He pou atua, he pou whenua, he pou tangata. Ko Waitematā te moana Ko Waikōkota te whenua.
Ko Te Pou Whakamaharatanga mō Māui Tikitiki a Tāranga te tohu o te kaha, o te kōrero, o te whakapapa o tēnei wāhi, o tēnei whare.
Nau mai e te tī, e te tā ki te whare kōrero, ki te whare whakaari o ASB ki te tahatika o te moana.
Mauri tau, mauri ora!
The symbols of support, of strength and of guardianship stand fast and proud.
The waters of Waitematā ebb and flow against the shores here at Waikōkota, the land upon which we stand.
The pou of remembrance to Māui Tikitiki a Tāranga stands tall as a beacon of courage, of stories passed down and of the history that connects us all to this place and to this space.
We welcome you all from near and far to this house of stories, to the ASB Waterfront Theatre.
Mauri tau, mauri ora!
Pouwhakamaumāharatanga mō Māui Tikitiki a Tāranga The Memorial Post of Māui the Topknot of Tāranga
Robert Jahnke ONZM (Ngāi Taharoa, Te Whānau a Iritekura, Te Whānau a Rākairo o Ngāti Porou) 2016
Laminated tōtara and Corten steel
Proudly commissioned by Auckland Theatre Company for ASB Waterfront Theatre
Technical Manager & Technical Operator — Ella Madsen Brough
Lighting Programmer — Peter Davison
Sound Coordinator — Nathanael Bristow
Audio Engineer — Joel Orme
Fly Mechanist — T.J. Haunui
Set Construction — Grant Reynolds – Zorp Creative
Revolve supplied by — Scenic Solutions Ltd
Consultant Psychotherapist — Rachel Davies
Publicity — Bridget de Launay
Victoria University of Wellington, International Institute of Modern Letters Placement — Amelia Jean Addis
Girls & Boys by Dennis Kelly received its world premiere at the Royal Court Theatre, London, by the English Stage Company, on Thursday 8 February 2018, in a production directed by Lyndsey Turner. The production transferred Off-Broadway, opening at the Minetta Lane Theatre, New York, on Tuesday 12 June 2018. The New Zealand premiere of Girls & Boys was directed by James Kiesel in a production by Red Scare Theatre Company opening on Tuesday 31 May 2022 at Sustainability Trust, Wellington.
This is the sixth production in Auckland Theatre Company’s 2024 season, previewing from Tuesday 10 September and opening on Thursday 12 September 2024 at ASB Waterfront Theatre. Please switch off all noise-emitting devices.
CONTENT ADVICE: This performance contains offensive language, graphic descriptions of family violence, murder and suicide, sexual references, and depictions of psychological distress. It is not suitable for anyone younger than 18 years of age.
Haere Mai Welcome
Welcome to the sixth production of our 2025 season.
Playwright Dennis Kelly’s Girls & Boys has been a sensation in London and New York. Our version has been made by a group of artists I have the highest regard for.
We are delighted by the return of the very in-demand director Eleanor Bishop. While in Auckland directing this production, Eleanor has another at the Edinburgh Fringe, and has just completed her first short film, made as part of A Wave in the Ocean, Dame Jane Campion and Philippa Campbell’s visionary film intensive.
Actor Beatriz Romilly, a well-established name in London, now resident in Aotearoa, caught our attention with her star turn as Edmund in 2023’s King Lear. I had to find Beatriz a play to showcase her extraordinary range, and in Girls & Boys, Beatriz is nothing short of astonishing.
Joining Eleanor and Beatriz is a powerhouse of artists in composer Victoria Kelly, making her debut with Auckland Theatre Company, and much-loved retuners in set and costume designer Tracy Grant Lord, mime director Barnie Duncan, sound designer Te Aihe Butler, and lighting design by Filament Eleven 11’s Rachel Marlow and Bradley Gledhill.
In Girls & Boys, Dennis Kelly is provoking us to think about the potential catastrophic consequences of toxic male identity. He asks us to consider what led to the particular events of this story. This story is fictional, but rooted in the brutal facts. In the tradition of ancient Greek theatre, most pertinently exemplified in Euripides’ Medea, we, the spectator, look directly at the tragedy. By staring it in face we may not find an answer, as art rarely offers a neat solution, but in the apotheosis we experience theatrical catharsis; a release of emotions.
