SABYASACHI
C A L C U T TA
CONTENTS AKASH TARA
01 SUMMER TIME
03 SULTANA
TRADITIONAL
02
BRIDE IN RED
04 05 PASTEL
RETRO
09
MEHENDI SERIES
RED CARPET
06
07 08
SUMMER 2020
10 11 THE TAJ MINAUDIERE
FIZ A
12
CONTENTS AKASH TARA
01 SUMMER TIME
03 SULTANA
TRADITIONAL
02
BRIDE IN RED
04 05 PASTEL
RETRO
09
MEHENDI SERIES
RED CARPET
06
07 08
SUMMER 2020
10 11 THE TAJ MINAUDIERE
FIZ A
12
What gives his designs a twist is his unique blend of colors and fabrics. One may never think of putting 4 different shades in four different sections of a sari with different designs, but when Sabyasachi comes out with the final product, one gets compelled to believe that it is possible and achievable. Fusion of different patchwork designs on vibrant colors is his trademark. Vintage and old world Indian charm is extremely apparent through all the motifs and techniques used. He describes it as “International styling with an Indian soul. While the whole fashion industry has taken a plunge in modern day designs and techniques, Sabyasachi’s designs stay completely rooted in what India really is. He also regards international artists such as Monet and Henry Matisse as sources of inspiration.
Sabyasachi design philosophy:
When one thinks Sabyasachi, one thinks saree, and that is how closely the two are connected and have been for several years in Indian fashion. What has reshaped and revamped traditional Indian outfits has been Sabyasachi’s creative vision which has soared to great heights while staying rooted to all the inherent glamor and tradition that India has to offer in the realm of fashion. Sabyasachi’s designs are the designs of the past, present, and the future, and that’s what makes him one of the leading contemporary Indian designers Sabyasachi described his style as ‘personalized imperfection of the human hand’. He has drawn most of his ideas from his surroundings and his childhood. Kolkata’s scenic backdrops and imprints that have left a never changing impact on his mind is what comes through beautifully in all his creations. Traditional and very ‘Indian’ is his style and he makes the most of it. Gypsies, deserts, antique use of fabrics, textiles, and embroideries get beautifully woven into each sari, lehenga or salwar kameez, which are his areas of expertise.
Sabyasachi's design philosophy is "personalized imperfection of the human hand". Deserts, gypsies, prostitutes, antique textiles and cultural traditions of his home town, Kolkata, have been a lifelong inspiration for this designer who believes that "clothes should just be an extension of one's intellect". He uses unusual fabrics, texturing and detailing, fusion of styles, patch-work with embellishments in a vibrant colors. His creations evoke images of ancient and medieval ages. He describes his own collections as "an International styling with an Indian soul". He designs crafted bridal wear and rigorously structured pieces. On occasion, to the delight of his global audiences, the designer is known to draw inspirations from the wider world, such as exotic, indigenous ethnic European art such as the colourscapes of French impressionists like Monet and Henry Matisse in his clothes. He pioneered the use of high-end luxury Indian textiles in a modern context. His unique contribution was the use of classical methods like bandhani, gotawork, block printing, hand dyeing etc. in construction of modern silhouettes. Sabyasachi is especially famous for Indian Bridal Wear.
What gives his designs a twist is his unique blend of colors and fabrics. One may never think of putting 4 different shades in four different sections of a sari with different designs, but when Sabyasachi comes out with the final product, one gets compelled to believe that it is possible and achievable. Fusion of different patchwork designs on vibrant colors is his trademark. Vintage and old world Indian charm is extremely apparent through all the motifs and techniques used. He describes it as “International styling with an Indian soul. While the whole fashion industry has taken a plunge in modern day designs and techniques, Sabyasachi’s designs stay completely rooted in what India really is. He also regards international artists such as Monet and Henry Matisse as sources of inspiration.
