Aykut Dağ
Architecture Portfolio
Istanbul Technical University
18 -21
born in 1997 currently living in Istanbul, Turkey ____________________________________
about
cell: +90 534 392 47 48 email: aaykutdag@gmail.com ____________________________________
I got a bachelor degree in architecture from ITU, Istanbul in February 2021 and spent one semester in Poland with erasmus programme.
behance: aykutdag sanatabiyer: aykut-dag instagram: archiddictedd issuu: aykutdag ____________________________________
bizburalardayiz.wordpress.com ____________________________________ Languages: Turkish, English
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hi, I am Aykut Dağ,
During my education, I participated several competitions, workshops. With the help of them and various school projects, I got the chance to work in different scales, contexts, programmes, and architecture ideas. In terms of sharing ideas and architectural approaches, learning from other people, and practicing to team work; participating architectural competitions was really instructive and didactic. General approaches of my projects were that aimed to research architecture in diferent manners with experimental methods and tried to reach unthought and unminded groups, minorities. The narrative side of projects in this book were the most enjoyable parts of them. I tried to adumbrate it while using different presentation technics. It can be checked my behance account to see all my works as with more details.
EDUCATION
_____________________________________________________________ 2011/15 Iznik Anadolu High School Bursa, Turkey.
Bachelor of Architecture
Istanbul Technical University | GPA: 3.43/4.00
2015/21
İstanbul, Turkey.
Opole, Poland.
2018/19 summer term
EXPERIENCES
_____________________________________________________________ Intern
MET Insaat Taahüt Mühendislik Bursa, Turkey.
Intern
Studio-KA
İstanbul, Turkey.
İstanbul, Turkey.
İstanbul, Turkey.
2017
Muğla, Turkey.
2019
SOFTWARES
2020
1927 Mimarlar Derneği Architectural Drawing and Photography Competition
2020
3rd Prize
İstanbul Senin Haliç Kıyıları Design Competition
2020
1st Prize
Kadıköy Meydanı Urban Design Competition w/ Aboutblank, Adapt Architects
2020
APPARENCES
ITU Musical Community
2015/16
İstanbul, Turkey.
graffic designer
ÖKM Sahnesi
2018/19
İstanbul, Turkey.
Sanata Bi’ Yer Exhibition ‘19
2019
İstanbul, Turkey.
technical stuff
Participant
Digital Futures: Architecture Geo. /Zaha Hadid Arch. Evin Halleri: Ev Çizim Talimatları /Piknik Works
Locked-Down in 120 Homes
artist
Participant
Poedat Akademisi: 2. Buluşma /Poedat Akademisi
2019
honorable mention
artist
Participant
Kent Düşleri Atölyesi /TMMOB
via online meetings.
w/ Aslı Mut, T. Onur Türkmen
________________________________________________________________
_____________________________________________________________
via online meetings.
finalist
w/ Kolektif Mimarlar, Officepan
5 months|2020/21
2019
w/ Aslı Mut
1 months|2019
WORKSHOPS
Participant
Çuhadaroğlu Aluminium Student Project Competition
1 months|2018
1 months|2020
İstanbul, Turkey.
Intern
finalist
3rd Prize
Competition team
Kolektif Mimarlar Aboutblank
________________________________________________________________
48 Hours Student Project Competition
Bachelor of Architecture
Opole University of Technology
COMPETITIONS
2020 2020
_____________________________________________________________ Rhinoceros + Vray ••••••• SketchUp •••••• Autocad •••••• Photoshop ••••••• Illustrator •••••• Indesign ••••• Lightroom ••••• Premiere ••• Grasshopper ••
“Mimarlar Odası Beyoğlu: Bir Kentin Hafızası” exhibition İstanbul, Turkey.
2019
author
“Glitch | Queer | Space“ pp. 68-69 QUEER | Archithese Architecte Magazine
2020
Zurich, Switzerland.