Ngā mihi,
Jonathan Bielski
Artistic Director & CEO
Auckland Theatre Company
DENNIS KELLY | Playwright
Dennis Kelly is an internationally acclaimed writer, with plays performed in more than 30 countries. He received a Tony Award for Matilda The Musical. Stage plays include Debris (Theatre 503/ Battersea Arts Centre, 2003), Osama the Hero (Hampstead Theatre, 2004), After the End (Paines Plough, Traverse Theatre, Bush Theatre, 2005), Love and Money (Young Vic/Manchester Royal Exchange, 2006), Taking Care of Baby (Hampstead Theatre/Birmingham Repertory, 2007), DNA (National Theatre, 2008), Orphans (Paines Plough, Traverse Theatre, Soho Theatre and Birmingham Rep, 2009), The Gods Weep (Royal Shakespeare Company, 2010), The Ritual Slaughter of Gorge Mastromas (Royal Court, 2013), Girls and Boys (Royal Court, 2017) and The Regression (Berliner Ensemble, 2021). For Television Dennis co-wrote/ created Pulling (BBC3, BBC2, 2006-09), wrote/created Utopia (Channel Four, 2013-14), wrote/created The Third Day (Sky & HBO, 2020), and wrote/created the Bafta winning Together (BBC2, 2021). For film he wrote the screenplay for Black Sea, directed by Kevin MacDonald and most recently adapted his book of Matilda The Musical (Sony, Netflix, 2022) for the screen to wide acclaim.
Note from the Director
At the heart of great theatre is great writing and it’s been a pleasure to delve deeply into the brilliant play that is Girls & Boys .
While making this production, I’ve been thinking a lot about motherhood and the ways in which we raise children, the unconscious messages we might be passing on, how good we’ve become at examining gender and power imbalances, and how much we still don’t see. How trivial it can seem these days to talk about various identifiers like gender but, actually, how tectonic these forces are.
What I love about Girls & Boys is how Dennis Kelly’s play encompasses all of this, straddling the intimate and the epic, the mundane and the profound. I trust we will all recognise something of ourselves, or those we know, in the story.
It is always a privilege to get to work on the ASB Waterfront stage, a stage which demands big ideas, big feelings and requires us all to dig deep. I’m excited to see this work meet you, the audience and to see what you will take from it. Thank you for being here.
ELEANOR BISHOP | Director
Eleanor Bishop is a director and writer working across theatre, opera and film. She has been described as “one of New Zealand’s most daring, intelligent, and political directors” (The Theatre Times).
She works closely with writer/performer Karin McCracken as EBKM and their works include Gravity & Grace, Heartbreak Hotel and Yes Yes Yes. The latter is an award-winning play about consent for young people, which has toured to Australia, Canada, Serbia and Iceland and been translated into multiple languages. EBKM was the winner of the Bruce Mason Playwriting Award in 2022, the first time in the awards history it has been given to a partnership.
Eleanor has a long association with Auckland Theatre Company and her highlights for the company include BOYS (adapted from Greg McGee’s Foreskin’s Lament) and a new online version of Anton Chekhov’s The Seagull, produced during the pandemic. In 2023 and 2024, she is a member of Jane Campion’s Pop Up Film Intensive, A Wave in the Ocean, supported by Netflix, and she has just shot her first short film.
Synopsis
It’s a story we’re all familiar with: an unexpected meeting at an airport leads to an intense and passionate love, where the two fall head-over-heels for each other. It doesn’t take long for the pair to settle down, buy a house, have two squabbling kids – Leanne and Danny, and get lost in the mundane domestic life. But the relationship unravels as her star continues to rise and his starts to fade, and with this unravelling comes a drastic and heartbreaking turn of events.
If you or someone you know needs information or support, the following organisations may be helpful. They are available 24 hours a day, seven days a week: ARE YOU OK?
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LIFELINE
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HELPLINE
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WOMEN’S REFUGE
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Cast
BEATRIZ ROMILLY
Performer
Beatriz Romilly is a bilingual actress of Spanish descent who trained at Drama Centre London under Reuven Adiv. Beatriz’s prolific theatrical career includes leading roles at The Globe Theatre in London, and more than 100 shows on London’s West End in 2:22 A Ghost Story, starring alongside Tom Felton and Mandip Gill. For Auckland Theatre Company, Beatriz has starred in Grand Horizons, King Lear and, now, the solo show Girls & Boys. On screen, Beatriz will appear in upcoming murder mystery series A Remarkable Place to Die, after playing villainous psychotherapist ’Julianne Kent’ on Shortland Street. She also works as a motion capture and voice-over artist, voicing several characters in the upcoming animated film I, Object, and in gaming franchises such as Assassin’s Creed and LEGO Star Wars.
