Woolley & Wallis Modern British & 20th Century Art by ATGMEDIA

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTuRy ART TuESDAy 13TH DECEMBER 2016

www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTuRy ART Tuesday 13th December 2016

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

asian art John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska english & euroPean CeramiCs & glass Clare Durham

424506 424583 424589 424591

424507

valuations For insuranCe & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

marketing Tamzin Corbett

424590

aCCounts Janice Clift (Office Manager)

424500

Furniture, Works oF art & CloCks Mark Richards Jim Gale Anna Brown

411854 339161 411859

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

saleroom manager David Jordan

Paintings Victor Fauvelle Jo Butler

424503 424592

board oF direCtors Paul Viney ASFAV Chairman

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century design Michael Jeffery Zoe Smith

424505 329477

tribal art & antiquities Will Hobbs Gemma Bush

339752 339752

arms & armour, Coins & medals Ned Cowell Gemma Bush

341469 341469

general oFFiCe Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence

424500

JeWellery 26th January 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk english & euroPean CeramiCs & glass 28th February 2017 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

assoCiate direCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Furniture, Works oF art & CloCks 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk silver 24th & 25th January 2017 – Silver & Objects of Vertu Including The Arthur Holder Collection Part II Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ComPany seCretary James Macarthur CA

Paintings 13th December 2016 – Modern British & 20th Century Art 15th March 2017 – Old Masters, British & European Paintings This sale includes a fine collection of portrait miniatures Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk

tribal art & antiquities 1st March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 424599

arms & armour, medals & Coins and militaria 28th March 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTuRy ART Tuesday 13th December 2016 at 11am ViEwing TimEs Friday 9th December Saturday 10th December Monday 12th December Tuesday 13th December

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 9.00am – 10.45am

EnquiriEs

Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk COLLECTiOn OF LOTs ArTisT’s rEsALE rigHT / DrOiT DE suiTE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details gLOssArY OF TErms Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

ALL lots will be moved from the saleroom back to Salt Lane on 14th, 15th and 16th December - collection of lots on these days and Saturday 17th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 19th December collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. PLEASE NOTE THE SALEROOM WILL BE CLOSED FROM 23RD DECEMBER TO 2ND JANUARY (INCLUSIVE). COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES TELEPHOnE BiDDing

iLLusTrATiOns Front cover: Lot 365 (detail) Back cover: Lot 341 (detail) Overleaf: Lot 92 Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post)

Please note that requests for telephone bids cannot be accepted after 5pm on 12th December LiVE BiDDing

www.the-saleroom.com Please note there is a 3% plus VAT surcharge for using this service

Member of The Society

of Fine Art Auctioneers

1 ChArleS edwArd STewArT Scottish act.1887-1938

Over the jump Signed with initials Oil on canvas 30.5 x 46cm Provenance: The Estate of Richard M. Scaife £800-1200

2 M. MAreSCA 20th Century

Sunlight on the coast Signed Oil on canvas 59 x 81cm £700-1000

3 Modern BriTiSh SChool An apple orchard in blossom Signed indistinctly O.S Finlayson? Oil on board 25 x 34cm £150-250

4‡ KenriK GAMST JeSPerSen danish 1853-1936

View of Como and Bellagio Signed with initials, titled on stretcher verso Oil on canvas 37 x 56cm £200-300

5 ChArleS KniGhT exh.1880-1913

Barton, Nottinghamshire Signed Oil on canvas 65 x 81cm £150-250

6 ChArleS KniGhT exh.1880-1913

Browns Farm, Stanton-on-the-Wolds, Nottinghamshire

Signed Oil on canvas 51 x 76cm £150-250

7 ChArleS KniGhT exh.1880-1913

Cattle on the Yorkshire Moors Signed Oil on canvas 65 x 81cm

£150-250

8 howArd ruSSell BuTler

9 SwediSh SChool

10 ‡ rené SAuTin

11 FrederiC ArThur BridGMAn

American 1856-1934

20th Century

French 1881-1968

American 1847-1928

Twilight, coast of Maine, USA

Figures on a fishing boat on the shore

A hunting scene

Orientalist scene with a caravan crossing a river at sunset

Signed Oil on panel 23 x 28cm £300-500

Oil on board 41 x 56cm

Signed Oil on canvas 43.5 x 74.5cm

£100-150

£150-250

Signed Oil on panel 26 x 39cm Provenance: Mathaf Gallery, London. Purchased August 1983 and thence by descent £5000-7000

12 ‡ wAlTer erneST weBSTer

13 ‡ AlFred eGerTon CooPer

1878-1959

1883-1974

The China Ornaments

Women sketching en plein air

Stamped with a certificate signed by S. B. Pearce verso Oil on canvas, unframed 77 x 64cm With a print of the same scene by the same hand (2) £700-1000

Signed with initials, also inscribed Laura Knight sketching verso possibly in another hand Oil on canvasboard 35.5 x 44.5cm £400-600

14 liliAn woodCoCK act.1891-1921

Spring time at Betws-y-Coed Signed and dated 1893 Oil on canvas 71 x 102cm; 28 x 40in £800-1200

15 ThoMAS edwin MoSTyn roi, rwA 1864-1930

Boys fishing on a river Signed Oil on canvas 38 x 48.5cm £500-700

16 MArK Senior

1862-1927

Portrait of a young man with a moustache Oil on canvas 60 x 51cm £200-300

17 MArK Senior 1862-1927

Portrait of a gentleman in a bow tie Oil on canvas, unframed 57 x 58cm £200-300

18 MArK Senior 1862-1927

Portrait of a Yorkshire Businessman Signed verso Oil on canvas, unframed 63.5 x 56cm £200-300

19 Sir John lAVery rA irish 1856-1941

Mr Sheriff, W. Lacon Threlford [A study for the presentation to His Majesty King Edward VIII of the Charter of the Master Mariner’s Company] Signed and titled Oil on canvasboard, labelled Reeves’ Dalston verso 50 x 35cm Provenance: Letter from Wakefield House regarding the presentation and the sketch Pawsey & Payne Ltd, London £1000-1500

20 eMile ChArleS wAuTerS

21 ‡ SAMuel John lAMornA BirCh rA

22 roBerT weir AllAn rwS

Belgian 1846-1933

1869-1955

1852-1942

Portrait of Dame Nellie Melba as a young woman

Rocky river landscape

Capri, Grand Marina, Italy

Signed Oil on canvas 46 x 61cm

Signed and dated 1922, also signed on a label verso Watercolour 36 x 51cm

£1000-1500

Provenance: Royal Society of Painters in Watercolours, London

Signed Pencil and black chalk 39 x 27cm Provenance: Christie’s South Kensington, 10th June 1986, lot 229 £250-350

£600-800

23 FrederiCK Golden ShorT 1863-1936

Autumn in the New Forest Signed and dated 192* Oil on board 28 x 38cm £200-300

24 FrederiCK Golden ShorT 1863-1936

Gulls on the coast Signed and dated 1908 Oil on canvas 41 x 53cm £300-500

25 FrederiCK Golden ShorT 1863-1936

Heathland and woodland in the New Forest Two, one signed and dated 1925, one 1929 One oil on canvas, one on board, framed as a pair Each 13.5 x 28.75cm (2) £200-400

26 ‡ ThoMAS edwin MoSTyn roi, rwA 1864-1930

The Audience Signed, also signed and titled on stretcher verso Oil on canvas 51 x 69cm £1000-1500

27 No lot

28 liliAn STAnnArd 1877-1944

The Old Moat; The Old Garden Seat; The Lily Pond; Michaelmas Daisies Set of four, all signed All watercolour 25 x 35cm (4) £2000-3000

29 ‡ edwArd hAllidAy, PrBA, PrP, ArCA 1902-1984

Loch Morlich Signed and dated 1946 Oil on board 38 x 46cm £600-800

30 ‡ doroThy weBSTer hAwKSley ri

33 williAM lionel wyllie rA

1884-1970

The Chain Pier, Brighton

The Transfiguration

Signed Etching 18.5 x 34.5cm

Signed with initials Pen, ink and watercolour 19.5 x 16.5cm

1883-1949

Spring Signed and dated 1925 Watercolour with pencil 56 x 37cm £500-700

32 williAM lionel wyllie rA 1851-1931

The Iron Duke in the Battle of Jutland May 1915 Signed Etching 20 x 25cm £200-300

£150-250

£500-800

31 ‡ AVeril MAry BurleiGh ArwS

1851-1931

34 williAM lionel wyllie rA 1851-1931

The Thames at Westminster Signed and dated 1909 Watercolour 16 x 28cm Provenance: Bell Fine Art, Winchester £400-600

35 CAMden Town SChool c.1911-13

Afternoon tea with a good book Oil on canvas 76 x 90cm £300-500

36 ‡ FrAnCiS edGAr dodd rA, neAC 1874-1949

The two sisters Signed and dated ‘15 Oil on canvas 46 x 61cm £600-800

37 dAniSh SChool early 20th Century

The Danish coastline

Signed with initials R.S. Oil on canvas 62 x 89cm £300-500

38 No lot

39 Allen reid early 20th Century

Coastal scene, possibly St Catherine’s Tor, Devon Signed Oil on canvas 51 x 76cm £150-200

40 ‡ VioleT BrunTon 1878-1951 as Victor du lac Four illustrations from Prometheus Three signed All watercolour Each 23 x 14cm (4) Violet Brunton sometimes worked under the pseudonym Victor du Lac. She was primarily a painter of miniatures and a sculptor and was elected a member of the Royal Society of Miniature Painters in 1925

41 MorTiMer luddinGTon MenPeS

42 ‡ Annie FrenCh

1855-1938

Lady in a pink coat

Asian, Indian and Dutch scenes

Signed and inscribed Christmas 1925 Watercolour 11 x 8.5cm

Four, all signed and inscribed To Pamela All etchings, unframed 14 x 17.5cm and various similar sizes (4)

1872-1965

£300-500

£150-200

£500-700

43 rAlPh Todd

44 eriC Gill ArA

1856-1932

1882-1940

Old Cornish Fisherwoman at Newlyn

Tired angel

Signed Watercolour 34.5 x 25.25cm

Signed and numbered 10/25 Engraving, unframed 8 x 13.75cm With a framed engraving of the Letter A by the same hand (2)

£1000-1500

£200-300

45 ‡ oMer VAn VoSSelen

47 ‡ rodolF SChliChTer

48 ‡ norMAn STeVenS

49 GerAld ACKerMAnn

50 Adeline Trier

dutch b.1934

German 1890-1955

1937-1988

American 1876-1960

fl.1879-1916

Portrait of a girl with plaits

Sitzender auf Stuhl

Studley Royal

Signed and dated ‘66 Oil on canvas, unframed 65 x 45cm

Signed Pencil on buff paper 48 x 35cm

£150-250

Provenance: Fischer Fine Art Ltd, London, No. K8082

Signed, titled, dated 78 and numbered 4/16 Aquatint 17 x 16cm With two further prints titled Stream, Penn Common and Farm Gate by the same hand (3)

An estuary with boats, probably Norfolk

46 No lot

£400-600

Provenance: Beaux Arts Gallery, London £200-300

Signed Watercolour 24 x 35cm £150-250

Still life of roses in a vase Signed and dated June 1912 Oil on canvas 77 x 56cm £200-300

51 JAMeS ABBoT MCneill whiSTler American 1834-1903

The Little Port Etching, 8th state, mounted unframed, 10.5 x 12.25cm (plate size); 22.5 x 31.5cm (sheet size) £200-400

52 JAMeS ABBoTT MCneill whiSTler American 1834-1903

Chelsea Etching 13.5 x 20cm £100-150

53 JAMeS ABBoT MCneill whiSTler American 1834-1903

The Lime Burner 53

Etching, K 46.ii, 2nd state Thames Issue, mounted, unframed 25.25 x 17.5cm (plate size); 27.75 x 20cm (sheet size) £700-1000

54 AFTer JAMeS ABBoTT MCneill whiSTler Harmony in grey and green, Miss Cicely Alexander Reproduction 55 x 28cm £100-150

55 JAMeS ABBoT MCneill whiSTler American 1834-1903

Thames Warehouses Etching K 38 i, mounted, unframed 7.75 x 20cm (plate size) 21.5 x 31.5cm (sheet size) £300-600

56 ‡ ChArleS PiCArT le doux French 1881-1959

Resting ballet dancer Signed Oil on canvas 77 x 106cm £1500-2500

57 AllAn douGlAS dAVidSon rBA, roi 1873-1932

Standing nude with robe Signed Oil on panel 33 x 14cm £1500-2500

58 J. BrAKe BAldwin 1885-1915

Portrait of a nude, kneeling on a bed Signed Oil on canvas 106 x 84cm £800-1200

59 ‡

60 ‡

leonArd roBerT BriGhTwell

norMAn wilKinSon

61 ‡ winiFred MArie l. AuSTen

1889-1983

1878-1971

1876-1964

The Gate Crashers

Into Salmon, Cumberland, Derwent

Tree Sparrows

Signed and titled Etching 17.5 x 22cm

Signed Drypoint etching 22.5 x 30cm With another of The Rockpool by the same hand (2)

Signed and titled Etching 21.5 x 28.5cm

Provenance: Nigel Stacy-Marks, Perth

£100-150

£150-250

£100-150

62 ‡ eileen AliCe SoPer rMS 1905-1990

Black Puss Cats; Spring Tide; The Garden Gate; The Sailor Four, all signed All etchings, three published by Dickins 11 x 17.5cm and similar (4) Provenance: Nigel Stacy-Marks, Perth £250-350

