A PIECE FOR A BIRTHDAY - THE SCHOOLBOY ROLES BOLTON SCHOOL ARTS CENTRE, FRIDAY 24TH MAY, 2019
A PIECE FOR A BIRTHDAY A REPRISAL OF SIR IAN MCKELLEN’S SCHOOLBOY ROLES, PERFORMED BY CURRENT PUPILS AND ALUMNI OF BOLTON SCHOOL BOYS’ DIVISION, IN HONOUR OF HIS 80TH BIRTHDAY
Commemorative Programme Arranged and directed by Naomi Lord Bolton School Arts Centre Friday 24th May 2019
Birthday lunch with the Class of 1958
A SURPRISE PARTY FOR A SPECIAL BIRTHDAY Order of the Evening GUEST OF HONOUR TO ARRIVE DRINKS RECEPTION WITH MAGICIAN WELCOME AND CALL TO DINNER SEATS FOR DINNER AND DINNER SERVICE CABARET SHOW & SPEECHES LA VOIX SCHOOL REPRISAL OF SCHOOLBOY ROLES LUKE EVANS SUNNY OZELL VT OF BIRTHDAY GREETINGS FROM AFAR LUKE EVANS LEADS THE SINGING OF HAPPY BIRTHDAY CUTTING OF THE CAKE SPEECH FROM THE GUEST OF HONOUR
SPEECH: 'ALL THE WORLD'S A STAGE' William Shakespeare (from As You Like It, spoken by Jaques)
All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lin’d, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper’d pantaloon, With spectacles on nose and pouch on side; His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything. PICTURED: Year 8 boys perform and rehearse with 'shining morning faces'
‘Heirs have heirs. I am infinitely jealous of those young boys because they have before them what I have now behind me. For as schooldays have gone for me they have just arrived for another, and I am envious because I have been happy. Yet I do not wish to relive my boyhood, although I envy those who are about to do it for me. I had far rather watch the play of my life than take the title role.’ Ian McKellen, ‘School Leaver’s Notebook’, Bolton News (17th September 1958)
It was an extraordinary task to draw together an amateur act to celebrate the birthday of Sir Ian McKellen, a Bolton Schoolboy and one of the foremost actors of our age. The piece presented was a gift of nostalgia, referring back to shadows of many years ago – schoolboy antics and a fledgling career. Perhaps, however, the most sentimental element of this gift is that it became a gift to us. The undertaking drew together Bolton School actors spanning some twenty five years, current pupils to men now professionals in their field. To see this talent working together, the collective transcendent of the sum parts, has been remarkable. To see the actors transform further, given the aspiration inspired by their audience, made the gift a very singular, reciprocal moment of joy. Sir, we wish you a most happy 80th birthday, with love from Bolton School.
I
ALL ENTER as a surprise
RALF
Sir Ian looms large in this school’s imagination, as he does in the imagination of audiences across the world. We are gathered as Old Boys and current pupils to reprise Sir Ian’s schoolboy roles, as current or one time schoolboy actors of this place ourselves. Like Sir Ian, we have all been encouraged to act, if we wanted to, just as much as we have been to follow other schoolboy pursuits. Just as his dinner breaks were spent rehearsing little melodramas and bits from Aristophanes or Shakespeare at Hopefield Miniature Theatre, current pupils enjoy the same antics, only now in the McKellen Studio Theatre. We have all experienced glimpses of our future selves in this place. A classics master stuck a crepe-hair beard on a 13 year old Malvolio and joked: 'Of course, McKellen has grease-paint flowing in his veins' and the young actor believed his teacher.
TOM
From Wilderland to Western shore, from northern waste to southern hill, through dragon-lair and hidden door and darkling woods he walked at will. With Dwarf and Hobbit, Elves and Men, with mortal and immortal folk, with bird on bough and beast in den, in their own secret tongues he spoke.
GEORGE
A deadly sword, a healing hand, a back that bent beneath its load; a trumpet-voice, a burning brand, a weary pilgrim on the road. A lord of wisdom throned he sat, swift in anger, quick to laugh; an old man in a battered hat who leaned upon a thorny staff.