INTERESTS
________________________________________________________________ Photography, digital art, graphic design, glitch art, parametric design, sketching&hand drawing, modelling, collage work, music, playing guitar, travelling
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CONTENTS KNI K
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ec[O]reate | grad. pr. 1773
Detail 1
Detail 2
Detail 3
Detail 4
ISTANBUL TECHNICAL UNIVERSITY ARCHITECTURE FACULTY ARCHITECTURE DEPARTMENT
Aluminium flashing Patent Glazing - Heritage lead covered steel glazing bar verge detail to vertical glazing [HD 6810]
Renson - Oxyvent [Ventilation exhaust]
Beylikdüzü Creative Habitus
Renson - Typical details upstand detail [SK 1150]
Gutter
MIM 431 E CONSTRUCTION PROJECT CRN:13046
Q-fault | arch. pr. VII
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2019 - 2020 FALL SEMESTER Patent Glazing - Heritage lead covered steel glazing bar [HD 6500]
1:5
1:5
1:5
STUDENT NAME: AYKUT DAĞ NUMBER: 020150157
assoc. prof. Ozan Önder Özener
1:5
2
+7.10
+7.10
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PAFTA NO:
8
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+6.60
+6.30
+6.20
+5.50
Section
+5.00
+4.50
+4.00 +3.96
DATE:
+3.00
+2.50
+2.00 +2.00
Vertical Farming Space |3d printing | cons. pr.
15.01.20
+3.50
+2.95
+2.60
SCALE:
1/50
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assoc. prof. Emrah Acar
+1.57 +1.50
+1.00
+0.50
4
+0.15
Flashing
A-A Section
Endless House| Lock-down in 120 Homes 2019
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Pasaj | çuhadaroğlu aluminion student project competition 2019
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Termitecture | archisections | “yaratıcı ve ilham veren kentler”
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Glitch |queer| Space | arch. pr. V
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[re]Cırcle | 48 saat student project competition 2019
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noname | stoneline izmir marble fair stand competition
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honorable mantion
w/ Aslı Mut | participant
w/ Aslı Mut, Onur Türkmen, Sude Vural | error
assoc. prof. Meltem Aksoy
w/ Aslı Mut, Onur Türkmen | participant
w/ Aslı Mut, Onur Türkmen | participant
Vertical Floating Neighborhood | 1927 Mimarlar Derneği Architectural Drawing and Photography Competition
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3rd price
5
grad. pr.
beylikdüzü creative habitus
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E[co]create is an open space for willing people to create, learning, and thinking together in Beylikdüzü, which try to encourage society to work in solidarity. It can be assimilated to a living organism with its expandable, sensitive -to its surroundings- and constantly alive structure. The base of this structure consists of concepts such as collaborative acts, collective learning and production, ecological approaches, historical footprints and existing virtually. State policies, which do not always consider public good, and profit-making capitalist approaches have always been an important dominance in urbanization. People need to act together in order to look out for their own benefits and stand against this dominance. Even if the development of Beylikdüzü with mass housing projects caused great concretions, people have managed to protect a relatively livable environment with cooperative work. While settling in the protected nature and the agricultural areas of the coastal area of Beylikdüzü, it is necessary to think about its cooperative background, the urban texture, and intersections. At this point collaborative acts, collective learning and ecological approaches are substantial. It is necessary to convey the culture of solidarity in the region, to continue development, progress, and learning. While doing all this, protection the balance of nature is important. In order to manage waste, prevent energy consumption and make the system self-sufficient, some concepts are considered to be adapted to the project: gray water conversion, agricultural waste utilization, use of motion energy of bicycles, solar energy etc. Digitalization and promotion are two important elements in order to keep up with the developing ages and to be a part of progress. It is no longer enough to exist physically, it is also necessary to exist virtually. With the “New Normal”, notion of digitalization spread more than before in society, even if in old generation people who do not tend to it. People are getting used to be physically alone, but virtually social. This situation is considered as a good way to promotion of archeological site in the area. With an application to be written, it is aimed to provide an interface where people can visit the area without coming to the region and a game where they can experience the area differently when they come. It was thought that this practice could spread over time, apply to historical sites in different places, and turn into a more global. In addition, through this application, an open database can be created and various resources can release there that can be used by the artists, which make digital art, besides, some parts of it can be open to public use. 7