63 GeorGe SoPer

1870-1942

Hauling Timber Lithograph 26 x 31cm £200-300

64 ‡ eileen AliCe SoPer rMS 1905-1990

Study of badgers Signed Watercolour 25 x 18cm £200-300

65 ‡ oliVer hilAry SAMBourne MeSSel

66 ‡ l. BeATriCe ThoMPSon

67 ‡ BAroneSS ineS TAxiS

68 ViViAn Milner AKerS

19/20th Century

20th Century

American 1886-1986

1904-1978

The bluebell wood

Roman Palatine

A view of Noyes Mountain, Maine

Costume designs

Signed and dated 27.5.1897 Oil on canvas 51 x 40.5cm

Signed Oil on canvas 50.5 x 40.5cm

Signed with initials Oil on panel 9.75 x 14.5cm

£200-300

Provenance: The Royal Institute Galleries, London

Provenance: A gift to May Small in 1942, Norway, Maine

A pair, both signed, one titled indistinctly Both pencil and wash Each 34 x 24cm (2) £1000-1500

£150-250

69 enGliSh SChool early 20th Century

Portrait of a man in oriental dress Watercolour 41 x 29cm £120-180

70 enGliSh SChool c.1900

Portrait of a young girl, head and shoulders wearing red Oil on canvas, oval 24 x 20cm £100-150

71 ChArleS ProSPer SAinTon 1861-1914

Portraits of young ladies A pair, both signed Both pencil and wash Each 35 x 22.5cm (2) £250-350

72 edyThA MArGAreT Goodwin fl.1907-1912

Bella Titled Oil on canvas, unframed 35 x 30.5cm £100-150

73 Phil MAy

1864-1903

Lowther; Signed, titled and dated 1902 Pen, ink, pencil and watercolor 20 x 8.25cm With another of a lady in a hat by the same hand (2) £100-150

74 leonid MiloVAnoV russian b.1966

Portrait of a peasant in winter, 1995 Signed Oil on canvas 40.5 x 30.5cm Provenance: From the collection of John Newall Esq. £300-500

75 luKiAn VASilieViCh PoPoV russian 1873-1914

76 ATTriBuTed To niKolAi SeMenoViCh SAMoKiSh

Scene from the Russian occupation of Northern Manchuria in the early 20th Century following the Boxer Rebellion with a parade of Cossacks and a Manchurian waving a horses tail, the symbol of the Cossacks, outside a temple

ukranian 1860-1904

Signed and dated 1907 Oil on canvas 81 x 135cm

£400-600

Provenance: From the collection of John Newall Esq. Sotheby’s, 14.11.88, Lot 72 £2000-3000

Soldiers resting with livestock Signed and dated 1904 Oil on canvas board 23 x 37.5cm Provenance: From the collection of John Newall Esq.

77 Follower oF henry herBerT lA ThAnGue The Grape Harvest Bears signature Oil on canvas 37.5 x 68.5cm £400-600

79 ‡ FrAnCiS edGAr dodd rA, neAC

80 wAlTer riChArd SiCKerT

81 ChArleS SArGeAnT JAGGer

1860-1942

1885-1934

Portrait of a young girl, full length, standing, holding a hat

1874-1949

The New Tie

Portrait of Reginald Robert Tomlinson

Hester

Signed and dated 09 Pencil 33 x 17.5cm With an etching of Sugarpine Joe by Terrence Lambert dated 7.vi.29 (2)

Signed Etching 28 x 17cm

Signed, also signed, titled and dated 1922 in the print Etching, unframed 27 x 17.5cm

Signed and inscribed Tommy Pencil 18 x 13cm

£100-150

£200-300

78 ‡ J. M. BAlliol SAlMon 1868-1963

£150-250

82 ‡ ChArleS SPenCelAyh

£200-300

1865-1958

Rags, the artist’s poodle Signed and inscribed Rags Watercolour 18.75 x 13.25cm Provenance: Michael Bryan, London £400-600

83 ‡ CiCely MAry BArKer 1895-1973

Portrait of a young boy Signed with initials and dated 1917 Watercolour over pencil 53 x 28cm Barker illustrated the children’s Flower Fairies stories £300-500

84 ‡ williAM John leeCh

85 ‡ PAul luCien MAze

1881-1968

French 1887-1976

Llanbedr, North Wales

Coastal views

Signed Oil on canvas 51 x 61cm

Two, both signed and dated 1918 Both watercolour Each 34 x 53cm (2)

£6000-8000

£700-900

86 ‡ FrAnK o. SAliSBury CVo

87 ‡ FrAnK o. SAliSBury CVo

88 ‡ FrAnK o. SAliSBury CVo

1874-1962

Portrait of Monica, Mrs Leonard Norris, the artist’s daughter

The Pipes of Pan, The Hon. Phyllis Bethell

Study for the Battle of Britain

Signed with a monogram, also titled verso Oil on canvas 73 x 63cm

Signed and inscribed 1940-1941, And left the vivid air signed with their honour Watercolour with gold paint on buff paper, unframed 49 x 37cm (image size)

Signed Oil on canvas, circular 72cm diameter Provenance: By direct descent from the artist

Provenance: By direct descent from the artist £1200-1800

£1500-2500

Provenance: By direct descent from the artist £200-300

89 ‡ FrAnK o. SAliSBury CVo 1874-1962

The first dive Signed, titled and dated 5-9-14 Watercolour on grey paper, unframed, circular 47cm diameter (image size) Provenance: By direct descent from the artist £100-150

90 ‡ wilFred GABriel de Glehn rA 1870-1951

The artist’s garden at Stratford Tony, Wiltshire Studio stamp on stretcher verso numbered 129 Oil on canvas 51 x 61cm £2000-3000

91 ‡ wilFred GABriel de Glehn rA 1870-1951

The artist’s garden with Hollyhocks at Stratford Tony, Wiltshire Studio stamp on stretcher verso numbered 89 Oil on canvas 51 x 61cm £2000-3000

92 ‡ wilFred GABriel de Glehn rA 1870-1951

Sketch for Rhoda

Studio stamp on stretcher verso numbered 37 Oil on canvas, unframed 76 x 63.5cm Rhoda was a life-model at the Slade School of Fine Art. She met Wilfrid de Glehn through his niece, Barbara Tebbitt, who studied at the Slade from 1925. See page 2 for a larger image. £2000-3000

93 ChineSe SChool 20th Century

Kingfisher on Lotus leaves Watercolour on silk in a decorative border 51 x 69cm £200-300

94 ‡ KeiTh henderSon rwS, oBe

1883-1982

La Mexicana Signed Watercolour 32 x 47.5cm £300-500

95 ‡ KeiTh henderSon rwS, oBe 1883-1982

A Bearded Reedling Signed with initials, also signed, titled and inscribed verso Watercolour, circular 28.5cm diameter

£150-250

96 ‡ MAriAn elliS

97 winiFred GriFFen

98 ‡ BernArd FleeTwood-wAlKer

c.1923

early 20th Century

1893-1965

Still life of Dianthus in a pot

The Cenotaph, Hong Kong; The Peak, Hong Kong

Standing nude

Signed Gouache 15 x 17cm £150-250

Two, both watercolour, on on paper, one on linen 22 x 28cm and 21 x 36cm (2) £200-300

Oil on canvas laid on panel 36.5 x 24cm £400-600

99 ‡ AlFred AAron wolMArK

100 ‡ AlFred AAron wolMArK

1877-1961

Portrait of a young lady, seated, wearing a lilac blouse Signed Oil on panel 77 x 51cm Provenance: Boundary Gallery, London £600-800

100

101 ‡ JACoBuS JohAnneS doeSer

102 ‡ STAnley reGinAld wilSon

Portrait of a young woman, seated in St. Ives

dutch 1884-1970

Pink flowers in a green pot

English Roses in an Indian Mimbres bowl

Signed, inscribed St. Ives, and dated 1921 Pen, ink and pencil 35 x 25.25cm

Signed Oil on canvas 64 x 74cm

Signed and titled on a label verso Oil on board 61 x 84cm

£200-300

£100-200

Provenance: Boundary Gallery, London £200-300

101

102

1890-1973

103 erneST ProCTer 1886-1935

Ypres, the Moat from the Menin Gate; Ypres, Cloth Hall town from ruins of Cathedral Two, both signed and titled Both watercolour with conte, one on grey and one on buff paper 24 x 34cm and 24 x 31cm (2) Provenance: The Medici Society Ltd., London Painted in 1918/19

103

£300-500

104

105

106

107

104 ‡ Colin willey

105 GilBerT holidAy

106 ‡ dAVid CoBB

b.1972

1879-1937

1921-2014

107 FrederiCK williAM STurGe

Evening light on the river Frome

Jumping the fence

Orford, Suffolk

c.1858-c.1939

Signed with initials Oil on board 40 x 76cm

Signed and dedicated to Roy Tilling, Saddler for Whiteparish Watercolour with bodycolour heightened with white 15.5 x 34cm This is possibly a study for the work titled The Grand National, Bonhams, 24/3/99 lot 42

Signed, inscribed Orford and dated ‘78 Oil on board 25.5 x 40.5cm

Loch Long

£200-300

Provenance With letters from the artist at home in Tintagel in May 1906 to the vendor’s family

Provenance: The Wykeham Gallery, Stockbridge, 14456 £150-250

£200-300

Signed Watercolour 36.5 x 70cm

£300-500

108 ‡ FrederiCK hAll 1860-1948

A farmhouse in autumn Signed Oil on board or paper 31 x 39cm £1000-2000

108

109

110

111

109 rowe

110 ‡ ConSTAnCe Anne PArKer

111 liSTer

20th Century

b.1921

20th Century

Portrait of a man

Portrait of a gentleman, wearing a green tie

Seated female nude

Signed Oil on board 32 x 23cm; 12½ x 9in

Oil on board 30 x 23cm

Signed Oil on canvas 75 x 51cm

£150-250

Provenance: Royal Academy, Summer Exhibition, 1975 £100-150

£200-300

112 herMAn hAMAnn

114 AuGuST MoSCA

German 1868-1933

American/italian 1909-2002

Standing figures

Still life of a pear, lemon and grapes on blue

Signed, also signed and titled indistinctly on a label verso Oil on canvas 110 x 151cm £700-1000

113 AuGuST MoSCA

Oil on canvas 56 x 33cm With a watercolour of roses in a jug signed and dated 1942 (2) £100-150

American/italian 1909-2002

Bathers by a pool Signed and dated 1953 Oil on canvas, unframed 76 x 106.5cm £250-350

112

113

116

114

115

115 AuGuST MoSCA

116 AuGuST MoSCA

American/italian 1909-2002

Nude in an interior with pot plants

Path through the Fir Trees

Signed and dated 1967 Pen and ink 57 x 46cm With a screenprint of a nude and a reproduction by the same hand (3)

Signed and dated 1994 Pastel on buff paper 60 x 45cm With a smaller watercolour of a lady on a terrace by a fir tree by the same hand (2)

£100-150

£200-300

117

118

117 ‡ GeoFFrey TiBBle 1909-1952

Gina, Afternoon Signed and dated 44 Oil on canvas 104 x 77.5cm Provenance: Peter Nahum, London Christie’s, The Peter Nahum Collection, 15 Nov 2006, 152 £1500-2500

118 ‡ PinChuS KreMeGne russian/French 1890-1981

Portrait de Femme Signed, inscribed with titled on a label verso Oil on canvas 55 x 46cm exhibited: The Redfern Gallery, October 7th - November 6th, 1954, No. 83, a copy of the catalogue included in the lot Galerie Stiebel, Rue de Seine, Paris Provenance: Madame Line Playfair £1500-2500

119

120

119 ‡ John BAinBridGe CoPnAll

120 ‡ TAi ShAn SChierenBerG

1928-2007

b.1962

Portrait of a lady, head and shoulders

Crouching woman and chair, 1993

Signed Black and red chalk 46 x 33cm

Oil on canvas 35.5 x 25.5cm

£400-600

Provenance: Flowers East Gallery, London, No. AFG 17702 £600-800

121

121 JuliuS olSSon rA 1864-1942

Moonlit waves on the shore with The Longships Lighthouse, Land’s End, Cornwall Signed Oil on canvas 128 x 177cm Provenance: Arthur Tooth and Sons, 155 New Bond Street, London exhibited: Royal Academy, 1917 Bradford City Art Gallery, 1918 £4000-6000

122 JuliuS olSSon rA 1864-1942

Moonlit waves on the shore Signed Oil on canvas, unframed 60.5 x 76cm £2000-3000

123 JuliuS olSSon rA 1864-1942

Moonlight off Beachy Head Signed Oil on board 43 x 56cm £1000-1500

124 JuliuS olSSon rA

122

1864-1942

Warships in Moonlight Signed Oil on board 41 x 53cm £800-1200

125 JuliuS olSSon rA 1864-1942

Crescent moon over the coast Signed Oil on board 35 x 45cm £800-1200

123

124

125

126 ‡ MAuriCe AlFred déCAMPS French 1892-1953

Still life of Carnations in a vase Signed Oil on canvas 38 x 46cm Provenance: Christie’s, 29th April 2008, Lot 189 £400-600

126

127

127 ‡ williAM ChArleS Penn roi 1877-1968

Silver white Signed Oil on canvas 51 x 61cm £600-800

128 urSulA wood exh. 1890-1922

Farnham Castle 128

129

Signed and dated 1943 Oil on canvas 46 x 61cm Some records show that this Artist died c.1925 however we feel confident that this is by her hand and is clearly dated 1943. £300-500

129 ‡ SAMuel John lAMornA BirCh rA 1869-1955

Old Castle near Selkirk, Scotland Signed Watercolour 25 x 35cm

130

131

Provenance: Cotman Galleries, Birmingham, May 1933

130 ‡ PhilliP ConnArd

131 ‡ lT. Col. edwArd w. wArd

£150-250

1875-1958

20th Century

A river landscape

Lighthouse, Caiscais, Portugal

Signed Watercolour 21.5 x 27cm

Signed with initials and dated 57, also stamped, signed and titled verso Oil on canvas 40.5 x 51cm With a further view of Portugal and a study of a donkey by the same hand (3)

Provenance: Spink, London, K3/4898 £100-150

£200-300

132

133

132 ‡ JAMeS P. Power b.1946

A Cornish harbour, possibly Padstowe Signed Oil on canvas 51 x 61cm £800-1200

133 ‡ wAlTer Goodin 1907-1992

Boats at North Landing, Flamborough

134

135

Signed Oil on board 60 x 74cm £700-1000

134 ‡ MiChAel BowMAn b.1943

Vaison La Romaine, Provence, France Signed and dated 2002 Oil on board 36 x 49cm Provenance: The Wykeham Gallery, Stockbridge, Hampshire, December 2002, No. 3

