Andrew Vichosky

Page 1

Andrew Vichosky


Andrew Vichosky 01.2016 - 04.2016 09.2015 - 12.2015 01.2015 - 04.2015

05.2015 - 08.2015

08.2014 - 11.2014

01.2014 - 05.2014

05.2012 - 08.2013 05.2011 - 08.2011

08.2013 - 05.2016

08.2008 - 05.2014

| ii |

PORTFOLIO VICHOSKY

University of Cincinnati Graduate Assistant. Cincinnati, OH. + Course that researched integrated technologies. Aided in critiques, research, and formatting. + Course that investigated various techniques of sketching. Aided in lectures, demonstrations, techniques and reviews of student’s work. K&Co Intern Architect & Interior Designer. New York, NY. + Manhattan Park Poolhouse: Pop-up pool deck renovation. + Greenpoint: Designer of courtyard and roofdeck from SD through DD and coordinating design with various consultants. + Doha Competition: Interior unit layout for luxury hotel and residential tower. Perkins + Will Intern Architect. Washington, DC. + Education Center: Team member for an academic facility for a confidential client. From schematic design through construction documents responsibilities included fabrication of physical models, curation of presentations, design of pavilions, and terracotta rainscreen system detailing. Gensler Intern Architect. Chicago, IL. + Fulton West: RFQ through schematic design for the core and shell design of 300k sf office. Worked directly with client creating design options in response to desired terraces and flexible floorplates. + Confidential Automotive Museum: Conceptual design for museum and automotive design center. Bialosky Architects Designer: Cleveland, OH. Intern Architect. + Market Square: Designer from conceptual through construction documents for a multiuse glulam constructed civic space. Throughout design process worked with the client and consultants for structural, lighting, landscaping, and civil coordination. + Intesa: Mixed-use competition in University Circle, OH; Winning Proposal. + Kent State University CAED Competition: Model Fabrication. DAAP, University of Cincinnati Cincinnati, OH. Class of 2016. + Master of Architecture, (SAID) The School of Architecture and Interior Design. CAED, Kent State University Kent, OH. Class of 2012 + Bachelor of Science, (CAED) College of Architecture and Environ. Design. + Magna Cum Laude.


STUDIO|

01 - 10

Thesis. In Progress

11 - 20

Podhaus

21 - 24

Towpath Installation

EXPERIENCE|

25 - 32

HITrecord HQ

33 - 38

Yoga Studio

39 - 40

CDHC

43 - 44

Market Square

45 - 50

Education Center

51 - 54

MP_poolparty

|

PORTFOLIO VICHOSKY

iii

|


RECOLLECTIONS OF MEMORY

Army Corps of Engineers Plate 2 Sheet 13

|1 |

PORTFOLIO VICHOSKY


HOW DO WE REMEMBER? HINT: IT’S AS EASY AS.... WAIT, I FORGET

GET TRASHED

IN HIDING

GET TRANSFORMED

ARE DISORGANIZED

ARE SHUFFLED

INCORRECTLY RECALLED

This project is situated along a threshold of memory and space. It serves as what should be an impermeable threshold of the controlled and yet is still uncontrollable. Moreover, as time has progressed this transient line has created and destroyed new boundaries within the city, wreaking havoc, and changing policies. After each disaster the city has cleared the damage and moved on and forward; Yet it is necessary to remember these forces, not only for the sake of recognizing our relationship to the world around us, but, more importantly, to create a space to recall the stories of how the Mississippi has shaped the geography of the city of New Orleans for both the better and the worse. These sites, although specific in locality, speaks of a larger narrative of not only change, but of also abuse and reuse of the built environment. More importantly however is creating a space where the material world can augment a collective memory of not only what was, but what is, and what will be. Typically, this is much easier to recognize in an existing structure or at a site where the layers are coexisting or show the wear of time, but what if time has played such a role that the evidence of the past have been nearly wiped away?