Sabyasachi design philosophy:
When one thinks Sabyasachi, one thinks saree, and that is how closely the two are connected and have been for several years in Indian fashion. What has reshaped and revamped traditional Indian outfits has been Sabyasachi’s creative vision which has soared to great heights while staying rooted to all the inherent glamor and tradition that India has to offer in the realm of fashion. Sabyasachi’s designs are the designs of the past, present, and the future, and that’s what makes him one of the leading contemporary Indian designers Sabyasachi described his style as ‘personalized imperfection of the human hand’. He has drawn most of his ideas from his surroundings and his childhood. Kolkata’s scenic backdrops and imprints that have left a never changing impact on his mind is what comes through beautifully in all his creations. Traditional and very ‘Indian’ is his style and he makes the most of it. Gypsies, deserts, antique use of fabrics, textiles, and embroideries get beautifully woven into each sari, lehenga or salwar kameez, which are his areas of expertise.
Sabyasachi's design philosophy is "personalized imperfection of the human hand". Deserts, gypsies, prostitutes, antique textiles and cultural traditions of his home town, Kolkata, have been a lifelong inspiration for this designer who believes that "clothes should just be an extension of one's intellect". He uses unusual fabrics, texturing and detailing, fusion of styles, patch-work with embellishments in a vibrant colors. His creations evoke images of ancient and medieval ages. He describes his own collections as "an International styling with an Indian soul". He designs crafted bridal wear and rigorously structured pieces. On occasion, to the delight of his global audiences, the designer is known to draw inspirations from the wider world, such as exotic, indigenous ethnic European art such as the colourscapes of French impressionists like Monet and Henry Matisse in his clothes. He pioneered the use of high-end luxury Indian textiles in a modern context. His unique contribution was the use of classical methods like bandhani, gotawork, block printing, hand dyeing etc. in construction of modern silhouettes. Sabyasachi is especially famous for Indian Bridal Wear.
01 Featured here is the brand’s iconic ‘Aakashtara’ saree, completely hand embroidered using ‘zardozi technique’ on the finest of chiffon.
AKASH TARA
01 Featured here is the brand’s iconic ‘Aakashtara’ saree, completely hand embroidered using ‘zardozi technique’ on the finest of chiffon.
AKASH TARA
Growing up, I was fascinated by the nightlife in Calcutta, the legendary bars and restaurants on Park Street—Trincas, Blue Fox, Peter Cat, VERY BERRY MULBERRY
Mocambo, and the groovy nightclub at the Oberoi, Pink Elephant. Calcutta had a truly cosmopolitan atmosphere, where every night glamour came out in its full glory. For me, the standouts were the women with heavily kohled eyes and lacquered hair, wearing glittering saris with sexy sleeveless blouses and handcrafted Bengali diamond jewellery, probably inspired by Aparna Sen,
BAROQUE MOSS
Growing up, I was fascinated by the nightlife in Calcutta, the legendary bars and restaurants on Park Street—Trincas, Blue Fox, Peter Cat, VERY BERRY MULBERRY
Mocambo, and the groovy nightclub at the Oberoi, Pink Elephant. Calcutta had a truly cosmopolitan atmosphere, where every night glamour came out in its full glory. For me, the standouts were the women with heavily kohled eyes and lacquered hair, wearing glittering saris with sexy sleeveless blouses and handcrafted Bengali diamond jewellery, probably inspired by Aparna Sen,
BAROQUE MOSS
02 “A touch of nostalgia, whim and breezy summers - here are the cues from the Sabyasachi Lehenga collection, 'The Endless Summer.”
ENDLESS SUMMER
02 “A touch of nostalgia, whim and breezy summers - here are the cues from the Sabyasachi Lehenga collection, 'The Endless Summer.”
ENDLESS SUMMER
The Sabyasachi Spring/Summer 2018 collection stands out visa-vis the recent 'Le Club De Calcutta' or the heavy red bridal collections that one has seen on a lot of Sabyasachi brides these days. Perfect in tone to a daytime wedding or a Mehendi ceremony, Haldi ceremony, Sangeet ceremony or even a day engagement, this treasure trove of hand-printed designs was compiled by 43 artists from The Sabyasachi Art Foundation.