Creative
TRACY GRANT LORD Set & Costume Designer
TRAINING: Bachelor of Spatial Design, Auckland Institute of Technology Te Whare Takiura o Tamaki Makau Rau (1997); Winston Churchill Memorial Fellow (1987).
FOR ATC: Grand Horizons; The Audience; Mrs Warren’s Profession; Billy Elliot the Musical; Fallen Angels; Guys and Dolls; Poor Boy; Le Sud; Oliver!; Four Flat Whites in Italy; The Female of the Species; The Crucible; High Society; The Graduate; Travesties; Take a Chance on Me; The Judas Kiss; A Streetcar Named Desire; Wit; Collected Stories; Vita and Virginia; The Herbal Bed; Masterclass; The Wind in The Willows; Arcadia; Dancing at Lughnasa.
OTHER THEATRE: Melbourne Theatre Company: A Doll’s House, Part 2; The Distance; Private Lives; True Minds; Queen Lear; His Girl Friday; Rock ’n ’Roll; The Importance of Being Earnest; The Glass Soldier; Les Liaisons Dangereuses; The Blue Room; Inheritance; Measure for Measure; The Herbal Bed; Arcadia; Hysteria; Sydney Theatre Company: Sex with Strangers; In the Next Room; The Miser; The Threepenny Opera; Queensland Theatre: Twelfth Night; Black Swan State Theatre Company: Day One; A Hotel; Evening.
OTHER: Royal New Zealand Ballet: A Midsummer Night’s Dream; Ihi FrENZy; The Firebird; Cinderella; Salute; Romeo and Juliet; Abhisheka; The Wedding; The Australian Ballet: Relic; Queensland Ballet: Dangerous Liaisons; The Sleeping Beauty; Tulsa Ballet: The Nutcracker; Tchaikovsky: The Man Behind the Music;
New Zealand Opera: The Unruly Tourists; Cosi Fan Tutte; (m)Orpheus; Le Nozze di Figaro; Semele; The Barber of Seville; The Turn of the Screw; Die Fledermaus; Il Trovatore; Don Giovanni; The Magic Flute; The Flying Dutchman; The Marriage of Figaro; Opera Australia: Rigoletto; Falstaff; Mercury Theatre: Turandot; Don Giovanni; Faust; Lucia di Lammermoor; La Traviata; Carmen; Geneve Productions: La Traviata; Carmen.
TRAINING: Victoria University of Wellington and Royal Holloway, University of London, Bachelor of Arts (2008); Unitec.
FOR ATC: Production design: Hyperspace; Things That Matter; Basmati Bitch; Scenes from a Yellow Peril; Lighting & video design: The Made; The Resistance (co-production with ATYP); Lighting design: Black Lover; 48 Nights on Hope Street; Single Asian Female; Rosencrantz & Guildenstern Are Dead; Red Speedo; My Own Darling; Sons; Kings of the Gym; Little Shop of Horrors; Well Hung; The Twits; Stepping Out; Design For Living; The Female of the Species; Who Needs Sleep Anyway?; The Tutor; My Name is Gary Cooper; The Talented Mr Ripley; The Shape of Things.
OTHER THEATRE/OPERA/DANCE: Production design: Next to Normal (Court Theatre); The Strangest of Angels (New Zealand Opera); Heartbreak Hotel (EBKM); Scatter Gun; Every Brilliant Thing (Silo Theatre); The Savage Coloniser Show (FCC); Lighting & video design: Dakota of the White Flats (Red Leap Theatre); Lighting design: Owls Do Cry (Red Leap Theatre); The Writer; Night of the
Living Dead; Peter and the Wolf; The Blind Date Project; Wild Dogs Under My Skirt; Here Lies Love; Mr Burns; Boys Will Be Boys; Tartuffe (Silo Theatre).
SCREEN: Lighting design: Topp Class: Tribute to the Topp Twins (Neon, Prime); Stand Up Aotearoa (TVNZ); Class Act (PANGO – TVNZ).
OTHER: Rhythm & Vines festival (2022 – present); Elemental Nights (2020 – 2023 Auckland Town Hall – Live Nation); Teeks – One Night Only (Spark Arena – Live Nation); Home Brew and ABC for Tom Scott (2018 – present); Silver Scroll Awards (2018 – present); Pacific Music Awards (2017 – present); Fat Freddy’s Drop (Aotearoa shows 2020 – 2024), The Rock 2000 (2020 – present).
