GILTRAP AUDI SEASON OF WINDING UP
2020
2020 GILTRAP AUDI SEASON OF WINDING UP
“If you’re so smart, talk the insurance company into giving us cover. One way or another, we’re going on that cruise.” — Barry
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SUPPORTING
PA R T N E R S
2020
B E N E FAC TO RS
MEDIA
PA R T N E R S
MAJOR SUPPORTERS
P R I N C I PA L PA R T N E R
UNIVERSITY PA R T N E R
FUNDERS
PA R T N E R S
FUNDER
P R I N C I PA L
PRESENTING
CORE FUNDER
GILTRAP AUDI SEASON OF WINDING UP
2020
THANKS TO THE SUPPORTERS OF AUCKLAND THEATRE COMPANY
A fresh approach to ICT managed services
Telecommunications Partner
ATC PATRONS AND SUPPORTING ACTS
2020 GILTRAP AUDI SEASON OF WINDING UP
CAST Barry — Mark Hadlow Gen — Alison Quigan
CREATIVE Playwright — Sir Roger Hall Director — Colin McColl Set Designer — John Parker Lighting and Sound Designer — Sean Lynch Costume Designer — Debbie Thearle Voice-over Artists — Andrew Grainger, Adam Gardiner and Mile Fane
PRODUCTION Production Manager — Andrew Malmo Company Manager (Maternity Cover) — Nicole Sarah Technical Manager — Kevin Greene Stage Manager — Maddy Powell Assistant Stage Manager — Chiara Niccolini Technical Operator — Andrew Furness Props Master — Ruby Read Set Construction — 2Construct
AUCKLAND THEATRE COMPANY WOULD LIKE TO THANK THE FOLLOWING FOR THEIR HELP WITH THIS PRODUCTION: Audio Described Aotearoa, Nicola Owen, Mary Schnackenberg, Roy Ward, Magazine Designer Clothing, Bay Audiology Mount Eden, Shelley Jones - Whack and Blite. The world premiere of the Giltrap Audi season of Winding Up is the first Auckland Theatre Company mainstage production for 2020 and opened on 13 February at ASB Waterfront Theatre. Following the Auckland season, it is touring to Hastings, Hamilton, New Plymouth and Tauranga. The production is approximately 2 hours including a 20-minute interval. Please remember to switch off all mobile phones and noise-emitting devices. 3 3
2020 GILTRAP AUDI SEASON OF WINDING UP
TO THE GILTRAP AUDI SEASON OF WINDING UP
We’re very pleased to continue our relationship as a Presenting Partner of Auckland Theatre Company in 2020 and delighted that the two Q2 vehicles we provide for the Company to use are of great assistance. Both Giltrap Audi and Auckland Theatre Company are in the business of performance, and we are thrilled to be presenting this premiere of Sir Roger Hall’s latest work. Arguably best known for comedies that carry veins of social criticism and pathos, Sir Roger is one of New Zealand's most successful playwrights. Combining his prowess with Colin McColl’s direction and the unsurpassed comedic talents of Mark Hadlow and Alison Quigan, the Giltrap Audi season of Winding Up is sure to be an outstanding performance indeed. If you are in the market for outstanding vehicle performance, I would like to invite you to visit us at our state-of-the-art Giltrap Audi dealership at 150 Great North Road, Grey Lynn, to test-drive our many Audi models. We are immensely passionate about our brand and our customers, and are very pleased to have so many of you here tonight. And now, from Giltrap Audi performance to theatrical performance, we very much hope you enjoy the Giltrap Audi season of Winding Up.
Gary Periam General Manager Giltrap Audi
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2020 GILTRAP AUDI SEASON OF WINDING UP
The ultimate all-rounder. All grown up.
