Atithi Prajapati Portfolio by Atithi Prajapati

tithi Prajapati

2 ATITHI PRAJAPATI

ATITHI PRAJAPATI PHONE / 818 730 7541 EMAIL / atithi326@gmail .com WEB / atithi326.wixsite .com/design ACADEMY OF ART UNIVERSITY 79 New Montgomery Street, San Francisco, CA 94105 DIRECTOR / Archana Myer INSTRUCTOR / Chamindri Wijemanne COURSE / Portfolio PAPER / Mhawk Everyday Digital 80lb TYPEFACE / Futura-thin , Presa Ultralight, Segoe Scrpit PHOTOGRAPHY / Atithi Prajapati GOOGLE PHOTO / www.google .com PRINTER & BINDERY/ Chums Design and Print

THE FINISH OF CRACKS

The concept for this book comes from the journey here in San Francisco. I moved to San Francisco in 2013 and that was my first time living away from home. The city, peers, professors, projects and simply life has cracked me open and deeply molded me to the person and being I am today. In that process, there has been scars that were printed but those scars define my personality and myself. Rather eliminating them, why not go about embracing them.

B I OG R A P H Y

Atithi Prajapati, born and raised in Los Angeles, California grew up not knowing what she wanted to be until she got the opportunity to design her father’s re-constructed home. To grow her passion for interior design she moved to San Francisco to attend Academy of Art University and studies interior architecture and design. After moving away from home and living an independent life, she is able to explore the beautiful city and have fun growing as an individual. Her endless inspiration comes from life itself, as well as the culture she comes from, and watching people how they behave in their daily life. Her interest is in making peoples lives feel organized and functional through Décor. Her style mostly comes from the beauty of fashion; the color combination and texture is something that she can easily put into a space. Her interest also appears for sustainability and hopes to design that requires low-energy and reusable materials. Her favorite thing about interior design is that everyday is a new day; every project is different. Having the passion for design, she plans to take every project as a test of passing on to the next level and making every project her favorite. When not designing, Atithi enjoys dancing and performing, observing and feeling the nature, and spending quality time with her loved ones. In the future Atithi would like to work in a firm that would give her the ability to work with different clients in different environment such as having projects abroad so she can have the opportunity to experience different cultures and bring that into her designs. But for now she is working with designing for her family and friends, and as well as for projects at HBA.

142 08

184 110

ONE -Client / Site Research -Concept -Focused Areas -Materials / Furniture

TWO

Modern Roots Fine Foods -Client / Site Research -Concept -Project Development -Branding / Logo

THREE

Classic Residence -Client/ Location -Concept -Floor Plan / Renderings -Materials / Furniture

FOUR

Resume Senior Living -Target Audience / Site Analysis -Concept / Logo -Floor Plans -Code Compliance / Sustainable Materials

FIVE

Other Interest -Textile Designs -Color Renderings -Hand Sketch Renderings -Photography

CRACKS OF CONTENTS

National Geographic

one

10 ATITHI PRAJAPATI

6" ' 1

one

C o m m e r c i a l S P AC E

CUSTOM HEXAGON CEILING DESIGN 8' AFF.

National Geographic office/retail/exhibition

Client

12 ATITHI PRAJAPATI

The National Geographic Society started in Washington D.C. in 1888 as a small group of traveler in the late Victorian age; the time when Americans and Europeans explores were finding a home for strong audience that had adventures and foreign culture. A little while after the society started a magazine of its own, which covered wide variety of world cultures and natural resources, with a focus on maps and high quality photography. Nation Geographic also started sponsoring the work of many major scientist and later started funding films and television shows. They are know for education and exploration and that has because there identity. Their strong media division now including the NatGeo TV channel, has continued to fund a wide range of scientific and philanthropic efforts around the world. So far the society has approximately 2000 employees in many offices around the world. What is National Geographic all about? National Geographic is a global nonprofit organization committed to exploring and protecting our planet. They find hundreds of research and conversation projects around the world each year and inspire new generations through their education and resources. National Geographic gets you closer to the stories that matter. Through the worldâ&#x20AC;&#x2122;s best scientists, photographers, journalists, and filmmakers, they capture and provide entertainment with knowledge to the global community through books, maps, consumer products, magazines, childrenâ&#x20AC;&#x2122;s media and more. National geographic hopes to always provide the same entertainment and knowledge globally as they do now. There interest of exploration include adventures, ancient world, animals, environment, society and culture, space, photography and filming.

National Geographic’s logo is nothing but a simple yellow rectangle frame that represents a photo frame. The reason for the yellow color is to have a connection with the sun because the sun is respected in the NetGeo community. Along with that the color yellow stands for knowledge ad wisdom, which again NetGeo is all about. And the whole point of the this logo is to inspire people to care about the planet.

LOGO

The organization of Nation Geographic Information Institute has a total of six department. As shown above the positions include different type of tasks and responsibilities. With this specific area, National Geographic Data Information and Photogrammetry, the department holds about 120 government employees. And last but not least, the directors in each departments produce the work through using high technology equipments for geodesy, photogrammetry, cartography, print and computerized management systems.

Director General

ORGANIZATION

TIMELINE

Nation Geographic Kids NetGeo Kids purpose is to inspire the young to explore the world through award-winning books, magazines, television series, websites, games and events that are the only kids brand with a world-class scientific organization at its core.

National Geographic Travel NetGeo Travel shares authentic experiences that layout a oneness with a place because it doesn’t fail to contain a strong heritage of more than a century of exploration, global experts and signature photography.

National Geographic magazines are the global leader in empowering people to navigate the world, provide authoritative, address today’s complex and uncovering the wonders of our time.

MAGAZINES

Photo Ark To expand the respect and protection for animals, Joel Sartone is on a mission to photograph every species.

Genetic Legacy The studies of DNA to uncover the history of humans and their connections.

The Ocean The research of the Seas is done to expand the life of under waters to above.

Human Stories Paul Salopek is exploring the connections between stories at the pace of a humans footsteps.

Okavango Wilderness Steve Boyes and his team explore one of the Lands last and greatest wilderness.

PROJECTS

NATIONAL GEOGRAPHIC CENTER

14 ATITHI PRAJAPATI

SITE PRESIDIO PARK 34 GRAHAM STREET San Francisco, CA

The Presidio is where San Francisco began. This inspiring setting at the mouth of an iconic bay was home to native peoples for more than a thousand years. Later it became a cultural crossroads for three nations laying claim to its strategic position. Today’s Presidio is home to the spectacular vistas, nature, and programs that you would expect in a great national park, plus much more. Hundreds of former military buildings are now animated by more than 3,000 residents and 200 companies—including high tech start-ups, innovative non-profits and others that offer a surprising mix of visitor experiences. The park is home to museums and food trucks, art and archaeological sites, San Francisco’s newest recreation facilities and its most historic building. On any given day at the Presidio, organizations are pursuing new ideas, scientists are conducting research, and people of all ages are learning, playing and exploring. The Presidio has long been a “cultural crossroads” shaped by many – Native Americans, generations of soldiers who passed through its gates, and the now visitors from across the globe. Today, the park’s cultural hub is the Presidio Officers’ Club, San Francisco’s most historic building reborn as a home for live music and dance, theatre, talks, films, exhibitions, and creative family fun – all free to the public. The Presidio is a place for lifelong learning – with activities for kindergartens, career professionals, and everyone in between. On a day trip to the park you can learn about a fascinating chapter in history at Fort Point or the Military Intelligence Service Historic Learning Center. Hands-on field trips for youth help students understand the world they are living in today by exploring the Presidio’s fascinating natural and cultural heritage.

NATIONAL GEOGRAPHIC CENTER

CLIENT PROGRAM

16 ATITHI PRAJAPATI

PUBLIC SPACES: Lobby: Provide space for groups and individual visitors. Include coat closet. Store: Provide one point of sales and small storage room Cafe: Provide small kitchen, sales counter, and seating for 14 Exhibition: Provide flexibility for various types of displays Subtotal: Approximately 5500 s.f. Note: Access to public restrooms must be provided for the above spaces. SUPPORT SPACES: -Loading dock for deliveries, approximately 400 s.f. -Telephone/ Data closets: One per floor -Janitorial Closet: One per floor In addition, the basement floor will contain the following spaces, but the basement is NOT in your design scope of work, and therefore the basement does not need to be included in your project: -Archives -Storage -Mechanical and electrical rooms

NATIONAL GEOGRAPHIC CENTER

OFFICES: The office space should provide: -Reception area with at least 4 waiting chairs and a receptionist desk. -Small meeting room for 6 people -Conference room for 16 people -Copy/ Print Room with Supply Closet -Coffee kitchenette The following private offices are required: -Regional Manager -Senior Editor -Senior Web Editor -Art Director -Controller -Marketing Director Workspaces Workspaces must be provided for the following full-time staff: -Accountants (2) -Marketing Assistant -Membership Coordinator -Graphic Designers (2) -Editors (3) -Office Manager -Human Resources Manager The office spaces should be served by menâ&#x20AC;&#x2122;s and womenâ&#x20AC;&#x2122;s restrooms apart from the public areas.

18 ATITHI PRAJAPATI

SPACE Private Space Reception Area Small Meeting Room Conference Room Copy/Print Room Kitchenette/Breakroom Regional Manager Senior Editor Senior Wed Editor Art Director Controller Marketing Director Accountant Marketing Assistant Membership Coordinator Graphic Designers Editors Office Manager Human Resources Manager Restrooms total Public Space Lobby Store Cafe Exhibition Multipurpose Room Restrooms total Support Space Loading Dock Telephone/Data Closets Janitorial Closets total TOTAL CIRCULATION PROJECT TOTAL

NUMBER

SQ. FT

COMMENTS

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2

400 200 500 250 400 200 150 150 150 150 150 200 100 200 200 300 100 200 150 4150

Reception desk w/ 4 waiting chairs 6 people 16 people W/ supply closet

1 1 1 1 1 2

400 600 800 2000 1000 200 5000

Include coat closet W/ one sales counter & small storage room Small kitchen, sales counter & seating for 15 Flexibility in types of display One big room that can sub-divided into small spaces

1 2 2

400 60 60 520 10170 3000 12670

Private Private Private Private Private Private 2 people

2 people 3 people

Men’s & Women’s

One per floor One per floor

PROGRAM analysis

NATIONAL GEOGRAPHIC CENTER

Loading Dock 150 sq. ft. Multipurpose Room 1000 sq. ft.

Open Workspace 1300 sq. ft. Cafe 800 sq. ft.

Restrooms 150 sq. ft.

Exhibition 2000 sq. ft.

Senior Web Designer 150 sq. ft.

Art Director 150 sq. ft.

Small Meeting Area 200 sq. ft.

Gift Shop 600 sq. ft. Breakroom/Kitchen 400 sq. ft. Lobby 400 sq. ft.

Marketing Director 150 sq. ft.

Human Resource Manager 150 sq. ft.

Conference 500 sq. ft. Copy/Print Room 200 sq. ft.

Entry

Reception/Office Manager 400 sq. ft.

LEGEND

Public Area Private Area Main Entry Visual/Acoustical Control Adjacencies Adjacencies through Vertical Circulation

Restrooms 150 sq. ft.

Regional Manager 200 sq. ft.

Controller 150 sq. ft.

concept

20 ATITHI PRAJAPATI

CONTACT WITH DISTANCE EYE OF THE UNSEEN

National Geographic helps us have a connection with the knowledge that is far beyond our imagination. It provides us a bridge that allows us to travel without even traveling. Since day one they have been opening doors for the whole world to meet each other. And the way Net Geo was successful in doing this was through photography, a language that is understand by everyone. To apply my concept into my floor plan I have used materials like glass, water, texture, sounds and placement of walls, furniture to create an illusion of a far away space and yet having a contact with it. And I have also used a secondary concept : A Eye Of The Unseen, which represents the lens of an camera that allows NetGeo to communicate with the world. The features and performances of a camera lens is used in the space to add abstract and creative features to the design.

DESIGN FEATURES

22 ATITHI PRAJAPATI

exhibition blackout room

multipurpose room exhibition

custom stonesource sink

LEVEL 1

SCALE: 1/4” = 1’-0”

LOBBY

4.1 4

454 SF

109

GIFT SHOP

1st Floor Furniture Finish 3/16" = 1'-0"

364 SF

100

3.1 3-

1 A107.2 2 A107.1 -

STAIR A

ELEV

2020 SF

101

EXHIBITION

25 SF

226

Room

48 SF

102

TELECOM

ELEC PANEL

531 SF

108

CAFE

145 SF

105

MEN'S RESTROOM

2 A109.1 4

761 SF

110

HALLWAY

304 SF

107

LOADING DOCK

29 SF

106

JANITOR

758 SF

103

MULTIPURPOSE ROOM

STAIR B

NATIONAL GEOGRAPHIC CENTER

MATERIALS

FURNITURE / LIGHTING

24 ATITHI PRAJAPATI

zesty chairs

Patrick Norguet Stool

Floor Lamp

NATIONAL GEOGRAPHIC CENTER

pratt & larson tiles

shaw carpet flooring

flyash concrete custom desk material

3form glass panel brick wall

reclaimed wood

concrete columns

MATERIALS

CUSTOM MADE CEILING LIGHT FIXTURE

2 X 2 ACOUSTICAL TILE 10' A.F.F.

0' - 9"

A107

109 454 SF

3' - 4"

364 SF

100

LOBBY

2020 SF

101 0' - 6"

0" 3' -

0" 3' 6" 0' -

0' - 6"

HEXAGON MIRRORS HUNG ON THE CEILING 10' AFF. FACING DOWN

-6 " 0'

2 A108.1 4

2 X 2 ACOUSTICAL TILE 10' A.F.F.

2' - 6"

0' - 4"

29 SF

5' - 4"

758 SF

103

MULTIPURPOSE ROOM

2' - 6"

106

304 SF

107

LOADING DOCK

5' - 4"

2' - 6"

0' - 4"

JANITOR

761 SF

110

HALLWAY

108

145 SF

105

MEN'S RESTROOM

SPOT LIGHT INSTALLED FOR THE PHOTOGRAPHY

531 SF

CAFE

GYPSUM BOARD IN RESTROOMS 10' A.F.F.

0' - 6"

GYPSUM BOARD IN CAFE 10' A.F.F.

3' -

0" 3' -

EXHIBITION

EXIT

GIFT SHOP

3' - 2 1/2"

3' - 6 1/2" 0' - 8"

0' - 9"

0' - 8"

0' - 9"

0' - 8"

2' - 9 1/2"

7' - 4 1/2"

0" 3' -

6" 0' -

0" 3' -

0" 3' 0" 3' 0'

-6 "

6" 0' 0" 3' -

0" 3' -

2' - 0" 2' - 7"

0" 3' -

0' - 11"

ARMSTRONG METALWORKS CEILING 12' AFF.

