Audience Magazine | Louisville Arts & Entertainment | April 2023

Amy Higgs Managing Editor

THE BEST IS YET TO COME

G. Douglas Dreisbach Publisher

For us at Audience Magazine, Louisville’s performing arts create a force as fundamental as breathing. They are sustenance, they are lifegiving, and they are most certainly indispensable. In this issue, we’re proud to highlight a few announcements and upcoming performances that clearly illustrate why.

Speaking of announcements, we want to offer up a huge congratulations to Leslie Smart for her new role as the Louisville Ballet’s Executive Director. Not only does she have extensive experience in nonprofit leadership, she has an incomparable passion for the ballet — a former dancer, her entire family has been involved with the organization at one time or another.

We’re also thrilled to see the addition of lots of new stops on the Shakespeare in the Parks tour. With a whopping 37 locations on the schedule this spring, there’s no excuse to miss Kentucky Shakespeare’s newest production of Hamlet

You also don’t want to miss The Texas Tenors, performing with the Louisville Orchestra on April 7. The blend of their three exceptional voices is sure to knock your socks off.

According to Fund for the Arts President & CEO Andre Kimo Stone Guess, access to and participation in the arts is a right, not a privilege, and we couldn’t agree more. His leadership in the local arts community is one of the reasons it remains so healthy and vibrant. We had a wonderful conversation with Andre (see page 20), but he had so many great things to share, we couldn’t fit them all in here! Check out the full interview at Audience502.com.

Oh, and Broadway is back, baby! Every single show in the 2023-24 promises to be epic, and we could not click “subscribe” fast enough. Thanks to our generous advertisers for allowing us to bring you these stories and more, free of charge.

We’re looking forward to feasting at the table of the performing arts this spring. Just say the word, and we’ll pull you up a chair!

Bon Appetit, Amy & Doug

A city's art must give the impression that art is as indispensable a thing as water, or food.”

– Author Pier Giorgio Di Cicco

THE BARD ON TOUR

ART FOR ALL

PUBLISHER

The Audience Group, Inc.

G. Douglas Dreisbach

MANAGING EDITOR Amy Higgs

CREATIVE DIRECTOR

Rhonda Mefford

SALES & MARKETING

G. Douglas Dreisbach

CONTRIBUTORS

Bill Doolittle

G. Douglas Dreisbach

Photo by Steve Thrasher. Read more on page 24

A behind-the-scenes look into Louisville’s performing arts and entertainment during this unprecedented time of reflection and artistic creation. © Copyright 2023. The Audience Group, Inc. Reproduction in whole or part

THE STAGE IS SET

2023-24 SEASON

by G. Douglas Dreisbach

We’re in for another thrilling run of Broadway hits!

PNC Broadway in Louisville’s 2023-24 season is loaded with five premieres and the longawaited return of worldwide sensation, Wicked, which kicks off the series in the fall.

It’s followed by TINA – The Tina Turner Musical, which tells the inspiring story of a woman who broke barriers and became the Queen of Rock n’ Roll. Set to the pulse-pounding soundtrack of Turner’s most beloved hits, this electrifying tribute will send you soaring to the rafters.

In winter 2024, an unforgettable theatrical experience filled with spectacular special effects, stunning sets and costumes, and powerhouse performances, Disney’s Frozen will play for two weeks at The Kentucky Center. Next up is a truly hilarious whodunnit, Clue, based on the cult 1985 Paramount movie and inspired by the classic Hasbro board game.

Then, the six wives of Henry VIII will take the microphone to remix 500 years of historical heartbreak into a euphoric celebration of 21st century girl power when SIX rules the stage next spring. The incredible season will conclude with the smash hit Beetlejuice, a musical comedy about making the most of every “Day-O.”

“We are so thrilled to bring five hot, new Broadway shows to Louisville and welcome Wicked back after eight years,” said Leslie Broecker, President of PNC Broadway in Louisville. “We have been carefully curating this season for many months and expect to welcome new Broadway fans with such a dynamic season. There really is a show for everyone and plenty of family-friendly options.”

SEASON PREVIEW

2023 - 2024

We have been carefully curating this season for many months and expect to welcome new Broadway fans with such a dynamic season. There really is a show for everyone and plenty of family-friendly options.

− Leslie Broecker

For the 30th year, founding sponsor PNC Bank returns as the title sponsor for the series, which has generated more than $500 million in local economic impact during the past three decades.

“As a national main street bank, PNC recognizes the importance of the arts in driving economic growth and contributing to the vibrancy of our region,” said Kristen Byrd, PNC Regional President for Louisville. “In addition to helping bring worldclass productions to Louisville, this sponsorship has made it possible for students in our community to see touring Broadway productions, while providing additional engagement and educational opportunities.”

