Woolley & wallis paintings 24 september by ATGMEDIA

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

Paintings & sculpture Wednesday 24th september 2014

Paintings & sculpture

Wednesday 24th september 2014

www.woolleyandwallis.co.uk

Page width 202mm. Use this box to centre artwork! Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

asian art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price Gemma Bush english & euroPean CeramiCs & glass Clare Durham Amanda Lawrence Furniture Mark Richards Jim Gale Anna Brown JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424506 424591 424583 424589

07741 242421 339752

424507 329477

411854 339161 411854

424504 424595

Paintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

424505 329477

tribal art Will Hobbs Gemma Bush

339752 339752

valuations For insuranCe & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA marketing Tamzin Corbett aCCounts Janice Clift (Office Manager) Ruth Pike general oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young saleroom manager David Jordan

424509

Paintings 10th December 2014 - Part 1: Fine Old Masters & 19th Century Part 2: 20th Century & Contemporary Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

424590

Furniture & Works oF art 7th October 2014 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

424500 424599

424500

Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

CloCks, WatChes & sCientiFiC instruments 29th October 2014 Richard Price +44 (0) 1722 242421 • richardprice@woolleyandwallis.co.uk asian art 12th & 13th November 2014 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

assoCiate DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

silver 16th October 2014 - The Christopher Foley, F.S.A., Collection of English Medals of the 15th-17th Centuries. 21st & 22nd October 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 23rd October 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

boarD oF DireCtors Paul Viney ASFAV Chairman

ComPany seCretary Jim Macarthur CA

Page width 202mm. Use this box to centre artwork!

424599

english & euroPean CeramiCs & glass 25th November 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20th Century Design 3rd December 2014 – British Arts Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk tribal art & antiquities February 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Oil Paintings, Watercolours, Prints, Miniatures & Sculpture PLEASE NOTE THIS SALE STARTS AT 10AM

Wednesday 24th September 2014 at 10.00am EnquiriEs

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 20th September 10.00am – 1.00pm Monday 22nd September 10.00am – 5.30pm Tuesday 23rd September 10.00am – 4.00pm Wednesday 24th September 9.00am – 9.45am

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 25th and 26th September - collection of lots on these days and Saturday 27th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 29th September collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

Front cover: Lot 290 Back cover: Lot 615 This page: Lot 165 Overleaf: Lot 604

inDEX Miniatures

1-53

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply

Watercolours

54-335

for this lot – please see our Terms & Conditions, Section 21, for details

Sculpture

336-343

CITES

λ This symbol indicates that Cites regulations may apply

Frames

344-349

Oil Paintings

350-658

Prints

659-737

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GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Catalogue: £12.00 (£15.00 by post) images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

of Fine Art Auctioneers

MiniATurEs 1. French School 18th Century Caroline Elisabeth de Lagrange (1806-1870), Duchesse de Cadore, Watercolour on paper, oval 125 x 90mm £100-150 2. French School 18th Century Charles de Nompere de Champagny, Oil on panel, circular 180mm diameter £400-600

3. λ French School 18th Century Jean-Baptiste de Nompere de Champagny, Duc de Cadore (1756-1834) Oval with two others framed together 47 x 40mm £400-600 4. λ English School c.1900 A girl, bust length, with a lilac sash Oval in a gilt frame with a hair bracelet 35 x 27mm £600-800

4 5. λ English School c.1820/30 An Officer, in red uniform Oval, in a gilt frame 72 x 58mm £200-300 6. λ English School 19th Century An Officer, head and shoulders, wearing blue uniform Oval, in a gilt frame 73 x 54mm £100-150

7. λ English School early 19th Century An Officer, head and shoulders Oval, in a gilt frame with a hair back with initials RMI 60 x 47mm £250-350

8. λ English School late 18th Century An Officer, bust length Oval in a dark red leather case 43 x 32mm £250-350

10 9. λ Frederick Buck (1771-1839/40) An Officer of the 58th Foot, c.1807, half length Oval, in a gilt frame 68 x 51mm £300-500 10. λ English School c.1780 An Officer, bust length, in red uniform with blue lapels Oval, in a gilt bracelet frame 36 x 30mm £250-350 11. English School 19th Century H.R.H. Prince Albert; The Duke of Wellington Two, both reverse glass painted miniatures Each 60 x 48mm £150-250

5 12. λ English School c.1800 A gentleman, head and shoulders Oval, in a gilt frame with a hair border and a blue enamel and hair back 45 x 35mm £200-300 13. λ English School late 18th Century A gentleman, head and shoulders, wearing grey Oval in a gilt frame 42 x 33mm £100-150 14. λ English School early 19th Century A gentleman, head and shoulders wearing blue Oval, in a gilt clasp frame, with a shell back inscribed faintly Miss Turck, St. Mary’s H. 50 x 40mm £120-180

15. λ English School early 19th Century A young boy, head and shoulders, wearing pink Oval, in a brooch frame, with a shell back 25 x 20mm £80-120 16. λ English School mid 19th Century A lady, bust length wearing pale blue with a lace collar Rectangular, unframed 75 x 55mm With an unframed oval portrait of a lady with a pink shawl (2) £100-150 17. B. W. Gilbert (19th Century) Ladies half length, wearing blue dresses A pair, both signed Both watercolour on card, oval 90 x 74mm (2) £80-120 18. λ English School 19th Century A lady, half length, wearing sky blue In a rectangular ebonised frame 80 x 65mm £120-180

19. Manner of Peter Lely Portrait of a lady Watercolour 19.5 x 16cm; 7¾ x 6¼in £70-100

6 20. λ Attributed to William Dudman (? - c.1803) An Officer of the 42nd Royal Highlanders, Black Watch, head and shoulders Oval in a gilt frame, with a hair back 68 x 55mm For another example of an Officer by Dudman, see Daphne Foskett, Collecting Miniatures, p. 193 plate 44C £1,000-1,500 21. λ English School c.1840 An Officer, head and shoulders Oval, in a red leather case 50 x 40mm £400-600 20

22. λ Frederick Buck (1771-1839/40) An Officer of the Derbyshire Militia, head and shoulders Oval, in a gilt frame with a blue glass reverse containing a locket of hair with the the initials WAL 68 x 54mm £300-500

23. λ China trade School early 19th Century A gentleman, head and shoulders, in a blue coat Oval, in an ivory case 65 x 55mm £400-600

24. λ English School early 19th Century The Duke of Atholl, half length wearing uniform Rectangular in a red leather case 115 x 90mm £300-500

25. λ James Warren Childe (1778-1862) The Actor Mr. William Don (1825-1862) in uniform, later Sir William Don, 7th Baronet Inscribed under mount 160 x 110mm William Don was a close friend of Sir Walter Scott. He was in the 5th Dragoon Guards in 1842, left the army in 1845 with heavy debts and the family estate of Newtondon, Berwickshire had to be sold. He became an actor, touring the North of England and starring in New York and spending 5 years in America. Still in debt, on his return to the UK he tried his hand as a comedian then left in 1861 for Australia where he took to playing female characters in burlesques. After a successful career on stage in Australia and Tasmania, he died in Hobart £400-600

26. λ English School c.1790-1800 A lady, half length wearing white with a brown bodice Oval in a gilt pendant frame with a hair back 65 x 50mm £200-300 27. λ Follower of Richard Cosway R.A. A lady, half length with a blue sash and hair band Oval, in a gilt pendant frame with a hair back 70 x 60mm £300-400

28. λ English School 19th Century A lady, wearing white with pearls in her hair Oval in a brass frame 65 x 50mm £80-120 29. λ China trade School early 19th Century A gentleman, head and shoulders, wearing blue Oval, in a rectangular painted ebonised frame 80 x 60mm £400-600

30. λ English School 19th Century A lady, head and shoulders en dishabilles Signed with initials J.C., circular in a rectangular frame 55mm diameter With three further miniatures, one signed Ysabe (4) £100-150 31. λ Frederick Buck (1771-1839/40) A Naval Officer c.1805, head and shoulders Oval, in a gilt frame with a hair back and seed pearl and blue glass panel of an anchor 60 x 50mm £300-400

8 32. Attributed to Edwin Dalton Smith (19th Century) A gentleman, three quarter length, standing in a garden Rectangular in a red leather case 210 x 160mm £100-150 33. λ After Francis Cotes Paul Sandby, seated by a window From the original painted in 1761 16.5 x 12.5cm; 6½ x 5in £200-300

34. λ Labrouë (19th Century) A gentleman, bust length wearing a check cravat Dated 27. X. 1896 and inscribed verso Francois Joseph Aubertin, Bachelier en droit Oval, unframed 71 x 60mm £80-120 35. λ English School 19th Century A memento mori of a lady in contemplation by a garden urn Inscribed May angels guard thy peaceful dust who lived to die and died to live Oval, in a gilt frame with a hair back and gilt initials 68 x 52mm £100-150 36. Manner of Hans Holbein Portrait of a young man Inscribed Oil on panel 13 x 10cm; 5 x 4in £120-180 37. English School c.1825 An Officer of the Rifle Brigade, head and shoulders Oval in a giltwood frame 133 x 112mm £400-600

38. Miss Isabella Beetham (c.1753-1825) A silhouette of a gentleman, bust length, in profile to the right Oval, in a gilt metal frame 98 x 74mm £300-500 39. English School 19th Century A gentleman, head and shoulders, wearing black Oval in an ebonised frame 29 x 60mm £70-100

40. λ English School mid 19th Century Ann Sanders, head and shoulders, wearing white with blue ribbons Oval in a gold frame, inscribed and dated Ann Sanders 16 February 1851 49 x 42mm £150-250 41. λ English School c.1810 Captain Ewell Tritton R.N., 1774-1819 Head and shoulders Oval, in a gilt frame with engraved margin, iridescent glass and hair back 70 x 55mm £400-600

42. λ English School c.1800 A lady wearing a coral necklace, Inscribed on board verso Mary Minshaw Spencer formally Limbery of Deptford and Blackheath. Died aged 28 Oval in a gilt frame 70 x 57mm £120-150 43. λ English School c.1840 A lady, half length in a white dress and roses at her waist Oval, unframed 78 x 61mm £80-120

44. λ English School c.1790 Portrait of a gentleman, bust length in a red coat Signed with a monogram MR Oval, in a gilt clasp frame 36 x 30mm £200-300 45. λ English School c.1810 A lady, bust length with a white bonnet Oval in a gilt pendant frame 73 x 57mm £200-300

10 46. λ English School 19th Century A gentleman, head and shoulders wearing a dark cravat Oval, unframed 67 x 55mm With 2 further miniatures, one of a young man in a frill collar and one inscribed Done at Sulgrave verso (3) £120-180 47. No lot 48. Continental School 19/20th Century Three portraits of ladies in decorative frames and two frames Various sizes (5) £100-150

49. English School 19th Century Silhouette of a lady Oval in a gilt frame 80 x 63mm With a further silhouette, a portrait of a gentleman, an oval of a lady and one cased, unfinished possibly of Wellington seated (5) £100-150

50. English School 19th Century A lady wearing white, full length descending garden steps Rectangular over a printed base in a pierced gilt frame 140 x 94mm £100-150

51. Continental School 19/20th Century Napoleon and Josephine By different hands Two, in decorative frames Oval 47 x 42mm and 67mm circular With a portrait of Charles I, one of a lady in a veil (4) £100-150

52. Italian School 19th Century The three Marys visiting the tomb of Jesus 87 x 72mm With a small drawing of a woman on trial (2) £80-120

53. λ Indian School 19th Century Shah Jahan and Mumtaz A pair, both oval framed as a pair Each 40 x 30mm £70-100 52

WATErCOLOurs

58 54. Follower of Nicholas Pocock Warships in a calm, with a fishing boat Bears signature and date Watercolour 20 x 30cm; 8 x 12in £200-300 55. Admiral George Tobin (1768-1830) Near the entrance of Port-Passage on the North Coast of Spain - English squadron at anchor off the port Signed with initials, titled and dated 1813 Pen ink and watercolour 22.5 x 31.5cm; 9 x 12½in £400-600

59 56. Follower of Theobald Michau The village dance Watercolour with bodycolour 18.5 x 25cm; 7¼ x 9¾in £300-400 57. French School 18/19th Century An amorous couple in a glade Pastel 50 x 53.5cm; 19¾ x 21in Provenance: Cadnam Lodge, Cadnam, Hampshire £80-100

58. Edward Augustus Inglefield (1820-1894) Atlantic weather Signed Grisaille watercolour 16.5 x 29cm; 6½ x 11½in With a print by the same hand, the watercolour presented to The Rev. W.L.S. Fleming (Director, The Scott Polar Institute) by the Grandson of the artist, January 1949 (2) £200-300 59. John White Abbott (1763-1851) Study of a river torrent Watercolour 17 x 27.5cm; 6¾ x 10¾in £200-300

12 60. After Domenico Zampieri, called Domenichino Cupid in a chariot pulled by doves flanked by cherubs Later inscribed Red chalks 41 x 27cm; 16 x 10½in Provenance: Purchased by Leonard Cunliffe from the Wilton House sale, 10 July 1917. Bonhams, The contents of Trellissick House, Feock, 23 July 2013, lot 354 £500-800 61. Italian School 19th Century Study of the head of a woman Pencil and coloured chalks 28 x 23cm; 11 x 9in £120-180 60

62. Attributed to Frederik de Moucheron (1633-1686) Woodcutters at work in a mountainous landscape Pencil 37.5 x 29.5cm; 14¾ x 11¾in £400-600 63. Reverend John Swete (c.1752-1851) On the Arr Signed with initials, titled and dated 1816 Watercolour 22.5 x 17.5cm; 9 x 7in With another Attributed to John Swete of the gateway at Oxon House, Devon (2) £80-120

64. John Preston Neale (c.1780-1847) The Lady Chapel, Goathurst Church, Somerset Signed and dated 1827, also titled and inscribed on label verso the property of Lady Wharton, possibly in another hand Pencil over watercolour 26.5 x 20.5cm; 10½ x 8in Also known as the Monument to Sir Nicholas Halswell £400-600 65. Follower of Carlo Maratti A study for a putto on a classical sculpture Bears signature Pen, red ink and wash 38.5 x 29.5cm; 15 x 11½in £400-600

13 66. Thomas Rowlandson (1756-1827) Nymphs and Satyrs cavorting Pen, grey ink and wash 33.5 x 45.5cm; 13 x 18in Provenance: Dr John Percy (1817-1889) (Lugt 1504), collector’s mark verso, bought from Parker of Spur St, 1875 Charles Seale-Hayne (1833-1903), his sale 18th April 1904 Louis Deglatigny (1854-1936) (Lugt 1768a), collector’s mark lower left, his sale, Sotheby’s 11th May 1938, lot 170 Christie’s, 22nd November 1963, lot 6 £2,000-3,000 67. Attributed to Conrad Martin Metz (German 1749-1827) A cavalry battle between Christians and Turks Signed and dated 1813 Pen ink and grisaille washes 56 x 70cm; 22 x 27½in £400-600

68. Manner of Paolo Veronese The Holy Family with the infant John the Baptist Bears signature Pen, ink and wash 20 x 28cm; 8 x 11in £200-300 69. British School late 18th Century The Scots Pine in the Avenue at Lawers, Perthshire Signed and dated indistinctly Pen, ink and watercolour 31 x 48cm; 12 x 19in £100-150

70. Frederick Dove Ogilvie (1850-1921) Children in the garden of a country home Signed and dated 1900 Watercolour 33 x 47cm; 13 x 18½in £100-150 69

73 71. George Cruikshank (1792-1878) Study of a minstrel Signed Pen and ink 22 x 16.5cm; 8½ x 6½in £200-300 72. George Chinnery (1774-1852) For Mr. Neal’s Children Said to be dated verso June 23rd 1800 Pen and ink over pencil 8.5 x 7.25cm; 3¾ x 3in £150-250 73. Attributed to Francis Cotes (1726-1770) Portrait of a lady wearing pink Pastel 59 x 47cm; 23¼ x 18½in £80-120

74. Follower of Sir Thomas Lawrence Portrait of Mrs. Harriet Bowdler Pastel 28 x 20cm; 11 x 8in £150-250

74 75. English School 19th Century Portrait of a lady with a fan Pastel, oval 63 x 51.5cm; 25 x 20in £200-300 76. W. Fraser (19th Century) Portrait of John McArthur Signed and inscribed on board verso John McArthur LL.D. Author of Naval Courts Martials, Life of Lord Nelson, (Amelia Lady Halkett’s maternal grandfather) Watercolour 27.5 x 24cm; 10¾ x 9½in More details online £100-150 77. Josiah Slater (18/19th Century) Lieutenant Purchas, half length, wearing uniform Later inscribed by a family member on a label verso Watercolour over pencil 22 x 18cm; 9 x 7in £200-300

15 78. George Goodwin Kilburne (1839-1924) Portrait of a lady with a basket Signed and dated 1870 Watercolour with bodycolour, oval on buff paper 24 x 19cm; 9½ x 7½in £400-600 79. Robert Batty (1789-1848) Dalton, Lancashire; A gatehouse Two, both pencil 6.5 x 10cm; 2½ x 4in and smaller With a drawing of Denham Parsonage c.1921 (3) £80-120

80. Thomas Hearne (1744-1817) Tudor farm buildings Pencil 9.5 x 15cm; 3¾ x 6in £120-180

81. James ‘Drunkan’ Robertson (fl. 1815-1836) River landscape Pen ink and wash 20 x 27cm; 8 x 10½in With a further watercolour by Porta (2) £80-120 82. Attributed to Francis Swaine (c.1720-1782) Warships at sea Grisaille washes 19 x 30cm; 7½ x 11¾in £100-200 83. English School early 19th Century Sketches of coastal views; Deal, Brixham, Torbay, Falmouth, Dunkirk Titled Original sketches by an officer 21, all pen, ink and wash, in a small album 11.5 x 19cm; 4½ x 7½in £80-120

84 84. William James Muller (1812-1845) Winter Pen, ink and watercolour with scratching out 20 x 26cm; 7 x 10in £80-120

85 85. English School c.1800 Milkmaids with children in a landscape; Watercolour 26 x 32cm; 10¼ x 12½in With 2 similar, framed alike by different hands (3) £80-120

16 86. William James Muller (1812-1845) Weston in Gordano, Somersetshire Titled Watercolour over pencil 23 x 33cm; 9 x 13in £200-300

87. John Varley (1778-1842) A view in Spain with a hill-top town Watercolour 22.5 x 32cm; 9 x 12½in £200-400 88. Attributed to David Cox Jr. (1809-1885) A Welsh landscape Watercolour 32.5 x 45.5cm; 12¾ x 17¾in £100-200

89. Attributed to David Cox Sr. (1783-1859) Figures on a bridge in a Welsh landscape Watercolour 28 x 40.5cm; 11 x 16in £100-200 90. Lester Sutcliffe (1848-1933) Sheep on the coast Signed Watercolour 38 x 54cm; 15 x 21¾in £100-200

91. James Orrock (1829-1913) Egliston Abbey Signed, titled and dated 1892 Watercolour 16.5 x 26cm; 6½ x 10¼in Now known as Egglestone Abbey, Nr. Barnard Castle, N. Yorks. £120-180 92. Walter Severn (1830-1904) Loch Lomond from above Luss Signed and titled Watercolour 50.5 x 71cm; 20 x 28in £200-300

93. David Bates (1840-1921) Sheep in a meadow with willow trees Signed Watercolour 25 x 34.5cm; 9¾ x 13½in £200-300

17 94. Robert Leman (1799-1863) Trowse Bridge on the river Wensum near Norwich Watercolour with scratching out 23 x 32cm; 9½ x 12¾in Provenance: Harold Day Leman was a follower of John Sell Cotman in Norwich, a member of the Norwich Amateur Club in the 1830s, exhibiting at the Norwich Society and was a friend of many of the later generation of Norwich School artists. Another watercolour by Leman taken from this viewpoint is in the Castle Museum, Norwich £500-700 95. Samuel Atkins (fl.1787-1808) Ships at anchor on the coast Signed Watercolour, oval 21.5 x 32cm; 8½ x 12½in £400-600

96. Robert Hills (1769-1844) Children and cattle in a farmyard Signed and dated 1818 Watercolour 40.5 x 51cm; 16 x 20in £500-700 97. John Henry Mole (1814-1886) Waiting for the fishing boats Signed and dated 1860 Watercolour with scratching out 24 x 46cm; 9½ x 18in Provenance: Sotheby’s, Nov 86 £400-600

98. William Leighton Leitch (1804-1883) A ruined castle in a mountainous landscape Signed and dated 1882 Watercolour 37 x 56cm; 14½ x 22in £300-400 99. John Varley (1778-1842) and Thomas Uwins R.A. (1782-1857) 13 studies of classical figures and landscapes by Uwins and 2 teaching studies by Varley Pencil and watercolour in an album 37.5 x 27cm; 14¾ x 10¾in £300-400

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103. William Minshall Birchall (1884-1941) Limehouse Reach Signed, titled and dated 1920 Watercolour 26 x 35.5cm; 10¼ x 14in £100-150

