Study in Contrast

STUDY IN CONTRAST

Given free reign by a longtime client, ROBERT BROWN fashions a sophisticated in-town high-rise filled with fine art

Triple Threat A rug unifies three distinct areas in the living room,which provides room for dining, conversation and work. The tripod lamps are from Townhouse by Robert Brown.

Written by TATE GUNNERSON Photographed by JEFF HERR Styled by SUZANNA CULLEN HAMILTON

Artful Approach Displayed on an easel, an abstract painting by SylviaMcEwan through Pryor Fine Art juxtaposes a brass desk with a marble top. he black chair is by David Iatesta. opposite Designer Robert Brown paired a traditional cocktail table from Bradley USA with a braided linen ottoman and a perforated brass side table.

EAGER TO MOVE into his new three-bedroom unit in the posh Waldorf Astoria Residences—and on an extremely tight timeline—an international businessman turned to a trusted commodity in designer Robert Brown, who had designed his previous homes over the years. “We know him and his taste, and that’s always nice,” says Brown. “We kind of had carte blanche.”

Not to mention a head start. Rather than reinventing the wheel, Brown retained many of the unit’s original finishes, which included oak flooring, luxurious bathrooms and a well-appointed kitchen with Calacatta Verde countertops and a polished marble backsplash. In fact, the designer had actually worked closely with the hotel’s original developer, as well as architecture firm Harrison Design, to select those finishes. Revisiting the building gave him an opportunity to play off these materials.

Tactile Touch A trio of velvet-covered stools from Restoration Hardware soften the existing Calacatta Verde countertops in the spacious open kitchen.

In the front foyer, for example, an abstract painting hangs over an ebonized oak console table with an X base, coordinating perfectly with the existing black-and-white marble inlay in the hardwood flooring. “It was a study in contrast,” explains Brown. Taking advantage of the barrel vault ceiling, a quartzite crystal chandelier adds another dimension.

A quartz crystal chandelier from Townhouse by Robert Brown illuminates an ebonized wood console table from Tritter Feefer in the foyer. The artwork is by Sylvia McEwan through Pryor Fine Art.

The palette flows into the main living area, a long pill-shaped space with curved walls on either end. In the center, a tailored linen sofa and leather chairs surround an iron and cement cocktail table straddling a braided linen ottoman alongside a perforated brass side table. “It has an industrial edge that makes it a little more unique and not so uptight,” says Brown. It also plays off the brass accents throughout, which include sculptural table lamps, a candelabra chandelier over the living area and a dramatic brass and glass fixture over the ebonized wood din- ing table at the far end of the room.

Like all the art throughout, Brown hand-selected the bronze sculpture along the curved wall not far from the table. “I usually go shopping in Paris three or four times per year,” he says. Indeed, he scored the watercolor by Jacques Nestlé near the tub in the master bathroom at a French fl ea market too.

Effortlessly accommodating the client’s aggressive timeline, Brown and his team invited their client for the big unveiling, perfectly staging the space and playing music and lighting candles for the occasion. Brown was confi dent the space would appeal, and he was right. “He was amazed,” says Brown. “That’s always a nice high for us after a lot of hard work.” See Resources, Back of Book.

Restful Retreat left Dressed in bedding from Peacock Alley, a rustic bed fosters an informal, cozy milieu in a guest suite. The lamp is from Townhouse by Robert Brown

“IT WAS A STUDY IN CONTRAST…WE KNOW HIM AND HIS TASTE, AND THAT’S ALWAYS NICE.” —ROBERT BROWN

A faux shagreen bed nestles into a pair of bookshelves; the resin side table is from B.D. Jeffries

A shearling chair from B.D. Jeffries adds a finishing touch to the glamorous master bathroom.