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q_fault
arch. pr. VII
assoc. prof. Ozan Önder Özener
“Donna Haraway’s “Cyborg Manifesto,” published in the Socialist Review in 1985, sought to explicate a feminist position on science and technology studies as well as to offer a response to the rising conservatism during the 1980s in the United States. The Manifesto can largely be understood as a subversion of the philosophical position of essentialism, which believes in the static being of entities. The cyborg trope or metaphor is deployed to disrupt categories like gender and sexuality that have become essentialized in modernity. This loosely categorizes Haraway’s project as fitting under the auspices of third wave feminism. Yet, the Manifesto’s breadth is much wider, casting a net that gathers together disparate disciplines such as science studies, postmodernism, critical theory, biology, and linguistics. The Manifesto has had considerable influence in the years since its publication; most notably, in the fields of feminism, science studies, and critical theory. It may also be viewed as an important precursor to the development of queer theory and posthumanism in the 1990s for its rejection of gender and sexual categories and its approbation of polymorphous sexuality.” [Glazier W.J, 2016] 30
“Judith Butler, in her prologue that she wrote in 1999 to “Gender Trouble” describes her book as a provocative intervention to feminist theory and one of the basic texts of queer theory. Actually, Butler objects to the concept of gender’s being performed on masculinity, femininity and its being reduced to this. She is oppose to accepting certain notions of sexuality as stereotyped norms. She explains clearly that her aim is not an insistence of certain realities or patterns about gender on the reader. According to Butler, it must be possible to evaluate some sexual practices that exist as minority and make them be considerable in the matter of gender. “Briefly, one is a woman, according to this framework, to the extent that one functions as one within the dominant heterosexual frame and to call the frame into question is perhaps to lose something of one’s sense of place in gender.” (Butler 11).” [Çınar B, 2015] 31
“ As everybody know that it is neither the begining nor the end. This is a spatial thing that u can not ignore it after today. This is special type of acting. This is more than protesting something, this is a new kind of life. This is the way that how weperform our existence in your social order. We are not “DIVERGENT” anymore. It was actually start because of you, but it will never end. We were always in there, just in front of your eyes. But now, our time
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begins. This is the end of life that you know. You always discriminate us from your world had standarts that just accept you and is accepted by you. In the new world, we collapse the standarts. The main problem is not about sexuality, disability, body, or brain. The problem is how you contact with your body and what your perception about gender,disability or mental disorder is. Indeed, glitch is in your mind, it is way
of your thinking. We are not queer anymore, not disabled. Nobody will be discriminated or isolated.Collapse of unrealistic society standarts will make everyone free.” - qfault’s
“ACTION” is basically a rebellion started by discriminated people from existing society. Major actors of society ,people that have power of change someting, are not interested in people who do not return a profit for them. This is the main cause of distirimination of minorty. The fact that physical diversity is not accepted by the society, has caused these people to get closer to each other. Smaller groups have formed over time in order to solidarity and even to survive. Various actions, social movements, parties, interviews and many others have been organized by these groups just to announce their existence to the whole society. With the development of technology, people who have obtained various opportunities have begun to use different ways to express themselves.
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Karaköy car park is a multi-layered structure with gaps that can be hidden in spite of it is in sight of people. It was inevitable that this structure would allow some illegal activities to begin. It is an undeniable fact that problematic relations with the body can cause some problematic actions. People who became alienated by the pressures of society needed to change it and wanted to be something else. They wanted to be strong, beautiful, even being perfect; shortly they wanted to be superior by comparison other people, so that they could not be bullied any more.