FRAME BOXES LIGHT HUNG 10' AFF. ON THE CEILING FACING DOWN

GYPSUM BOARD CEILIN

CUSTOM LIGHT FIXTUR

ARMSTRONG CEILING

ARMSTRONG ACOUSTI

CUSTOM SUSPENDED

CUSTOM LIGHT FRAME

CEILING LEGEND

ceiling plan

3' - 10"

0' - 11"

1' - 6"

26 ATITHI PRAJAPATI

0' - 4 1/2"

Elevation Exhibition West Wall Elevation Exhibition West Wall 3/16"1= 1'-0" 3/16" = 1'-0"

8' - 2"

8' - 2" 3' - 11"

0' - 4 1/2"

PICTURE FRAME BOX

Elevation Exhibition South Wall 3/16" = 1'-0" E

3' - 11"

PICTURE FRAME BOX

DECORATIVE DECORATIVE GLASS PANEL GLASS PANEL

Elevation Exhibition North Wall 3/16" = 1'-0"

Elevation Exhibition South Wall 3/16" = 1'-0"

13' - 2"

2' - 9 1/2"

0' - 6"

LOBBY LOBBY

13' - 2"

Elevation Exhibition North Wall 3/16" = 1'-0"

Elevation Exhibition West Wall 3/16" = 1'-0"

2' - 1"

13' - 2"

0' - 5 1/2"

13' - 2"

0' - 5 1/2"

13' - 2"

7' - 0"

8' - 2"

DECORATIVE GLASS PANEL

0' - 4"

13' - 2"

6' - 0"

3' - 0"

6' 2' -- 0" 9 1/2"

0' -3'6"- 0"

0' - 5 1/2"

0' - 4"

6' - 0"

3' - 0"

2' - 1"

0' - 5 1/2"

2'3'- -0" 11"

2' - 0"

1st Floor Code Analysis 0' - 0"

D B

C C

HEXAGON MIRROR PANELS HEXAGON MIRROR PANELS

SPOT LIGHTS

1st Floor1st Code Floor Code AnalysisAnalysis 0' - 0" 0' - 0" 2' - 0"

SPOT LIGHTS

HEXAGON MIRROR PANELS

C SPOT LIGHTS

SPOT LIGHTS

7' - 6"

LOBBY

13' - 2"

0' - 5 1/2"

0' - 4"

0' - 4" 0' - 5 1/2"

7' - 0"

0' - 4"

3' - 2"

0' - 5 1/2"

10' - 0" 0' - 5" 0' - 5"

3' - 2"

10' - 0" 10' - 0"

3' - 2" 3' - 2"

7' - 0" 10' - 0" 7' - 0"

10' - 0" 10' - 0"

SPOT LIGHTS SPOT LIGHTS

1' - 0"

PICTURE FRAME BOX

0' - 4 1/2"

D 1

PICTURE FRAME BOX

1' - 0" 0' - 8" 1' - 5"

1' - 0"

0' - 4 1/2"

1' - 0"

0' - 4 1/2"

1' - 0" 0' - 8" 1' - 5"

0' - 8" 1' - 5"

1' - 0"

0' - 4 1/2"

PICTURE FRAME BOX PICTURE FRAME BOX

PICTURE FRAME PICTURE FRAME BOX BOX

0' - 8" 1' - 5"

1' - 0"

0' - 4 1/2"

Elevation Exhibition East Wall 3/16" = 1'-0"

3' - 2" 0' - 5 1/2"

Elevation Exhibition East Wall Elevation Exhibition East Wall 3/16"3 = 1'-0" 3/16" = 1'-0"

HEXAGON MIRROR PANELS D

HEXAGON MIRROR PANELS

0' - 5 1/2"

0' - 11" 1' - 6" 1' - 6"

MULTIPURPOSE ROOM

1st Floor Code Analysis

1st Floor Code 0' - 0" Analysis 1st Floor Code 0' - 0" Analysis 0' - 0"

BLIND SHADE FOR BLACKOUT BLIND SHADE FOR BLACKOUT

DECORATIVE GLASS PANEL

1st Floor Code Analysis 0' - 0"

MULTIPURPOSE ROOM MULTIPURPOSE ROOM

DECORATIVE GLASS PANEL

BLIND SHADE FOR BLACKOUT

1st Floor Code Analysis 0' - 0"

BLIND SHADE FOR BLACKOUT

4' - 0"

Elevation Exhibition West Wall 3/16" = 1'-0"

10' - 0"

7' - 0"

7' - 6"

7' - 6" 7' - 0"

7' - 0" 7' - 0"

10' - 0" 10' - 0" 3' - 2" 10' - 0"

0' - 4 1/2"

3' - 2" 7' - 6"

0' - 5 1/2"

3' - 2" 3' - 2"

3' - 2" 0' - 5 1/2" 0' - 6" 2' - 1"

0' - 5 1/2"

0' - 6" 0' - 6" 3' - 2" 2' - 1" 0' - 5 1/2" 10' - 0 1/2" 0' - 6" 2' - 1"

7' - 6" 7' - 6"

10' - 0 1/2" 0' - 4 1/2" 10' - 0 1/2"

3' - 0"

0' - 11"

1' - 6" 1' - 6" 4' - 0"

2' - 1"

3' - 0" 3' - 0"

0' - 11"

1' - 6" 1' - 6" 4' - 0"

NATIONAL GEOGRAPHIC CENTER

LOBBY

28 ATITHI PRAJAPATI

As soon as the visitors enter, they will be greeted by a custom made reception desk. The ceiling will have a custom lighting done to bring emphases into the space. The entrance lobby places a great role of this building. It is design in a way where it has a good traffic flow. For example all the visitors will move to the right to enter the exhibition. The employees will go straight to the elevator or the stairs to get to the office- this also goes to the clients that comes for meetings and presentations.

NATIONAL GEOGRAPHIC CENTER

DESIGN FEATURES

30 ATITHI PRAJAPATI

large conference room

breakroom

open bar

conference ceiling

LEVEL 2

SCALE: 1/4” = 1’-0”

STAIR A

ELEV

2nd Floor Furniture Finish 3/16" = 1'-0"

REGIONAL CONTROLLER MANAGER 214 215 138 SF 204 SF

376 SF

200

RECEPTION AREA

446 SF

201

LARGE CONFERENCE ROOM

220 44 SF

139 SF

213

HUMAN RESOURCE

ELEC PANEL

TELECOM 5' - 8"

157 SF

212

PRIVATE MEETING ROOM

793 SF

217

CORRIDOR

BREAKROOM/KITCHEN

219 82 SF

252 SF

211

HUDDLE ROOM

5' - 4"

MEN'S RESTROOM

3' - 5"

4' - 2"

76 SF

218

206 535 SF

OPEN BAR 210 144 SF

3 1

209 87 SF

55 SF

208

JANITORS CLOSET PRIVATE ROOM

207

OPEN WORKSPACE 1156 SF

158 SF

205

SENIOR WEB DESIGNER

440 SF

WOMEN'S RESTROOM

204 169 SF

ART DIRECTOR

203 156 SF

SENIOR EDITOR

216

CORRIDOR

146 SF

202

MARKETING DIRECTOR

STAIR B

NATIONAL GEOGRAPHIC CENTER

MATERIALS

FURNITURE / LIGHTING

32 ATITHI PRAJAPATI

Mondrian Glass Ceiling Fixture

Conference Room Chair

Dry Erase Wallcovering

NATIONAL GEOGRAPHIC CENTER

Reception

34 ATITHI PRAJAPATI

Aquitaine Linear Chandelier

Vignette Cube Lounge

The reception area for the office is also a crucial space. This is where the information and gudiences is given to the visitors. I wanted this area to be a focal point and easily recognized. And that is why it is kept in front of the elevators and stairs. Whether it is the UPS guy or a client, they will be greeted and assured.

NATIONAL GEOGRAPHIC CENTER

36 ATITHI PRAJAPATI

NATIONAL GEOGRAPHIC CENTER

This is one of my favorite part of the design. The hallway is slightly tilted to give a feeling of distance through perspective. The wall of the private offices have floor to ceiling glass panels that allow the room to have contact with everything outside and yet having the technology to bring privacy. The materials used are very neutral to help emphasize the photography for NetGeo that will be used as wallcoverig in each room.

open workplace

38 ATITHI PRAJAPATI

TS Series pedestals

Kallax Shelf Unit

Sayl Chair

Akira Table The open workspace is also one of my favorites. I have used furniture in a way that allows openness along with privacy. The way how this space was designed was through the study of an office environment. And ceiling design was a must for this area. Hexagonal shape metal panels are hung in different distances to bring interest and comfort to the people that will be spending most of their time here.

NATIONAL GEOGRAPHIC CENTER

open workspace elevation

40 ATITHI PRAJAPATI

The elevation above is a section of the open workspace showing the relationship between the ceiling and floor. Right next to it is the break room (the elevation to the top right). The breakroom is separated by a glass wall to provide a breakage between the work and break space along with feeling of openness. The breakroom is an area where the employees can have staff meetings and find a common space to take a break.

NATIONAL GEOGRAPHIC CENTER

breakroom

42 ATITHI PRAJAPATI

wallcovering concrete columns

reclaimed wood

shaw carpet flooring flyash concrete

diamondflex metal

brick wall wood cabinet

3form glass panel marble top

pratt & larson tiles

MATERIALS

NATIONAL GEOGRAPHIC CENTER

FURNITURE

PROJECT INFORMATION

VICINITY MAP

SYMBOLS

PROJECT ADDRESS: 34 GRAHAM STREET SAN FRANCISCO, CA 94129 NEIGHBORHOOD: PRESIDIO HEIGHTS CONSTRUCTION TYPE: TYPE II, SPRINKLERED OCCUPANCY GROUP: A3, A2 ,M, B NUMBER OF FLOORS: TWO FLOORS OVER BASEMENT GROSS BUILDING AREA PER FLOOR: 6,800 SQUARE FEET REQUIRED NUMBER OF EXITS PER FLOOR: TWO REQUIRED NUMBER OF PLUMBING FIXTURES PER FLOOR : 2 WATER CLOSETS, 1 LAVATORY, 1 DRINKING FOUNTIAN APPLICABLE CODES : A) CALIFORNIA BUILDING CODE, 2013 B) UNIFORM MECHANICAL CODE (U.M.C.) 2015 C) NATIONAL ELECTRIC CODE (N.E.C.) 2014 D) UNIFORM PLUMBING CODE (U.P.C.) 2015 E) INTERNATIONAL FIRE CODE (I.F.C.), 2015 F) SAN FRANCISCO MUNICIPLE CODE

ELEVATION

TRUE NORTH

COLUMN GRID

PROJECT SCOPE DESCRIPTION: INTERIOR RENOVATION OF EXISTING BUILDING TO INCLUDE MECHANICAL, ELECTRICAL, AND PLUMBING SYSTEMS. SPRINKLER MODIFICATIONS TO BE BY SEPARATE SUBMITTAL. NEW FOOD SERVICE SUBJECT TO REGULATIONS BY SAN FRANCISCO COUNTY DEPARTMENT OF HEALTH.

ROOM NUMBER

SITE MAP

SYMBOLS

34 Graham Street, San Francisco, CA

OC- OCCUPANCY SENSOR W- WIDTH WD- WOOD CT- CERAMIC TILE GLS- GLASS MBL- MARBLE CNT- CONCRETE AFF- ABOVE FINISH FLOORING CLG- CEILING

PROJECT DIRECTORY CLIENT/OWNER: NATIONAL GEOGRAPHIC DESIGNER : ATITHI PRAJAPATI 888 O"FARRELL STREET APT # E1008 SAN FRANCISCO, CA 94109 ATITHI326@GMAIL.COM

HEALTH DEPARTMENT NOTES

CONTRACTOR: BILL JONES ARCHITECTURE WARRIOR 123 COOKIE RD, SAN FRANCISCO CA 94109 INNERPEACE@WARRIOR.COM

1. THE FOOD FACILITY IS DISTRIBUTED BY AND PERMITTED BY THE CITY OF SAN FRANCISCO. 2. ALCOHOLIC BEVERAGES WILL BE SERVED AT THIS FACILITY. 3. THIS FOOD FACILITY IS NOT FULL SERVICE. 4. ALL OPENABLE WINDOWS, VENT OPENINGS MUST BE PROVIDED W/TIGHT FITTING SCREENS OF MIN. 16 MESH TO THE INCH. 5. ALL PLUMBING, ELECTRICAL & GAS LINES SHALL BE CONCEALED WITHIN THE BLDG. STRUCTURE ALL, LINES NOT CONCEALED TO BE SEACURED 6" OFF FLOOR & 3/4 FROM WALLS USING OFFSET BRACKETS. 6. EACH HAND SINK IS TO HAVE A COMBINATION FAUCET CAPABLE OF SUPPLYING WARM WATER FOR MIN, OF 10 SECONDS- SINK IN TO BE SUPPLIED W/HOT & COLD RUNNING WATER UNDER PRESSURE AND MUST HAVE A WALL MOUNTED SINGLE SERVICE TOWEL AND SOAP DESPENSER. 7. PRIOR TO INSTALLATION, A SAMPLE OF CEILING TILE IS TO BE SUBMITTED TO ENVIRONMENTAL HEALTH FOR APPROVAL.

SHEET INDEX A 100 A 101 A 101.1 A 102 A 102.1 A 103 A 103.1 A 104 A 104.1 A 105 A 105.1 A 105.2 A 105.3 A 105.4 A 105.5 A 106 A 106.1 A 107 A 107.1 A 107.2 A 108 A 108.1 A 109

-COVER PAGE -FLOOR PLAN LEVEL 1 -FLOOR PLAN LEVEL 2 -EGRESS PLAN LEVEL 1 -EGRESS PLAN LEVEL 2 -FLOOR FINISH PLAN LEVEL 1 -FLOOR FINISH PLAN LEVEL 2 -FURNITURE FINISH PLAN LEVEL 1 -FURNITURE FINISH PLAN LEVEL 2 -RCP (CEILING) LEVEL 1 -RCP (LIGHTING) LEVEL 1 -RCP (ELECTRICAL) LEVEL 1 -RCP (CEILING) LEVEL 2 -RCP (LIGHTING) LEVEL 2 -RCP (ELECTRICAL) LEVEL 2 -POWER/DATA PLAN LEVEL 1 -POWER/DATA PLAN LEVEL 2 -ELEVATIONS LEVEL 1 - EXHIBITION -ELEVATIONS LEVEL 2 - LARGE CONF. ROOM -ELEVATIONS LEVEL 2 - OPEN WORKSPACE -ENLARGED ADA -ENLARGED ADA - ELEVATIONS -DETAILS

NATIONAL GEOGRAPHIC CENTER

COVER SHEET

A100 Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date Scale

WALL LEGEND 3" PARTITION WALL 99' - 8"

FREE STANDING WALLS

3" GLASS WALL

7 FEET TALL BLOCK

6" WALL

1 12" 2-HOUR RATED WALL EXHIBITION 101

3.1 3-

23' - 8"

21' - 3 1/2"

22' - 4"

22' - 6 1/2"

2020 SF

34 Graham Street, San Francisco, CA

1 A107.2 2 A107.1 4.1 4

0' - 9"

3' - 8"

7' - 0"

A109.1 0'2- 9"

3' - 8"

3' -1 8"

8' - 0 1/2"

5' - 8"

6' - 0"

0' - 9"

10' - 1 1/2"

2' - 6"

3' - 10"

8' - 4"

20' - 6"

24' - 11"

34' - 10 1/2"

11' - 10"

MEN'S RESTROOM 105

6' - 0"

145 SF

HALLWAY

18' - 1"

6' - 0"

0' - 9"

1' - 6" 1' - 6" 1' - 6"4' - 7 1/2"

5' - 5"

4' - 10"

5' - 5"

3' - 8"

3' - 6"

11' - 10"

0' - 4"

2' - 3"

6' - 0" 0' - 4"

3' - 6"

5' - 10"

STAIR A

11' - 10"

364 SF

7' - 9 1/2"

103 758 SF

6' - 6"

23' - 5"

226

100

110 11' - 2 1/2"

