元/明素三彩魚藻紋小罐來源：Lord Cunliffe舊藏，牛津郡安德魯·威廉姆斯先生收藏，附Bluett London及The Cunliffe Collection標籤

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252

253

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254. A small Longquan celadon flared bowl, Song dynasty 960-1279 AD, carved to the interior with lotus, the exterior with petals radiating from the foot beneath four concentric bands to the rim, a paper label for John Sparks Ltd., 17cm. £2,000-3,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋耀州窯劃花碗來源：牛津郡安德魯·威廉姆斯先生收藏，附John Sparks 標籤

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255. A pair of Chinese qingbai lobed dishes, Song dynasty 960-1279 AD, after a silver shape, each with a central roundel to the well, carved with a scrolling foliate design, the pale blue-green glaze stopping short of the rim, paper labels for Christie’s, one with a paper label for Chait Galleries New York, 14.2cm. (2) £5,000-8,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋青白釉花口碟一對來源：牛津郡安德魯·威廉姆斯先生收藏，附Chait Gallerles紐約標籤

256. A fine and massive Chinese Longquan celadon dish, Yuan/early Ming dynasty, robustly potted, the centre crisply carved with two flowering peony stems and leaves encircled by a wide band of flowerheads and scrolling foliage, a paper label for Bluett & Sons, London, 46cm. £40,000-60,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Formerly in the E M B Ingram collection. This dish, with Bluett’s label and stock no.3191, was bought by Bluett’s at Sotheby’s on the 30th June 1937, lot 130, for £11:10. It was sold by them to the London-based collector E M B Ingram. 元/明早期龍泉青釉並蒂花開大盤來源：牛津郡安德魯·威廉姆斯先生收藏，E M B Ingram舊藏， Bluett’s以£11.10購于蘇富比1937年6月30日· 編號130（附Bluett’s標籤）

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257. A good Chinese qingbai shaped box and cover, Song dynasty 960-1279 AD, the cover moulded in shallow relief with a lobed raised panel, two standing geese with flowering lotus and chrysanthemum within, the pale blue glaze stopping short of the rim and footrim, 8.3cm. £6,000-10,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋青白釉印花葵瓣盒來源：牛津郡安德魯·威廉姆斯先生收藏

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258. A pair of small Chinese qingbai moulded dishes, Song dynasty 960-1279 AD, each flared body with petals radiating from the well and a lobed rim, together with a small qingbai U-shaped bowl, (not illustrated), moulded as chrysanthemum petals, 10.4cm. (3) £1,000-2,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. The World’s Great Collections, Oriental Ceramics, Vol.III, Museum Pusat, Jakarta, pl.14 for a similar bowl. 宋青白菊瓣小碟一對及小碗一組三件來源：牛津郡安德魯·威廉姆斯先生收藏

259. A Chinese qingbai gourd-shaped box and cover, Song dynasty 960-1279 AD, the lobed body formed as a single fruit, the stalk issuing from the centre, the pale turquoise glaze pooling at its base, a mark in relief to the base which reads wu jia he zi ji, 7.3cm. (2) £2,000-3,000

260. A small rare Chinese Longquan celadon vase, zhiping, Song dynasty 960-1279 AD, the pear-shaped body raised on a slightly tapering foot, the long cylindrical neck rising to a flared rim, decorated in a plain even glaze tending towards a kinuta-type, a paper label for Sir H. Ingram Collection, 14.6cm. £10,000-20,000

Provenance: the collection of Andrew Williams Esq., Oxfordshire.

Provenance: the collection of Andrew Williams Esq., Oxfordshire. Formerly the Sir Herbert Ingram Collection.

Cf. S Pierson, Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, p.188, no.102, where a box and cover of the same form, but with a different mark is illustrated. 宋青白釉瓜式盒《吳家盒子記》來源：牛津郡安德魯·威廉姆斯先生收藏

Cf. B McElney, Chinese Ceramics & the Maritime Trade pre-1700, The Museum of East Asian Art, Bath, p.152, no.76, for a similar vase. This vase was included in an inventory drawn up for Sir Herbert’s estate by Bluett’s in June 1958, and is clearly identified on a hand-written draft as ‘83 Celadon vase 5 3/4” £40’. 宋龍泉粉青觶瓶來源：牛津郡安德魯·威廉姆斯先生收藏， Sir H. Ingram Collection 舊藏（附標籤）

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261. A Chinese sancai shallow bowl, Liao dynasty 907-1125 AD, moulded to the interior with peony flowers and leaves surrounding a central foliate motif, decorated in green and ochre and reserved on a cream ground, the rim with a band of ochre extending onto the reverse, stopping well short of the footrim to reveal the body beneath, 24.7cm. £800-1,200 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. Sotheby’s London, 12th December 1989, Important Early Chinese Ceramics, Archaic Bronzes, Sculpture, Silver and Lacquer from the Works of Art Collection of the British Rail Pension Fund, lot 68, for a dish of similar design. 遼素三彩印花大盤來源：牛津郡安德魯·威廉姆斯先生收藏

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262. A Chinese dingyao dish, Song dynasty 960-1279 AD, the shallow body decorated all over in an even creamy glaze, the flaring sides rising to the flattened rim, 19cm. £4,000-6,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. Selection of Ding Ware, the Palace Museum’s Collection and Archaeological Excavation, p.186, no.76, where a similar dish is illustrated. 宋定窯白釉折沿盤來源：牛津郡安德魯·威廉姆斯先生收藏

263. A large Chinese cizhou guan, Song dynasty 960-1279 AD, the ovoid body rising from a tapering base to a broad everted neckrim, decorated with a rich deep brown glaze and carved with an elaborate scroll of flowering peony, concentric bands and further foliate and stiff leaf borders, revealing the pale body beneath, 29.5cm. £50,000-80,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Purchased from Sotheby’s, London, 8th November 2006, lot 61. Cf. Rare Treasure in Shanxi Museum, p.184, where a guan of similar design is illustrated. 宋磁州窯劃花大罐來源：牛津郡安德魯·威廉姆斯先生收藏，伦敦苏富比2006年11月8日·编号61

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264. A rare Chinese black glazed mallet vase, possibly Song dynasty, the ovoid body with a long cylindrical neck rising to a widely flared rim, decorated in a rich mirror-black glaze, stopping short of the incised foot to reveal the pale brown body beneath, paper labels for the Oriental Ceramic Society, Spink & Son and Mostra D’Arte Cinese, 27.2cm. £3,000-5,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Formerly in the collection of Baron George de Menasce, sold by Spink & Son, The George de Menasce Collection, Part II, May 1972, no.246. Exhibited: the Oriental Ceramic Society, Exhibition of Sung Dynasty Wares, Chun and Brown Wares, 1st-31st May 1952, no.57, and also The Arts of the Sung Dynasty, 1960, no.81. Mostra D’Arte Cinese, Venezia, 1954, no.497 (not 498 as on paper label). 宋（可能）黑釉凈瓶來源： George de Menasce舊藏， Spink & Son 牛津郡安德魯·威廉姆斯先生收藏，附Oriental Ceramic Society、Spink & Son 及 Mostra D’Arte Cinese標籤

144

145

265. A Chinese jianyao ‘hare’s fur’ glazed bowl, Song dynasty 960-1279 AD, the gently flared body with a metal rim, decorated with an unctuous glaze of black and brown, and with irregular russet markings draining from the rim, stopping before a short footrim, 13cm dia. £800-1,200 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. M Tregear, Song Ceramics, p.187, no.257, where a similar bowl is illustrated. And also Sotheby’s London, 10th November 2004, lot 524. 宋建窯兔毫盞來源：牛津郡安德魯·威廉姆斯先生收藏

