Ahmad Aufa Adyancha May 4, 1997 Padang, Indonesia aufa.adyancha@gmail.com +6281261581414
For Aufa, architecture is a complex, multilayered entity that can spark endless conversations. It is as abstract as it is physical. It can be very logical as it can be pretentious, for better or worse. It’s how architecture as a whole seems like something that is defined yet can look murky as you get closer that makes him fascinated with the whole thing. Being a curious person with a wide range of interests, his architectural works are often affected by these interests in varying degree. This portfolio is him valuing his works along with these interests. He is happy that he can share some of his works here!
Education Bandung Institute of Technology Undergraduate Architecture Program School of Architecture, Planning, and Policy Development 2015 - 2020 SMAN 1 Padang Science Education 2012 - 2015
Skills Analog Manual Drafting Model Making Sketching Linguistic Indonesian English
Digital Adobe Photoshop Adobe Illustrator Adobe Indesign Autodesk AutoCAD Microsoft Office Google Sketchup
Competitions Pandemic Architecture Ideas Competition Open Call as participant with H. El Haq and M. H. Dzikrina May 2020
Light and Shadow in Low Rise Apartment as participant with T. Miranda and S. A. Ihsanti July 2020
Researches Good Stories, Big Ideas an exploration of Gensler’s approach in design submitted for Temu Ilmiah Ikatan Peneliti Lingkungan Binaan Indonesia 6 Researched with D. G. Lineker, K. Simatupang, F. Hillman, and A. S. Ekomadyo 2017
Organizational Experiences Head of Cadre Division Ikatan Mahasiswa Arsitektur Gunadharma ITB Executive Board of 2018 an executive division that manages the membership statuses in IMA Gunadharma ITB by designing and implementing a program of curriculum targeted towards every member. March – December 2018
Secretary-General July Graduation Celebration Committees A triannual graduation party event of IMA Gunadharma ITB. I supervised the secretary and treasurer. July 2017
Head of Events Department ‘FAÇADE’ – Architecture ITB Excursion to Lombok An annual excursion of Architecture programs, which we planned the entirety of pre-excursion events, itinerary of the excursion itself, and the post-excursion products. January - December 2017
Professional Experiences Studio Dasar Internship I was mainly responsible for early surveys, researches, concepts, and masterplan of a new city development in sumatra. I personally lived the city for a few weeks and worked alongside the local officials. I also helped in designing a few other submissions and drafting other projects. May - August 2019
Interests architecture music film fashion urban design
Contents Warp and Weft of Space museum of ikat, kemang, jakarta
The Pitaloka mixed use building on sunda street, bandung
A Small Coffee Shop in Padang Primary Schoolers in a Time of Pandemic: a Distinction pandemic architecture ideas competition open call
Other Works sketches, models, photographs
august-december 2019
Warp and Weft of Space Museum of Ikat, Kemang, Jakarta
Type cultural Final Project achmad deni tardiyana “Ikat is one of two main textile heritage in Indonesia after batik. However, unlike batik, there are no facilities that help preserving ikat while educating people about it at the same time. Realizing this, a group of ikat-loving fashion designers of Indonesia iniciate an ikat museum project. This ikat museum mainly targets young audiences. Therefore, facilities that are catered towards younger generation are also provided.� That was the the attempt to validate my desire to bring up the topic of fashion-related building into my final project; one interest that I never had the chance to learn about. This interest was then made to be the justification to apply a concept that validated a playful space and shape; one exploration that I also never managed to do during my studies. In reality, there was never a plan to build an ikat museum facility. Museum of Ikat was a manifestation of my desire to learn and do a completely different thing.
3rd floor
2nd floor
1st floor Site Plan
basement
A
private vehicle’s entry access
B
vehicles’ exit
C
drop off
D
museum of ikat
E
ramp towards basement
F
ramp from basement
G
outdoor retail area
H
pedestrian pathway
I
open teather
J
trucks’ entry access
K
open theater
1
secondary street natural orientation of site site
potential of permeability
primary street 2
arrangement of warp threads
3
4
warps
3rd floor: weft
weft
2nd floor: warps
1st floor: warps (building) + weft (pedestrian pathway)
Warp and weft of space: building image Warp and weft are two main structural components of every organic fabric, especially ikat. Ikat, in its production, demands a high degree of details in these two components. Therefore, it only appropriate to adopt them as the main concept of this project. This concept was then applied to two things: Museums, more often than not, are visually memorable. In this case, since the objects of the museum is very specific, ikat fabrics, I tried to design a building that, in one way or another, gives off the impression of ikat fabrics. Every building component is made as analogy of threads in fabric. Just like fabric structure, there are laid out threads (warp), which then are “filled� by a perpendicular thread (weft). Every component of the mass is designed to give off an impression of movement, not only to encourage the movement of its visitors, but also to emphasize them as seperate threads, and not just one abstract-looking, bulky mass.