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With the appearence of a production that would be the solution to this problem, something has started to change in society. Now people could change and design their bodies as they wanted. This incident, which started secretly from the general public in the Karaköy Otopark, has become something that is known by everyone. With the rapid increase in the number of these people designing their own bodies, it come off the hinges. They called themselves “Q-Fault” and published manifesto and papers. This incident, which evolved a rebellion, took
place in somewhere else in İstanbul as Karaköy Otopark. This rebellion gradually became known as “ACTION”. As people changed, they changed their places. Thus, Karaköy Otopark has become a HighTech structure to serve QFault.
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Eggs are structures that hang between the production and evolution phase in building. It is a predetermined chemical condition that these eggs irradiate at various times. Artificial evolution of humans into Cyborg-like things is due to the various biomechanical parts to be added to them. A normal storage option is not possible for biomechanical parts. Special warehouses are required. The main purpose of the eggs is to ensure these biomechanical parts (arms, legs, eyes, stomach, etc.) to be added to humans without intact. These parts, which are protected in their own special fluid, are assembled in accordance with human beings, as they want, in the evolutionary phase.
O_103
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Karaköy O with the more func complex c ture chan have adde the two p two separ productio theirselve sary cybo the produ
O_102
Otoparkı has gone through similar phases while it evolved people. It has transformed itself into something better, ctional. It has evolved into a high-tech structure due to its circulation and always continuous operation. As the strucnges to something cyborg-like as humans, various limbs ed. The robotic arms provide the communication between phases (production and evolution) in the structure. These rate parts have no other connection. The circulation of the on part and the circulation of the evolution part operate es completely separately. In the operating room, the necesorg limbs are carried by robotic arms from the storages of uction part.
There is a large sphere on the right side of the building when coming from Gümrük Street. This sphere has connections with both the main circulation of the evolution phase of building and the gym that is under the services. The sphere was designed as a simulation room by q-faults. It allows to people, that transform themselves into cyborg-like things, test their new bodies with various machines inside here (vr, xr technologies, flexible devices, soft machines, etc.). This is why it works with the gym. Gym was designed for similar purposes. Cyborg people are included in the compliance program while staying in the nursing rooms. Every day, they try to get used to their limbs&new organs by doing various exercises and practices in these two areas.
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The Pipe is located on the side of the Gümrük Street which is thought to be the main façade of the building. The structure provides the transition from the main circulation area of the evolution phase of building to the simulation sphere. This structure is covered with a translucent material. Thanks to this translucent material, cyborg people passing through will be able to see the outside. But people who look outside will not be able to see the cyborg fully. This material is transparent enough to ensure publicity and visibility. This is a different way of saying “We are here”. It is also impermeable to ensure privacy.
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Karaköy high pub At the en much pu enterpris viduals. T situation The entra public. O resistanc come a s Q-fautls, for flaneu the struc
O_105
Otoparkı was a building located in the center of an area with blicity. Despite this position, it was not an active public space. ntrance level cafes, restaurants and similar structures were as ublic spaces as capitalism predicted. The publicity of these private ses followed a linear graph with the purchasing power of indiThis created inaccessible spaces by people without money. This changed as Karaköy otoparkı evolved and became more public. ance level has become dysfunctional and completely left to the Over time, this place has become a stopping point and center of ce for the aforementioned minorities. This area, which has bestopover point for anyone wishing to support with the open call of is also an observation point for enthusiasts and a crossing point urs. Now, this an interesting public place for eveyone because of ctures that can be seen here while looking up.