|

PORTFOLIO VICHOSKY

2

|


LONER

BALANCER

CONNECTOR

SELECTOR

ENHANCER

ACTIVATOR

INTRODUCER

COLLECTOR

BLURRER

ERASER

TERMINATOR

HIDER

FORGROUND-ER

IMITATOR

|3 |

PORTFOLIO VICHOSKY

BACKGROUND-ER

INVADER

RANDOMIZER

ILLUMINATOR

DISPERSER

FRAMER

BOUNDER

ORGANIZER

MORPHER

GESTALT-ER

COMPOUNDER


PRADA FOUNDATION OMA

QUERINI STAMPALIA CARLO SCARPA

PASSAGES DANI KARAVAN

|

PORTFOLIO VICHOSKY

4

|


PI RIVER

MISSISSIP

LONDON AVE

FRENCH QUARTER

LEVEE

LEVEE

LAKE PONTCHARTRAIN

MISSISSIPPI RIVER

LEVEE

ORLEANS CANAL

LEVEE

M ISS ISS

LEVEE

ER IV

LEVEE

17TH STREET

IR IPP

INDUSTRIAL CANAL

GULF OF MEXICO

|5 |

PORTFOLIO VICHOSKY


9th Ward

15th Ward

Lower 9th Ward

Division vs Connection Nola and the Mississippi

This pavilion is located along the Industrial Canal. This space connects with the Mississippi River, through a lock dividing the Ninth Ward and the Lower Ninth Ward and finally extend to Lake Pontchartrain. It once was part of the low lying marsh land and at one time was home to a convent right along the Mississippi. Now, this performance space is meant to reconnect people to what was the landscape before levee walls and pumps made these neighborhoods inhabitable. Now these levee walls are fearful reminders of unbreeched disaster as hurricanes test the strength of these walls. For this reason, these boundaries need to be experienced in a new way so that so that people visiting and living within the region understand what is keeping their daily lives above the water. More importantly this intervention places architecture back in the uncertain and controversial murky waters which rise and fall - creating a moment of revelation.

|

PORTFOLIO VICHOSKY

6

|


The pavilion along the Lower Ninth Ward shifts the perception and proximity of the wall and its relationship to people and the geography. Oddly enough the edges of this canal are closest to the original cypress swamp once found in this region before pumps, walls, and spillways were designed in an attempt to tame the water. This rotating wall opens vistors to the rear of the performance space. The materials attest to the charm and capable in this region. Additionally, by placing this moving wall the objective is to have visitors question the permanence of this massive 11’ concrete levee walls.

|7 |

PORTFOLIO VICHOSKY


ROOFPLAN

Like a cascading river over the wall these stairs reconnect visitors to this threshold of what seems to be tamed and untamed geography. Water cascades below the stairs and echos along the metal shell of the stairs. These stairs then transform into a stage for larger performances which can be viewed by those sitting along the edge or by boats in the canal.

|

PORTFOLIO VICHOSKY

8

|


|9 |

PORTFOLIO VICHOSKY


|

PORTFOLIO VICHOSKY

10

|


PODHAUS over-the-rhine

Summer 2014 | University of Cincinnati | Cincinnati, OH

| 11 |

PORTFOLIO VICHOSKY


Over-the-Rhine

$40 MILLION

$38 MILLION

$

$29.5 MILLION

2006

2007

2009

RENOVATION OF WASHINGTON PARK

2002 2003 2004 2005

$

$ HISTORIC RENOVATIONS

$

MILLION

108 NEW CONDO’S 15k SF COMMERCIAL

MILLION

$

$8

98 NEW CONDO’S

PURCHASED 300 BLDGS + LOTS

$27

PURCHASED 80 BUILDINGS AND LOTS

$

2012

Situated in the heart of Over-the-Rhine in Cincinnati, OH this boutique hostel PodHaus, ties together the many shops, restaurants, galleries, and bars by offering a unique hybrid blend of a hostel and hotel experience in an effort to redesign the hotel experience.

|

PORTFOLIO VICHOSKY

12

|


1

SITE

2

SEPARATION OF PROGRAM

3

CONNECTION THROUGH ‘SPROUTS’

4

TIEING BACK OF FORM

5

SLICED TO URBAN EDGE

6

RESPONSE TO URBAN SCALE

When exploring the generation of the form, it was of interest to express the vertical circulation (3) and highlight that as an architectural element which connects the program visually from the interior and exterior(2). By pulling the lower two levels back (4) which forms a splitting of the upper levels, a more appropriate scale to the italianate architecture of the neighborhood was created. The neighborhood is painted in a palate of many colors and instead of relying on this to highlight the facade, the inspiration of the panelized system makes reference to not only the structure of Findlay Market but of the intricate cornice work found in the surrounding buildings (5). For the elevation facing the market however the intent of this facade is to reflect not only the activity of the neighboring street but of the decorative italianette façades (6).