RALF
Year 8 pupils will provide a structure, advancing from boyhood to adulthood, via Shakespeare’s ‘The Seven Ages of Man’ from As You Like It. This will frame Middle School, Senior boys’ and alumni players’ presentation of short extracts, reprising the roles played by Sir Ian over the course of his school career.
FLETCHER
All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
EWAN
At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. Sir Ian’s first Shakespeare performance, as a 13 year old Malvolio in the letter scene from Twelfth Night, was staged in the Hopefield Miniature Theatre in 1952. Year 11 pupil, Jude Ashcroft, here presents a Malvolian plea for you to cease merriment.
MALVOLIO
TWELFTH NIGHT Extract (1952) Written by William Shakespeare Ian McKellen in the role of Malvolio Hopefield Miniature Theatre Act II Scene 5 performed as part of a programme of plays by Bolton School students 13 March 1952 - 15 March 1952 TWELFTH NIGHT Extract (2019) Written by William Shakespeare Jude Ashworth in the role of Malvolio Extract from Act II Scene 5 Bolton School Arts Centre 24 May 2019
My masters, are you mad? Or what are you? Have you no wit, manners, nor honesty but to gabble like tinkers at this time of night? Do you make an alehouse of my [school] house, that you squeak out your coziers' catches without any mitigation or remorse of voice? Is there no respect of place, persons, nor time in you? I must be round with you. [The Headmaster] bade me tell you, that, though [he] harbors you as [his] kinsman, [he’s] nothing allied to your disorders. If you can separate yourself and your misdemeanors, you are welcome to the house. If not, and it would please you to take leave of [us], [we are] very willing to bid you farewell.
Pictured: The 1952 programme (right) and a scrapbook entry from Ian McKellen at the time (left).
II ALEX
And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth.
RALF
As a Sixth Former in 1958, Sir Ian directed and produced Act V of Macbeth. Y10, 11 and 12 students, Fin, Charlie, Owen and Oliver, now present the Scottish lords leading the advance upon the fortified Dunsinane Castle.
MACBETH, ACT V (1958) Written by William Shakespeare Directed by Ian McKellen Ian McKellen in the role of Producer/Director Bolton Middle School 1 June 1958 MACBETH, Extract (2019) Written by William Shakespeare Directed by Charlie Derrar Extract from Act V, Scene 2 Bolton Middle School and Sixth Form 24th May 2019
Drum. Enter MENTEITH, CAITHNESS, ANGUS, LENNOX, MACDUFF and soldiers MENTEITH The English power is near, led on by Malcolm, His uncle Siward and the good Macduff. Revenges burn in them, for their dear causes Would to the bleeding and the grim alarm Excite the mortified man. ANGUS Near Birnam Wood Shall we well meet them; that way are they coming. CAITHNESS Who knows if Donalbain be with his brother? LENNOX For certain, sir, he is not. I have a file Of all the gentry. There is Siward’s son, And many unrough youths that even now Protest their first of manhood. MENTEITH What does the tyrant?
Pictured: The original cast list.
CAITHNESS Great Dunsinane he strongly fortifies. Some say he’s mad, others that lesser hate him Do call it valiant fury. But, for certain, He cannot buckle his distempered cause Within the belt of rule.
ANGUS Now does he feel His secret murders sticking on his hands. Now minutely revolts upbraid his faithbreach. Those he commands move only in command, Nothing in love. Now does he feel his title Hang loose about him, like a giant’s robe Upon a dwarfish thief. MACDUFF Let our just censures Attend the true event, and put we on Industrious soldiership. The time approaches That will with due decision make us know What we shall say we have and what we owe. Thoughts speculative their unsure hopes relate, But certain issue strokes must arbitrate. Towards which advance the war. Ian McKellen and Judi Dench in Trevor Nunn’s 1976 RSC production of Macbeth
RALF
Exeunt, marching
In 1956 Sir Ian took the role of Prince Hal in Henry IV (Part 2) and in ’57, the titular role of Henry V. Alex O’Loughlin as Hal will now try on his father’s crown for size. He will then pass the crown to Billy Morrison who will perform the newly crowned Henry V in receipt of the gift of tennis balls from the Dauphin, accompanied by Alex, Aden, Charlie, Sammy and James as courtiers.