Prices for five-show season packages (which include TINA - The Tina Turner Musical, Frozen, Clue, SIX, and Beetlejuice) range between $209 and $737. Add Wicked for a six-show package, with prices ranging from $260 to $860. Prices vary depending on seat location.

For more information or to purchase tickets, call 502-561-1003 or visit louisville.broadway.com.

 The Company in the National Tour of WICKED. Photo by Joan Marcus.

WICKED

September 20 – October 8, 2023

So much happened before Dorothy dropped in. Wicked, the Broadway sensation, looks at what happened in the Land of Oz, but from a different angle. Long before Dorothy arrives, there is another young woman, born with emeraldgreen skin — smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the unlikeliest of friendships — until the world decides to call one “good,” and the other one “wicked.”

From the first electrifying note to the final breathtaking moment, Wicked — the untold true story of the Witches of Oz — transfixes audiences with its wildly inventive story that USA Today cheers is “a complete triumph! An original musical that will make you laugh, cry, and think.”

TINA THE TINA TURNER MUSICAL

November 28 – December 3, 2023

There is only one Tina, Her voice is undeniable. Her fire, unstoppable. And her triumph is like no other.

An uplifting comeback story like no other, TINA – The Tina Turner Musical is the inspiring journey of one of the world’s best-selling artists of all time. With 12 Grammy Awards, Turner’s live shows have been seen by millions, with more concert tickets sold than any other solo performer in music history.

Featuring her much-loved songs, TINA – The Tina Turner Musical is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.

DISNEY’S FROZEN

January 24 – February 4, 2024

From the producer of The Lion King and Aladdin, the Tonynominated Best Musical, Frozen is now on tour across North America.

The critics rave, “It’s simply magical!” (L.A. Daily News). Heralded by The New Yorker as “thrilling” and “genuinely moving,” Frozen features the songs you know and love from the original Oscar-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez.

Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.

Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.

TINA - The Tina Turner Musical

Disney's Frozen

PHOTO BY EVAN ZIMMERMAN FOR MURPHYMADE PHOTO BY DEEN VANMEER.

CLUE

March 5 – 10, 2024

Murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench?

Based on the movie and board game of the same name, Clue is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist.

SIX

April 9 – 14, 2024

From Tudor Queens to Pop Icons, the six wives of Henry VIII take the stage in this new, original musical that’s the global sensation everyone is losing their head over!

SIX won 23 awards in the 2021-22 Broadway season, including the Tony Award for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical.

The New York Times says SIX “totally rules!” (Critic's Pick) and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!"

The SIX: Live on Opening Night Broadway album debuted at No. 1 on the Billboard cast album charts and surpassed 6 million streams in its first month.

BEETLEJUICE

May 14 – 19, 2024

It’s showtime! He earned his stripes on Broadway, and now the ghost-with-the-most is coming to Louisville!

Based on Tim Burton’s dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

With an irreverent book, an astonishing set, and a score that’s out of this Netherworld, Beetlejuice is “screamingly good fun!” (Variety). And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every “Day-O!”

Clue

PHOTO BY JOAN MARCUS

Beetlejuice

LAKE BARKLEY STATE RESORT PARK

Miles of shoreline and undeveloped forest in Cadiz, Kentucky

Few settings are more spectacular than sunset at the Lake Barkley State Resort Park lodge. The outdoor pool overlooks the broad expanse of the lake, as the setting sun reflects off the water. In the distance, you may see boats motoring in for the evening. Perhaps you repair to Windows on the Water, the lodge’s onsite restaurant, for dinner with more beautiful views of the lake. You may order one of the specialties, such as the Hot Brown or catfish, along with a glass of a Kentucky wine or bourbon. These are the kinds of pressing decisions you may consider as you settle in at Lake Barkley. Situated near Land Between the Lakes National Recreation Area, which features miles of shoreline and one of the largest blocks of undeveloped forest in the eastern United States, the resort park serves as a peaceful retreat.

In case you need more lake views, the Lake Barkley lodge provides them from private balconies of most of the 120 rooms and suites. For a more spacious accommodation, book one of the 13 cottages, which are open year-round. If you wish to be closer to nature, the campground opens on April 1.

Bring your mountain bike to explore the seven miles of available trails, plus many more at Land Between the Lakes. For birdwatching enthusiasts, more than 200 avian species can be seen or heard in the park. Stop by the lodge office to rent fishing equipment, book your license online, and then head to the marina to cast a line. You may reel in Kentucky bass, bluegill, channel catfish, or crappie, among other types of fish.