1

2

3

4

5

6

| 13 |

PORTFOLIO VICHOSKY


| WEST SECTION |

| NORTH SECTION |

|

PORTFOLIO VICHOSKY

14

|


| PODHAUS IN OVER-THE-RHINE |

| 15 |

PORTFOLIO VICHOSKY


| ELEVATION WEST |

| ELEVATION NORTH |

| FACADE SCREEN AXON|

|

PORTFOLIO VICHOSKY

16

|


POD HA S Cast-in-place Concrete

Fritted Glass Curtain Wall System Screen System

| EAST SECTION |

| 17 |

PORTFOLIO VICHOSKY

| SOUTH SECTION |


| PODHAUS POD ROOM |

|

PORTFOLIO VICHOSKY

18

|


| PODHAUS FROM FINDLAY MARKET |

| 19 |

PORTFOLIO VICHOSKY


5

6

| LEVEL 3 | FLEXIBLE POD ROOM LAYOUT PORTFOLIO

VICHOSKY

| 20

|

1/8”=1’-0”

3. RESTROOM

2. LIGHTWELL TO LOWER RESTAURANT

1. SLEEPING POD

LEVEL 3

2

1

3

3


installation

CUYAHOGA VALLEY TOWPATH Fall 2010 | Prof Kathryn Strand | Cuyahoga Valley Towpath, OH

| 21 |

PORTFOLIO VICHOSKY


When looking at the world around us our brains have the capacity to place together fragmented pieces of information to create a holistic picture. An initial intent of the studio was to create an installation that modified, augmented, or intensified ones initial experience along the bike trail.

The first part consists of a drawing that translates the perceived experience into a site plan and section which considers: the spatio-temporal, the discrepancy between the natural and built elements of the site, as well what is the phenomenal or perceived elements of the site. The materiality of this installation

was chosen based on an everyday product with standardized dimensions and malleable qualities. This object, a cup, was chosen based for its connotations of altering or fragmenting reality. What became important was how these originally cylindrical objects could be molded tectonically to fit one-another.

| SITE |towpath context where infrastructure | MATERIALITY |creation, transformation, and assembly of installation. fragments the views beyond

|

PORTFOLIO VICHOSKY

22

|


| SECTION | installation A goal of this installation was to exercise the passerby’s imagination as they compiled and stitched together the images of trees, bridges, and pipelines as they ran, biked, or walked past the installation.

| DIAGRAM: SECTION AND PLAN| context with reminders of the bike ride such as the trail map are collaged throughout.

| 23 |

PORTFOLIO VICHOSKY

| RENDERING | installation


“

Reality can be considered as coherence, The collection of things links up references to all directions. The world shows itself in this way. In these referential sequences we catch only aspects. Objects show us one side. These limiting aspects express the inexhaustible riches of reality manifesting itself. - The Horizon

�

|

PORTFOLIO VICHOSKY

24

|


HITRECORD KENT STATE | integrated design competition.

studios

| 25 |

PORTFOLIO VICHOSKY

Spring 2012 | Prof Jack Hawk | Pittsburgh, PA


|SITE SECTION| The final semester of undergraduate studies was a comprehensive studio for a mixed use office and retail space in downtown Pittsburgh. This two person team project involved a comprehensive understanding of design, zoning, codes, methods, and extensive calculations for environmental technology, systems, and structures. The Cultural District of Pittsburgh offered a unique challenge in confronting ‘site C’ on the corner of Fort Duquesne Blvd. and 7th St. Initially, in using the proposed Behnisch Plan it was important to allow a reactivation of the street fronts through retail, galleries, and neighboring RiverParc. Within the site it was crucial to create connections along Fort Duquesne Boulevard, 7th, and 8th street. The reason why this connection is so important is

because it allows immediate access to the parking garage as well as the adjacent town homes. This connection needed to happen not just at the scale of the block but also for the city and beyond. HitRECord, the proposed prime tenant for the space is an artist collaborative which introduces a mixed-use program to the site as well as a varied clientele with attention to cinematography, music, fine art, the digital arts, and any combination of the above. Additionally, because of the layout of the ground level, an interaction between HitRECord Studios and the other office tenants are encouraged through the main interior “Delta” of the building. Along this Delta Corridor is a combination of the Living-Machine, gallery, and the office entry.

|

PORTFOLIO VICHOSKY

26

|


“

Inspired from the patched industrial windows present in the Strip District of Pittsburgh a mosaic of various glass tones are present throughout the curtain wall creating a modern interpretation of the old industrial buildings.

