CONCEPTUAL SECTION OF A NETWORK WHAT IS THE RELATIONSHIP BETWEEN OUR DIGITAL SELVES AND THE URBAN MONSTROSITY? NON CARTESIAN SPACE: A FORMLESS PROJECTION OF THE DIGITAL NEURAL NETWORK CREATED BY THE CYBORG SELF. THE URBAN MONSTROSITY: LANDSCAPE IN PHYSICAL FORM; A THREE DIMENSIONAL CONTAINER FOR CABLES, TRANSMITTERS AND RECEIVERS THAT GIVES A CYBORG THE ABILITY TO EXIST. RHIZOMATIC NETWORKS: INFINITELY COMPLEX ELECTROMAGNETIC SYSTEMS OF INDEFINITE AND CHANGING SCAPE THE DIGITAL SELF: OUR MODULAR AND EVER CHANGING DIGITAL FORM IS CREATED NOT WITHIN A SINGLE VITRUVIAN CIRCLE, BUT WITHIN RADIATING ELECTROMAGNETIC WAVE-FRONTS THAT MAKE THE DIGITAL LANDSCAPE. THIS SECTION EXPLORES THE RELATIONSHIP BETWEEN OURSELVES AND BOTH OUR DIGITAL AND PHYSICAL ENVIRONMENTS THROUGH A SPECULATIVE AND ABSTRACT NARRATIVE. THE DRAWING ATTEMPTS TO ARCHITECTURALISE A NON CARTESIAN SPACE AND GIVE FORM TO THAT WHICH IS INVISIBLE.
CONCEPTUAL DETAIL OF THE PIXEL WE EXPERIENCE NETWORKS AT THEIR INTERFACE THROUGH LIGHT AND SOUND: THE BIT IN PHYSICAL SPACE: POLARISER GLASS SUBSTRATE ITO FILM COLOUR FILTER ORIENTATION FILM LIQUID CRYSTAL TFT GLASS SUBSTRATE POLARISER RHIZOMATIC NETWORKS: INFINITELY COMPLEX SYSTEMS OF INDEFINITE AND CHANGING SCALE NON CARTESIAN SPACE: THE HABITAT OF THE NETWORKED INDIVIDUAL LIES BEYOND OUR THREE DIMENSIONAL BOUNDARIES: OUR IDENTITY TRANSCENDS THE PHYSICAL ENVIRONMENT. THIS DETAIL EXPLORES THE NARRATIVE OF A PIXEL AND ITS RELATIONSHIP TO US, OUR DEVICES AND THE CONNECTIONS FORMED THROUGH OUR NETWORKS. THE DRAWING ATTEMPTS TO ARCHITECTURALISE A NON CARTESIAN SPACE AND GIVE FORM TO THAT WHICH IS INVISIBLE.