266. A small Chinese jizhou-type hu-shaped vase, Song dynasty 960-1279 AD, the globular body with a wide, gently flaring neckrim, incised to the shoulder with three concentric bands, decorated with an irregular yellow-brown glaze stopping short of the high splayed foot revealing the creamy body beneath, 13.3cm. £1,000-2,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋吉州窯虎皮紋壺型瓶來源：牛津郡安德魯·威廉姆斯先生收藏

267. A Chinese jianyao ‘hare’s fur’ glazed bowl, Song dynasty 960-1279 AD, the gently flared body decorated with an unctuous black glaze, with irregular russet markings draining from the rim, stopping before a short footrim, 13.9cm dia. £4,000-6,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. M Tregear, Song Ceramics, p.187, no.257, where a similar bowl is illustrated. And also Sotheby’s London, 10th November 2004, lot 524. 宋建窯兔毫盞來源：牛津郡安德魯·威廉姆斯先生收藏

146

268. A Chinese cizhou bottle vase, yuhuchunping, Jin dynasty 1115-1234 AD, the pear-shaped body rising to a flared neckrim, decorated with a deep brown glaze and carved with concentric bands and continuous scrolling foliate designs to reveal the pale body beneath, 27.5cm. £20,000-30,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Purchased from Sotheby’s, London, 8th November 2006, lot 286. 金磁州窯劃花花卉玉壺春瓶來源：牛津郡安德魯·威廉姆斯先生收藏，倫敦蘇富比2006年11月8日·編號286

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269. A small Chinese Yaozhou dish, Song dynasty 960-1279 AD, carved to the well with a swirling wave design, the reverse with incised bands to the rim, 16.2cm. £2,000-3,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Formerly the Munsterberg collection, by repute. 宋耀州窯劃花淺口碗來源：牛津郡安德魯·威廉姆斯先生收藏，Munsterberg舊藏

148

270. A small Chinese celadon conical bowl, Southern Song dynasty 1129-1279 AD, the flared body incised to the interior with a flowering prunus sprig and a crescent moon above waves, the border with stylized leaf scrolls, 12.5cm. £800-1,200 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 南宋耀州窯青釉劃花月影梅斗笠碗來源：牛津郡安德魯·威廉姆斯先生收藏

271. A pair of Chinese dingyao moulded dishes, Song/Jin dynasty, each carved with a continuous peony scroll, with prunus, vine leaves and ribbons, the well with two scaly fish amidst waves, all within a key fret band, 16.2cm. (2) £5,000-8,000

272. A Chinese lobed whiteware dish, Song dynasty 960-1279 AD, the gently flaring body with six wide petals, the creamy glaze with a faint olive colour and a fine crackle stopping short of the foot, 13.7cm. £800-1,200

Provenance: the collection of Andrew Williams Esq., Oxfordshire.

Cf. R L Hobson, The Eumorfopoulos Collection, Pl.XXVI, no.C130, for a dish of a similar design.

宋白釉葵口碗來源：牛津郡安德魯·威廉姆斯先生收藏

宋/金定窯白釉印花魚水花卉碟一對來源：牛津郡安德魯·威廉姆斯先生收藏

149

273. Four Chinese junyao items, Yuan dynasty or later, comprising: a pair of dishes raised on a short circular foot, a bottle vase and a conical bowl, each decorated in a pale blue, purplesplashed glaze, 22.2cm max. (4) £5,000-10,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 元或更晚鈞窯天藍釉紫斑盤一對、長頸瓶及大碗一組四件來源：牛津郡安德魯·威廉姆斯先生收藏

274. A Chinese Henan ware bottle vase, yuhuchunping, Song/Yuan dynasty, the bulbous pear-shaped body raised on a short foot, the neck rising to a widely flaring rim, decorated in an unctuous black glaze draining from the rim and with elongated brown splashes to the body, 27cm. £8,000-12,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. Rare Treasure in Shanxi Museum, p.185, where a bottle of similar shape and decoration is illustrated. 宋/元黑釉鐵銹花紋玉壺春瓶來源：牛津郡安德魯·威廉姆斯先生收藏

150

275. A Chinese junyao tripod incense burner, Song/Yuan dynasty, the compressed circular body rising to a cylindrical neck below a flaring rim, raised on three scrolling feet, decorated with a purple-splashed lavender-blue glaze, 7.1cm. £15,000-25,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. Selection of Jun Ware, the Palace Museum’s Collection and Archaeological Excavation, pp.88-91, nos.27 and 28 for related examples. 宋/元鈞窯天藍釉紫斑盤三足爐來源：牛津郡安德魯·威廉姆斯先生收藏

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276. A Chinese Longquan celadon marriage bowl, Song dynasty 960-1279 AD, the rounded sides rising to a flat rim, moulded with two scaly fish to the centre of the well within two concentric bands, the reverse with lotus petals radiating from the foot, 22.5cm. £3,000-5,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire.

277. A Chinese dingyao bowl, Song dynasty 960-1279 AD, the gently flaring body with six lobed panels, encircling a central roundel containing a single lotus flower and leafy tendrils, the rim with a metal mount, 19.3cm. £6,000-10,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire.

Cf. The Illustrated Catalogue of Sung Dynasty Porcelain in the National Palace Museum, Lung-ch’uan Ware, Ko Ware and Other Wares, no.26, for a similar marriage bowl.

Cf. The Complete Collection of Treasures of the Palace Museum, Porcelain of the Song Dynasty (I), p.97, no.88, where a dish of similar design is illustrated. And also R L Hobson, The Eumorfopoulos Collection, Pl.XXVI, no.C128.

宋龍泉青釉窯雙魚洗來源：牛津郡安德魯·威廉姆斯先生收藏

宋定窯白釉劃花荷花淺口盤來源：牛津郡安德魯·威廉姆斯先生收藏

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278. A large Chinese junyao shallow bowl, Song dynasty 960-1279 AD, decorated with an even pale blue glaze, the steeply curving sides rising from a short circular foot, the base with five spur marks, 27.2cm. £20,000-30,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. 宋鈞窯天藍釉淺口大盤來源：牛津郡安德魯·威廉姆斯先生收藏

279. A rare Chinese Imperial junyao numbered narcissus bowl, Yuan/early Ming dynasty, the body heavily potted, moulded to the exterior beneath the lipped rim with a band containing twenty one raised ‘nail head’ studs, with another row to the base above three short ruyi-shaped feet, decorated with a finely mottled pale blue and greyish-purple glaze, the base incised er, two, a paper label for L. Wannieck Paris, 25cm. £40,000-60,000 Provenance: the collection of Andrew Williams Esq., Oxfordshire. Cf. Selection of Jun Ware, the Palace Museum’s Collection and Archaeological Excavation, p.231, for a closely related example dated to the Song dynasty. And also, p.257 for another dated to the Yuan/early Ming. 元/明早期鈞窯天藍釉鼓釘洗《二》字款來源：牛津郡安德魯·威廉姆斯先生收藏

154

Alternate views

280. A Chinese rectangular white jade plaque, 19th century, one side carved in relief with a scene of lovers from The Romance of the Western Chamber, the reverse with a poem, suspended from an amber bead on a wood frame, the plaque 6.4cm, 14cm overall. £1,500-2,500 Provenance: purchased in Hong Kong in 1964, by repute. 十九世紀白玉雕西廂記佩來源：1964年購于香港

