2018 03 portfolio weisfeld

Page 1

PORTFOLIO WEIS FELD


CONTENTS the work contained in this portfolio is a collection of my architectural pursuits. throughout my study i have only just begun to realize the responsibility designers have and their role in society. the power of design is significant in shaping a community, a city, and a culture. this realization has led me to seek out different ways of organizing space, articulating volume, and using material purposefully. each project in this body of work explores new territory in my perception of societal improvement. the bredth of work spans material, use, connection, development, and the power of an idea and that idea’s capability. i believe that there are better ways to build the world, and architecture as more than a service is a start.


03

TIMBER

13

SAMPLING

23

CALA, A+D

33

MEMORY

fall 2017 material

spring 2016 concept

spring 2015 community

spring 2018 culmination


TIMBER as a concept, TIMBER is an experiment in material as a means for societal benefit. the project is an office highrise designed with heavy timber stretching eight stories above dtla’s arts district. natural materials are used instead of typical concrete and steel as a push for sustainable building with innovative form. TIMBER is completely constructed from wood. CLT panels create the floorplates and structural core, while prefabricated sections of glulam and pre-charred dimensional lumber make up the exoskeleton and envelope. TIMBER is primarily private leasable office space, but contains continuous public access which any passersby can explore during regular operation.



3rd and traction





public circulation form

unrolled public circulation section


facade and exoskeleton section study


west facade

east facade

south facade

north facade


exhibition layout


SAMPLING SAMPLING is designed from a highly conceptual process. i was set on develenclosed oping a generator for form which satisfies the spatial requirements for functional architecture as well as new formal organization.

res idential

open

the studio explored musical sampling techniques (cutting, rearranging, remixing, shuffling, etc.) and applied them to the design process. form, program, exposed interaction, and ultimately purpose, is derived from sampling a catalog of forms and modifications. SAMPLING is a live-work community protected communal which provides space for artisan bicycle builders who design, build, and sell their bicycles. a continuous conveyor belt spatial types moves through the building to transport and showcase finished bicycles.

communal


ob servator y

offi ce

factor y

public


tower transition_slight

bend

chop

circulation_people 01

bend nick

bend

split

fold split

bend

manufacturing_showcas

split

crease

crease

crease

circulation_materials


se

transition_abrubt

expansion_circulation

transition_immediate

expansion_volume

transition_directed

expansion_both

manufacturing_workspace

housing_units 01

housing_units 02

circulation_all

circulation_people 02

circulation_people 03


public / landscape samples

samples

o ffi c e s a m p l e s

A

s e c t i on a

se c t io n b

1/8” = 1’ - 0 ”

1 /8 ” = 1 ’ - 0 ”

section B


factory samples

residential samples

communal samples

B

section A


E. FIRST S T. J U D G E J O H N A I S O S T.

site plan

floor plan L11 observation tower

floor plan L07 residential block


floor plan L05 residential and communal

floor plan G01 cafe and bicycle store

floor plan B01 factory and loading


sample iteration A

view from city hall

sample iteration B


view from parking lot

view from street

view from back alley


CALA, A+D CALA, A+D is a museum, public gathering space, and an access point between two disconnected los angeles communities: boyle heights and the arts district. the project is sited over the los angeles river beside the historic first street bridge and provides an opporunity to relink these zones. my process focused on the reconnecting potential by joining the bridge, CALA, the A+D museum, arts district, boyle heights, and the los angeles river together. the proposal includes a gold line metro stop on the bridge and extensive public space for all communities. the project opens up and circulates around a center atrium to the river below, furthering the connection to the los angeles river redevelopment project.