761 SF

STAIR B

1' - 6"

GIFT SHOP

531 SF

LOADING DOCK 107 304 SF

JANITOR 106 29 SF

NATIONAL GEOGRAPHIC CENTER

6' - 10"

108

26' - 10" 14' - 2"

16' - 9 1/2" 14' - 8"

CAFE 10' - 0 1/2"

2' - 6"

10' - 0"

35' - 8 1/2"

17' - 4 1/2"

109 454 SF

7' - 9 1/2"

3' - 0"

MULTIPURPOSE ROOM

25 SF

LOBBY

0' - 11"

10' - 4"

0' - 9"

11' - 7"

Room

11' - 7"

48 SF

5' - 7"

5' - 8"

102

ELEC PANEL

6' - 0"

ELEV

9' - 2"

3' - 6"

3' - 3"

4' - 3 1/2"

TELECOM

3' - 9"

1' - 7"

10' - 8"

0' - 9"

8' - 7"

9' - 3"

67' - 11"

CONSTRUCTION DOCUMENTS

44 ATITHI PRAJAPATI

4 5' - 3"

4' - 4 1/2" 2' - 0 1/2" 4' - 1 1/2"

1st Floor Plan 3/16" = 1'-0"

FLOOR PLAN LEVEL 1

A101 Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

WALL LEGEND 3" PARTITION WALL

SENIOR EDITOR

202

CORRIDOR 216

5' - 7"

MEN'S RESTROOM

1' - 9"

2' - 4"

219

15' - 9"

9' - 11"

9' - 8"

10' - 8"

17' - 9"

6' - 1"

STAIR B

JANITORS CLOSET

OPEN BAR PRIVATE ROOM

210 144 SF

209 87 SF

208

12' - 9"

157 SF

13' - 0"

211 252 SF 15' - 9 1/2"

138 SF

212

14' - 11"

14' - 6"

14' - 3 1/2"

204 SF

HUDDLE ROOM PRIVATE MEETING ROOM

213 139 SF

214

24' - 4"

793 SF

5' - 0"

15' - 3"

8' - 3" 13' - 9"

215

23' - 0"

17' - 7"

8' - 2"

CORRIDOR

HUMAN RESOURCE CONTROLLER

206 535 SF

12' - 9"

2' - 8"

5' - 0"

1 2

BREAKROOM/KITCHEN

82 SF

217

REGIONAL MANAGER

2' - 8"

6' - 8"

7' - 0"

1' - 4"

11' - 8"

18' - 5 1/2"

STAIR A

1' - 6"

3' - 5"

10' - 10"

376 SF

10' - 10"

8' - 5"

200

207 1156 SF

1' - 5"

5' - 8"

21 SF 5' - 11"

OPEN WORKSPACE

1' - 8"

5' - 0"

23' - 8"

11' - 2"

17' - 7 1/2"

RECEPTION AREA

76 SF 4' - 2"

6' - 1"

12" 2-HOUR RATED WALL

8' - 2"

218

220

ELEC 44 SF PANEL Room

29' - 6"

23' - 10"

6' - 0"

3' - 9"

ELEV

6" WALL

1' - 6"

1' - 10 1/2"

WOMEN'S RESTROOM 11' - 2"

17' - 6 1/2"

440 SF

TELECOM

12' - 0"

5' - 11 1/2"

205 158 SF

2' - 0"

SENIOR WEB DESIGNER

204 169 SF 5' - 6"

19' - 11 1/2"

156 SF 5' - 6"

5' - 0"

3' - 2"

6' - 2"

2 A107.3 4

ART DIRECTOR

203

146 SF

3 -

3' - 0"

201

15' - 0"

MARKETING DIRECTOR

446 SF

10' - 8"

14' - 8"

14' - 2"

LARGE CONFERENCE ROOM

11' - 10"

3" GLASS WALL

34 Graham Street, San Francisco, CA

11' - 2"

15' - 10"

10' - 10 1/2" 13' - 11"

19' - 6"

25' - 3 1/2"

2' - 10"2' - 2"

3' - 8"

5' - 5"

55 SF

NATIONAL GEOGRAPHIC CENTER

10' - 10" 8' - 0"

5' - 0"

FLOOR PLAN LEVEL 2

A101.1

2nd Floor Plan 2 3/16" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

3/16" = 1'-0"

Scale

EGRESS LEGEND B

EXIT ACCESS

EXIT

EXIT DISCHARGE

EXHIBITION 101 2020 SF 3.1 3-

DISTANCE BETWEEN EXITS

1 A107.2 2 A107.1 4.1 4

dia go na ld "im R

226

25 SF

LOBBY 100

PATH OF EGRESS

2 A109.1 4

en sio 1 no f th eb uil din g

MULTIPURPOSE ROOM

100 SF.

CLEARANCES DOORMAT

103

364 SF (dia DNgon al

STAIR A

dimension

of two exit

doors

" -6

MAX. DIMENSION OF BUILDING

34 Graham Street, San Francisco, CA

ELEVELEC Room PANEL

ma xim

2' -

TELECOM

102

48 SF

11 5S F.

TELECOM

758 SF

MEN'S RESTROOM 105 145 SF

CLEARANCES WHEELCHAIR STAND

HALLWAY 110 761 SF

GIFT SHOP 109 454 SF

STAIR B

CAFE 108 531 SF

LOADING DOCK

CLEARANCES 5 FEET CIRCLE

107 304 SF

JANITOR 106 29 SF

NATIONAL GEOGRAPHIC CENTER

EGRESS PLAN LEVEL 1

A102

1st Floor Code Analysis 3/16" = 1'-0" Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

46 ATITHI PRAJAPATI

EGRESS LEGEND B

EXIT ACCESS

LARGE CONFERENCE ROOM

EXIT

201

EXIT DISCHARGE

MARKETING DIRECTOR 202 146 SF

3 -

SENIOR WEB DESIGNER

SENIOR EDITOR ART DIRECTOR

2 A107.3 4 1

203

204

156 SF

169 SF

205

DISTANCE BETWEEN EXITS

OPEN WORKSPACE

158 SF

CORRIDOR

207

216

1156 SF

6" 2' -

TELECOM 220

ELEV ELEC44 SF PANEL

200 376 SF

3' - 5"

BREAKROOM/KITCHEN 206

xim

5'MEN'S - 4" RESTROOM

2' -

82 SF

ension

of two

CORRIDOR

535 SF

219

2' -

71 SF (diago STAIR A nal dim

PATH OF EGRESS

218

11 5'76- 8"SF 5S F. ma

4' - 2"

RECEPTION AREA

dia go na ld

exit do o

217

215 204 SF

HUMAN PRIVATE RESOURCE MEETING ROOM

CONTROLLER 214 138 SF

213

212

139 SF

157 SF

im en si o no f th

211

CLEARANCES DOORMAT

HUDDLE ROOM 252 SF

1 2

793 SF

REGIONAL MANAGER

MAX. DIMENSION OF BUILDING

WOMEN'S RESTROOM

TELECOM

440 SF

34 Graham Street, San Francisco, CA

446 SF

uil din g

STAIR B

OPEN BAR 210

CLEARANCES WHEELCHAIR STAND

CLEARANCES 5 FEET CIRCLE

PRIVATE ROOMJANITORS CLOSET 209 208 87 SF 55 SF

144 SF

NATIONAL GEOGRAPHIC CENTER

EGRESS PLAN LEVEL 2

2nd Floor Code Analysis 3/16" = 1'-0"

A102.1 Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

3/16" = 1'-0"

Scale

FLOOR FINISH LEGEND

RECLAIMED WOOD FLOORING

CON

FLYASH CONCRETE

CPT

SHAW CARPET TILE

1 P1

CON CON 3.1 3-

101

4.1 4

2020 SF

P1 P1

CON

TELECOM

48 SF

ELEV

ELEC PANEL Room

TELECOM

102

CPT

2 A109.1 4

226

CON

STAIR A

MEN'S RESTROOM

105

CON

145 SF

CPT

CON

FIRECLAY TILE : WHITE CLAY ULTRA CREAM

758 SF

364 SF P1

PRATT & LARSON TILE: GREY, NAVY BLUE, BLUE, WHITE, DARK GREY

103

100

BENJAMIN MOORE NATURA PAINT: PEARL RIVER 871 SEMI-GLOSS

MULTIPURPOSE ROOM

CON

25 SF

LOBBY

CON

34 Graham Street, San Francisco, CA

WALL LEGEND

EXHIBITION

1 A107.2 2 A107.1 -

HALLWAY

CON

110

CON

761 SF

STAIR B

GIFT SHOP

109 454 SF

LOADING DOCK

107

CON

304 SF

CAFE 108

531 SF P1

CON P1

CON

NATIONAL GEOGRAPHIC CENTER

JANITOR 106 29 SF

FLOOR FINISH PLAN LEVEL 1

A103

1st Floor Finish 3/16" = 1'-0" Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

FLOOR FINISH LEGEND

LARGE CONFERENCE ROOM

RECLAIMED WOOD FLOORING

CON

FLYASH CONCRETE

CPT

SHAW CARPET TILE

201 446 SF

203

146 SF

CPT

440 SF

CPT RECEPTION AREA 200

158 SF

OPEN WORKSPACE

WALL LEGEND

CPT

207 1156 SF

2 P1

218

220

ELEC 44 SF PANEL

WC1

CPT

WOMEN'S RESTROOM

TELECOM

ELEV

205

169 SF

CORRIDOR 216

SENIOR WEB DESIGNER

204

156 SF

2 A107.3 4

ART DIRECTOR

76 SF

CON

376 SF 4

1 2

CON

CPT

BREAKROOM/KITCHEN 535 SF

CPT

219 82 SF WC2

CPT

CORRIDOR

CPT

217

BENJAMIN MOORE NATURA PAINT: PEARL RIVER 871 SEMI-GLOSS PRATT & LARSON TILE: GREY, NAVY BLUE, BLUE, WHITE, DARK GREY FIRECLAY TILE : WHITE CLAY ULTRA CREAM

WC1

TRIKES WITE AWAY -WA-MG-01

WC2

MDC WALL COVERING

WC3

TRIKES VERSA TAPESTRY TYPE 2

206

CON

MEN'S RESTROOM

STAIR A

34 Graham Street, San Francisco, CA

WC2

SENIOR EDITOR

202

WC1

MARKETING DIRECTOR

CPT

793 SF

213

212

139 SF

157 SF

211

210

252 SF

144 SF

WC3

JANITORS CLOSET

WC1

PRIVATE ROOM

208

209

55 SF

STAIR B

87 SF

NATIONAL GEOGRAPHIC CENTER

WC1

OPEN BAR

HUDDLE ROOM

WC1

CPT

CON

HUMAN PRIVATE RESOURCE MEETING ROOM

REGIONAL CONTROLLER MANAGER 214 215 138 SF 204 SF

FLOOR FINISH PLAN LEVEL 2

A103.1

2nd Floor Finish 3/16" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

3/16" = 1'-0"

Scale

FURNITURE LEGEND CUSTOM MADE TABLE BY ANDREU WORLD

100

E 101

1 ALL SMALL CHAIRS IN THIS AREA IS #104

102

ENU ROUND TABLE BY STEELCASE

103

WASHINGTON COLLECTION BY KNOLL CHAIR

104

BUOY CHAIR STEELCASE

105

STEELCASE HEXAGON TABLE

EXHIBITION 101 2020 SF 3.1 31 A107.2 2 A107.1 -

ZESTY CHAIR BY BALTIC CUSTOM RECEPTION DESK ERIC BRAND

104

4.1 4

TELECOM

102 101

ELEV

ELEC PANEL

2 A109.1 4

48 SF

100

Room 226

MULTIPURPOSE ROOM

25 SF

LOBBY

103

100

758 SF

364 SF

STAIR A

34 Graham Street, San Francisco, CA

MEN'S RESTROOM

ALL CHAIRS IN MULTIPURPOSE ROOM IS #100

100

105 145 SF

3 HALLWAY

OPEN BAR SEATING

110 761 SF

GIFT SHOP 105

454 SF

STAIR B

ALL CHAIRS EXCEPT THE BAR CHAIRS ARE #103

109

LOADING DOCK

105 102

107

102

105

CAFE 102 102

103

304 SF

108 102 102

531 SF

JANITOR 106 29 SF

NATIONAL GEOGRAPHIC CENTER

FURNITURE PLAN LEVEL 1

N 1

1st Floor Furniture plan 3/16" = 1'-0"

A104 Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

48 ATITHI PRAJAPATI

FURNITURE LEGEND

LARGE CONFERENCE ROOM

201

SENIOR EDITOR

202

200

146 SF

2 A107.3 4

ART DIRECTOR

203

204

156 SF

169 SF

205

WASHINGTON COLLECTION BY KNOLL CHAIR

203

TEKNION VIGNETTE ROUND SEAT

ELEV

205

IKEA FLOOR SHELF

207 ALL CHAIRS IN BREAK ROOM ARE #202

WOMEN'S RESTROOM 218

202

4' - 2"

205

209

76 SF

44 SF

2 205

RECEPTION AREA

209

200 376 SF

3' - 5"

5' - 4"

STEELCASE OCCASIONAL TABLES

207

GEM SIDE TABLE BY DEBRA

208

GEM SIDE TABLE BY DEBRA

209

STEELCASE ENEA ROUND TABLE

210

TEKNION VIGNETTE ROUND SOFA

211

OFFICE DESK FROM RH

204

206

5' - 8"

STEELCASE AKIRA ADJUSTABLE TABLE

206

204

1156 SF

220

ELEC PANEL

205

OPEN WORKSPACE

TELECOM

203

205

204

WC1

216

208

205

158 SF

CORRIDOR

204

204 205

SENIOR WEB DESIGNER

440 SF

208

202

204

201

211

200

201

WC1

MARKETING DIRECTOR

203

HERMAN MILLER SAYL CHAIR: CHROME FINISH/COLORS BLACK & GREY

211

446 SF

M348 MEELANO OFFICE CHAIR

201

1 201

201

ALL CHAIRS CONF. RM ARE #200

200

34 Graham Street, San Francisco, CA

CUSTOM CONF. TABLE BY STEELCASE

BREAKROOM/KITCHEN

204

206 206

535 SF

MEN'S RESTROOM

STAIR A 203

203

205

209

219

205

82 SF CUSTOM MADE TABLE BY RH

203

CORRIDOR 217 793 SF

REGIONAL MANAGER 215 204 SF

PRIVATE MEETING ROOM

HUMAN RESOURCE

CONTROLLER 214

213

138 SF

139 SF

200

212 157 SF

203

201

203

PRIVATE ROOM

208

209

55 SF

OPEN BAR

ALL CHAIRS IN THE HUDDLE RM ARE #200

210

211

201

NATIONAL GEOGRAPHIC CENTER

87 SF

210

207

144 SF

201

STAIR B

JANITORS CLOSET

211 252 SF

211

203

HUDDLE ROOM

203

4 CUSTOM MADE HUDDLE TABLE BY STEELCASE

FURNITURE PLAN LEVEL 2

A104.1

2nd Floor Furniture Plan 3/16" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

3/16" = 1'-0"

Scale

HEXAGON MIRRORS HUNG ON THE CEILING 10' AFF. FACING DOWN

CUSTOM LIGHT FRAME BOX

2' - 6" 2' - 6"

0" 0" 3' -

ARMSTRONG ACOUSTICAL CEILING

2' - 6" 1' - 6"

0' - 11" 3' - 10"

0" 3' -

0' - 11"

2' - 7"

6" 0"

0' 3' -

0' - 6"

FRAME BOXES LIGHT HUNG 10' AFF. ON THE CEILING FACING DOWN

CUSTOM LIGHT FIXTURE

3' - 6 1/2"

34 Graham Street, San Francisco, CA

GYPSUM BOARD CEILING

3' - 2 1/2"

0' - 8" 0' - 9"

EXIT

0' - 9"

7' - 4 1/2"

0' - 8"

ARMSTRONG CEILING

0' - 8" 0' - 9"

CUSTOM SUSPENDED MIRROR

3' -

5' - 4"

GYPSUM BOARD IN RESTROOMS 2 A109.110' 4 A.F.F.