HENRY IV PART 2 (1956) Written by William Shakespeare Directed by Frank Greene Ian McKellen in the role of Prince Hal Bolton School 19 March 1956 - 24 March 1956 HENRY IV PART 2 Extract (1956) Written by William Shakespeare Alex O’Loughlin in the role of Prince Hal Extract from Act IV, Scene 3 Bolton School Arts Centre 24 May 2019
PRINCE HENRY Why doth the crown lie there upon his pillow, Being so troublesome a bedfellow? O polished perturbation, golden care, That keep’st the ports of slumber open wide To many a watchful night! sleep with it now; Yet not so sound and half so deeply sweet As he whose brow with homely biggen bound Snores out the watch of night. O majesty, When thou dost pinch thy bearer, thou dost sit Like a rich armor worn in heat of day, That scald’st with safety.
PICTURED: Ian McKellen as Prince Hal (top left) and Henry V (top and bottom right right J. G. Thompson as Henry IV and teacher Frank Greene (bottom left)
HENRY V (1957) Written by William Shakespeare Directed by Frank Greene Ian McKellen in the role of King Henry V Bolton School 25 March 1957 - 30 March 1957
HENRY V (1957) Written by William Shakespeare Billy Morrison in the role of King Henry V Extract from Act 1, Scene 2 Bolton School Arts Centre 24 May 2019
KING HENRY We are glad the Dauphin is so pleasant with us. His present and your pains we thank you for. When we have matched our rackets to these balls, We will in France, by God’s grace, play a set Shall strike his father’s crown into the hazard. Tell him he hath made a match with such a wrangler That all the courts of France will be disturbed With chases. And we understand him well, How he comes o'er us with our wilder days, Not measuring what use we made of them.
A GALLERY OF PHOTOGRAPHS, ONSTAGE AT BOLTON SCHOOL (1953 – 1958)
ABOVER: As Margaret in Friar Bacon and Friar Bungay (1953) TOP RIGHT: In the role of Asnath, the High Priest’s daughter in The Stars Bow Down (1954) CENTRE RIGHT:As Montano in Othello (1955) BOTTOM RIGHT:Taking the role of Alfonso Fernandez in The Strong are Lonely (1958)
"Some characterisations, notably that of the Father Provincial himself, were remarkably sensitive and explicit." The Times Educational Supplement 4 April 1958
III
LEWIS
ANDRE W
Drums. Enter Y8 pupils with Stonewall Riot placards. T-shirts with the text 'I am Gandalf and Magneto. Get over it!' are exposed beneath their school shirts. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. Sir Ian also played Mari de La Dame, Margaret, Rosie, Asnath the High Priest’s daughter, Wagner, Montano, Mardin and Alonso Fernandez, during his time at school. On September 17th 1958, three weeks before he went down to Cambridge, he wrote, ‘now I am nothing to the School but a face among 800 others on the four feet of photograph hanging in the corridor’, but he has meant so much to his school and to many schools since.
We would add to his school roles, Sir Thomas More’s address to a 1517 London mob, performed in the Great Hall of Bolton School in 2015 and again, this afternoon.