�

|West Elevation | Office entry at SW corner

| 27 |

PORTFOLIO VICHOSKY

|Section East| Living Machine Gardens


| SUMMER |

| WINTER |

Wall Assembly:

R-value

Interior vertical air film 1/2� Gypsum wall board Aerogel insulation

0.68 0.45

Facade panel system Exterior vertical air film

60 0.3 0.3

Glazing:

R-value

E3 max triple glaze

w/krypton

9

Roof Assembly:

R-value

Interior air film 1/2" gypsum wall board 6" aerogel insulation

0.68 0.45

Radiant barrier Exterior air film

60 6.7 0.3

Floor Assembly:

R-value

Interior horizontal air film 3/4" bamboo flooring

0.68 0.72

4.5" SIP 19 4" reinforced concrete slab .32

|

PORTFOLIO VICHOSKY

28

|


| WATER |creating water independent sites, building and communities

|LIVING MACHINE | process

+ Net Zero Water. All on-site water is cleaned through the living machine and that grey water is used on site for landscaping, and for the supply of toilets and urinals. 1. Equalization Tank a. primary settling/ sewer overflow b. second compartment-low equalization 2. Flow Meter Vault a. influent feed to cells 1,2,3, + 4 b. recycles from cell 6 to cell 1 3. Tidal Flow Wetland Living Machine System a. influent feed to cells 1,2,3, + 4 b. recycles from cell 6 to cell 1

|RAINWATER CATCHMENT | |RAINWATER CATCHMENT |

|RAINWATER CATCHMENT |

| LIVING MACHINE FILTRATION | | RECLAIMED WATER CISTERNS FOR GREY WATER USE [ BELOW GRADE ] |

| 29 |

PORTFOLIO VICHOSKY


| HEALTH |

penthouse

maximizing physical and psychological health and well being.

162’-0”

prime

148’-0”

prime

134’-0”

92’-0”

spec mixed use retail + hitRECord studios

hitRECord prime

spec

64’-0”

50’-0”

36’-0”

18’-0”

garage + utilities

0’-0”

To Effluent Storage Tank

|INTERIOR GARDEN|

| LIVING MACHINE ATRIUM | |RES. ROOFTOP GARDEN|

|INTERIOR GARDEN|

|RAINWATER CATCHMENT / GARDEN WALKWAY |

|OFFICE ROOFTOP GARDEN|

106’-0”

78’-0”

4a. Subsurface Dosing Manifold b. polishing vertical flow wetland - 1 pass vertical flow - 2 zones 5. Water Filtration and UV Disinfection System 6.

120’-0”

prime

prime

prime

+ Civilized Environment: Throughout the building, all spaces are provided with operable windows which provide fresh air, views, and natural daylight to ensure the well being of the inhabitants.

|X-FACTOR GARDEN |

|

PORTFOLIO VICHOSKY

30

|


| 31 |

PORTFOLIO VICHOSKY


| EQUITY |supporting a just, equitable world + Human Scale + Human Places The project must be designed to create human scaled places. HitRECord studios, the x-factor present at site C has the opportunity to bring out culture, interaction, and collaboration within the community. + Rights to Nature The project does not block access to, nor diminish the quality of air, sunlight, or natural waterways

| BEAUTY | celebrating design that creates transformative change + Beauty and Spirit The main reason HitRECord, the prime tenant was chosen for the site was because it not only celebrates culture, but the spirit of collaboration.

The interior lobby known as the “delta” is where the living machine serves as the connecting element, tying the office lobby and the studio entry. Thus becoming a place where people can interact, reflect, and gather.

|

PORTFOLIO VICHOSKY

32

|


STUDIO reactionary yoga

Fall 2010 | Prof. Kathryn Strand | Ohio City, OH

To initiate the design process for the yoga studio our studio participated in a yoga class in an old white-washed mill. As a result of this experience a drawing which documented five phases of translation of the body was created. This drawing encompassed not only the idea of place but also the progression of time through the practice of yoga.

| 33 |

PORTFOLIO VICHOSKY


ENCLOSURE STABILITY

OVEREXTENSION DRIFTING ACCLIMATION

This location, flanked by two bridges, is anything but static. There are many reminders of what once was a valley filled with factories, many of which are now in the process of decay. This transformation over time becomes important not only in relation to the yoga class but also for the transition

of experience from new to old. The five phases of the yoga experience were used to gain a sequence of design that reflected not only in plan but also in section while addressing the hillside and the intersecting bike trail.