136

135 Modern BriTiSh SChool

136 JAMeS herBerT Snell

137 ‡ reGinAld Guy KorTriGhT

£200-300

20th Century

1861-1935

1876-1948

Figures in a street

The Long flood bridge at the Leas, Yalding, Kent

River and sea, South Devon

Oil on canvas 37 x 45cm £300-500

137

Signed Oil on canvas 56 x 79cm

Signed Tempera, heightened with white on buff paper 26 x 38.5cm

£150-250

£400-600

138

138 ‡ ruSKin SPeAr rA 1911-1990

Winter Sea Titled on a part label verso Oil on board 144 x 115cm £6000-8000

139 ‡ Sir CeCil BeATon CBe 1904-1980

Portrait of Valentine Lamb aged eleven, son of Henry Lamb Signed Oil on canvas 61 x 51cm

139 literature: Photobiography by Cecil Beaton 1951, illustrated photograph between pages 168-9 from which this portrait was subsequently produced, c.1960s exhibited: Cecil Beaton at Home - Ashcombe and Reddish, Salisbury Museum 2014 Provenance: Christie’s, Cecil Beaton Sale, 21 June 1988, Lot 18 The Estate of Miss Eileen Hose, Beaton’s secretary 1953-1980 Valentine Lamb (1939-2015) was the editor of the Irish Field and a highly respected figure on the Irish racing and bloodstock scene. Born at Coombe Bissett to the artist Henry Lamb and the writer Lady Pansy Pakenham he attended Salisbury Cathedral School and later King’s Bruton School before being called up for National Service in the Air Force. Sir Cecil Beaton writes in his book Photobiography that his ‘most recent photos’ are of plants and children. ‘To try and document the fleeting moods of childhood has given me enormous pleasure: the nuances of expression are so much more varied than when an adult mask is worn. Children’s faces have no secrets and their eyes are unguarded …’ £5000-7000

140

141

140 ChArleS ruxTon

143 ‡ Andrew whiTe

early 20th Century

b.1968

Figures in a sunny landscape

Western Shores, Cornwall

Signed and dated 19 Gouache 24 x 34cm

Signed Oil on canvas 71 x 107cm

£100-150

Provenance: Burlington Paintings, London, C2425

141 John BArAGwAnATh KinG 1864-1939

Gorse in bloom, Mounts Bay Shore Signed, also signed, titled and dated 1912 verso Gouache 28 x 45cm £100-150

£200-300

144 ‡ edGAr FreyBerG German b.1927

Breaking waves Signed Oil on canvas 51 x 101cm £100-150

142 KArl MoSer Swiss 1860-1936

Engadin Valley, Switzerland

142

143

Signed and dated 1926 Watercolour and gouache 28 x 20.5cm £100-150

144

145

146

145 MAlTeSe SChool early 20th Century

Views of Malta Four, one dated April 4, 1901, one inscribed indistinctly All watercolour 17 x 24cm and similar (4) £400-600

146 Alex BrAnTinGhAM SiMPSon

147

148

act.1904-1931

Cherubs and a lady scattering blossom Signed Watercolour 26.5 x 30.5cm With a small watercolour of Route de Gaillac by the same hand (2) Provenance: Purchased from the artist’s studio sale in Horstead Keynes c.1987 £250-350

149

147 ‡ dereK MynoTT

148 ‡ ChArleS TheuniSSen

149 ‡ Gordon T. CroSSley

1926-1994

Belgian 1871-1948

A Continental hill-top town

Figures on the beach at Klemskerke, Belgium

Night and day

Signed Oil on panel 25.5 x 37cm According to a label verso this painting marks the spot where Leon Peltzer’s body washed up after the tragic ‘Affaire Peltzer’ in which two brothers were sentenced to death for murder

A pair, one signed with initials, both also signed and one dated 1966 verso Both oil on canvas Each 51 x 76cm (2)

Signed and dated 1996 Oil on paper 27 x 43cm £100-150

£150-250

b.1929

£200-300

150

151

150 ‡ llewellyn PeTley JoneS

151 ‡ PeTer Kinley

152 ArrAh lee GAul

153 ‡ STePhen Bone neAC

1908-1986

1926-1988

American 1883-1980

1904-1958

Still life of roses in a vase

Cyclamen

Rhododendrons in Surrey

Ile de Ré

Signed and dated 73 Oil on canvas 55 x 46cm

Signed Oil on board 46 x 33.5cm

Signed Oil on board 30.5 x 23cm

Titled and stamped verso Oil on panel 35.5 x 25.5cm

£600-800

£1500-2500

Provenance: Beaux Arts Gallery, London

£300-500

£200-300

152

153

154

154 ‡ rAy CAMPBell SMiTh FrSA 1916-2016

St Tropez Signed with initials Watercolour 35 x 30cm £150-250

155 ‡ MArGAreT Green 1925-2003

Gardening on a cold day Signed Oil on canvas 102 x 76cm £2000-3000

155

156 ‡ lindy GuinneSS irish b.1941

A view from the Drawing Room, Clandeboye, Bangor, N. Ireland, 1974 Signed with initials Oil on canvas 45 x 56cm Provenance: Gallery Edward Harvane, London, January 1975 £600-800

156

157 ‡ STAnley royle 1888-1961

In Essex Signed Gouache 33.5 x 49cm Provenance: The Brook Street Art Gallery, London £400-600

157

158

158 henri AlPhonSe BArnoin

160 ‡ AnnA KATrinA zinKeiSen

French 1882-1940

1901-1976

Sailing ships off the coast

The Madonna and child with birds and animals

Signed Oil on board 31 x 31cm Provenance: P & D Colnaghi & Co

Signed Oil on canvas 63.5 x 76cm £800-1200

£600-800

159 ‡ doriS zinKeiSen 1898-1991

159

160

161 ‡ AnnA KATrinA zinKeiSen 1901-1976

Christmas Morning

St. Anthony with birds and animals

Signed Oil on canvas 79 x 54cm

Signed Oil on canvas 76 x 63.5cm

£600-800

£800-1200

161

162

163

164

165

166

162 ‡ BerTrAM niChollS

163 ‡ GeorGe ChAPMAn

164 ‡ GeorGe ChAPMAn

165 ‡ ChArleS CundAll rA

1883-1974

1908-1994

1890-1971

Triumphal Arch

Hampstead Heath

Figure on a track by a farm

1902-1988

Signed and dated 1926 Oil on board 28 x 20cm

Signed, titled and dated 1946 verso Oil on board 71 x 56cm

Signed and dated 1937-8 verso Oil on board 50.5 x 60.5cm

The Acropolis from Pláka, Athens, Greece

£400-600

£500-700

Signed, also titled and inscribed Gt. Cheyne Studios, Cheyne Row/£52 on a partial label verso Oil on canvas 40.5 x 30.5cm

Signed, also signed and titled on backing board Oil on canvas 51 x 41cm

£400-600

£600-800

166 ‡ AdriAn MAuriCe dAinTrey Margaretta Terrace, SW3

£300-500

167

168

169

167 AGneS GoodSir Australian 1865-1939

Still life of daisies and pansies Signed Oil on panel 33 x 24cm Provenance: Lucien Lefebvre-Foinet, Paris The Cooling Galleries, London £200-300

170

171

168 Follower oF dunCAn GrAnT

170 ‡ ArChiBAld zieGler

172 ‡ lAdy PATriCiA rAMSAy ArwS neAC

Still life of tulips in a vase

1903-1971

1886-1974

A wooded landscape

Jar with Arums

Oil on canvas, unframed 76 x 63cm

Signed Oil on board 63 x 76cm

Signed with initials Oil on board 41 x 35.5cm Painted in 1952

£150-250

169 ‡ PhiliP nAViASKy 1894-1983

Flower piece Signed Oil on panel 61 x 51cm

172

£150-250

171 ‡ elSie l. roBerTSon 20th Century

The Cottage, Grafton

exhibited: City of Bradford Art Gallery

Signed and titled on a label verso Oil on canvas 40.5 x 51cm

£250-350

£300-500

Lady Patricia Ramsay or Princess Patricia of Connaught was Granddaughter to Queen Victoria. On marrying Capt. Alexander Ramsay (later Admiral), she relinquished her title of Royal Highness and Princess of Great Britain and Ireland. She was one of several distinguished royal amateur painters and trained under A. S. Hartrick who had known Gauguin and Van Gogh and they undoubtedly had some influence on her style. She became a member of the New English Art Club in 1931 and was also an honorary member of the Royal Institute of Painters in Watercolours. £200-300

173 ArThur John BlACK 1855-1936

Sweet waters Signed, also signed and titled verso Oil on canvas 137 x 183cm exhibited: Royal Academy Inscribed verso 1 Harley Studios, Cresswell Place, South Kensington, SW10 £2000-3000

173

174 ‡ luCien henri GrAndGérArd French, 1880-1970

L’Accroc, The Snag Signed, also titled on a label verso Oil on panel 61 x 46cm £600-800

175 ‡ luCien henri GrAndGérArd French, 1880-1970

Ballerina Signed, also titled on a label verso Oil on panel 61 x 50cm £600-800

174

175

176

176 ‡ denyS lAw 1907-1981

Cornish town view; Cornish farmstead A pair, both signed Both oil on canvas Each 40.5 x 61cm (2) £500-700

177

177 ‡ FlorenCe ST. John CAdell

178

Scottish 1877-1966

Far West, Iona; Sunrise, Soller Two, one signed, both signed and titled on artist’s label verso One oil on panel, one on board 35.5 x 28cm and 27 x 35cm (2) £500-700

179

180

178 ‡ eThelBerT whiTe rwS

179 ‡ SuSAn FrenCh

180 ‡ CleMenT VAn VlAArdinGen

1891-1972

20th Century

dutch 1916-1972

A harbour in a landscape

The church of St. Mary and St. Lawrence, Stratford Tony, Wiltshire

Brouwersgracht, Amsterdam, Holland, 1966/67

Signed, also signed and inscribed Wiltshire Churchyard verso Oil on board 61 x 76cm

Signed and inscribed Brouwersgracht Oil on canvas 51 x 71cm

Signed Oil on board 50 x 76cm £400-600

£300-500

£150-250

181 ‡ williAM Miller FrAzer rSA Scottish 1864-1961

Bury Church, Sussex Signed Oil on canvas 46 x 61cm £800-1200

182 hunGAriAn SChool 20th Century

Figures on a sunny street Signed Oil on canvas, unframed 50 x 63cm £120-180

181

183 leonid PeTroViCh TiKhoMiroV

184 niColAi niKolAieViCh GorloV

russian b.1925

russian 1917-1987

Summer meadow

Still life of fruit and a tea cup

Signed, also inscribed in cyrillic and dated 1987 verso Oil on canvas 59 x 70cm

Signed and inscribed in cyrillic verso Oil on canvas 58 x 77cm £600-800

£400-600

182

183

184

185 ‡ roBin TAnner 1904-1988

March Signed and titled Etching 25 x 19.5cm £200-300

185

186

187

186 ‡ erneST howArd ShePArd 1879-1976 Baby face; A gentleman of fashion Two, both pencil with sketches verso, mounted, unframed 29 x 22cm and 23 x 16.75cm (2) Provenance: Both from the artist’s sketchbooks W9598 £150-250

187 ‡ PeTer MArKhAM SCoTT CBe 1909-1989

Mallard Signed Scraperboard print 22 x 14.25cm Provenance: Nigel Stacy-Marks, Perth

188

190

£200-300

189

188 ‡ MAx ernST

189 ‡ rodriGo MoynihAn rA

190 ‡ JACqueS Villon

German 1891-1976

1910-1990

French 1875-1963

Sphinx

Winter river scene

Untitled abstract, 1951

Signed and numbered 35/50 Lithograph, published by Louis Broder, Paris, 1939 35 x 27cm

Watercolour over pencil 37 x 26cm

Signed and numbered 2/21 Etching 20.5 x 16cm

£300-500

£150-250

Provenance: Redfern Gallery 15/7/58

£100-150

191 ‡ Ben niCholSon

193 ‡ henry Moore oM

1894-1982

1898-1986

Untitled design for Edinburgh Weavers, 1956

Sculptural objects, 1949

Screenprinted furnishing fabric, framed 101 x 113cm £800-1200

Signed and dated in the print Lithograph, published by School Prints Ltd. 48.5 x 74cm With 2 further prints by Edward Ardizzone and Eric Gill (3) £200-300

192 ‡ PrunellA ClouGh 1919-1999

Untitled, small window details Thought to be inscribed Piper Period Unique monotype 10 x 15cm Provenance: Anthony Hepworth Fine Art, Bath £100-150

194 ‡ SoniA dAlAunAy-TerK ukranian/French 1885-1979

Plates from Ses peintures, ses objets, ses tissues simultanés, ses modes, 1925 Two, both signed Both stencil, published by Librairie des Arts Décoratifs Each 32 x 51cm (2) £800-1200

191

192

194

193

195 ‡ ednA ClArKe hAll

196 ‡ o. TAylor SMiTh

1881-1979

20th Century

The Quayside; At the Window

Doves on a roof

Two, both signed, one dated 1901 Both pen, ink and watercolour 22 x 22cm and 18 x 21.5cm (3) With a small sketch book by the artist, a Slade Centenary Exhibition catalogue of the artist’s work and letters to Richard Smart

Signed Oil on canvas 46 x 61cm

exhibited: D’Offay Couper Gallery, London, October 1971, Cat No. 21 and 34

20th Century

Provenance: Alexander Gallery, Bristol, 22/1/73, No. 130387/18 Camden Fine Art, Bath Richard Smart

£150-250

197 ‡ MArGAreT SAle Concarneau Harbour Signed titled and inscribed verso Oil on canvas, unframed 46 x 55cm £150-250