Armed with stones, bricks, bats, boots and boiling water, Londoners attacked an influx of immigrants and looted their homes as xenophobia swept through the population. More attempts to quell this behaviour. The founding of Stonewall was confirmed in Sir Ian’s house at a press conference in 1988. More’s call for empathy has since become a clarion call for refugee advocates today and is used by Sir Ian in school visits undertaken with Stonewall, to encourage children to the understanding that difference does not negatively distort our culture, rather, instead, that welcoming in diversity enriches our lives. Alumnus Charlie Derrar presents More imploring the crowd to reason: SIR THOMAS MORE
THE BOOK OF SIR THOMAS MORE Extract (2016, 2019) Written by William Shakespeare Ian McKellen in the role of Sir Thomas More Extract from Act II, Scene 4 Bolton School 16 October 2015, 24 May 2019
THE BOOK OF SIR THOMAS MORE Extract (2016, 2019) Written by William Shakespeare Charlie Derrar in the role of Sir Thomas More Extract from Act II, Scene 4 Bolton School Arts Centre 24 May 2019
You’ll put down strangers, Kill them, cut their throats, possess their houses, And lead the majesty of law in lyam To slip him like a hound; alas, alas, say now the King, As he is clement if th’offender mourn, Should so much come too short of your great trespass As but to banish you: whither would you go? What country, by the nature of your error, Should give you harbour? Go you to France or Flanders, To any German province, Spain or Portugal, Nay, anywhere that not adheres to England, Why, you must needs be strangers, would you be pleas’d To find a nation of such barbarous temper That breaking out in hideous violence Would not afford you an abode on earth. Whet their detested knives against your throats, Spurn you like dogs, and like as if that God Owed not nor made not you, not that the elements Were not all appropriate to your comforts, But charter’d unto them? What would you think To be us’d thus? This is the strangers’ case And this your mountainish inhumanity. PICTURED: Ian McKellen finding name on monitors boards (Head Boy, 1958), addressing the great hall and opening the McKellen Studio Theatre
IV HARRY
The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.
SAM
Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. Wise old wizards have a regenerative power in the imagination and vigour of children, adolescents and young men. They are not the singularity they once were. Heirs have heirs.
RALF
ANDREW
In the words of Walt Whitman, Wizards, geniuses of all disciplines, ‘teach us to love the earth and sun and the animals, despise greed, give alms to everyone that asks, stand up for the stupid and crazy, devote our income and labour to others, to re-examine all we have been told at school or indeed in any book. They teach us to dismiss whatever insults our own soul and to let in what delights it.’ Sir Ian played the problematic sorcerer Prospero at the West Yorkshire Playhouse, Leeds, in 1997. Recent leavers Mohammad Master and Adam Critchlow now present a short extract from the School’s 2018 production of The Tempest.
PROSPERO What, ho! Slave! Caliban! Thou earth, thou! Speak. CALIBAN (within) There’s wood enough within. PROSPERO Come forth, I say! There’s other business for thee. Come, thou tortoise! When? Thou poisonous slave, got by the devil himself Upon thy wicked dam, come forth! Enter CALIBAN CALIBAN As wicked dew as e'er my mother brushed With raven’s feather from unwholesome fen Drop on you both! A southwest blow on ye And blister you all o'er! PROSPERO For this, be sure, tonight thou shalt have cramps, Side-stitches that shall pen thy breath up. Urchins Shall, forth at vast of night that they may work, All exercise on thee. Thou shalt be pinched As thick as honeycomb, each pinch more stinging Than bees that made 'em. CALIBAN I must eat my dinner. This island’s mine, by Sycorax my mother, Which thou takest from me. When thou camest first, Thou strok’st me and made much of me, wouldst give me Water with berries in ’t, and teach me how To name the bigger light, and how the less, That burn by day and night. And then I loved thee And showed thee all the qualities o' th' isle, The fresh springs, brine pits, barren place and fertile. Cursed be I that did so! All the charms Of Sycorax, toads, beetles, bats, light on you! For I am all the subjects that you have, Which first was mine own king. And here you sty me In this hard rock, whiles you do keep from me The rest o' th' island. PICTURED: Rehearsal, Park Road theatre exploration afternoon and poster images from School's 2018 production of The Tempest.
PROSPERO Thou most lying slave, Whom stripes may move, not kindness! I have used thee, Filth as thou art, with human care, and lodged thee In mine own cell till thou didst seek to violate The honour of my child. CALIBAN Oh ho, oh ho! Would ’t had been done! Thou didst prevent me. I had peopled else This isle with Calibans. You taught me language, and my profit on ’t Is I know how to curse. The red plague rid you For learning me your language! PROSPERO Hag-seed, hence! Fetch us in fuel. And be quick, thou 'rt best, To answer other business. Shrug’st thou, malice? If thou neglect’st or dost unwillingly What I command, I’ll rack thee with old cramps, Fill all thy bones with aches, make thee roar That beasts shall tremble at thy din.