2' - 9 1/2"

CUSTOM MADE CEILING LIGHT FIXTURE

0' - 4"

5' - 4"

0' - 6"

3' 3' -

4.1 4

0' -

1 A107.2 2 A107.1 -

0' -

0" 3' 0' -

3.1 3-

E 0' - 4"

0' -

3' -

0' - 6"

CEILING LEGEND

SPOT LIGHT INSTALLED FOR THE PHOTOGRAPHY

2' - 0"

2020 SF

0' - 6"

3' -

101

3' -

EXHIBITION

MULTIPURPOSE ROOM

GYPSUM BOARD IN RESTROOMS 10' A.F.F. MEN'S RESTROOM

LOBBY 100

103 758 SF

105

364 SF 3' - 4"

145 SF

ARMSTRONG METALWORK S CEILING 12' AFF.

3 HALLWAY 110 761 SF

GIFT SHOP 109 454 SF

LOADING DOCK 107

CAFE

304 SF

108

JANITOR

531 SF

106 29 SF

2X2 ACOUSTICAL TILE 10' A.F.F.

GYPSUM BOARD IN CAFE 10' A.F.F.

NATIONAL GEOGRAPHIC CENTER

2X2 ACOUSTICAL TILE 10' A.F.F.

RCP (CEILING) LEVEL 1

N 1

1st Floor CEILING 3/16" = 1'-0"

A105 Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

1' - 0" 3' - 0 1/2"

3' - 0"

1' - 5 1/2"

LOBBY

4' - 0"

105 3' - 6"

145 SF

4' - 8"

GIFT SHOP 109

10' - 10"

2' - 7 1/2" 4' - 0 1/2" 4' - 0"

3' - 11"

0' - 11"

1' - 6"

0' - 11" 3' - 10"

4' - 7"

4' - 11" 4' - 1"

4' - 6"

8) CUSTOM LIGHT FIXTURE IN THE RECEPTION AREA IS TO BE INSTALLED WITH THE INSTRUCTIONS GIVEN THROUGH THE VENDER AND CONTRACTOR.

4' - 0"

9) ALL LIGHTS ARE TO BE INSTALLED WITH THE APPROVAL OF THE CONTRACTOR AND DESIGNER.

0' - 4 1/2" 3' - 0"

6) LIGHTS INSTALLED NEXT THE HEXAGON MIRRORS ARE TO E FOLLOWED WITH THE GIVEN DIMENSIONS. 7) THE LIGHT FRAME BOX ARE TO BE IN STALLED WITH 11" APPART HORIZONTALLY AND 4" APPART VERTCALLY.

4' - 6"

1' - 6"

4' - 6"

LIGHTING SYMBOLS

4' - 6"

2' - 11"

3' - 4"

100 364 SF

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

2' - 0"

4' - 0"

2' - 0"

1' - 4" 1' - 4 1/2"

MEN'S 1' - 6" 1' - 6 1/2"RESTROOM

2' - 6"

3) ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PROVIDED. 4) CONTRACTOR TO NOTICE OWNER PRIOR TO INSTALLING BOXES FOR ALL RECESSED/SURFACE-MOUNTED FIXTURES, SWITCHES, POWER/DATA/PHONE OUTLETS. ALL LOCALTIONS TO BE VERTIFIED AND DETERMINED IN FEILD BY A "WALK-THROUGH" WITH OWNER AND ARCHITECT.

5' - 4 1/2"

2' - 10"

2' - 0" 3' - 4"

2' - 0"

4' - 0"

3' - 0 1/2"

0' - 9"

3' - 6"

0' - 8"

2' - 0"

3' - 6"

0' - 9"

2' - 0"

3' - 4"

7' - 4 1/2"

0' - 8"

3' - 2 1/2"

4' - 0"

2' - 8 1/2"

0' - 9"

5' - 9"

0' - 11"

4' - 0"

EQ EQ

2' - 8" 2' - 8" 2' - 8" 2' - 8" 2' - 8" 2' - 8"

4' - 8"

5' - 4"

2' - 11"

4' - 8"

5' - 4"

4' - 8"

3' - 5"

3' - 5" 8' - 7"

12' - 8"

1' - 6" 2' - 8" 2' - 8" 2' - 8" 2' - 8" 2' - 8" 2' - 8"

4' - 6"

0' - 8"

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

FLUORESCENT TUBE LIGHT

2 X 4 FLUORESCENT LIGHT

4' - 8"

HALLWAY

4' - 0"

110

454 SF

RECESSED LIGHTING

4' - 0"

761 SF

4' - 2"

107 304 SF

EXIT SIGN

4' - 0"

LOADING DOCK

108

3 WAY WALL WASHER LIGHT

2' - 6"

JANITOR 106 29 SF

1' - 2"

3' - 9"

531 SF

3' - 0" 3' - 0"

4' - 0"

7' - 8 1/2"

CAFE

3' - 6 1/2"

5' - 10"

3' - 6"

1' - 5 1/2" 2' - 9" 4' - 4 1/2"

1' - 112'1/2" - 5 1/2" 4' - 10 1/2"

4' - 0"

RECESSED SPOT LIGHT 2' - 0"

4' - 0" 3' - 8"

2' - 0"

34 Graham Street, San Francisco, CA

2' - 9 1/2"

2' - 8" 2' - 8"

4' - 0" 1' - 8"

102

48 SF

2' - 8"

2' - 8" 2' - 8" 2' - 8" 2' - 8" 2' - 8"

4' - 3"

4' - 7"

8' - 7"

14' - 0"

5' - 6"

8' - 4"

4' - 1"

7' - 4"

6' - 8"

13' - 6" 3' - 2 1/2"

3' - 6 1/2"

TELECOM

0' - 4"

2' - 6" 2' - 6"

7' - 7" 1' - 11" 4' - 8"

1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

E 0' - 4"

1' - 9"

3' - 2"

3' - 9"

4.1

1' - 11"

1' - 10"

16' - 11"

4' - 4" 4' - 2"

7' - 10"

6' - 0"

2020 SF

A107.1 A107.2 -

4' - 1"

7' - 4" 4' - 6"

10' - 11"

13' - 11"

5' - 8" 6' - 0"

EXHIBITION 101

3.1 3

1' - 8" 2' - 2"

8' - 4"

1' - 5"

3' - 8"

7' - 11"

B 1' - 10"

ELECTRICAL/LIGHTING CEILING PLAN NOTES

2' - 2"

1' - 8"

0' - 11"

1' - 9"

NATIONAL GEOGRAPHIC CENTER

PENDANT LIGHT

8' - 0"

2' - 5"

11' - 0"

RCP (LIGHTING) LEVEL 1

A105.1

1st Floor LIGHTING 3/16" = 1'-0"

Drawn By Checked By IAD 440.01 Date

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

Scale

ELECTRICAL/REFLECTED CEILING PLAN NOTES B

1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

HEXAGON MIRRORS HUNG ON THE CEILING 10' AFF. FACING DOWN

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

F/A

4) CONTRACTOR TO NOTICE OWNER PRIOR TO INSTALLING BOXES FOR ALL RECESSED/SURFACE-MOUNTED FIXTURES, SWITCHES, POWER/DATA/PHONE OUTLETS. ALL LOCALTIONS TO BE VERTIFIED AND DETERMINED IN FEILD BY A "WALK-THROUGH" WITH OWNER AND ARCHITECT.

F/A

3.1 3 A107.1 A107.2 4.1

F/A F/A S

SSS S

SSS

F/A

CUSTOM MADE CEILING LIGHT FIXTURE

3) ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PROVIDED.

FRAME BOX LIGHT HUNG 10' AFF. ON THE CEILING 2 FACING DOWN

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

34 Graham Street, San Francisco, CA

SPOT LIGHT INSTALLED FOR THE PHOTOGRAPHY

ELECTRICAL SYMBOLS

EXIT

F/A

FIRE ALARM

EXIT

F/A

EXIT

FLOURECENT TUBE LIGHT INSTALLED IN THE CEILING 12' AFF.

F/A

F/A F/A

EXIT

HVAC RETURN

HVAC SUPPLY

F/A SSS

S F/A

EXIT

F/A

AUDIBLE HORN VISUAL STROBE LIGHT

EXIT

F/A

SPRINKLER

S S

EMERGENCY LIGHT F/A

EXIT SIGN F/A F/A

NATIONAL GEOGRAPHIC CENTER

N 3

1st Floor ELECTRICAL 3/16" = 1'-0"

RCP (ELECTRICAL) LEVEL 1

A105.2 Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

50 ATITHI PRAJAPATI

CEILING LEGEND B

ARMSTRONG WOOD CEILING TILE 11' AFF

ARMSTRONG ACOUSITCAL TILE

ARMSTRON G ACOUSTICA L TILE 12' AFF

1 ARMSTRONG METALWORKS TILE

10' - 5"

1' -

14' - 8"

DROP CEILING 9' AFF GYP.

CUSTOM HEXAGON CEILING DESIGN 8' AFF.

3 -

2 A107.3 4

GYP BOARD

1/2"

7' - 8"

10' -

-1

1/2"

GYP BOARD 10' AFF

6' - 0

ARMSTRONG WOODWORKS TILE

6' - 6

EXIT

CUSTOM HEXAGON PANEL

4 1/ 2"

6' -

5' - 9 1/2"

3 4

1/2"

11' - 8"

-1

6' -

' 10

2' -

" 1/2

CUSTOM MADE ARMSTRO NG CEILING 11' AFF CUSTOM MADE ARMSTRO NG CEILING 9' AFF

10' -

34 Graham Street, San Francisco, CA

1' -

2' - 8

ARMSTRONG METALWORKS CEILING 10' AFF

CUSTOM ARMSTRONG PANEL

ARMSTRON G ACOUSTICA L TILE 10' AFF

NATIONAL GEOGRAPHIC CENTER

ARMSTRON G METAL WORKS CEILING 10' AFF.

2nd Floor CEILING 3/16" = 1'-0"

RCP (CEILING) LEVEL 2

A105.3 Drawn By Checked By IAD 440.01 Date

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

Scale

1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

0' - 6"

8' - 3"

9' - 2"

11' - 4" 9' - 0"

11' - 4" 8' - 7"

8' - 1" 11' - 5"

3' - 6"

3' - 3 1/2"

7' - 4" 10' - 5"

5' - 0"

6' - 9"

5' - 0"

6' - 10"

2' - 9"

2' - 5"

2' - 9" 2' - 3"

3' - 1"

3' - 2 1/2" 3' - 3 1/2" 5' - 0"

0' - 10" 3' - 3"

7' - 4"

6' - 5"

3' - 3 1/2"

7' - 8"

2' - 4"

6' - 10"

5' - 0"

4' - 10"

8' - 4"

2' - 4"

5' - 3"

2' - 5" 2' - 4"

9' - 0"

2' - 0"

14' - 8" 5' - 0" 5' - 0"

10' - 5"

2' - 4"

3' - 2 1/2" 3' - 3 1/2"

2' - 10"

3' - 2 1/2" 3' - 3 1/2"

F/A

4' - 7" 2' - 6" 2' - 7"1' - 9"

2 1' - 10"

13' - 3 1/2"

2' - 0"2' - 5"

11' - 10 1/2"

5' - 10"

14' - 1" 11' - 10 1/2"

1' - 5"

14' - 1 1/2"

16' - 6 1/2"

8' - 6"

F/A 8' - 6"

8' - 6"

3' - 1 1/2"

1' - 1"

2' - 11"

8' - 6"

3' - 9"

6' - 11 1/2"

4' - 9"

FLOURECENT TUBE LIGHT

RECESSED SPOT LIGHT 5' - 3 1/2"

EXIT SIGN

2' - 5"

6' - 1"

9' - 3"

10' - 0" 5' - 7"

3' - 0"

10' - 0" 3' - 4"

3' - 2 1/2" 3' - 3 1/2"

5' - 7"

3' - 0"

1' - 4"

10' - 4" 2' - 4"

5' - 7"

2' - 7"

10' - 0"

3' - 3"

3' - 5"

7' - 8"

4' - 0"

3' - 5"

3' - 1"

4' - 10"

5' - 10"

6' - 5" 2' - 3"

LIGHTING FICTURES

RECESSED LIGHTING

2' - 0"

10' - 0"

ELECTRICAL SYMBOLS

2 X 4 FLOURECENT LIGHT

3' - 4"

3' - 1"

7) CONFIRMED WITH THE CONTRACTOR FOR THE LIGHTS INSTALLED IN THE OPENWORK AREA.

20' - 11"

2' - 6 1/2" 8' - 6"

6) ALL LIGHTS INSTALLED WILL BE ENERGY EFFICIENT.

8) FOUR DIFFEERENT TYPES OF LIGHTS ARE GOING TO BE INSTALLED IN THE CONF. ROOM. SEE FLOOR PLAN FOR DETAILS.

12' - 7 1/2"

5' - 5"

4' - 11"

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

5' - 0"

1' - 11"

3' - 10" 4' - 6"

5' - 0 1/2"

6' - 9"

7' - 9"

5' - 8"

3' - 5"

7' - 6 1/2"

2' - 2 1/2"

4' - 1"

3' - 9"

8' - 6"

14' - 5 1/2"

5' - 0"

10' - 7 1/2"

8' - 6"

14' - 7 1/2"

7' - 5"

4' - 4"

8' - 6"

12' - 8"

5' - 8"

25' - 6"

8' - 6"

4' - 0"

4' - 11"

8' - 6"

4' - 7" 3' - 9"

3' - 6"

8' - 6"

5' - 0"

4' - 1"

8' - 6" 3' - 3"

10' - 0"

8' - 6"

F/A

9' - 1"

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

34 Graham Street, San Francisco, CA

1' - 5"

1' - 1"

4' - 2"

RECESSED LIGHTS INSTALLED IN THE DROP CEILING 8' AFF

PENDANT LIGHT INSTALLED AT THE CENTER OF THE DROP CEILING

3' - 2"

2' - 0"

ELECTRICAL/REFLECTED CEILING PLAN NOTES

ALL RECESSED LIGHTS TO BE INTALLED BETWEEN THE HEXAGON METAL SCREEN

TUBE LIGHTS INSTALLED ALL AROUND THE EGDE OF THE ABOVE CENTERED DROP CEILING

PRIVATE OFFICE PENDENT LIGHT

NATIONAL GEOGRAPHIC CENTER

PENDANT LIGHT

2' - 6"

RCP (LIGHTING) LEVEL 2

A105.4

2nd Floor LIGHTING 3/16" = 1'-0" Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

ELECTRICAL/REFLECTED CEILING PLAN NOTES 1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

2' - 4"

3"3'

5' - 0"

6' - 9"

5' - 0"

6' - 10"

2' - 9"

6" 1' -

F/A

7' - 4"

F/A

- 2 1/2" 3' - 3 1/2"

XIT 3E

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

3' - 2 1/2" 3' - 3 1/2"

8' - 6" 3' - 3"

EXIT

5' - 0 1/2"

5' - 0"

4' - 6"

F/A

3' - 5"

2' - 11"

8' - 6"

F/A

8' - 6"

F/A

EXIT

F/A

8' - 6"

ELECTRICAL SYMBOLS

8' - 6"

FIRE ALARM HVAC RETURN

1 2

HVAC SUPPLY

AUDIBLE HORN

F/A

20' - 11"

EXIT

8' - 6"

F/A

2' - 6 1/2" 8' - 6"

5' - 0"

5' - 10"

3' - 9"

5' - 8"

4' - 1"

5' - 5"

2' - 2 1/2"

7' - 6 1/2"

4' - 11"

8' - 6"

7' - 9"

F/A

7' - 5"

EXIT

8' - 6"

1' -

5' - 8"

F/A

8' - 6"

4' - 0"

6' - 9"

8' - 6"

4' - 7" 3' - 9"

3' - 6"

8' - 6"

5' - 0"

10' - 0"

8' - 6"

F/A

EXIT

4' - 7 1/2"

CUSTOM 8'HEXAGON - 6" CEILING DESIGN 8' AFF.