£400-600

198 ClArA KlinGhoFFer Austrian/American 1900-1972

Study of a girl

195

Pencil 26 x 21.5cm £100-150

199 ‡ K.w. 20th Century

Still life of a table top with a teapot and flowers Signed with initials Oil on board 40 x 32cm £150-250

196

200 ‡ PAule VézelAy

197

1893-1984

The Juggler Pen and ink with chalk, unframed 25.5 x 20cm Provenance: Michael Parkin Gallery, Paule Vezelay Early Work, June 1988 £200-300

198

199

200

201

201 luCien PiSSArro French 1863-1944

Duton Hill, Essex Signed with a monogram and dated 1910, also titled verso Oil on canvas laid on board 32.5 x 39.5cm Provenance: Anthony d’Offay, London The Artist’s Nephew The painter moved to Epping in Essex in 1893 and painted several views of Duton Hill and the surroundings £7000-10000

202 ‡ AlGernon newTon rA 1880-1968

The Hay Stack Signed, also dated 1914, titled and inscribed No. 3 on the overlap verso Oil on canvas 64 x 50cm £1000-1500

202

203

205

204

207

203 ‡ GeorGeS rouAulT French 1871-1958

Les Amants from Les Reincarnations du Pere Ubu, 1928

205 AFTer GeorGeS rouAulT

207 ‡ AFTer FernAnd léGer

Squelette

Figure from Contraste des formes series

French 1881-1995

Signed Aquatint 31 x 22cm

Numbered 356/425 Aquatint, from Les Fleurs de Mal, published by Fequet et Baudier, Paris, 1966 35 x 25cm

£150-250

£250-350

204 AFTer GeorGeS rouAulT

206 GeorGe SherinGhAM

Le Clown à la Grosse Caisse from Cirque

Decorative panel

Toucans

Signed Watercolour and gold paint on black silk 90 x 29cm

Signed and inscribed Hausdruck Linocut 23 x 18cm

Aquatint from an edition of 270 31 x 21cm £400-600

206

208

1884-1937

£400-600

Signed with initials in the print Lithograph, published 1959 31 x 23.5cm £200-300

208 ‡ norBerTine Von BreSSlern-roTh Austrian 1891-1978

£400-600

209 ‡ PAul JAMeS loGAn wyeTh

212 ‡ PieTro AnniGoni

1920-1983

Queen Elizabeth II, 1954

Study of three men walking Pen, ink and wash 15 x 16cm Provenance: By family descent Wilkins & Wilkins, London 11/5/06 £100-150

210 ‡ PAul JAMeS loGAn wyeTh 1920-1983

A collection of c.35 drawings, mainly portraits

1910-1988

Signed and numbered 711/850 Lithograph 35.5 x 27.5cm £100-150

213 ‡ BruCe BAirnSFATher 1888-1959

£300-500

£200-300

214 ‡ John TriGG

211 ‡ norMAn BlAMey

b.1943

Portrait of the artist’s wife, Margaret Signed with initials and dated 1950 Watercolour on buff paper 32.5 x 47.5cm £300-500

210

Signed and inscribed Pencil, on a Wipke’s Grove Menu 22.25 x 14.25cm

Most pencil Various sizes (c.35)

1914-2000

209

Where Old Bill can be found, Waterloo Station

Hotel Courtyard V, Sam, Mali, West Africa Signed, titled and dated ‘93 on backing board verso Pen and ink 30 x 20cm Provenance: Winston Churchill Memorial Trust, London A gift from the artist

211

£120-180

212

213

214

215

215 ‡ lAurenCe STePhen lowry rA 1887-1976

His Family; The Level Crossing, Burton-on-Trent Two, both signed and stamped with Fine Art Trade Guild blindstamp Both lithographs 53 x 71cm and 41 x 57cm (2)

216

Provenance: (Family only) Harrods, No. 8355

217

£1200-1800

216 ‡ MAry newCoMB 1922-2008

Sketch for Boat Party Signed Pencil and wash on green/gold paper 24 x 31cm Provenance: Crane Kalman Gallery, December 1988 £200-300

218

219

217 ‡ AlBerTo GiACoMeTTi

218 ‡ hArry PhelAn GiBB

219 oBroGoV

Swiss 1901-1996

1870-1948

russian c.1930

Paysage

San Rochelle, 1931

Potato Harvesters; Mother and child

Signed in the print and stamped Lithograph, published by Maeght, Paris, unframed 40 x 56.5cm

Watercolour 47 x 47cm

A pair, both signed, inscribed and dated 1930 Both woodcuts Each 56 x 71cm (sheet size) (2)

£300-500

Provenance: The Lucy Carrington Wertheim Collection £250-350

Provenance: From the collection of John Newall Esq. £200-300

220

221

220 ‡ ClArenCe BlACKBurn

222 ‡ norMAn wilKinSon

1914-1984

1878-1971

On the Beach, St. Ives

Warships at sea

Signed Watercolour with bodycolour 64 x 98cm £500-700

221 ‡ JAMeS JoSePh BrereTon b.1954

The Clipper Grace Ross Signed, also signed and titled verso Oil on canvas 51 x 76cm

Signed Watercolour 34 x 54cm £600-800

223 ‡ Gordon elliS 1920-1978

Gathering storm, Les Hanois Lighthouse, 1964 Signed Oil on board 36 x 61cm £600-800

222

Provenance: E. Stacy Marks, 5.5.84, No. B1484 literature: W. A. Fairburn, Merchant Sail, Vol. 5, pp. 3471, 3480, 388 This is likely to be the Grace Ross mentioned in the above volume, built 1859, Belfast, Maine, USA, 1073t, 179 x 36ft beam and 18ft depth, ship rigged, master John G. Pendleton £500-700

223

224 ‡ williAM denniS drinG rA 1904-1990

View over Winchester with St. Catherine’s Hill Signed Watercolour 32 x 46.5cm Provenance: Artist’s label verso £100-150

224

225

225 ‡ BArBArA Crowe b.1942

View of a moorland Signed and titled indistinctly Watercolour 26 x 36.5cm £100-200

226

227

226 ‡ JACK PounTney

227 ‡ JACK PounTney

228 ‡ JACK PounTney

229 ‡ JAMeS PrinSeP BeAdle

1921-1997

1863-1947

Pool of London; View of St. Paul’s

Prospect of Whitby; Limehouse in the 30s

SS Vasco

In the Lake Country near Grasmere

Two, both signed Both watercolour Each 26.5 x 36cm (2) £200-300

Signed Gouache 25 x 30cm With another of a ship repair on the hard by the same hand (2)

Two, both signed Both watercolour Each 26 x 36cm (2) £200-300

228

£200-300

229

Signed, also titled verso Oil on canvasboard 30 x 39cm £200-300

230 ‡ AuSTin oSMAn SPAre 1888-1956

Transcriptions - 7 faces Signed, titled and dated ‘32 also inscribed on an original label verso Experiment in Relativity by Austin Osman Spare 1933 Watercolour over pencil 52 x 34.5cm Provenance: Bought from the artist by William Bower Dalton By descent exhibited: Cuming Museum, 2010, Refractions pp. 71 & 86 £2000-3000

231 ‡ GeorGe houSTon rSA Scottish 1869-1947

Lynn Dalry, Ayrshire A pair, both signed, one titled Both pastel on buff paper Each 18.5 x 25.5cm (2) £200-300

230

231

232 ‡ Edward SEago rwS 1910-1974

High Pasture Signed Watercolour 28 x 38cm Provenance: P. & D. Colnaghi and Co., London Panter & Hall, London Exhibited: Marlborough Fine Art Ltd., London, Edward Seago memorial exhibition, 4 Dec 1974-3 Jan 1975 £4000-6000

232

233 ‡ Edward SEago rwS 1910-1974

Marshland and Cattle Signed Watercolour 38 x 28cm Provenance: Richard Green Gallery, London, Ref: RH 2368 £4000-6000

233

234

234 ‡ Edward SEago rwS 1910-1974

Cottages on the Broads Watercolour 26 x 36cm Provenance: Thomas Gibson Fine Art Ltd., London, No. 37 Exhibited: DC-Art, Woollahra, NSW, Australia, 20/4/90-19/5/90, No. 1113 John Noott Galleries, 3rd Biennial Exhibition of works by Seago, Dec 1995, No. 4 £3000-5000

235 ‡ Edward SEago rwS 1910-1974

Dieppe, The Corner House Watercolour 38 x 28cm Provenance: Thomas Gibson Fine Art Ltd., London, No. 34 Exhibited: John Noott Galleries, France and the Low Countries, Nov. 93 £3000-4000

235

236

237

236 ‡ KEnnEth dEnton

237 John nobLE

238 ‡ LuciEn dELaruE

239 ‡ LuciEn dELaruE

241 ‡ don Vaughan

b.1932

1874-1935

French b.1925

20th century

A Normandy Harbour

Castle Mill, Dorking

Rue Dreuet, Monmartre

A canal boat

Signed, also signed and titled verso Oil on canvas laid on board 40 x 61cm

Signed Oil on board 50.5 x 61cm

Signed, also signed and titled verso Oil on canvas 54.5 x 45.5cm

Eze Village, Cote d’Azur

Provenance: E. Stacy-Marks, 11 Sept 1982, No. D2684

Provenance: Admiralty Art Club

Provenance: E. Stacy-Marks, 04.12.82, No. D2755

£300-500

£200-300

Signed, also signed and titled verso Oil on canvas 51 x 61cm

242 ‡ don Vaughan

£300-500

20th century

Harvest scene Signed Oil on canvas 50 x 76cm £400-600

240

239

241

£200-300

Provenance: E. Stacy-Marks, 07.10.81, No. D2593

240 ‡ don Vaughan

238

Signed Oil on canvas 30 x 40.5cm

242

Fishermen in a river landscape Signed Oil on canvas 30 x 40.5cm £200-300

243 ‡ gEorgE graham 1881-1949

Rainy night and windy ‘morrow Signed Oil on canvas 90 x 122cm Exhibited: Royal Academy, 3371 £1200-1800

243

244 John mEyEr South african b.1942

A Summer of Promise Signed, also signed, titled and numbered 92.49 verso Oil on canvas 91 x 122cm £1000-1500

244

245 ‡ gordon bEningFiELd

249 ‡ daVid morgan

1936-1998

247 ‡ amy KathErinE browning

Studies of Blue Butterflies

1882-1970

Signed Watercolour on buff paper 27 x 21cm

View from Cranborne Chase looking towards Tollard Royal and beyond

River Reflection; Summer Pastures

Provenance: Tryon Gallery and Moorland Gallery, London, GB 196

Signed Oil on board 38 x 45.5cm

Two, both signed, also signed and titled on stretcher verso Both oil on canvas 30.5 x 40.5cm and 30.5 x 51cm (2)

£600-800

£300-500

£200-300

246 FranK nELSon wiLcox

248 ‡ John oSbornE 20th century

250 ‡ roSEmary Sarah wELch

american 1887-1964

Wylye river

b.1946

Boothbay Harbour, Maine, USA

Signed Oil on canvas 61 x 76cm

Work horses in the New Forest in winter

Signed, also inscribed verso Watercolour 36 x 49cm

245

£200-300

Signed Oil on canvas 77 x 101cm £700-1000

246

248

£200-300

b.1964

247

249

251 wiLLEm StErnbErg dE bEEr South african b.1941

The high and the mighty Signed Oil on canvas 76 x 102cm £700-900

252 wiLLEm StErnbErg dE bEEr South african b.1941

Indo Chinese Tiger, Panthera Tigris Corbetti Signed Oil on canvas Circular 47cm diameter £500-700

253 ‡ PEtEr biEgEL 1913-1987

Copper Coin by Corner Boy and Penny Farthing (by Penny Royal, winner of EBOR)

250

Signed and dated 67 Watercolour 37.5 x 54cm Inscribed in different hand verso A great hunter, bred and hunted all life by Jean Wilkinson £300-500

254 ‡ KEith ShacKLEton 1923-2015

Gentoo Penguins, Port Lockroy, Antarctica Signed, dedicated, titled and dated Christmas 1974 Gouache 22 x 25cm Provenance: Maisie Kerrigan who travelled on the Lindblad Explorer with the artist in 1974 £150-250

251

252

253

254

255

257

258

256

255 ‡ JoSé EScoFEt

257 ‡ JoSé EScoFEt

Spanish b.1930

Still life of Auriculas in a basket

Still life of Primula in a basket with a trowel

Signed Gouache 42 x 59cm

Signed Gouache 42 x 58cm

Provenance: Stephanie Hoppen, London, No. 8805047

Provenance: Stephanie Hoppen, London, No. 8802139

£700-1000

256 ‡ JoSé EScoFEt

258 ‡ JoSé EScoFEt

Spanish b.1930

Still life of Auriculas and Robins

Still life of Primula by a watering can

Signed Gouache 42 x 58.5cm

Provenance: Stephanie Hoppen, London, No. 8803078

Provenance: Stephanie Hoppen, London, No. 8802140

£700-1000

259 ‡ JoSé EScoFEt Spanish b.1930

Still life of Pelargoniums in southern Spain, 1988 Signed Gouache 60 x 80cm Provenance: Coe Kerr Gallery Inc., New York, Exhibition of recent works, October 25-November 11, 1989, No. 27 Stephanie Hoppen, London, No. 8809091 £1000-1500

260 ‡ JoSé EScoFEt Spanish b.1930

Still lifes of Auriculas and Primula in terracotta pots A pair, both signed Both gouache Each 36 x 46cm

259

Provenance: Stephanie Hoppen, London, No. 8803033 and 8802002 (2) £800-1200

261 ‡ JoSé EScoFEt Spanish b.1930

Still lifes of Auriculas in flower pots A pair, both signed Both gouache Each 40 x 27cm Provenance: Stephanie Hoppen, London, No. 8803075 and 8803076 (2) £800-1200

262 ‡ JoSé EScoFEt Spanish b.1930

Still lifes of Primula in flower pots Three, all signed All gouache Each 34 x 27cm

