Theatre form

The Haka Party Incident and the New Zealand Theatre Form

The play concerns a real event that took place at the University of Auckland in 1979 and uses verbatim accounts from many of the people involved in the event and its aftermath to tell a story from multiple perspectives.

The New Zealand theatre form is constantly evolving, and any play written by New Zealanders, about New Zealanders fits the description. However, it is generally accepted that a typical New Zealand play has one or more of the following distinguishing features:

• A concern with New Zealand history

• An exploration of the New Zealand identity and our sense of belonging

• Tikanga Māori vs the world of the Pakeha

• Displacement or loss

• Archetypical New Zealand characters such as rugby players or farmers

• Colloquial New Zealand language and icons

In The Haka Party Incident Katie Wolfe draws attention to an over looked yet pivotal moment from recent Aotearoa-New Zealand history when indigenous activists challenged institutional racism head on. By using verbatim interviews with people involved, the audience experiences the event from multiple perspectives. The way colonial attitudes towards Māori have changed (or remain the same) is further explored through the weaving of historic and modern haka into the performance. Wolfe also incorporates protest songs, testimony from the Human Rights Commission and transcripts from court hearings into the script, so that institutional and colloquial New Zealand language, English and te reo Māori are heard throughout the play.