Inspired by tones of nostalgia and pretty glamour, this vast collection covers a spectrum of bright, pop colours to ivory and gold ensembles. These distinct, cheery pieces are created from Cheent, Organza, Khadi - contrasting between gossamer fabrics to the summer-appropriate Khadi mixes. And the colours - oh my! Peppy tones of cadmium yellow, kingfisher blue, turquoise, coral, lemon and a fluorescent, yet muted lime. There were also ivory and gold ensembles, which are in absolute contrast with his affair with pinks and reds.
The Sabyasachi Spring/Summer 2018 collection stands out visa-vis the recent 'Le Club De Calcutta' or the heavy red bridal collections that one has seen on a lot of Sabyasachi brides these days. Perfect in tone to a daytime wedding or a Mehendi ceremony, Haldi ceremony, Sangeet ceremony or even a day engagement, this treasure trove of hand-printed designs was compiled by 43 artists from The Sabyasachi Art Foundation.
Inspired by tones of nostalgia and pretty glamour, this vast collection covers a spectrum of bright, pop colours to ivory and gold ensembles. These distinct, cheery pieces are created from Cheent, Organza, Khadi - contrasting between gossamer fabrics to the summer-appropriate Khadi mixes. And the colours - oh my! Peppy tones of cadmium yellow, kingfisher blue, turquoise, coral, lemon and a fluorescent, yet muted lime. There were also ivory and gold ensembles, which are in absolute contrast with his affair with pinks and reds.
03 “Every bride is a story I write, each one different, each one new!”
BRIDE IN RED
03 “Every bride is a story I write, each one different, each one new!”
BRIDE IN RED
Tradition can help a style — or colour — overcome the transience that is inherent to the fashion industry. There is no better example of this than the colour red, which has defined a particular segment of Indian bridal wear for decades. Brides have been coming to my stores from all over the world. And whenever I’m able to, I make it a point to ask her, ‘why a red lehenga?’. The response is almost always the same: because her mother wore a red lehenga, and her grandmother did too.
HERITAGE BRIDAL
Sabyasachi Mukherjee and beautiful brides have become synonymous with each other, thanks to the ace designer dressing them up to perfection in regal bridal refinery on their big day.
Tradition can help a style — or colour — overcome the transience that is inherent to the fashion industry. There is no better example of this than the colour red, which has defined a particular segment of Indian bridal wear for decades. Brides have been coming to my stores from all over the world. And whenever I’m able to, I make it a point to ask her, ‘why a red lehenga?’. The response is almost always the same: because her mother wore a red lehenga, and her grandmother did too.
HERITAGE BRIDAL
Sabyasachi Mukherjee and beautiful brides have become synonymous with each other, thanks to the ace designer dressing them up to perfection in regal bridal refinery on their big day.
04 Neo-Traditional, Neo-Romantic, Destination & Madras Mehndi
THE MEHENDI SERIES
04 Neo-Traditional, Neo-Romantic, Destination & Madras Mehndi
THE MEHENDI SERIES
Mehndi collection ranges from Neo-Traditional Mehndi to Neo-Romantic and destination weddings being such a rage, he has dedicated one entire line of the collection to Destination mehndi and a special appearance of Madras Mehndi. Upholding the traditional concept of the mehndi ceremony being colourful and at the same time introducing his creative touch to it, these ensembles are awe-inspiring. With bright colours in light fabrics wrapped in Gota Patti, these silhouettes are sure to turn the heads!