AHU

To Bridge

AHU

To Bridge

Auditorium Perch

Auditorium Perch

Auditorium

Auditorium

Auditorium Level Plan

Auditorium Level Plan

Scale: 1/32” = 1’ - 0” River Bank + 60’-0”

Scale: 1/32” = 1’ - 0” River Bank + 60’-0”

Auditorium Level Plan

Scale: 1/32” = 1’ - 0” River Bank + 60’-0”

Exterior Event Space A

To CALA

To Auditorium

To CALA First Street Bridge Access Point

Exterior Event Space B

Auditorium Stage

Restroom

Back of House

Bridge Level Plan

Scale: 1/32” = 1’ - 0” River Bank + 40’-0”


Bridge Level Plan

Scale: 1/16” = 1’ - 0” River Bank + 40’-0”

To Library

Gallery Space

Classroom A

Gallery Space Classroom B

Classroom C To Retail

Boardroom

To Bridge

Administration

To Retail Office Kitchen

Restroom

To River

CALA Level Plan

Scale: 1/16” = 1’ - 0” River Bank + 25’-0”

To CALA

Library / Book Store

LA River Access Point

Reception / Gift Shop LA River Bike Path

Side Entry Make Maker M ker Sp pace ce e To CALA Cafe Kitchen

Utility Room

Restroom

LA River Vehicle Path

River Level Plan To CALA

Scale: 1/32” = 1’ - 0” River Bank + 5’-0”


River Level Public Park Level

Section N1

N1

Scale: 1/16” = 1’ - 0” Courtyard Facing North

A1

Water Level

Section A1

Scale: 1/16” = 1’ - 0” Auditorium Facing North

Auditorium

Public Outdoor Gathering

Classrooms

Gallery

Boardroom N1

A1

Library Auditorium Level

Bridge Level

Auditorium Level

Public Courtyard

Bridge Level

CALA Level

CALA Level

River Level

River Level

Public Park Level

Water Level

Public Park Level

Section E1 Scale: 1/32” = 1’ - 0”

WaterEast Level Main Gallery Facing

Section E1

Scale: 1/16” = 1’ - 0” Main Gallery Facing East

hts Bank02

yle Heig ew - Bo

r Park Vi

LA Rive

Site Plan

Scale: 1/64” = 1’ - 0”


E1

Auditorium Entry

Auditorium Seating Stage

B.O.H.

Accessory

Boardroom

Public Courtyard

Bicycle Path

Mechanical Room Section A1 Scale: 1/32” = 1’ - 0” Auditorium Facing North

Auditorium Acoustics

Structure

3/8” Plywood Reflectors Double Pane Heavy Glass Occupied Seating

Major - Steel Trusses Minor - Post and Beam Foundation - Concrete Caisons

NRC: 0.15 NRC: 0.05 NRC: 0.32

Reverberation Time: 1.74 seconds

Longest Span: 155’-0”

Circulation / Access

Building Systems

Gold Line Metro Stop Bridge Level Drop-off LA River Park Pathway

HVAC Plumbing Electrical

Facade Conditions North Faces East Faces South Faces West Faces

Open Glazing 12” Fins 12” Louvers 8” Fins

Estimated Unconditioned Temperature: 82°F

Proposed River Condition Bike Path Seating Community Gardens Consistant Water Level: 18’-0”

Program

Proposed River Condition

Proposed River Condition

Work Learn Play

Bike Path Seating Community Gardens

Bike Path Seating Community Gardens

Total Occupiable Space: 36,890ft³

Consistant Water Level: 18’-0”

Consistant Water Level: 18’-0”



auditorium and gold line



view from arts district


MEMORY the final embodiment of my architectural undergrad pursuits. in my degree paper and project i am interested in seeking out how architecture can fend for itself as an independent entity, and whether it survives, thrives, or fails in its own goals. ultimately architecture is a human construct: the bricks and mortar need human intervention to fall into place. however, the conceptual nature of architecture as an idea—or as a communicative medium—is beyond the physical. The non-physical is capable of existing beyond even the best maintained physical architecture. as long as the idea exists in memory then it is immortal. this is a work-in-progress that i plan to identify common factors of a memorable type of architecture.



morphing typology A.rep // 502a // assignment 12


c3 tower

g1 monument

c2 office

c1 warehouse

r1 residential

morphing typology B.rep // 502a // assignment 12


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