F/A

3' - 6"

3' - 3 1/2" 7' - 8"

6' - 10"

5' - 3" R

2 A107.3 4

9' - 1"

25' - 6"

3' - 3 1/2"

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

34 Graham Street, San Francisco, CA

5' - 0"

ARMSTRONG WOOD CEILING TILE 11' AFF

4' - 4"

F/A

7' - 5"

5' - 0"

4' - 10"

3' - 10"

2' - 0"

2' - 4"

3' - 2 1/2" 3' - 3 1/2"

8' - 4"

DROP CEILING 9' AFF GYP.

10' - 5"

6' - 5"

2' - 4"

9' - 0"

2' - 0"

14' - 8" 5' - 0" 5' - 0"

2' - 4"

2' - 5"

8' - 6"

VISUAL STROBE LIGHT

3' - 1 1/2"

SPRINKLER F/A

2' - 0"

EMERGENCY LIGHT

6' - 5" F/A

5' - 3 1/2"

EXIT SIGN

F/A

NATIONAL GEOGRAPHIC CENTER

17' - 8"

6' - 1"

5' - 7"

F/A

3' - 0"

5' - 7"

F/A

3' - 4"

6' - 11 1/2"

10' - 0"

3' - 2 1/2" 3' - 3 1/2"

F/A

2' - 4"

10' - 0"

2' - 7"

3' - 1"

3' - 3" F/A

5' - 7"

4' - 0"

7' - 8"

5' - 10"

10' - 4"

10' - 0"

1' - 4"

3' - 1"

2' - 6"

RCP (ELECTRICAL) LEVEL 2

A105.5

2nd Floor ELECTRICAL 3/16" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

3/16" = 1'-0"

Scale

ELECTRICAL/REFLECTED CEILING PLAN NOTES 1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

4.1 4

EXHIBITION 101 2020 SF

TELECOM 102

ESP

48" AFF DUPLEX POWER RECEPTACLE

GFC

LOBBY

MULTIPURPOSE ROOM

GFC

364 SF

STAIR A

ELECTRICAL SYMBOLS POWER RECEPTACLES

2 A109.1 4

ELEC PANEL

ELEV

48 SF

100

34 Graham Street, San Francisco, CA

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

3.1 31 A107.2 2 A107.1 -

103 758 SF

MEN'S RESTROOM

GFC

DUPLEX POWER RECEPTACLE W/ GROUND FAULT INTERRUPTOR CIRCUIT (WP= WATERPROOF)

105 145 SF

QUADRAPLEX POWER RECEPTACLE

HALLWAY 110

GARBAGE DISPOSAL GD

761 SF

109

STAIR B

454 SF

LOADING DOCK

ELECTRICAL SERVICE PANEL ESP

107

NATIONAL GEOGRAPHIC CENTER

304 SF SWITCH

GIFT SHOP

OCCUPANCY SENCER SWITCH

48" AFF

GFC

JANITOR

GFC

106 29 SF

48" AFF

COMMUNICATION/ DATA

POWER/DATA PLAN LEVEL 1 N

A106

COMBINATION TELE/DATA OUTLET

1st Floor Power/Signal Plan 1 3/16" = 1'-0"

Drawn By

Checked By CABLE T.V. OUTLET

IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/16" = 1'-0"

52 ATITHI PRAJAPATI

ELECTRICAL/REFLECTED CEILING PLAN NOTES B

1) ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

2) ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE IN STALLED ACCORDING TO THE MANUFACTURER RECOMMENDATIONS.

201

446 SF

MARKETING DIRECTOR

SENIOR EDITOR

202 3 -

156 SF

SENIOR WEB DESIGNER

ART DIRECTOR

203

146 SF

2 A107.3 4

204

205

169 SF

158 SF

CORRIDOR

207

216

1156 SF

440 SF

WOMEN'S RESTROOM

TELECOM

ESP ELEC PANEL

5) OUTLETS IN KITCHENS, TOILET ROOMS, LAUNDRY AND ANY OTHER "WET" AREAS, SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

OPEN WORKSPACE

ELEV

220

3) ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PROVIDED.

34 Graham Street, San Francisco, CA

9' - 7"

LARGE CONFERENCE ROOM

21848" AFF

44 SF

76 SF

5' - 8"

4' - 2"

POWER RECEPTACLES

GFC

RECEPTION AREA 376 SF

3' - 5" 5' - 4" 48" AFF

STAIR A

1 DUPLEX POWER RECEPTACLE

72" AFF GFC

MEN'S RESTROOM

GFC

219

206 535 SF

GFC

BREAKROOM/KITCHEN

48" AFF GFC

200

DUPLEX POWER RECEPTACLE W/ GROUND FAULT INTERRUPTOR CIRCUIT (WP= WATERPROOF)

GFC

82 SF

FLOOR MOUNT QUADRAPLEX POWER RECEPTACLE

CORRIDOR 217 793 SF GARBAGE DISPOSAL

STAIR B

OPEN BAR

212

HUDDLE ROOM

210

157 SF

211

144 SF

JANITORS PRIVATE ROOM CLOSET

252 SF

209

208

87 SF

55 SF

ELECTRICAL SERVICE PANEL ESP

GFC

PRIVATE MEETING ROOM

213 139 SF

SWITCH

HUMAN RESOURCE

REGIONAL CONTROLLER MANAGER 214 215 138 SF 204 SF

OCCUPANCY SENCER SWITCH

NATIONAL GEOGRAPHIC CENTER

COMMUNICATION/ DATA

2nd Floor Power/Signal Plan 3/16" = 1'-0"

POWER/DATA PLAN LEVEL 2

A106.1

COMBINATION TELE/DATA OUTLET

Atithi Prajapati Susan Author Checker

Drawn By

Checked By CABLE T.V. OUTLET

IAD 440.01 Date

3/16" = 1'-0"

Scale

---

DECORATIVE GLASS PANEL

34 Graham Street, San Francisco, CA

8' - 2"

3' - 11"

2' - 0"

Elevation Exhibition West Wall 1/2" = 1'-0" PICTURE FRAME BOX

---

MULTIPURPOSE ROOM

NATIONAL GEOGRAPHIC CENTER

4' - 0"

1' - 6"

0' - 4 1/2" 0' - 5 1/2"

0' - 4"

1st Floor Code Analysis

0' - 0"

0' - 5 1/2"

3' - 0"

6' - 0"

12' - 0"

LOBBY

ELEVATIONS LEVEL 1- EXHIBITION

A107 Drawn By Checked By IAD 440.01 Date

Elevation Exhibition East Wall 2 1/2" = 1'-0"

Scale

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

34 Graham Street, San Francisco, CA

2' - 0"

Elevation Exhibition North Wall Copy 1 1/2" = 1'-0"

---

NATIONAL GEOGRAPHIC CENTER

0' - 4 1/2"

2' - 1"

7' - 6"

10' - 0"

0' - 6"

BLIND SHADE FOR BLACKOUT

1st Floor Code Analysis

1' - 0"

ELEVATIONS LEVEL 1- EXHIBITION

1' - 0"

0' - 0"

0' - 8"

A107.1

1' - 5" Drawn By Checked By

Elevation Exhibition North Wall Copy 2 1/2" = 1'-0"

IAD 440.01 Date

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

Scale

---

PICTURE FRAME BOX

2' - 0"

SPOT LIGHTS

0' - 4 1/2"

0' - 0"

34 Graham Street, San Francisco, CA

1st Floor Code Analysis

0' - 5"

2' - 1"

7' - 0"

7' - 6"

10' - 0"

0' - 6"

12' - 0" Elevation Exhibition South Wall 1/2" = 1'-0"

B HEXAGON MIRROR PANELS

DECORATIVE GLASS PANEL

NATIONAL GEOGRAPHIC CENTER 7' - 0"

3.1

ELEVATIONS LEVEL 1- EXHIBITION

A107.2 Drawn By Checked By IAD 440.01

4.1

Elevation Exhibition South Wall Copy 1 1/2" = 1'-0"

Date Scale

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

54 ATITHI PRAJAPATI

16' - 0" 10' - 5"

0' - 8"

8' - 0"

3' - 11"

2' - 6"

1' - 0"

2' - 6"

0' - 4"

7' - 0"

8' - 0"

2' - 8"

3' - 11"

10' - 5"

GLASS PANEL WALL

10' - 0"

0' - 4"

1' - 9"

1' - 8"

ANGLED WALL

0' - 4 1/2"

1' - 8"

14' - 8"

2nd Floor 14' - 2"

1' - 5"

1' - 9"

Elevation Conf. South Wall 1/2" = 1'-0"

4' - 9"

Elevation Conf. West Wall 1/2" = 1'-0"

DROP CEILING

14' - 8"

10' - 5"

1' - 8" 10' - 0"

8' - 0"

NATIONAL GEOGRAPHIC CENTER

2' - 6"

12' - 0"

ANGLED

T.V. 8' - 0"

8' - 0"

10' - 0"

5' - 6"

1' - 8"

DROP CEILING

2nd Floor 14' - 2" 1' - 8"

2nd Floor 14' - 2"

1' - 5"

34 Graham Street, San Francisco, CA

DROP CEILING

3' - 11"

2nd Floor 14' - 2" 1' - 5"

1' - 10"

Elevation Conf. North Wall 1/2" = 1'-0"

4' - 10"

1' - 5"

ELEVATIONS LEVEL 2- LARGE CONF. RM

Elevation Conf. East Wall 1/2" = 1'-0"

A107.3 Drawn By Checked By IAD 440.01 Date

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

Scale

2 DIAMONDFLEX HEXAGON DECORATIVE CEILING PANELS

3' - 11"

2' - 0 1/2"

9' - 0"

2' - 11"

GLASS WALL PANEL

0' - 6"

3' - 0"

34 Graham Street, San Francisco, CA

6' - 1"

2' - 3 1/2"

2nd Floor 14' - 2"

Elevation Open Workspace East Wall 1/2" = 1'-0"

E GLASS WALL PANEL

DIAMONDFLEX HEXAGON DECORATIVE CEILING PANELS

MOTHERS ROOM

12' - 0"

5' - 1 1/2"

2' - 11"

3' - 0"

5' - 4 1/2"

6' - 1"

NATIONAL GEOGRAPHIC CENTER

2nd Floor 14' - 2"

ELEVATIONS LEVEL 2-OPEN WORKSPACE

A107.4

Drawn By Checked By

Elevation Open Workspace South Wall 2 1/2" = 1'-0"

IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

PRINTER STATION A

DIAMONDFLEX HEXAGON DECORATIVE CEILING PANELS

34 Graham Street, San Francisco, CA

2' - 4 1/2"

6' - 1"

9' - 0"

12' - 0"

2' - 11"

3' - 0"

5' - 7"

2nd Floor 14' - 2" 1' - 2"

Elevation Open Workspace North Wall 1/2" = 1'-0"

PRINTING STATION A

GLASS WALL PANEL

10' - 7 1/2"

12' - 0"

3' - 0"

OPEN BAR

NATIONAL GEOGRAPHIC CENTER

BREAKROOM BEHIND

3' - 6"

1' - 5 1/2"

3' - 6"

5' - 10"

5' - 8"

2nd Floor 14' - 2"

HALLWAY

ELEVATION LEVEL 2-OPEN WORKSPACE

A107.5

HALLWAY

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01

Elevation Open Workspace West Wall 4 1/2" = 1'-0"

Date

1/2" = 1'-0"

Scale

0' - 9"

0' - 11"

10' - 4"

7' - 0" 5' - 7"

5' - 8"

3 2 A109.1 4

0' - 9"

3' - 8"

34 Graham Street, San Francisco, CA

11' - 7"

0' - 9"

11' - 7"

0' - 9"

3' - 8" 6' - 6"

3' - 6"

2' - 3"

24' - 11"

23' - 5"

6' - 0"

8' - 0 1/2"

3' - 6"

6' - 0"

4' - 10"

11' - 10"

3' - 8"

1st Floor Plan Copy 1 1/2" = 1'-0"

6' - 0"

0' - 9"

2' - 6"

5' - 10"

0' - 9"

MEN'S RESTROOM 105 145 SF

NATIONAL GEOGRAPHIC CENTER

ENLARGED RESTROOMS LEVEL 1

A108

Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 1/2" = 1'-0"

56 ATITHI PRAJAPATI

2 WOMEN'S RESTROOM 218

5' - 8"

34 Graham Street, San Francisco, CA

4' - 2"

6' - 0"

6' - 1"

12' - 0"

11' - 2"

76 SF

3' - 5"

5' - 7"

11' - 8"

10' - 10"

5' - 11"

MEN'S RESTROOM 219 82 SF

NATIONAL GEOGRAPHIC CENTER

ENLARGED RESTROOM LEVEL 2

A108.1

2nd Floor Plan Copy 1 1/2" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

1/2" = 1'-0"

Scale

5' - 0"

4' - 0"

5' - 7"

3' - 0"

2' -

34 Graham Street, San Francisco, CA

5' - 4"

2 A109.1 4

2' -

2' - 6"

11' - 7"

4' - 6"

5' - 5"

3' - 9 1/2"

3' - 8"

6' - 0"

3' - 4 1/2" 16' - 7 1/2"

NATIONAL GEOGRAPHIC CENTER

8' - 0 1/2"

ENLARGED ADA

A109

1st Floor Enlarged ADA bathroom 3/4" = 1'-0" Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker 3/4" = 1'-0"

NATIONAL GEOGRAPHIC CENTER

MIRROR

8' - 0"

1' - 6"

3' - 0"

1' - 6"

3' - 0"

1' - 10" 2' - 6"

2' - 6"

1' - 4"

1st Floor Code Analysis

0' - 0"

Elevation ADA Restroom South Wall 1/2" = 1'-0"

34 Graham Street, San Francisco, CA

1' - 11" 0' - 5"

1st Floor Code Analysis

0' - 0"

0' - 0"2' - 3 1/2"

5' - 11 1/2" 2' - 10"

8' - 0"

DIAPER CHANGE STATION

Elevation ADA Restroom West Wall 1/2" = 1'-0"

2 PAPER TOWEL HOLDER

HAND DRYER

8' - 0"

1' - 9 1/2" 1st Floor Code Analysis

0' - 8"

1st Floor Code Analysis

0' - 0"

2' - 6 1/2"

0' - 6"

WATERFALL FAUCET

4' - 4"

8' - 0"

MIRROR

NATIONAL GEOGRAPHIC CENTER

0' - 0"

WALLMOUNTED TRASH BIN

ENLARGED ADAELEVATIONS Elevation ADA Restoom North Wall 1/2" = 1'-0"

A109.1

Elevation ADA Restroom East Wall 1/2" = 1'-0"

Atithi Prajapati Susan Author Checker

Drawn By Checked By IAD 440.01 Date

1/2" = 1'-0"

Scale

FACE OF EXISTING WALL

1" THICK STONESOURCE COUNTERTOP

CONCRETE ON FLUTED STEEL DECK

4' - 0"

34 Graham Street, San Francisco, CA

2x8 WOOD BASE

BANQUETTE SITTING 1 1/2" = 1'-0"

ATTACHED TO CEILING JOIST

0' - 1"

NATIONAL GEOGRAPHIC CENTER

0' - 1"

2" STEEL ROD

3' - 2"

PLYWOOD

0' - 2"

SUSPENDED HEXAGON MIRROR 1 1/2" = 1'-0"

0' - 1" 0' - 2"

DETAILS

0' - 1"

0' - 2"

FLEXIBLE SEALANT

STEEL J TRACKMECHANICALL Y FASTEN 24" O.C. MAX.