156

281. A rare Chinese Imperial jadeite and zitan hat stand, 19th century, constructed in sections, the domed base carved in shallow relief with bats amongst cloud scrolls above a band of key fret, the flowerhead-shaped hat rest carved with two layers of petals, the flaring knopped zitan supports separated by a large central segmented ovoid jade bead, all contained within a fitted zitan box, the stand 28.5cm overall. (2) £10,000-20,000 Provenance: formerly the property of Dr Little, surgeon and physician in Shanghai from 1869-1901. Admiral Sir Charles Little, and thence by descent. A closely related hat stand is on display at the Beijing Capital Museum. 十九世紀紫檀柄翡翠荷花帽架來源：海軍元帥查爾斯·雷特舊藏，后由其後人雷特醫生繼承（從1869年至1901年曾任軍隊內科醫生）

282. A Chinese pale celadon jade belthook, 18th/19th century, with a dragon’s head terminal, and with a sinuous smaller dragon to the shaft, 10.7cm. £800-1,200 十八/十九世紀青白玉雕螭龍帶鉤

283. A large Chinese pale celadon jade belthook, 18th/19th century, carved with a dragon’s head terminal, a sinuous smaller dragon to the shaft, 14.3cm. £1,200-1,800 十八/十九世紀

青白玉雕螭龍帶鉤

284. A large Chinese pale celadon jade belthook, 18th century, with a dragon’s head terminal, the stone an even translucent tone, 13.5cm. £800-1,000 十八世紀

158

白玉雕螭龍帶鉤

285. A fine pair of Chinese white jade chrysanthemum bowls, Qianlong 1736-95, delicately carved with concentric bands of slender petals, and with hatched central roundels, each with a reticulated hardwood stand, 10.1cm. (4) £5,000-10,000 Provenance: an English private collection. Purchased from John Sparks Ltd., 26th July 1945, for £80. Previously the R W Walker collection. The original invoice is available. Cf. R Davids and D Jellinek, Provenance, p.430, for further information about R W Walker. 十八世紀白玉雕菊瓣小碗一對來源：英國私人收藏，1945年7月26日以£80購于John Sparks Ltd（附發票）， P W Walker舊藏

286. A fine Chinese white jade rectangular reticulated plaque, 18th century, carved as a dragon and a phoenix, the suspension cord with a rose pink quartz bead, 7.3cm. £10,000-12,000 Cf. Marchant, 85th Anniversary Exhibition of Chinese Jades from Tang to Qing, pp.78-9, no.56, where a comparable plaque dated ‘Yongzheng or earlier’ is illustrated. 十八世紀

白玉雕龍鳳呈祥佩

287. Two Chinese carved tourmaline and jadeite pendants, late Qing dynasty, the tourmaline carved as gourds issuing from a leafy stem, the jadeite as two large peaches, leaves and two bats, contained in a fitted box, 5cm. (2) £10,000-15,000 Cf. Royal Style, Qing Dynasty and Western Court Jewelry, National Palace Museum, p.182, nos.1-3-34 and 1-3-35 for closely related pendants. Accompanied by gemmological report numbers 08910 and 08911, dated 12th November 2013 from The Gem and Pearl Laboratory, which state respectively that the pendants are ‘natural tourmaline’ and jadeite where ‘no evidence of treatment was observed’. 晚清翡翠雕福壽延年佩及碧璽巧雕福祿佩

288. A Chinese celadon jade reticulated plaque, Ming dynasty, carved as a fruiting peach branch, a latticework of smaller branches surrounding it, 9cm. £400-600 明

青白玉雕壽桃佩

288

289. † A Chinese pale celadon jade carving of a reclining tiger, 18th/19th century, with its head turned to one side and with a curled tail, seated on a large leaf, 6.3cm. £2,000-3,000 十八/十九世紀

白玉雕歡天喜地擺件

290. Two Chinese pale celadon jade plaques from ruyi sceptres, 19th century, one ruyi-shaped and carved in relief with quail and millet, the other with a flowering prunus tree, 12.5cm max. (2) £2,000-3,000 十九世紀

289

青白玉雕如意鵪鶉佩及梅花佩一組兩件

290

162

291. A Chinese enamel and jade-mounted mirror, 19th century, the circular back framed by a band of ruyi, decorated with hardstones, shou characters, enamelled foliate designs and an oval jade plaque, carved as a bat and scrolling foliage, a jade belthook carved with a dragon’s head terminal mounted with an enamel bat to each side to form the handle, 24.5cm overall. £3,000-5,000 十九世紀

掐絲琺瑯嵌百寶福壽持鏡

291

292. A Chinese celadon jade box and cover, 18th/19th century, formed as a peach growing from a gnarled leafy branch, the base and cover joined by a loose ring, the stone with russet markings, 8.3cm. £2,000-3,000 十八/十九世紀

青白玉雕桃形蓋盒

293. A Chinese pale celadon jade ruyi sceptre, 19th or 20th century, carved as a large lingzhi fungus with a bat, the shaft with a single crane perched in a pine tree, its branches extending onto the reverse, with bamboo and further fungi below, a silk tassel with an endless knot and green beads, contained in a fitted box, 41.2cm. £2,000-3,000

292

Provenance: purchased from Moon Gate, Singapore, 3rd July 1969, for $500. 十九/二十世紀青白玉雕松鶴延年如意擺件來源：1969年7月3日以$500的價格購于新加坡Moon Gate

293

163

294. A Chinese white jade belt hook, 18th/19th century, carved as a Buddhist lion dog with a brocade ball and a ribbon in its mouth, a small puppy clambering on its back, a hardwood stand, 9.4cm. (2) £5,000-8,000 十八/十九世紀

白玉雕獅子繡球帶扣

295. A good pair of Chinese pale celadon jade plaques, Qianlong 1736-95, one carved as the Immortal Cao Guo Jiu beating a drum, the other as Han Zhang Li standing with his hands clasped before him, and a third reticulated plaque, not illustrated, carved with auspicious objects, with a metal mount, 10.5cm. (3) £2,000-3,000 清乾隆

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青白玉雕張果老、漢鍾離花片及白玉雕雑寶爐頂一組三件

296. A Chinese white jade carving of a parakeet, Qianlong or earlier, clasping a gnarled fruiting peach branch in its beak, its head turned to the left and its wings resting asymmetrically across its back, the tail feathers and features finely defined, the stone with faint russet tones, 5.1cm. £8,000-12,000 Provenance: formerly in the collection of Dr Isaac Newton. Purchased on the 23rd July 1981 for £2,750. Cf. Bluett & Sons Ltd., Dr Newton’s Zoo, A Study of post-Archaic Small Jade Carvings, p.19, no.21. And also R Davids & D Jellinek, Provenance, pp.336-7 for further information about Dr Newton. 清乾隆或更早白玉雕鸚鵡壽桃擺件來源：艾斯克·牛頓博士舊藏，1981年7月23日以£2750購得

297

298

297. A small Chinese celadon and black jade carving of a hound, Song dynasty or later, with an elongated body, crouching down and with its head turned to sinister, its tail curling up above its left haunch, a paper collection label, 7.1cm. £4,000-6,000 Provenance: the Lord Cunliffe collection. 宋或更晚青黑玉雕獵狗擺件來源：肯利夫伯爵收藏

298. Two Chinese celadon jade carvings of boys, 18th century, each standing, one holding a jardinière containing flowers and lingzhi, the other with a string of cash, each with a modern stand, 11cm. (4) £6,000-8,000 十八世紀

青白玉雕人物擺件一組兩件

299. A Chinese pale celadon jade carving of a pair of Mandarin ducks, 18th century, each with its head turned and holding a single lotus stem in their bills, 6.7cm. £2,000-3,000 Provenance: purchased from John Sparks Ltd., by repute. 十八世紀青白玉雕鴛鴦銜蓮擺件來源：購于John Sparks Ltd