museum
back of house
commercial
permeability
Zoning
Warp and weft of space: Circulation A variation of fuctions consequently causes the existence of different users with their different circulations. In a circulation system that adopts the form of warp and weft, these different circulations are intentionally made to intersect at some points. These intersections are treated as nodes: crossing each other, able to see glimpses of each other, but does not interfere with each other’s activities. These nodes were created to raises the experiences of each user. This idea is shown clearly in the museum parts of the building, where there are two main groups: primary museum area which is where the permanent exhibition is placed, and secondary/ auxiliary museum area which has workshops and multi-purpose rooms (mainly for temporary exhibition and other ikat-related events)
workshop
exhibition B
multipurpose room exhibition A
exhibition C
4th: variety of indonesian archipelago’s ikat
5th: refection 3rd: weaving process of ikat production
2nd: pre-weaving process of ikat production
1st: introduction and history
activities in primary museum area
multi-purpose room B /viewing deck multi-purpose room C
multi-purpose room A
weaving workshop
threads-coloring workshop threads-milling workshop pattern-designing workshop activities in secondary rattan-weave wall museum area
transparent glass
amphiteater 1 cafe
ikat store
window-shopping attraction
lobby amphiteater 2
Adressing the context of the site As a building built on Kemang, a congested area, Museum of Ikat must be an urban oasis that provides a breath of fresh air, especially towards pedestrians. This is then realized by: 1. minimizing the existence of motor vehicles on ground floor by placing all parking facilities in the basement. 2. providing a pedestrian pathway that crosses through the site and building. Not only that this will integrate Museum of Ikat as part of the public urban fabric, but also entice the pedestrians as they inadvertantly will catch a glimpse of the activities inside the museum. 3. creating open public spaces. these spaces are the byproducts of the spaces left behind by the building mass.
windows with black metal frames custom-made gringsing-printed concrete cladding
east elevation
south elevation
north elevation
west elevation
water gutter concrete cladding
corrugated metal sheet hollow steel 40/40 WF beam 200/600 WF beam 200/600 brick wall gypsum ceiling steel frame
glass cocrete floor slab paving blocks concrete wall fill dirt pile cap bored pile soil
During studio 5, I was tasked in designing a mixed-use building that emphasized maximum efficiency of space usage, especially since most of it would be built with profits in mind. At the same time, as the land is in direct contact with three busy streets, it was explicitly stated that the project must provide some form of permeability to help loosening the intensity of its surrounding. The building houses three main functions: residential (apartment), commercial (mall), and office.
Type mixed-use building Studio 5 agustinus adib abadi
The Pitaloka mixed-use building on Sunda st., Bandung
march - may 2019
Goals 1. Profitable As almost the entirety of the building are built for the purpose of being sold or rented, the whole site have to be used optimizedly because every square meter counts.
2. Permeable Permeability in a building can lead to the usage of said building as a viable path for pedestrians. This in turn will lead to an increase of interaction between pedestrians and the inside of, in this case, the shopping area of mixed use building.
3. Accomodating Just like its name, a mixed-use building has a variety of functions. These variants lead to different activities and users and a varying degree of needed privacy and comforts. Every part of the building must have the required space to acommodate these differences.
third floor
second floor
cross section
first floor
longitudinal section
basement
fifth/typical floor
basement 01
fourth floor
west elevation
south elevation
to enhance permeability of this mixed-use building, the ground floor is designed so that the paths for vehicles don’t interfere with access for pedestrians
nari
st.
sunda st
pan
veteran st.
This mixed use building has multiple drop-off points. Each point serves different purposes. Mall/commercial visitors mainly drop off on the west side (facing sunda st.), apartment dwellers and office users mainly drop off on the east side, while the northern spot functions as a loading dock. These pairings are based on the degree of privacy needed for each use.
podium zoning and circulation food court drug store playground area restaurant food & beverage retail store
coworking space rental office office lounge meeting room
restroom ATM center AHU room
pool plumbing room
department store gym convenience store playground area food & beverage retail store
coworking space rental office office lounge meeting room
3rd floor
restroom ATM center AHU room
2nd floor
apparel store food & beverage department store rentable isle area apartment lobby
1st floor
restroom info center general storage locker room AHU room generator room
10 3BRs units x 6 21 2BRs units x 6 15 1BR units x 6
5th to 10th/typical floor
10 3BRs units 19 2BRs units 15 1BR units swimming pool outdoor gym community garden lounge
4th floor
main lobby secondary lobbies
1st floor Apartment residents have their own main entrance into the building. Located on the most eastern side of the building, it is the most private zone of the building as it doesn’t directly face any open street. This main entrance is primarily focused for residents who are dropped off though, as they can still enter from the basement (after parking their vehicles) or either of the secondary lobbies (catered towards residents who travel around by walking).