100. William Roxby Beverly (1811-1889) Fishermen on Newhaven Beach at Sunrise Signed Watercolour with bodycolour 23.5 x 34cm; 9 x 13¼in £400-600

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104. Henry Barlow Carter (1803-1867) Coming in to harbour in a stormy sea Signed and dated 18*6 Watercolour 31 x 46cm; 12 x 18in £100-150

101. William Roxby Beverly (1811-1889) Study of a sky Watercolour 15.5 x 25cm; 6¼ x 10in Provenance: Appleby Bros., London £200-300

105. Nicholas Pocock (1740-1821) Itchen Ferry Watercolour 15.5 x 26cm; 6 x 10¼in £150-250

102. William Roxby Beverly (1811-1889) Moonrise over Moorland Inscribed Moonrise verso Watercolour 14 x 25cm; 5½ x 9¾in Provenance: Appleby Bros., London £200-300 103

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19 106. William Paton Burton (1828-1883) A brick kiln worker Signed and dated 1866 Watercolour 10 x 15cm; 4 x 6in Provenance: Sotheby’s Nov. 1983 £150-250 107. Thomas Bush Hardy (1842-1897) Wreck off Bamborough Castle Signed and titled Watercolour 16.5 x 24.5cm; 6½ x 9½in £120-180

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108. Richard Redgrave R.A. (1804-1888) Figures on a bridge in Wales Signed and dated 1836 Watercolour over pencil 23 x 33.5cm; 9 x 13¼in £150-250 109. Ebenezer Wake Cook (1843-1926) Florence from near Fiesole Signed Watercolour 16.5 x 24cm; 6½ x 9½in £250-350 110. ‡ Adrianus Johannes Groenewegen (1874-1963) The sheep shed Signed Watercolour 30 x 39cm; 11¾ x 15¼in £200-300 111. Thomas Rowden (1842-1926) Sheep on the Devon coast; Cattle on a moor Two, both signed and dated 95 Both watercolour 15.5 x 27.5cm; 6 x 10¾in (2) £150-250

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112 112. William Widgery (1822-1893) Moorland scene Signed Watercolour and bodycolour 38 x 51cm; 15 x 20in £150-250

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113 113. ‡ Albert Rosser (c.1899-1995) A view of Grange bridge Borrowdale, Cumbria Signed Watercolour 25 x 35cm; 10 x 13¾in £80-120

20 114. David Cox Jr. (1809-1885) Cattle in a river landscape Signed and dated 1872 Watercolour over pencil 23.5 x 33.5cm; 9¼ x 13¼in With another unsigned (2) £300-500

115. Frederick George Reynolds (1828-1921) Harvesters resting by a ruined castle; Highland herdsman by a ruin A pair, both signed with monograms Each 10.5 x 15cm; 4¼ x 6in (2) £100-150

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116. Augusta Lubatanth (19th Century) Lake of Ihura; Alpine river landscape A pair, both said to be signed, dated 1855 and the first titled verso Both watercolour Each 24 x 35.5cm; 9½ x 14in (2) £150-200

117. George Fall (c.1848-1925) Rydal Water, Ambleside Signed, titled and inscribed York Watercolour 19 x 30cm; 7½ x 12in £150-250 118. George Hotham (1796-1860) H.M. Steam Packet Firebrand leaving Gibraltar for Malta on 10th Aug. 1832 Watercolour 26 x 46cm; 10¼ x 18in Provenance: Spink & Son Ltd. 3/10/89 £100-150 119. Joseph Stannard (1797-1830) Edinburgh from the Glasgow Road Previously signed with initials, dated Oct. 1814 and titled on artist’s mount Watercolour 10 x 18cm; 4 x 7¼in Provenance: Spink & Son Ltd., K3/2672E £200-300

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120. Wiliam Lionel Wyllie R.A. (1851-1931) Moored ships Signed Watercolour 9.5 x 23cm; 3¾ x 9in £200-400

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121. Edward Duncan (1803-1882) Sketches in the Channel Islands 7, 3 signed, others initialled, two dated 1852 All pencil sketches 15 x 35cm; 6 x 13¾in and smaller (7) £120-180 118

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126 122. Thomas Hartley Cromek (1809-1873) The Terrace of the Villa Muti, Frascati, Italy Inscribed verso From Thos H. Cromek/ to Capt Cheney/Villa Muti Frascati/3 June 1832 and on part of former mount: Terrace of the Villa Muti at Frascati given to me by T.H. Cromek/1832 Watercolour over pencil 14.2 x 22.6cm, 5½ x 8¾in Provenance: Given by the artist to Captain Cheney of Badger Hall, Shropshire, 1832 More details online £400-600

123. Martin Snape (1853-1930) Fareham Mill, Hampshire Signed and dated 1914 Watercolour 34 x 48cm; 13¼ x 19in £400-600 124. William Turner of Oxford (1789-1862) A view of Snowdon across a valley in North Wales Watercolour 26 x 37cm; 10¼ x 14½in £400-600

125. ‡ Henry John Sylvester Stannard (1870-1951) Surprise view near Sheffield Signed Watercolour 51 x 71cm; 20 x 28in £300-500 126. Myles Birket Foster R.W.S (1825-1899) Landscape with children, Witley Pencil 9 x 15.5cm; 3½ x 6¼in £300-500

127. John Charlton (1849-1917) At the races Signed and dated 1885 Pen, ink and watercolour 40 x 62cm; 15¾ x 24¼in £400-600

22 128. George Weatherill (1810-1890) Shipping in Whitby harbour Watercolour 9 x 13.25cm; 3½ x 5¼in £300-500

128

129

129. John Ernest Aitken (1881-1957) Coastal views A pair, both signed Both watercolour Each 22 x 30cm; 8½ x 12in With a further coastal view signed James Aitken (3) £300-500 130. Samuel Cook of Plymouth (1806-1859) Shipwreck off the coast Signed Watercolour 44.5 x 58cm; 17½ x 23in £200-300

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131. Frederick James Aldridge (1850-1933) Fishing boats off the coast Signed Watercolour 21.5 x 34.5cm; 8½ x 13½in £200-300 132. ‡ Donald A. Paton (1879-1949) A peaceful grey day, Silver Bay, Ullswater and St Sunday’s Crag Signed and dated 1924 Watercolour 34.5 x 48.5cm; 13½ x 19in £120-180 133. Charles Arthur Lodder (c.1840-1870) H.M.S. Shannon off the coast Signed Watercolour 34 x 50cm; 13½ x 19¾in £80-120 134. Captain Walter William May R.I. (1831-1896) Barges off the Dutch Coast Signed Watercolour 29 x 24cm; 11½ x 9½in Provenance J. Morton Lee £300-500

23 135. John Francis Salmon (1808-1886) Teignmouth from the Ness Grisaille watercolour 17.5 x 24cm; 7 x 9½in £100-150 136. Henry George Hine (1811-1895) York Minster Signed, inscribed and dated 1888, Watercolour 38 x 55.5cm; 15 x 21¾in £300-500 137. Edwin Thomas Dolby (act.1849-1895) Somerset House and St. Mary le Strand Signed and dated 1893 Watercolour over pencil 16.5 x 24.5cm; 6½ x 9¾in Provenance: Abbott & Holder, No. 37873 £100-150

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138. Attributed to Pieter Daniel van de Burgh (1805-1879) Street scene with figures near a tavern and a church Watercolour 34 x 49cm; 13½ x 19¼in £150-250 139. French School 19th Century View of Montpellier Watercolour 22.5 x 28cm; 9 x 11in £80-120

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141

140. Violet Thorpe Lindsell (Exh.1912-27) View of the village of Dunchurch, near Rugby Signed, also signed and titled verso Watercolour 25 x 33.5cm; 9¾ x 13¼in £100-150 141. ‡ Alfred Charles Conrade (1863-1955) Wien, Église des soeurs Salésienne Signed and titled Pencil and watercolour 37 x 52.5cm; 14½ x 20¾in £200-300

142 142. Henry Robert Robertson (1839-1921) View of a church, thought to be Barfield Church, Kent Signed with initials and dated 1898 Watercolour 17.5 x 26cm; 7 x 10¼in Provenance: Abbott & Holder, No. 36610 £150-250

143 143. Follower of David Cox Figures by a cottage Watercolour over pencil 21.5 x 30cm; 8½ x 11¾in £80-120

24 144. Henry Roxby Benson (1818-1892) and Margaret Elizabeth Benson (1853-1955) An album of landscapes including The seasons, The Italian lakes, Irish views, Swansea valley c.34, most signed with initials, one or two by Florence or Alice Benson All watercolour 36 x 27cm; 14 x 10½in (album size) General Henry Benson served with the 17th Lancers and reportedly arrived in the Crimea, after the charge, to find he was in Command £300-400

144

145. James Thomas Watts (1853-1930) Burnham Beeches Signed Watercolour 24.5 x 35cm; 9½ x 13¾in £200-400

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146

146. Edmund Morison Wimperis (1835-1900) Hay gatherers by a river Signed with initials and dated ‘94 Watercolour 24 x 35cm; 9½ x 13¾in £100-150 147. Thomas Henry Hunn (1857-1928) Collecting eel traps near a mill; Harvesters by a river A pair, both signed Both watercolour Each 37 x 60cm; 14½ x 23½in (2) £200-300

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148

148. Charles McArthur (act.1870) River landscape Watercolour 33 x 52cm; 13 x 20½in £80-120 149. Constance Fredericka Gordon-Cumming (1837-1924) From Killiekrankie Cottage, looking toward Urrard House and Ben-y-gloe hills Signed and titled Watercolour 34 x 49cm; 13½ x 19½in £100-200

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150

150. S. G. William Roscoe (1852-c.1922) A huntsman by a wooded stream Signed and dated 80 Watercolour 18 x 28cm; 7 x 11in £100-150

151

154 151. James Bourne (1773-1854) Northfleet Grisaille watercolour 36 x 25.5cm; 14 x 10in With 2 Sussex views by William Newbery framed together and one of Peaks hole, Castleton dated 1803 £80-120 152. A. Rimmer (19th Century) Said to be old Chester market square Signed and dated /78 Watercolour over pencil 28 x 21cm; 11 x 8¼in £100-150

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155 153. Charles Edmund Rowbotham (1856-1921) Lake Como Signed and dated 1880 Watercolour heightened with white 22.5 x 17.5cm; 9 x 7in Provenance: Abbott & Holder, No. 33969 £100-150 154. Charles Edmund Rowbotham (1856-1921) Castel a mere Bay of Naples; At Cannero, Lake Maggiore A pair, both signed Both watercolour with bodycolour Each 17 x 12cm; 6¾ x 4¾in (2) £150-250

153

156 155. Samuel Gillespie Prout (1822-1911) Château à Dieppe Signed and titled Watercolour over pencil heightened with white 35 x 25cm; 13¾ x 9¾in £200-300 156. E. W. K. (c.1900) View of the Sanctuary of Santa Anna or the Madonna della Pace, Nobialo, Lake Como, Italy Signed with a monogram, thought to be dated 1893 Watercolour 40 x 28cm; 15¾ x 11in £120-180

26 159. Y. Hasegawa (Japanese 20th Century) River landscape Signed Watercolour 31 x 45.5cm; 12¼ x 18in £100-150

157

158

157. Richard Henry Nibbs (1816-1893) Dover Castle and Harbour Signed and dated ‘81 Watercolour 58 x 98cm; 23 x 38½in £300-500

158. Joseph A. Powell (fl.1901-1914) Horses and carts on a hilly track Signed Watercolour over pencil 36.5 x 54.5cm; 14½ x 21½in £200-300

160. Attributed to Johann Ludwig (Louis) Bleuler (Swiss 1792-1850) La Chute du Rhin Titled: Chez Louis Bleuler au Chateau de Laufren pres Schaffhausen Gouache, unframed 33 x 50cm; 13 x 19¾in £200-300 161. ‡ Frank Henry Mason (1876-1965) Venice Signed, titled and dated 02 Watercolour with gum arabic 18 x 29.5cm; 7 x 11in £200-300 162. ‡ James Walter Gozzard (1888-1950) A country lane, Spring Signed and titled Watercolour with bodycolour 24 x 33cm; 9½ x 13in £100-150

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163. Richard Beavis (1824-1896) Drovers and cattle fording a river Signed Watercolour over pencil 9 x 27.5cm; 3½ x 10¾in £100-150 164. ‡ George Edward Horton (1859/60-1950) Coastal scenes with fishing boats A pair, both signed Both watercolour 24 x 31cm; 9½ x 12in (2) £100-150

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168 165. John Raphael Smith (1752-1812) Portrait of a girl, half-length, in a landscape Coloured chalks over pencil 21 x 19cm; 8¼ x 7¼in Provenance: Private Collection, Dorchester £600-800 166. Arthur Charles Shorthouse (1870-1953) Portrait of a Rabbi Signed Watercolour 37 x 27cm; 14¾ x 10¾in £400-600

167

169 167. Aaron Edwin Penley (1807-1870) The Sister’s Tale Signed and dated 1850, also titled on the original backing board Watercolour, oval 56 x 43.5cm; 22 x 17in Provenance: Arthur Tooth and Sons £300-400 168. Edwin Dalton Smith (1800-1883) Portrait of William Samuel Deacon, three-quarter length, holding a fishing rod Signed and dated 1838 Watercolour with bodycolour 32.5 x 24.5cm; 12¾ x 9in Provenance: Lord Courthope, Whiligh, Wadhurst, East Sussex By descent until 2011 William Deacon married Miss Mary Sophia Currie £400-600

170 169. Edwin Dalton Smith (1800-1883) Portrait of Lady Sophia Deacon aged seven, full-length in a garden carrying a basket Signed and dated 1838 Watercolour with bodycolour 32.5 x 24.5cm; 12¾ x 9in Provenance: Lord Courthope, Whiligh, Wadhurst, East Sussex By descent until 2011 Lady Sophia Deacon died, aged twenty-one, in 1852 £400-600 170. Jan Zoetelief Tromp (1872-1947) A mother and child Signed Watercolour with bodycolour in an arched mount 37 x 17cm; 14½ x 6¾in £400-600

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172

173 171. James Ward R.A. (1769-1859) Study of a Cuckoo Flower Signed with initials and inscribed in pencil: Cuckoo Flower - April 1820 Watercolour over pencil 16 x 11cm; 6½ x 4¼in Provenance: Mr Knowles of Hanwell by 1951 Prudence Summerhayes by 1959 By descent until 2008 WS Fine Art Exhibited: WS Fine Art Ltd, Drawings by James Ward 1769-1859, 18 Nov. to 11 Dec. 2009, no.68 £200-300

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172. James Ward R.A. (1769-1859) Study of Ragwort Signed with initials and inscribed in pencil …. Weeds Watercolour over pencil 13 x 10.5cm; 5 x 4in Provenance: Mr Knowles of Hanwell by 1951 Prudence Summerhayes by 1959 By descent until 2008 WS Fine Art Exhibited: WS Fine Art Ltd, Drawings by James Ward 1769-1859, 18 Nov. to 11 Dec 2009, no.67 £200-300 173. English School 19th Century Studies of exotic birds Watercolour with gouache 28 x 21cm; 11 x 8¼in £150-250

177

178 174. Edward William Cooke R.A. (1811-1880) Studies of two Paddle Steamers Pencil 13 x 8cm; 5¼ x 3¼in Provenance: Martyn Gregory, Cooke Exhibition, 3/10/1996 With an unframed pencil sketch of Broadstairs Pier on 19th Sept 1830, attributed to Cooke, formerly in the collection of Sir Edward Heath (2) £50-60 175. English School (19th Century) A Victorian beauty Watercolour over pencil, in a lozenge shaped mount 33.5 x 21.5cm; 13¼ x 8½in Provenance: Christie’s, May 1974 £150-250

180

179 176. Attributed to John Cleveley (1747-1786) Ships on a calm day and ships on the coast Two, both watercolour, framed together 16 x 20cm; 6¼ x 8in and smaller (2) £200-500

177. Neapolitan School (19th Century) Bay of Naples; Paestum near the Bay of Naples A pair, both gouache Each 29 x 39.5cm; 11½ x 15½in (2) £600-800

179. Frederick Edward Joseph Goff (1855-1931) Thames at Gravesend Signed and titled Watercolour with scratching out 26 x 72.5cm; 10¼ x 28½in £600-800

178. Neapolitan School c.1900 A view of the waterfront, Naples Gouache 26 x 59cm; 10¼ x 23¼in £100-150

180. Primitive School early 20th Century Round St. Nicholas buoy Watercolour over pencil 35.5 x 51cm; 14 x 20in £80-120

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185

186 181. American School (19th Century) Hurdy Gurdy player Watercolour 34 x 26cm; 13¼ x 10¼in £80-120 182. English School 1892 A jester observed by a white cat Signed indistinctly Watercolour 45.5 x 30.5cm; 18 x 12in £200-300

187

183. J. Hardy (19/20th Century) Middle eastern scenes with figures beneath arches A pair, both signed Both gouache over watercolour 75 x 52cm; 29½ x 20½in and smaller (2) £250-350

184. Continental School 19th Century Priests and clergy A set of three, all watercolour with bodycolour, 23 x 15cm; 9 x 6in and similar With a pencil drawing of a gentleman in a ruff (4) £80-120 185. Phillp c.1795 Study of a spaniel sleeping Watercolour Signed and dated 1795 26 x 42cm; 10¼ x 16½in Provenance: Later inscribed on backing board verso Purchased at Packham sale, Hon. Mrs. Foley dec’d, also Registered Kennel Club, Jan Heffalump of Stratford £80-120

31 186. John Jessop Hardwick (1832-1917) Apple blossom and narcissi on a mossy bank Signed, numbered 39 and dated 1869 Watercolour with bodycolour 18 x 23cm; 7 x 9in £200-300 187. English School 19/20th Century Stained glass window design Signed with initials THB? Watercolour over pencil 60 x 48cm; 23½ x19in £150-250 188. Hughson Hawley (1850-1936) Ely Cathedral Signed and dated 1915 Watercolour heightened with white 76 x 58cm; 30 x 23in Hawley was an architectural artist based in New York for many years, he was a regular exhibitor at the annual exhibition of The Architectural League in New York £800-1,200

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189

189. Beatrice Emma Parsons (1870-1955) Mountain lake landscape with girls bathing Signed Watercolour 22.5 x 13cm; 9 x 5in £400-600 190. William Henry Millais (1828-1899) A cart by a stream Signed and inscribed St. Austin’s, Frenshaw Watercolour, in an arched mount 51 x 41cm; 20 x 16in £600-800 191. Alfred Augustus Glendening (1861-1907) In the flower garden Signed with initials and dated 1896 Watercolour 72 x 49cm; 28¼ x 19¼in £600-800

190

191

192. Henry John Kinnaird (fl. 1880-1920) View of Salisbury Signed and titled Watercolour 27 x 18.5cm; 10½ x 7¼in £600-800 193. William Cruickshank (1848-1922) Still life of convolvulus and a nest Signed Watercolour with bodycolour, in a decorative cased frame 30.5 x 23cm; 12 x 9in £200-300

192

193

194

195

196 194. Albert Dunnington (1860-1928) Hereford on the Wye; Moreton Old Hall, Congleton; Windmill Hill, Tabley, Cheshire Three, all signed and dated 1915 All watercolour Each 35.5 x 25.5cm; 14 x 10in (3) £100-150

197

198

195. John White R.I. (1851-1923) A golden eve, Looe, Cornwall Signed Watercolour with bodycolour 53.5 x 35cm; 21 x 13¾in £300-500 196. Arthur Hacker (1858-1919) White Star liner Olympic Signed with initials, also inscribed Olympic looking aft below mount Watercolour over pencil 18.5 x 14cm; 7 x 5½in £300-400

199

197. Indian School 19/20th Century Studies of birds Three, all Inscribed All watercolour with gouache, unframed Each 15 x 10cm; 6 x 4in and similar (3) £80-120 198. Attributed to Eustace Nash (1886-?) A bearded shepherd seated on a fence Watercolour over pencil 38 x 26cm; 15 x 10¼in £100-150 199. Thomas Walter Wilson (1851-1912) The budding artist Signed and dated 86 Watercolour 25 x 35cm; 10 x 14in £400-600

33 200. L. Brendau (French 19/20th Century) Breton Fishermen at work Signed Pastel on paper 68 x 82cm; 26¾ x 32¼in £600-800

201. Arthur John Trevor Briscoe (1873-1943) In the trades Signed, titled and dated 34 Watercolour over pencil 35.5 x 52cm; 14 x 20½in £600-800

202. John Edmund Buckley (1824-1876) Returning from Hawking, Hendlip House, Worcestershire Signed and dated 1867 Watercolour and bodycolour 30.5 x 57.5cm; 12 x 22½in Provenance: Cutler Galleries, Bournemouth, 1988 £300-500

200

203. John Edmund Buckley (1824-1876) The Garden Party Signed and dated 1867 Watercolour and bodycolour 35.5 x 57cm; 14 x 22½in Provenance: Cutler Galleries, Bournemouth, 1988 £500-700

201

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203

34 207. Willem Steelink Jr. (Dutch 1856-1928) Sheep and sheepdog on a country lane Signed, dated 07 and inscribed to Mrs. Heaton Pencil and coloured chalk 19 x 13cm; 7½ x 5¼in £150-200