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299

300. A fine Chinese celadon jade carving of an elephant, Qianlong 1736-95, standing four-square, its head turned to the left, wearing a saddle carpet decorated with vases of lotus and a yin-yang symbol within key fret, a paper label for Bluett London, 12cm. £20,000-25,000 Provenance: an English private collection. Purchased from Bluett & Son. In China, the elephant is a symbol of strength, astuteness and happiness. They existed in China during the bronze age, but like the rhinoceros, were soon hunted to extinction. In the Ming dynasty, there were stables in the Forbidden City for the elephants which were given as gifts to the Ming Emperors from the rulers of Burma. During the Qing Dynasty, elephants carrying vases on their backs appeared in processions to celebrate the Emperor Qianlong’s birthday, and so they continued to be a popular subject for portrayal in the decorative arts. 清乾隆青白玉雕八卦太平有象擺件來源：英國私人收藏，購于Bluett & Son

301. A Chinese pale celadon jade carving of two Mandarin ducks, 18th/19th century, each facing one another, their crests resting across their outstretched necks, holding a large lotus bloom between them, on a base of gently breaking waves, together with a hardwood stand, 8.5cm. (2) £3,000-5,000 十八/十九世紀

青白玉雕鴛鴦銜蓮擺件

302. A Chinese celadon jade model of a recumbent goat, 18th/19th century, with its horns curling over its back, nibbling its back left hoof, the stone with milky-russet markings, 10.6cm. £5,000-8,000 Provenance: formerly in a private collection on the Isle of Wight. 十八/十九世紀青玉雕臥羊擺件來源：Isle of Wight私人收藏

303. A Chinese celadon jade carving of a deer, probably late Ming, recumbent with its head raised, holding a leafy bamboo stalk in its mouth, a four character mark to one side which reads zhi da yu zhi, which relates to the Emperor Wu Zong’s Imperial reign (1308-1311), a hardwood stand, 9.3cm. (2) £600-1,000 Provenance: Christie’s, London, 11th September 1997, lot 130. 明（可能）如意臥鹿擺件《至大御製》

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304. A rare Chinese celadon jade carving of a Buddhist lion dog and a puppy, probably Yuan/Ming dynasty, crouching with her head turned inwards away from her puppy which climbs up her back, her nose raised and her spine and coat well defined, a four character mark to her flank which reads Tian You yu zhi (made for Imperial use in the Tianyou period), the stone with brown and russet markings, 6.5cm. £6,000-10,000 Cf. A Forsyth and B McElney, Jades from China, p.317, no.230, for a related example dated to the Southern Song or Yuan dynasty. See also Bluett & Sons Ltd., Dr Newton’s Zoo, no.13. The Tianyou period was a reign of the Tang emperor Zhaozong (888-904 AD). 元/明（可能）《天祐御製》

青白玉雕少獅太獅擺件

305

306

305. A Chinese Neolithic jade cong, probably Liangzhu culture, with rounded corners to the exterior, carved in shallow relief with elliptical and circular motifs, the stone with milky-white and russet striations, 9cm. £800-1,200 Provenance: purchased from Christie’s, London, c.1996. 良渚文化（可能）玉琮來源：倫敦佳士得1996年代

306. A Chinese russet jade cong, Shang dynasty c.1600 BC-1028 BC, the square-section body carved with a wide hollowed cylindrical foot and neck rim, the stone with cream and brown irregular striations, 14cm. £2,000-3,000 Cf. J Rawson, Chinese Jade from the Neolithic to the Qing, p.153, where other examples of cong of similar date are illustrated. 商

玉琮

307. Two Chinese agate belthooks, Han dynasty 206 BC-220 AD, each carved with a dragon’s head terminal, and with two banded ridges on the curved shaft, the stone with natural inclusions and varying in tone, 9.5cm. (2) £3,000-5,000 漢

170

307

瑪瑙雕龍首帶鉤一組兩件

308. A Chinese celadon jade rhyton, Ming dynasty or earlier, the flared cup carved in shallow relief with bands of archaistic designs and C-scrolls, with four sinuous chilongs clambering on the surface, the base formed as the head of a large mythical beast, its teeth bared, the stone with mottled russet striations, a hardwood stand, 18cm. (2) £25,000-30,000 Cf. J Rawson, Chinese Jade from the Neolithic to the Qing, p.396, pl.29:8, where a similar rhyton is illustrated. 明或更早

青白玉雕如意蒼龍教子角杯

309. A Chinese pale cealdon jade carving of a monkey, 19th or 20th century, sitting holding an enormous peach between his feet, a smaller fruit in one of his hands, 7cm. £1,500-2,500 十九/二十世紀

白玉雕靈猴捧壽擺件

309

310

310. A Chinese celadon jade carving of two deer, 19th century, recumbent and facing one another, each with a lingzhi fungus in its mouth, the buck with antlers resting across his back, the stone with brown and russet markings, 12.5cm. £800-1,200 十九世紀

青白玉雕如意長壽擺件

311. A Chinese pale celadon jade carving, 20th century, depicting two egrets hiding beneath enormous lotus leaves and with flowers, seed pods and bull rushes, 14.5cm. £2,000-3,000 二十世紀

311

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青白玉雕一路連科擺件

312. A Chinese agate box and cover, 19th century, the rectangular cover carved with an Imperial poem for the emperor Qianlong, the base with a four character Qianlong seal mark, with a fitted hardwood stand, 6.5cm. (3) £800-1,200 十九世紀瑪瑙雕題詩方盒《乾隆年制》仿款題識：同文有書，用處無窮，凡百碩畫，須爾折衷。乾隆禦制

312

313

313. A Moghul celadon jade-mounted dagger, 19th century, the hilt carved naturalistically as a horse’s head, the curved blade with a damascened geometric floral design, the hilt 13.7cm, 18.5cm overall. £800-1,200 十九世紀

青白玉雕馬頭大马士革刀

314. A small Chinese white jade seal, 18th/19th century, surmounted by a Buddhist lion dog, its paw resting on a brocade ball, raised on a rectangular plinth, the base with two characters which read hu feng, 3.8cm. £2,000-3,000 十八/十九世紀印文：護封

白玉雕獅鈕章

314

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315

316

315. A Chinese pale celadon jade water pot, 19th/20th century, carved with three boys encircling a huge lotus flower which rests on a curling leaf, with smaller flowers and seed pods rising from the base, together with a hardwood stand, 14.3cm. (2) £12,000-15,000

316. A Chinese celadon jade rhyton, gong, probably late Ming dynasty, in the form of an elephant head, its trunk and tusks forming the base, with a chilong climbing to one side, a band of archaistic designs to the centre, 8.2cm. £3,000-4,000

Provenance: Sotheby’s, London.

Cf. J Rawson, Chinese Jade from the Neolithic to the Qing, p.396, pl.29:8, where a comparable rhyton is illustrated.