PAINTED WOOD EGDE

1" FIRESHIELD SHAFTLIN ER

0' - 0 1/2"

CT, CH, OR I STUDS 24" O.C.

2 HOUR RATED WALL 1/4" = 1'-0"

1' - 9"

5/8" FIRESHIELD GYPSUM BOARD

3" THICK CUSHION: UPHOLSTERY COVERINGOVER EXTRA FIRM SEAT FOAM

STEEL J TRACKMECHANIC ALLY FASTEN 24" O.C. MAX.

1' - 6"

TOP ROW OF FASTENERS

ELEVATOR SHAFT

2" THICK CUSHION: UPHOLSTERY COVERING OVER FIRM FOAM

1' - 1"

FLEXIBLE SEALANT

WOOD MAPLE VENEER PANEL

0' - 4"

MECHANIC ALLY FASTEN 2" X 2" 20 GA. ANGLE 24" O.C. MAX.

0' - 4"

UNSUPPORTED LENGTH

HORIZONTA L CONTROL JOINT 30'-0" O.C.

5'24" - 11MAX 1/2"

HEXAGON MIRROR

A110 Drawn By Checked By IAD 440.01 Date Scale

Atithi Prajapati Susan Author Checker As indicated

TWO

C o m m e r c i a l S P AC E

two

Modern Roots market/open kitchen/restaurant

CLIent

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Tony Riviera With more than 25 years of experience as one of the countries premiere restaurant concept developers and visionaries; restaurateur Tony Riviera boasts a strong mix of Executive Management, Marketing and Franchising Chain development skills. Riviera’s vision, talent and expertise position Primo Hospitality Group restaurants for success. Always the global thinker, Riviera plans to expand his restaurant concepts nationally and eventually worldwide. Riviera is no stranger to success. A seasoned entrepreneur and businessman, Riviera has always placed a high priority on charity involvement, at times hosting class field trips at his restaurants designed to teach students fundamental business skills. “I came from a very poor family and had to provide for myself from a very young age. I realize the struggles that are out there for underprivileged children. I think I’ve been fortunate as an adult, and I believe that you get what you give in life,” he says. Riviera’s future plans include an expansion of Primo Hospitality Group to include several new restaurant concepts both nationally and abroad, and a boutique hotel chain.

MODERN ROOTS FINE FOODS

3 Components Restaurant - Open for breakfast, lunch, happy hour, dinner - 50 people seating - Bar sitting Open Kitchen - 30 % of the space - Prepared Food - Pizza Oven -Walk in Refrigerator and storage Market -Addition space - Charcuterie - Gelato - Sushi Bar - Coffee bar + Bar - Minimum of 2 bathroom stall ( 1- A.D.A ) - Grocery Area -Shelve stands for produce display - 3-4 Cashiers and/or Check outs - Small Open office ( 1-2 people ) - Lockers

Over all the space needs to seem clean, sophisticated, modern & contemporary, have natural light, and be attractive that will give an impression to Fine Food.

PROGRAM

LOCATION

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Location: San Francisco Completion: February 2014 Contract: $92,088,000 Architect: Ankron Moisan, Ignition Architecture Owner: UDR. Inc. Market Hall that is located just under Channel eight-story apartment complex. It is located at Mission Bay Block 2 with holding brick exterior and commercial finished with curtain wall and metal framing siding. The property 455,000-sq.-ft has 315 unit rental complex that offers 10,000 sq. ft. of space to everything from locally sourced produce to sushi, and a 60-seat full-service restaurant will-feature pizza, pasta, oysters, and small plates. The huge space is designed by Chesmore Buck Architecture, with Jane Kim Design responsible for the interiors and the owner being Tony Riviera. Neighborhood History Mission Bay was a lagoon occupied by year-round tidal waters. Beginning of mid 1800s, Mission Bay was used as a convenient place to deposit refuse from building projects from the 1906 Earthquake. The area quickly became a industrial district and with the addiction of the railroad, Mission Bay became the home to Shipyards, canneries,and various warehouses. In 1998 the area was announced by the Board of Supervisors as a redevelopment project. It then rapidly evolved into a wealthy neighborhood of luxury condominiums, hospitals,and Biotechnology research and development.

MODERN ROOTS FINE FOODS

Whats near by?

Public Transportation

-Residential buildings -Hotels -Restaurants -Parks (AT&T) -UCSF -Hospital -Commercial Industries -Public Library -Public schools

- Caltrain -T & N Rail Line -UCSF Shuttles - Muni Buses- 10, 30, 45, 47 -BART

Mission Bay Demographics Population Total Population Male Population Female Population Median Age

Marital Status

3,915 2,115 1,800 32.75

Never Married Married Separated Widowed Divorced

1,529 794 104 140 72

$64,722 $113,356 $69,643 $34,062

Occupational Employment Household Income White Collar Blue Collar

- 1,401 - 568

Number of Households Total Households Family Households Non-Family Households Households with children Households without Children Average People Per Household

1,894 682 1,212 207 1,685 1.79

Education Statistics No High School Some High School Some College Associate Degree Bachelors Degree Graduate Degree

Median Median Median Median

Income Income Income Income

Under 25 25-44 45-64 Over 65

Average Weather Average in January Average in July Air Pollution index

- 51 degrees - 62 degrees - 88.00

Crime Rate -

122 78 296 99 933 1,400

Highest Crime Risk Lowest Crime Risk

- Automotive Theft - Rape Risk

site analysis

CONCEPT

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Roots Underground Veins All Connected Growth Support Absorbs Cylinder Visible/Invisible Wraps Life

MODERN ROOTS FINE FOODS

Modern Roots Root is a very straight forward term but when broken down,it reveals great features. Looking at a root of a vegetable or any plant, we can see the obvious characteristics but when its understood deeply, it can show us some great details. Such as veins; cylinder or pointed, which reflects to connection, growth and support which implies progress, wrapping and absorbing according to the surrounding environment and life, and underground that is invisible and yet visible when ripped out. When adding modern to roots will not only abstract the features but bring in a unique twist. The root is known as the oldest part of a plant, while modern is known as fresh, present, up-to-date, and latest which is the complete opposite. When combining these two concepts together, it will give birth to an unusual and creative design.

BRANDING

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MODERN ROOTS FINE FOODS

Milk Bottles

Wine Bottle

Food Box

Few Colors of Bottles

Snack Bags

Shopping Bags

BUBBLE/BLOCK DIAGRAM

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MODERN ROOTS FINE FOODS

Bubble Diagram # 1:

For the first bubble diagram I quickly just started placing the areas down on the paper and then coming up with the circulation.

Bubble Diagram # 2:

For my second bubble diagram I started thinking about the hours of the market and what will be open till late. I started placing the areas accordingly.

Bubble Diagram # 3:

By the third bubble diagram started I thinking about the function of the space and what should be adjacent. I realized that the open kitchen and the restaurant should be next to each other as it will make it easier for people to grab food from there and take a seat in the restaurant.

Final Bubble _________________ Bubble Diagram # 4:

At last, the fourth bubble diagram fit everything together well. The restaurant made sense to put it in the corner as it is going to be open till late. The open kitchen is right next to the restaurant so it makes it convenient for the customers. And the circulation fits well for my concept, modern roots.

SPACE PLANNING

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Phase 1

LEGEND bathrooms charcuterie checkout circulation coffee bar gelato bar juice bar lockers market office open kitchen & prepared food oyster & sushi bar restaurant stairs walk-in refrigerator wine bar

MODERN ROOTS FINE FOODS

Phase 2

The gelato bar has been moved in the restaurant and replaced it with an condiment area (as shown). The purpose of the gelato bar being in the restaurant is to attract the people to visit it when they are done with lunch/dinner.

The stairs are moved into the open kitchen from the restaurant.

The open kitchen is spread out to allow room for checkout and prepared food area.

The lockers and the offices are moved down to the restaurant to expand the open kitchen.

FLOOR PLAN

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The final floor plan came out to just how I visioned it. I wanted the design to have a twist of modern design and merged well with a bit of traditional. The floor plan communicates my concept with paying close attention to circulation and movement within the space. Taking a note that this is a high traffic space, each area is located at their respected areas for a reason. I decided to keep the market on the far south side because it is closer to the residence side. The coffee bar and juice bar is located near the entrance/exit doors for those quick shop. And finally the restaurant is located at the far north corner because it is going to be open till late and we donâ&#x20AC;&#x2122;t want the noise level to disappoint the neighbors and local residence. Overall I designed this space as if I was in the space; which helped me determine the layout.

MODERN ROOTS FINE FOODS

ENTRY

RESTROOMS GELATO BAR

OPEN KITCHEN OYSTER & SUSHI BAR

WALK-IN REF. WINE & CHARCUTERIE BAR PREPARED FOOD

ENTRY COFFEE BAR

MARKET

JUICE BAR

LOCKERS

OFFICE

ENTRY

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RESTAURANT DEVELOPMENT

ELEVATIONS

LIVING GREEN WALL

RESTROOMS OPEN KITCHEN BANQUETTE WITH SITTING W/ MOVABLE TABLE

This is the elevation of the living wall in the restaurant area. It is the one of the only walls that doesnâ&#x20AC;&#x2122;t have floor to ceiling windows. I used this wall to be the focal point when a person walks in. It holds the life; an element that relates to my concept, Modern Roots. The banquette is all wooden material. The two-top tables have marble tops and the chairs are black colored with copper finishes.

OPEN KITCHEN RESTROOMS

CHECKOUT AREA

WHITE MARBLE

This is the elevation of Gelato Bar which is also located in the restaurant. The reason why I chose to place the Gelato Bar in the restaurant is because dessert is something that falls after lunch or dinner and I want people to visit it right after their meal. To attract people even more, I dropped the ceiling in that area and covered it. I also designed the dropped ceiling in a unique way to emphasize the checkout area. The material used for the counter is wood and the countertop is white marble. I also plan on adding pendent lights at the edge of the bar to make the bar look more lit up than the rest of the restaurant. My target here is to make this bar a secondary focal point.

MODERN ROOTS FINE FOODS

ENLARGED FLOOR PLAN

BAR STOOL SITTING AGAINST THE WINDOW WALLS MOVEABLE TWO-TOPS TABLES

ENTRY RECEPTION

LIVING GREEN WALL BAR BANQUETTE SITTING

BAR STOOL SITTING AGAINST THE WINDOW WALLS

DISPLAY AREA

GELETO BAR

CHECKOUT AREA FOR GELETO BAR

RESTROOMS

OPEN KITCHEN

FURNITURE / LIGHTING

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marlow modern xenon pendent light

web chair

retro bar stool

MODERN ROOTS FINE FOODS

MATERIALS wood planks for banquette and bar

wood gelato bar counters marble for counter tops

black concrete flooring

restaurant

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As a person entered in the restaurant, I wanted a focal point for them to go straight to. I chose the bar area to be in the center along with the reception area. The reason for that is because I wanted the space to look alive and interactive. The back wall is a living green wall. I didnâ&#x20AC;&#x2122;t want the entire wall to be a living wall because its common, instead I used my concept, modern roots to create a unique design. I also kept the gelato bar in the restaurant area because I want the visitors to visit it after their meal. Which you can view in the next rendering.

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open kitchen DEVELOPMENT

ELEVATIONS

COFFEE BAR

ROPE WRAPPED COLUMN

CONCRETE WALL

CURTAIN WINDOW

COPPER WALL FLOATING CEILING

BAR STOOLS

GLASS CASE WITH ICE OYSTER

ENTRY/EXIT DOOR

MARKET

CHECKOUT

PENDENT LIGHTS

WINE RACK

RESTAURANT

This is the elevation of the Wine and charcuterie bar, and oyster and sushi bar. On the left is the wine and charcuterie bar. It has a floating ceiling with pendent lights. There is a glass mosaic covered counter in the middle for the employees work on. On the left is the oyster and sushi bar. The same design continues here. There is a built in glass case for the oyster and built a copper wall in front of it to prevent from hitting sunlight. The curtain wall is kept very open to allow space, sense of freedom for the employee and sunlight.

STORAGE BEHIND THE STAIRS

MEZZANINE

ROPE WRAPPED COLUMN

PENDENT LIGHTS

JUICE BAR PIZZA OVEN

RESTAURANT

CHECKOUT

BAR STOOLS

WALK-IN REF.

PREPARED FOOD

Market

This is a elevation of the open kitchen. On the right is the prepared foods and a bar sitting are at the end. This is where people can choose prepared meals. To the left is the open kitchen and checkout. There is also a bar sitting located right next to the checkout. Between the two space is the glass walk-in refrigerator. On the top there is a mezzanine at 14 feet AFF. There are stairs that follow up that is only allowed for employees to use. The columns are covered with rustic rope to bring is a traditional feeling against the shinny marble and glass.

MODERN ROOTS FINE FOODS

ENLARGED FLOOR PLAN

COUNTERS

RESTAURANT STORAGE

CHECKOUT COPPER WALL SERVED EATING AREA

PIZZA OVEN

COUNTERS

WALK-IN REF.

PREPARED FOOD AREA

OPEN KITCHEN/BAR

COUNTERS

CURTAIN WALL

SERVED EATING AREA CHECKOUT AREA

COFFEE BAR

MARKET

BACK OF THE HOUSE JUICE BAR

FURNITURE / LIGHTING

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large dome copper pendent light

bar stool

MODERN ROOTS FINE FOODS

green marble at counter tops

MATERIALS copper wall

marble for counter tops

glass mosaic tiles

wood panel walls

checkout area

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OYSTER / SUSHI BAR

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The oyster bar is located next to the restaurant and in front of the checkout station. This is the area where visitors can get a custom plate with the best dishes in town. The visitors will also have a good view with the floor to ceiling glass walls. It will also help the space to feel a little more open and have the staff feel connected with the outside world.

Open kitchen

Wine / charcuterie bar

MODERN ROOTS FINE FOODS

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market DEVELOPMENT

ELEVATIONS

FLOATING CEILING

RUSTIC STONE WALL TILE

DISPLAY TABLE DISPLAY WOODEN SHELF

PENDENT LIGHT

This is the elevation of the area where there is going to be a floating ceiling in the display area. As you can see the display table is located in the center with having a pendent light above it. This table will serve as a display for popular items and will be surrounded by display shelfs. The wall behind it will have rustic stone tile texture.