204

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209

205

206

208

210

208. Adrian Keith Graham Hill P.R.O.I., R.I., R.B.A. (1895-1977) Gateway, Hampton Court Signed and titled Black chalk and watercolour 22 x 13.5cm; 8¾ x 5¼in £80-120

204. Tom Clough (1867-1943) Fruitsellers in an Italian town Signed Watercolour 50.5 x 34cm; 19¾ x 13¼in £150-250

209. Rubens A.J.N. Southey (1881-1933) Old harbour town A pair, both signed Both watercolour Each 48 x 33cm; 19 x 13in (2) £150-250

205. William Tatton Winter (1855-1928) Fuenterrabia, Spain Signed and titled on artists label verso Watercolour 36.5 x 25.5cm; 14¼ x 10in £200-300

210. E. J. Lambert (c.1927) Salisbury Cathedral Signed and dated 1927 Watercolour paper stuck down on board, unframed 54 x 40cm; 21¼ x 15¾in £100-150

206. English School 19/20th Century Fishing boats in a harbour Watercolour 50 x 32.5cm; 19¾ x 12¾in £100-150

211. Digby Page (b. 1945) In pursuit of the Fox; Huntsmen in the morning A pair, both signed Both watercolour Each 10 x 19cm; 4 x 7½in (2) £100-200

211

212

212. Waller Hugh Paton R.S.A., R.S.W. (1828-1895) A Wooded Stream, Isle of Arran, Scotland Signed, dated 19th Sept. 1855 and inscribed Arran Watercolour with bodycolour over pencil on buff paper 23 x 33cm; 9 x 13in Provenance: J.S. Maas & Co., London Bought by Sir David Scott (1887-1986), January 1974 for £130 By family descent until 2008 Paton was a pupil of J.A. Houston. As a young man, his family, including his brother, the artist Sir Joseph Noel Paton, often spent summer holidays on Arran, where they would sketch. Ruskin and Millais were both friends of his brother Noel and he has been described as the leading exponent of the Pre-Raphaelite landscape in Scotland. Paton exhibited views of Arran at the Royal Scottish Academy from 1854 £600-800

213

214

213. Henry Stannard (1844-1920) Sheep feeding at dusk Signed Watercolour over pencil 34 x 47.5cm; 13½ x 18¾in £150-250 214. ‡ Henry John Sylvester Stannard (1870-1951) Haymaking Signed indistinctly Watercolour 24 x 34cm; 9½ x 13½in Provenance: Abbey Gallery, No. 7529 £500-700 215. Thomas Bush Hardy (1842-1897) A perilous position Signed, titled, inscribed Langhan sketch and dated Feb. 10th Watercolour 76 x 64cm; 30 x 25½in £400-600 215

36 216. Robert Craig Wallace (1886-1969) Yachts racing; Fishing boats in harbour A pair, both signed Both watercolour Each 28 x 38cm; 11 x 15in (2) £100-150

216

217. ‡ Charles Ernest Cundall (1890-1971) The Little Mermaid, Copenhagen Signed Watercolour 33 x 47cm; 13 x 18½in £300-400

217

218

218. ‡ T. C. Birch (20th Century) S. S. Rotorua in Wellington harbour, New Zealand Signed, also titled on a label verso Watercolour 29 x 43cm; 11 x 17in Provenance: Christies, 8/05/03, lot 167 £80-120

219

221

220

219. Kenneth William David Jack (Australian 1924-2006) Waterfall on Mt. Emu Creek Watercolour 40 x 53cm; 15¾ x 21in Provenance: Ten Watercolourists Salute, Victoria, 1985, No. 19 £100-150 220. Ernest Stuart (act.1889-1915) A fresh breeze, Guernsey Signed Watercolour 21.5 x 53.5cm; 8½ x 21in £200-300

222 222. Graham Petrie (1859-1940) Autumn, Locarno Signed Watercolour with bodycolour 34 x 50.5cm; 13½ x 20in £200-300

223 223. Mark Senior (1864-1927) Fishermen on a harbour Signed Watercolour 26 x 36cm; 10 x 14in £100-150

221. F. Patterson (20th Century) The Titanic docking Signed Watercolour with bodycolour 26 x 46cm; 10¼ x 18in With another of an old ship being used for target duties by E. W. Hull (2) £100-150

37 224. Lionel Dalhousie Robertson Edwards R.I. (1878-1966) The Cunning little Vixen Signed with initials Coloured chalks on grey paper 34 x 24cm; 13½ x 9½in £400-600 225. Lionel Dalhousie Robertson Edwards R.I. (1878-1966) The Runaway Horse Signed Black chalk heightened with bodycolour 26.5 x 31.5cm; 10½ x 12¼in £600-800 224

226. H. J. (c.1917) Thirst Signed with a monogram, also later titled and inscribed on a label verso, R.D. from H.J. and dated Oct. 27-1917 Watercolour 25 x 35cm; 10 x 13¾in £100-150

225

226

228 227. Richard Simkin (1840-1926) The 9th Lancers, 1750, 1768, 1814, 1842, 1858 Five, all dated All watercolour 17 x 11cm; 7 x 4¼in and similar With a reverse glass silhouette of Wellington (6) £200-300

228. A. J. Jameson (c.1920) Russian troops in rainy trenches Signed and dated 1/6/1920 Pen and ink 12 x 25cm; 5 x 10in £200-300

227

229 229. Warwick Goble (1862-1943) Verdun Signed Watercolour 35.5 x 33cm; 14 x 13in £200-300

230

231 230. George Spencer Watson (1869-1934) Portrait of a lady, possibly Hilda, the artist’s wife Signed Coloured chalk 43 x 33cm; 17 x 13in £150-250 231. Ellen Montalba (19/20th Century) Portrait of Mrs. L. I. T. Jeans née Percival aged 7 Signed Pastel in a giltwood frame 51 x 34cm; 20 x 13½in £200-300

232 232. Manuel Robbe (French 1872-1936) Portrait of a lady with a headband Signed Coloured chalks heightened with white on buff paper 28 x 22cm; 11 x 8¾in £100-150 233. ‡ John Millington (1891-1948) The Garth Pool (From Fore Upper T’sail) Signed Watercolour with scratching out 52.5 x 37cm; 20¾ x 14½in Provenance: Gladwell & Co. London £600-800

233

234

235

236

234. José Garcia y Ramos (Spanish 1852-1912) Study of a lady Signed and inscribed Sevilla Watercolour over pencil 14 x 13.5cm; 5½ x 5in £100-150 235. Thomas Cooper Gotch R.I. (1854-1931) Study of the artist’s grand-daughter Pencil 41 x 37cm; 16 x 14½in Provenance: Leon Suddaby Fine Art £80-120 236. William Lucas (c.1840-1895) Portrait of a young girl wearing a blue and white dress Signed and dated 1871 Pastel, oval 49 x 40cm; 19¼ x 15¾in £100-150

237 237. Frank McFadden (c.1890) Hospital of St. Cross, Winchester Signed Watercolour with bodycolour 51 x 74cm; 20 x 29in £300-500 238. Helena Maguire (1860-1906) Left behind Signed Watercolour 62.5 x 44.5cm; 24½ x 17½in £1,000-1,500

239

239. Elizabeth S. Guinness (c.1850-1934) Portrait of a young gentleman in a hat Signed Pencil with charcoal on buff paper 40 x 32cm; 15¾ x 12¾in £120-180 240. Pio Blanchi (Italian 1848-1917) Portrait of a gentleman with a moustache and hat Signed Watercolour over pencil 17 x 12.5cm; 6¾ x 5in £100-200

238 241. ‡ Frank O. Salisbury (1874-1962) St. George for the quest Titled Watercolour over pencil, mounted, unframed 53 x 38cm; 21 x 15in Provenance: By direct descent from the artist £200-300

240

241

242

243

244

242. ‡ Cedric J. Kennedy (1898-1968) Portraits of boys at Dean Close School, Cheltenham, 1952 Four, one thought to be signed and dated below mount Three in red chalk, one in pencil, framed as a set Each 12.5 x 10cm; 5 x 4in Exhibited: Memorial Exhibition, Cheltenham Art Gallery, Autumn 1969, Cat. No. 72-9 (part) (4) £100-150 246

247

243. ‡ Barry Arthur Peckham (b.1945) Staithes, North Yorkshire Signed and dated 95 Watercolour over pencil 45 x 35cm; 17¾ x13¾in £150-250 244. ‡ Ian Armour-Chelu (1928-2000) Lights over a Venetian canal Signed, also titled on mount Watercolour 30 x 21cm; 11¾ x 8¼in Provenance: Peter Hedley Gallery, Wareham, No. AC285 £200-300 245. ‡ Tabitha Salmon (20th Century) Deauville Signed and dated 1991 Watercolour 47 x 30.5cm; 18½ x 12in Provenance: Purchased directly from the artist £120-180

248

245

246. Philip Wilson Steer O.M. (1860-1942) Bristol from Shirehampton Signed and dated 1922 Watercolour 32 x 37cm; 12½ x 14½in Provenance: Abbott & Holder, No. 34720 £300-500 247. Philip Wilson Steer O.M. (1860-1942) Bend of the river, a view near Chepstow Signed and dated 1905 Watercolour 24 x 36cm; 9½ x 14in Provenance: Mrs. Gilbert Russell Abbott & Holder Exhibited: Leicester Galleries, Collection of the late Hugh Walpole, April 1945, 57 £300-500 248. ‡ Edward H. Simpson (20th Century) Cornfield, Burniston Bay, Nr. Scarborough Signed, also titled on a label verso Watercolour 34 x 50cm; 13½ x 19in £100-150

41 249. Caroline Leeds (1931-2005) Studies of dogs Signed Charcoal and white chalk on grey paper 49 x 59cm; 19¼ x 23½in £100-150 250. ‡ Winifred Marie L. Austen (1876-1964) Bullfinches Signed with a monogram Watercolour with bodycolour 22.5 x 20.5cm; 9 x 8¼in Provenance: Rowland Ward Ltd., London £100-150

250

249

251. ‡ Philip Rickman (1891-1982) Seagulls on the cliffs Signed Watercolour with bodycolour 18 x 26cm; 7 x 10¼in £100-150 252. ‡ B. Riab (20th Century) Labrador retriever with a cock pheasant Signed Watercolour with bodycolour 33 x 48.5cm; 13 x 19in Provenance: F.A.R. Gallery, New York £200-300 253. ‡ Arthur Wardle (1864-1949) Leopard at rest Signed Pastel on buff paper 27.5 x 36.5cm; 10¾ x 14¼in £300-500 254. Winifred Marie Louise Austen R.E., R.I. (1876-1964) Shoveler and Teal Signed with monogram Watercolour 23.5 x 34.5cm; 9¼ x 13½in Provenance: Fine Art Society, July 1945 Malcolm Innes Gallery £300-500

251

253

255 255. ‡ John Baxendale (1919-1982) A pair of ducks in the snow Signed and dated 1979 Watercolour with bodycolour 38 x 55cm; 15 x 21½in £200-300

252

254

256 256. ‡ John Baxendale (1919-1982) Four ducks on the river Signed and dated 1979 Watercolour with bodycolour 38 x 55cm; 15 x 21½in £200-300

42 259. John Hamilton Glass (1820-1885) Old corner, Buckhaven Signed Watercolour 31 x 46cm; 12¼ x 18in £100-150 257 257. ‡ Cedric J. Kennedy (1898-1968) Farm at Broadwell, Gloucestershire; River and stile, showery day Two, one signed, the other thought to be signed and dated 1934, possibly below mount Both watercolour, framed as a pair Each 25.5 x 50.5cm; 10 x 20in (2) Exhibited: Memorial Exhibition, Cheltenham Art Gallery, Autumn 1969, Cat. No. 36 and 43 (2) £100-150

259

258 258. ‡ Cedric J. Kennedy (1898-1968) Lexden Park, Colchester; Lord Hereford’s Knob from the Wye at Erwood Two, one thought to be signed and dated 1954, possibly below mount Both watercolour, framed as a pair Each 25.5 x 50.5cm; 10 x 20in (2) Exhibited: Memorial Exhibition, Cheltenham Art Gallery, Autumn 1969, Cat. No. 30 and 63 (2) £100-150

260

260. ‡ Francis Russell Flint (1915-1977) Low water at Portchester Signed, also signed and titled on a label verso Watercolour 26 x 36.5cm; 10 x 14¼in £120-180

261. ‡ George Graham (1881-1849) Cattle under the trees Signed and dated 1916 Watercolour 45 x 56cm;17½ x 22in With an unframed winter landscape by John Bond (2) £120-180

262. ‡ Morgan Alfred Thornley (1896-1965) St. Ives Signed, titled and dated 1955 Watercolour 17.5 x 25.5cm; 7 x 10in £80-120

263. ‡ Marc Yeats (20th Century) Winter landscapes A pair, both signed Both watercolour Each 24 x 38cm; 9½ x 15in (2) £100-150

261

262

263

264

264. ‡ Maxwell Ashby Armfield (1882-1972) Chichester Cathedral Signed with initials and titled Watercolour over pencil 15 x 27.5cm; 6 x 10¾in £150-250

266

267

265 265. Henry Scott Tuke R.A. (1858-1929) Harbour scene in Kingston, Jamaica Signed, dated 1924 and inscribed Kingston, Jamaica Watercolour 21 x 13cm; 8¼ x 5in £1,500-2,500 266. George Nelson (1864-1921) Winter on the Schatzalp, Davos, Switzerland Signed, also signed and dated 1912 on the backing board verso Watercolour with bodycolour 46 x 68cm; 18 x 27in £400-600 267. George Nelson (1864-1921) A town in the snow, probably Davos, Switzerland Watercolour with bodycolour 43 x 71cm; 17 x 28in £400-600

268 268. George Nelson (1864-1921) Sunrise, Davos Platz, Switzerland Signed and dated 1915 Watercolour with bodycolour 42 x 71cm; 16½ x 28in £400-600

44 269. ‡ Stanley Orchart (1920-2005) Chester Cross Signed Watercolour over pencil 36 x 47cm; 14 x 22½in Provenance: Beaulieu Fine Arts £150-250

269

271

270

272

270. ‡ Stanley Orchart (1920-2005) 14th Century Gateway, The Close, Salisbury Signed, titled and dated 75 Watercolour over pencil 36 x 47cm; 14 x 18½in Provenance: Beaulieu Fine Arts £150-250 271. ‡ Stanley Orchart (1920-2005) Stalham Backwater, Norfolk Signed Watercolour over pencil 24.5 x 34cm; 9½ x 13½in Provenance: Beaulieu Fine Arts £100-150 272. ‡ Stanley Orchart (1920-2005) The Poultry Market, Salisbury Signed, inscribed and dated 75 Watercolour over pencil 24.5 x 30cm; 9½ x 11¾in Provenance: Beaulieu Fine Arts £120-180

273

275 275. ‡ Ethelbert White R.W.S. (1891-1972) Workers in a field, a valley beyond Signed Watercolour 24.5 x 34cm; 9½ x 13½in £120-180

274

276 276. ‡ David Muirhead Bone (1876-1953) Sailing boats on an estuary Signed Watercolour over pencil 12.5 x 20cm; 5 x 8in £100-150

273. Franz David Oerder (Dutch 1867-1944) Transvaal landscape Signed Pastel 44 x 54cm; 17½ x 21½in £300-500 274. Miss A. Marjorie Sherlock (1897-1973) Hole in a bank Signed and dated 68 Pen, ink and watercolour Exhibited: Royal Academy, 1969 Paris Salon part-label verso Sherlock was on the periphery of the men-only Camden Town Group of artists £100-150

45 277. ‡ Rex John Whistler (1905-1944) A curtain design for ‘The General’s Dilemma’, Cochran’s Revue at the London Pavilion, March 1931. Titled General’s Dilemma and inscribed Swiss Army, also inscribed by Laurence Whistler verso Pen, ink and watercolour, unframed 28 x 43cm; 11 x 17in Provenance: Finan & Co. 12th June, 2004, Lot 54 - copy of the catalogue included Laurence Whistler & Ronald Fuller, The Work of Rex Whistler [Batsford, 1960], No. 396 (2) where Laurence Whistler is shown as the owner of this drawing £800-1,200 278. Lucien Pissarro (French 1863-1944) The Thames Signed with a monogram Watercolour over pencil 9.5 x 12.5cm; 3¾ x 5in Provenance: Sotheby’s, 21 Nov. 1962 £500-700

279. ‡ Edward Woore (1880-1960) Nude studies Six, pencil and red chalk 38 x 28cm; 15 x 11in and smaller (6) £150-250 280. ‡ Edward Woore (1880-1960) Sketch books with drawings of animals and people 5, mostly pencil or chalk, some watercolour 40.5 x 30.5cm; 16 x 12in and smaller With 3 framed sketches of nudes by the same hand (8) £150-250

277

281. ‡ Edward Woore (1880-1960) Nude studies Six, pencil and red chalk 33 x 26.5cm; 13 x 10½in and various (6) £150-250

278

279

280

281

282

283

282. ‡ Robert van Cleef (b.1914) Seated ballet dancer by a mirror Signed Pastel 56 x 43cm; 22 x 17in Provenance: Gladwell & Co. With an oil on paper by Tom Quinn of a girl in a hat another of the architects wife Gina and an oil of geese by Baron (4) £50-100

286

283. ‡ Roy Petley (b.1950) The shawl Signed Pastel 44 x 29cm; 17¼ x 11½in Provenance: David Messum, Autumn Exhibition 1998, No. 29 With a seated nude in stockings by the same hand (2) £70-100

284 284. ‡ Roy Petley (b.1950) A nude standing, her leg resting on a bed Signed Red chalk 37 x 27cm; 14½ x 10½in With a further red chalk study of a nude 42 x 20cm; 16½ x 8in and two red chalk drawings of female nudes (4) £50-100

287

285 285. ‡ Roy Petley (b.1950) A female nude, half length Signed Red chalk 33 x 20cm; 13 x 8in With another similar, signed and dated 88 and two female nudes (4) £50-100 286. ‡ Roy Petley (b.1950) Female nude reclining on a bed Signed and dated 1989 Black chalk 36 x 54cm; 14¼ x 21¼in With a study a young woman in a hat and another similar (3) £50-100 287. ‡ Franco Matania (1922-2006) Seated nude Signed Pastel 34 x 43cm; 13¼ x 17in With a pastel of a kneeling nude and a reproduction by the same hand (3) £70-100 288. ‡ Sir Herbert James Gunn R.A. (1983-1964) Reclining nude Signed Red chalks 35 x 45cm £200-300

288

289

289. Circle of Wilfred Gabriel De Glehn Reclining nude Red chalk on grey paper 35 x 49cm; 13¾ x 19¼in £100-150

47 290. ‡ Sir William Russell Flint R.A., P.R.W.S. (1880-1969) The Palace Linen Signed, also signed, titled and inscribed with R.A. No. 5 and artist’s address on backing board verso Watercolour 50 x 67.5cm; 19¾ x 26½in Provenance: Frost & Reed, London, 28-1-75, No. S9525 £7,000-10,000

290

291. ‡ Edward Seago R.W.S. (1910-1974) The Gazella at Gingal Signed Watercolour 27 x 37cm; 10½ x 14½in Provenance: P. & D. Colnaghi & Co. London £5,000-7,000

291

48 292. Claude Allin Shepperson A.R.A. (1867-1921) The cool world burns my face and blows its frosty pepper into my nose Signed with a monogram, also titled on backing board verso Watercolour with coloured chalk 32 x 21cm; 12½ x 8¼in £100-150

293. Attributed to Sir George Clausen R.A. (1852-1944) The Ferry Signed and dated 79 Pen and ink 34.5 x 27.5cm;13¾ x 11in £200-300 292

293 294. ‡ Violet Brunton (1878-1951) as Victor du Lac I find more bitter than death; Untitled Two, both signed Both watercolour over pencil, unframed 23 x 15cm; 9 x 5¾in and similar (2) £150-200

295. Louis William Wain (1860-1939) Cat reclining with cigar Signed Pen, ink and watercolour 34 x 28cm; 13½ x 11in £400-600

294

295

296. ‡ Malcolm Temple (b.1949) Portrait of a blonde in a stripey shirt Signed and dated 1979 Pastel over pencil 147 x 74cm; 58 x 29in Provenance: Collection of John Jesse, Kensington £100-200

297. ‡ Fritz Werner (20th Century) Prodess et Delectare Signed and titled Pen, ink and wash 30 x 23cm; 12 x 9in £200-300

296

297

299

298 298. Helen Beatrix Potter (1866-1943) Stop Thief! Signed and dated Aug 1927 Pen, ink and watercolour 17 x 9.5cm; 6¾ x 3¾in £2,000-3,000

300 299. Dame Laura Knight R.A., R.W.S. (1877-1970) Actors waiting Signed with initials and dated 1923, also later inscribed on a label verso 2nd from left, The wardrobe master, Orlando Whitehead recollected by Leslie French in a different hand Pencil 32 x 22cm; 12½ x 8¾in £300-500