十九/二十世紀青白玉雕蓮花童子洗來源：倫敦蘇富比

317. A Chinese white jade hat finial, 14th/15th century, delicately carved with nine cranes standing amidst lotus and in flight above, 5.5cm. £6,000-8,000 Provenance: formerly in the collection of the Marquis de Ganay, France. Cf. Virtuous Treasures, Chinese Jades for the Scholar’s Table, p.150, no.80, where another openwork finial dated to the Yuan dynasty is illustrated. 十四/十五世紀白玉雕和和睦睦爐頂來源：法國Marquis de Ganay收藏

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晚明（可能）

青白玉雕螭龍象首觥

318. A rare Chinese pale celadon jade snuff box and cover, Qianlong 1736-95, formed as a peach and finely carved to each side with a leafy branch issuing from the stem, and with two bats clambering upon the fruit with outsretched wings, a fitted hardwood stand, 5.4cm. (3) £6,000-8,000 Cf. The National Palace Museum, Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, pp.230-231, where a closely related example is illustrated. 清乾隆

青白玉雕雙福捧壽鼻煙盒

317

318

319

320

319. A Chinese pale celadon jade bi disc, 19th/20th century, each side carved in shallow relief, one side with a chilong, the other with a phoenix, all amidsts scrolls, lingzhi and a yin-yang symbol, 5.5cm. £2,000-3,000 十九/二十世紀

青白玉雕龍鳳呈祥如意璧

320. A Chinese pale celadon jade carving of Guanyin, 18th century, seated with her left knee raised, her arm resting upon it, holding a scroll in her right, wearing flowing robes and her hair secured in a high chignon, a serene expression on her face, the stone with russet markings, 11.6cm. £3,000-4,000 十八世紀

青白玉雕觀音坐像

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321

321. Two Chinese rock crystal vases and covers, 19th or 20th century, one an incense burner with three feet and loose ring handles, the other decorated with fruiting blossom branches, the latter with a hardwood stand, 12cm. (5) £2,000-3,000 十九/二十世紀

水晶雕花卉瓶及活環香爐一組兩件

322. An unusual Chinese hardstone bitong, probably 17th century, the cylindrical body carved from a reddish-brown stone with irregular conglomerate inclusions, a paper label for Blitz Oriental Art Amsterdam, 13cm. £2,000-3,000 十七世紀（可能）石雕筆筒附：阿姆斯特丹Blitz Oriental Art標籤

322

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323. Three Chinese pale celadon jade carvings, 19th century, one formed as three gourds issuing from a branch with a butterfly to one side, another bamboo with lingzhi fungus, the third a boy, resting on a large lotus leaf with a seed pod behind his head, the stones with russet markings, 7cm max. (3) £1,500-1,800 十九世紀

324. A Chinese pale celadon jade pendant, 19th century, carved as a large single lingzhi fungus, with smaller fungus and flowerheads issuing from the stem, suspended from an orange bead, 4.6cm. £500-1,000 十九世紀

青白玉雕靈芝佩

青白玉雕瓜瓞綿綿、竹報如意佩及童子擺件一組三件

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325

326

325. A Chinese Tang-style pale celadon jade carving of a tiger, 18th century or earlier, recumbent with its muzzle resting on its forepaws, its ribs and spine protruding, the stone with russet markings, 5.5cm. £2,000-3,000 十八世紀或更早

青灰玉雕虎型擺件

326. A Chinese celadon jade water dropper, 17th/18th century, formed as a frog, with a smaller frog crouching upon its outstretched right leg, another forming the stopper, 11cm. (2) £4,500-5,500 十七/十八世紀

青白玉雕蛙型水盂

327. A Chinese white jade carving of a cat with her kitten, 19th century, each with their heads turned to face each other, and with the larger cat’s tail touching its whiskers, their paws neatly tucked beneath their bodies, 3.6cm. £2,000-2,500 十九世紀

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327

白玉雕歡天喜地擺件

328. A Chinese celadon jade two-handled cup, Yuan/Ming dynasty, the U-shaped body raised on a short circular foot, each handle carved as a bifid-tailed chilong, its head resting on the rim of the cup, the base with a two character mark which reads qian ci (Imperial gift), 13.5cm. £6,000-8,000 Cf. A Forsyth and B McElney, Jades from China, p.342, no.263 where a related cup is illustrated. 元/明青白玉雕螭龍紋雙耳杯《钦赐》

Henry Tozer Henry Tozer was an avid enthusiast on the subject of Asian Art. His collection included Tang pottery, early Chinese bronzes, later porcelains, jade carvings and Japanese prints. He was a regular client of Bluett’s between 1942-58, and also purchased items from other dealers and at auction. The present jade water buffalo, lot 329, was previously in Henry Tozer’s collection. It was purchased from Spink & Son for £1,600 on the 23rd August 1960, following his death. That same year another larger example, known as ‘the Atterbury buffalo’, was sold at Sotheby’s on the 26th July for £6,000.

329. A fine Chinese celadon jade carving of a water buffalo, Qianlong 1736-95, the beast recumbent, its head slightly raised with its horns resting across its back, its legs tucked beneath its body, a small boy clambering upon its back, holding a cord suspended from the buffalo’s nostrils in his left hand, a stalk of millet in his right, the stone with grey and russet tones, a modern fitted hardwood stand, 15.7cm. (2) £30,000-50,000 Provenance: an English private collection. Purchased from Spink & Son Ltd., on the 23rd August 1960, for £1,600. Formerly the Henry Tozer Collection, purchased from Bluett’s on the 12th June 1952, for £200. A copy of the original invoice is available. Cf. Sotheby’s, London, 26th July 1960, lot 141. M Wilson, Chinese Jades, Victoria & Albert Museum Far Eastern Series, p.81, no.87, where a smaller example of a buffalo with a boy, dated to the 18th century is illustrated. And also, R Davids & D Jellinek, Provenance, p.424, for further information about Henry Tozer. The water buffalo is the traditional symbol of spring, strength and tranquillity; seen with the boy it is thought to represent a peaceful time and contented people. As the reputed mount of the philosopher Laozi, the buffalo has strong Daoist connotations. An important animal in all rice cultivation societies, buffaloes are depicted in art dating back thousands of years. 清乾隆青白玉雕童子牧牛擺件來源：著名藏家Henry Tozer旧藏。英國私人收藏，1960年8月23日以£1600购于Spinks & Son（附發票）

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330. A fine Chinese white jade carving of a Buddhist lion dog, Qianlong 1736-95, the beast crouching, its head turned to the right and its ears flattened against its head, with a curling mane and a bushy tail tucked beneath its hind legs, its backbone finely defined, its teeth bared, a hardwood stand carved with lingzhi and pine, a paper label for Queen Amelia of Portugal Collection, 15cm. (2) £30,000-50,000 Provenance: an English private collection. Formerly the collection of Queen Amelia of Portugal, by repute. Princess Amélie of Orléans (1865-1951), married Carlos, Prince Royal of Portugal in 1886, to become the last Queen consort of Portugal. She was patron and founder of the National Association against Tuberculosis, and was actively involved with other social issues and organisations. Despite this, she was at times criticised for her financial extravagances. In 1910, the Portuguese royal family were exiled to France following the death of Amélie’s son, Manuel II of Portugal, and the subsequent formation of the first Portuguese Republic, and she spent the remainder of her life there. 清乾隆青白玉雕臥獅擺件來源：英國私人收藏，葡萄牙最後一位女王艾瑪麗舊藏（附標籤）

Queen Amelia of Portugal (1865-1951)

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330 alternate views

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CHRONOLOGY OF CHINA 中國歷代年表

NEOLITHIC 新石器時代 c.6500-1700 BC XIA DYNASTY 夏 c.2100-1600 BC SHANG DYNASTY 商 c.1600-1100 BC ZHOU DYNASTY 周 c.1100-221 BC Western Zhou 西周 c.1100-771 BC Eastern Zhou 東周 770-256 BC Spring and Autumn Period 春秋 770-476 BC Warring States Period 戰國 475-221 BC QIN DYNASTY 秦 221-206 BC HAN DYNASTY 漢 206 BC-AD 220 Western Han 西漢 206 BC-AD 8 Eastern Han 東漢 AD 25-220 THREE KINGDOMS 三國 220-280 Wei 魏 220-265 Shu Han蜀漢 221-263 Wu 吳 222-280 JIN DYNASTY 晉 265-420 Western Jin 西晉 265-317 Sixteen Kingdom 十六國 304-439 Dong Jin 東晉 317-420 SOUTHERN DYNASTIES 南朝 420-589 Liu song 劉宋 420-479 Southern Qi 南齊 479-502 Liang 梁 502-557 Chen 陳 557-589

