IN ALL the PLACES Aubrey Olson, 2022 Capstone Book
“Sometimes since I’ve been in the garden I’ve looked up through the trees at the sky and I have had a strange feeling of being happy as if something was pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making things out of nothing. Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden - in all the places.” -Frances Hodgson Burnett, The Secret Garden
CONTENTS Background + Research Questions Walking Imagination Psychogeography Maintenance Layering History Understanding the Past How did We Get Here? Existing Conditions Missed Opportunities Design Proposal 3 Themes Zones + Features Individual Placemaking- Setting up the Framework Environmental Phenomenon Appendix Acknowledgements
“Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.” -Rebecca Solnit, Wanderlust: A History of Walking
BACKGROUND + RESEARCH QUESTIONS
WALKING
Walking Poem, Aubrey Olson
Living Streets Walking Manifesto Walking is good for our minds, our bodies, and our cities, towns and villages. It connects us to ourselves and to others, to education, to economic and social life. During the COVID-19 lockdowns, millions of people rediscovered the simple act of walking – the oldest, cheapest and greenest transport there is. They rediscovered their local high streets, walked to local shops and around parks, canals, commons and rivers. But millions still struggle with narrow, cluttered, uneven pavements; crossings that prioritise cars rather than people; and growing numbers of speeding vehicles.
THE WANDER SOCIETY: a case study
Through independant adventures and urban exploreing, the direct human experiences have been diluted
and dulled through mass media and our excess use of technology. Senses are dulled through seeing the world through screens rather than through the physical body. TWS seeks to deepen our connections with eachother, the world, and ourselves. life outside the commercial world built on direct experiences , not second hand representations of reality. Through this, TWS has been able to curate curious urban adventures through literature, symbols, and freedom.
IMAGINATION Imagine a Better Future
Change starts with imagining a possibility. By imagining what a space could be, it starts the conversation for making it happen.
Stimulates Creativity and Innovation
by thinking outside of the box and allowing imaginations the freedom to grow and expand for creative problem solving, there is room for collaboration as well as sustainable innovation in material and use of spaces and products
Imagination is Magical
A child’s imagination is truly inspirational. The mundane becomes magical, inspiring wonder and sparking joy to imagine the endless possibilities of the world around us.
Imagine the investment into Northeast Walkways
PSYCHOGEOGRAPHY IN CONVERSATION WITH... currently reading The Wander Society by Keri Smith (2016)
Places of the Heart by Colin Ellard (2015) “If you care about your city and your happiness, read every page of this fascinating book. Places of the Heart offers a thrilling journey through the pathways of our cities and the human mind. This is no flight of fancy. It’s an evidence-based exploration of how the places we inhabit change our minds and bodies.”
Our Lives Through Urban Design
In Places of the Heart, Colin Ellard explores how our homes, workplaces, cities, and nature — places we escape to and can’t escape from—have influenced us throughout history, and how
IN COL ARD
ELL
our brains and bodies respond to different types of real and virtual space. As he describes the insight he and other scientists have gained from new technologies, he “This beautifully written book grabs the reader from the start, with personal stories from the author’s life interwoven with
assesses the influence these technologies will have on our evolving environment and asks what kind of world we are, and
history, archaeology, technology, and design.”
should be, creating.
—Esther M. Sternberg, MD, author of
Healing Spaces: The Science of Place and Well-Being
Colin Ellard, a cognitive neuroscentist at the University of Waterloo and director of its Urban Realities Laboratory, is the author of You Are Here: Why We Can Find Our Way to the Moon, but Get Lost in the Mall. His work at the intersection of neuroscience and architectural and environmental design has been widely published in international journals and he regularly conducts his field research by leading urban walking tours and putting his data on display, often in museum settings, around the globe.
978-1-942658-00-9
www.blpress.org Cover design: Alban Fischer
$19.95
BLP
Copyright 2015. Bellevue Literary Press. All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. or applicable copyright law.
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—Charles Montgomery, author of Happy City: Transforming
Psychogeography by Merlin Coverley (2018)
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EBSCO Publishing : eBook Collection (EBSCOhost) - printed on 2/11/2022 3:59 PM via UNIVERSITY OF MINNESOTA - TWIN CITIES LIBRARIES AN: 1031439 ; Colin Ellard.; Places of the Heart : The Psychogeography of Everyday Life Account: s5240361.main.ehost
psy·cho·ge·og·ra·phy (noun) The geographical environment of a particular location, typically a city, considered with regard to its influence on the mind or on behavior. As an practice, psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes, and follows a loosely defined urban practice known as the dérive. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists. In 1955, Guy Debord defined psychogeography as “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.” As a practice and theory, psychogeography has influenced a broad set of cultural actors, including artists, activists and academics.