Ian McKellen as Prospero in the West Yorkshire Playhouse's 1997 production of The Tempest.
V
Recent leavers step forwards.
SAM
As representatives of the class of 2018, we recount Sir Ian’s words on the advent of his time at Cambridge.
JAMES
‘For as schooldays have gone for me they have just arrived for [others], and I am envious because I have been happy. Yet I do not wish to relive my boyhood, although I envy those who are about to do it for me.
SAMMY
Nowhere is the growing boy more aware of his growth, of his increasing age and developing talents than at school. For there, although everyone is going up the moving stairs at the same speed, there is always a bottom step behind and a grade to be reached ahead. By these fixed points he can gauge his own progress.
MOHAMMAD
So there is the annual delight of entering a new form each September. The last week of the Summer Holidays [is for some] always one of impatience and never of regret, a looking forward to the joys of a different desk in a strange form-room. The night before the return [is often] a restless one.
SAM
JAMES
ADAM
[It is difficult to] understand those to whom School [is] a prisonhouse and the seven hours within it shades of torture. Of course there [is] the boredom of subjects ineptly taught and the exasperation of punishment, but when we walked home we laughed at it all. [When we leave] school for university [we enter] that age of man between growing up and growing old; The glamour of childish days is upon [us], [our] manhood is cast. Down in the flood of remembrance, [we] weep like a child for the past. [With some distance from school days, the] first time visions of boyhood [come into focus and with them, a nostalgia that deepens with age].’ Recent leavers merge with rest of cast as they step forwards. Take bows.
THE END
CAST LIST
JUDE ASHCROFT (Year 11) – Malvolio
Jude in rehearsal for the devised piece Out of Order (2017) and as Mr Wolf in Into the Woods (2019)
CHARLIE GRIFFITHS (Year 11) – Menteith
Charlie as Julian in the pupil-devised adaptation of R.J. Palacio’s novel Wonder and centre as an agent of Ariel’s power in The Tempest
FINLEY LITTLEFAIR (Year 10) – Angus Fin as Charles Madge, a member of the Mass Observation movement that originated in Bolton in 1937.
OWEN CRITCHLOW (Year 12, front row centre) – Lennox OLIVER SHAW (Year 12, front row left) – Caithness ADEN STEPHENSON (Year12, front row right) – Macduff
ALEX O’LOUGHLIN (Old Boy, Class of 2017) – Prince Hal
Alex featured in promotional material for Urinetown (2018), in rehearsals for Spring Awakening (2019), as Mephistopheles in Doctor Faustus (2016) and in The Last Days of Troy (2015)
BILLY MORRISON (Old Boy, Class of 2014)
Billy as Nathan Detriot in Guys and Dolls (2018) and as Lady Capulet presiding over the vogue ball in a musical adaptation of Romeo and Juliet (2014)
CHARLIE DERRAR (Old Boy, Class of 2016) – Sir Thomas More
Charlie as Hands In Treasure Island (2018)
MOHAMMAD MASTER (Old Boy, Class of 2018) – Prospero ADAM CRITCHLOW (Old Boy, Class of 2018) – Caliban
SAM WARBURTON, JAMES STEVENS, SAMMY GATENBY-BROWN (Old Boys, Class of 2018)
Sam Warburton pictured as dramaturge, James Stevens as Trinculo and Sammy Gatenby-Brown as Ariel – The Tempest (2018)
RALF LITTLE (Old Boy, Class of 1998) An actor and producer, known for The Royle Family (1998), 24 Hour Party People (2002) and Two Pints of Lager and a Packet of Crisps (2001). In theatre, most recently, Ralf has played in The Ladykillers (2013) and Dead Funny (2016), both at the Vaudeville Theatre, and in Lindsey’s Ferrentino’s Ugly Lies the Bone (2018) at the Lyttleton Theatre. Ralf still feels indebted to the Headmaster in charge during his time at Bolton School, Mr Alan Wright, for letting him take time off to pursue his acting. He determined to work hard to repay the trust that had been placed in him as a talented school boy.