260

Provenance: Stephanie Hoppen, London, No. 8802008, 8802009 and 8801029 (3) £1000-1500

261

262

265 a. wiSniawSKi 20th century

Ladies in the half light Signed Oil on panel 25.5 x 33cm £80-120

266 JoSEPh wEiSS romanian/israeli 1916-2003

Untitled, abstract Signed, inscribed indistinctly verso Oil on canvas 70 x 85cm

263

264

263 ‡ PaScaL magiS

264 ‡ charLES tyrrELL

French b.1955

b.1950

Circular abstract

Engage

Signed, also signed and numbered 2794 verso Acrylic on board, circular 99cm diameter

Signed, titled, dated 1994 and inscribed Alllihies verso Oil on canvas laid on panel 89 x 89cm

£400-600

£300-500

267 ‡ tom hammicK

Provenance: Austin Desmond Gallery, 1996

b.1963

Yellow Lake Signed, titled, dated 2006 and numbered EV IV/X Woodcut 110 x 150cm Provenance: Flowers Graphics, London, FG6347

£800-1200

£300-500

268 ‡ rEubEn mEdniKoFF 1906-1975

Busker Signed Oil on board 41 x 51cm £200-300

265

267

266

268

269 ‡ daVid hocKnEy ra b.1937

Corbusier chair and rug Signed Offset print 61 x 51cm £800-1200

270 ‡ John PiPEr 1903-1992

St. Mary’s Paddington, 1964 Signed and numbered 58/70, also titled verso Lithograph, Levinson 145 68 x 47cm £400-600

271 ‡ John PiPEr

269

270

1903-1992

Avoncroft Museum Signed and numbered 22/75 Lithograph, Levinson 258, from 1976 42 x 59cm £400-600

272 ‡ John PiPEr 1903-1992

Harlaxton Manor Signed and inscribed AP Lithograph, Levinson 275, from 1977 46 x 68cm £600-800

271

272

273 ‡ barry FLanagan ra

274 PEnny SioPiS

1941-2009

South african b.1953

Landscapes

Saartjie Baartman

Twelve, all signed, dated 76 and numbered All linocuts, two framed, the rest unframed Two at 38 x 54cm and smaller With two prints by Gillian Wise 84 x 60cm (14)

Signed, titled, dated ‘90 and numbered 4/20 Lithograph 28.5 x 48cm

£200-300

273

274

£200-300

275 ‡ Edward ardizzonE ra 1900-1979

The artist with his model Signed with initials Pen, ink and watercolour 16 x 20.25cm £600-800

276 ‡ Edward ardizzonE ra 1900-1979

Festival of Britain Signed with initials Pen, ink and watercolour over pencil 24.5 x 40cm Provenance: Andrew Kimpton, 1985 The Estate of Professor Rodney Fitch CBE £1200-1800

277 ‡ Edward ardizzonE ra 1900-1979

Boxing; Law Courts

275

Two, both signed with initials Both pencil, framed together Each 21 x 17cm Provenance: The Estate of Professor Rodney Fitch CBE £400-600

278 ‡ Edward ardizzonE ra 1900-1979

Study for The Ogres Signed with initials Pencil 9.5 x 28cm Provenance: The Estate of Professor Rodney Fitch CBE £250-350

276

277

278

279 ‡ Edward ardizzonE ra 1900-1979

Geometric studies Signed with initials Pen and ink 44 x 29cm Provenance: The Estate of Professor Rodney Fitch CBE £700-1000

280 ‡ Edward ardizzonE ra 1900-1979

The artist with his model Signed with initials Pen, ink and watercolour 28.5 x 27.5cm

279

280

Provenance: The Estate of Professor Rodney Fitch CBE £1000-1500

281 ‡ Edward ardizzonE ra 1900-1979

Mixed studies Signed with initials Pen and ink on P & O Canberra paper 19 x 14cm Provenance: The Estate of Professor Rodney Fitch CBE £250-350

282 ‡ Edward ardizzonE ra

281

1900-1979

Head studies Two, both signed Both pen and ink on buff paper, framed together Each 32 x 22cm Provenance: The Estate of Professor Rodney Fitch CBE £400-600

283 ‡ Edward ardizzonE ra 1900-1979

Miners on a beach Signed and dated 31 Pen, ink and watercolour 22 x 28cm Provenance: The Estate of Professor Rodney Fitch CBE £1000-1500

283

282

284 ‡ wiLLiam bowyEr ra 1926-2015

Still life of flowers and papers on a desk Signed Oil on canvas 71 x 102cm £4000-6000

285 ‡ daVid donaLdSon rSa Scottish 1916-1996

Still life of flowers with pots and a bottle on a table Oil on board 62 x 81cm £1200-1800

286 ‡ richard Eurich ra

284

1903-1992

Cattle in a landscape Oil on board 20.5 x 25.5cm £400-600

287 ‡ JEnny whEatLEy rwS b.1959

Victorian teacup Watercolour with gold paint 15 x 19.5cm Provenance: Bankside Gallery, London £120-180

285

286

287

288 ‡ ronaLd oSSory dunLoP ra 1894-1973

Fruit trees in blossom near East Peckham on the upper reaches of the River Medway Signed Oil on canvas 62 x 90cm Featured in the 1958 Medway Paper Sacks calendar and in Papyrus Christmas magazine 1957 £1500-2500

288

289

289 ‡ roy PEtLEy

290 ‡ bErnard dunStan ra

b.1950

b.1920

Summer’s evening by the seaside

The necklace

Signed Oil on board 61 x 91cm

Signed Oil on board 37 x 30cm

£800-1200

£1500-2000

290

291 ‡ mary VincEnt

292 ‡ a.g. mcmanuS

293 ‡ JamES nobLE

20th century

1919-1989

View from a balcony

Still life of spring flowers in a vase

A spray of sweet scented roses

Signed and dated ‘63, Oil on board 71 x 89cm

Signed Oil on canvas 41 x 76cm

£200-300

Provenance: Stacy Marks, 16/3/68, No. N347

Signed Oil on board 62 x 74cm £150-200

£300-500

291

292

293

294 rEdway

295 ‡ chriStoPhEr miErS

296 ‡ richard wiLLiam nichoLS

20th century

b.1941

1930-2016

Chelsea Flour Mills; Rooftops; Reflections

A view in the South of France

Tower of London

Three all signed, two dated 63 and one 67 All oil on canvas 76 x 51cm and smaller (3)

Signed Watercolour with gouache 35 x 25cm

Signed, titled and dated 14-6-71 verso Oil on canvasboard 51 x 40.5cm

£150-250

£300-500

Provenance: The Round House Gallery, Retrospective exhibition 1958-1980, No. 48 £150-250

294

295

296

297

298

299

300

297 ‡ John miLLEr

298 ‡ John miLLEr

299 ‡ John miLLEr

300 ‡ John miLLEr

1931-2002

Lelant Windsurfers

Kritsa Crete IV, 1986

Figure in a landscape

Cornish Bay

Signed, also signed and titled on the stretcher verso Oil on canvas 71 x 76cm

Signed, also titled and numbered 5-949-HF verso Oil on canvas 61 x 61cm

Oil on board 60 x 45cm

Signed, also signed and numbered 3216KF verso Oil on canvas 50.5 x 45.5cm

Provenance: David Messum, London, Autumn Exhibition, 1996, No. 2

£1000-1500

Provenance: Passmore Edwards Gallery, Cornwall, 25th Sept., 1968 D. L. Mays, Cornwall Exhibited: Newlyn Society of Artists, Autumn Exhibition, 1968 £1000-1500

Provenance: David Messum, Marlow, Autumn Exhibition, 1995, No. 60 £1000-1500

301 ‡ John miLLEr 1931-2002

No. 15, Minaret, Cairo, 1988 Signed and inscribed Minaret Watercolour over pencil 40 x 36.5cm Provenance: David Messum, London, No. 2252 HH £600-800

302 ‡ graEmE wiLcox Scottish b.1967

Frank 3 301

Oil on canvas 30 x 30cm

302

Provenance: The Contemporary Fine Art Gallery, Eton £300-500

303 ‡ LouiS turPin b.1947

Morning Signed and dated 82 Oil on canvas 61 x 51cm Provenance: Beaux Arts Gallery, London £400-600

304 ‡ LouiS turPin b.1947

Three Dancers II

303

Signed Oil on canvas 30.5 x 25.5cm

304

Provenance: Beaux Arts Gallery, London £300-500

305 ‡ raLPh brown ra 1928-2013

Nude seated in an armchair Signed and dated 81 Conte 40 x 51.5cm Provenance: Beaux Arts Gallery, London, 1983 £300-500

305

306

307

306 ‡ raLPh brown ra 1928-2013

Seated nude holding her foot Signed and dated 81 Pencil with rubbing out 48 x 29cm Provenance: Beaux Arts Gallery, London, 1983 £300-500

307 ‡ PEtEr howSon Scottish b.1958

Figure studies Set of three, all signed All chalk on dark grey paper Each 21.5 x 13.5cm (3) Provenance: Flowers Gallery, London £1000-1500

308 ‡ dougLaS Swan american 1930-2000

White Wave Signed, titled and dated May 59 verso Oil on canvas 93 x 73cm Provenance: The Stone Gallery, Oxfordshire, 1982 £500-700

308

310 ‡ coLin trEVor JohnSon

312 FErmin rocKEr

b.1942

american 1907-2004

Barnoon End, St. Ives

Disembarkation

Signed and dated 87 Oil on board 46 x 91cm

Signed with initials Watercolour over pencil 29.5 x 37cm

Provenance: Artist’s label verso

£150-250

£200-300

313 No lot

311 ‡ hiLda chancELLor PoPE 309

309 ‡ JamES mcbEy Scottish 1883-1959

Swinbrook, Oxfordshire

1913-1976

Evening town view Signed Watercolour on grey paper 24.5 x 38cm £300-500

1916-1989

Mistral Plain, Southern France Signed and numbered 50/140 Silk screen 57 x 71cm £100-150

Signed, Inscribed Swinbrook and dated 10 April 1931 Watercolour 26 x 38cm Provenance: Alex. Reid & Lefevre Ltd., London £300-500

310

312

314 ‡ robErt buhLEr ra

311

314

315 ‡ Joan giLLchrESt 1918-2008

Rough Sea Signed with initials Oil on board 41 x 38cm £2000-3000

315

316 ‡ Joan giLLchrESt 1918-2008

Poor Old Lad’s forgotten his Pots! Signed with initials and titled on a label verso Oil on card 17 x 12cm A view of Megavissy Harbour £1500-2500

316

317 ‡ John bratby ra 1928-1992

Flowers 1956 Signed Oil on board 122 x 73.5cm Provenance: Beaux Arts, London, 2635 Sotheby’s, 8th October 2008, Lot 98 £700-1000

318 ‡ mathiLiuS SchacK ELo danish 1887-1948

A rearing horse Bronze 12.5cm high £300-400

319 ‡ ViViEn rhyS-PrycE b.1937

Lovers embracing Bronze 17.5cm high £400-600

317

318

319

320

320 ‡ ShErEE VaLEntinE-dainES

321 ‡ marK rowbotham

322 ‡ cLiVE madgwicK

b.1956

b.1959

1934-2005

Henley Royal Regatta

Henley

Valle Crucis Abbey

Signed and dated 88 Oil on canvas 40 x 61cm

Signed Oil on board 26 x 14cm

Signed and dated 1991 Oil on canvas 60.5 x 91cm

£2000-3000

Provenance: Cooper Fine Arts, Fulham Road, London

£400-600

321

322

323 ‡ PatricK hayman

326 ‡ damE ELiSabEth FrinK ra

1915-1988

1930-1993

Nelson and Lady Hamilton

Horse and Rider, 1970

A pair, both oil on panel, both framed together Each 74 x 15.5cm

Signed and numbered 388/500 Lithograph 58.5 x 77.5cm

£1200-2000

£700-1000

324 ‡ bLair hughES-Stanton

327 ‡ damE ELiSabEth FrinK ra

1902-1981

1930-1993

Night

Coriolanus

Signed, dated 51/75 and numbered 34/75 Woodcut 23.5 x 32.5cm

Signed and numbered 50/50 Lithograph 53 x 43cm

£150-250

325 ‡ andré braSiLiEr French b.1929

Untitled, pink flowers in a vase Signed and dedicated Lithograph, artist’s proof, unframed 57.5 x 44cm £150-250

323

324

325

326

327

328

329

328 ‡ mimmo PaLadino

330 ‡ Edward burra

italian b.1948

1905-1976

Sogno Umido from the Ulysses Suite

Mrs Pott, 1972

Signed, dated 1989 and numbered 59/65 Woodcut 97 x 135cm (sheet size)

Signed and numbered 28/75 Etching, mounted, unframed 25 x 27cm

£500-800

Provenance: Blond Fine Art, London, Cat. No. 13

329 ‡ mimmo PaLadino

£200-300

italian b.1948

Ellpoldomoll from the Ulysses Suite Signed, dated 1984 and numbered 3/12 Woodcut, artist’s proof 97 x 136cm (sheet size) £500-800

330

331

332

331 ‡ JoSEF hErman ra

332 ‡ JoSEF hErman ra

333 ‡ JoSEF hErman ra

1911-2000

Mining Village

Mexican resting

Cockle gatherers

Pen, ink and watercolour 19 x 25cm

Pen, ink and wash 16.75 x 21.75cm

Provenance: Beaux Arts Gallery, London, 1984

Provenance: Roland, Browse & Delbanco, London

Signed, also signed and dedicated on backing board verso Lithograph, artist’s proof 49 x 64.5cm

£300-500

£400-600

£200-300

334 aLEKSandr miKhaiLoVich gEraSimoV russian 1881-1963

The Artist’s Studio Pencil 74 x 99cm £250-350

335 ‡ chriStoPhEr LE brun b.1951

Untitled, beached boat 333

Etching 22.25 x 32cm

334

£100-150

336 ‡ JESSiE brEnnan b.1982

Stowe Boys Signed, dated 07, and numbered 5/10 Aquatint 33 x 41cm £100-150

335

336

337 ‡ michaEL ayrton

339 ‡ aLan daViE ra

1921-1975

1920-2014

Minotaur Series

Village Myths drawing 1282

Set of 10, all signed and numbered 18/75 All etchings All 58 x 77cm (sheet size) (10)