300. Sir Cecil Beaton C.B.E. (1904-1980) Study of a lady in a green dress Signed Watercolour 35 x 22cm; 13¾ x 8¾in Provenance: A gift to the present owner from Eileen Hose, the artist’s personal assistant £500-800

301

303

304

302 301. ‡ Alan Lowndes (1921-1978) The Blacksmith Signed and dated 1972 Mixed Media 18.5 x 25.5cm; 7¼ x 10in Provenance: Market House Gallery, Cornwall £120-180

303. ‡ John Daniel Revel (1884-1967) Eastern promise Signed Watercolour over pencil 27 x 24cm; 10½ x 9½in Provenance: Michael Parkin Fine Art, No. 4007 £150-250

302. Manner of Jamini Roy A horse; A deer and fawn; A deer by a shelter Three all bear signatures All tempera 31 x 21cm; 12 x 8¼in and similar (3) Sold on behalf of the charity Evangelical Action Brazil £200-400

304. African School 20th Century A mother and child Signed indistinctly Charcoal and watercolour heightened with gold paint on panel 68.5 x 56cm; 27 x 22in £100-200

305

305. Indian Rajasthan, Jaipur School 19th Century Vishnu, depicted in a dreamlike state reclining on a giant serpent and floating on the primordial waters Inscribed Gouache, in a border 24 x 18cm; 9¼ x 7¼in £100-150 306. Indian Rajasthan School 19th Century Saraswati mounted on a peacock Gouache, in a decorative border 20 x 15.5cm; 8 x 6in £100-150

306

307

308

307. Indian Mewar School c.1800 Vishnu carrying an umbrella, visiting King Mahabali Inscribed Gouache 13.5 x 14.5cm; 5¼ x 5¾in £100-150

309. North India School c.1800 A musician visited by a princess, possibly Lucknow Gouache in a decorative border 17 x 12cm; 6¾ x 4½in £100-150

308. Indian School c.1900 Krishna in combat Gouache with gum arabic, in a decorative border 16 x 22cm; 6¼ x 8½in £100-150

310. Indian Rajasthan School 18th Century The dwarf Incarnation of Vishnu, Vamana in the guise of a short Brahmin carrying an umbrella visiting King Mahabali, possibly Bikanir Gouache, in a decorative border 19 x 13cm; 7½ x 5¼in £100-150

310

311. North India School 19th Century Ardhanisvara (the combined form of Lord Shiva and his consort Parvati, probably Kashmir) Gouache, in a decorative border 14 x 10cm; 5½ x 4in £100-150 312. Indian Tanjore, Tamil Nadu School c.1900 Krishna seated and attended by two consorts Gouache and applied gilt and paste stones on panel 39.5 x 28cm; 15½ x 11in £100-150

311

309

312

52 313. ‡ Rosemary Sarah Welsh (b.1946) New Forest ponies Signed Pastel 44.5 x 57cm; 17½ x 22½in £300-400 314. ‡ James R. Davies (20th Century) Below Chateau de Castelnau Signed, with another view verso, window-mounted Watercolour 35 x 54cm; 13¾ x 21¼in £80-120

313

315

314

316 315. Clara Montalba (1842-1929) Fiesta, Venice Possibly signed below mount Watercolour 16.5 x 24cm; 6½ x 9½in Provenance: Royal Society of Painters in Watercolours £200-300

317 316. ‡ Mark Adlington (b.1965) White tailed sea eagle Signed, titled and dated 2001 Charcoal and conté crayon 38 x 42cm; 15 x 16½in £200-300

317. ‡ Hans Jacob Hansen R.S.W. (1853-1947) The dance show Signed Watercolour 15 x 15cm; 6 x 6in £120-180

53 318. ‡ John A. Blakey (b.1952) Portrait of the actor Ian Gillett Carmichael (1920-2010) Signed and dated ‘86 Watercolour 45 x 34cm; 17¾ x 13¼in £800-1,200 319. ‡ Robert Banks (b.1911) S. Maria Dell’Orazione e Morte Signed and numbered 451 Watercolour over pencil 66 x 49cm; 26 x 19¼in Provenance: The Trafford Gallery, London, No. 451, 1973 £400-600

320. English School 20th Century Classical Composition Titled Pen, ink and watercolour 73 x 50cm; 28¾ x 19¾in £150-250 321. ‡ Carol Magdalena Bednar (20th Century) Artists in discussion Signed Pen, ink and watercolour on buff paper 37.5 x 23cm; 14½ x 9in £100-150

318

319

320

321

322. ‡ Dodie Masterman (1918-2009) The Boudoir Signed Pen, ink and watercolour 27.5 x 25.5cm; 10¾ x 10in £100-150 323. George Adolphus Storey (1834-1919) The pump room, Bath (2), The Casa de Abed, Toledo; The George & Dragon, Canterbury; St. Lawrence Church, Kent; Study for the Crucifixion; Gypsey Girl Mari-Anna Seven, all titled and signed on mounts, some signed with a monogram and some dated All watercolour, 3 unframed 29 x 24cm; 11½ x 9½in and smaller (7) £200-300

322

323

324

325

326

327

328

329

324. ‡ Chéri Herouard (French 1881-1952) A lovelorn princess Signed, also with exhibition label verso Pen, ink and watercolour 45 x 63.5cm; 17¾ x 25in £400-600 325. Archibald St. John MacCall (19/20th Century) A rainy day in town Signed and dated 04 Watercolour with bodycolour 24.5 x 36cm; 9½ x 14in £150-250

326. ‡ Ian Armour-Chelu (1928-2000) The Rialto Bridge under an October sun Signed and dated 1988 and titled on mount, also signed and titled on artist’s address label verso Watercolour 17.75 x 25cm; 7 x 9¾in £200-300 327. Thomas Todd Blaylock (1876-1929) A Dutch village; A farmhouse A pair, both signed Both pastel on buff paper Each 27 x 37cm; 10½ x 14½in (2) £150-250

328. R. Turner (late 19th Century) Lakeland views, probably the Lake District A pair, both signed and dated 1887 Both watercolour Each 31.5 x 54cm; 12½ x 21¼in (2) £200-300 329. ‡ Michael John Walker (b.1939) A forest of masts at Oare Creek Watercolour 30 x 56cm; 12 x 22in Provenance: Artist’s labels and receipt verso £100-150

330

331

332

333

334 330. ‡ Dion Pears (1929-1985) Cars racing in 1930s Signed Watercolour over charcoal 37 x 51cm; 14½ x 20in £300-500 331. ‡ William Turner (1920-2013) Yorkshire Factory Signed, also signed and titled on backing board verso Watercolour on buff paper 11.5 x 17cm; 4½ x 6¾in £150-250

335 332. Gilbert Constantin Guys (French c.1885-1926) Figures out on the town at night Three, all signed All gouache, unframed 18 x 22cm; 7 x 8½in and similar (3) £80-120

334. ‡ Eric Fraser (1902-1984) Golf at a country house hotel, Staffordshire Signed Pen and ink, mounted, unframed 11 x 16.5cm; 4¼ x 6½in £200-300

333. ‡ Frederick Stocks May (20th Century) Wagon and Horses, design for a Sign Signed Gouache 51 x 67cm; 20 x 26½in £80-120

335. English School c.1960 19-24 Ropemaker Street, London EC1, original architect’s design Inscribed indistinctly lower right Watercolour over pencil 42 x 56cm; 16½ x 22in £70-100

SCULPTURE

336 336. ‡ John Cotter (20th Century) Man saving woman; Hand holding nude Two, both signed, dated 1989 and numbered 1/18 and 7/25 Both patinated resin 53cm; 21in high and 17.5cm; 7in high With a resin nude on a rock by Dr. J. D. Price, a nude on a rock signed BB; a composite by Klara Sever of a sultry awakening (5) £50-100 337. ‡ Ronald Cameron (b.1930) Stephanie Signed, titled and numbered 22/25 Bronze 29.5cm; 11½in high £150-250 338. ‡ Ronald Cameron (b.1930) Rosa; Zara Both signed, titled and numbered 6/25 and 18/25 Bronzed resin 61.5cm; 24in and 40.5cm; 16in high (2) £100-150

337

338

339

339. ‡ Ronald Cameron (b.1930) Fiona Signed, titled and numbered 25/25 Bronzed resin 28.5cm; 11in high £100-150 340. ‡ Ronald Cameron (b.1930) Dancer 2, I and II Two, both signed, titled and numbered 2/7 and 5/25 Both bronzes on a lacquered bases 28cm; 11in high (including base) and 25.5cm; 10in high (2) £150-250 341. ‡ Ronald Cameron (b.1930) Ursula; Viola Both Signed, titled and numbered 16/25 and 20/25 Both bronzed resin 33cm; 13in and 24cm; 9½ high (2) £100-150

340

342 342. ‡ Guy Benoist (French b.1931) Possibly titled L’Hindu Signed Bronze 21cm; 8¼in long £100-150

341

343 343. After Auguste Rodin La Danaide Bears signature Terracotta 25.5cm; 10in high £400-600

FRAMES

344 344. A pair of circular carved wood Florentine frames With scrolling acanthus decoration and a tongue and groove sight edge Both 52cm; 20½in diameter (rebate size) £400-600 345. Two 19th Century gilt scrolling and acanthus leaf frames 40.5 x 51cm; 16 x 20in and 22.5 x 30cm; 9 x 12in (rebate size) £100-150

346. An 18th Century carved pine frame, 78 x 65cm; 30¾ x 25½in (rebate size) £300-500 347. A carved and pierced Florentine style giltwood frame with glass, 62 x 46cm; 24½ x 18in (rebate size) £120-180

346

345

348

348. A 19th Century gilt swept frame with glass, 52 x 62cm; 20½ x 24½in (rebate size) £80-120 349. A modern Indian carved and pierced hardwood frame with glass, decorated with birds and animals, 24 x 19cm; 9½ x 7½in (sight edge) £120-180

347

349

OIL PAINTINGS

350

351 350. Anglo Dutch School 17th Century Portrait of a bearded gentleman Inscribed indistinctly verso Oil on panel 58 x 44cm; 23 x 17¼in £400-600

352

353

351. Attributed to John Russell (1745-1806) after Sir Anthony Van Dyck Portrait of King Charles I Oil on panel, in a carved wood frame 39 x 31cm; 15½ x 12¼in £1,500-2,000 352. English School 18th Century Portrait of a gentleman, full length with a red coat Oil on copper, oval 37 x 29.5cm; 14½ x 11½in £200-300

354

355

353. Dutch School 18th Century Study of a man in a hat Oil on panel 14.5 x 12.5cm; 5¾ x 5in £200-300 354. English School 18th Century Portrait of a gentleman, head and shoulders, in a trompe l’oeil lunette Oil on panel, unframed 27 x 23cm; 10½ x 9¼in £100-150 355. Flemish School Early 19th Century Figures by a ruined castle and rapids Oil on panel 13 x 17cm; 5 x 6½in £100-150

356

357

356. George Morland (1763-1804) Resting beneath a tree Signed and dated 1793 Oil on canvas 56 x 71cm; 22 x 28in £1,200-1,800 357. Follower of Jaques Cortois, Le Bourguignon A cavalry engagement Oil on canvas 33 x 43cm; 13 x 17in £1,000-1,500 358. Hendrik Willem Schweickardt (German 1746-1797) Winter scene with skaters on a lake Signed Oil on panel 32 x 43cm; 12½ x 17in £1,000-1,500

358

359. English School 19th Century Mountain lake landscape with two huntsmen and hounds in the foreground Oil on canvas 90 x 107cm; 35½ x 42in £1,000-1,500

359

60 360. English School (20th Century) Sailing ships on an estuary Signed indistinctly, possibly Gerald Hedges Oil on canvas 61 x 92cm; 24 x 36in £100-150

360

361

361. French School 19th Century Shepherdess on a track in a landscape Inscribed indistinctly on stretcher verso Oil on canvas, unframed 38 x 45.5cm; 15 x 18in £150-250 362. Attributed to Rev. John Thomson of Duddingston (1778-1840) Ravenscraig Castle Oil on canvas, unframed 57 x 73.5cm; 22½ x 29in £100-150

362

363

363. George Armfield (1808-1893) Terriers with a fox and pheasant Signed and dated 1859 Oil on canvas 30.5 x 40.5cm; 12 x 16in £30-50 364. Dutch School (19th Century) Ships in a stormy sea Oil on canvas 45.5 x 61cm; 18 x 24in £100-150

364

365

365. Charles Rochussen (Dutch 1814-1894) Travellers resting by a track Signed with initials Oil on panel 19 x 25cm; 7½ x 10in £100-150 366. Continental School 18th Century A figure with two horses in a wood Oil on copper, unframed 14 x 16cm; 5½ x 6¼in £100-150 367. English School early 19th Century Figures in a landscape Oil on canvas laid on board 53 x 70cm; 21 x 27½in £100-150

366

367

61 368. English School 19th Century Portrait of a lady thought to be Miss Alinson Half length, standing in a landscape Oil on canvas 96 x 72cm; 38 x 28½in £400-600 369. Follower of George Romney Portrait of Mrs. Mary Susannah Ross (1746-1829) Oil on canvas, in a gilt frame 76 x 61cm; 30 x 24in Mary Ross was daughter of Richard Emmott of Emmott Hall, Colne, Lancashire. She married in 1769, Alexander Gray of Skibo, Sutherlandshire, he succeeded to the estate of Cromarty in 1767 and took the name of Ross, on the death of his Uncle £800-1,200

368

369

370

371

372

373

370. English School early 18th Century Portrait of a Hannah Hollis, wife of John Hollis in a painted oval Later titled and inscribed on a label verso Died May 15th 1740. Aged 73. Their daughter Ann married Richard Solly. This picture was bought by F.R. Pryor at the sale of the Serge Hill pictures and furniture Jan 1921 Oil on canvas 75 x 62cm; 29½ x 24¼in £400-600 371. After Sir Peter Lely Lady Diana Cooke, wife of Sir Henry Cooke of Wheatley, Yorkshire Oil on canvas 93 x 78cm; 36½ x 30¾in A similar later copy exists by Alexander Glasgow in the Doncaster Museum £800-1,200 372. Follower of Godfrey Kneller Portrait of a lady holding a basket of flowers Oil on canvas, unframed 73.5 x 61cm; 29 x 24in £100-150 373. English School 18th Century Portrait of a boy with his dog Oil on canvas, unframed 76 x 62cm; 30 x 24½in £300-500

62 374. English School 19th Century Portrait of a lady, half length, wearing black with a lace collar Oil on canvas 76 x 63.5cm; 30 x 25in £400-600 375. English School 18th Century Portrait of a gentleman, head and shoulders Oil on canvas in a period frame 43 x 39cm; 17 x 15¼in £200-300 374

375

376. Italian School 16/17th Century Saint Catherine with crown, pearl necklace and quill Oil on panel, oval in a carved cartouche frame 43 x 42cm; 17 x 16½in £400-600 377. Manner of Fra Angelico The Archangel Gabriel; St Catherine of Alexandria A pair, both oil on panel, with gothic arches Each 51 x 20cm; 20 x 8¼in £200-300

376

377

378. After Sir Joshua Reynolds Self portrait after the original in Dulwich Picture Gallery Oil on canvasboard 30.5 x 22.5cm; 12 x 9in £100-150 379. English School c.1900 Portrait of Mrs Harriet Read, seated holing a letter Oil on canvas 76 x 64cm; 30 x 25in Provenance: Major Booker £200-300

378

379

380. Frederick Brueton (1882-1911) Going on Guard Signed Oil on canvas 35.5 x 25.5cm; 14 x 10in £300-500 381. Charles Wellington Furse (1868-1904) Portrait of Harriett E. Molesworth, mother of Robert Bridges Inscribed on a label verso Oil on canvas laid down on board, oval 51 x 41cm; 20 x 16in £200-300

380

381

63 382. George Clint A.R.A. (1770-1854) Miss Phillis Glover as Beatrice in Much Ado About Nothing Signed, also signed and titled verso Oil on canvas 45 x 31.5cm; 17½ x 12¼in Phyllis Frances Agnes Glover made her debut at the Drury Lane Theatre on 29th April 1822, but died in 1831 aged 26. Another portrait of Miss Glover by Clint was exhibited at the Royal Academy in 1827 £800-1,200 383. Thomas Worlidge (1700-1766) The legend of St. Catherine Signed Oil on canvas 74 x 53.5cm; 29 x 21in £1,000-1,500 384. Attributed to Thomas Stothard R.A. (1755-1834) A family group Oil on canvas 46 x 38cm; 18 x 15in £200-300

382

383

385. English School early 19th Century Interior scene with a young couple meeting Signed indistinctly Oil on canvas 58 x 43cm; 23 x 17in £300-500 386. James Stark (1794-1859) A well earned tea break Oil on canvas 46 x 36cm; 18 x 14in £500-800

384

385

387. German School 19th Century A family in an interior Oil on canvas in a gilt frame 45.5 x 37cm; 18 x 14½in £200-400

386

387

388

388. English School 19th Century A Helping Hand Signed with initials H.W. Oil on canvas 64 x 76cm; 25 x 30in £700-1,000 389. George Hardy (1822-1909) The pink doll Oil on canvas 24 x 33cm; 9½ x 13in £800-1,200

389

390

391

392

393 390. Follower of George Morland Feeding time Oil on panel 29 x 38cm; 11½ x 15in £300-500

392. English School early 19th Century Soldiers selecting recruits Oil on canvas 35 x 45cm; 13¾ x 17¼in £400-600

391. Follower of George Morland Discipline for soldiers OIl on canvas 35 x 44.5cm; 13¾ x 17½in £500-700

393. Continental School 18th Century The serenade Oil on canvas 51 x 64cm; 20 x 25in £300-500

394

395

394. Sir Martin Archer Shee P.R.A. (1769-1850) Portrait of William Norris (1757-1827) Oil on canvas in a large giltwood frame 76 x 64cm; 30 x 25in £2,000-3,000 395. John Jackson R.A. (1778-1931) Portrait of John Bridge (1755-1831) Royal Jeweller to George III and IV Seated at a table with All Saints Church Piddletrenthide in the background Inscribed upper left: The Gift of John Bridge Esq. To his Nephew John Gawler Bridge 14th March 1827 Oil on canvas 76 x 63cm; 30 x 25in John Bridge was a partner in the firm of Rundell and Bridge, which came to be one of the most successful British jewellers, goldsmith and silver manufacturers of the 19th century, employing up to 1000 out-workers. He came from and lived in Piddletrenthide in Dorset and is commemorated there with John Gawler Bridge, his nephew Provenance: Gifted to John Gawler Bridge 1827 Bequeathed to his son Henry Gawler Bridge By descent Private collection Published: A three-quarter length version of this portrait was engraved by Samuel Cousins, the British Museum have a copy £2,000-3,000

396 396. English School c.1770 Portrait of a gentleman in a red coat Oil on canvas 76 x 63cm; 30 x 25in Provenance: Frost & Reed, 24.1.64, No. R7742 £500-800

397 397. English School 18th Century Portrait of George Faux, of Pudding Lane, London Later titled on a label verso Oil on canvas 76 x 61cm; 30 x 24in £400-600

66 398. Tom Seymour (1844-1904) Mountainous river landscape Signed Oil on canvas 33 x 48cm; 13 x 19in Provenance: Westcliffe, Norfolk, No. 1357H £200-300

398

399. Henry H. Parker (1858-1930) The Thames near Windsor Signed, also signed and titled verso Oil on canvas 30.5 x 46cm; 12 x 18in £300-500

399

400

401

400. English School 19th Century Landscape with a river and bridge Oil on canvas 18 x 40.5cm; 7 x 16in £100-150 401. ‡ Wolfgang Heinz (German b.1930) Austrian alpine view with hay gatherers loading a cart Signed, also signed verso Oil on canvas 61 x 92cm; 24 x 36in Provenance: Cutler Galleries, Bournemouth, 1985 £200-300

402

403

402. Follower of George Frederick Watts Figures by a cottage Oil on board 25 x 32cm; 9¾ x 12½in £100-150 403. English School 19th Century River landscape with a fisherman and cattle Oil on board 31 x 46cm; 12¼ x 18in £150-250

404 404. Reginald Grange Brundrit (1883-1960) A busy village scene Oil on canvas 51 x 76cm; 20 x 30in £200-300

405 405. Harold Goldthwait (1869-1922) The path across the Common, Mitcham Signed, also signed and titled on artist’s label verso Oil on panel 25 x 38cm; 10 x 15in £150-250

406

407

408

409

410 406. Attributed to John Mogford (1821-1885) Boats by an island castle Oil on canvas 36 x 51cm; 14 x 20¼in £600-800 407. James Stark (1794-1859) The Thatcher’s Break Signed with initials Oil on canvas 38 x 53cm; 15 x 21in Provenance: Woolley and Wallis, 30th July 1990, lot 89 £500-800

411 408. After Edward Duncan Carting Seaweed on the Coast of Guernsey Oil on canvas 41 x 71cm; 16 x 28in A copy of the original watercolour of 1853 in the Victoria and Albert Museum £600-800 409. Continental School 19th Century Poachers by a river in a wooded landscape Oil on canvas 104 x 154cm; 41 x 60½in £700-1,000