The all new Audi Q3 It will come as no surprise that the new Audi Q3 combines luxury, sportiness and intuitive connectivity. It always has. But now it’s matured in dimension and design to become a more spacious, modern version of its best self. All grown up and out to prove that everyday performance should be anything but routine. LONG LENGTH VERSION A | 5 year Warranty | 3 year Motoring Plan | 5 year Roadside Assist
Contact us to book a test drive Giltrap Audi 150 Great North Road, Grey Lynn Auckland. (09) 336 5250 www.giltrapaudi.co.nz
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2020 GILTRAP AUDI SEASON OF WINDING UP
Colin McColl Artistic Director Auckland Theatre Company
Happy New Year! Welcome to Auckland Theatre Company’s 2020 season and the latest offering from our mostsuccessful and hugely popular playwright, Sir Roger Hall. He’s been making us laugh at ourselves for five decades – and has more than 40 plays, musicals, pantos and revues to his credit. In Winding Up, Roger revisits Barry and Gen, the couple at the centre of his 1990 hit comedy Conjugal Rites, which played all over New Zealand and internationally. It was then adapted into a television series in the UK by Granada TV. It ran there for two successful seasons. Barry and Gen are now 30 years older – proud holders of Super Gold cards! While they’re enjoying retirement after their busy professional careers (Barry was a dentist and Gen a lawyer) and planning their first European cruise, they are also facing the dilemmas that come with age – failing health, the deaths of friends, long-distance grandchildren and too much damned clutter in their lives. 6
It’s Sir Roger Hall’s great skill and playwrighting experience that manages to deal with these difficult issues and still make us laugh with recognition. As Alison Quigan commented, “He picks up exactly on what his audience wants to talk about.” However, it’s no easy feat to play Roger's work. You certainly need actors with comedic sensibility, but they must also be truthful and believable; to 'send up' Roger's characters is to do the work, and the audiences, a great disservice. As soon as I read this funny, sharp, poignant new work, I immediately thought of Mark Hadlow and Alison Quigan for the roles. Both are such talented performers, with many years of experience, and are brilliant exponents of Roger’s work. I knew they’d have fun working together and that the three of us would really enjoy bringing Roger's delightful new play from page to stage. We hope you’ll enjoy the result.
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GILTRAP AUDI SEASON OF WINDING UP
2020
2020 GILTRAP AUDI SEASON OF WINDING UP
Sir Roger Hall Playwright
I started writing a play about a couple in their 70s and all the problems and events in that decade, and was slowly developing them but they hadn’t really come to life. And then Gen and Barry knocked on the door and came in.
They were the characters in Conjugal Rites, my two-hander first produced at Palmerston North’s Centrepoint in 1990 (Alison Quigan was director). It was a script originally intended for television but rejected by TV here, bless them, because it eventually was on TV in the UK for two seasons. It didn’t take me long to realise that not only did Barry and Gen bring themselves, they brought with them their children and their grandchildren, none of whom we see but who are very much part of their lives. Barry was a dentist, Gen a lawyer. Both are retired (but that doesn’t stop people asking them for advice). In Conjugal Rites, their marriage was a bit rocky and went through some crises but they saw them through. When the original Conjugal Rites was on stage at the late-lamented Fortune Theatre, one couple left at half-time because, 8
“We can get all this at home”. I hope audiences will recognise the situations seen on stage in Winding Up but stay to the end. I’m delighted to be back with Auckland Theatre Company and honoured that my play is to open the year. Equally, I'm delighted that the show is being toured to Hastings (at the newly renovated Opera House), Hamilton, New Plymouth and Tauranga. To enlist Alison Quigan and Mark Hadlow is a dream cast and it's a bonus to add ATC’s top production team. Whether it all works remains to be seen –that’s for the audience to decide. I’m always being asked, “Are you still writing?” Well yes, almost every day. It’s what I do and what I enjoy. “Am I writing one now?” Yes, I am. Whether I will finish, or it will finish me remains to be seen. And the oldest person in it is a long way from holding their gold card.
2020 GILTRAP AUDI SEASON OF WINDING UP
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CAST
MARK HADLOW
ALISON QUIGAN
MARK HADLOW Barry
ALISON QUIGAN Gen
Mark Hadlow (ONZM) is one of New Zealand’s best-known actors. Mark has appeared in dozens of films and several television series and commercials, and has completed radio voice-overs in the thousands. Mark has played many roles in Peter Jackson films, including The Hobbit trilogy, Meet the Feebles, King Kong and Mortal Engines. He has more than 160 plays under his belt; live theatre is his passion and it’s in his blood. Last year, performing in two plays at the Court Theatre in Christchurch was a significant challenge and the opportunity to deliver the lead roles in Elling and The Father was a career highlight. MAMIL, a one-man show written by his mate Gregory Cooper, has drawn a combined audience of over 50,000 in more than200 performances, and has just completed another stellar season at Centrepoint Theatre in Palmerston North. An international debut for MAMIL is planned for later in 2020. Being in the Giltrap Audi season of Winding Up – with his career-long friend and colleague Alison Quigan – will be such fun. They’ve come a long way since drama school in 1978. Put Colin McColl in the mix as director and Winding Up will be gangbusters.