VICTORIA KELLY Composer
TRAINING: University of Auckland, Bachelor of Music (1994); University of Southern California, Advanced Certificate in Scoring for Motion Pictures and Television (1997).
FOR ATC: Girls & Boys is Kelly’s debut at Auckland Theatre Company.
OTHER THEATRE: Mana Wahine (Ōkāreka Dance Company); Leah; A Way of Life; A Midsummer Night’s Dream (New Zealand Actors’ Company).
SCREEN: Black Sheep; Under the Mountain (Jonathan King); Out of the Blue (Robert Sarkies); Field Punishment No. 1 (Peter Burger).
OTHER: Music Director – 2011 Rugby World Cup Opening Ceremony.
Image credit: Garth Badger
TE AIHE BUTLER
Sound Designer
Ngāti Porou, Te Whānau-a-Apanui
TRAINING: Toi Whakaari: New Zealand Drama School, Diploma in Entertainment Technology (2014).
FOR ATC: BOYS; Mrs Warren’s Profession; Basmati Bitch.
OTHER THEATRE: White-Other; The Effect; Kororāreka; Bless the Child; Body Double; Working On My Night Moves; Sing To Me; Ngā 80s; Heartbreak Hotel; Thelma and Louise Don’t Die.
OTHER: Kaiwhakahaere Pāhorangi (Podcast Manager) at The Spinoff; member of the Modern Māori Quartet. Recently, he sounddesigned and mixed The Spinoff podcast.
BARNIE DUNCAN
Mime Direction
Barnie Duncan is an actor, multi-award winning comedian and theatre maker based in Auckland. He recently won the 2024 New Zealand International Comedy Festival Fred Award for best show with Trygve Wakenshaw for their show Different Party. He is currently associate director on a show about disability and siblingdom called Siblings with Pelenakeke Brown.
FOR ATC: Paniora!
OTHER THEATRE: Different Party; Ladies Night; Bunny; Tap Head; Juan Vesuvius – I Am Your DeeJay; Constantinople; Calypso Nights; Weekend at Barnie’s.
SCREEN: Chief of War; Time Bandits; Madam; Camp Be Better; Pike; Outrageous Fortune; The Brokenwood Mysteries; Shortland Street.
OTHER: Director on Iconoclast by Johanna Cosgrove, dramaturg on For You to Know and Me to Find Out by Liv Tennet.
Image credit: Andi Crown
Accessibility
Audio-Described Performance and pre-show Touch Tour
Girls & Boys | Sun 22 Sep 4:00pm
The audio-described performance is open to all and includes a live audio commentary relayed to blind and low-vision patrons in the audience via earpieces. Patrons with accessibility tickets can also attend a touch tour, 90 minutes before the performance. Supported by:
NZSL-Interpreted Performance
Girls & Boys | Fri 20 Sep 8:00pm
The NZSL-interpreted performance is open to all and features an interpreter on stage, signing the show for Deaf and hard-of-hearing patrons in the audience. Supported by:
How to Book
Deaf/Hard-of-hearing and blind/low-vision patrons can buy tickets for NZSL-interpreted and audio-described performances for $20 each. One companion ticket per theatre-goer is also available for $20. Please contact the box office to book accessible performance tickets or if you have any special requirements.
Wheelchair Access
ASB Waterfront Theatre has eight seats and three wheelchair spaces in the auditorium, reserved for customers with special access requirements. There is stepfree, level access to all tiers of the building and to seating in the stalls. Wheelchair-accessible toilets are located on the ground floor; accessible parking is available on Madden Street.
Hearing Assistance
The theatre has a T-Loop radio frequency system to amplify the sound of the performance. If you don’t use a hearing aid or your hearing aid does not have a T setting, there is a listener unit available on request from the box office.
Assistance Dogs
Assistance dogs are welcome. We can find a seat that’s comfortable for you and your dog or arrange for the theatre staff to look after your dog during the show.
NZSL Interpreting and Signing — Platform Interpreting NZ
Audio Description — Audio Described Aotearoa Ltd
Sign up to receive news about the accessibility programme: atc.co.nz/access
Acknowledgments
Auckland Theatre Company would like to thank the following for their help with this production: Laura Davies, Scott Gazley, Andrew Gibson, Sophie Ham, Emmanuel Reynaud, Steven Schram, Creative Ambiance, ETS, JPK Systems Alice and Lokesh at Omnigraphics, Jess at PSP, Xytech.