Numbered Pen and ink 38.5 x 30cm

£1000-1500

Provenance: Gimpel Fils Gallery, London, 1982

338 ‡ michaEL ayrton 1921-1975

Exhibited: Loft Gallery 1984 £800-1200

Archilochos, a portfolio of prints Sixteen, all numbered 13/75 All etchings, unframed in original portfolio Each 46 x 38cm (16) £1500-1800

337

338

339

340

341

342

340 ‡ LionEL buLmEr 1919-1992

Summer Solstice Oil on canvas laid on board, unframed 92 x 137cm Provenance: Artist’s studio label verso £3000-5000

341 ‡ PhiLiP Sutton ra b.1928

Flowers against a blue sky Signed and dated 1972 verso Oil on canvas 30.5 x 30.5cm Provenance: Beaux Arts Gallery, London, 1982

343

344

£600-800

342 ‡ PhiLiP Sutton ra b.1928

Fiji Signed, titled and dated 1964 verso Oil on canvas 101 x 101cm Provenance: Roland, Browse & Delbanco, London £400-600

343 ‡ PhiLiP Sutton ra b.1928

Portrait of a girl Signed and dated 1979/81 verso Oil on canvas 40.5 x 40.5cm Provenance: Beaux Arts Gallery, London, 1983 £600-800

345

346

344 ‡ PhiLiP Sutton ra

345 ‡ PhiLiP Sutton ra

346 ‡ PhiLiP Sutton ra

b.1928

Nude, Miss Martin

Homage to Manet, Girl in a Green Hat, 1974

Homage to Renoir, The Theatre, 1973

Signed, titled and dated 1959 verso Oil on canvas 91 x 76cm £300-500

Signed and titled verso Oil on canvas 101 x 101cm Provenance: Roland, Browse & Delbanco, London The Mall Galleries, London, 1975 £400-600

Signed and dated verso Oil on canvas 101 x 101cm £400-600

347 aFtEr PauL KLEE Abstract composition, 1927 Signed in the print Lithograph, numbered 35/50, published by Edition Berggruen 31 x 43cm £200-300

347

348 ‡ brucE mcLEan

348

Scottish b.1944

Brie on the knee Signed, titled and numbered 5/75 Screenprint, unframed 58 x 55cm (sheet size) £150-250

349 ‡ John hoyLand 1934-2011

Names and Voices Signed, dated 96 and numbered 135/300 Screenprint 47 x 36cm (sheet size) This print was commissioned by Martin Krajewski, Managing Director of Joslin Rowe Associates to celebrate Christmas 1996 £200-300

350 ‡ John taLbErt mcLEan b.1939

Hammerbeam, 2000 Signed and numbered 14/27 Aquatint 35 x 15cm

349

350

£150-250

351 ‡ tom PhiLLiPS b.1937

Union Jack postcard designs, 1975 Signed artist’s proof 80 x 47cm (image size) Provenance: Flowers East Gallery, London £300-500

352 ‡ Sir tErry FroSt ra 1915-2003

The Sunflower; Red and black concertina, Christmas Cards Two, both mixed media, framed together 30.5 x 11cm and 21.5 x 8cm (2) Provenance: A gift from the artist £200-300

351

352

353 ‡ hEnri gaudiEr-brzESKa French 1891-1915

Head of a man in profile; Study of a fish Two, both brush and black ink, unframed 26 x 19cm and 19 x 26cm (2) With a letter of authentication from H. S. Ede of Kettles Yard, Cambridge in which he dates the drawings to 1911/2 Provenance: Sam Winstanley Gifted to Mrs Marjorie Winstanley By descent to the present owners £1500-2500

353

354 ‡ hEnri gaudiEr-brzESKa

355 ‡ rogEr hiLton

French 1891-1915

Seated figures

Seated nude II

Signed and dated ‘69 Mixed media 20 x 25cm

Stamped signature Pen and grey ink 25 x 37cm Provenance: Mercury Gallery, London, March 12th, 1968 £800-1200

1911-1975

Provenance: Beaux Arts Gallery, London, 1982 £800-1200

356 ‡ rogEr hiLton 1911-1975

Seated figure II Signed and dated ‘67 Conte 25 x 20cm Provenance: Waddingtons, London, 1984

354

£700-1000

355

356

357

357 ‡ FranciS camPbELL boiLEau cadELL, rSa, rSw

358 ‡ JocK mcFadyEn

359 ‡ ziL hoquE

b.1950

indian/british b.1962

1883-1937

Seconds Away, Round 6

Octave Engagement

Boxers

Oil on canvas 101 x 101cm

Signed and dated 1990, also titled and dated verso Oil on canvas 61 x 86cm

Signed with initials Watercolour with charcoal 37 x 49cm

£700-1000

£600-800

£2000-3000

358

359

360 ‡ hEnry cottEriLL dEyKin 1905-1981

View from the competitor’s sunroof during the lawn tennis championships at the All England Club, Wimbledon, 1950 Signed Oil on canvas 51 x 61cm Provenance: The Wingfield Sporting Gallery, London Literature: Sport and the Artist, Vol. 1, Ball Games, Antique Collector’s Club, 1988, pl. 48 & 51 How this painting was commissioned and by whom are described in this book £2000-3000

360

361 ‡ hEnry cottEriLL dEyKin 1905-1981

The Eastbourne Bowling Club, President’s Day, 1951 Signed Oil on canvas 51 x 61cm Provenance: The Wingfield Sporting Gallery, London Literature: Sport and the Artist, Vol. 1, Ball Games, Antique Collector’s Club, 1988, pl. 48 & 51 How this painting was commissioned and by whom are described in this book. The president in 1951 was R.C. Chatfield £1500-2500

361

362

362 ‡ carEL wEight ra

363 ‡ carEL wEight ra

1907-1997

The Return

There stood a man over against him with his sword drawn in his hand

Signed Oil on canvas 133 x 122cm Exhibited: Leicester Galleries, Works by Carel Weight and Ruskin Spear, Mar/Apr 1968, No. 22 Purchased by E. B. Mayne who asked Carel Weight about the subject of the painting. The artist replied that Mr. Mayne would enjoy the picture much more if it was left to his imagination - and so it proved to be, with endless discussions about the subject over the years £3000-5000

363

Pen, ink and wash 28.5 x 17.25cm Provenance: Christie’s, Mar 1980 Illustration to The Book of Joshua, Chap. 5, Published in Oxford Illustrated Old Testament, Vol 2, p.13, 1968 Exhibited: Royal Academy 1968 £200-300

364

364 ‡ PEtEr brooK 1927-2009

Ripponden, 1963 Oil on canvas 126 x 101cm £4000-5000

365

366

367

365 ‡ John northcotE naSh ra

366 ‡ PauL naSh

367 Eric raViLiouS

1889-1946

1903-1942

1893-1977

Russell Square

Lane near Lewes

Sheep hurdles in winter

Signed, inscribed London and dated 1942 Watercolour over pencil on buff paper 38 x 56cm

Signed Watercolour 32 x 27.5cm

Signed Watercolour over pencil 40.25 x 55.5cm £3000-5000

£3000-5000

Provenance: The collection of the artist Douglas Percy Bliss New Grafton Gallery Exhibited, London, 27.10.77, Cat. No. 20 Simon Heneage £3000-5000

368

369

370

371

368 ‡ robErt chaiLLoux

369 ‡ robErt chaiLLoux

370 ‡ robErt chaiLLoux

371 ‡ Judith LEVin

French 1913-2006

b.1956

Still life of Cosmos, Geraniums, Alstromeria and Nasturtiums in a jug within a niche

Still life of Honesty in a pewter jug within a niche

Still life of apples and walnuts with a jug on a ledge

Still life of lilac in a white jug

Signed Oil on canvas 46 x 38cm

Signed Oil on canvas 46 x 55.5cm

£500-800

Signed Oil on canvas 41 x 33cm £500-800

Signed Oil on canvas 46 x 35.5cm £300-500

372 giuSEPPE dangELico Pino american 1939-2010

Ethereal Beauty Signed Oil on canvas 102 x 61cm Painted in 2008 Provenance: Cunard Fine Arts, with certificate and original invoice ÂŁ15000-20000

372

373 ‡ KEith Vaughan 1912-1977

Figure studies c.1950 Signed with studio stamp initials Pencil 18.5 x 10.75cm Provenance: Professor John Ball (1931-2010), Private Collection This life-drawing of a model was probably a dancer. Vaughan often attended the ballet and was personally acquainted with several classical dancers. He took many photographs during live performances at Sadler’s Wells Ballet, which later became the Royal Ballet. Several of these have survived. £800-1200

374 ‡ KEith Vaughan 1912-1977

Portrait studies 373

374

Three, two pencil, one pen and ink, mounted together 38 x 28cm (mount size) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust £300-500

375 ‡ KEith Vaughan 1912-1977

An album of mainly erotic drawings titled Mahler 1974, Harrow Hill, 1975, Rimbaud, Racine, Rilke 29 drawings, all with studio stamp, one inscribed Konig Deine Trauen - Konig, one titled Sabbat and one dated 31.1.75 All pencil 25 x 19cm

375

Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Anthony Hepworth Fine Art, Bath Exhibited: Brighton Art Gallery & Museum £3000-5000

376

377

376 ‡ KEith Vaughan

377 ‡ KEith Vaughan

378 ‡ KEith Vaughan

1912-1977

Mais ce Prince, 1975; Saltimbanque, 1975; Portrait of Gustave Mahler V, 1974; Portrait of Gustave Mahler VIII, 1974

Man feeding Birds, 1975; Konig Tränen, 1975; Portrait of Gustave Mahler VI, 1974; Portrait of Gustave Mahler I, 1974

Le Prince, 1975; Intimate Couple, 1975; Demon, 1975; En Passant il Tirait la Langue, 1975

Four, all inscribed, also with studio stamp verso All pencil 24.5 x 18cm (4) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Exhibited: Gallery 27, Vaughan Drawing Retrospective, Sept. 2010 £1000-1500

Four, three inscribed, also all with studio stamp verso All pencil 24.5 x 18cm (4) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Anthony Hepworth Fine Art, Bath (Man feeding Birds only) Exhibited: Gallery 27, Vaughan Drawing Retrospective, Sept. 2010

Four, one titled and dated 16.11.75, all with studio stamp verso All pencil 24.5 x 18cm and similar (4) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Exhibited: Gallery 27, Vaughan Drawing Retrospective, Sept. 2010 £1000-1500

£1000-1500

378

379 JESSE FinLEy rEEd american 20/21st century

The Merchandise, 2005 Suite of 5, all digital C-prints, edition 2 of 5 17.5 x 13.5cm (5) Provenance: Kaycee Olsen Gallery, Los Angeles, USA £150-250

380 ‡ richard StorEy 20/21st century

Strength Signed Charcoal 56 x 34cm Provenance: Certificate of authenticity, dated 6.7.14 verso £150-250

379

380

381 Faiza butt Pakistani b.1973

Unless-4, 2010 A pair, both ink on polyester film Each 13.5 x 13.5cm (2) Provenance: Rossi Rossi, London £200-300

381

382 ‡ tomaS watSon b.1971

By the Window; In the Room A pair, both signed, titled and dated 2001 Both monoprints Each 24 x 19cm (plate size) (2) Provenance: Jill George Gallery, London £150-250

382

383

384

383 ‡ tomaS watSon

386 ‡ tomaS watSon

b.1971 Back study Charcoal and chalks on buff paper 77 x 57cm

b.1971

£150-250

384 ‡ tomaS watSon b.1971

385

Foul bitten back Signed, titled, dated 2006 and numbered 1/5 Softground etching 57 x 47cm (plate size) Provenance: Jill George Gallery, London, 8581 £150-250

Study for backstage Signed, titled and dated 2007 Charcoal and sanguine 70 x 49cm Provenance: Jill George Gallery, London, 8839 £200-300

385 ‡ tomaS watSon b.1971

Foul bitten back with pastel Signed, titled and dated 2006 Monoprint and pastel 57 x 47cm Provenance: Jill George Gallery, London, 8594 £200-300

387 ‡ tomaS watSon b.1971

Male nude crouching

386

Signed, inscribed Cross-hatch lighting and dated 2004 Charcoal and sanguine chalk 85 x 67.5cm Provenance: Jill George Gallery, London, 7597 £300-500

388 ‡ tomaS watSon b.1971

Studies of the body I, 2007 Triptych framed as one Oil on linen stretched on panel 29 x 76cm Provenance: Jill George Gallery, London, 8913 £200-300

388

387

389 ‡ hEnry cLiFFE 1919-1983

Blue and gold; Black and white fan shape and cylinder; Five black and white studies Seven, four signed, three dated 58, 65 and 74 One with gouache and gold paint, the rest watercolour, all unframed Two at 58 x 76cm and five at 58 x 79cm (6) £200-300

389

390

390 ‡ hEnry cLiFFE 1919-1983

Black and white; Blue circle and puzzle shape; Black shapes; Black and white shapes Five, one signed and dated 70 The first watercolour, the rest pastel, all unframed 52.5 x 64cm (5) £200-300

391 ‡ hEnry cLiFFE 1919-1983

391

392

Green and blue cross shape; Red spiral with black; Light blue and black; Black puzzle shape; Four shapes Five, two signed and dated 70 All pastel, unframed Each 52.5 x 63cm (5) £200-300

392 ‡ hEnry cLiFFE 1919-1983

393

394

393 ‡ hEnry cLiFFE

394 ‡ hEnry cLiFFE

1919-1983

Red and green egg shapes; Four black and white shapes

Bright stripes; Bright circles; Nude reclining; Circles, diamond and cylinder; Dog bone shape; Abstract