ANDREW PEPPER (Old Boy, Class of 1998) Andrew spent much of his time at school either in the Great Hall or the Arts Centre – he racked up a total of 13 shows during his time at Bolton School. Andrew is a well-known face of London’s cabaret circuit. With thanks to Mr Leon Deakin, Miss Heather Tunstall and Mrs Laura Firth for technical and backstage support.
PHOTO GALLERY - Behind the Scenes 'Frame your mind to mirth and merriment which bars a thousand harms and lengthens life.' (William Shakespeare, The Taming of the Shrew, Induction, Scene 2) The Great Hall stage set for an afternoon performance of McKellen on Stage With Tolkien, Shakespeare, Others and You for a school audience
Rehearsals
Alex enjoying wearing Tom Courtnay's crown from the production in which he played King Lear at the Royal Exchange Theatre, Manchester
Boys wait backstage directly ahead of the surprise reveal.
Jude admonishes guests for merriment.
Boys in Y10 – 12 perform an extract from Macbeth, V.2. Year 8 boys wait their turn for the 'service' section of 'All the world's a stage' recitals.
PHOTO GALLERY Heroes and Heirs
Moments of surprise, delight and cake. BACKCOVER: from Class of '58 birthday lunch
GUEST LIST TABLE 2
TABLE 1
TABLE 3
JUDI DENCH DAVID MILLS RICHARD CLIFFORD DEREK JACOBI LANS PICKUP RONALD PICKUP MARCIA WARREN TIMOTHY WEST PAUL LYON-MARIS ROBIN MUIR
IAN MCKELLEN SEAN MATHIAS EVGENY LEBDEV LILY RAGE PAUL DE LANGE SUNNY OZELL LUKE EVANS TIME GRIGGS CHRIS ANDREWS BARBARA ESQUITH RAFE ESQUITH
PAULA SWIFT SHEILA REID TERRY BUDD BRIAN TAYLOR CARO BLAKISTON MARGARET DRABBLE ANTONIA TILL HUMPHREY BARCLAY MARGARET TAIT JOHNATHAN TAIT
TABLE 4
TABLE 5
TABLE 6
LOUISE HARDY NICK BARR MARTHA BARR RUBY BARR EMMA HARDY SIMON APPLEBY TOM MCCORMACK JOEY HAWKINS MIG KIMPTON AHTI NIGOL
FRANCES BARBER MARTIN SHERMAN SUZANNE BERTISH STEPHANIE CARLTON SMITH MALCOLM SINCLAIR MOE SONMEZ DAVID FOXXE FIONA CUNNINHAM-REID RICHARD WILSON PHILIP FOSTER
FELICE LONCRAINE RICHARD LONCRAINE SUE ROBERTS SIMON ARMITAGE ADAM SPEERS RICHARD DARBOURNE JOHN MANNING MICHAEL GRANDAGE CHRISTOPHER ORAM MICHAEL CASHMAN
TABLE 7
TABLE 8
TABLE 9
GARY REICH VEGAN GAVIN GOODY MARTIN JOYCE GARRY JANETTI ARMISTEAD MAUPIN CHRISTOPHER TURNER BILL CONDON BERNARD KELLNER JANET STREET-PORTER NEIL TENNANT
MADELEINE ROWE-BEDDOE DAVID ROWE-BEDDOW SUSIE SAINSBURY DAVID SAINSBURY ANITA SYDOW KARL SYDOW JONATHAN HYDE ISOBEL BUCHANAN
JAN JONES FOSTER JONES JUDITH JONES STEPHEN JONES CATHY BLACKMAN DON BLACKMAN EMILY MOBLEY ROBERT BLACKMAN IZZI JOHNSON ANDREW BLACKMAN
TABLE 10
TABLE11
ANTHONY COTTON PETER ECCLESTON SARAH-JANE MOLONY DAMIAN MOLONY AWSA BERGSTROM JEZ BOND STEPHEN BAYLY JAZZ MARTINEZ-GAMBOA KEITH STERN STEPHEN HOO
LIAM COUTTS JOE STEPHENSON SHARON DAVIS NICK CUTHELL TORI BUTLER HART MATTHEW BUTLER HART NAOMI LORD LINDSEY FERRENTINO RALF LITTLE