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BACKSTAGE PASS
We’re giving you a Backstage Pass for the last 30 years of theatre with Auckland Theatre Company.
Take a glimpse at the passion behind the theatre sector in Aotearoa, the powerful need there is to tell important stories that matter to us, and the changing landscape within which this happened. Author Frances Walsh has interviewed a cast of characters to delve into some of the history of the Company, shining a light on the pivotal moments, some of the significant personalities and more than a few insights into what it takes to make theatre.
Beautifully illustrated with images from our 30-year history, this book would make a great gift for any theatre-lover.
Buy now at atc.co.nz/support/backstage-pass/ or at ASB Waterfront Theatre.
BACKSTAGE PASS
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We’re giving you a backstage pass! We’re talking to directors, actors, creatives and designers to learn more about the hard mahi that goes on behind the curtain. Come intrigued, leave inspired.
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Thank You
Auckland Theatre Company Supporters
ATC PATRONS GROUP 2024
Co-Chairs Lady Dayle Mace MNZM and Hon Justice Anne Hinton KC
Patrons Margot & Alastair Acland, Margaret Anderson, John Barnett CNZM, Betsy & Michael Benjamin, Louise & Mark Binns, Patrick Bourke, Barbie & Paul Cook, Jane & Tiff Day, Nicole & Guy Domett, Kim & Annette Ellis, Jan & Trevor Farmer, Antonia Fisher KC & Stuart Grieve KC, Virginia & Stephen Fisher, Andrew Gelonese & Michael Moore, Anna Gibbons, Dame Jenny Gibbs DNZM, Stephanie & Michael Gowan, Joséphine & Ross Green, Hon Justice Anne Hinton KC & Peter Hinton, Michael Horton CNZM & the late Dame Rosie Horton DNZM, QSO, QSM, Sally Jackson, Kate Jacobs & Chris Aughton, Stella Johnston, Judy Jordan & Trevor Bayly, Heather & Len Jury, Anita Killeen & Simon Vannini, Chris Lambert & Philippa Smith Lambert, Margot & Paul Leigh, Antonia & Tim MacAvoy, Sir Chris Mace KNZM & Lady Dayle Mace MNZM, Peter Macky, Pip Muir & Kit Toogood KC, Christine Nolan & Derek Nolan KC, Matthew Olde & Jacqui Cormack, Prue Olde, Heather Pascual, The Hon Dame Judith Potter DNZM, Robyn & Malcolm Reynolds, Fran Ricketts, Julie & Russell Tills, Noel Vautier & Kerrin Vautier CMG, Louise & Karl Von Randow, Joan Vujcich, Susan & Gavin Walker, Carol Weaver & Greg Blanchard, Lynne Webber & Priscilla McGirr, Dona & Gavin White
YOUTH COMPANY SUPPORTERS 2024
Co-Leaders Peter Macky and Joan Vujcich
Saints Aaron Boonshoft, Dame Jenny Gibbs DNZM, Sir Chris Mace KNZM & Lady Dayle Mace MNZM, Peter Macky, Joan Vujcich, Anonymous (1)
Angels Sam Baker & Elías Villinueva, Andy Eakin & Paul Boakes, Charlotte & Ian McLoughlin, Anne & Chris Morris, Simon Sinclair, Jane & Mark Taylor, Ian Webster
Cherubs Lindsay Esler, Liang Family Foundation, Karen McNeill, Carthew Neal, Keiko Pulin & Graham Astely, Annette Stewart
Friends Georgina & Stuart Anderson, Margaret Anderson, Alex & Craig Birch, Susan Buckland, Jenny & Rick Carlyon, Kim delaRosa, David Nicoll & Rosey Eady, Prue & John Gilbert, Sarah & Martin Gillman, Debbie Graham & Associates (DGA), Peggy Greenfield, Carmen & Helius Guimaraes, Bridget Hackshaw & Michael Savage, Alister Hartstonge & Roy Knill, Coriamber Hogan & Martin Kunz, Alison Holt, J Keith, Margot & Paul Leigh, Denise & Mark Lewis, Helen Neil, The Hon. Dame