Five, two signed and dated 70 All pastel, all unframed Various sizes 58 x 78cm and smaller (5)

Six, one signed and titled 70 Most pastel, two watercolour, all unframed Various sizes 58 x 80cm and smaller (6)

£200-300

Yellow sun and shapes; Black circles and lines; Black diamond and circles; Black maze shapes; Black cylinder shapes; Black spirals and dots Six, two signed and dated 70 and 73, one dedicated to V on our Wedding Anniversary Most pastel, one gouache, all unframed 52 x 63.5cm (6) £150-250

395 ‡ hEnry cLiFFE 1919-1983

Bright circles red centre, Fifteen further designs Sixteen, two signed and dated 66 One pastel, six with watercolour, the rest pencil, all unframed 38.5 x 51cm and smaller (16) £200-300

396 ‡ hEnry cLiFFE 1919-1983

395

396

Bright patterns with yellow and red circle; Ten drawings Eleven, five signed and dated 66, the first dedicated To V. One pastel with pencil, the rest pencil, all unframed 38.5 x 56cm and smaller (11) £200-300

397 ‡ hEnry cLiFFE 1919-1983

397

398

Bright patterns; Festival I; Fourteen drawings Sixteen, one signed with initials and dated 66 Two pastel, the rest pencil or conte, all unframed 38 x 65cm and smaller (16) £200-300

398 ‡ raLPh adron

399 ‡ hEnry cLiFFE

400 ‡ hEnry cLiFFE

b.1937

1919-1983

Black and white; Gouache Hands Hexagonal; Gouache Hands; Untitled, c.1965

Abstract; sixteen prints

Five nude studies; two abstract

Seventeen, all various types of prints, one framed the others unframed 45 x 57cm and smaller (17)

Seven, four signed and three dated 58, 60, 62 One pastel, five watercolour, one pencil, one mounted, all unframed 58 x 39.5cm and smaller (7)

Four, all signed (one with initials) and three dated 1965, two also dated verso All gouache on coloured papers, unframed 32.5 x 50cm (2 of 4); 35 x 49cm and 22 x 28cm (sheet sizes) (4)

£200-300

£100-150

399

400

100

401 ‡ PatricK Proctor ra 1936-2003

Palazzo Dario Signed and numbered Aquatint 88 x 65cm £350-450

402 ‡ PatricK ProcKtor ra 1936-2003

Drawing IX Signed and dated 2/64 Pencil 33 x 24cm

401

Provenance: The Redfern Gallery, Ltd., London

402

£200-300

403 ‡ richard ShirLEy Smith b.1935

Diana and Actaeon Signed and dated 1995 Acrylic on paper 38 x 26.5cm £200-300

404 ‡ JEan coctEau French 1889-1963

Le Mauvais Lieu Signed with initials and titled Pencil 25 x 20cm £100-150

403

404

405 ‡ anSEL Krut irish/South african b.1959

Girl and puppet Oil on panel 35.5 x 29cm Provenance: Fischer Fine Art Ltd., London, 1988, C13.411 £200-300

406 ‡ tom mErriFiELd b.1932

Female dancer Signed Pastel on pale grey paper 64 x 35.5cm £250-350

405

406

101

407

407 â&#x20AC;Ą micK roonEy ra b.1974

Into the hands of strangers Signed and dated 89 Oil on board 128 x 98cm ÂŁ2000-3000

102

408 ‡ harry waLKEr rwa 1923-1990

St. Ives Harbour, Houses at Pendeen Two, both signed, also signed, titled and dated 1982 verso Both oil on canvas board 19 x 19cm and 14 x 19cm (2) Provenance: Royal West of England Academy, 1982 £200-300

409 ‡ dougLaS thomSon

408

b.1955

Haunted landscape; Summer landscape Two, both signed Both mixed media with collage 21 x 22.5cm and 13 x 16.5cm (2) Provenance: Compass Gallery, Glasgow, May 1987 £150-250

410 ‡ andrEw bicK b.1963

[say it] re-said Signed, titled and dated 2005/6 verso Mixed media on panel, unframed 74.5 x 64cm

409

£300-500

411 ‡ andrEw bicK

412 ‡ tiFFany groVES

b.1963

b.1975

Again [II]

Scimitar

Signed, titled and dated 2004/5 verso Mixed media on panel, unframed 60 x 75cm

Signed, titled and dated 2002 verso Acrylic on canvas, unframed 60 x 60cm

£300-500

£200-300

410

411

412

103

413 ‡ wiLLiam toLLEy 20th century

Untitled abstract on white Spray paint on canvas 75 x 90.5cm £300-500

414 ‡ caSimir ziELEnKiEwic caziEL Polish 1906-1988

Cubist study Signed, dated 89-XII, also inscribed Pour Joan 27 oct. 85 Mixed media 40 x 28cm £150-250

415 auStraLian SchooL 20th century

Dream Time

417 ‡ KLauS FriEdErbErgEr german/australian/ british b.1922

Girl playing Signed Oil on canvas 76 x 51cm Provenance: Hamilton Galleries, 1962, No. 6 £200-300

418 ‡ d. wiEnEr 20th century

Variations harmoniques sur le Dodecaedre

413

414

415

416

Signed and dated ‘28, also inscribed indistinctly verso Oil on canvas 76 x 47cm Provenance: Tadema Gallery, London

Oil on canvas Inscribed verso in another hand by Sue, aboriginal artist working in St. Ives & Newlyn c.1960 23 x 27cm

£200-300

£100-150

indian 20th century

419 KhuShi ram tiLwaLia Mother and child

416 ‡ KathErinE PaLmErS-nEEdham

Signed, inscribed Dehli and dated 1962 verso Oil on canvas 72.5 x 52cm

b.1970

£200-300

Dewberry Hue Set of nine, all signed and titled verso All acrylic on panel, unframed 30.25 x 30.25cm (9) £200-300

417

418

419

104

420

421

420 ‡ martin KanE

422 ‡ LEo mcdowELL

Scottish b.1958

1936-2011

Afternoon in Berlin

Etruscan Chariot

Signed, also signed and titled verso Oil on canvas 102 x 76.5cm

Signed Mixed Media 43 x 28cm

£200-300

Provenance: The Richmond Hill Gallery, Surrey £200-300

421 rubin

422

423

20th century

423 ‡ robErt maSon

Untitled, yellow and orange

b.1946

Signed and dated 66 Oil on canvas laid on panel 76 x 152.5cm

Third study, Miller’s Tunnel, Bishopsgate; Fourth study, Miller’s Tunnel, Bishopsgate

£300-500

A pair, both signed, titled and dated 1989/90 Both mixed media on board Each 68 x 45cm (2) Exhibited: Yale Centre for British Art, Connecticut, USA, 12 Sept-11 Nov, 1990 Guildhall Library Exhibition, Broadgate, 15 June-4 Sept, 1992 £200-300

424

425

424 ‡ PEtEr coKEr ra

425 ‡ tErEncE J. giLbErt

b.1926

b.1946

Above Malham Cove, 1970

Observations at Cheltenham on St. Patrick’s Day

Signed, titled and dated c.1964 on backing board verso and with artist’s address label Oil on newspaper 28 x 30cm

Signed, titled and dated 17-3-98 Watercolour, ink and collage on newspaper 28 x 36.5cm

£200-300

£200-250

105

426

426 ‡ hELEn bradLEy

427 ‡ cLiFFord cundy

428 ‡ dEnniS giLbErt

429 ‡ dEnniS giLbErt

1900-1979

1926-1992

b.1922

Still life of tulips in a vase

Still life of spring flowers in a blue vase

Still life with a distant castle

Picnic on the shore

Signed Oil on board 26.5 x 27.5cm

Signed Oil on canvas 30.5 x 25.5cm

Signed Oil on canvas 71 x 71cm

Signed Oil on canvas 71 x 71cm; 28 x 28in

£1200-1800

£150-250

£200-300

427

428

429

106

430

431

432 ‡ StEFan KnaPP 1921-1996

Family in an interior Watercolour 12 x 6.75cm Exhibited: The Hanover Gallery, London, 9th March - 9th April, 1954 £200-300

432

433

430 ‡ KatharinE church

431 ‡ morriS KEStELman

1910-1999

1905-1988

The Farmyard

Le Bouc, the Goat

Signed and dated 36 Gouache on grey paper 38 x 45.5cm

Signed and titled on frame verso, possibly in another hand Oil on board 50.5 x 64.5cm

Provenance: Alex. Reid & Lefevre Ltd, London £250-350

£300-500

433 ‡ oScar KoKoSchKa austrian 1886-1980

The Port of London II Signed and numbered 68/75 Lithograph 63 x 90cm £200-300

434 ‡ doriS LindnEr 1896-1979

Corfe Castle Signed Pastel 51 x 99cm £150-200

434

107

435 ‡ EardlEy Knollys 1902-1992

Dorset landscape Signed, also titled, inscribed Country Rhythms sale and dated ‘62 verso Oil on canvas 61 x 91cm £1500-2000

436 ‡ BEn HartlEy 1933-1996

Near Devon Gouache 72 x 55cm Provenance: Beaux Arts Gallery, London £600-800

435

437 ‡ BEn HartlEy 1933-1996

Cor Cormorant Signed Gouache 59 x 50cm Provenance: Beaux Arts Gallery, London £400-600

438 ‡ BEn HartlEy

436

437

1933-1996

Red Relish Signed Gouache Approx. 54 x 67cm Provenance: Beaux Arts Gallery, London £500-800

438

108

439 ‡ nora JEan KErr

442 ‡ LESLiE gooday obE

20th century

1921-2013

Impressions of Ranchi, India 1943; South Pacific Islanders carrying water

Concept 22

Two, both signed Both oil on linen 32 x 45cm and 32 x 42cm (2) £150-250

443 ‡ LESLiE gooday obE

turkish 1923-2004

Hilltop village

1921-2013

Signed and dated 1977 Oil on board 50 x 40cm

War horse

Provenance: Ar Ajans, Resim Reklam Bürosu, Turkey

441 ‡ LESLiE gooday obE 1921-2013

Bamboo

£100-150

444 ‡ LESLiE gooday obE 1921-2013

Signed with a monogram Acrylic on board 21 x 64cm

Horses, books and hands

Provenance: The estate of the Artist Llewellyn Alexander Fine Paintings Ltd., London, 36636 £100-150

Signed Acrylic on board 32 x 50cm Provenance: The estate of the Artist £100-150

440

443

Signed Acrylic on board with collage 27.5 x 57.5cm Provenance: The estate of the Artist

£200-300

441

Provenance: The estate of the Artist The Mall Galleries, London, 2006 £100-150

440 hüSEyin biLiSiK 439

Signed Acrylic on board 20 x 60.5cm

442

444

109

445 ‡ tina SPratt b.1976

Sleeper in red Signed with a monogram Pastel 32 x 46.5cm Provenance: The Contemporary Fine Art Gallery, Eton £800-1200

446 ‡ anthony brandt 1925-2009

Ecstasy Signed and dated 1961 in the print Lithograph on green paper, unframed, 65 x 112cm (sheet size) Provenance: Renaissance Fine Arts Ltd., London, 3rd Edition, No. 1059/10,000 With a copy of the original sale catalogue

445

£100-150

447 ‡ John LucE LocKEtt 1952-2014

Embers Signed, also signed with initials and titled verso Oil on canvas 101 x 50.5cm £200-300

448 ‡ arthur roycE bradbury

446

1892-1977

Reclining female nudes Two, both pencil 26 x 36cm and 23 x 34cm (2) Painted in February 1939 £200-300

448

447

110

449

450

449 ‡ richard bawdEn

450 continEntaL SchooL

451 ‡ bob JonES

b.1936

20th century

b.1937

Hawes Water

Boats in a Mediterranean harbour

Gorse Gap; Trees II (Autumn)

Signed Watercolour 31 x 43.5cm

Signed and dated 1966 Oil on canvas 64 x 79cm

£600-800

£300-500

Two both signed and dated September 1977 and December, the second inscribed Autumn Starts Both watercolour Each 36 x 54cm (2) £120-180

452 ‡ bob JonES b.1937

Silver birch in the wind; The Thaw of February 1985 Two both signed and dated December 1982 and February 1985 Both watercolour Each 36 x 54cm (2)

451

452

£120-180

111

453 ‡ arthur KarL madErSon irish b.1942

Cows by a stream in the Blackdown Hills Signed Oil on board 111 x 80cm £1200-1800

454 ‡ dEnniS giLbErt b.1922

Lighthouse on the coast Signed Oil on canvas 213 x 45.5cm £200-300

453

455 ‡ daVid graham

456 ‡ PhiLiP hicKS

b.1926

b.1928

The golfer

Water Dance

Signed, also dated 25.5.2005 verso Oil on canvas 64 x 49.5cm

Oil on canvas 45.5 x 45.5cm

£100-150

454

Provenance: David Messum, London, Autumn Exhibition, 1997, No. 9, PH82 £200-300

455

456

112

457

458

459

460

457 ‡ marK bannErman

458 ‡ ShELLiE byatt

459 ‡ Simon PaLmEr

460 ‡ oScar r. goodaLL

20th century

b.1956

b.1924

Wonderful witch and owl

Little Rabbit

Towards the Vale

A city river scene

Signed Gouache 63.5 x 47cm

Signed Pencil with collage 53 x 56cm

Signed and titled Watercolour 40.5 x 33cm

£200-300

£150-250

Provenance: Forest Gallery Fine Art, Guildford

Signed and inscribed Demonstration 193 Mixed media on paper or card 52 x 70cm

£400-600

£150-250

113

461

462

463

464

461 ‡ KEith grant

462 ‡ tracEy Emin

463 carL antonio Longi

b.1930

b.1963

american 1921-1980

Death and the Maiden

Dog Brains

Reclining nude

Signed, titled, dated July 62 and inscribed I intend to develop this theme, also signed, dated 1966 and dedicated To Mrs. Marcus on the backing board verso Gouache with pencil 12 x 20cm