1 bedroom unit
3 bedrooms unit plan
2 bedroom unit
3 bedrooms unit plan (corner)
The process of finding the mass of podium and apartment parts of the building were done independently from each other. The mass of apartment tower was more aligned with the actual structure: rigid and rectangular. This was also done for maximum efficiency. The podium was contrastingly shaped with curves. This was created with the consideration of the typical visitors’ habit in a mall: walking around, visiting many different merchants. This was an opposite of apartment residents who know where they’re gonna go: their own isolated room. The area around the entrances of the podium were also substracted, to give off an impression of invitation. It’s only after both shapes were found that adjustments were done to ensure that they can be one integrated building. This contrast was furtherly enhanced by using different facade elements. The tower is very minimalistic in terms of facade: only having windows where needed, using simple wire mesh as balcony railings, and just letting the walls as they are (bare without orname where there is no windows nor balcony.
apartment lobby
apartment unit
Building Structure the tower and podium of this building are ultimately supported by the same 8400 x 8400 columns grid structure. the whole grids are separated into two parts by a dilatation to ensure the whole building’s stability
dilatation
fire evacuation diagram
In early February of 2020, a client reached out to help them designing a coffee shop in Padang. It’s located on a rectangular site with a dimension of 10.5 x 15 m2. As the clients didn’t have big budget, they asked for a rather small building: a size of 5 x 6 m2. The coffee shop franchise they were going for was better known as a place to only order coffee and not as a place where people sit and enjoy the coffee. However, it is also the clients’ wish to have a beautiful, comfortable space where people can hang around. This coffee shop was mainly designed with these two things in mind. Visually, the building is designed to look pretty; a simple, but playful take on lines and geometries on the facade. Various materials were also used as the finishing. To avoid looking tacky, these materials were mostly shown either in neutral colors finishing or in their natural colors.
february - march 2020
A Small Coffee Shop in Padang Type commercial Commission Work with Aliefianto Nandya Saputra
EXISTING GUTTER
floor plan
longitudinal section 1
longitudinal section 2
cross section
front view elevation
tile mortar
concrete
rope light
ceiling painted metallic-silver
wooden panels
concrete tiles unfinished walls
Type competition Pandemic Architecture Ideas Competition Open Call with Haidar El Haq and Mentari Hanifa Dzikrina april - may 2020
As mentioned in the description, we try to create different spatial set primary schoolers’ various activities. Think of it as lessening the burd switch “gears” by the help of external stimulus, rather than forcing the by their own willpower.
insides are the adequarte (by the standards that we have formu “The insides” spaces at every child’s house. Where children can concentrate and their individual activities, whether it is a simple online class, a reading on a personal project.
“The outsides” outsides are the spaces for commal activities: physical educati orchestra, or choir practices, or even simply playing outside. Commu indispensable for children’s growth, but comunal activities do bear th especially in a time of pandemic. Therefore, a stricts standard of safe part of the design.
ttings for different den of children to em to switch purely
ulated) individual be fully committed in g session, or working
ion, marching band, unitties are heir own risks, ety are required as
7.00-9.00 AM: Physical Education 9.00-10.00 AM: rest, shower, breakfast 10.00-12.00 AM: online class 12.00-13.00 AM: rest, lunch 13.00-15.00 AM: online class 15.00-17.00 AM: extracurricular, play
example: a schedule of a sixth grader on friday
map of selected area
roads
primary schools
wa (400 m
basketball court
neighbourhood s
parking lot
highway
alley
train station
railroads
alkable distance radius m, centered at schools)
street
gas station
park
commercial area
open spaces
river vacant lots
We believe in small steps at a time. Instead of trying to formulate one general answer for all primary schools on earth, we prefer to contextualize this topic to the place we’re familiar with: the capital of our home country, Jakarta, Indonesia. Later on, our approach can be translated into other contexts too. The site of our choosing is a 320 sqm area in the sub-district of Tebet, South Jakarta. It is a typical place in Jakarta: a mix of urban village, commercial area, a few open spaces, and highways.
neighbourhood with distance > 400 m from school
The standard walkable distance is 400 m. If we try to put circles with 400 m radius centered at schools, it is shown that some areas of the neighbourhood are too far from walking distance from school. Thus, using only the school courts as “the outside” wouldn’t be adequate. Other open areas needed to be converted into these spaces to reach these parts of the neighbourhood.
Other Works