Judith Potter DNZM, Sarah Powrie, Adriane Swinburn, Synnott Family, Joanne & Rob Wills, Anonymous (6)
Visionary Dame Jenny Gibbs DNZM, Jan & Trevor Farmer
Lead Prue Olde
Ensemble Barbie & Paul Cook
SUPPORTING ACTS
Standing Ovation Sandy & Alan Bulmer, Dame Jenny Gibbs DNZM, Anne Hargreaves, Valerie Linton, Anonymous (2)
Curtain Call David Inns, Rosemary Langham, Sue & Murray Lee, Caroline List, Rob Nicoll, Pam & Brian Stevenson, Stephanie Van Leuven & Nick Francis, Joanna Waddington, Anonymous (2)
Take A Bow Dale Bailey, Alastair Carruthers, Elizabeth Darlow, Lesley Fraser, Shona McCullagh, Judy & Allen McDonald, John Priestley, Sarah Sinclair, Anthea & Peter Springford, Jenny Whatman & Kerry Harvey, Anonymous (2)
Applause Susan Battye, Trish Clapham, Marilyn Eales, Bernie Fanning, Sir Roger Hall, Jane Hanley, Jan Hilder, Alan Jermaine, Helen & Robert Lane, Mindy Levene, Lynne & John Linton, Judy McDonald, Rob Mouncey, Winifred & Norm Murray, Maxine Priestley, Richard Quatermass, Brigitte Richards, Louise & Brian Rogers, Ron Russell, Georgia Smith, Kerrin & Noel Vautier, Anonymous (1)
Artistic Associate & Casting Director: Benjamin Kilby-Henson
Youth Arts Coordinators:
Dan Goodwin, Acacia O’Connor Ngāti Porou, Beatriz Romilly, Munashe Tapfuya
ARTISTIC OPERATIONS
Director, Artistic Operations & Deputy CEO:
Anna Cameron
Director, Production: Kathryn Osborne
Producer: Sums Selvarajan
Head of Learning & Participation:
Sam Phillips
Operations Manager: Lucy Gardner
Production Coordinator: Paige Pomana
Ngāti Porou, Ngāti Rakaipaaka, Rongomaiwahine
Tautai Oceania Intern: Saale Ilaua
MARKETING & TICKETING
Director, Marketing: Joanna O’Connor
Marketing Manager: Kate Shapiro
Graphic Designer: Wanda Tambrin
Marketing Executive: Maxene London
Ticketing Manager: Bruce Brown
Box Office Team Leader: Gary Hofman
Ticketing Assistants: Ella Blake Brislen, Molly Curnow, Benjamin Forrester, Talia Pua, Sophie Roberts, Sophie Watson, Tom Webster
FINANCE & ADMINISTRATION
Director, Finance: Elena Nikolaeva
Finance Officer: Dina Abramova
Accountant: Reena Mudliar
Head of Strategy: Natasha Pearce
Archives Assistant: Hazel Oh
ASB WATERFRONT THEATRE
Director, ASB Waterfront Theatre: Sharon Byrne
Co-Front of House Managers: Lucas Haugh, Dario Kuschke
Events Coordinator: Amy Robertson
Venue Technical Manager: Johnny Chen
Senior Venue Technician: Nathanael Bristow
Technical Team: Isaac Hansen, T.J. Haunui, Michael Keating, Max Manson, Aaron Mitchell, Nick Mulder, Joseph Noster
Front of House Supervisors: Billy Blamires, Jack Clarkson, Lucie Everett-Brown, Sofi Issak-Zade, Pearl McCracken, Rachael Yielder
Front of House: Cara Allen, Luke Bishop, Elliot Blakeley, Ember Burr, Ruben Cirilovic, Bailey Cropp, Mia Crossan, Sam Dawkins, Merlia De Ridder, Nat Dolan, Eugene Garry, Mary Grice, Lara Grozev, Amy Henwood, Kirsty Leggett, Vena-Rose Lennane, Prakritik Mal, Ida Munro, Demos Murphy, Carla Newton, Joseph Noster, Finlay Pinkerton, Ailsa Scott, Emily Smith, Geo Tughushi
CONTACT ATC
487 Dominion Road, Mt Eden PO Box 96002
Balmoral, Auckland 1342
P: 09 309 0390
F: 09 309 0391
atc@atc.co.nz atc.co.nz
CONTACT BOX OFFICE
ASB Waterfront Theatre 138 Halsey Street
Wynyard Quarter, Auckland
Subscriber Hotline: 09 309 3395
General Box Office: 0800 ATC TIX (282 849) boxoffice@atc.co.nz