Mom + Pop Shops hyper-local Built by and for the people who actually live there.
Big Box Stores not-local Could be anywhere in the United States, or world
Mom + Pop Shops role in Community
If all cities were saturated by the same few large corporations, what would distinguish one city from the next? What would the tourist centers in each city be able to tell visitors about what their city has to offer? Mom and Pop small businesses give cities uniqueness. They give the community members a local space in which to connect with each other and share a unique experience. They give children specific memories about growing up in their hometown. They make each community and city culturally rich, but also helps to diversify and drive the economy at large.
RESEARCH QUESTION How to tell a story of place through a neighborhood urban trail? considerations: For a high renting population, how does one connect with the place they are in? With so much change in the area, what are the ‘constants’ that allow long time residents to feel at home
GREEN INFRASTRUCTURE
WALKABILITY
COMMUNITY
bioswales
bus shelters
benches
permeable pavers
complete sidewalks
lighting
street trees
bike stations
signage
green roofs
crosswalks
trash/recycling public art
Languages in the Landscape symbolic secrets
Vagrant Language understand safety and actions Language of Flowers express thoughtful and deep emotions
Kate Farquhar
“I took a walk in the woods and came out taller than the trees” -Henry David Thoreau
LAYERING HISTORY
FINDING PLACE NORTHEAST MINNEAPOLS Rational Minnesota
Minnesota is known for its many lakes and forests, as well as its city centers of Minneapolis and St. Paul.
City of Minneapolis Hennepin Cty
Hennipen County established itself as the Upper Midwest’s hub of industry and commerce by 1900, through milling + farmland aided by expansion of the railroad. Later, the automobile also accelerated the growth of the suburbs. A case in point is the City of Bloomington, where construction of the interstate highway system led to a totally new kind of society built around the car.
Located in the heart of Minnesota, and on the banks of the Mississippi River, Minneapolis has a long history of industry and a strong sense of community, with many unique neighborhoods, restaurants, and top businesses.
Northeast, Minneapolis a unique sense of place
-Central and Broadway are high traffic roads servicing tens of thousands of people each day -strong artist + brew community -variety of immigrant communities -gateway between Northeast and the greater Minneapolis community
UNDERSTANDING THE PAST
BROADWAY ST NE An Unsafe Road for All The recent Vision Zero Crash study conducted by Minneapolis Public Works revealed that our roads are twice as dangerous as those in New York City; that of our dangerous roads, the most menacing were the four-lane roads divided only by paint; and that the “majority of severe crashes involving pedestrians happen on roughly 5 percent of the city’s streets” – “severe crashes” being those that cause death and life-altering injury. Broadway Street in Northeast Minneapolis is one of these streets. Concurrently, a recent community survey by area neighborhood groups found that the status quo is not working for residents, with 61% of pedestrians and 91% of cyclists feeling the street to be “unsafe”. Broadway St. NE already contains a narrow railroad bridge that doesn’t safely allow two cars to fit side-by-side, and functions as some kind of macabre car-and-cyclist-smashing machine -Streets MN
CENTRAL AVE MN 65
State Highway 65 serves as a south–north route between Minneapolis, Fridley, Blaine, Cambridge, Mora, McGregor, Nashwauk, and Littlefork in east–central and northeast Minnesota. Highway 65 is signed locally as 3rd Avenue South in downtown Minneapolis. 3rd Avenue South leads to the Third Avenue (Mississippi River) Bridge and becomes Central Avenue upon crossing the river. After its intersection with Hennepin Avenue, the route becomes Central Avenue NE. Highway 65 is signed locally as Central Avenue NE for this section. Many Minnesota landmarks are located on Central Avenue NE including the Aveda Institute, the Heights Theater, and the National Sports Center. The route remains Central Avenue until separating in Ham Lake, except for a split in Fridley and Spring Lake Park between I-694 and US 10.