410. Manner of Francesco Guardi Piazza San Marco from the lagoon Oil on canvas 21 x 27cm; 8¼ x 10¾in £400-600 411. George Vincent (1796-c.1831) Figures in a rural hamlet Oil on panel 30.5 x 30.5cm; 8 x 12in Provenance: The Palser Gallery, London £800-1,200

412

413

414

415

416 412. Attributed to Simon Van Der Does (Dutch c.1653-c.1718) Farm animals in a landscape with a young farm hand Oil on canvas 39 x 54cm; 15¼ x 21¼in £400-600 413. English School early 19th Century A family and cattle by a river, ruins beyond Oil on canvas 62 x 75cm; 24¼ x 29½in £300-400

417 414. French School 18th Century A band of musicians Oil on canvas 45 x 54cm; 17¾ x 21¼in £300-500 415. Follower of Simon Pietersz Verelst Still life of peaches Oil on canvas 37 x 47cm; 14½ x 18½in £200-300

416. James Edward Meadows (1828-1888) A family on a path by a cottage Signed and dated 1888 also inscribed on an original label verso: J.E. Meadows, Essex Villa, Avenue Road, Acton, London Oil on canvas 30 x 56cm; 11¾ x 22in £400-600 417. Charles François Daubigny (French 1817-1878) Washer-women on the river Oil on board 25 x 35cm; 10 x 14in £400-600

69 418. William Langley (1852-1922) Loch Awe Signed Oil on canvas 51 x 76cm; 20 x 30in £300-500 419. Francois Antoine Leon Fleury (French 1804-1858) Figures near a town on the Rhine Signed indistinctly Oil on canvas 56 x 91cm; 22 x 36in £300-500

418

419

420. John Price (19th Century) A fisherman with his catch Signed Oil on canvas 15.25 x 20.2cm; 6 x 8in £100-150 421. Léon Victor Dupré (French 1816-1879) A wooded river landscape Signed Oil on canvas 49 x 60cm; 19¼ x 23½in £300-500

420

421

422. Samuel Howitt (c.1765-1822) The kill Possibly signed indistinctly, also signed and dated 1798 on fragment of label verso Oil on panel 15 x 20.25cm; 6 x 8in £150-250 423. R. Woodroffe (19th Century) Prize cow Signed and dated 1889 and inscribed This is a prize cow belonging to Capt. Horsell of Marsh Cottage Won a silver cup at Divizes against the County of Wilts in 1839 - likeness taken by Mr. R Woodroff from London Oil on panel 27 x 34.5cm; 10½ x 13½in £150-250

422

424 424. A. Finlayson (mid 19th Century) North End, Hampstead Signed, titled and dated 1850 Oil on canvas, oval 28 x 38cm; 11 x 15in £300-400

423

425 425. Frederick Weekes (1854-1893) Figures round a camp on the coast Signed Oil on card in an arched mount 15 x 25cm; 6 x 10in £80-120

426

427 426. Henry Thomas Schafer (fl.1873-1915) Chartres, France; Metz, Lorraine A pair, both signed, also both signed, titled and inscribed verso Both oil on canvas, unframed Each 25.5 x 20cm; 10 x 8in (2) £400-600 427. Adolphus Knell (British fl.c.1860-c.1890) Shipping off the coast A pair, both signed Both oil on board Each 30 x 23cm; 11¾ x 9in (2) £300-500

428

428. English School (19th Century) A farmhouse in a landscape Signed indistinctly Oil on board 55.5 x 43cm; 22 x 17in £100-150

429

429. W. Miller (c.1946) On the Braid Burn Signed, also titled and dated 1946 verso Oil on panel 30.5 x 23cm; 12 x 9in £100-150 430. Manner of David Teniers Figures making merry Oil on panel 34 x 30cm; 13½ x 11¾in £100-150 430 431. Dutch School 19th Century The music lesson Oil on copper 34.5 x 24.5cm; 13½ x 9½in £150-250

431

432

432. Italian School 19/20th Century Crucifixion scene Oil on panel 46 x 20.5cm; 18 x 8in With an icon of a virgin and child (2) £200-300

433

434

435

436

437

438

433. William Meadows (act.1870-1895) Gondolas on the canal, Venice Signed Oil on canvas 40.5 x 60.5cm; 16 x 24in £800-1,200

435. S.A. Gallon (19/20th Century) Fishing boats at low tide Signed Oil on canvas 15 x 30cm; 6 x 12in £100-150

434. Follower of Pietr Petrovitch Verescagin View of Constantinople from the river Bears signature Oil on canvas 42.5 x 75cm; 16¾ x 29½in £1,000-1,500

436. S.A. Gallon (19/20th Century) Fishing boats off the Northumberland Coast Signed with a monogram Oil on canvas 20 x 40.5cm; 8 x 16in £100-150

437. Follower of James Edward Buttersworth Ships in full sail by moonlight Oil on canvas 51 x 76cm; 20 x 30in £200-300 438. Circle of Arthur Meadows French luggers off the coast Titled on stretcher verso Oil on canvas 30.5 x 35.5cm; 12 x 14in Provenance: Art Union of Great Britain, December 1861, Prize No. 208 £200-300

439 439. Henry Hadfield Cubley (1858-1934) In the Isle of Arran; Near Sannox, Isle of Arran A pair, both signed, also signed and titled verso Both oil on canvas Each 51 x 76cm; 20 x 30in (2) £1,000-1,500

440

440. Follower of Thomas Sidney Cooper Sheep in a landscape; Cattle watering A pair, both oil on board Each 24 x 34cm; 9½ x 13½in (2) £800-1,200 441. ‡ Frances E. Jamieson (1895-1950) Highland landscapes A pair, both signed Both oil on canvas Each 51 x 76cm; 20 x 30in (2) £300-500

441

442

442. Attributed to Claude T. Stanfield Moore (1853-1901) The Castle of Drachenfels; The Walls of Andernach on the Rhine A pair, both signed, also both signed and titled verso Both oil on panel Each 8.5 x 15cm; 3¼ x 6in (2) £300-400

443

444

445

447

446 443. Edgar Barclay (1842-1930) Returning Home, Stonehenge, Wiltshire Signed with a monogram and dated 1891 Oil on panel 40 x 76cm; 16 x 30in Provenance: Woolley and Wallis, 30th July 1990, lot 69 £800-1,200

444. William Elstob Marshall (fl.1859-1880) Ploughing in Surrey Signed with initials Oil on canvas 64 x 87cm; 25¼ x 34in £800-1,200

445. Clawson Shakespeare Hammitt (1857-1927) Wooded lakeside views A pair, one signed Both oil on canvas Each 38 x 63cm; 15 x 25in (2) £300-500

446. Charles Leslie (1835-1890) Highland loch landscapes A pair, both signed Both oil on canvas Each 30.5 x 61cm; 12 x 24in (2) £200-300

447. Frank Hider (1861-1933) Leaves are but wings on which the summer flies; The sunset hour A pair, both signed, also both titled verso Both oil on canvas Each 30.5 x 51cm; 12 x 20in (2) £200-300

74 448. Arthur Joseph Meadows (1843-1907) Venice from San Giorgio Signed and dated 1901 Oil on panel 25 x 30.5cm; 10 x 12in £1,000-1,500 449. H. M. (19th Century) The Doge’s Palace, Venice Signed with initials Oil on canvas 35.5 x 61cm; 14 x 24in £700-1,000 450. Anglo Chinese School 19th Century Loudoun Castle, a steam yacht Titled Oil on canvas 46 x 60cm; 18 x 23½in Provenance: Lawrences, 20/04/12, lot 1852 £150-250

448

451. G. Clear (c.1890) Steam and sailing ship Ruapehu Signed, titled and dated 1890 Oil on canvas 28 x 43cm; 11 x 17in Provenance: Sothebys 3/5/00, Lot 89 £150-250

449 452. Chinese School late 19th Century The paddle driven despatch vessel H.M.S. Salamis in Chinese waters Oil on canvas, oval 33 x 44cm; 13 x 17¼in Provenance: Hampshire Gallery 13/5/96 £80-120

450

453. Chinese School early 20th Century Blue Funnel liner S.S. Philoctetes at sea Remains of Hong Kong label verso Oil on linen 41 x 56cm; 16 x 22in £150-250 454. No lot

452

451

453

455 455. William Lionel Wyllie R.A. (1851-1931) Shipping in Southampton Water Signed Oil on canvas 61 x 92cm; 24 x 36in Provenance: Woolley and Wallis 2nd May 1979 lot 46 £2,000-3,000 456. French School 18/19th Century Cattle watering by a bridge and cottage Bears signature Oil on canvas 32 x 40.5cm; 12½ x 16in £100-150 457. J. J. Beecroft (c.1866) Figure by a gate in a landscape Signed and dated 1866 Oil on canvas 30 x 40cm; 11¾ x 15¾in £100-200

456

457

458

459

458. John Ducker (19/20th Century) Sunset on the highlands Signed and dated 1921 Oil on canvas 51 x 76cm; 20 x 30in £100-150

459. J. W. Be**y (c.1890) South American landscape Signed indistinctly and dated Sep 1890 Oil on canvas 51 x 91.5cm; 20 x 36in £300-500

76 460. J.A.B. Jay (19th/20th Century) A chestnut horse in a park Signed and dated 1887 Oil on canvas 64 x 77cm; 25 x 30½in £400-600

460

461. Robert Smellie (19/20th Century) Sir Domino with a collie dog in a landscape Signed and dated ‘84 Oil on canvas 58 x 77cm; 23 x 30in £150-250

461

462. Alexander Austin (19th Century) The Highwayman’s Story A pair, both signed, one titled and signed indistinctly verso, one later inscribed verso Both oil on canvas Each 41 x 61.5cm; 16 x 24¼in (2) £300-500

462

463

463. After Sir Joshua Reynolds The Infant Academy 1782 Oil on panel 25 x 30.5cm; 10 x 12in A copy of the original in Kenwood House £150-250 464. English School 19th Century King Charles Spaniel Signed verso Birch Oil on canvas 39 x 45.5cm; 15¼ x 18in £600-800

464

466 466. Colin Graeme (1858-1910) Study of the head of a hound Signed Oil on board 31 x 36.5cm; 12¼ x 14¼in £150-250

465

467 467. William Baptiste Baird (1847-1899) Roosters at rest Signed with initials Oil on canvasboard 10.5 x 15.25cm; 4 x 6in £200-300

465. After John Constable Salisbury Cathedral from the meadows Oil on canvas 35.5 x 45.5cm; 14 x 18in A copy of the original in Tate Gallery £300-500

77 468. ‡ Tim Thompson (b.1951) A frigate at anchor on a calm estuary Signed Oil on canvas 53 x 68cm; 21 x 27in £3,000-5,000

469. Vilhelm Victor Bille (Danish 1864-1908) Sailing ships in choppy seas off the coast Signed Oil on canvas 66 x 94.5cm; 26 x 37in £300-500

470. Circle of Thomas Jacques Somerscales A trader off the coast with fishermen in a rowing boat Oil on canvas 46 x 76cm; 18 x 30in £400-600

471. Attributed to Anton Otto Fischer (American 1882-1962) A bluenose schooner under full sail at sea Bears Fischer trade label verso Oil on board 18 x 25.5cm; 7 x 10in Provenance: Hampshire Gallery 28/10/99 £100-200

468

469

470

472. Gustave de Bréanski (c.1856-1898) Fishing boats off the white cliffs Signed Oil on canvas 40.5 x 61cm; 16 x 20in £300-500

471

472

474

473

473. John Knighton Thompson (18201-1888) Waiting for help Signed, titled and inscribed verso Oil on board 20 x 17.5cm; 8 x 7in £100-150 474. Alexander Austen (19/20th Century) The Musician; The Solo A pair, both signed Both oil on canvas Each 30.5 x 25.5cm; 11¾ x 10in (2) £300-500

475 475. Augustus Jules Bouvier (1825-1881) Mother and child Signed lower right Oil on canvas 19.6 x 14.7cm; 7¾ x 6in Provenance: Cadnam Lodge, Cadnam, Hampshire Charles Daggett Gallery £250-350

476. ‡ Hans Baumann (20th Century) Winter and Summer A pair, both signed Both oil on board Each 29 x 23cm; 11½ x 9in (2) Provenance: E. Stacy-Marks, 1984, No. 1468 and 1469 £200-300 477. A. Morris (19th Century) A wire-haired terrier; A west highland terrier Two, both signed and dated ‘59 Both oil on canvas Each 25.5 x 20cm; 10 x 8in (2) £120-180

476

478. William Douglas Almond (1866-1916) The Barbers Admiration Signed Oil on wood panel 29 x 19.5cm; 11½ x 7¾in £300-500

477

478

479

479. Continental School c.1900 Study of a putti Signed h. Max-Ehrler (strengthened) Oil on canvas 28 x 17cm; 11 x 6½in £150-250

480

481

480. ‡ Stuart Scott Somerville (1908-1983) Still lifes of flowers on a table Two both signed Both oil on board 25 x 20cm; 10 x 8in and 18 x 14cm; 7 x 5½in (2) £300-500

482. William Rayworth (c.1852-1908) Still life of lilies, roses and tulips Signed and inscribed Derby Oil on canvas 69 x 50.5cm; 27 x 20in £500-700

484. Francesco Saverio Torcia (Italian 1840-1891) Cattle by a river Signed Oil on panel, unframed 26 x 14.5cm; 10¼ x 5½in £300-500

481. ‡ D. Szeberenyi (20th Century) Street scene with figures coming out of church Signed Oil on panel 49.5 x 40cm; 19½ x 15¾in £200-300

483. Dutch School late 18th century Still life of flowers Oil on board 33.2 x 27cm Provenance: Cadnam Lodge, Cadnam, Hampshire £250-350

485. William Callcott Knell (1830-1880) Fishing boats off the coast in stormy seas Signed and dated 187* Oil on canvas 30 x 25.5cm; 12 x 10in £200-300

482

483

484

485

80 486. D. Croxton (19/20th Century) Harvest landscape Oil on canvas 84 x 117cm; 33 x 46in £400-600

486

487

487. D. Croxton (19/20th Century) Summer flowers in a basket Signed and dated 98 Oil on canvas 77 x 100cm; 30¼ x 39½in £300-400 488. D. Croxton (19/20th Century) Beach at sundown Signed and dated 99 Oil on canvas 48 x 91.5cm; 19 x 36in £250-350

488

489

490

491

489. French School early 20th Century On the bank of the river Oil on board 20 x 37cm; 8 x 14½in £100-200 490. Sydney Herbert (1847-1914) Coastal view Signed Oil on canvas in a giltwood frame 63 x 92cm; 25 x 36in £300-400 491. Charles Leslie (1835-1890) A shepherd and son by a loch in the highlands Signed and dated 1878 Oil on canvas 76.5 x 128cm; 30 x 50½in £500-600

492 492. British School (19th Century) A rocky coastline Signed indistinctly Oil on canvas 99 x 130cm; 39 x 51in £400-600

493 493. Circle of Bonello Maltese fishing boats Signed with a monogram Oil on board 28 x 15cm; 11 x 6in With another unframed, by a different hand (2) £100-150

494

495

494. Albert Dürer Lucas (1828-1918) Primroses and violets Signed partially below mount Oil on board 20.25 x 15cm; 8 x 6in £800-1,200

496. Albert Dürer Lucas (1828-1918) Brambles Signed, dated 1903 and inscribed AeT. 74 Oil on ivorine 20.25 x 15cm; 8 x 6in £800-1,200

495. Albert Dürer Lucas (1828-1918) Erica Tetralix with a butterfly Signed and dated 1889 Oil on board 20.25 x 15cm; 8 x 6in £800-1,200

497. Albert Dürer Lucas (1828-1918) Cowslips, daisies and Veronica Signed and dated 1895 Oil on ivorine 20.25 x 15cm; 8 x 6in £800-1,200 498. Henri Joseph Harpignies (French 1819-1916) Landscape with a town and red flag Signed and dated 1876 Oil on canvas 17.5 x 62cm; 7 x 24¼in £600-800

498

496

497

82 499. Frank Bennett (19/20th Century) Highland Cattle watering Signed Oil on canvas 71 x 92cm; 28 x 36in £300-500

499

500

500. English School 19th Century A Colonial style country house Oil on board 16 x 22.5cm; 6¼ x 9in £80-120 501. A. C. late 19th Century Colonial Military scene Signed with a monogram and dated 1896 Oil on canvas 58 x 78.5cm; 23 x 31in £200-300

501

503

502

504

502. William Joseph Julius Caesar Bond (1833-1926) A woman in a stormy landscape, a village beyond Signed, dated indistinctly Oil on panel 13.5 x 20cm; 5¼ x 8in £150-250 503. James Webb (c.1825-1895) View of St Hilda’s Abbey, Whitby, North Yorkshire Signed and dated ‘74 Oil on canvas 20.5 x 36cm; 8 x 14½in £200-300 504. George Boyle (1826-1899) Pastoral scene Oil on panel 25.5 x 35.5cm; 10 x 14in £100-150

505 505. ‡ John F. Smith (b.1934) Still life of fruit and hazelnuts on a mossy bank Signed Oil on board 25.5 x 40.5cm; 10 x 18in John Smith was a painter of fruit and models at Royal Worcester from 1950-1971 £100-150

506 506. F. Walker (19/20th Century) Still life of roses in a basket with fruit Signed Oil on canvas 37 x 55.5cm; 14½ x 22in £100-150

508

507

509

507. Henry A. Ferguson (1842-1911) A Venetian well Signed Oil on canvas 48 x 37cm; 19 x 14½in Provenance: Arlington Galleries Ltd. £800-1,200 508. James Webb (c.1825-1895) Fishermen on the shore Signed and dated 1861 Oil on canvas 32 x 60cm; 12½ x 23¾in £700-1,000 509. Karl Kauffman (Austrian 1843-1901) St Maria della Salute and the Grand Canal Venice Signed Charles Marchand, titled and dated indistinctly Oil on canvas 50 x 82cm; 19½ x 32½in £800-1,200

510 510. Théodore Rousseau (French 1812-1867) A horse and cart in an autumn landscape Signed Oil on canvas 21 x 33cm; 8¼ x 13in £600-800

511 511. Follower of John Singer Sargent Figures storing firewood Oil on canvas 62 x 51cm; 24.5 x 20in £150-250 512. ‡ Ken Turner (b.1926) Wood pigeons Signed Oil on board 61 x 46cm; 24 x 18in £150-250

514

512 513. Joseph Mordecai (1851-1940) Portrait of a young girl Signed Oil on canvas 61 x 50.5cm; 24 x 20in Provenance: Hollywood Road Gallery £200-300 514. Charles James Fox (1860-1937) A North Devon homestead Signed Oil on canvas 76 x 56cm; 30 x 22in £200-300

515

513 515. John W. Morris (1865-1924) Waiting for master Signed Oil on canvas, unframed 92 x 71cm; 36¼ x 28in £300-500 516. Follower of Dante Gabriel Rossetti Study of a lady Later inscribed verso Oil on board 25 x 20cm; 9¾ x 8in £500-700

516

517. English School 19th Century Portrait of a cavalier Inscribed on frame verso Purchased at Christie’s June 11th 1886 Oil on canvas, in a Watts style frame 69 x 35.5cm; 27 x 14in £300-400

517

518 518. ‡ Edgar Hunt (1876-1953) A rooster, hens, chicks and doves by a barn Signed and dated 1924, also signed and certified verso Oil on canvas 28 x 38cm; 11 x 15in Provenance: Haynes Fine Art, Broadway £6,000-8,000

519

519. Charles Hunt (1803-1877) Children and a fisherman in a cottage playing draughts Signed with initials and dated 71, also signed and inscribed verso: 60 Barclay Road, Walham Green, Fulham Oil on board 20 x 27cm; 8 x 10½in £600-800

520. Circle of John Robert Dicksee The Fruit seller Signed with a monogram and dated IX/11 Oil on canvas 54 x 48cm; 21 x 19in £1,000-1,500

520

521

522

521. James Cole (act.1854-1885) Haymaking tryst Signed and dated 1879 Oil on board 25 x 40.5cm; 10 x 18in Provenance: Christie’s 1984 Exhibited: Art Union of Great Britain, 1861 £600-800 522. John Wilson Hepple (1886-1939) Young girl by a country stream Signed Oil on canvas 35.5 x 46cm; 14 x 18in £300-500 523

524

525

523. William Kay Blacklock (1872-1924) A lady reclining in a hammock by the river Signed Oil on board 30 x 36cm; 12 x 14in £1,500-2,500 524. William Manners (1860-1930) Figures by a canal in winter Signed and dated 1897 Oil on canvas 30.5 x 46cm; 12 x 18in £300-500 525. Barbizon School 19th Century Gleaners in the fields Oil on canvas 36 x 56cm; 14 x 22in £250-350