From including Bohemianism in the traditional outfits and welcoming women with out of the box hair and gorgeous skin, to preparing that magical concoction of the west and the east and adding his signature royalty to the designs, Sabyasachi's 2020 summer edit is a completely flawless bridal trousseau. Vivid colours that are etched to our hearts, the summery fabric that includes comfort in fashion and designs that are riots to our imagination where we are walking down the aisle under a Phoolon ki Chaadar in a Sabyasachi lehenga, the Summer 2020 edit is a dream come true and we cannot stop praising it enough!
Mehndi collection ranges from Neo-Traditional Mehndi to Neo-Romantic and destination weddings being such a rage, he has dedicated one entire line of the collection to Destination mehndi and a special appearance of Madras Mehndi. Upholding the traditional concept of the mehndi ceremony being colourful and at the same time introducing his creative touch to it, these ensembles are awe-inspiring. With bright colours in light fabrics wrapped in Gota Patti, these silhouettes are sure to turn the heads!
From including Bohemianism in the traditional outfits and welcoming women with out of the box hair and gorgeous skin, to preparing that magical concoction of the west and the east and adding his signature royalty to the designs, Sabyasachi's 2020 summer edit is a completely flawless bridal trousseau. Vivid colours that are etched to our hearts, the summery fabric that includes comfort in fashion and designs that are riots to our imagination where we are walking down the aisle under a Phoolon ki Chaadar in a Sabyasachi lehenga, the Summer 2020 edit is a dream come true and we cannot stop praising it enough!
05 “ The curiosity art and the Antiquity project.”
SULTANA
05 “ The curiosity art and the Antiquity project.”
SULTANA
I collect old china, carpets, vintage sarees, pichwais and shawls. My collection has grown slowly over the last 20 years. From antique stores in Milan and Paris, quaint shops in Hauz Khas, and dealers in Srinagar; from hand-me-downs in my family, auction houses, and flea markets - I’ve acquired pieces near and far.Many of my designs, their colours and motifs, have been influenced by vintage shawls and sarees. They give meaning to the common saying, all that glitters is not gold. While we easily and without question assign value to metal thread embroidery. I often find the equisite thread workfrom our country best exemplifies quiet luxury. Presenting an edit of sarees and bridal lehengas inspired by many years of collecting all variety of things vintage and antique, and memories of a bygone era that they evoke.
I collect old china, carpets, vintage sarees, pichwais and shawls. My collection has grown slowly over the last 20 years. From antique stores in Milan and Paris, quaint shops in Hauz Khas, and dealers in Srinagar; from hand-me-downs in my family, auction houses, and flea markets - I’ve acquired pieces near and far.Many of my designs, their colours and motifs, have been influenced by vintage shawls and sarees. They give meaning to the common saying, all that glitters is not gold. While we easily and without question assign value to metal thread embroidery. I often find the equisite thread workfrom our country best exemplifies quiet luxury. Presenting an edit of sarees and bridal lehengas inspired by many years of collecting all variety of things vintage and antique, and memories of a bygone era that they evoke.
06 While red remains the most popular colour in bridal wear, another trend has emerged in the last few years — pastels!
PASTEL
06 While red remains the most popular colour in bridal wear, another trend has emerged in the last few years — pastels!
PASTEL
The pastel trend coincides with the broadening demographic of brides and the increase in popularity of destination weddings. Grand palaces and hotels have begun to give way to rustic villas, vineyards, mountains, and remote beaches.
While the scale of these weddings may remain large, the venues, surrounded by nature, lend themselves to a more intimate atmosphere. And with the goal of complementing the ambience and venue, brides are gravitating towards the perennial lightness and effervescence of pastels.
The pastel trend coincides with the broadening demographic of brides and the increase in popularity of destination weddings. Grand palaces and hotels have begun to give way to rustic villas, vineyards, mountains, and remote beaches.
While the scale of these weddings may remain large, the venues, surrounded by nature, lend themselves to a more intimate atmosphere. And with the goal of complementing the ambience and venue, brides are gravitating towards the perennial lightness and effervescence of pastels.