ROPE TEXTURE

WHITE TEXTURED WALL PANEL REFRIGERATORS

DAIRY DISPLAY STAND MARKET CONTINUES

This is a elevation of the dairy and beverage area. There will be all kinds of dairy products and beverages displayed in these refrigerators. The Display stand in the center will hold dairy items like tofu, creams, butter and so on. The display case is covered with rope texture and has wooden shelfs to the right for more display items. The wall as you can see is covered with white textured panels to create a modern twist with the rustic wood.

MODERN ROOTS FINE FOODS

ENLARGED FLOOR PLAN

PRODUCE STAND

GRAB & GO DISPLAY

DISPLAY STAND

PRODUCE DISPLAY AREA

7 FEET TALL DISPLAY SHELFS

LOCKERS

OFFICE FOR TWO

CURTAIN WALL

DAIRY & DRINKS AREA

CHECKOUT AREA

DAIRY DISPLAY STAND ENTRY

FURNITURE / LIGHTING

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Freamed Sculpture Pendant

custom wood shelf

custom display stand

MODERN ROOTS FINE FOODS

white textured wall panel

MATERIALS wood shelf

marble for counter tops

rustic rope

black concrete flooring

MARKET

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The produce area is at the end of the market. It is open and enough room for customers to shop for their groceries. I wanted this area to also look high-end. Therefore I have used a clean black produce display case that is mounted into the wood planks. And to use gold headings to give it a little extra. This area is also next to a floor to ceiling glass wall, which will give enough light and the feeling of openness.

MARKET

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MODERN ROOTS FINE FOODS

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wood planks green marble reclaimed wood

white texture wall panel

diamondflex metal

concrete

gold finish

white marble

rustic rope

glass mosaic tile

MATERIALS

MODERN ROOTS FINE FOODS

FURNITURE

THREE

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r e s i d e n t i a l S P AC E

three

Mariotto Residence lower level

CLIent

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BIOGRAPHY I have been an Interior Designer for the past thirty years specializing in both commercial and residential design. Over the years I have done everything from work in house at an Architecture firm to having my own retail art gallery and interior design business and am currently focusing on high-end residential projects in San Francisco, Portland and Vancouver. I have been teaching at the Academy of Art for 7 years at both the undergraduate and graduate levels. Teaching has been a great opportunity for me to share my experience and knowledge of the industry with students. I have been the faculty advisor for the AAU, ASID student chapter as well as worked with the Interior Architecture and Design students on the DIFFA (Dining by Design Event) in San Francisco.

MARIOTTO RESIDENCE

Level 1 1 Master Bedroom with walk-in closet 1 Full Bathroom Home Office Open Kitchen Living Room Outdoor Patio

Mister Ernie is a single man that does not have any guest over most of the time. He requires a space that is only used by him and spends most of his time out of home. The only guest he has over are his clients and/or meetings for business.

PROGRAM

Location

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13 Wood Street, San Francisco, CA United States

Golden Gate Bridge

MARIOTTO RESIDENCE

Concept

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SIMPLICITY AT ITâ&#x20AC;&#x2122;S FINEST Simplicity at its finest carries a meaning more than its simple words. I want to create a space that shows richness and class through simple design. Classic men are a great example of stating simplicity at its finest. They are well dressed with plain or no patterned fabric and tops their look off with a abstract patterned tie. The colors of the clothing tend to remain simple with one color being light and the other dark. Classic men style also throws in a pop color to show class through their shoes and/or belt. When applying the classic men style to the interior of the space, there will be a design that is simple and yet fine.

floor plan

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The floor plan was developed from the interview of the client. My client, Mr. Ernie, is a single guy who spends most of his time outside home and hardly has any over night visitors. And so the space is designed in a way that he can use the whole house to himself. As soon as he will enter, he will be greeted by a lounge. To the right there is a open modern kitchen attached to a living room. To the left he has his very own outdoor patio and guest bathroom; just in case. Of course he needs to have a home office and his large bedroom and bathroom with views. The overall space plan works very well for my client as he is living alone. And I am very glad he liked it as much as I enjoyed designing it.

MARIOTTO RESIDENCE

Bedroom

Bathroom Office Walk-In Closet

Cloest

Washer Dryer

Guest Bathroom

Outdoor Patio Entry

Kitchen

REF

Lounge Freezer

Fireplace

D/W

Living Room

entry lounge

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MARIOTTO RESIDENCE

FURNITURE / LIGHTING

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Edisonna pendent light

Arm Chair Country Dise

Ryan Round Coffee Table

MARIOTTO RESIDENCE

fan navy white wallpaper

MATERIALS antique-white travertine tile flooring

Gold finish

handcrafted rug

Brown leather

kitchen

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under-mounted refrigerator

single-handed faucet

LIVING ROOM

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FURNITURE

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peanut b sofa

modern basic coffee table set

MARIOTTO RESIDENCE

charcoal metallic laminate

MATERIALS antique-white travertine tile flooring

gold finish

Rustic wood cabinetry

lava rock wall panel

HOME OFFICE

LIGHTING

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kartell rifly pendent light

carpenter gold table lamp

MARIOTTO RESIDENCE

charcoal metallic laminate

MATERIALS antique-white travertine tile flooring

gold finish

rustic wood cabinetry

BEDROOM / BATHROOM

FURNITURE / LIGHTING

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egg lounge chair

classic floor lamp

kallista faucet

MARIOTTO RESIDENCE

Brown leather

MATERIALS antique-white travertine tile flooring

gold finish

Rustic wood cabinetry

lava rock wall panel

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antique-white travertine tile flooring

brown leather reclaimed wood

shaw carpet flooring charcoal metallic laminate

fan navy blue wallpaper

gold finish

lava rock wall panel

MATERIALS

MARIOTTO RESIDENCE

FURNITURE

four

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h o s p i ta l i t y S P AC E

four

Resume Senior Living center/units/roof garden

CLIent

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Seniors

Resume Senior Living Center will be a home to seniors that want to celebrate their years as old age. It is meant to target seniors that are wise, enthusiastic, fearless and willingness individual. Through these characteristics Resume Living will bring out the youthfulness and the courage one holds. It is a place to live without feeling any different from the past life and to state that the best thing to do now is to keep living and making great memories and great progress. Resume says â&#x20AC;&#x153;why have you stop? Continue to live!â&#x20AC;?

RESUME SENIOR LIVING

Level 1 - Front Lobby with reception desk and 4 waiting chairs - Dining Room: 500 s.f. minimum - Kitchen: 250 s.f. minimum - Community Room: 600 s.f. minimum - Library/Reading Room: 300 s.f. minimum - Staff Offices: 300 s.f. - Nurse’s Office: 150 s.f.

Level 2 - 8 Studio Apartments with kitchen, accessible bathroom, closet and laundry closet for stacking washer/dryer ( 2’-9” wide x 3’-2” deep). Unit areas should be 410 s.f. minimum -Exercise Room: 300 s.f. minimum -Adequate Public Restrooms -Janitor’s Closet -Telecom Closet -Mechanical Room

PROGRAM

LOCATION

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Location: San Francisco (Hayes Valley)

MUNNI: 47, 49 7x, 21, 6, 7, 7R

Completions: May 2017

SHOPPING STORES: Safeway Wholefoods Nick’s Super Market Key Food Market Arzo Hair Salon SF Zen Bok Store Briar Rose Flower Public Bikes Dish Clothing Cotten Sheep Lava 9 Other Private Local

Contract: TBD Architect: HBA Property: 16,000 sq.ft. Building: 10,000 sq.ft.

This is a senior housing that carries eight dwelling units with personal bathroom. Onsite offers a gym, cafeteria, kitchen, community center, laundry room, yoga floor, roof garden, patio area, out door area and more.

SCHOOLS: University Elementary Studio HOSPITALS: Kaiser Blue Cross Pet Hayes Convalescent California Pacific RESTAURANTS: Hayes Street Grill Suppenkuche Plaj Restaurant Rich Table Straw Otoro Sushi Noir Lounge Stacks Smitten’s Samovar Tea Lounge Blue Bottle Coffee & More PARK: Jefferson Park Alamo Square Park The Panhandle Patricia’s Green Koshland Community & More

ONE MILE

HALF MILE

SITE LOCATION

SCHOOL

SHOPPING STORE

RESTAURANT

PARK

CHURCH

HOSPITAL

BUS STOP

BIKE LANE

FELL ST.

ST. OCTAVIA

site analysis

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HAYES VALLEY SAN FRANCISCO 355 OCTAVIA STREET

Craft coffee drinkers, urban farmers, and casual bar hoppers characterize Hayes Valley, a fashionable neighborhood in the center of San Francisco. Pop-up restaurants, cool boutiques, and independent bookstores make Hayes Valley the object of envy. Jealous neighbors aren’t the only things that are green in this trendy local favorite—playgrounds and artsy park spaces occupy the medians of this stylish neighborhood’s inviting streets.

RESUME SENIOR LIVING

CONCEPT

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Resume SENIOR

LIVING

CENTER

RESUME After the middle age a life hits a sudden pause. Now that one has had all the fun, made the money and raised great memories, one has entered in the period of old age. It becomes almost hard to think what better can happen in this time when they have enjoyed the fullest in their previous time. That is when a life hits a pause. But we all know that when there is a pause there is always a resume.

color palette

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For this project, I wanted to keep the colors pretty simple and basic. I started off with the color white to bring freshness into the space. Then I went with adding other light tan colors mainly for the flooring that reflected a little towards earthy tones. My main goal was to provide an environment that was fresh and not distracting; a home where the residence had the opportunity to think and reflect. To add a little interest into the space I dropped in a hint of purple and teal. The purple stands for meditation and the teal stands for calmness. These colors will play both roles of bringing in a unique look and nourishing the residences at the same time. At last I brought in gray to smooth and complete my palette.

RESUME SENIOR LIVING

Bubble Diagrams

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SPACE Lobby Dining Kitchen Community Room Library Exercise Room Staff Office Nurseâ&#x20AC;&#x2122;s Office Janitors Closet Telecom Closet Mechanical Room 8 Studio Apartments

SQ.FT 200 500 250 600 300 300 300 150 55 55 55 400 3165

OCCUPANCY OCCUPANCY LOAD OCCUPANCT LIMIT standing space 5 net 40 unconcentrated 15 net 33 kitchen 200 gross 1 concentrated 7 net 85 reading rooms 50 net 6 exercise room 50 gross 6 business area 50 gross 6 business area 50 gross 3 storage area 300 gross 0 storage area 300 gross 0 mechanical room 300 gross 0 residential 200 gross 2

RESUME SENIOR LIVING

Bubble Diagram Level 1

Bubble Diagram Level 2

Floor plan

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Level 1

Floor 1 Finish Plan 1/4" = 1'-0"

RESUME SENIOR LIVING

Level 2

DOWN

Floor 2 Finish Plan 1/4" = 1'-0"

Floor plan

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Roof Garden

DOWN

Roof Garden 1/4" = 1'-0"

RESUME SENIOR LIVING

OCTAVIA STREET

FELL STREET

site plan N

www.autodesk.com/revit

Lobby 562 sf.

Consultant Address Address Phone Fax e-mail

DRYWALL

Consultant Address Address Phone Fax e-mail

1-HR RATED

Consultant Address Address Phone Fax e-mail

Consultant 2-HR RATED Address Address Phone Fax e-mail

Hallway 1069 sf.

Consultant Address Address Phone Fax e-mail

No.

SPACE Kitchen 250 sf.

Dining Area 597 sf.

Lobby Dining Kitchen Community Room Library Exercise Room Staff Office Nurseâ&#x20AC;&#x2122;s Office Janitors Closet Telecom Closet Mechanical Room 8 Studio Apartments Public Restrooms Yoga Room Class Room Conman Space Storage & Recycling

SQ.FT

OCCUPANCY TYPE

OCC. LOAD

582 597 250 788 316 315 300 150 40 30 36 3,200 300 358 332 150 55

standing space unconcentrated kitchen concentrated reading rooms exercise room business area business area storage area storage area mechanical room residential bathroom exercise room unconcentrated unconcentrated accessory storage

5 net 15 net 200 gross 7 net 50 net 50 gross 50 gross 50 gross 300 gross 300 gross 300 gross 200 gross 100 gross 15 net 15 net 300 gross

Description

OCC. LIMIT 116.4 33 1 85 6.32 6.3 6 3 0 0 Owner 0 16 Project Name 3 6. code analysis fl 1 7 24 Project number 10 Project Number Date Issue Date 0 Drawn by Author Checked by

Sum Circulation Total

77 99 2121 9920

Date

A110 Scale

Checker

1/4" = 1'-0"

7/25/2016 5:04:09 PM

code compliance

rs)

158 ATITHI PRAJAPATI

RESUME SENIOR LIVING

Office 300 sf.

Women's Restroom

Lobby

130 sf.

562 sf.

Gym 350 sf.

LEVEL 1

Telcom Rm 28 sf

Men's Restroom Nurse Office

36 sf.

150 sf.

10 9 UP

SF .m ax im um

355 Octavia Street,

130 sf.

Mech Rm

Hallway 1069 sf.

di ag 61 SF. (diagon Library al of two exit on doors) al 316 sf. di m en si on of th e bu ild in g

OPEN TO ABOVE

Community Room

Kitchen

788 sf.

250 sf.

Resume Se Cen

Dining Area 597 sf.

CODE

Tech Room 332 sf.

A1 Drawn By Checked By IAD 410 Date Scale

Studio 376 sf.

LEVEL 2

Studio

381 sf.

460 sf.

Studio 358 sf.

Room

DOWN

Laundry Rm

Hallway 1052 sf.

Yoga Room 234 sf.

78 sf.

SF .m ax im um

Room 48

Room 51

di ag on al di m en si on

Studio

395 sf.

460 sf.

61 SF. (diag onal of two exit doors)

10 9

Studio

355 Octavia Street,

Studio 490 sf.

of th e

Resume Sen Cent bu ild in g

Studio 460 sf.

Code F

A10 Drawn By Checked By IAD 410

Floor 2 CODE 1/4" = 1'-0"

Date Scale

9' - 10"

ELEVATION 1 1/4" = 1'-0"

3' - 2 11/16"

6' - 3 11/16" MICROWAVE

3' - 0"

UNDERCABINET LIGHTING

GFCI 42" AFF

2' - 11 1/2"

2' - 5"

EASY OPEN CABINET DOORS

3' - 5"

2' - 10" UNDERMOUNTED REF.