The “ACTION ” movement started not only in Karaköy Otoparkı, but also in various parts of Istanbul and in tome, it was spread to Istanbul. With the growth of this movement, there was a need for a structure that could be held as a decision-making mechanism to control everything from a single center with meetings etc. A control center, The Brain as called, was established as a product of this need. Representatives from all kinds of minorities can come to this center and they can play an active role in the “ACTION ”movement by making their community visible. At the same time, The Brain provides the communication of Karaköy Otoparkı with other centers. The Brain ensures the communication as well as the sustainability of the function of the whole building. All High-Tech mechanisms of the building are controlled from here. So, basically it is the brain of a building.
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Production
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Implantation
Simulation
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Vertical Farming C. cons. pr. |3d printed
assoc. prof. Emrah Acar It is designed for 3d printing of concrete. By considering the disasters, food crisis can be thought as a one of the main problem in different disaster scenarios. In fact, scarcity in agriculture is actually important issue not just in disaster, but also in everyday for the some regions. Climate changing, overpopulation in cities, and similar problems make it essential to find efficient and effective solutions for food production. In that scenario, plot area is considered as a neighborhood in a city had problems about agriculture (high cost vegetables because of transportation cost etc.). The aim of the project is to create a place to grow plants in smal area by participants in neighborhood. Establishment of small circular economy model in neighborhood can to be a solution for the high costs of vegetables. Besides, they can sell the vegetables that surplus to requirement. Additionally, for the sustainability of concept educational spaces are provided in these buildings to raise awareness of people about agriculture crisis and vertical farming to support the sustainability. There are five similar building and an open shop in middle of these buildings. Every building has a own class in second floor for 12-16 students and a area for small meetings.
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3D Printed Floor&Wall Section Model (1:10)
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1773
11370,00 3050
1400
620
1130
2200
5760
1840
2980 1050
1950
2000
2000
2100
10150
ISTANBUL TECHNICAL UNIVE ARCHITECTURE FACULT ARCHITECTURE DEPARTM
+0.06
400
400 400
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1 2280
760
1160
2000
780
DOO1 205 225
W1 184 170
A
2050
+1.57m Stair landing
870
950
1390
3580
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Storage
5800
200
5800
10150
400
10150
2019 - 2020 FALL SEMES 510
95 DOO2 200
1080
95 DOO2 200 95 DOO2 200
95 DOO2 200
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F: 60x60 Vitra Pro Matrix W: 3d printed concrete
200
1080 1080
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Main Hall
Information
150 200 150
1610
950
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2710 104
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2480
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2480
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WC(disabled)
W2
F: 20x20 Vitra seramic tile W: 20x20 Vitra seramic tile C: Trio Clip-in suspended ceiling
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10150 10150
150 200 150
2410
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STUDENT NAME: AYKUT DAĞ NUMBER: 020150157
10150
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2770
2770 2770 400
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+0.19
WC(man)
F: 20x20 Vitra seramic tile W: 20x20 Vitra seramic tile C: Trio Clip-in suspended ceiling
WC(woman)
F: 20x20 Vitra seramic tile W: 20x20 Vitra seramic tile C: Trio Clip-in suspended ceiling
3400
950 2740
+0.19 103
15800
200 200
1640
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101
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3400
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W2
4570 1390 1390
1220
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MIM 431 E CONSTRUCTION PROJEC CRN:13046
A
10 11 12 13 14 15 16 17 18
400
910
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NutriJet 300*
F: Timber cladding
B C
+0.15
+0.15
2120
3470
1840 3470
3970
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1840
18x(30x16.9)
W1 184 170
400
200
200 200
300
E
Changing Room
2550
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10150
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10150
5350
Detail 3
1000
95 200
95 200
DOO2
4440
Seed Storage
4940
5140
DOO2
200 180
Vertical Farming Space
2480
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2480
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F: 60x60 Vitra Pro Matrix W: Insulated Glass
PAFTA NO:
Detail 4
110
Aluminium flashing 720
10150
Tunel Group - Cold Room 3.33x4.44x2.30 m -5 C / +5 C
Patent Glazing - Heritage lead covered steel glazing bar verge detail to vertical glazing [HD 6810]
Renson - Oxyvent [Ventilation exhaust]
Renson - Typical details upstand detail [SK 1150]
DOO2
200 200
5350
95 200
Module I Ground Floor Plan
440
1000
820 200 200
G
M
1250
Gutter
111
5600
95 DOO2 200
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Service Space
F: 60x60 Vitra Pro Matrix W: 3d printed concrete
W2
340 190
+0.15 1550
7900
W1 184 170
1:5
3030
DATE:
CONSTR 15.01.20 C
+0.15
200
2480
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10150
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2480
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10150
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1840
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3010
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DOO1 205 225
400
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F: 60x60 Vitra Pro Matrix W: 3d printed concrete
3390
4310
3810 3810
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5230
Cultivation Space
+0.06
*The NutriJet is a fertiliser dosing unit for the horticulture industry which produces an optimum mixture of supply water with fertilisers dissolved in water.