NORTHERN DYNASTIES 北朝 386-581 Northern Wei 北魏 386-534 Eastern Wei 東魏 534-550 Western Wei 西魏 535-556 Northern Qi 北齊 550-577 Northern Zhou 北周 557-581 SUI DYNASTY 隋 581-618 TANG DYNASTY 唐 618-907 FIVE DYNASTIES 五代 907-960 Later Liang 後梁 907-923 Later Tang 後唐 923-936 Later jin 後晋 936-946 Later Han 後漢 947-950 Later Zhou 後周 951-960 LIAO DYNASTY 遼 907-1125 SONG DYNASTY 宋 960-1279 Northern Song 北宋 960-1127 Southern Song 南宋 1127-1279 JIN DYNASTY 金 1115-1234 YUAN DYNASTY 元 1271-1368

MING DYNASTY 明 1368-1644 Hongwu 洪武 1368-1398 Jianwen 建文 1399-1402 Yongle 永樂 1403-1425 Hongxi 洪熙 1425 Xuande 宣德 1426-1435 Zhengtong 正統 1436-1449 Jingtai 景泰 1450-1456 Tianshun 天順 1457-1464 Chenghua 成化 1465-1487 Hongzhi 弘治 1488-1505 Zhengde 正德 1506-1521 Jiajing 嘉靖 1522-1566 Longqing 隆慶 1567-1572 Wanli 萬曆 1573-1620 Taichang 泰昌 1620 Tianqi 天啟 1621-1627 Chongzhen 崇禎 1628-1644 QING DYNASRTY 清 1644-1911 Shunzhi 順治 1644-1661 Kangxi 康熙 1662-1722 Yongzheng 雍正 1723-1735 Qianlong 乾隆 1736-1795 Jiaqing 嘉慶 1796-1820 Daoguang 道光 1821-1850 Xianfeng 咸豐 1851-1861 Tongzhi 同治 1862-1874 Guangxu 光緒 1875-1908 Xuantong 宣統 1908-1911 REPUBLIC OF CHINA 中華民國 1912HONGXIAN (YUAN SHI KAI) 洪憲（袁世凱）1915-1916 PEOPLE’S REPUBLIC OF CHINA 中華人民共和國 1949-

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droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price. CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

拍賣須知營業時間：週一至週五9:00-17:30，週六10:00-13:00 拍賣前預展：本公司所有拍賣預展都會在正式拍賣的前兩天舉行，詳細資訊請查閱相關拍賣圖錄。登記競投：競買人應在拍賣日前於公司前臺接待處申領競投號牌。本公司現提供永久競投號牌，競買人登記後可在未來的拍賣中使用。登記時，您需要出示身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證），或者將以上資料以郵件的形式發送至enquiries@ woolleyandwallis.co.uk 注：the-saleroom.com（網絡實況轉播競投）註冊也需要以郵件的形式發送以上資料至本公司。委託競投：不能出席拍賣的競買人可通過書面形式委託本公司代為競投，工作人員將參考底價，盡力以最低價進行競投。電話競投：委託人可在拍賣會進行時通過電話競投，該項服務須在拍賣會開始前與本公司前臺接待處預約。網絡實況轉播競投：本公司大部份拍賣都可以通過網絡實況轉播競投，該項服務可以滿足競買人在世界各地進行競投的需求。網上競投需在www.the-saleroom.com上登記。同時您務必掃描并以電子郵件的形式將身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證）發給我們。除已經和威立士索爾茲伯裏拍賣有限公司達成協議的買家外，網絡登記時競買人務必提供銀行信用卡資訊： 1.

授權威立士索爾茲伯裏拍賣有限公司，在成功由the-saleroom.com競投到拍品後，本公司可以從信用卡收取部份或全部的成交金額（包括其他所有費用）。確認競買人是信用卡授權的使用人，並確認威立士索爾茲伯裏拍賣有限公司有權向持卡人在拍賣登記表上提供的地址運輸貨物。

拍品情況報告：本公司會提供有關拍品的品相報告，所有拍品的尺寸或重量可以在相關圖錄裏瞭解。注：所有測量數據視為近似值，因印刷或攝影造成圖錄作品的色調、顏色等與原物有誤差者，以原物為准。成交價：所有拍品的成交價會在拍賣會結束後在本公司網站上公佈。付款：競買成功後，所有拍品的購買款項應以英鎊支付，本公司收到款項後方可領取拍品。第一次在威立士拍賣行交易的買家需提供姓名、地址和銀行資訊。付款可以通過以下方式：銀行匯票、現金匯票、個人支票、旅遊支票、信用卡、銀行借記卡和不超過相當於€15,000的英鎊現金。如果持卡人不在現場，本公司將不能收取超過 £1,000的引用卡付款。本公司電匯資訊： lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 信用卡：VISA或者MAStERCARd會有2%的手續費和增值稅（VAt）借記卡：delta, Switch, Connect 付款和取貨都可以在拍賣現場進行。傢具和鐘錶類的拍品通常會在拍賣結束後留在拍賣現場三個工作日，然後轉移至倉庫。請買家取貨時請務必提前和本公司預約。拍賣結束三十天后開始徵收存放費用，費用包括：保管費：每件拍品£20（+增值稅VAt）存放費：每天每件拍品£2 （+增值稅 VAt）以上所有費用全部結清才能取貨。增值稅VAT：帶有星號（†）的拍品需要在落錘價上徵收增值稅。帶有希臘字母（Ω）的拍品表示從歐洲以外的國家進口，並且在落錘和買家支付之傭金上收取5% 的增值稅。在本公司網上圖錄‘the Sales tax %ÿ 一欄顯示的是在落錘價上徵收的增值稅比例。

瀕危野生動植物種國際貿易公約（CITES）標註λ的拍品在從英國出口之前需要查詢其進口地的進出口條例，詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權：追續權是付給藝術家的專利稅。如果藝術家還在世或者去世以後的70年內，那麼每次出售和轉售都要付給該藝術家或者其繼承人專利稅。追續權不是增收稅，會加在競買人購買價格之上，然後轉給相關仲介機構。專利稅是在落錘價錢（不包括買家支付之傭金）上以百分率的方式徵收。€1,000以下的拍品不收取專利稅，每個拍品的專利稅最高可以收取€12,500. 請詢問拍賣當天的英鎊匯率。追續權的專利稅百分比率請參照下表： 4% 3% 1% 0.5% 0.25%

€50,000以下 €50,000.01 – 200,000 €200,000.01 – 350,000 €350,000.01 – 500,000 €500,000以上

最高的專利稅可以收取€12,500. 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送：威立士拍賣行不提供包裝和運送的服務。以下是在本公司周邊的運送公司及其聯繫方式： Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sale@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk 若拍品已轉交運輸公司，任何丟失及損壞威立士將不承擔一切責任 **注：本須知如有任何詮釋上的問題，一概以英文版本爲準。

Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from Salt lane to Castle Street

design & Production by

Woolley & Wallis Absentee Bid Form Asian Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot Number in numerical order

21st & 22nd May 2014 Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue.