07 "Indian aesthetic has always suited the Indian body-type. Luxury was earlier measured by money, now it is measured by culture, and other things."
TRADITIONAL
07 "Indian aesthetic has always suited the Indian body-type. Luxury was earlier measured by money, now it is measured by culture, and other things."
TRADITIONAL
Amrita Sher-Gil, Protima Bedi, Aditi Mangaldas, Mallika Sarabhai and Rekha, to name a few, were perhaps the inspiration behind this collection. Not only are these people fiercely individualistic, they also have been the greatest ambassadors of indigenous art and crafts.
As a young student of design, a film that shaped my aesthetic was Mira Nair’s ‘Kama Sutra.’ The entire presentation, propelled by Mychael Danna’s evocative soundtrack was just mesmerizing. Notions of beauty and beauty rituals, body confidence and culture confidence were my takeaways from the film. I have always been fascinated by the way Indian women dress- their multiple options in clothing and jewellery and their complex rituals and traditions of beauty.
The ladies are wearing handcrafted jewellery in 22k gold, eclectically strung together with rubies, emeralds, tourmalines, pearls and yellow sapphires. All from the Sabyasachi Heritage Jewellery Collection.
Amrita Sher-Gil, Protima Bedi, Aditi Mangaldas, Mallika Sarabhai and Rekha, to name a few, were perhaps the inspiration behind this collection. Not only are these people fiercely individualistic, they also have been the greatest ambassadors of indigenous art and crafts.
As a young student of design, a film that shaped my aesthetic was Mira Nair’s ‘Kama Sutra.’ The entire presentation, propelled by Mychael Danna’s evocative soundtrack was just mesmerizing. Notions of beauty and beauty rituals, body confidence and culture confidence were my takeaways from the film. I have always been fascinated by the way Indian women dress- their multiple options in clothing and jewellery and their complex rituals and traditions of beauty.
The ladies are wearing handcrafted jewellery in 22k gold, eclectically strung together with rubies, emeralds, tourmalines, pearls and yellow sapphires. All from the Sabyasachi Heritage Jewellery Collection.
08 The 20s, the 40s and the 50s have been eras that I constantly revisit.
RETRO
08 The 20s, the 40s and the 50s have been eras that I constantly revisit.
RETRO
Whenever I have to design evening wear, I take refuge in old cinema. The 20s, the 40s and the 50s have been eras that I constantly revisit. Stories of Merle Oberon, songs of Edith Piaf, black and white portraits of Bette Davis, Greta Garbo, Zsa Zsa GaĚ bor, Katherine Hepburn and Rita Hayworth have probably shaped my imagination of evening wear. As a student of design and fashion history, I was heavily influenced by the design ideologies.
My evening wear is not steeped in nostalgia, I am just an admirer of sensibilities that happen to be oldworld. Clothing at that point of time was just beautifully made: romantic and feminine, with immaculate attention to handmade details. And when I look at clothes of today, that is something that I miss. I guess I will always look at glamour through an old-world eye.
Whenever I have to design evening wear, I take refuge in old cinema. The 20s, the 40s and the 50s have been eras that I constantly revisit. Stories of Merle Oberon, songs of Edith Piaf, black and white portraits of Bette Davis, Greta Garbo, Zsa Zsa GaĚ bor, Katherine Hepburn and Rita Hayworth have probably shaped my imagination of evening wear. As a student of design and fashion history, I was heavily influenced by the design ideologies.
My evening wear is not steeped in nostalgia, I am just an admirer of sensibilities that happen to be oldworld. Clothing at that point of time was just beautifully made: romantic and feminine, with immaculate attention to handmade details. And when I look at clothes of today, that is something that I miss. I guess I will always look at glamour through an old-world eye.
09 “Summer is a party, and I wanted to dress for it.”
SUMMER 2020
09 “Summer is a party, and I wanted to dress for it.”
SUMMER 2020
The collection has been divided into various parts and boasts an excessive play of gorgeous gota patti, intricate embroidery, and floral prints, all inspired by the royalty of the past and the modernity of today.