SCALE:
1/100 2019 - 202
Patent Glazing - Heritage lead covered steel glazing bar [HD 6500]
1:5
1:5
NAM NUM
1:5
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+7.10
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10150
370
1840
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3330
F: 60x60 Vitra Pro Matrix W: 3d printed concrete
1840
95 200
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W1 184 170
2750
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1000
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2280
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95 200
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Detail 2
DOO2 400
3750
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Detail 1
F: 20x20 Vitra seramic tile W: 20x20 Vitra seramic tile C: Trio Clip-in suspended ceiling
200
2950
2410
Changing Room
3950
400
DOO2
F
107
F: 20x20 Vitra seramic tile W: 20x20 Vitra seramic tile C: Trio Clip-in suspended ceiling
1940
1940 1940
2140
21400
106
400
+7.10
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PAFTA N
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DATE:
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Flashing
A-A Section
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SCALE:
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Detail 1
Detail 2
Detail 3
Detail 4 ISTANBUL TECHNICAL UNIVERSITY ARCHITECTURE FACULTY ARCHITECTURE DEPARTMENT
Aluminium flashing Patent Glazing - Heritage lead covered steel glazing bar verge detail to vertical glazing [HD 6810]
Renson - Oxyvent [Ventilation exhaust]
Renson - Typical details upstand detail [SK 1150]
+7.10
Gutter
Gutter
MIM 431 E CONSTRUCTION PROJECT CRN:13046
+6.70 +6.55 +6.40
Renson - Oxyvent [Ventilation exhaust]
+7.10
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Patent Glazing - Heritage lead covered steel glazing bar verge detail to vertical glazing [HD 6810]
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Detail 4
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1:5 Kalzip Standing Seam Sheet Polymer Bitumen Sheet (4mm) Rock Wool (20mm) Aluminium ST Clip (20mm) Geotextile Felt (4mm) Aluminum Trapeze (40mmx60mm) Purlin (box section 50mmx50mm) Renson - Typical detailsSteel Truss
Aluminium flashing
2019 - 2020 FALL SEMESTER
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Patent Glazing - Heritage lead covered steel glazing bar [HD 6500]
1:5
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STUDENT NAME: AYKUT DAĞ NUMBER: 020150157
1:5 1773 +5.55 +5.30
upstand detail [SK 1150]
+5.40
ISTANBUL TECHNICAL UNIVERSITY ARCHITECTURE FACULTY ARCHITECTURE DEPARTMENT
+7.10
PAFTA NO:
8
3
+6.60
+6.30
+6.20
MIM 431 E CONSTRUCTION PROJECT CRN:13046
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2019 - 2020 FALL SEMESTER UL
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Ceramic Tile and Adhesive (1cm) WEBER.FLOOR LVL 05 SMART Levelling Screed (3cm) 1:5 (11.8cm) Composit Trapeze Flooring IPE 200
TANB
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Patent Glazing - Heritage lead covered steel glazing bar [HD 6500]
DATE:
15.01.20
+3.50
+3.65
+3.65 STUDENT +3.55 NAME: AYKUT DAĞ NUMBER: 020150157
+3.00
SCALE:
1/50
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+2.00 +2.00
1773 +1.57
Detail 3
Detail 4
+1.50
2
- Oxyvent on exhaust]
U section Steel Beam (Special)
Patent Glazing - Heritage lead covered steel glazing bar verge detail to vertical glazing [HD 6810]
+0.15
Flashing
Renson - Typical details upstand detail [SK 1150]
ISTANBUL TECHNICAL UNIVERSITY ARCHITECTURE FACULTY ARCHITECTURE DEPARTMENT
+2.95
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Metal Sheet
PAFTA NO:
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MIM 431 E CONSTRUCTION PROJECT CRN:13046
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Reinforcement Concrete (20cm) 1773 Reinforcement Concrete (5cm)
SCALE:
Ceramic Tile and (1cm) +3.00