Signed, dated 2000 and numbered 77/300 Screenprint 76 x 101cm

Signed Oil on canvas 70.5 x 100cm

£100-150

£150-250

Provenance: The New Art Centre, London, No. 327d This was a study for Ludlow Festival’s quartet, Schubert’s Death and Maiden 1964. £300-500

464 carL antonio Longi american 1921-1980

Seated nude Signed Oil on canvas 90.5 x 71cm £150-250

114

INDEX OF ARTISTS A Ackermann, Gerald Adron, Ralph Akers, Vivian M. Allan, Robert W. Annigoni, Pietro Ardizzone, Edward Austen, Winifred M. Australian School Ayrton, Michael B Bairnsfather, Bruce Baldwin, J. Brake Bannerman, Mark Barker, Cicely Mary Barnoin, Henri A. Bawden, Richard Beadle, James P. Beaton, Sir Cecil Beer, Willem S. de Beningfield, Gordon Bick, Andrew Biegel, Peter Bilisik, Huseyin Birch, Samuel J. L. Black, Arthur J. Blackburn, Clarence Blamey, Norman Bone, Stephen Bowman, Michael Bowyer, William Bradbury, Arthur R. Bradley, Helen Brandt, Anthony Brasilier, Andre Bratby, John Bratby, John Brennan, Jessie Brereton, James J. Bresslern-Roth, N. von Bridgman, Frederic A. Brightwell, Leonard R. Brook, Peter Brown, Ralph Browning, Amy K. Brun, Christopher Le Brunton, Violet Buhler, Robert Bulmer, Lionel Burleigh, Averil Mary Burra, Edward Butler, Howard R. Butt, Faiza Byatt, Shellie C Cadell, Florence St. J. Cadell, Francis C. B. Camden Town School Caziel, Casimir Z. Chailloux, Robert Chapman, George Chinese School

49 398 68 22 212 275, 276, 277, 278, 279, 280, 281, 282, 283, 61 415 337, 338 213 58 457 83 158 449 229 139 251, 252 245 410, 411 253 440 21, 129 173 220 211 153 134 284 448 426 446 325 317 317 336 221 208 11 59 364 305, 306 247 335 40 314 340 31 330 8 381 458 177 357 35 414 368, 369, 370 163, 164 93

Church, Katherine 430 Cliffe, Henry 389, 390, 391, 392, 393, 394, 395, 396, 397, 399, 400 Clough, Prunella 192 Cobb, David 106 Cocteau, Jean 404 Coker, Peter 424 Connard, Phillip 130 Continental School 450 Cooper, Alfred E. 13 Copnall, John B. 119 Crossley, Gordon T. 149 Crowe, Barbara 225 Cundall, Charles 165 Cundy, Clifford 427 D Daintrey, Adrian M. Dalaunay-Terk, Sonia Danish School Davidson, Allan D. Davie, Alan Decamps, Maurice A. Delarue, Lucien Denton, Kenneth Deykin, Henry C. Dodd, Francis Edgar Doeser, Jacobus J. Donaldson, David Doux, Charles P. Le Dring, William D. Dunlop, Ronald O. Dunstan, Bernard E Ellis, Gordon Ellis, Marian Elo, Mathilius S. Emin, Tracey English School Ernst, Max Escofet, Jose Eurich, Richard Flanagan, Barry Fleetwood-Walker, B. Frazer, William M. French, Annie French, Susan Freyberg, Edgar Friederberger, K. Frink, Dame Elisabeth F Frost, Sir Terry G Gaudier-Brzeska, Gaul, Arrah Lee Gerasimov, A. M. Giacometti, Alberto Gibb, Harry Phelan Gilbert, Dennis Gilbert, Terrence J. Gill, Eric Gillchrest, Joan

166 194 37 57 339 126 238, 239 236 360, 361 36, 79 101 285 56 224 288 290 223 96 318 462 69, 70 188 255, 256, 257, 258, 259, 260, 261, 262 286 273 98 181 42 179 144 417 326, 327 352 353, 354 152 334 217 218 428, 429, 454 425 44 315, 316

Glehn, Wilfred G. de Goodall, Oscar R. Gooday, Leslie Goodin, Walter Goodsir, Agnes Goodwin, Edytha M. Gorlov, Nicolai N. Graham, David Graham, George Grandgerard, Lucien H. Grant, Foll. Of Duncan Grant, Keith Green, Margaret Greenaway, Kate Griffen, Winifred Groves, Tiffany Guinness, Lindy H Hall, Edna Clarke Hall, Frederick Halliday, Edward Hamann, Herman Hammick, Tom Hartley, Ben Hawksley, Dorothy W. Hayman, Patrick Henderson, Keith Herman, Josef Hicks, Philip Hilton, Roger Hockney, David Holiday, Gilbert Hoque, Zil Houston, George Howson, Ralph Hoyland, John Hughes-Stanton, Blair Hungarian School J Jagger, Charles S. Jespersen, Kenrik G. John, Colin T. Jones, Bob Jones, Llewellyn P. K K. W. Kane, Martin Kerr, Nora Jean Kestelman, Morris King, John B. Kinley, Peter Klee, After Paul Klinghoffer, Clara Knapp, Stefan Knight, Charles Knollys, Eardley Kokoschka, Oscar Kortright, Reginald G. Kremegne, Pinchus Krut, Ansel L Lavery, Sir John

90, 91, 92 460 441, 442, 443, 444 133 167 72 184 455 243 174, 175 168 461 155 97 412 156 195 108 29 112 267 436, 437, 438 30 323 94, 95 331, 332, 333 456 355, 356 269 105 359 231 307 349 324 182 81 4 310 451, 452 150 199 420 439 431 141 151 347 198 432 5, 6, 7 435 433 137 118 405 19

115

INDEX OF ARTISTS Law, Denys Leech, William John Leger, Afternand Levin, Judith Lindner, Dorris Lister Lockett, John Luce Longi, Carl A. Lowry, Laurence S. M Maderson, Arthur K. Madgwick, Clive Magis, Pascal Maltese School Maresca, M. Mason, Robert May, Phil Maze, Paul Lucien McBey, James McDowell, Leo McFadyen, Jock McLean, Bruce Mclean, John T. McManus, A. G. Mednikoff, Reuben Menpes, Mortimer L. Merrifield, Tom Messel, Oliver H. S. Meyer, John Miers, Christopher Miller, John Milovanov, Leonid Modern British School Moore, Henry Morgan, David Mosca, August Moser, Karl Mostyn, Thomas E. Moynihan, Rodrigo Mynott, Derek N Nash, John N. Naviasky, Philip Newcomb, Mary Newton, Algernon Nicholls, Bertram Nichols, Richard W. Nicholson, Ben Nobel, James Noble, John O Obrogov Olsson, Julius Osborne, John P Paladino, Mimmo Palmer, Simon Palmers-Needham, K. Parker, Constance A. Penn, William C. Petley, Roy Phillips, Tom

176 84 207 371 434 111 447 463, 464 215 453 322 263 145 2 423 73 85 309 422 358 348 350 292 268 41 406 65 244 295 297, 298, 299, 300, 301 74 3, 135 193 249 113, 114, 115, 116 142 15, 26 189 147 365 169 216 202 162 296 191 293 237 219 121, 122, 123, 124, 125, 248 328, 329 459 416 110 127 289 351

Pino, Giuseppe D. Piper, John Pissarro, Lucien Pope, Hilda C. Popov, Lukian V. Pountney, Jack Power, James P. Procktor, Patrick Procter, Ernest R Ramsay, Lady Patricia Ravilious, Eric Redway Reed, Jesse F. Reid, Allen Rhys-Pryce, Vivien Robertson, Elsie L. Rocker, Fermin Rooney, Mick Rouault, After Georges Rouault, Georges Rowbotham, Mark Rowe Royle, Stanley Rubin Ruxton, Charles

372 270, 271, 272 201 311 75 226, 227, 228 132 401, 402 103 172 367 294 379 39 319 171 312 407 204, 205 203 321 109 157 421 140

S Sainton, Charles P. 71 Sale, Margaret 197 Salisbury, Frank O. 86, 87, 88, 89 Salmon, J. M. Balliol 78 Samokish, Attrib. to N. S. 76 Sautin, Rene 10 Schierenberg, Tai S. 120 Schlicter, Rodolf 47 Scott, Peter M. 187 Seago, Edward 232, 233, 234, 235 Senior, Mark 16, 17, 18 Shackleton, Keith 254 Shepard, Ernest H. 186 Sheringham, George 206 Short, Frederick G. 23, 24, 25 Sickert, Walter R. 80 Simpson, Alex B. 146 Siopis, Penny 274 Smith, O. Taylor 196 Smith, Ray C. 154 Smith, Richard S. F. 403 Snell, James H. 136 Soper, Eileen A. 62, 64 Soper, George 63 Spare, Austin O. 230 Spear, Ruskin 138 Spencelayh, Charles 82 Spratt, Tina 445 Stannard, Lilian 28 Stevens, Norman 48 Stewart, Charles E. 1 Storey, Richard 380 Sturge, Frederick W. 107 Sutton, Philip 341, 32, 343, 344, 345, 346 Swan, Douglas 308 Swedish School 9

T Tanner, Robin Taxis, Baroness Ines Thangue, Foll. Of H. H. La Theunissen, Charles Thompson, L. Beatrice Thomson, Douglas Tibble, Geoffrey Tikhomirov, Leonis P. Tilwalia, Khushi R. Todd, Ralph Tolley, William Trier, Adeline Trigg, John Turpin, Louis Tyrrell, Charles

185 67 77 148 66 409 117 183 419 43 413 50 214 303, 304 264

V Valentine-Daines, S. 320 Vaughan, Don 240, 241, 242 Vaughan, Keith 373, 374, 375, 376, 377, 378 Vezelay, Paule 200 Villon, Jacques 190 Vincent, Mary 291 Vlaardingen, Clement v. 180 Vosselen, Omer Van 45 W Walker, Harry 408 Ward, Edward W. 131 Watson, Tomas 382, 383, 384, 385, 386, 387, 388 Wauters, Emile C. 20 Webster, Walter E. 12 Weight, Carel 362, 363 Weiss, Joseph 266 Welch, Rosemary S. 250 Wheatley, Jenny 287 Whistler, After J. A. M. 54 Whistler, James A. M. 51, 52, 53, 55 White, Andrew 143 White, Ethelbert 178 Wiener, D. 418 Wilcox, Frank N. 246 Wilcox, Graeme 302 Wilkinson, Norman 60, 222 Willey, Colin 104 Wilson, Stanley R. 102 Wisniawski, A. 265 Wolmark, Alfred Aaron 99, 100 Wood, Ursula 128 Wyeth, Paul J. L. 209, 210 Wyllie, William L. 32, 33, 34 Z Ziegler, Archibald Zinkeisen, Anna K. Zinkeisen, Doris

170 160, 161 19

old MAsters, British & europeAn pAintings Wednesday 15th March 2017 Entries are currently being accepted

Allan Ramsay (Scottish 1713-1784) Portrait of James Bateman (d.1758) Signed and dated 1756, oil on canvas, 127 x 101cm. Estimate: ÂŁ15,000-20,000 This sale includes a fine selection of portrait miniatures ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0) 1722 424592 | jb@woolleyandwallis.co.uk

Furniture, Works oF Art & CloCks Wednesday 11th January 2017

English School, circa 1722 A Satirical Portrait of Robert Knight, Cashier of the South Sea Company, or Lucifer’s new Row-Barge Oil on canvas, 71.8 x 62.5cm. Provenance: The Sir Michael Codron Collection. Estimate: £3,000-5,000 EnquiriEs: Mark richards | Tel: +44 (0) 1722 411854 | mr@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS TO OLD SARUM

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Furniture, Works of Art, Clocks, Tribal Art and Arms & Armour, Coins & Medals. 2 Danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

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Design & Production by

Woolley & Wallis Absentee Bid Form Modern British & 20th Century Art Tuesday 13th December 2016 PW131216

PLEAsE PrinT CLEArLY in BLOCK LETTErs Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� Postcode �� Daytime Telephone �� Signature �� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

inFOrMATiOn FOr BuYErs 1.

introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TErMs OF COnsiGnMEnT FOr sELLErs 1.

interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. COnDiTiOns OF sALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFiniTiOns

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

inCrEMEnTs Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BiDDinG PrOCEDurEs AnD THE BuYEr

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PurCHAsE PriCE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALuE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMEnT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TiTLE AnD COLLECTiOn OF PurCHAsEs

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

rEMEDiEs FOr PurCHAsEs

nOn-PAYMEnT

FAiLurE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THirD PArTY LiABiLiTY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMissiOn BiDs Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAinTinGs, DrAWinGs, LiTHOGrAPHs, EnGrAVinGs AnD PrinTs In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WArrAnTY OF TiTLE AnD AVAiLABiLiTY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGEnCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TErMs OF sALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DEsCriPTiOns AnD COnDiTiOn (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FOrGEriEs Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GEnErAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ArTisT’s rEsALE riGHT / DrOiT DE suiTE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

asian art John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska english & euroPean CeramiCs & glass Clare Durham

424506 424583 424589 424591

424507

valuations For insuranCe & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

marketing Tamzin Corbett

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aCCounts Janice Clift (Office Manager)

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Furniture, Works oF art & CloCks Mark Richards Jim Gale Anna Brown

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JeWellery Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

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saleroom manager David Jordan

Paintings Victor Fauvelle Jo Butler

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board oF direCtors Paul Viney ASFAV Chairman

silver Rupert Slingsby Lucy Chalmers

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20th Century design Michael Jeffery Zoe Smith

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tribal art & antiquities Will Hobbs Gemma Bush

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arms & armour, Coins & medals Ned Cowell Gemma Bush

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general oFFiCe Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence

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Clive Stewart-Lockhart FRICS FRSA Managing Director

assoCiate direCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ComPany seCretary James Macarthur CA

tribal art & antiquities 1st March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 424599

arms & armour, medals & Coins and militaria 28th March 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTuRy ART TuESDAy 13TH DECEMBER 2016

www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTuRy ART Tuesday 13th December 2016