Billing Name (please print) �� Address �� Postcode �� daytime telephone �� Signature �� to be sure that bids will be accepted and delivery of lots not delayed, bidders not yet known to woolley & wallis should supply a bank reference, as well as supplying the information requested below. Name of Bank �� Address of Bank �� Account Number �� Bank telephone Number ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description of lot

Price excluding buyer’s premium & VAt

Woolley & Wallis 書面競投表格中國藝術品敬請以本公司的名義為競買人進行競投，以下所填的價錢上限不包括拍品所需的任何買家保險價和任何VAt增值稅。這些拍品會以圖錄上說明的底價以上的拍賣價成交。

拍品編號（按數字順序）

競買人資料（請用英語大寫字母書寫）姓：名：

地址：

郵編：聯繫電話：

簽名：

敬請注意書面競投必須在拍品進行拍賣之前提交和確認。沒有在威立士拍賣行註冊的競買人請務必提供銀行資料證明之類的文件和一下銀行資料。（請用英語大寫字母填寫）銀行名字：銀行地址：

帳號（Account Number）

銀行聯繫電話：

敬請用英文大寫字母書寫

Salisbury Salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格（請除去VAt 增值稅和買家保險價）

藝術品拍賣和股價協會（SOFAA）、英國皇家註冊測量師協會（RICS）

拍賣規則

競買人須知 1.

簡介：本規則適用於本公司的買家，特別是對於新加入拍賣的競買人。所有拍賣品的資訊和估價都可以在相關拍賣圖錄中翻閱。如果您有任何疑問，本公司的工作人員將非常樂意為您服務。本中文條款如有任何詮釋上的問題，一概以英語版本爲準。

仲介：作為拍賣行，本公司通常以代理買方的身份簽署合同。爲了保護客戶隱私權，本公司不會公開競買人的資訊。

估價：估價是爲了提供競買人一個大概的價格浮動範圍。所有提供的拍賣品均設有賣家所定的保密的最低價，拍品不會以低於此價出售。圖錄上較低的估價價格即可能是該拍賣品的底價。估價不包括競買人支付的傭金和VAt增值稅。估價會在拍賣之前提供給競買人。

買入價格：競買人需要付成交價和傭金（每件拍品的成交價低於£500,000 取22%，超過 £500,000 上部份取12%）+ VAt增值稅 VAt增值稅：買家須以有關法律所規定的稅率及時間繳付增值稅。增值稅會在成交價和傭金之上收取。帶有星號（*）的拍品是從歐盟國家進口的，將徵收20%進口VAt增值稅。帶有雙星符號（**）的拍品是從歐盟以外的國家進口的，當下的VAt增值稅為5%。如果沒有以上敘述的兩種符號，該拍品就不需要徵收VAt增值稅。威立士拍賣行：本公司是賣家的仲介，所有拍品的資訊均源自於賣家，同時也會檢查拍品的情況。本公司在關於拍品的目錄、品相報告和另外口頭與書面的所有陳述，均只屬於意見的表述，而不應依據為事實的陳述。目錄和品相報告中所提及的有關瑕疵和未經修復的敘述只作為對該拍品的參考，不應被依據為拍品的真實狀況。所以競買人在拍賣前仔細檢查拍品情況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況，在三個星期內可能可以被退還。（蓄意偽造的詳細解釋可以在本公司的拍賣條款裏查閱）電器拍品：所有電器拍品都以古董的形式進行拍賣，如果是用於日常使用請在拍賣之前與專業電器公司確認其安全性。出口拍品：買家如果想要出口競拍所得物品需要查明：a）是否需要出口許可證。b)要攜帶入境的國家是否對該類拍品有禁令。比如說，可能會禁止攜帶象牙。如有需要請詢問本公司前臺服務。但上述的兩種情況都不作為取消交易和推遲付款的原因。

競投：競買人需要在拍賣前進行註冊，登記時需要提供姓名，位址。新客戶需要向本公司提供身份證明。如需要電話競投服務，請儘早與本公司進行登記。

10. 競投委託：該項服務是以書面的形式委託威立士在不超過其指定金額下競投拍賣品。工作人員將參考底價，盡力以最低價進行競投，如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 付款方式：按照規定，成交拍品需要付清所有遺留款項以後才能取貨。關於付款方式請提前與本公司前臺聯系。 12. 取貨和存儲：請查閱本公司拍賣條款裏關於取貨和儲存的有關信息。所有推遲提取的拍品都會徵收相應的存儲費用。賣家委託條件 1.

解釋：下文中用到‘您’代表賣家或仲介機構，同樣‘我們’代表拍賣行。

傭金：拍品成交價在£999 內收取15%的傭金 +VAt增值稅，超過£1,000 拍品需要徵收10% 的傭金+VAt。

運輸費：所有拍品務必要在截止日期前送達我們拍賣行，且所有費用將由您來承擔。我們可以在運送過程中幫助您但是本公司不承擔運輸中發生任何狀況的責任。

丟失和損傷保險：我們沒有為客戶準備FSA的保險，但本公司用拍品的最低估價作為保護承擔責任賠償。我們會收取成交價的1.5%作為責任賠償的保險費用，如果您的拍品沒有成交那麼我們會以估價的中間值為標準收取費用。如果您不需要這項服務，那麼您將承擔丟失和損傷的風險，直到買家取走該拍品。

插圖：插圖的費用由您來承擔。若我們覺得拍品需要插圖會尋求您的允許，我們會事先通知您。但所有圖像和文字說明的版權都屬本公司所有。

底價和我們的判斷：在拍賣會開始之前我們會和您關於拍品的預訂價達成共識。

我們可以賣出低於拍品預訂價，但我們會支付您該拍品的保留價。但如果您給予本公司‘裁決’的權利，我們會同意以低於預訂價10%的價格出售。

拍賣條例

保留價：（a）

敬請您務必在拍賣前提供給我們您需要的保留價。保留價必須是我們認為合理的成交價格，本公司有權利下降不合理的高保留價。

（b）

保留價確定之後不能被改動。

（c）

保留價被確定以後，您不能自己進行競投。

電器拍品：這些拍品需要詳細的安全證明和防火安全證明。若發現拍品有安全隱患，該拍品將不被進行競投，我們有權要求您取走該拍品。

室內裝飾品：室內裝飾品如果發現有防火安全隱患，根據Provisions of the torts (Interference with Goods) Act 1997, Schedule 1 條例，我們有權要求您取走該拍品。

10. 拍品描述：請告知我們正確的拍品資訊，包括拍品來源等等。對於拍品的描述的正確性有嚴格的責任賠償，且在很多情況下您將承擔該責任。如果您沒有反對我們對您的拍品描述，我們將假定您同意您已認可。若競買人發現拍品描述和實際拍品不符我們將退還買家所付金額。我們必須引提醒您，即使您確實不知道拍品描述和實際不相符也必須遵循該條例。 11. 未成交的物品：如果拍品沒有成交，可以在您的允許下在下一次拍賣中再次進行競投。如果我們認為該拍品無法賣出，請您務必儘快從本公司提貨，因為我們有權向您徵收倉庫儲存費。 12. 撤拍和買入的物品：撤拍或自行買入的拍品若已列入圖錄或已經開始印刷，則應支付保留價或者圖錄中最低估價的10%的傭金加上VAt增值稅。 13. 拍賣條例：您所有同意的物品將根據拍賣條例進行出售，您或者仲介有權出售該物品。如違反該條例您將承擔我們、買家和第三方的所有損失和賠償。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家和在拍賣現場的人進行業務運作。拍賣條例可以從這裡參考查閱。 1. a)