Alison Quigan’s theatrical experience spans more than 40 years. In that time, she has acted in and directed over 100 plays, has written 14 original works and was the Artistic Director of Centrepoint Theatre in Palmerston North from 1987 to 2004. In 2001, Alison was awarded a Queen’s Service Medal for Services to Theatre. She is well known for her work on Shortland Street, where she played Yvonne Jeffries from 2004 to 2010. Her favourite roles include Cathy in Mum’s Choir and Mattie Fae in August: Osage County for Auckland Theatre Company. Alison’s directing work at ATC includes By Degrees in 1994, Who Wants to be 100? in 2007, The Twits in 2011, A Shortcut to Happiness in 2012, Heroes in 2015, and an annual community children’s production at Māngere Arts Centre. These productions have included Pigs on The Run, Mirror Mirror and The Wizard of Ōtāhuhu, and have become very successful, featuring 40 dancers, singers and actors, aged from 10 to 30 years. She has worked with many playwrights over the years but the one she has worked with most often is Sir Roger Hall. She has performed in, directed or produced 20 of his plays: some of them more than once. Since 2013, Alison has been the Performing Arts Manager of the Māngere Arts Centre Ngā Tohu o Uenuku where she works to support new work with emerging practitioners in South Auckland. In 2019, Alison was invited to join the ATC as a Board member.
GILTRAP AUDI SEASON OF WINDING UP
B EHIND THE SCENE S
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Image credit: Brad Fisher
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2020
CRE AT I VE SIR ROGER HALL
SIR ROGER HALL Playwright Sir Roger Hall’s first stage play, Glide Time, was produced in 1976 and was a smash hit throughout the country. Roger has been writing a stage play every year since then, along with musicals and pantomimes. He has written more than 70 sitcom episodes for TV, from Gliding On to Spin Doctors and Conjugal Rites in the UK. Recent plays have included Four Flat Whites in Italy, A Shortcut to Happiness, You Can Always Hand Them Back and Last Legs. Roger has been awarded a QSO, a CNZM, a Hon D.Litt from Victoria University and a Prime Minister’s Award for Literary Achievement. He was named a KNZM in the Queen’s Birthday Honours, 2019. 12
COLIN McCOLL
COLIN McCOLL Director Colin McColl has directed for the Norwegian National Theatre and the Dutch National Theatre, as well as leading New Zealand and Australian theatre companies. He is the only New Zealand director to be invited to present his work (Hedda Gabler) at the official Edinburgh Festival. The production played to great acclaim and, also, was presented at other festivals around the world. Colin has won Best Director at the Chapman Tripp Theatre Awards several times. Colin has been directing for Auckland Theatre Company since its inaugural season in 1993 and has directed more than 50 productions for the Company. His opera-directing credits include: Quartet (New Zealand
2020
JOHN PARKER
JOHN PARKER Set Designer John Parker is an award-winning set designer with a long history of designing for Auckland Theatre
Company. His set designs include Six Degrees of Separation, Shortland Street – The Musical, Red Speedo, Peer Gynt [recycled], Polo, A Shortcut to Happiness, Red, Mary Stuart, Stepping Out, The Importance of Being Earnest, The Wife Who Spoke Japanese in Her Sleep, The 25th Annual Putnam County Spelling Bee, End of the Rainbow, Sweet Charity, Doubt, Mum’s Choir, Taking Off, Equus, Caligula, The Bach, Middle Age Spread, The Rocky Horror Show, Noises Off, Waiting for Godot, Rosencrantz & Guildenstern are Dead, Into the Woods and The Glass Menagerie. John has also designed for the Louis Vuitton Ball and the America’s Cup Ball, Bendon’s Next to Nothing, BellSouth Pharaohs, Precious Legacy and Peru: Gold and Sacrifice for the Auckland Museum. John was awarded a Waitakere City Millennium Medal for Services to the Community and, in 2010, he was honoured by being named as an Arts Laureate by the New Zealand Arts Foundation.
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International Arts Festival 2004); La Bohème (Wellington City Opera); and The Italian Girl in Algiers, The Marriage of Figaro and The Prodigal Child (NBR New Zealand Opera). In 2009, he remounted his production of The Italian Girl in Algiers for the Scottish Opera. In November 2007, Colin was honoured for his artistic achievements and excellence at the eighth annual Arts Foundation of New Zealand Laureate Awards. He was named an Officer of the New Zealand Order of Merit in June 2010.
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2020 GILTRAP AUDI SEASON OF WINDING UP
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SEAN LYNCH
SEAN LYNCH Lighting and Sound Designer Sean Lynch has been working in New Zealand professional theatre for more than 30 years. He is a musician, actor, and lighting and sound designer. Previous sound designs include Havoc in the Garden, Flintlock Musket, Yours Truly, I Love You Bro, Tribes, The Pitchfork Disney, The Heretic, Polo, Hir, Rendered, The Daylight Atheist, Joan and Six Degrees of Separation. Previous lighting designs include Brel, Speaking in Tongues, Chicago, Angels in America, Belleville, A Streetcar Named Desire, Once on Chunuk Bair, Jesus Christ Superstar, Hudson & Halls Live!, The Book of Everything, Live Live Cinema’s Little Shop of Horrors, Hir, Rendered, The Daylight Atheist, Joan, The Audience and The Wolves.