In the summer, dine at the marina’s grill while listening to live music. Half a mile from the lodge, the marina offers ample opportunity for boating, with 150 covered slips, 54 open slips, daily slips, and a launching ramp. With 1,000 miles of shoreline, there is a reason why Kentucky Living magazine voted Lake Barkley as the best boating lake in the state.

As warm weather arrives, take a dip at the lake’s public beach, which has plenty

of space for spreading out your beach towel. A volleyball court and a bathhouse are also on hand.

Trap shooting is also available in the summer, with 12-gauge shotguns and clays included. Private shoots may be arranged upon request.

Load up your golf cart with a complimentary cooler for a day of championship golf at the 18-hole Boots Randolph Course, which also features a pro shop. Continue the play after dark with two lighted outdoor tennis courts.

Looking for more ways to stay active?

In addition to standard workout equipment, the fitness center includes a racquetball court, steam room, and a heated indoor pool. Water aerobics classes are also available.

For rainy day activities with the family, visit the game room, which includes video games, pool tables, ping pong tables, and checker tables.

Secure your unforgettable sunset view by reserving a stay at Lake Barkley State Resort Park at Parks.ky.gov. Be sure to check out Kentucky’s other 45 state parks, including 17 resort parks with restaurants, 30 campgrounds, and 13 golf courses.

SHOWSTOPPING TALENT

THREE SINGULAR VOICES TWINE TOGETHER TO MAKE THE TEXAS TENORS

by Bill Doolittle

The musical word is “timbre,” a French term pronounced “tam-ber,” meaning the quality of a tone. The way it sounds. And it’s what each of The Texas Tenors has distinctly to himself, says Louisville Pops conductor Bob Bernhardt, who will present the Tenors in concert with the Louisville Orchestra, Friday, April 7, in Whitney Hall.

“Each of the three has a different timbre, their voices are different,” says Bernhardt. “That’s excellent for the variety of the show, but it’s also important that those different voices work together when they are singing as a trio. And that’s what they have — a very wonderful blend that really works.”

“Works,” Bernhardt adds. “And in some ways inspires.”

Which is a perfect quality for the many varieties of song

The Texas Tenors sing, from Broadway to gospel to patriotic to opera to … well, to just plain old love songs.

That includes hits by the Righteous Brothers, a duo who could wind a song up, and pour it on. The Texas Tenors sang the Righteous Brothers’ hit “Unchained Melody” as part of the portfolio of tunes they rolled out as they reached the finals of the network TV show “America’s Got Talent” in 2009.

After the group became one of the most successful graduates of that show, The Texas Tenors were invited back in 2019 to reprise the moment, choosing to perform a dramatic version of “Unchained Melody” that begins with each of the singers stepping forward one at a time to take a solo — then soaring off together on the wings of song.

PERFORMANCE PREVIEW

April 7, 2023

as the idea

who

they might conjure, as three up-and-coming young singers — all

Marcus Collins is the first of the tenors stepping forward in the clip, followed by J.C. Fisher, with John Hagen capping the intro singing in Italian. Pretty cool effect.

ALL-AMERICAN ROOTS

Two of The Texas Tenors hail from Texas, with one from Kansas, and their voices sound like it — each with its own … timbre.

Before they formed their trio, Collins sang pop songs and added classical training before landing on Broadway and acting in TV dramas. Hagen followed the operatic trail, singing Alfredo in La Traviata and Otello on tour with the Cleveland Opera. Fisher, with more of a country music background, found the classics in music school at Wichita State, singing roles in Mozart and Puccini operas — and capping his collegiate career with a duet sung with Miss America for the Miss Kansas pageant.

 The Texas Tenors began

of J.C. Fisher,

invited friends John Hagen and Marcus Collins to see what kind of magic

tenors. Photo courtesy of The Texas Tenors.

 VIDEO: Watch The Texas Tenors, J.C. Fisher, Marcus Collins, and John Hagen, perform "Unchained Melody" on "America's Got Talent."

Sounds very All-American — with a dash of European opera and the flair of the Great White Way. The Texas Tenor’s repertoire flies all around, but never strays too far from Home Sweet Home.

“It has some Americana, and a little patriotic flavor — Americana flavor,” says Bernhardt. “There’s some country in it, and some western American. Not country-western, but American West, like we’re doing something from ‘The Magnificent Seven.’ There’s a tinge of gospel in it, and then a significant Broadway section — from Rogers and Hammerstein to Leonard Bernstein.”

Sounds like the lads have found a recipe for success. And their formula for fame includes a namesake model.

“It’s really interesting, you know,” says Bernhardt. “The whole thing with the tenors started, of course, with the Three Tenors of 25 years ago — Luciano Pavarotti, Placido Domingo, and Jose Carreras — and this is kind of a contemporary take on that.”

It’s also another nod to the magic of small ensembles.

