A L B E RT H A D J I G A N E V
A L B E RT H A D J I G A N E V
472 W. Broadway, New York, NY 212.226.2262 axelle.com
cover: Deux arbres dans la brume 36” x 25½” | opposite: Sur la Sioule 31½” x 39” | above: Au bord de la vallée 15¾” x 15¾”
2 | Les Mouretons 28¾” x 23½”
Après midi brumeux 38” x 57½” | 3
4 | Eclaircie 31¾” x 39½”
Eté orageux 78¾” x 78¾” | 5
6 | Arbre courbé 15¾” x 15¾”
Chemin mouillé 51” x 76¾” | 7
8 | Chemin forestier 78¾” x 63”
A la croisée des chemins 38” x 51” | 9
A L B E RT H A D J I G A N E V Born in 1954 in Bulgaria to a family of artists, Hadjiganev fantasized of an artistic Parisian existence throughout childhood. He studied photography in Sofia and was influenced by the work of his painter father and sculptor brother. However, he never forgot his ultimate goal: to study at the Ecole des Beaux-Arts in Paris. Therefore, at the age of 28, he left his native land and walked across the border. After numerous hardships, he finally reached Paris, where he eked out a hungry existence as a starving young artist. By 1987, however, his struggle paid off, he graduated from the prestigious Ecole, and his dream was fulfilled. His artistic peers in Paris quickly recognized Hadjiganev’s distinctive talent. In 1989, he became the recipient of the coveted Grand Prix de Peinture from the Academie des Beaux-Arts. Chosen from among one thousand artists, his paintings were shown all over France and Europe. In 1990, he received the Prix du Gouvernement Princier at the Salon International d’Art Contemporain in Monaco. The critical acclaim he has received has had little effect on the personality of this unassuming painter. When he starts a painting, “I do not know what is to come,” he said. “It is the canvas that decides—I am merely a tool. I become very small.” But Hadjiganev’s talent is anything but small. The sparkling vistas of his landscapes spark feelings of longing and peace in the viewer. His photographic training is also evident in the composition of his interior work. He leads viewers into his paintings, often through a geometric shape. A window, a door, a table or the frame of a picture are all openings that capture a still moment within a limited visual frame while opening up a new perspective to the viewer. In addition, his elegant nudes exude a shy, intimate feeling of poetry and light. “I do not paint to make something pretty. I paint to put my heart in my paintings,” he explains. As a minimalist, Hadjiganev captures the simple moments of daily life with only a few elements. With perfect technique and deep sensitivity, he freely transfigures reality to create a mysterious environment filled with grace. With harmony, loneliness of the soul and a peaceful nostalgia, Hadjiganev invites the viewer to meditate and dream. The quiet strength and mastery of his craft are indeed reflected in his unforgettable work. His simple philosophy on life is the core of his work: “One does not need to say too much to say it all,” he explains.
10 | Marine 23½” x 47”
| 11
12 | Auvergnate 15¾” x 15¾”
Après la pluie (étude) 19½” x 19½” | 13
14 | Arbre à l’aube 21½” x 18”
Derniers rayons 38” x 57½” | 15
16 | Pluie aux Mouretons 28¾” x 39”
L’été dehors 39” x 39” | 17
18 | Fenêtre sur jardin 45½” x 31¾”
27 Rue de Seine 59” x 59” | 19
20 | Les beaux jours 76¾” x 51”
Pêcheur en fleurs 76¾” x 51” | 21
22 | Sur la route de Saint-Omer 28¾” x 39”
Eté pluvieux 28¾” x 31¾” | 23
24 | Brouillard rose 31½” x 23½”
Matin brumeux 39” x 39” | 25
26 | Trois arbres au crépuscule 19½” x 19½”
Soir aux Mouretons II 39” x 28¾” | 27
© 2015 ALBERT HADJIGANEV
28 | Soir aux Mouretons I 28¾” x 39”
above: Roses de novembre 44¾” x 57½” | back cover: Plage normande 38” x 57½”