‘拍賣官’代表威立士索爾茲伯裏拍賣公司或他授權的拍賣官。

‘蓄意偽造’是指一件仿品試圖偽造原創作者、時期、年紀、年代、文化或來源於圖錄中描述的不同，而在拍賣當天拍出了與該仿品的本身價值不符的價格。

‘成交（落錘）價’是指競拍價格超過了保留價，而拍賣師落錘成交的價格。

‘委託條款’是指威立士拍賣行規定的賣家或仲介的條約和傭金的百分比率。

‘總額’是指成交價、買家傭金，VAt增值稅和其他費用加起來買家付款的總和。

‘銷售收益’指賣家的淨收益，成交價減去賣家傭金、VAt增值稅和其他費用的餘額。

‘你，你們’等等指買家請參考條例第二條。

您可以授權要求我們取消傭金和所有相關費用，但是我們有權利保留買家所支付的傭金和相關費用所產生的利息。

（b）

您可以授權我們在拍賣結束印業當天進行私下協議出售沒有成交的拍品，但我們可以收取和拍賣成交時同樣的傭金和費用。

15. 存儲：我們對任何不能馬上上拍的物品不負責，且我們有權收取每天£2 儲存費。如果三個星期以後還是沒有前來領取，我們有權利出售該物品並收取相關費用。 16. 結算：通常拍賣結束以後28天內可以完成款項結算，除非買家未付款。

拍賣過程和買家:

競買人在競投之前，必須填妥及簽注登記表格才能參加本公司拍賣。

在拍賣官的決定下，競買人出價最高且被拍賣官接受的競買人才能成為該物品的買家。下錘則表示賣家和買家之間的拍賣合約已經達成。

競買人會被我們視作委託人。我們有權利為賣家競投到其設定的保留價，且有權利拒絕任何競投。

加價：拍賣官有權自行決定加價幅度

買入價格：競買人需要付成交價和傭金（每件拍品的成交價首£500,000 取22%，另外超過 £500,000 上部份收取12%）+ VAt增值稅

增值稅：根據法律規定，買家所有成交的拍品的成交價上要支付VAt增值稅。（具體信息請查閱買家須知的增值稅部份）

付款：拍下拍品以後：

14. 扣除賣家傭金和費用以及保留買家傭金和利息的權利：（a）

定義：

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b）買家需要付清我們計算出的應付金額，包括以您或您仲介名義下的所有款項。 7. a)

所有權和領取已購買物品：物品的所有權只有在您付清全部應付金額之後才能被轉移。

您需要在拍賣結束後三個工作日付清金額，且取走物品以後所發生的所有責任都由您來擔當。

在付款之前，任何物品不能被提取。

如果有買家沒有全部付清應付金額，根據條例我們作為賣家仲介和拍賣行可以執行以下權利和提醒：

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii)

如果重新賣出拍品（通過拍賣或私人交涉成交），您就要承擔所有重新拍賣所造成的任何高於您的成交價的部份歸賣家所有。

v) vi) vii)

您拍品的運送、存放和投保的費用都由您承擔，至於存放地點可以在我們的儲藏室或者其他地方。如果沒有在拍賣結束後三個工作日內付款，我們將以每個月1.5%的比率收取利息。直到您付清所有的應付金額，我們才能取消利息的收取。在今後的任何拍賣中，不接受您做出的競投，或在接受任競投之前加一些必要條件。

viii) 申請出售任何其他拍品的收益，或在將來您在結算的時候，可以行使留置權。 1b) 我們作為賣家的仲介和拍賣行，我們執行以上的權利和提醒是爲了做出合理的補償。 9.

第三方責任：所有現場的公眾人員都必須注意現場的安排和安全隱患。拍賣官、我們的員工和都不對任何的死亡和人員傷亡負責（除法律認定是我們的疏忽外）。

10. 委託拍賣：雖然我們建議買家參加拍賣現場對所有競投負責，但如果需要我們可以為買家進行競投。工作人員將參考底價，盡力以最低價進行競投。如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 所有權保證和有效性：賣家向拍賣行和您保證，物品的所有權和出處是該買家，且物品不受任何第三方索賠。 12. 仲介：拍賣行通常作為仲介不履行任何買家和賣家的義務。 13. 銷售條例：買家將在委託拍賣之時起承認履行所有委託條款。 14. 描述和條例： a)

在這些條件下的成交的私人財產轉讓根據消費者權益法視為交易。

不付款或未領取已購買拍品的提醒：

iv)

拍品充分查看和調查的機會。競買人將會對我們的描述有不同的見解。我們承諾，任何此類意見會被相當誠實合理的接受。

在我們尋找對拍品正確的描述的時候，可能不能對每個拍品都做到最詳盡的調查。在拍賣開始之前競買人和他們的鑒定師會被給予對每件

15. 偽造者：儘管有之前的條件，但任何拍品被證明是蓄意偽造，或可以在拍賣結束後21 以內原封不動的與相關證明材料一起歸還於我們。如果我們認可您提供的資料證據可以證明該拍品存在蓄意偽造的事實，我們將退還您所付的傭金和成交價。但是如果1 從成交日起，眾學者和鑒定專家都認可圖錄中的描述。或者2 您個人無法提供一個更好的解釋給我們，那麼根據條例您就沒有權利要求我們退還拍品。常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進行拍賣。 17. (a) 所有損壞賠償責任和毀約所帶來的費用都應該酌情賠償給賣家和拍賣行。 (b) 這種權利可以由拍賣行和其員工或賣家強制執行。 18. 任何對買家、賣家、競買人和觀展人的通知都會都以第一類郵件的方式在48 時內寄到其提供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。圖畫、素描、平板印刷、雕刻品和印刷任何關於作者、歸屬，出處，時期，年份，來源和情況的敘述都是一件的聲明。不能把他當做事實敘述。公司有權利敘述意見用來提供相對可靠的顧問資訊。書籍如果發現書籍收藏中的描述和插圖中被證明有一些缺陷，請您以書面的形式解釋該收藏的問題，并在14天內退回該收藏。在圖錄中已經提及或在拍賣該物品之前指出的缺陷都不予接受。另外包括書中空白處、半個標題、廣告、書籍裝訂損壞、水漬和污漬。

SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (†) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

12-18 June 2014 Albert Memorial West Lawn Kensington Gardens, London For a complimentary invitation to the fair visit artantiqueslondon.com/tickets and enter promotion code ww2014

Tel: +44 (0)20 7389 6555

www.haughton.com

Furniture & Works of Art Tuesday 8th July 2014 Closing date for entries 9th May

A pair of Louis XVI style ormolu and marble candelabra. Estimate: ÂŁ2,000-ÂŁ3,000

Enquiries Mark Richards +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

Arts & Crafts Wednesday 18th June 2014 A rare Martin Brothers stoneware double bird sculpture, dated 1904. Estimate ÂŁ15,000-20,000

ENQUIRIES Michael Jeffery +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Clocks, Watches & Scientific Instruments Wednesday 30th July 2014 Entries are now being accepted for this sale

A French ormolu mantel clock, the enamel dial signed Martinot a Paris, the drum cased striking movement by Louis Boname. Estimate: ÂŁ1,500-ÂŁ2,000

ENQUIRIES Richard Price +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

Jewellery Thursday 23rd October 2014 Entries are now being accepted for this sale

ENQUIRIES Jonathan Edwards +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk A Kashmir sapphire and diamond ring. Sold for ÂŁ152,500

Marielle Whiting +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

Auction Calendar AsiAn Art 21st & 22nd May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAintings - Modern & ConteMPorAry 4th June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century design 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk tribAl Art, Antiquities, ArMs & ArMour 19th June 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Furniture & Works oF Art 8th July 2014 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silver 22nd & 23rd July 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 24th July 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruMents 30th July 2014 Richard Price +44 (0) 1722 242421 • richardprice@woolleyandwallis.co.uk english & euroPeAn CerAMiCs & glAss 9th September 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY

A siAn A rt i

W ednesdAy 21 st M Ay 2014

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

asian art i

Wednesday 21st May 2014