HOW DID WE GET HERE? GENTRIFICATION What can we understand from understanding one building at 945 Broadway over time? Land ‘o Nod Discount Paper Supply Co. The Broadway Building
1940s Olson Family Land ‘o Nod
1970s Hartwell Family Land ‘o Nod
1985 Discount Paper Supply Co
2012-present First + First the Broadway Building
CAMDEN NEIGHBORHOODS NORTHEAST NEIGHBORHOODS
NEAR NORTH NEIGHBORHOODS
CENTRAL NEIGHBORHOODS CALHOUN-ISLES NEIGHBORHOODS
UNIVERSITY NEIGHBORHOODS
PHILLIPS PHILLIPS
POWDERHORN NEIGHBORHOODS
SOUTHWEST NEIGHBORHOODS
2000 indicators
LONGFELLOW NEIGHBORHOODS
2015 indicators: Minneapolis 2015 indicators: Sheridan Neighborhood
NOKOMIS NEIGHBORHOODS
2015 indicators: Logan Park Neighborhood 2015 indicators: St. Anthony West Neighborhood 2015 indicators: St. Anthony East Neighborhood median home value
median rent
median income
residents with bachelors degree
renters
residents in poverty
What are the Criterea for Gentrification? Dramatically rising house prices greater renting population
EXISTING CONDITIONS EDGES
EDGE CONDITIONS - Retaining Wall - Rail Road Tracks -Housing Developments (whats public?) -Zoning -Slope -Fast Moving Cars -Fencing -Ice Collection
INTERSECTION
collection
ABOVE fencing
tunnel
disinvested streetscape
lighting platform
train tracks
lighting
platform
neighborhood sign
gated sunken platform
graffiti
door
platforms
lighting
tunnel
tunnel
graffiti
graffiti
door
tracks
door
path
tracks
BELOW tunnels for Trains canvas for graffitti path
Community Commons Park Open Space Sense of Privacy (for better or worse) Day to Night unease (needs more lighting)
MEMORY MAPPINGS What do neighbors notice about their community? asked a variety of Northeast neighbors to map out Northeast without looking at a map.
What I was looking for: -what is the extent of northeast? -what streets did they include? -what types of spaces? -any emotions/memories tied to location -anywhere that cannot be labeled by maps (secrets) Linn Dury Anna Pate
Anna’s Friend? B Lauer Mr. Pate
Michael Talerico
Shane Kosieradzki Kate Cornish
TAKEAWAYS Most included either Mississippi or 35W Shops and Restaurants are placemakers there is a clear presence of RR tracks that divide NE Grid system is evedent in most memory maps Kate Noel
(how to highlight magic in the ‘inbetween’)
LAYERED SITE STREETS
RAILROAD TRACKS
AUBREY WALKS
MOVEMENT DIAGRAM
FINDINGS FROM LAYERING moments of transition (clear ‘zones’ or areas) How to unify these areas?
R.R. cut through entirety and drive the historical buildings What is the best way to cross rail road tracks? train yards offer a unique viewing experience, feel part of the movement/ yet also desolate?
Significant Spots 36
40
35
21
34
33
32
23
28
24 29
26 30
1
2
19
18
3
20
4
16
5
15
39
13
6
38
7
9
1 8
12
Thorp Building Diamonds Cafe
10
2
Northrup used King Building to store seed
11
Delmonicos
12
The Margarete Barry house
32
The Broadway
33
Architecture Antiques
4
Upper Cut Boxing Gym
5
General Mills
6
Parking Lot _used to be victory garden
7
Highlight Center
8
Uncle Franky’s
9
Nation Signs
10
Beltrami Park
Edgewater Park Sign Community Garden used to be
11
3
21
13
Grain Elevators used to store seed grain elevators now torn down
24
Sample Room
26
Gluek Gazebo
28
Art-A-Whirl California Building
29
Bottineau Park
30
ESNS
used to be a scale
37
36 37 38 39 40
15
Davis Frost
16
Crown Iron Works
18
Aaron Carlson
20
Ideal Diner
Hollywood Theater 700 Central little sisters of the poor home for the aged
39
used to interact with grain or seed nationally registered historic building
Grain Belt Brewery Shoreham Yards
WORKING LIST of IMPORTANT PLACES
all connected through seeds (both vegeta
a-
INDUSTRY HUB
CONNECT TO THE RIVER 1
2
21
33 22
18
32 3
20
4
28
16
5
24 29
15
26 6
30
13 7
9
8
12
10
11
37
NOON WHISTLE TOUR
30
38
by ArtShare
NEVER THE SAME RIVER TWICE TOUR
39
by ArtShare
38
“Isn’t that the only way to curate a life? To live among things that make you gasp with delight?” -Maira Kalman, My Favorite Things
DESIGN PROPOSAL
3 THEMES
MAGIC IN THE LIMINAL
OVERVIEW
-magic in the liminal (thresholds) -layer history (slow down) -re-framing emotion (how do moments of pause and reflection)
Key Features thresholds transitions slope change
Framing Emotion
LAYER HISTORY
view of downtown
view of industrial northeast
11 : 11
Key Features
HISTORICAL siness lo cal bu
11 : 11 57
Slow Down indirect path texture
structured view
local business
guided view
EXISTING
57
ephemeral
local business
Key Features hide + reveal borders highlight/underline the unexpected/ overlooked
TRAIL through NE
ast Minneapolis
14
15
16
17
13 18
12 19
1
Nation Signs
14
Edgewater Park Sign
2
Ideal Diner
15
Grain Elevators
3
Northrup King Building
16
Community Garden
Architecture Antiques
17
4
Art-A-Whirl California Building
Upper Cut Boxing Gym
18
5
Bottineau Park
19
Parking Lot
ESNS
6
7
Highlight Center
8
Uncle Franky’s
9
little sisters of the poor home for the aged
10
Grain Belt Brewery
11
20
Thorp Building
21
Aaron Carlson
22
Crown Iron Works
23
Davis Frost
24
The Broadway
PARK-
25
Beltrami Park
12
Gluek Gazebo
26
Delmonicos
13
Sample Room
27
Delmonicos
11
WORKING LIST of IMPORTANT PLACES 2 Zones of the walk-industry -connection to eachother + nature + the city (~how to connect the two~)
10
all connected through seeds (both vegetative and institutional) planted through time! -see how they grow and blossom, maybe die? (how does that make us feel?)