It can be the blending of different instruments or voices; like the way the Brahms Trio spellbindingly combines a piano, violin, and cello. Or similar voices like the Andrews Sisters, with harmonies held closely among themselves. The Righteous Brothers did it with two voices. The Four Tops covered octaves from top to bottom. The Statler Brothers worked it from the bottom up. Or, it could be four singer strummers stretched across the California sunset as Crosby, Stills, Nash, and Young.

So many ways to team up. Though, who would have ever thought of Tony Bennett and Amy Winehouse!

Bernhardt says The Texas Tenors reach audiences with a fastpaced show and an ever-changing list of songs. Plus that one song, which Bernhardt predicts for the Louisville Pops show will be a Rogers and Hammerstein hit from “South Pacific.”

“Some Enchanted Evening,” says Bernhardt. “That’ll be the showstopper.”

For more information or to purchase tickets, visit LouisvilleOrchestra.org

Eats

The restaurants below are certified and recommended by Audience as premium places for pre-show dinner, drinks or mingling. Let them know we sent you!

LOUISVILLE BALLET WELCOMES NEW EXECUTIVE DIRECTOR

Leslie B. Smart brings extensive experience in leadership and dance

by Amy Higgs

Louisville Ballet has appointed Leslie B. Smart as Executive Director, effective April 1. She brings extensive experience in philanthropy and nonprofit management, and has held numerous executive leadership roles in the arts, environmentalism, faith, health care and education.

Her experience includes cultivating regional donor bases to effectively grow institutions across a variety of nonprofit sectors. She has spearheaded multimillion-dollar fundraising campaigns, implemented strategic planning programs for major gift drives, managed multiple nonprofit organizations, secured federal and community development grants and deployed marketing and communications efforts to support development initiatives.

“Leslie brings a perfect combination of career experience, leadership strength and even personal history to this job,” said Ralph de Chabert, President of Louisville Ballet board of directors.

“She is that rare leader who understands the artistic side of Louisville Ballet, but also has a firm grasp of the business and development side. We are incredibly lucky to have her join our organization at this critical moment in Louisville Ballet’s history.”

A LIFELONG LOVE OF DANCE

This new position brings Smart’s personal life and career full circle. Her background in the arts started at the age of seven when she studied ballet under Cecile Heller, who danced with the Roland Petit Ballet and later would lead the University of Louisville Dance Academy. Smart danced in many Louisville Ballet performances of The Nutcracker along with her sister, Lisa Hayes Matthews, and both would go on to join Louisville Ballet in the 1970s, performing lead roles.

Smart and her sister studied under the direction of three of the five artistic

directors in the past 71 years since Louisville Ballet was established. In addition, they studied at the Cincinnati Conservatory of Dance and at School of American Ballet at Juilliard, the official school of the New York City Ballet –where Louisville native and former principal dancer, Wendy Whelan, is now Artistic Associate Director.

Smart’s daughter, Emily Buddeke, studied at the Louisville Ballet School and her son, Charles Buddeke, was a founding member of the Relevè Society supporting Louisville Ballet. Her mother, Anne Fears Hayes, an accomplished pianist and opera singer, also served as a volunteer costume seamstress during Smart’s dancing tenure at the ballet. Her history with the arts and specifically Louisville Ballet comes complete with personal family connections, broadening her personal understanding of the impact of Louisville Ballet across the community.

For more information, visit louisvilleballet.org

THE BARD ON TOUR

Kentucky Shakespeare brings Hamlet to 37 parks April 1 - May 22

by Kentucky Shakespeare

and ensemble nature of the spring tour puts the focus on the words and the actors themselves. our production puts the focus on the words and the actors themselves, allowing each audience an intimate experience with the story right in their neighborhood.”

The production features an ensemble cast of seven actors, starring Adama Abramson as Gertrude, Brennen Amonett as Hamlet, Ilana DeAngelo as Ophelia, Jared Brandt Hoover as Polonius, Chase Howard as Horatio, Jason Pavlovich as Laertes, and Louis Robert Thompson as Claudius. The ensemble cast also plays multiple other supporting characters.

The production also features set design by Eric Allgeier, sound design by Alexandra Biscardi, costume design by Donna Lawrence-Downs, and fight choreography by Eric Frantz, with Ryan Bennett as the stage manager. The script is adapted by dramaturg Gregory Maupin.

Kentucky Shakespeare will also tour the production to schools across the state, as part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest.

For a complete list of dates and locations, visit Kyshakespeare.com/ season/parkstour.