Covering a wide genre of functions and outfits, the Sabyasachi Summer 2020 Collection is all about dressing the modern bride, groom, and wedding-goers in impressive and unique outfits.
The lively vibe of destination weddings demand lighter colours. In fact, since most destination weddings are held in the sun-kissed lap of nature, materials like organza and Georgette are ideal for them. With solid colours imbibed with light embroideries and sarees in floral prints, the Destination Weddings Edit of this collection has us impressed!
The collection has been divided into various parts and boasts an excessive play of gorgeous gota patti, intricate embroidery, and floral prints, all inspired by the royalty of the past and the modernity of today.
Covering a wide genre of functions and outfits, the Sabyasachi Summer 2020 Collection is all about dressing the modern bride, groom, and wedding-goers in impressive and unique outfits.
The lively vibe of destination weddings demand lighter colours. In fact, since most destination weddings are held in the sun-kissed lap of nature, materials like organza and Georgette are ideal for them. With solid colours imbibed with light embroideries and sarees in floral prints, the Destination Weddings Edit of this collection has us impressed!
10 An extraordinary lightness of being for the most intimate of weddings.
FIZA
10 An extraordinary lightness of being for the most intimate of weddings.
FIZA
Neons are back on the runways and now they’re rocking bridal couture.
Fiza is about style that brings in a new lightness of being, a kind of easy effortlessness. Marked by delicate florals, low-cut blouses, and big, fat chokers for the brides, the grooms too get a modern, more genderless makeover with florals, anarkalis, and pastels in this line. It is no wonder then that the designer has hashtagged it #NamasteEasy. Here are the trends that stood out for us from his new line that is going to be a benchmark for bridal fashion in 2019.
The Mehendi kaftan and this toga lehenga seem to be Sabyasachi’s picks for unusual and unique Mehendi wear.
Neons are back on the runways and now they’re rocking bridal couture.
Fiza is about style that brings in a new lightness of being, a kind of easy effortlessness. Marked by delicate florals, low-cut blouses, and big, fat chokers for the brides, the grooms too get a modern, more genderless makeover with florals, anarkalis, and pastels in this line. It is no wonder then that the designer has hashtagged it #NamasteEasy. Here are the trends that stood out for us from his new line that is going to be a benchmark for bridal fashion in 2019.
The Mehendi kaftan and this toga lehenga seem to be Sabyasachi’s picks for unusual and unique Mehendi wear.
11 Diamonds are an indispensable ally for women on the red carpet.
RED CARPET
11 Diamonds are an indispensable ally for women on the red carpet.
RED CARPET
When I think about the various times I’ve designed for the red carpet, my proudest moments have been the sarees especially those worn for international red carpets.In my opinion, there is something so powerful about this garment. Perhaps it’s because some of my greatest muses wore them with pride. Or maybe because of the nuanced and beautiful history of the saree in many parts of India and the surrounding regions. Or it’s the craftsmanship, time, and love that goes into weaving the 6 yards of fabric.Or because of the nuanced and beautiful history of the saree in many parts of India and the surrounding regions. When a woman wears a saree on a global stage, I feel a great sense of joy. Not because it’s subversive for an international audience, but because it’s a reminder.
Reminder that an evening gown needn’t be the only formula for glamour, and sometimes the most glamorous garment you can wear is the one that connects the most to your roots.I remember Indra Nooyi (former CEO of Pepsi Co.) famously saying at Rashtrapati Bhavan how she chooses to wear Kanjeevarams for power dressing. Many women share this sentiment often reflecting on how wearing a saree makes them feel empowered, rooted, and authentic. Understanding this, it’s no surprise that several global celebrities that I’ve interacted with (from Oprah, to Dita Von Teese, to Katy Perry, and Christian Louboutin) are enamoured with the saree.