9
20
3
21
4
2
5
22
5
23
24
6
7
1
8
27
25
26
“How did it get so late so soon? It’s night before it’s afternoon. December is here before it’s June. My goodness how the time has flewn. How did it get so late so soon?” -Dr. Suess
DESIGNED MOMENTS
moments that GUIDE us how we navigate through space ideas for places along the trail
SEEDS OF
-hide and reveal gardens through vegetation -wayfinding signs
Moments that Guide Us
“lighthousing” “hide and reveal”
SEEDS OF
SEEDS OF
moments of REFLECTION spots to pause + features that make you stop and look ideas for places along the trail -water garden -reading areas
Moments of Reflection bird baths/feeders water/river viewpoints benches
SEEDS OF
SEEDS OF
moments to ENGAGE spaces to gather and interact with the landscape ideas for places along the trail -raised viewing plaza -gathering patios
Moments to Engage with Eachother Pocket park rooms patios/walls/chalk walls
M
M
moments to FRAME how to highlight and underline the overlooked ideas for places along the trail -sound garden -layered planting plan in reminiscent forms
SEEDS OF C
Moments to Frame landscaping to highlight the buildings that hose various things over time
moments of CHANGE
Mo
ephemeral spaces and beings ideas for places along the trail
Mo
-grass garden -historical garden
CATEGORY
Mo EVERGREEN
GREEN SCREEN`
BLOOMING COLOR
Mo
AUTUMN WINTER INTEREST 11
12
plant type + category
month perennial + vine trees + shrubs
perennial + vine trees + shrubs
SPRING/SUMMER INTEREST 01 02 03 04 05 06 07 08 09 10 month
FALL COLOR
01
02 03 04 05 06 07 08 09
10
11
12
plant type + category
SEEDS OF COMM
WHAT IS THE STORY + how to engage with the story of place
Chapter 3: Neighborhood
Chapter 2: The River Chapter 1: Industry
CHAPTER 1: industry
warehouses
new beginnings
railroad tracks
Chapter 1: Industry
KEY Moments to Engage Moments to See Change over Time Moments of Reflection Moments to Frame Moments that Guide Us SEEDS OF COMMUNITY
SEEDS OF INDUSTRY
SEEDS OF NATURE
SEEDS OF HISTORY
CHAPTER 2: the river bridged connections
‘escape’ transportation
Chapter 2: The River
KEY Moments to Engage Moments to See Change over Time Moments of Reflection Moments to Frame Moments that Guide Us SEEDS OF COMMUNITY
SEEDS OF INDUSTRY
SEEDS OF NATURE
SEEDS OF HISTORY
CHAPTER 3: neighborhood
gather home
experiences
Chapter 3: Neighborhood
KEY Moments to Engage Moments to See Change over Time Moments of Reflection Moments to Frame Moments that Guide Us SEEDS OF COMMUNITY
SEEDS OF INDUSTRY
SEEDS OF NATURE
SEEDS OF HISTORY
THANK YOU! Moving Forward: curate specific features under each type of moment and place them on the trail (maybe give them names) (axons , models) get a solid planting pallete and plan for certain sections (how does the seed idea carry through each part~) map out connections to NE (bridges, buses, trains, etc.)
current questions... too many layers? anything not necessary or anything large that I am missing? loop/cycle make sense?
TITLE
paragraph/ subtext
INCREMENTAL PLACE TITLE
paragraph/ subtext
TITLE
paragraph/ subtext
ENVIRONMENTAL PHENOMENON TITLE
paragraph/ subtext
TITLE
paragraph/ subtext
APPENDIX
“If you look the right way, you can see that the whole world is a garden.” -Frances Hodgson Burnett, The Secret Garden
ACKNOWLEDGEMENTS