ART FOR ALL

FUND FOR THE ARTS IS WORKING TO MAKE LOUISVILLE A ‘CITY OF ARTISTS’

by G. Douglas Dreisbach

The Fund for the Arts is one of the most important organizations that’s dedicated to the local arts community. Founded in 1949, it’s one of the two oldest United Arts Funds in the country. The focus of the group is to support, promote, and develop the arts, artists, and arts organizations to help create a healthy and vibrant community for all.

FFTA’s vision is for a community where everyone embraces the art that exists in our lives every day, everyone contributes to the well-being of our arts community, and everyone belongs.

Audience Magazine caught up with President & CEO Andre Kimo Stone Guess, a Louisville native who grew up in the Smoketown area, and accepted what he considers the right job at the right time just two years ago.

Andre’s energy, compassion, and dedication to the local arts scene is inspiring and we were excited to hear what he’s been doing in his first two years, what he is working on now, and his hopes for the future.

Below is an excerpt from the conversation. To read or listen to the full interview, visit Audience502.com

G. Douglas Dreisbach: Congrats on your first couple of years at Fund for the Arts. How have things been so far? Has the position been what you thought it was going to be, or have there been some surprises?

Andre Kimo Stone Guess: I didn’t really have any expectations, one way or the other, going in. I was going to look at the challenges and the opportunities as they presented themselves.

But having said that, I’ve enjoyed every single day. It’s a blessing and an honor to be able to wake up every day and have the opportunity to move the needle on something that you care so much about, particularly here in my hometown.

GDD: Your passion to make Louisville a great city through the arts and different avenues that Fund for the Arts provides is exciting. How have you implemented that vision? What do you feel that you have accomplished so far? Tell us about the “I Am An Artist.” campaign, and do you feel it has accomplished the goals as intended?

AKSG: If you think about the way that the arts has been viewed traditionally, not just in Louisville — this is through the course of my career in different places, whether it be New York or Pittsburgh — a lot of times we can look at the arts as being someplace you go to experience the arts. So, art is really an

Audience Publisher Doug Dreisbach and Andre Kimo Stone Guess catch up at a recent Fund for the Arts community event.

 As leader of one of Louisville's key funding organizations, Andre Kimo Stone Guess is working to connect residents with the city's vibrant arts community.

− Andre Kimo Stone Guess

external experience from you. And one of the things I reflected upon, and we sort of found out firsthand during the pandemic, is that art is inside of us. And it really is a connection that we make to the arts that we go to, that can make that experience really a vibrant one.

In order to make sure that we, No. 1, created an arts ecosystem — not created, but we were able to have an arts ecosystem where everyone can engage, and everyone can be a part of it — you really have to make the appeal to the person, not about necessarily the art that they’re going to, but it’s like, “What is it about you that makes you susceptible, and makes you want to engage with art along the different continuums and disciplines that we find in art?”

The way that I believe you can do that, and the way that we sort of take it on as an opportunity to do that, is the “I Am An Artist.” campaign, which is the belief that art is a right, not a privilege. [That’s] because art is a fundamental expression of the human condition. It’s how we, as human beings, really make sense of the world. It’s how we engage. It’s how we storytell. It’s how we celebrate. It’s how we mourn. It’s really a way that we connect with others. And so, if you get down to the most irreducible essence of what it means to be a human being, and the creator spirit thereof, art is part of that.

“I Am An Artist.” is a way for us to connect with the thing that makes us unique as a human being, our creative expression, and saying loudly and proudly that that is part of who we are, whether we’re “good at it” or not. And once we’re able to make that connection to who we are as artists, that allows us to connect into those things across that continuum, so that you can bring something about your own expression to the art that you’re engaging with.

“I Am An Artist.” is really a way to start with the individual and work outward, so that we can create an entire city that will engage with art.

GDD: When you look at the importance of arts in our community, on a scale of 1 to 10, what is that number, and do you think the community also feels that art is equally as important?

AKSG: Whether we realize it, every human being on the planet creates and consumes art every day. You can’t go anywhere without hearing music. We watch television, we watch movies, we tell stories. That’s art. It’s storytelling. It’s acting. It’s scenes. It’s costumes. It’s sound.

The thing is, on one end, particularly if you think about it from the performing arts or the fine arts perspective, there is this sense that, well, I’m not really doing anything in the arts because the arts are over here. The arts are in the building somewhere that I have to go to. Yes, that’s true, but it’s everywhere, and we’re consuming it every day, but we go a step further.

Everyone creates art every day. Whether it’s you singing in the shower, you hear a little song and you want to dance to it, you doodle in the corner of a piece of paper, you create bars on some song that you heard that you create on your own, you create some creative lyrics to something — we’re all creating every day. We arrange our furniture to create more of a feng shui thing, whatever it might be, something that’s creative, that’s an expression of who we are. We’re all doing that every day.