526 526. John Brett R.A. (1831-1902) The Rill Titled and dated Sep 29 77 below frame Oil on panel 17.5 x 35.5cm; 7 x 14in Provenance: No. 815 in the Catalogue Raisonné by Charles Brett Nahum; Sotheby’s Belgravia, 18 June 1974, lot 146 By descent in the family The Rill is the cliff-top path above Kynance Cove on the Lizard peninsula in Cornwall, a favourite sketching ground for the artist We are grateful to Charles Brett for his assistance in cataloguing this lot £4,000-6,000 527. John Brett R.A. (1831-1902) View of Glendalough, Ireland Signed, dated 1855 and inscribed Oil on board 38 x 60cm; 15 x 235/8in Provenance: From the collection of Brixie Jarvis We are grateful to Charles Brett for his assistance in cataloguing this lot £800-1,200

527

528. John Linell (1792-1882) Evening on Wimbledon Common Oil on canvas 61 x 91.5cm; 24 x 36in £400-600

528

88 529. ‡ Hans Smatlak Barma (1903-1978) Sunset over the mountains Signed Oil on canvas 61 x 92cm; 24 x 36in £150-250

529

531

530

532

530. Ivan Skorroff (Russian 19/20th Century) Winter landscape Signed Oil on canvas 51 x 76cm; 20 x 30in £200-300 531. ‡ Peter Arthur Brannan (b.1929) Beach with cranes Signed and dated 1968, titled verso Oil onboard 27 x 48cm; 10½ x 19in Provenance: Trafford Gallery, London £100-150 532. ‡ Erich Schurer (20th Century) Breaking waves Signed Oil on canvas 51 x 101cm; 20 x 40in £120-180

533

534

533. ‡ H. Ten Hoven (Dutch b.1901) Canal scene, Amsterdam Signed Oil on canvas 55.5 x 86cm; 22 x 34in £200-300 534. James Gilmour (1885-1937) Fishing boats in a harbour Signed and dated 1910 Oil on canvas 46 x 61cm; 18 x 24in £200-300

535 535. ‡ William F. Burchell (Exh.1909-1937) A Scottish Loch Signed Oil on canvas 50.5 x 60.5cm; 20 x 24in Exhibited: Royal Academy, 1950 £100-150

536 536. ‡ Christian Bogo (Danish 1882-1945) Fishing boats in a harbour Signed, inscribed in pencil on frame: Brogade Oil on canvas 78 x 103cm; 30¾ x 40½in £100-150

89 537. ‡ Harry F. Van der Weyden (1868-1952) The Tempest Signed and dated 09 Oil on canvas 51 x 62cm; 20 x 24¼in £700-1,000

538. ‡ Gerhard V. E. Heilmann (Danish 1859-1946) Trees in a rocky landscape Signed with initials Oil on canvas 65 x 95cm; 25½ x 37½in £300-500

539. ‡ Sir David Murray R.A. (1896-1962) Old boathouse Signed and dated 1927 Oil on board 38 x 45cm; 15 x 17¾in Provenance: Sotheby’s, Nov. 84 £300-500

537

540. ‡ Maurice Canning Wilks (Irish 1911-1984) Autumn on the river Signed Oil on canvasboard 28 x 38cm; 11 x 15in £400-600

541. ‡ Dirk Janssen (Dutch 1878-1952) Tangiers fishing harbour, c.1920 Signed Oil on board 32 x 42cm; 12½ x 16½in £400-600

538

540

539

541

90 542. Frank E. Cox (fl. 1870-1894) On the Thames Signed and dated 1873 Oil on canvas 36 x 46cm; 14 x 18in £200-300

542

543

543. John William Buxton Knight (1843-1908) A river landscape Signed Oil on canvas 30.5 x 35.5cm; 12 x 14in £100-150 544. John White R.I. (1851-1933) Seaton near Lyme Regis Signed and titled Oil on board 20.5 x 36cm; 8 x 14¼in £200-300

544

545

545. ‡ William Hartley Waddington (1883-1961) A view over a disused quarry Signed and dated 1910 Oil on panel 25.5 x 34.5cm; 10 x 13½in £100-150 546. Frederick Golden Short (1863-1936) View in the New Forest Signed and inscribed 908 Oil on board 22.5 x 30.5cm; 9 x 12in £200-300

546

547

547. Frederick Golden Short (1863-1936) A view in the New Forest Signed and dated 1920 Oil on board 16.5 x 22cm; 6½ x 8½in £100-150 548. ‡ David Bell (b.1950) Fishing boats at low tide Signed Oil on canvas 51 x 76cm; 20 x 30in £100-150

548

549

549. ‡ Harrij Van Dongen (Dutch b.1909) Dutch coastal scene Signed Oil on canvasboard 51 x 61cm; 20 x 24in £100-150

91 550. ‡ Frank O. Salisbury (1874-1962) Heaven lies about us ... Signed, also inscribed verso Heaven lies about us in our infancy and in trailing clouds of glory we come from God. Wordsworth, Ode to immortality Oil on canvas 102 x 127cm; 40 x 50in Provenance: By direct descent from the artist This painting hung above the fireplace at the artist’s home, Sarum Chase in Hampstead, for an image with the artist see online £2,500-3,500

551. ‡ Frank O. Salisbury (1874-1962) Oberon Signed Oil on canvas laid down on board 196 x 112cm; 77 x 44in Provenance: By direct descent from the artist Exhibited: The Art of Dancing, Russell Cotes Gallery, Bournemouth, 29 March - 31 May 1958 £2,000-3,000 552. Frank O. Salisbury (1874-1962) The morning Signed Oil on canvas, in a carved wood frame 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Sitters are the artist’s wife and twin daughters, Sylvia and Monica £1,200-1,800

550

551

552

92 553. ‡ Frank O. Salisbury (1874-1962) The Cardinal Signed Oil on canvas 56 x 50.5cm; 22 x 20in Provenance: By direct descent from the artist £600-800

553

554. ‡ Frank O. Salisbury (1874-1962) Ashbourne in Derbyshire Signed with a monogram and dated 1931, also titled and dated verso Oil on board, unframed 38 x 50.5cm; 15 x 20in Provenance: By direct descent from the artist £300-500

554

555. Bloomsbury School 20th Century Portrait of a gentleman Oil on canvas, unframed 61 x 51cm; 24 x 20in £150-250 556. ‡ Philip Naviasky (1894-1983) Portrait of a lady, bust length, wearing black Signed, with an overpainted portrait of a gentleman verso Oil on canvas 61 x 50cm; 24 x 19½in £800-1,200

555

557

556

558

557. Sir John Lavary (1856-1941) The Lady Mayoress, Lady Jenks [A study for the presentation to His Majesty King Edward VIII of the Charter of the Master Mariner’s Company] Titled Oil on canvas laid on board 35 x 22cm; 13½ x 8½in Provenance: Letter from Wakefield House regarding the presentation and the sketch With an edition of Sphere May 4, 1935 and a newspaper clipping, showing the full presentation painting (2) £800-1,200 558. ‡ Sir William Rothenstein (1872-1945) Looking out to sea, possibly the artist’s wife Alice Oil on canvas 66 x 73.5cm; 26 x 29in £500-700

93 559. ‡ Marcel Dyf (French 1899-1985) Venise, Quai de la Giudecca Signed Oil on canvas 44 x 85cm; 21 x 33½in Provenance: Claudine Dyf has confirmed this was painted in 1977, Catalogue raisonné No. 4990 £6,000-8,000

559 560. ‡ Marcel Dyf (French 1899-1985) Le Concours Hippique, 1978 Signed Oil on canvas 46 x 55cm; 18 x 21½in Provenance: Catalogue raisonné No. 1101 £6,000-8,000

560

561

564

563

565

566 563. ‡ Edmond Sigrist (French 1882-1947) Still life of summer flowers Signed Oil on board 65 x 54cm; 25½ x 21¼in £120-180

562 561. ‡ Gaynor Elizabeth Bury (1889-1975) Continental river views; Medieval glass; A lady playing music in an interior Four, one signed and dated 1938 All oil on panel, unframed 35.5 x 27cm; 14 x 10½in and smaller With 5 further sketches by the same hand including 2 portraits (9) £200-300

567 562. ‡ Charles Neal (b.1951) Poppies and Clematis Signed Oil on canvas 92 x 38cm; 36 x 15in Provenance: The Painted Garden, Cerney House £400-600

564. James Stuart Park (Scottish 1862-1933) Pink roses Signed Oil on canvas 30.5 x 38cm; 12 x 15in £300-500 565. ‡ Raymond Campbell (b.1956) Still life of fruit and a rummer Signed Oil on board 25.5 x 20.5cm; 10 x 8in £100-150

566. ‡ Jacques Blanchard (French 1912-1992) Still life of grapes in a dish by a glass Signed Oil on board 22 x 26.5cm; 8¾ x 10½in Provenance: Frost and Reed No. 28674 £400-600 567. ‡ James Noble (1919-1989) Yellow and flame roses Signed Oil on canvas 25 x 20cm; 10 x 8in Provenance: E. Stacy-Marks Ltd, 1970 No. 398 £250-350

95 568. ‡ Lluís Ribas Castellsague (Spanish b.1949) A seated nude Signed Oil on canvas 55 x 46cm; 21½ x 18in £800-1,200 569. ‡ Igor Talwinski (Polish 1907-1983) Juliet Signed Oil on canvas 53 x 46cm; 21 x 18in Talwinski was born in Varsovie, Poland. He exhibited at the Paris Salon in 1951 and also exhibited in London and New York. In 1976 the council of Paris awarded him The Sliver Medal of Paris and in 1979 he was awarded The Diploma of Vermeil £800-1,200 570. ‡ Jean-Gabriel Domergue (French 1889-1962) Tetes, Dodi Signed Oil on board 24 x 19cm; 9½ x 7½in Provenance: Musee des Beaux Artes, 12/1/19*4 Frost & Reed, No. 19221 £400-600

568 571. ‡ John A. Blakey (b.1952) Portrait of a young lady in a Chinese jacket Signed and dated ‘88 Oil on canvas 92 x 71cm; 36 x 28in £1,500-2,500 572. Reza Samimi (Persian 1919-1991) Buste nu au voile noir Signed Oil on canvas 74 x 54.5cm; 29 x 21½in Provenance: E. Stacey Marks, 16.6.67, No. S.315 £400-600

569 573. ‡ J. Pastor after William Bouguereau Nymphs and Satyr Signed Oil on canvas 122 x 91cm; 48 x 36in A copy of the original in the Sterling and Francine Clark Art Institute £300-500

570

571

572

573

574

575

574. ‡ Anthony Robert Klitz (1917-2000) Cirencester Park Signed Oil on canvas 38 x 76cm; 15 x 30in Provenance: Alexander Gallery Bristol no. A5598 £200-300 575. François Koch (American b.1944) South American landscape Signed, also dated indistinctly Oil on canvasboard 18 x 41cm; 7 x 16in £200-300

576

577

576. Willem Hermanus Coetzer (South African 1900-1983) Weavers nest Signed and dated 43 Oil on canvas 64 x 83cm; 25 x 32¾in £500-700 577. A. King (South African 20th Century) A river landscape Signed Oil on canvas 30.5 x 40.5cm; 12 x 16in £100-150

578

579

578. ‡ Robert Evans Hughes (Welsh 1896-1970) A bend in the Conway Signed twice Oil on canvas 62 x 76.5cm; 24½ x 30in Exhibited: The John Moores Liverpool Exhibition 1957, No. 1172 £300-500 579. ‡ Stanley Grimm (1891-1966) A Continental town view Signed Oil on canvas, unframed 63.5 x 76cm; 25 x 30in Grimm was a tutor at Chelsea Arts and taught John S. Wilkinson (lot 580) £150-250

580 580. ‡ John S. Wilkinson (1899-1983) Portrait of a lady in red Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: By direct descent from the artist £100-150

581 581. ‡ Sophie McKay Knight (Scottish b.1973) Two girls Signed Oil on board 21 x 19cm; 8¼ x 7½in £200-300

97 582. ‡ Roy Petley (b.1950) November light, Venice Signed Oil on board 61 x 91.5cm; 24 x 36in Provenance: Petley’s Gallery, London 6th July 26th August 2011 No. 36 £2,000-3,000 583. ‡ Donald Grant (1930-2001) Hot air ballooning Signed and dated 69 Oil on canvas 50.5 x 91cm; 20 x 36in £500-800 584. ‡ D. M. Jones (20th Century) Factory workers Signed verso Oil on canvas 163 x 92cm; 64 x 36in Provenance: Julian’s Depositories, Cornwall label verso £100-150

582

585. ‡ Philip Marchington (20th Century) Climbing aloft in a storm Signed Oil on canvas 71 x 91cm; 28 x 36in £300-500

583

584

585

98 586. ‡ John Gregory King (b.1929) The South West Wilts., on the scent Signed, inscribed S.W.W. and dated ‘82 Oil on canvas 45 x 61cm; 17¾ x 24in £200-300

586

587. ‡ Chris Riisager (20th Century) Still life of fruit in a bowl Signed Oil on canvas 38 x 58.5cm; 15 x 23in £150-250

587

588. ‡ Théo van Cleef (20th Century) Harbour scene at dusk Signed Oil on board 38 x 46cm; 15 x 18in £100-150 588

589. ‡ Valerios Caloutsis (Greek b.1927) Landscape Signed and dated 59 Oil on canvas, unframed 84.5 x 92cm; 33 x 36¼in With an unframed watercolour design by the same hand (2) Provenance: Gift from the artist and by descent £400-600

589

590

590. ‡ Alfred John Billingshurst (1880-1963) Richmond Bridge in summer Oil on canvasboard 35.5 x 46cm; 14 x 18in Provenance: 20th Century Gallery, London £250-350

591

591. Nassau Blair Browne (1867-1940) Day’s work done Signed and titled verso Oil on canvas 56 x 76cm; 22 x 30in £200-300

592 592. ‡ Kathleen Margaret Pearson (1898-1961) Horse and Foal in a Landscape Signed and dated 1948 Oil on canvas 50 x 61cm; 20 x 24in £200-300

593 593. Charles Edwin M. Baldock (1876-c.1941) Study of a horse’s head Signed and dated 1899 Oil on canvas 61 x 51cm; 24 x 20in £200-300

594

595

594. ‡ Juan Soler (Spanish b.1951) Elegant ladies in a Parisian street Signed Oil on canvas 48 x 55cm; 19 x 21½in £1,000-1,500

595. ‡ Juan Soler (Spanish b.1951) Elegant ladies crossing a Parisian street Signed Oil on canvas 41 x 33cm; 16 x 13in £800-1,200

596. ‡ Gudrun Sibbons (b.1925) Summer Harvest Signed Oil on canvas 41 x 51cm; 16 x 20in Provenance: Cutler Galleries, Bournemouth, 1985 £400-600

596

597

598 597. ‡ Gudrun Sibbons (b.1925) Watering the shire horses Signed Oil on board 41 x 51cm; 16 x 20in Provenance: Cutler Galleries, Bournemouth, 1985 £400-600

599 598. ‡ Gudrun Sibbons (b.1925) Father and son fishing Signed Oil on board 30 x 40.5cm; 12 x 16in £300-500

599. ‡ Gudrun Sibbons (b.1925) A Dutch river scene Signed Oil on canvas 40.5 x 50.5cm; 16 x 20in £400-600

100 600. ‡ Sir Cecil Beaton C.B.E. (1904-1980) Still life of Roses in a pewter tankard Signed in pencil Oil on board 51 x 41cm; 20 x 16in The tankard, which belonged to Beaton’s father and has his initials on it, is included with the picture and can be seen online Provenance: Given to the present owner by the artist £1,000-1,500 601. ‡ Charles James McCall (1907-1989) Girl with spaniel Signed and dated 1975 Oil on board 30.5 x 20.5cm; 12 x 8in Provenance: Cyril Gerber Fine Art £150-250 602. ‡ M. Fellows (early 20th Century) Portrait of a lady in a straw hat Signed Oil on canvas 61 x 51cm; 24 x 20in £100-200 603. ‡ Constant Le Breton (French 1895-1985) Portrait of a boy, seated holding a stick Signed Oil on canvas, unframed 81 x 65cm; 32 x 25½in £200-400 600

601

602

603

101 604. ‡ Michael Heseltine (b.1961) The Rialto Bridge and gondolas, Venice Signed Oil on canvas 71 x 102cm; 28 x 40in £600-800

605. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Schull, Co. Cork, Ireland Signed Oil on canvas 30.5 x 40.5cm; 12 x 16in Provenance: Given by the artist to a friend, private collection £1,000-1,500 604 606. ‡ Bernard Dunstan R.A. (b.1920) San Rocco, Venice Signed with initials Oil on panel 21.5 x 28.5cm; 8½ x 11¼in Provenance: Thos. Agnew & Sons, No. 36219 Roland Browse and Delbanco £700-900

607. ‡ Lionel Bulmer (1919-1992) Girl brambling Signed Oil on canvas 63.5 x 76cm; 25 x 30in £1,000-2,000 605

606

607

102 608. ‡ Jean E. Cooke R.A. (1927-2008) White doves and cherry trees Signed, also signed and titled verso Oil on canvas 127 x 102cm; 50 x 40in Exhibited: Royal Academy of Arts Summer Exhibition 1995 £800-1,200

608

609

609. ‡ Jean E. Cooke R.A. (1927-2008) Magnolia, the artist’s garden Signed, inscribed Spring and dated 1997, also signed, titled and dated verso Oil on canvas 76 x 61cm; 30 x 24in £600-800 610. ‡ Jean E. Cooke R.A. (1927-2008) Cockerels and chickens Signed Oil on canvas 91.5 x 61cm; 36 x 24in £1,000-1,500

610

611. ‡ Jean E. Cooke R.A. (1927-2008) Wengen near the Eiger and Jungfrau Signed, also signed and dated 1992 verso Oil on paper 12 x 14.75cm; 4¾ x 5¾in Exhibited: Royal Academy of Arts Summer Exhibition 1996 £300-500

611

612. ‡ Jean E. Cooke R.A. (1927-2008) Cherry tree in autumn Signed and dated 1995 verso Oil on canvas 25.5 x 23cm; 10 x 9in £300-500 613. John Bratby R.A. (1928-1992) Portrait of Jason Bratby Signed Oil on canvas 45.5 x 35.5cm; 18 x 14in £600-800 612

613

103 614. ‡ Mary Fedden R.A. (b.1915) Still life with pineapple, fruit and bottle Signed and dated ‘07 Oil on canvas 40 x 50cm; 15¾ x 19¾in £4,000-6,000 615. ‡ David Denby (b.1946) Studio still life with a bust, a conch and a chimney reflected in a mirror Signed and inscribed on the frame verso Oil on canvas 81 x 96cm; 32 x 38in £1,000-1,500 616. ‡ David Innis (20/21st Century) Oak Tree No. 1 Signed, titled and inscribed on a label verso Oil on board 31 x 25cm; 12¼ x 9¾in Provenance: Royal Academy Summer Exhibition 1978 No. 1393 £120-180

614

617. ‡ Sir Duncan Morris Oppenheim (1904-2003) Fishing boat Aldeburgh Signed, titled and inscribed verso Oil on canvas 41 x 51cm; 16 x 20in Provenance: Royal Academy Summer Exhibition 1979 £300-500

615

616

617

104 621. ‡ Claude Jousset (French b.1935) Bretagne, Bateaux Presqu’ile du Morbihan Signed, also signed and titled verso Oil on canvas 54 x 73cm; 21 x 28½in £100-150

618. Manner of Gerardo Dottori Hilltop villages with aircraft performing acrobatics Bears signature and date Oil on canvas 70 x 58cm; 27½ x 53in £2,000-3,000 619. ‡ R. Vercelli (20th Century) A country house in spring Signed and dated 1951 Oil on board 35 x 45cm; 13¾ x 17¾in £100-150 620. ‡ Emmerich Dichtl (Austrian 1895-1969) Austria, Dead mountains with the peak Great Priel near Wels Signed and dated 5.52 Oil on board 38 x 51cm; 15 x 20in With another Continental landscape signed Genevray (2) £100-150 618

619

621

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622

622. ‡ Lipót Herman (Hungarian 1884-1972) Orpheus Signed and dated 1926, also titled on a label versy Oil on panel 48 x 66cm; 19 x 26in £200-300

105

623

624

625

626

623. ‡ Fred Yates (1922-2008) Cornish Cottages Titled verso Oil on board 24 x 33cm; 9½ x 13in £700-1,000

626. ‡ Fred Yates (1922-2008) My town, Noyons, Provenance Signed Oil on canvasboard 26 x 34cm; 10¼ x 13½in £700-1,000

624. ‡ Fred Yates (1922-2008) A day at the beach Titled verso Oil on canvas 37 x 45cm; 14½ x 17¾in £800-1,200

627. ‡ Fred Yates (1922-2008) Riverside tearooms Signed Oil on board 31.5 x 27cm; 12¼ x 10½in £300-500

625. ‡ Fred Yates (1922-2008) Walking the Dog Signed Oil on board 28 x 27cm; 11 x 10½in £600-800 627

106 628. ‡ John Blackman (20th Century) Tower Bridge Signed, titled verso Oil on canvas 35 x 61cm; 13¾ x 24in £80-120