|SECTION STUDY|looking south, over the river

|

PORTFOLIO VICHOSKY

34

|


| SITE|overall

| 35 |

PORTFOLIO VICHOSKY


|SECTION | 1

“

The site gave a unique challenge in portraying the yoga experience. A brief feeling of enclosure was obtained by the entry staircase which progressed into the ground and was countered by unexpected daylight through the lowest level protruding from the hillside.

|SECTION | 2

�

|

PORTFOLIO VICHOSKY

36

|


|RENDERING|entry to yoga studio

| 37 |

PORTFOLIO VICHOSKY

|1ST|floorplan 24”x 24” pencil + market


By shifting and lifting the ground floor studio it created a cantilevering form which allows daylight to enter and a sense of being enclosed as one studio hovers over another.

|RENDERING|studio B

|

PORTFOLIO VICHOSKY

38

|


COLUMBUS

CDHC

design & heritage center Fall 2013 | Prof. Jim Postell | Columbus, IN

| 39 |

PORTFOLIO VICHOSKY


Columbus, Indiana has become a museum of modern architecture with buildings designed by I.M Pei, Saarinen, and Meier. The intent of the project is to create a center that serves as an educational hub for these masterpieces while also creating design spaces that help keep the city relevant and established in the arts. The basis of design is established through recognizing the farm-based regional context, the desire to conceal the MEP systems through the assembly of the glu-laminated members and a raised floor system, while creating spaces with controlled lighting.

front

top

| MODULAR CLADDING |

|

PORTFOLIO VICHOSKY

40

|


| 41 |

PORTFOLIO VICHOSKY


PROFESSIONAL EXPERIENCE

|

PORTFOLIO VICHOSKY

42

|


MARKET SQUARE BIALOSKY ARCHITECTS

| 43 |

PORTFOLIO VICHOSKY

This civic space in the city of Westlake, OH is designed for use throughout the summer and winter. It includes an area for vendors, a stage for concerts, and a pavilion for small gatherings. As a co-designer for this project I was involved from concept design through construction documents.


88

stands for a

MARKET

table settings for a 980 BANQUET * 860 w/ dance floor

PAVILION SKETCHES

TYP. COLUMN

exhibits for an 156 ART SHOW

seats for a 120’x80’ rink for 1,340 CONCERT

ICESKATING

COLUMN BASE

|

PORTFOLIO VICHOSKY

44

|


CENTER FOR EDUCATION

Designed for a confidential client, this educational facility is intersected by a pedestrian pathway encouraging research and science to be on display. This building which includes labs, classrooms, offices, and amenities such as an auditorium is part of a larger educational campus plan which was also designed by Perkins + Will.

Throughout the project I assisted in presentation materials and diagrams as well as physical models for presentations. As we progressed in schematic design I played a role in material selection for exterior finishes and glazes for the terracotta panel system. My primary focus was to progress the design of the auditorium and visitor center including the detailing of these amenities during the construction document phase.

| CAMPUS AERIAL |

| 45 |

PORTFOLIO VICHOSKY


| EDUCATION CENTER|

|

PORTFOLIO VICHOSKY

46

|


| VISITOR CENTER AND LABORATORY |

| 47 |

PORTFOLIO VICHOSKY


| EDUCATION CENTER|

|

PORTFOLIO VICHOSKY

48

|


|SPINE SECTION |

| SPINE ELEVATION |

| LEVEL 2 |

| 49 |

PORTFOLIO VICHOSKY

The pedestrian spine is designed with eight varieties of vertical and horizontal extrusions which not only adds visual interest to the facade but minimizes the amount of direct sunlight entering various labs and offices.


| PEDESTRIAN SPINE ENTRY|

|

PORTFOLIO VICHOSKY

50

|


POOL CLUB #MP_POOLPARTY

OPTIMIZELY FURNITURE SUMMARY JUNE 19, 2015

OPTIMIZELY - JUNE 17, 2015

© Barak Pliskin

| 51 |

PORTFOLIO VICHOSKY

Manhattan Park Pool Club’s pop-up redesign, is a recently completed temporary installation at an existing poolclub facility on Roosevelt Island. The design team, K&Co and pa|nyc, proposed a temporary, installation that would last for the summer pool season. The pop-up pool club features

new loungers, hammocks, beachstyle lifeguard chairs – all with an iconic, pop-art feel. The redesigned space features a pool deck mural by the street artist HOTTEA.


© Barak Pliskin

|

PORTFOLIO VICHOSKY

52

|


| 53 |

PORTFOLIO VICHOSKY


© Barak Pliskin

|

PORTFOLIO VICHOSKY

54

|


Thank You


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.