What we’re really trying to do is bring an awareness to something that has existed since the beginning of time. We’re not trying to do anything that’s new. We’re just trying to sort of take away this aspect that there’s some line of demarcation or some separation between human beings and art. It’s always there.

GDD: If you could wave a magic wand and accomplish whatever you want, what would you do?

AKSG: We have what’s called a concentric circle model of engagement. If you think about a concentric circle model, the circle in the middle is you. It’s the individual. “I Am An Artist.” is how we engage with the individual. But if you think, as a human being, after you wake up in the morning, brush your teeth, look at yourself in the mirror, who do you engage with next? You engage with your family, your friends, and your colleagues, right?

We have “I Am An Artist.” for the individual, and the next circle out is our initiative: Arts in Learning. We believe in lifelong learning, lifelong engagement. We believe in intergenerational, lifelong learning, whether it is from taking headphones and

...every human being on the planet creates and consumes art every day. You can’t go anywhere without hearing music. We watch television, we watch movies, we tell stories. That’s art. It’s storytelling. It’s acting. It’s scenes. It’s costumes. It’s sound.

putting them on a pregnant belly to let an unborn child hear some music, all the way to sharing a poem with a loved one in hospice as they’re about to take their last breath, and everything in between.

As you go from yourself, “I Am An Artist.,” family, friends, and colleagues, to Arts in Learning, go out to the next level. You’ll probably leave the house and engage with someone in your neighborhood on your way to the car. Not unlike most communities around this country, we have a beautiful tapestry quilt of unique neighborhoods who all have their own artistic identity, artistic flair. And what we want to do is, we want to engage with and invest in neighborhoods around the community, so that they can show off that artistic uniqueness, not only for themselves, but to invite others in.

Our newest initiative is Arts in Neighborhoods. That’s one that started under my leadership because … all arts institutions are actually in neighborhoods. And the one thing that we found is that art is the great equalizer. It doesn’t matter how well off the people are in your neighborhood, or how resourced or underresourced your neighborhood is. Every neighborhood in this community has a great deal of pride in their art, the art that comes from their neighbors. Arts in Neighborhoods is a way for us to engage with them and uplift the artists they want to celebrate in their own communities.

And so, we go from individual, “I Am An Artist.,” to family, friends, and colleagues, Arts in Learning, to neighborhoods and Arts in Neighborhoods. The next rung out is institutions. That’s what the Fund for the Arts has traditionally been known for, is arts in institutions, raising money and giving them to the arts organizations for their sustainability going forward. And that’s usually where the message kind of starts, right? But notice how all of these things allow us to connect with those institutions before we even get to the institution.

If we just start at the institutions and work our way back, it’s not as effective as working from one individual and working our way from there. So, we start with the individual, “I Am an Artist.,” family, friends, and colleagues, Arts in Learning, neighborhoods, Arts in Neighborhoods, institutions, Arts in Institutions, and then the last rung is the entire community.

When we get everyone in our community to say out loud, “I Am An Artist.,” and to say what their art is, then we will have what’s called a city of artists. And a city of artists is different than a city of arts, because a city of artists is about individuals. One of the things that we’re doing as a part of our 75th anniversary is, we are working on creating an app, and the app will start with Cultural Pass. Cultural Pass gives kids and their grown-ups free access to arts and culture venues and programs while they’re out of school.

An average of about 40,000 passes go out per summer — and for now they’re a completely analogue, physical pass you pick up at the library. We’re working on an app to turn the Cultural Pass digital. So, in the near future, you’ll be able to get this app, sign up for free for a Cultural Pass, and say, “Hey, what’s going on for eight-year-olds in dance over the next week?” and go do it.

If I could wave a magic wand, every household would sign up for that app when it becomes available, identify what their art is, and tell us what they’re interested in engaging in. If they do that, we will truly have a city of artists. That’s the magic wand I would wave, so that everyone is a part of that.”

GDD: What is the best way for somebody to get more information and get involved?

AKSG: Well, No. 1 is, invest in your own art. Understand what it is about you that’s unique and creative. It doesn’t have to be music, dance, theater, visual, literary arts. What is it about you? What’s your creative expression? What’s the thing that you do? Understand what that is. Embrace it. Say out loud, “I am an artist, and my art is ____,” and then invest your time and resources in your own art, first and foremost.

From there, if you want to invest in us, find out what we’re doing, go to FundfortheArts.org . Get a ticket to an event that’s going on in one of our beautiful arts organizations. Get involved with them, either through volunteering or partaking of what they’re doing. Just find that intersection between who you are as a creative person and what’s going on out there, and get involved. And if you have resources there, we’d love to have you become a member of what we’re doing and donate as well.

For more information about Fund for the Arts, visit FundfortheArts.org.