Floor 2 15' - 0"

MOSAIC BACKSPLASH

SHELF CABINET

ADA compliant

160 ATITHI PRAJAPATI

Kitchen Elevation

ELEVATION 2 1/4" = 1'-0"

SHOWER BASE

GRAB BAR

2' - 6"

9' - 10" SLIDING GLASS DOORS

2' - 10"

WALL TILE FINISH

3' - 0"

GAR BAR

SHOWERHEAD

1' - 5"

DOWNLIGHT

Floor 2 15' - 0"

RESUME SENIOR LIVING

Bathroom Elevation

exterior elevations

162 ATITHI PRAJAPATI

SOUTH & WEST

NORTH & EAST

RESUME SENIOR LIVING

Level 5 40' - 6"

Level 4 30' - 6" Roof Garden 27' - 0"

Floor 2 15' - 0"

Floor 1 0' - 0" 1

East 1/8" = 1'-0"

Level 5 40' - 6"

Level 4 30' - 6" Roof Garden 27' - 0"

Floor 2 15' - 0"

Floor 1 0' - 0" 2

West 1/8" = 1'-0"

---

Level 5 40' - 6"

Level 4 30' - 6" Roof Garden 27' - 0"

Floor 2 15' - 0"

Floor 1 0' - 0"

North 1/8" = 1'-0"

---

Level 5 40' - 6"

Level 4 30' - 6" Roof Garden 27' - 0"

Floor 2 15' - 0"

Floor 1 0' - 0"

South 1/8" = 1'-0"

sketches

164 ATITHI PRAJAPATI

RESUME SENIOR LIVING

166 ATITHI PRAJAPATI

168 ATITHI PRAJAPATI

grey laminate flooring

divina melange by kvadrat

reclaimed wood

remix by kvadrat recycled wood

divina melange by kvadrat marble top carnegie: meteor

MATERIALS

RESUME SENIOR LIVING

FURNITURE

sustainable materials

RESUME SENIOR LIVING

172 ATITHI PRAJAPATI

CERTIFICATION Cradle to Cradle Certified Gold

PRODUCT DETAIL Name : Nexus Number : 6425X / 901

SCS Indoor Advantage Gold

Use : Wallcovering

Meets California Indoor Air Quality Specification CA01350

Width : 52”

Free of PVC, chlorine, plasticizers, heavy metals, ozone depleting chemicals Extremely low VOCs antibacterial, safely disposable 85% Biobased content derived from rapidly renewable plant based resources Vincotte OK biobased - Level 4 (ASTM D6866) Responsible Return Program

Color : Pearl White Price : $39 MANUFACTURE INFORMATION Name : Carnegie Brand : Xorel Showrooms : Chicago, New York VENDOR INFORMATION Name : N/A Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Walls Date Issue : 08/08/16

CERTIFICATION Cradle to Cradle Certified Silver

PRODUCT DETAIL Name : Anarchy Number : 8AN50

Certified under the NSF/ANSI Standard 140-Suntainable Carpet Assessment (NSF 140).

Use : Carpet

NSF 140 certified at the Gold level or above

Price : N/A

Width : tile ( 24 x 24in ) Color : Smolder & High Seas MANUFACTURE INFORMATION

Bentley’s carpet products are manufactured in our California mill, a LEED for Existing Buildings: Operations and Maintenance (LEED- EBOM) Gold certified facility.

Name : Bentley

High Performance

Location : N/A

Collection : Black Book Showrooms : San Francisco VENDOR INFORMATION Name : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Walls Date Issue : 08/08/16

RESUME SENIOR LIVING

PRODUCT DETAIL Name : Natura Waterborne Number : Eggshell (512) Use : Paint Width : N/A Color : White Price : N/A MANUFACTURE INFORMATION Name : Benjamin Moore Brand : Natura Showrooms : (many)

CERTIFICATION Zero VOC* according to EPA Method 24 Zero emissions* No Harsh fumes*** Now Certified asthma & allergy friendly 100% Acrylic

VENDOR INFORMATION

Carries the Green Promise designation

Name : Home Depot

Voted 2015 Product of the Year

Location : Daly City PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Walls

Virtually odorless *zero emissions detected according to CDPH/EHLB/Standard Method V1.1,2010

Date Issue : 08/08/16

PRODUCT DETAIL Name : Eames Molded Plastic Chair Number : N/A Use : Furniture Width : N/A Color : White Price : N/A MANUFACTURE INFORMATION Name : Herman Miller Brand : Earthright (Charles Eames) Showrooms : San Francisco

CERTIFICATION Zero VOC* according to EPA Method 24 Zero emissions* No Harsh fumes*** Now Certified asthma & allergy friendly 100% Acrylic

VENDOR INFORMATION

Carries the Green Promise designation

Name : N/A

Voted 2015 Product of the Year

Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Dining, Community, Tec Date Issue : 08/08/16

Virtually odorless *zero emissions detected according to CDPH/EHLB/Standard Method V1.1,2010

174 ATITHI PRAJAPATI

CERTIFICATION Meets the most stringent GREENGUARD Certification for Children & Schools Indoor Air Quality

PRODUCT DETAIL Name : Vignette Number : N/A Use : Furniture Finish : Chrome, fabric, marble,

Meets BIFMA e3 Level Certification

Color : Purple

Design allows for reupholstery of the sofa and chairs, extending the life cycle of the furniture

MANUFACTURE INFORMATION

Price : N/A Name : Teknion Designer : Michael Vanderyl Showrooms : San Francisco VENDOR INFORMATION Name : N/A Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Lobby, lounge Date Issue : 08/08/16

CERTIFICATION U.S. Green Building Councilâ&#x20AC;&#x2122;s LEED Green Building Rating (BD+C):

PRODUCT DETAIL Name : Superwall Number : N/A Use : Curtain Wall

-Energy and Atmosphere (EA)

Finish : Chrome, glass, steel

-Materials and Resources (MR)

Price : N/A

Color : clear

-Indoor Environmental Quality (EQ)

MANUFACTURE INFORMATION

-Innovation and Design Process (ID)

Brand : Flagship

Name : Wausau Showrooms : Wisconsin VENDOR INFORMATION Name : N/A Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Lobby, office, community, dining room Date Issue : 08/08/16

RESUME SENIOR LIVING

PRODUCT DETAIL Name : Dune Ceiling Panels Number : 4786828541.105.1 Use : Ceiling Panel Width : 24” x 24” Color : White

CERTIFICATION Environmental Product Declarations (EPD) UL Environment certified ISO compliant EPD one will find:

Price : N/A

-Product application and use

MANUFACTURE INFORMATION

-Life Cycle Assessment (LCA) results including global warming potential and primary energy usage

Name : Armstrong Brand : Ceiling Solution Showrooms : Emeryville VENDOR INFORMATION

-Total impacts over the life cycle of the product

Name : N/A

Designed from Raw Materials

Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Ceiling

Dune ceilings deliver a solid combination of performance attributesclean aesthetics, and a reduced environment foorprint- making it a good product for commercial applications.

Date Issue : 08/08/16

PRODUCT DETAIL Name : Foresty Mix Number : L6620 Use : Laminate Flooring Width : 5.59” x 47.83” Color : White Washed Price : N/A MANUFACTURE INFORMATION Name : Armstrong Collection : Rustics Premium Showrooms : San Francisco VENDOR INFORMATION Name : N/A Location : N/A PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Studios Date Issue : 08/08/16

CERTIFICATION Teted by Hardwood Products Veneer Association (HPVA) Specifications require adherence to all environmental, health and safety requirements, including formaldehyde emissions, of the U.S. federal government and, where applicable, regulatory agencies such as the California Air Recourses. Meets CARB requirements Meets the OSHA requirements

Water efficiency products

RESUME SENIOR LIVING

178 ATITHI PRAJAPATI

INFORMATION Single handle- simple to use and easy to make adjustments to water temperature 1.8 gmp (gallons per minute) maximum flow rate at 60 psi Temperature Memory

PRODUCT DETAIL Name : Simplice Number : K-597-CP Use : Faucet Finish : Chrome Color : Clear Price : $306.10 MANUFACTURE INFORMATION

ADA Compliant

Name : Kohler

Lifetime Limited Warranty

Brand : N/A Showrooms : Wisconsin VENDOR INFORMATION Name : Moran Supply Location : Oakland PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Kitchen Date Issue : 08/08/16

INFORMATION Showerhead features transitional design inspired by nature 1.5 gpm (gallons per minute) flow rate Full 360-degree rotation of entire sprayface cycles through spray functions Pulsating massage spray targets sore muscles to ease away aches and pains Lifetime Limited Warranty WaterSense -Meets EPA Certification

PRODUCT DETAIL Name : Exhale Number : K-72596-CP Use : Showerhead Finish : Chrome Color : Clear Price : $136 MANUFACTURE INFORMATION Name : Kohler Collection : N/A Showrooms : Wisconsin VENDOR INFORMATION Name : Moran Supply Location : Oakland PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Private Bathrooms Date Issue : 08/08/16

RESUME SENIOR LIVING

PRODUCT DETAIL Name : Purist Number : K-14404-4A-CP Use : Faucet Finish : Chrome Color : Clear Price : $640.75 MANUFACTURE INFORMATION Name : Kohler Collection : N/A Showrooms : Wisconsin VENDOR INFORMATION Name : Moran Supply Location : Oakland PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati

INFORMATION Single-hole Mounting 1.2 gpm (gallons per minute) flow rate Single-control operation allows faucet to be turned on and off at any temperature setting High-temperature limit stop allows you to preset a comfortable maximum temperature to eliminate scalding Uses at least 45% less water then standard. WaterSense -Meets EPA Certification ADA Compliant

Location : Private Bathrooms Date Issue : 08/08/16

PRODUCT DETAIL

INFORMATION

Name : Stealth Dual Flush Toilet Elongated

Ultra-High-Efficiency Flush

Number : Bowl-N7717EB-DF Tank- N7714T-DF Use : Toilet

Two efficient flush options- 0.95 GPF full and 0.5 GPF half

Size : 12” H-17” Color : white Price : N/A MANUFACTURE INFORMATION Name : Niagaracorp Brand : N/A Showrooms : California VENDOR INFORMATION Name : Dale Hardware Inc. Location : Fremont PROJECT INFORMATION Type : Senior Living Center Designer : Atithi Prajapati Location : Bathrooms/Restrooms Date Issue : 08/08/16

Quiet 0.65 average flush Extremely quiet flush EPA WaterSense labeled One flush thoroughly evacuates the bowl everytime-no double flushing MaP Score : 400g at 0.5 GPF / 800g at 0.95 GPF

leed credits

180 ATITHI PRAJAPATI

LOCATION AND TRANSPORTATION

-Leed for neighborhood development

-Hospitality

-Sensitive Land Protection

-High-Priority Site

-Surrounding Density and Diverse uses

-Access to Quality Transit

-Bicycle Facilities

-Reduce Parking Footprint

SUSTAINABLE SITES

-Site Assessment

-Site Development

-Open Space

-Places of Respite

-Direct Exterior Access

WATER EFFICIENCY

-Indoor Water use Reduction

ENERGY AND ATMOSPHERE

-Optimize Energy performance

MATERIALS AND RESOURCES

-Storage and Collection of Recycles

-Building Life-Cycle Impact Reduction

-Environmental Product Declarations

- Sourcing of Raw Materials

-Materials Ingredients

INDOOR ENVIRONMENT QUALITY

-Low Emitting Materials

-Interior Lighting

-Daylight

-Quality Views

Credit

Prereq

Credit

Prereq

Green Power and Carbon Offsets

Enhanced Refrigerant Management

Renewable Energy Production

Demand Response

Advanced Energy Metering

Optimize Energy Performance

Enhanced Commissioning

Fundamental Refrigerant Management

Building-Level Energy Metering

Minimum Energy Performance

Fundamental Commissioning and Verification

Water Metering

Cooling Tower Water Use

Indoor Water Use Reduction

Outdoor Water Use Reduction

Building-Level Water Metering

Indoor Water Use Reduction

0 Energy and Atmosphere

Prereq

Credit

Prereq

Outdoor Water Use Reduction

Light Pollution Reduction

Heat Island Reduction

Rainwater Management

Open Space

Site Development - Protect or Restore Habitat

Site Assessment

Construction Activity Pollution Prevention

0 Water Efficiency

Prereq

Credit

Prereq

Credit

Green Vehicles

Required

Reduced Parking Footprint

Access to Quality Transit 1

Surrounding Density and Diverse Uses

Bicycle Facilities

High Priority Site

Sensitive Land Protection

LEED for Neighborhood Development Location

3 Sustainable Sites

Credit

Integrative Process

1 Location and Transportation

Project Checklist

LEED v4 for BD+C: New Construction and Major Renovation

50 51

Possible Points: Certified: 40 to 49 points, Silver: 50 to 59 points, Gold: 60 to 79 points, Platinum: 80 to 110

Regional Priority: Specific Credit

4 TOTALS50

Credit

Regional Priority: Specific Credit

LEED Accredited Professional

0 Regional Priority

Credit

Innovation

Acoustic Performance

Quality Views

Daylight

Interior Lighting

Thermal Comfort

Indoor Air Quality Assessment

Construction Indoor Air Quality Management Plan

Low-Emitting Materials

Enhanced Indoor Air Quality Strategies

Environmental Tobacco Smoke Control

0 Innovation

Credit

Prereq

Minimum Indoor Air Quality Performance

Building Product Disclosure and Optimization - Material Ingredients Construction and Demolition Waste Management

Building Life-Cycle Impact Reduction Building Product Disclosure and Optimization - Environmental Product Declarations Building Product Disclosure and Optimization - Sourcing of Raw Materials

Construction and Demolition Waste Management Planning

Storage and Collection of Recyclables

0 Indoor Environmental Quality

Credit

Prereq

0 Materials and Resources

Credit

Project Name: Resume Senior Living Center Date: August 10 '16

110

Required

RESUME SENIOR LIVING

five

184 ATITHI PRAJAPATI

Personal hobbies

five

Other Interest -textile -color rendering -hand rendering sketches -photography

textiles

186 ATITHI PRAJAPATI

Designing A Collection of Textile Prints For my final project I wanted to make a collection that brings a sense of comfort and peace. Client: Kam Space: -A small private hotel -Kitchen -Dining -Rooms -Bathrooms -lounge -hallways -lobby Concept: The Affair of a pearl I will be showing the process of a pearl and what if goes through in my textiles. Technique: -Hand painting with procio/reactive

-Heat Transfer

-Photographic Screen Printing

-Paper Stenci printing

Location : Miami, Florida

OTHER INTEREST

textiles

188 ATITHI PRAJAPATI

The textile collection holds a deep concept, the affair of a pearl. The concept was used to create a mixed used textile to be used for different purposes. Variety of materials was used during the birth of this creation. For most it was mainly targeted towards hospitality.

OTHER INTEREST

Color rendering

190 ATITHI PRAJAPATI

OTHER INTEREST

hand sketches rendering

192 ATITHI PRAJAPATI

OTHER INTEREST

photography

194 ATITHI PRAJAPATI

OTHER INTEREST

photography

196 ATITHI PRAJAPATI

OTHER INTEREST

My Warmest Thanks to...

My parents for making this opportunity a success and always being there to guide, protect and support in any way possible. My little sisters for always being interested in my studies and achievements. Friends and family for visiting me often just so I donâ&#x20AC;&#x2122;t miss home. The rest of my family for always missing an remembering me a for all the occasions and parties I missed. My roommates Jasmine Singh and Nashahita Debo for always looking out for me and making sure I achieve nothing but the best. And for always caring and tolerating my frustration and being with me during my stressful days. My professors who have showered their knowledge and hoped for my success: Chamindri Wijemanne, Archana Myers, Olga Zhovreboff, Ernest Mariotto, Kathleen Valkuchak, Kathleen Roche, Agustin Sanders, Sean Stuart, Ricardo Marmolejo, Micheal Sammet, Susan Sutton, Archibald Woo, Chris, John, Mark Miller, Tuan Love, Stephan, Andrew Tu. And as well as any staff of AAU who has put in efforts to my education. All my wonderful classmates and peers for being such an inspiring group. You guys have made my journey at AAU a memorable one. I could have not found a better team to study with. I am thankful for the laughter, time, energy and moments you have shared with me. Last but not least to my Dadaji for providing me a path to walk, run and fall. And for teaching me how its important to balance all my roles with always keeping God in center. You will always be in my thoughts and memory.

My deepest thanks to you all.