STUDENT WEBER.FLOOR LVL 05 SMART Protecting NAME: AYKUT DAĞ Screed (3cm) Thermal Insulation (5cm) NUMBER: 020150157
1/50
+2.50
+2.00
WEBER.FLOOR LVL 05 SMART Levelling Screed (5cm) Reinforcement Concrete (20cm) Lean Concrete (3cm) Bituminous Membrane 2 layer (8mm) Lean Concrete (3cm) NO: Blockade (5cm) 4 Compacted Soil +1.50
Detail 4
+1.00
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Glazing - Heritage ered steel glazing e detail to vertical HD 6810]
DATE:
+4.00
+3.50
Reinforcement Concrete (5cm) Thermal Insulation XPS (5cm) Reinforcement Concrete (5cm)
SI
1:5
2019 - 2020 FALL SEMESTER
Ü VE
UL
Patent Glazing - Heritage lead covered steel glazing bar [HD 6500]
KNI K
NI
TE
ISTANBUL TECHNICAL UNIVERSITY ARCHITECTURE Indian SandstoneFACULTY (2.2cm) Adhesive Mortar (5cm) ARCHITECTURE DEPARTMENT
Renson - Typical details upstand detail [SK 1150]
+0.06
Lean Concrete (3cm) Blockade (2cm) Compacted Soil
MIM 431 E CONSTRUCTION PROJECT CRN:13046
+7.10
PAFTA
3
8
+5.50
+0.70 +0.60
+0.15
+6.20
Flashing
+0.70
+0.50
Section
A-A Section
+0.06 0.00
+5.00
+4.50
2019 - 2020 FALL SEMESTER +4.00
atent Glazing - Heritage ad covered steel glazing ar [HD 6500]
1:5
+3.50
STUDENT NAME: AYKUT DAĞ NUMBER: 020150157
1:5
+3.00
DATE:
15.01.20
B-B Section
SCALE:
1/50
+2.50
+2.00
+1.50
+1.00
+7.10
PAFTA NO:
8
+0.50
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Locked-down in
Endless House Competition honorable mantion
Even if we are stuck at home, can still be a social being in virtual ways. Rooms that we live become somethings else not really physically but virtually, that allows us to be a physically individual and virtually community. We can still drink coffee while talking our friends as in coffee, connect our teachers as in class, work as in office, read as in library, moreover, all these activities can be done in the same table. So, it is a question that interaction between function and space contrarily functionalists said before. Otherwise, nowadays, it may be agreed that emotional and intellectual interaction -not just with outside but also with ourselves- is even more than before. “Machine-house” dream is not working anymore. Reconsideration of functions of house as far as we know (kitchen, bedroom etc.) must be thought ,with an eye to new technologies, as new scenarios that has more fluid spaces, more indefinite boundaries, and more complex human requirements and their relations. These consequences make our houses more important, not just for physical requirements but also as an impersonal environment that effects our emotions and thoughts, besides, with awareness about that our psychologies affected by environment unconsciously. According to Freud, human-beings are in search of space as warm, peaceful and exorable as its mother’s womb. Baby in there has physical senses but has not self-awareness of its physical being. It has not image of entity. Baby experiences situation of being absent. Otherwise, had physical sense without its awareness of body boundaries, causes that baby experiences situation of integrity & entirety. It may be drawn a parallel between this Freudian phenomenon and our conditions while experiencing quarantine. Physically being absent but virtually, being in everywhere. F. Kiesler got inspired Freud just as other surrealists. Unconscious relations between spaces, boundaries were important. But, while designing Endless House, Kiesler had other ideas as his word “Correalism” that is concept about interaction of humans with its environment and technology. Endless house was the house that allows transaction and transmission of environments; it was poem, sculpture, dance and theatre on the contrary to boxes of machine-age. Functions were actually rituals in Endless House. It seems that Kiesler’s ideas for house are useful to create a new kind of space of living with adding new opportunities and technologies as soft machines, structural inventions, new material etc. While keeping his main ideas, houses may transform to more suitable place for digital era.