628

630

629

631

629. ‡ Kathleen Caddick (b.1937) Coastal scene with house on the shore Signed with monogram Oil on board 61 x 91cm; 24 x 36in £100-150 630. ‡ Marcus Holley Ford (1914-1989) Dell Quay Signed, titled on label verso Oil on canvas 46 x 61cm; 18 x 24in Provenance: Frost and Reed 1342/W £100-150 631. ‡ Marcus Holley Ford (1914-1989) Plaistow, Surrey Signed, titled on overlap verso Oil on canvas 51 x 75cm; 20 x 29½in £100-150

632

634 634. ‡ Marcus Holley Ford (1914-1989) Sun Breaking through, Bosham Signed, titled on label verso Oil on canvas 51 x 77cm; 20 x 30¼in Provenance: Frost and Reed 1287W £100-150

633

635 635. ‡ William McGregor (20th Century) St. Austell, Cornwall Signed Oil on canvas 46 x 86cm; 18 x 33in Provenance: Frost & Reed, No. 32816 Lewis’s, Manchester, 11/3/1963 £200-300

632. ‡ Marcus Holley Ford (1914-1989) South Downs near Pulborough Signed Oil on canvas 46 x 84cm; 18 x 33in £100-150 633. ‡ Marcus Holley Ford (1914-1989) Tower Bridge and the Thames Signed Oil on canvas 46 x 84cm; 18 x 33in £100-150

107 636. ‡ Charles Murray (1894-1954) Still life of flowers in a vase and apples Signed Oil on board 34 x 43cm; 13½ x 17in £200-300 637. ‡ John F. Kelly (b.1921) Still life of a skull, a wine bottle and a butterfly Signed and dated ‘67 Oil on canvas 31 x 40.5cm; 12¼ x 16in Provenance: The Dawson Gallery, Dublin £200-300 638. ‡ William Innes (1905-1999) The Lymington-Yarmouth Ferry Signed Oil on canvas laid on board 41 x 56cm; 16 x 22in Provenance: Guildhall Art Gallery, EC2 Federation of British Artists Gallery £250-350

636

637

638

639

639. ‡ David Rossiter (1951-2012) Salisbury life Signed and dated 1997 Acrylic on canvas 59 x 90cm; 23¼ x 35½in £100-150 640. ‡ Giulio Bagnoli (Italian b.1927) Paesaggio presso Hambleden Signed and dated 65, also signed and titled verso Oil on canvas 71 x 92cm; 28 x 36in Provenance: Reading Guild of Artists £100-150 641. ‡ Bernard Ninnes (1899-1971) Trawsyfynydd Signed Oil on canvas 41 x 51cm; 16 x 20in Provenance: Royal Institute of Oil Painters £200-300

640

641

642

643

642. ‡ Gyrth Russell (1892-1970) Mullion Cove, Cornwall Signed Oil on canvas 40.5 x 51cm; 16 x 20in £300-500

643. ‡ Thomas Symington Halliday (Scottish 1902-1998) Near St. Paul de Vence, France Signed Oil on canvasboard 35.5 x 45.5cm; 14 x 18in £100-150

108 644. ‡ John Varley Jr. (1850-1933) Blossom, a Japanese water garden Signed and dated 91 Oil on panel 28 x 34.5cm; 11 x 13½in £250-350

644

645

645. ‡ S.R.W. (20th Century) A creek at low tide, mountains beyond Signed with initials and dated 192* Oil on canvas 33 x 48cm; 13 x 19in £200-300 646. ‡ Georges Laporte (French 1926-2000) The Harbour, Veere, Holland Signed and dated 1968, also titled verso Oil on canvas 65 x 92cm; 25½ 36¼in £250-350

646

647

648

649

647. ‡ Serge Labégorre (French b.1932) Essai 18M Signed, also titled on labels verso Oil on board 27 x 45cm; 10½ x 17¾in £100-150 648. ‡ Bernard Devie (French 20th Century) Village provençal A pair, both signed Both oil on canvas Each 27.5 x 3cm; 10¾ x 13¾in (2) Provenance: Arnorisere, St. Quentin-Fallavier, No. 2031 £120-150 649. ‡ R. Zeller (20th Century) A Vietnamese family at a market stall Signed and dated ‘61 Oil on canvas 56 x 79cm; 22 x 31in £150-250

650

650. ‡ Harald Engman (Danish 1903-1968) Christiansbourg Palace from the canal; Tram stop at night A pair, both signed Both oil on board 29.5 x 38cm; 11½ x 15in (2) £600-800

109 651. ‡ Cecil D’Oyly-John (1906-1993) Along the Spanish Coast, Village of Trajero Signed, also titled verso Oil on board 30.5 x 40.5cm; 12 x 16in £300-500 652. ‡ Cecil D’Oyly-John (1906-1993) Mediterranean coastal town Signed Oil on canvas 43 x 58cm; 17 x 23in £400-600

651

652

653

654

653. ‡ Oscar Waters (20th Century) Heigham Sounds Signed Oil on board 30 x 40cm; 11¾ x 15¾in £80-120 654. ‡ A. H. Nordburg (20th Century) Sand dunes on the East coast Signed Oil on canvas 31 x 41cm; 12¼ x 16in Provenance: E. Stacy-Marks, 20/8/55, No. N37 £200-300 655. ‡ Charles R. Lynch (20th Century) Shell Bay, Entrance to Poole Harbour Signed and dated 1969 Oil on board 27 x 37cm; 10½ x 14½in £100-150

655

657 656. ‡ J. R. Dugmore (20th Century) Sailing boats on a Scottish Loch A pair, both signed Oil on board Each 16 x 23cm; 6¼ x 9in (2) £100-150

656

658 657. ‡ Donald Greig (1916-2009) A view of Salcombe Signed Oil on board 33 x 90cm; 13 x 35½in £200-300

658. Marie Rheeder (South African 20th Century) Struisbaai Signed Oil on canvasboard 25 x 91cm; 10 x 36in Provenance: Pieter G. Swanepoel, Edenvale, No. MR1 £100-150

110

PRINTS 659. Francesco Bartolozzi (Italian 1727-1815) after Giovanni Benedetto Castiglione The Adoration of the Shepherds; Jacob returning home; The sacrifice of Noah; Old testament scene 4, all etchings in brown ink Each 29 x 41cm; 11½ x 16in (4) £800-1,200 660. After Giovanni Battista Piranesi Veduta di Piazza Navona Reproduction 48 x 72.5cm; 19 x 28½in £50-100 661. After William Hogarth R.A. Marriage a la Mode The set of 6 engravings by T. Cook published February 1st 1796 by G.G. and J. Robinson, Pater Noster Row, London Each 38.5 x 47cm; 15 x 18½in (6) £200-300

659

660

662

661

663

662. After Nicholas Lancret Le Jeu de Colin-Maillard Engraving 46 x 62cm; 18 x 24¼in With a print of a lady after Boucher (2) £80-120 663. C. Hunt (early 19th Century) Sketches of celebrated cricket players A pair, both dedicated by W. H. Mason and published by J. Dark, Lord’s Cricket Ground Both Aquatints Each 38.5 x 32.5cm; 15 x 13in With two further cricket prints including Cricket at Lord’s in 1822 (4) £100-150

111

664

665

666

667

668 664. After Leonard Knyff (1650-1722) The House att Chelsey in the County of Middlesex one of the Seats of the Most Noble & Potent Prince Henry Duke of Beaufort … Hand coloured engraving by Johannes Kip, 1708 36 x 48.5cm; 14 x 19in £150-250 665. After Leonard Knyff (1650-1722) Long Leate, the Seate of the Rt. Hon.ble Thomas Lord Weymouth Baron of Warminster Hand coloured engraving by Jan Kip, 1708 34.5 x 48cm; 13½ x 19in £150-250

669 666. After Johannes Kip (c.1653-1722) and others Brent Pelham Hall; The Hoo; Hide Hall; Knebworth Place; Camfield Place; The Parke; Hyde Hall; Untitled, Pishobury 9 plates, all engravings Each approx. 33 x 44cm; 13 x 17½in (9) £300-500 667. Marcus Abraham Ruprecht and Johann Christoph Haffner (1668-1754) Prospectus Londinum Sedes Regia, et praecipua Urbs in Anglia ad Temesium Fluvium Engraving with later hand-colouring 31 x 41.5cm; 12¼ x 16¼in With 6 further prints of Surrey, Westminster, London etc. inc. one after Sam. & Nath. Buck (7) £100-150

668. After Augustin Heckel (c.1699-1746) A view of the Earl of Radnor’s House at Twickenham A hand coloured etching published by F. West 26 x 42cm; 10¼ x 16¼in With a view of Putney and a view of Mr. Smith’s House, Battersea 1752 both After J. Boydell and a view of Chelsea After W. Beilby 1784 (4) £150-250 669. J. Cordwell 19th Century Royal Chain Pier, Brighton Aquatint by T. Sutherland, published by J. Cordwell, Brighton, June 1st, 1824 23.5 x 30cm; 9¼ x 11¾in With 2 prints of views in Amsterdam, and 3 others (6) £80-120

112

670

671

672

673

674

675

670. After P. Mathews The Trial of ‘Bill Burn’ under Martin’s Act Aquatint engraved by Charles Hunt, published Ackermann & Co., c.1840 48 x 56cm; 19 x 22in £100-200

672. After John Frederick Lewis Spanish scenes Seven, all lithographs, mounted, unframed 25 x 36cm; 10 x 14in and similar (7) £200-300

671. A folio of 19/20th century prints Including mezzotints, engraving and lithographs, some of Eastern subjects Various sizes £200-400

673. John Baptist Jackson (1701-1780) A North East Perspective View of the Cathedral Church and Close of Sarum Hand coloured engraving by John Fougeron, published 1761 44 x 58.5cm; 17¼ x 23in With two further prints of views of Salisbury (3) £80-120

674. H. F. Jones (19th Century) The Olden Time, Fast and Slow Aquatint published by Arthur Ackermann 50.5 x 70cm; 20 x 27½in £100-150 675. After Wenceslaus Hollar von Prachna Prospect of Salisbury Cathedral Published 1672 Engraving, unframed 28 x 34.5cm; 11 x 13½in £100-150

113

676

679 676. Published by Carrington Bowles The Prussian Grenadier; The Light Guinea or the Blade in the Dumps Two, both mezzotints Each 36 x 25cm; 14 x 9¾in (plate size) £200-300 677. James John Chant (c.1821-1883) after John Lucas Capt. Sir William Peel R.N. leading the Naval Brigade into action in India Engraving 78.5 x 53.5cm; 31 x 21in £80-120

677

678

680

681

678. Henry Scott Bridgwater (1864-1946) after John Hoppner R.A. Miss Bingham Signed and stamped Mezzotint, published 1910 by P & D Colnaghi & Co. 40 x 33cm; 15¾ x 13in £100-150

680. After Sir Joshua Reynolds Portrait of Theophilia Palmer Mezzotint engraved by J. R. Smith, published June 11th 1777 38 x 28cm; 15 x 11in Provenance: Thomas Agnew & Sons, No. 46591 £100-150

679. ‡ Norman Hirst (1862-1956) after John Hoppner Portrait of Mrs. Susan Ghyll Signed and stamped Mezzotint 44 x 34cm; 17¼ x 13½in £100-150

681. ‡ Norman Hirst (1862-1955) after Sir Thomas Lawrence Pinkie, portrait of a young girl in a landscape Signed Mezzotint 51 x 33cm; 20 x 13in £100-150

114

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683

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684

686 685. After Charles Johnson Payne, (Snaffles) A sight to take home and dream about Signed and blindstamped Reproduction published by Messrs Fores Ltd. 47 x 58.5cm; 18½ x 23in £150-250

687 682. After Charles Johnson Payne, (Snaffles) Swagger - but a workman Signed, with blindstamp and remarque to backing paper Hand-tinted reproduction 26.5 x 25cm; 10½ x 10in (image size) £100-150 683. After Charles Johnson Payne, (Snaffles) Good hunting! old sportsman Reproduction 27.5 x 19cm; 10¾ x 7½in £100-150

684. After Charles Johnson Payne, (Snaffles) A bona fide fox chasher; The one to carry your half-crown; Merry England Three, all numbered 156/850, 157/850 and 64/750, the first two blindstamped All reproductions 43 x 50cm; 17 x 19½in and similar (3) £200-300

686. After Charles Johnson Payne, (Snaffles) Great banks there was below in the fields; A point to point Two, both numbered 324/850 and 212/275, the first blindstamped Both reproductions 51 x 70cm; 20 x 27½in and similar (2) £200-300 687. After Charles Johnson Payne, (Snaffles) If there is Paradise on Earth; Happy are they who hunt for their own pleasure Two, both numbered 64/750 Both reproductions 43 x 61cm; 17 x 24in (2) £150-250

115

688

689

690

691

692 688. After Cecil Charles Windsor Aldin Hunting scenes Three, all signed All reproductions Each 15 x 30cm; 6 x 12in (3) £100-150 689. ‡ After Sir Alfred James Munnings K.C.V.O., P.R.A. October meeting Signed and blindstamped Limited edition reproduction 56 x 86.5cm; 22 x 34in £100-150

693 690. ‡ After Cecil Charles Windsor Aldin The Duke of Beaufort’s, A hunt from Great Wood Signed Colour lithograph 33 x 68.5cm; 13 x 27in £400-600 691. After John Dean Paul Leicestershire, Gaudet Equis Canibusque, hunting scenes Set of four, all aquatints Each 32.5 x 52.5cm; 12¾ x 20¾in (4) £50-100

692. After Cecil Charles Windsor Aldin The Devon and Somerset (over Badgworthy Water) Signed and stamped Colour lithograph, published Alfred Bell & Co, 1925 37 x 62.5cm; 14½ x 24½in £300-500 693. After Henry Alken The First Steeple Chase on Record A set of four aquatints, by J. Harris, published 1st March 1839 by Ben Brooks Each 26.5 x 37cm; 10½ x 13½in (image) (4) £200-300

116

694 694. William Lionel Wyllie R.A. (1851-1931) H.M.S. Natal leaving Portsmouth Harbour Signed Etching 16.5 x 25cm; 6½ x 9¾in £300-500 695. William Lionel Wyllie R.A. (1851-1931) Tower Bridge Signed Etching 28 x 18.5cm; 11 x 7¼in £200-300

696. William Lionel Wyllie R.A. (1851-1931) The Pool of London Signed Etching 11 x 33cm; 4¼ x 13in £150-250 697. William Lionel Wyllie R.A. (1851-1931) A fort with a battleship beyond Signed Etching 16 x 37.5cm; 6¼ x 14¾in £150-250

695 698. ‡ Harold Wyllie (1880-1973) Portsmouth; Falmouth; North Forland; Portland Four, all signed, 3 numbered LXI All etchings Two at 17 x 22.5cm; 6¾ x 9in and two at approx. 11 x 35cm; 4 x 13¾in (4) £200-300

696

699. William Lionel Wyllie R.A. (1851-1931) The Forth Bridge Signed Etching 10.5 x 32cm; 4 x 12½in With a further etching of St Paul’s from the Thames by the same hand (2) £200-300

697

698

699

117 700. Dresser (Henry Eales). A History of the birds of Europe, 1871-1881, 8 vols., with index bound as vol. 1, 4to, contemporary half morocco, with 633 coloured and 2 uncoloured plates, minor foxing, most plates in excellent condition, some pencil notes in the margin of vols. 7 and 8, some scuffing to the spines (8) £2,000-3,000

701. Lilford (Thomas L. Powys, 4th Baron). Coloured Figures of the Birds of the British Isles, London 1885-97, 7 vols., 8vo, contemporary half morocco, with photogravure portrait and 421 plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines, plate 62 in vol. VI (Bulmers Petrel) is absent with a repeat of Sooty Shearwater in its place; and Notes on the Birds of Northamptonshire, London 1895, 2 vols., 8vo, contemporary half morocco, folding map and 37 (of 67) plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines (9) £1,500-2,000

700

701

702. Jacques Barraband (1878-1809) Le Grand Oiseau de Paradis Emeraude No. 1 Colour engraving, unframed 61 x 44cm; 24 x 17¼in (sheet size) £70-100

703. Edward Lear (1812-1888) Short toed eagle Signed Lithograph 50.5 x 35cm; 20 x 13¾in £600-800 702

703

118 704. ‡ Winifred Marie L. Austen (1876-1964) A duck and chicks by the river Signed Etching 18.5 x 25.5cm; 7¼ x 10in £100-150

704

705

705. ‡ Robin Tanner (1904-1988) Weeds Signed, titled and dated 1987 Etching 15 x 12.75cm; 6 x 5in £150-250 706. ‡ Norman Thomas Janes (1892-1980) A lady weaving Signed Etching 19 x 16.5cm; 7½x 6½in £80-120

706

707. Robert Shaw (American 1859-1912) Colonial views of America 11, ten signed All etchings, published by John Burling Lawrence for the Colonial Society of America, New York, prepared for members, 1906, unframed 30.5 x 40.5cm; 12 x 16in With another similar by James Horsey Fincken (12) £250-350

707

708

710 710. Theophile Alexandre Steinlen (French/Swiss 1859-1923) Refugees Signed Lithograph 32.5 x 47cm; 12¾ x 18½in £50-100

709

711 711. ‡ Stanley Roy Badmin (1906-1989) Swinbrook Bridge Signed Etching 9 x 14.5cm; 3¾ x 5¾in Provenance: P. & D. Colnaghi & Co. £200-300

708. Joseph Mallord William Turner R.A. (1775-1851) Gloucester Cathedral, The Hare, The Boston Stump Mezzotint 19 x 25cm; 7½ x 9¾in A number of mezzotint plates were found in Turner’s house after he died, including this plate, which has three titles. It was never printed in Turner’s lifetime Sir Francis Seymour Hayden took a few impressions c.1873 and it was subsequently sold and then reworked. The source of the composition is the watercolour of 1823-6 in the Tate Gallery £400-600 709. ‡ Christopher Richard Wynne Nevinson A.R.A. (1889-1946) City of London from Waterloo Bridge Signed Photogravure 15.5 x 21cm; 6 x 8¼in £150-250

119 712. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) The Pie-bald pony Signed Etching with aquatint 16 x 23.5cm; 6¼ x 9¼in £400-600 713. Herbert Thomas Dicksee (1862-1942) Head of a lioness Signed Etching 12.5 x 16cm; 5 x 6¼in £300-500

712

713

714. George Soper (1870-1942) Evening, Zoyland Signed Etching 18 x 30cm; 7 x 11¾in £120-180 715. George Soper (1870-1942) The plough team Signed Etching 18 x 30cm; 7 x 11¾in £200-300

714

716. ‡ Leonard Robert Brightwell (1889-1983) The Bath Club Signed Etching 21.5 x 37.5cm; 8½ x 14¾in £200-300

715

716

717

717. ‡ Martin Hardie (1875-1952) Porte des Cordeliers Signed Etching 25.5 x 18cm; 10 x 7in With 2 etchings by Percy Robertson and Andrew Affleck (3) £100-150 718. ‡ Leo Frank (Austrian 1884-1961) Before the Storm; View of the Mondsee; An Eagle’s Nest Three, all signed All woodcuts in colour 22.5 x 35cm; 8¾ x 13¾in and similar With a further woodcut by Frans Frank of ducks by a river dated 1927 (4) £300-500

718

719. 14 various volumes of the Old Watercolour Society’s Club £50-80

719

120 722. ‡ Leonard Russell Squirrell R.W.S. (1893-1979) Notre Dame, Paris Signed Mezzotint 28 x 41cm; 11 x 16in £200-400

720

723. After David Teniers Ducks on a pond Mezzotint by H. Houston, printed for John Bowles 35 x 25cm; 13¾ x 9¾in With a circular stipple engraving titled Tobacco Box after J.R. Smith (2) £100-150

721

724. Albert Henry Fullwood (1864-1930) Trafalgar Square Victory parade Signed in pencil Etching 46.5 x 31cm; 18½ x 12¼in £100-200

722

724 720. After Edward Wadsworth Yorkshire Woodcut, unframed 10 x 14.5cm; 4 x 5¾in £100-150

723

725

726

721. Jean-Emile Laboureur (French 1877-1943) L’Attente 1914 Signed in the plate and dated 1914 Etching 16 x 17cm; 6¼ x 6¾in £150-250

725. Marius Alexander Jacques Bauer (1867-1932) Procession with camels Signed with initials and numbered 78 Etching 44 x 27cm; 17¼ x 10½in Provenance: Aitken Dott & Son, P4661 With a print of Napoleon after Meisonnier (2) £100-150 726. After Baron Arild Rosenkranz (1870-1964) Occult Seals and Columns Portfolio edition with Lecture by Dr. Rudof Steiner Photogravures and Half-tone reproductions, published by Anthroposophical Publishing Co., 1924 52 x 41cm; 20½ x 16in £100-150

121 727. ‡ John Hall Thorpe (1874-1947) Snowdrops and Crocuses; Cowslips Two, both signed Both Woodcuts 16 x 15cm; 6¼ x 6in (2) £150-250 728. ‡ Piers Browne (b.1949) Towards Ladyhill, Wensleydale Signed, titled and numbered ‘75 artist’s proof Etching 53.5 x 69cm; 21 x 27in £100-200 729. After David Hockney R.A. A bounce for Bradford, 1987 Colour poster 42 x 60cm; 16½ x 23½in £200-300