When I think about the various times I’ve designed for the red carpet, my proudest moments have been the sarees especially those worn for international red carpets.In my opinion, there is something so powerful about this garment. Perhaps it’s because some of my greatest muses wore them with pride. Or maybe because of the nuanced and beautiful history of the saree in many parts of India and the surrounding regions. Or it’s the craftsmanship, time, and love that goes into weaving the 6 yards of fabric.Or because of the nuanced and beautiful history of the saree in many parts of India and the surrounding regions. When a woman wears a saree on a global stage, I feel a great sense of joy. Not because it’s subversive for an international audience, but because it’s a reminder.
Reminder that an evening gown needn’t be the only formula for glamour, and sometimes the most glamorous garment you can wear is the one that connects the most to your roots.I remember Indra Nooyi (former CEO of Pepsi Co.) famously saying at Rashtrapati Bhavan how she chooses to wear Kanjeevarams for power dressing. Many women share this sentiment often reflecting on how wearing a saree makes them feel empowered, rooted, and authentic. Understanding this, it’s no surprise that several global celebrities that I’ve interacted with (from Oprah, to Dita Von Teese, to Katy Perry, and Christian Louboutin) are enamoured with the saree.
12 Sabyasachi Clutches As The Perfect Accessory With Your Outfit.
THE TAJ MINAUDIERE
12 Sabyasachi Clutches As The Perfect Accessory With Your Outfit.
THE TAJ MINAUDIERE
The first thing that comes to anyone's mind when we think of a big fat royal wedding is, of course, Sabyasachi. Honestly, if the designer is known for anything, it's his phenomenal ability to turn any woman into a royal princess on her wedding day. Intricately crafted to deliver an ethereal experience, Sabya's magic ranges from heavenly lehengas to heritage jewellery and chic accessories. The couture maestro has yet again vowed the entire fashion industry with the latest launch of his bespoke clutches - The Taj Minaudière. With each piece crafted by hand, the Taj Minaudière collection of clutches is just what you need to add that majestic look to your outfit and take it up a notch.
With the launch of The Taj Minaudière, we’re even more convinced that these clutches are the perfect bridal accessory for you. Think about it. It’s handy, can fit all your essentials, and when you carry that with your outfit, it’s going to set a statement that will leave everyone in awe. The latest collection of clutches is a continuation of the much-revered Sabyasachi clutches - The Royal Bengal Minaudière. From regal sequins to dreamy leathers and quirky yet chic pastels, these capsule clutches can be been one of the most iconic accessories for a bride to own. As we can't stop staring at the clutches, The Taj Minaudière comes in seven variants in the similar capsule shape, with different colours and material, but with the same old hand-crafted charm.
The first thing that comes to anyone's mind when we think of a big fat royal wedding is, of course, Sabyasachi. Honestly, if the designer is known for anything, it's his phenomenal ability to turn any woman into a royal princess on her wedding day. Intricately crafted to deliver an ethereal experience, Sabya's magic ranges from heavenly lehengas to heritage jewellery and chic accessories. The couture maestro has yet again vowed the entire fashion industry with the latest launch of his bespoke clutches - The Taj Minaudière. With each piece crafted by hand, the Taj Minaudière collection of clutches is just what you need to add that majestic look to your outfit and take it up a notch.
With the launch of The Taj Minaudière, we’re even more convinced that these clutches are the perfect bridal accessory for you. Think about it. It’s handy, can fit all your essentials, and when you carry that with your outfit, it’s going to set a statement that will leave everyone in awe. The latest collection of clutches is a continuation of the much-revered Sabyasachi clutches - The Royal Bengal Minaudière. From regal sequins to dreamy leathers and quirky yet chic pastels, these capsule clutches can be been one of the most iconic accessories for a bride to own. As we can't stop staring at the clutches, The Taj Minaudière comes in seven variants in the similar capsule shape, with different colours and material, but with the same old hand-crafted charm.
SABYASACHI C A L C U T TA