AN ALL-STAR LINE-UP

Bourbon & Beyond Returns September 14-17

by G. Douglas Dreisbach

Danny Wimmer Presents is excited to announce the biggest Bourbon & Beyond lineup yet after a record-breaking attendance of over 140,000 in 2022. The unique festival, celebrating the perfect blend of bourbon, food and music, celebrates what makes Louisville such a beloved festival destination.

“Bourbon & Beyond is our love letter to the city of Louisville and the great state of Kentucky,” says Danny Wimmer, Founder of Danny Wimmer Presents. “We can’t wait to showcase why Louisville has become our home away from home, so having the opportunity to curate an unbelievable festival experience rooted in amazing musical performances combined with our passion for bourbon and culinary arts is our dream come true.”

Hailed by Forbes magazine as “One of America’s most unique festival offerings,” Bourbon & Beyond continues to live up

to its reputation as “The World’s Largest Music & Bourbon Festival” with a wide array of talented music acts along with the best pours and tempting eats from Kentucky’s favorite establishments.

For the first time ever on the Bourbon & Beyond stages, the festival welcomes headliners Bruno Mars, The Killers and The Black Keys, along with the return of Brandi Carlile.

“We were totally blown away by Brandi Carlile’s performance last year,” Wimmer says. “She is the voice of a generation and her set had such an impact on the crowd, we immediately knew we had to bring her back as a headliner. Having her return as a headliner, along with Bruno Mars, The Killers, The Black Keys, as well as 2022 Rock & Roll Hall Of Fame inductees Duran Duran — wow. We can’t wait to share the great community and spirit of Bourbon Country with the world.”

Over 65 musical acts in total will perform over the four-day festival. In addition to the headliners, the 2023 lineup includes Billy Strings, The Black Crowes, The Avett Brothers, Blondie, Train, Hozier, Jon Batiste, Brittany Howard, Ryan Bingham, Babyface, Midland, Bastille, Spoon, The Gaslight Anthem, First Aid Kit, Old Crow Medicine Show, Buddy Guy, Aloe Blacc, Wayne Newton, Mavis Staples, City and Colour, Inhaler, Paolo Nutini, ZZ Ward, Fantastic Negrito, Drew Holcomb and the Neighbors, Luke Grimes, The Lone Bellow, Joy Oladokun, Maggie Rose, Hailey Whitters, Darrell Scott Band, Danielle Ponder, Dumpstaphunk, Boy Named Banjo, Brandy Clark, John Primer, Willie Jones, Stephen Wilson Jr., Drayton Farley, Goodbye June, As You Were, Vivi Rincon, Kelsey Waloon, Michael Cleveland & Flamekeeper, The Lil Smokies, Twisted Pine, The Cleverlys, Town Mountain, Della Mae, Sunny War, Lindsay Lou, Dan Tyminski, and Frank Solivan & Dirty Kitchen.

MORE THAN THE MUSIC

In addition to world-class musical entertainment, festival-goers will be treated to one-of-a-kind experiences throughout the weekend, including daily workshops and demonstrations at the Team Kentucky Bourbon Stage presented by Kentucky Proud, and the Kentucky Venues Culinary Stage presented by GE Appliances.

The two stages will pair world-renowned master distillers and celebrity chefs with guest artist appearances and a who’s who of Kentucky personalities. The programming is hosted by Chefs Amanda Freitag, Chris Santos, and Ed Lee, along with the lead bourbon buyer in the United States, Chris Blandford, plus Blind Bourbon Live’s Fred Minnick. The complete bourbon and culinary lineup will be announced this summer.

“Bourbon & Beyond is by far my favorite festival of the year. I am thrilled to be back in 2023 for the incredible music lineup, the tastiest cocktails and of course the food,” says Chef Freitag. “It combines all my favorite things in one weekend. I get to hang out with my buddy Chris Santos from Chopped, and we get to play on stage with other great chefs from around the country.”

“I am beyond excited to be back hosting the culinary stage at Bourbon & Beyond after all the fun we had last year! This year’s lineup is bigger and better than ever and joining me will be the amazing

Amanda Freitag,” adds Chef Santos. “This festival of revelry, amazing music, fine bourbon and culinary delights is simply the perfect party weekend and I’m honored to be a part of it. September can’t come fast enough!”

Bourbon lovers can stop by Chris Picks MiniBar for select single barrels curated especially for the festival; the Hunter’s Club for rare and vintage sips; the Kentucky Distillers’ Association Craft Bourbon Bar for hand-picked craft distillery tastes; the George Dickel Flight School for daily step-by-step tastings, where fans can learn about the art of bourbon; and the Jim Beam Tiki Barrel Bar for the perfect oasis to make the festival vacation complete.