DEBBIE THEARLE
DEBBIE THEARLE Costume Designer Debbie Thearle, originally from England, graduated in Costume Interpretation from the Wimbledon College of Arts in 1995. She has worked on TV, film, and theatre costumes for Angels Costumes in London. She spent four years in Melbourne designing and making costumes for J.C. Westend Costume Hire before heading back to the UK. She was a pattern-cutter and maker at the Mercury Theatre in Colchester. Previous costume design work includes Last Legs for Auckland Theatre Company and Shrek, Annie, Wizard of Oz and the upcoming The Little Mermaid for the National Youth Theatre Company. Deb was also the Costume Manager for The Audience with Auckland Theatre Company. She’s looking forward to designing her second Sir Roger Hall play; also, it is her second show working with Mark and Alison.
2020
AT ASB WATERFRONT THEATRE
Auckland Arts Festival presents
Auckland Arts Festival presents
Cold Blood
Dimanche
11 – 14 March
18 – 22 March
Michèle Anne De Mey / Jaco Van Dormael / Kiss & Cry Collective
Featuring elaborate scale film sets, tiny props, cinema projection, ace film technicians and a cast of performing hands, Cold Blood is a dreamy, compelling marvel. Staged in front of an audience and filmed and projected live in perfect synchronicity, it’s like nothing you’ve ever seen before.
Chaliwaté Company & Focus Company
This pure gem of visual and storytelling imagination is centred on the planet’s climate change crisis. It is a meticulously detailed show, which stirs emotion and wonder in equal measure, as performers guide intricate miniatures and lifelike puppets through richly cinematic sets to evoke a world in peril.
Auckland Arts Festival presents Barry McGovern in
Auckland Theatre Company presents the ASB season of
Watt
The Miracle Worker
25 – 29 March
7 – 23 May
By Samuel Beckett
Capturing the essence of the writer’s dark world view while amplifying his scintillating humour and wordplay, Watt will have you in raptures contemplating the absurdity of life. There’s so much more to Beckett on stage than Waiting for Godot.
GILTRAP AUDI SEASON OF WINDING UP
WHAT ’ S ON
By William Gibson
Blind. Deaf. Cast into a world of silence and darkness at the age of 19 months, young Helen Keller has been robbed of the most basic of human abilities: the ability to communicate. Discover the story behind the legend as ATC proudly brings this must-see, emotionally uplifting theatre classic to a new generation. 15
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GILTRAP AUDI SEASON OF WINDING UP
2020
2020
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2020 GILTRAP AUDI SEASON OF WINDING UP
BOARD OF DIRECTORS
FINANCE AND ADMINISTRATION
Chair: Vivien Bridgwater Karen Fistonich Isaac Hikaka Katie Jacobs Derek McCormack Graeme Pinfold Alison Quigan
Finance Manager: Kerry Tomlin
LEADERSHIP Chief Executive: Jonathan Bielski Artistic Director: Colin McColl ONZM Executive Director: Anna Cameron CREATIVE Associate Director: Lynne Cardy Literary Manager: Philippa Campbell Youth Arts Coordinator: Mile Fane PRODUCTION Production Manager: Andrew Malmo Company Manager: Elaine Walsh Company Manager (Maternity Cover): Nicole Sarah MARKETING AND COMMUNICATIONS Marketing and Communications Manager: Natasha Gordon Publicists: Siobhan Waterhouse and Vanessa Preston
Senior Accountant: Nick Tregerthan Senior Accounts Administrator: Michelle Speir Company Administrator: Jan Pitout Administration Coordinator: Jade McCann Executive Administrator: Natasha Pearce ASB WATERFRONT THEATRE Venue Technical Manager: Johnny Chen Senior Venue Technician: Antonia Richardson Ticketing Manager: Gary Barker Food and Beverage Manager: Michael Hemmerde Arrieta Front of House Manager: Ralph Corke Ticketing Executive: Andrea Bartlett Ticketing Administrator: Joni Nelson Events and Sales Manager: Tracey Rowe Event Coordinator: Camille Rees Front of House Supervisors: Rachael Yielder and Gary Hofman CONTACT ATC 487 Dominion Road, Mt Eden PO Box 96002 Balmoral, Auckland 1342 P: 09 309 0390 F: 09 309 0391 atc@atc.co.nz atc.co.nz
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2020 GILTRAP AUDI SEASON OF WINDING UP
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