730. After Alberto Giacometti (1901-1966) Seated nude - profile Lithograph 38 x 28cm; 15 x 11in Provenance: William Weston Gallery, London, 2000, No. 13598 £80-120 731. After Pierre Bonnard (French 1867-1947) Le Chat Etching 18 x 11.5cm; 7 x 4½in £80-120 732. After Sir William Nicholson Sandwich Man; Coster Two both lithographs 26 x 24cm; 10¼ x 9½in and similar (2) £200-300

728

730

727

729

731

732

122 733. ‡ Six Artists: The 1992 Royal College of Art Portfolio of Prints A folio containing the full set of prints: Tim Mara ‘Plastic Funnel, Mortar and Pestle’, John Bellany R.A. ‘Celtic Voyage’, Terry Frost R.A. ‘Lemon Glow’, Eduardo Paolozzi R.A. ‘Les Chants de Maldoror, Ducasse’, Paula Rego ‘Embarkation’, Nana Shiomi ‘Blue Venus’, on wove, each signed, dated and numbered 46/50 in pencil, with the justification page, on Somerset satin, within the blue linen-covered portfolio, printed and published by the Royal College of Art, 75 x 57cm; 29½ x 22½in (6 in a Folio) £2,500-3,500

733 734. Leonard Baskin (American 1922-2000) The Anatomist Signed, titled and numbered 2nd Edition, 25 Woodcut 48 x 28cm; 19 x 11in £300-500 735. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Study for a poster Signed, titled, dated 1974 A/P and dedicated: For Wilfred Lithograph 84.5 x 57.5cm; 33¼ x 22½in £300-500

734

735

736. ‡ John Piper (1903-1992) Petworth Park Gates Signed and numbered 16/75 Colour lithograph, unframed 45.5 x 58cm; 18 x 22¾in Provenance: Redfern Gallery, London, Nov. 28th 1957, No. 579 £500-700 737. ‡ Georges Manzana-Pissarro (20th Century) Three chickens Signed and numbered 30/100 Stencil print 30 x 48cm; 12 x 19in £300-400

736

737

123

INDEX OF ARTISTS A A. C. Abbott, John White Adlington, Mark African School Aitken, John Ernest Aldin, Cecil Aldridge, Frederick James Alken, After Henry Almond, William Douglas American School Angelico, Manner of Fra Anglo Chinese School Anglo Dutch School Armfield, George Armfield, Maxwell Ashby Armour-Chelu, Ian Atkins, Samuel Austen, Alexander Austen, Winifred Marie L. Austin Alexander

501 59 316 304 129 688 131 693 478 181 377 450 350 363 264 244, 326 95 474 250, 254, 704 462

B Badmin, Stanley Roy Bagnoli, Giulio Baird, William Baptiste Baldock, Charles Edwin M. Banks, Robert Barbizon School Barclay, Edgar Barma, Hans Smatlak Barraband, Jacques Bartolozzi, Francesco Baskin, Leonard Bates, David Batty, Robert Bauer, Marius A. J. Bauman, Hans Baxendale, John Be**y, J. W. Beaton, Cecil Beavis, Richard Bednar, Carol M. Beecroft, J. J. Beetham, Miss Isabella Bell, David Bennett, Frank Benoist, Guy Benson, Henry Roxby Benson, Margaret Elizabeth Beverly, William Roxby Bille, Vilhelm Victor Billingshurst, Alfred John Birch, T. C. Birchall, William Minshall Blacklock, William Kay Blackman, John Blakey, John A. Blanchard, Jacques Blanchi, Pio Blaylock, Thomas Todd Bleuler, Attrib. to J. L. Bloomsbury School Bogo, Christian Bond, William J. J. C. Bone, Muirhead

711 640 467 593 319 525 443 529 702 659 734 93 79 725 476 255, 256 459 300, 600 163 321 457 38 548 499 342 144 144 100, 101, 102 469 590 218 103 523 628 318, 571 566 240 327 160 555 536 502 276

Bonello, Circle of Bonnard, After Pierre Bourne, James Bouvier, Augustus Jules Bowles, Carrington Boyle, George Brannan, Peter A. Bratby, John Breanski, Gustave de Brendau, L. Breton, Constant le Brett, John Bridgwater, Henry Scott Brightwell, Leonard Robert Briscoe, Arthur John Trevor Browne, Nassau Blair Browne, Piers Brueton, Frederick Brundri, Reg. Grange Brunton, Violet Buck, Frederick Buckley, John Edmund Bulmer, Lionel Burchell, William F. Burgh, Attrib. to P. D. van de Burton, William Paton Bury, Gaynor Buttersworth, Foll. of J. E.

493 731 151 475 676 504 531 613 472 200 603 526, 527 678 716 201 591 728 380 404 294 9, 22, 31 202, 203 607 535 138 106 561 437

C Caddick, Kathlleen 629 Caloutsis, Valerios 589 Cameron, Ronald 337, 338, 339, 340, 341 Campbell, Raymond 565 Carter, Henry Barlow 104 Castellsague, Lluis R. 568 Chant, James John 677 Charlton, John 127 Childe, James Warren 25 China Trade School 23, 29 Chinese School 452, 453 Chinnery, George 72 Clausen, Attrib. to Geo. 293 Clear, G. 451 Cleef, Robert van 282 Cleef, Theo van 588 Cleveley, Attrib. to John 176 Clint, George 382 Clough, Tom 204 Coetzer, Willem Hermanus 576 Cole, James 521 Conrade, Alfred Charles 141 Constable, After John 465 Continental School 48, 51, 184, 366, 393, 409, 479 Cook, Ebenezer Wake 109 Cooke, Edward William 174 Cooke, Jean E. 608, 609, 610, 611, 612 Cooper, Foll. of Thomas 440 Cordwell, J. 669 Cortois, Foll. of Jaques 357 Cosway, Foll of Richard 27 Cotes, After Francis 33 Cotes, Attrib. to Francis 73 Cotter, John 336 Cox, Attrib. to David 88, 89

Cox, David Cox, Fol. Of David Cox, Frank Cromek, Thomas Hartley Croxton, D. Cruikshank, George Cruikshank, William Cubley, Henry Hdfield Cundall, Charles Ernest D Dâ&#x20AC;&#x2122;Oyly-John, Cecil Daubigny, Charles Francois Davies, James R. Denby, David Devie, Bernard Dichtl, Emmerich Dicksee, Circle of John R. Dicksee, Herbert T. Does, Attrib. to Simon v. de Dolby, Edwin Thomas Domergue, Jean-Gabriel Dongen, Harrij van Dresser, Henry Eales Ducker, John Dudman, Attrib. to Wm. Dugmore, J. R. Duncan, After Edward Duncan, Edward Dunlop, Ronald Ossory Dunnington, Albert Dunstan, Bernard Dupre, Leon Victor Dutch School Dyf, Marcel

114 143 542 122 486, 487, 488 71 193 439 217 651, 652 417 314 615 648 620 520 713 412 137 570 549 700 458 20 656 408 121 605 194 606 421 353, 364, 431, 483 559, 560

E E. W. K. 156 Edwards, Lionel D. R. 224, 225 English School 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 18, 21, 24, 26, 28, 30, 35, 37, 39, 40, 41, 42, 43, 44, 45, 46, 49, 50, 75, 83, 85, 173, 175, 182, 187, 206, 320, 335, 352, 354, 359, 360, 367, 368, 370, 373, 374, 375, 379, 385, 388, 392, 396, 397, 400, 403, 413, 428, 464, 492, 500, 517 Engman, Harald 650 F Fall, George 117 Fedden, Mary 614 Fellows, M. 602 Ferguson, Henry A. 507 Finlayson, A. 424 Fisher, Attrib. to Otto 471 Flemish School 355 Fleury, Francois Antoine L. 419 Flint, Francis Russell 260 Flint, William Russell 290 Ford, Marcus Holley 630, 631, 632, 633, 634 Foster, Myles Birket 126 Fox, Charles James 514 Frames 344, 345, 346, 347, 348, 349 Frank, Leo 718 Fraser, Eric 334 Fraser, W. 76 French School 1, 2, 3, 57, 139, 361, 414, 456, 489 Fullwood, Albert Henry 724 Furse, Charles Wellington 381

124

INDEX OF ARTISTS G Gallon S. A. German School Giacometti, After Alberto Gilbert, B. W Gilmour, James Glass, John Hamilton Glehn, Circle of W. G. de Glendening, Alfred Augustus Goble, Warwick Goff, Frederick Edward J. Goldthwait, Harold Gordon-Cumming, C. F. Gotch, Thomas Cooper Gozzard, James Walter Graeme, Colin Graham, George Grant, Donald Greig, Donald Grimm, Stanley Groenewegen, Adrianus J. Guardi, Manner of F. Guinness, Elizabeth S. Gunn, Herbert James Guys, Gilbert Constantin

435, 436 387 730 17 534 259 289 191 229 179 405 149 235 162 466 261 583 657 579 110 410 239 288 332

H H. J. H. M. Hacker, Arthur Haffner, Johan C. Halliday, Thomas S. Hammitt, Clawson S. Hansen, Hans Jacob Hardie, Martin Hardwick, John Jessop Hardy, George Hardy, J. Hardy, Thomas Bush Harpignies, Henri Joseph Hasegawa, Y. Hawley, Hughson Hearne, Thomas Heckel, After Augustin Heilmann, Gerhard V. E. Heinz, Wolfgang Hepple, John Wilson Herbert, Sydney Herman, Lipot Herouard, Cheri Heseltine, Michael Hider, Frank Hill, Adrian Keith Graham Hills, Robert Hine, Henry George Hirst, Norman Hockney, After David Hogarth, After William Holbein, Manner of Hans Hollar, After Wenceslaus Horton, George Edward Hotham, George Hoven, H. Ten Howitt, Samuel Hughes, Robert Evans Hunn, Thomas Henry Hunt, C.

226 449 196 667 643 445 317 717 186 389 183 107, 215 498 159 188 80 668 538 401 522 490 622 324 604 447 208 96 136 679, 681 729 661 36 675 164 118 533 422 578 147 663

Hunt, Charles Hunt, Edgar

519 518

I Indian School

53, 197, 305, 306, 307, 308, 309, 310, 311, 312 Inglefield, Edward Augustus 58 Innes, William 638 Innis, David 616 Italian School 61, 376, 432 J Jack, Kenneth William D. Jackson, John Baptist Jackson, John Jameson, A. J. Jamieson Frances E. Janes, Norman T. Janssen, Dirk Jay, J. A. B. Jones, D. M. Jones, H. F. Jousset, Claude K Kauffman, Karl Kellye, John F. Kennedy, Cedric J. Kilburne, George Goodwin King, A. King, John Gregory Kinnaird, Henry John Kip, After Johannes Klitz, Anthony Robert Knell, Adolphus Knell, William Callcott Kneller, Foll of Godfrey Knight, Dame Laura Knight, John William Buxton Knyff, After Leonard Koch, Francois

219 673 395 228 441 706 541 460 584 674 621 509 637 242, 257, 258 78 577 586 192 666 574 427 485 372 299 543 664, 665 575

L Labegorre, Serge 647 Laboureur, Jean-Emile 721 Labroue 34 Lambert, E. J. 210 Lancret, After Nicholas 662 Langley, William 418 Laporte, Georges 646 Lavary, John 557 Lawrence, Foll. of Sir Thomas 74 Lear, Edward 703 Leeds, Caroline 249 Leitch, William Leighton 98 Lely, After Peter 371 Lely, Manner of Peter 19 Leman, Robert 94 Leslie, Charles 446, 491 Lewis, After John F. 672 Lilford, Thomas L. P. 701 Lindsell, Violet Thorpe 140 Linell, John 528 Lodder, Charles Arthur 133 Lowndes, Alan 301 Lubatanth, Augusta 116 Lucas, Albert Durer 494, 495, 496, 497 Lucas, William 236 Lynch, Charles R. 655

M MacCall, Archibald St. John Maguire, Helena Manners, William Manzana-Pissarro, G. Maratti, Foll. of Carlo Marchington, Philip Marshall, William Elstob Mason, Frank Henry Masterman, Dodie Matania, Franco Mathews, After P. May, Captain Walter William May, Frederick Stocks McArthur, Charles McCall, Charles James McFadden, Frank McGregor, William McKay Knight, Sophie Meadows, Arthur Joseph Meadows, Circle of Arthur Meadows, James Edward Meadows, William Metz, Attrib. to Conrad M. Michau, Foll. of Theobald Millais, William Henry Miller, W. Millington, John Mogford, Attrib. to John Mole, John Henry Montalba, Clara Montalba, Ellen Moore, Attrib. to Claude T. S. Mordecai, Joseph Morland, Foll. of George Morland, George Morris, A. Morris, John W. Moucheron, Attrib. to F. de Muller, William James Munnings, Alfred James Murray, Charles Murray, David

325 238 524 737 65 585 444 161 322 287 670 134 333 148 601 237 635 581 448 438 416 433 67 56 190 429 233 406 97 315 231 442 513 390, 391 356 477 515 62 84, 86 689, 690, 692 636 539

N Nash, Attrib. to Eustace Naviasky, Philip Neal, Charles Neale, John Preston Neapolitan School Nelson, George Nevinson, Christopher R. W. Nibbs, Richard Henry Nicholson, After William Ninnes, Bernard Noble, James Nordburg, A. H.

198 556 562 64 177, 178 266, 267, 278 709 157 732 641 567 654

O Oerder, Franz David Ogilvie, Frederick Dove Oppenheim, Duncan M. Orchart, Stanley Orrock, James P Page, Digby Paolozzi, Eduardo Park, James Stuart

273 70 617 269, 270, 271, 272 91 211 735 564

125

INDEX OF ARTISTS Parker, Henry H. 399 Parsons, Beatrice Emma 189 Pastor, J. 573 Paton, Donald A. 132 Paton, Waller Hugh 212 Patterson, F. 221 Paul, After John Dean 691 Payne, After Charles J. 682, 683, 684, 685, 686, 687 Pears, Dion 330 Pearson, Kathleen Margaret 592 Peckham, Barry Arthur 243 Penley, Aaron Edwin 167 Petley, Roy 283, 284, 285, 286, 582 Petrie, Graham 222 Phillp 185 Piper, John 736 Piranesi, After Giovanni B. 660 Pissarro, Lucien 278 Plymouth, Samuel Cook 130 Pocock, Foll. of Nicholas 54 Pocock, Nicholas 105 Potter, Helen Beatrix 298 Powell, Joseph A. 158 Price, John 420 Primitive School 180 Prout, Samuel Gillespie 155 R Ramos, Jose Garcia y Rayworth, William Redgrave, Richard Revel, John Daniel Reynolds, After Sir Joshua Reynolds, Frederick George Rheeder, Marie Riab, B. Rickman, Philip Riisager, Chris Rimmer, A. Robbe, Manuel Robertson, Henry Robert Robertson, James Rochussen, Charles Rodin, After Auguste Romney, Foll. of George Roscoe, S. G. William Rosenkranz, After Baron A. Rosetti, Foll. of Dante G. Rosser, Albert Rossiter, David Rothenstein, William Rousseau, Theodore Rowbotham, Charles E. Rowden, Thomas Rowlandson, Thomas Roy, Manner of Jamini Ruprecht, Marcus A. Russell, Attrib. to John Russell, Gyrth

234 482 108 303 378, 463, 680 115 658 252 251 587 152 232 142 81 365 343 369 150 726 516 113 639 558 510 153, 154 111 66 302 667 351 642

S Salisbury, Frank O. 241, 550, 551, 552, 553, 554 Salmon, John Francis 135 Salmon, Tabitha 245 Samimi, Reza 572 Sargent, Foll. of John Singer 511

Schafer, Henry Thomas Schurer, Erich Schweickardt, Hendrik W. Seago, Edward Senior, Mark Severn, Walter Seymour, Tom Shaw, Robert Shee, Sir Martin Archer Shepperson, Claude Allin Sherlock, A. Marjorie Short, Frederick Golden Shorthouse, Arthur Charles Sibbons, Gudrun Sigrist, Edmond Simkin, Richard Simpson, Edward H. Skorroff, Ivan Slater, Josiah Smellie, Robert Smith, Attrib. to Edwin D. Smith, Edwin Dalton Smith, John F. Smith, John Raphael Snape Martin Soler, Juan Somerscales, Circle of T. Somerville, Stuart Scott Soper, George Southey, Rubens, A. J. N. Squirrell, Leonard R. Stannard, Henry J. S. Stannard, Henry Stannard, Joseph Stark, James Steelink, Willem Steer, Philip Wilson Steinlen, Theophile A. Storey, George Adolphus Stothard, Attrib. to Thomas Stuart, Ernest Sutcliffe, Lester Swaine, Attrib. to Francis Swete, Rev. John Szeberenyi, D.

426 532 358 291 223 92 398 707 394 292 274 546, 547 166 596, 597, 598, 599 563 227 248 530 77 461 32 168, 169 505 165 123 594, 595 469 480 714, 715 209 722 125, 214 213 119 386, 407 207 246, 247 710 323 384 220 90 82 63 481

T Talwinski, Igor Tanner, Robin Temple, Malcolm Teniers, After David Thompson, John Knighton Thompson, Tim Thomson, Attrib. to Rev. J. Thornley, Morgan Alfred Thorpe, John Hall Tobin, Admiral George Torcia, Francesco S. Tromp, Jan Zoetelief Tuke, Henry Scott Tunnicliffe, Charles F. Turner, Joseph M. W. Turner, Ken Turner, R. Turner, William of Oxford Turner, William

569 705 296 723 473 468 362 262 727 55 484 170 265 712 708 512 328 124 331

U Uwins, Thomas

V Varley, John Jr. Varley, John Vercelli, R. Verescagin, Foll. of Pietr P. Veronese, Manner of Paolo Vincent, George

644 87, 99 619 434 68 411

W Waddington, William Hartley 545 Wadsworth, After Edward 720 Wain, Louis William 295 Walker, F. 506 Walker, Michael John 329 Wallace, Robert Craig 216 Ward, Jmes 171, 172 Wardle, Arthur 253 Waters, Oscar 653 Watson, George 230 Watson, Sydney Robert 645 Watts, Foll. of George 402 Watts, James Thomas 145 Weatherill, George 128 Webb, James 503, 508 Weekes, Frederick 425 Welsh, Rosemary Sarah 313 Werner, Fritz 297 Weyden, Harry F. Van der 537 Whistler, Rex John 277 White, Ethelbert 275 White, John 195 White, John 544 Widgery, William 112 Wilkinson, John S. 580 Wilks, Maurice Canning 540 Wilson, Thomas Walter 199 Wimperis, Edmund Morison 146 Winter, William Tatton 205 Woodroffe, R. 423 Woore, Edward 279, 280, 281 Worlidge, Thomas 383 Wyllie, Harold 698 Wyllie, William Lionel 120, 455, 694, 695, 696, 697, 699 Y Yates, Fred Yeats, Marc

623, 624, 625, 626, 627 263

Z Zampieri, After Domenico Zeller, R.

60 649

Asian Art Wednesday 12th & Thursday 13th November 2014

An abstract waterscape, ink and colour on paper by Cheong Soo Pieng (1917-1983), signed by the artist and dated 1961, 92.2cm x 41.2cm. Provenance: An English private collection, Shropshire. Estimate: £20,000-30,000

ENQUIRIES John Axford +44 (0) 1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 sophielister@woolleyandwallis.co.uk

新浪微博 @艾思福

British Art Pottery Wednesday 3rd December 2014 Closing date for entries 10th October

A fine Lucie Rie sgraffito bowl, decorated to the interior and rims with manganese. Provenance: purchased directly from Lucie Rie by the vendor Estimate: ÂŁ5,000-8,000

ENQUIRIES Michael Jeffery +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Paintings Fine Old Masters & 19th Century Wednesday 10th December 2014 - Part I Entries are now being accepted for this sale

Jacob Van Stry (Dutch 1715-1856) Travellers, herdsmen and cattle in an extensive river landscape Signed Oil on panel 58 x 84cm Estimate: ÂŁ20,000-30,000

Paintings 20th Century & Contemporary Wednesday 10th December 2014 - Part II Entries are now being accepted for this sale

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Rhubarb harvest Signed and dated 1932 Oil on board 92 x 122cm Estimate: ÂŁ6,000-8,000

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where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt lots marked with an asterisk (*) are subject to VAt on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price. CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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Woolley WOOLLEY & & Wallis WALLIS Salisbury Salisbury Salerooms Salerooms

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design & Production by

Woolley & Wallis Absentee Bid Form Oil Paintings, Watercolours, Prints, Miniatures & Sculpture Wednesday 24th September 2014 PW240914

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) �� Address �� Postcode �� daytime telephone �� Email�� Debit/Credit Card details: VISA OtHER

MAStERCARd

SwItCH

(please specify)

we do not accept American Express cards

If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms ltd reserves the right to debit all charges due. there is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAt) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders. Signature �� Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description

Price excluding buyer’s premium & VAt

SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the Uk. the double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAt position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500