Beyond the many bourbon experiences, fans can rejoice in other cocktail offerings, including the Highland Grounds Wine Garden and Blackened Presents: The Whiskey Bar. And the festival’s 1Million Strong Wellness Retreat offers fans a place to relax, recharge and enjoy the hottest mocktails this side of the Ohio River.

Another highlight of the weekend will be the Kroger Big Bourbon Bar. Featuring the best Bluegrass bands, a podcast taping (or two), line dancing and expertly curated picks of Kentucky’s finest, the Big Bourbon Bar brings the Bourbon Trail to Louisville.

Visit BourbonandBeyond.com for a complete description of festival experiences.

AUDIENCE OUTLOOK

Festival season is upon us! Before we know it, we’ll be dusting off the blankets and folding chairs to get ready to see our favorite bands, and enjoying tasty eats and treats at venues both large and small around the region.

We wanted to highlight a few other music festivals that are within a few hours’ drive and worth the trip. For tickets, event details, and for other great music, arts, and entertainment in Louisville and the surrounding areas, visit Audience502.com/audience-events.

MAY 13

Enchanted Mayhem Festival

New Albany, Ind.

25-28

Sonic Temple Festival

Columbus, Ohio

26-28

Dark Star Jubilee

Thornville, Ohio (Near Columbus)

JUNE

2-4

Riverbend Festival

Chattanooga, Tenn.

3-4

Railbird Festival

Lexington, Ky.

9-10

Laurel Cove Music Festival

Pineville, Ky.

15-18

Bonnaroo Music Festival

Manchester, Tenn.

17-18

Wonder Road Festival

Indianapolis, Ind.

21-24

Romp Fest

Owensboro, Ky.

AUGUST

17-19

Secret Dreams Music & Arts Festival

Thornville, Ohio

EVENTS CALENDAR

Audience is your connection to the performing arts and entertainment in Louisville. Below are some of the events we are looking forward to in the coming months and we hope you enjoy them all!

APRIL

7

Louisville Orchestra

The Texas Tenors

7:30PM

The Kentucky Center, Whitney Hall louisvilleorchestra.org

11-16

PNC Broadway in Louisville: Ain't Too Proud: The Life and Times of the Temptations

The Kentucky Center, Whitney Hall KentuckyPerformingArts.org

13, 15, 16

CenterStage

The Diary of Anne Frank

7PM

Trager Family Jewish Community Center JewishLouisville.org/ CenterStage/

17

John Mellencamp: Live and In Person

8PM

The Kentucky Center, Whitney Hall

KentuckyPerformingArts.com

21

Marc Broussard

8PM

The Kentucky Center, Bomhard Theater KentuckyPerformingArts.com

18

RAIN: A Tribute to The Beatles

7:30PM

Brown Theatre KentuckyPerformingArts.org

19

Bad Friends with Andrew Santino & Bobby Lee

7:30PM

The Louisville Palace LiveNation.com

21

Louisville Orchestra

Film in Concert: Harry Potter and the Order of the Phoenix

7PM

The Kentucky Center, Whitney Hall LouisvilleOrchestra.org

MAY

2

Robert Plant & Alison Krauss with JD McPherson

8PM

The Louisville Palace ProductionSimple.com

5

Gary Clark Jr.

7:30PM

Iroquois Amphitheater ProductionSimple.com

11-21

CenterStage

The 25th Annual Putnam County Spelling Bee

7PM

Trager Family Jewish Community Center JewishLouisville.org/ CenterStage/

16-21

PNC Broadway in Louisville: Hadestown

7:30PM

The Kentucky Center, Whitney Hall KentuckyPerformingArts.org

16

Chicago Live!

8PM

The Louisville Palace LiveNation.com

19

Bonnie Raitt: Just Like That Tour

8PM

The Louisville Palace LiveNation.com

21 Kansas

7:30PM

Iroquois Amphitheater ProductionSimple.com

For more of our preferred arts and entertainment recommendations, visit Audience502.com/audience-events

KENTUCKY WOMEN: HELEN LAFRANCE

August 26, 2022–April 30, 2023

Image: Helen LaFrance

(Detail): Barn Dance, 1997

Oil on canvas

22 x 28 inches (sight)

Collection of Kathy Moses

Kentucky Women: Helen LaFrance (1919-2020) is a survey of the artist’s nearly six-decade-long career, with artwork that features glimpses of everyday life and powerful civic and spiritual moments. The exhibition is organized by the Speed Art Museum

speedmuseum.org

and curated by Erika Holmquist-Wall and Marissa Coleman, the Speed’s 2022 American Association of Museum Directors intern. Support for the exhibition is provided by J.P. Morgan, Lopa and Rishabh Mehrotra and Anne Brewer Ogden.