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References of quotes in images Bauer, C. (1928), ‘Machine-Age Mansions for Ultra-Moderns’, New York Times Magazine, April, 10. Vidler, A. (1996) The Architectural Uncanny: Essays in the Modern Unhomely. MIT press, Cambridge. Breton, A. (1960) Nadja. Grove Press, New York. Bachelard, G. (1992) The Poetics of Space. Beacon Press, Boston. Altınyıldız Artun N. (2014) Sürrealizm/Mimarlık. İletişim, İstanbul.
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Pasaj
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cuhadaroglu competition pr. w/ Aslı Mut
Pasaj, İstanbul’un Şişli ilçesinde bulunan Halaskargazi Caddesi üzerinde konumlanmış, bünyesinde mimarlar başta olmak üzere farklı pek çok disiplin için ortak çalışma alanı bulunduran, halkın gayriihtiyari dikkatini çekme amacıyla cadde üzerine yerleşmiş büyük bir işliktir. 49
Halaskargazi Caddesi’nin bu değişime açık yapısı her ne kadar suistimal edilmiş olsa da cadde hala dinamik karakterini korumaktadır. Pasaj, ona alışık olduğu bir kentsel imgeyle yaklaşmış, caddenin bu sürekli devinim halini kullanarak onu tasarımcıların ve kamunun rahatça kullanabileceği bir mekan oluşturarak üzerinden geçip giden kalabalığın duraklama ve düşünme eylemlerini beraber yapmasını sağlamayı amaçlamıştır. Pasaj, tasarımcılar için ideal bir çalışma ortamı sunmayı hedefler. Onlara ihtiyaçları olan alanı, ekipmanları ve halka ulaşabilecekleri rahat sunum mekanları oluşturur. Bu özellikleri Pasaj’ı tercih edilir kılar.
Şişli tarihi boyunca her zaman işlek ve tercih edilen bir bölge olmuştur. Halaskargazi Caddesi de ilçenin en önemli ve kalabalık caddesidir. Birçok tarihi binayı, Atatürk’in kaldığı evi barındıran bu cadde günümüzde niteliksiz binaların olduğu ve tarihi binaların ek yapılarla zarar gördüğü bir yer halini almıştır. Eskiden bu cadde üzerinde halk ve hatta döneminin ünlü sanatçıları tarafından sıkça uğranan pasajlar vardır. Zaman içinde bu pasajlar değişime uğramış ve ilgi çekici özelliğini yitirmiştir.
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Pasaj yakaladığı akış halini ve iş teryalleri bünyesine alıp depola binasyonlara dönüştürür. Süre tasarımcıların ilham alabileceği bir dijital mekanda sunar. Bu akı Bilinçaltı’dır. Bilinçaltı’na giden disiplinleri ve diğer disilinler ara manlanmış verileri biraz da sezg
şliklerde üretilen tüm maar ve onları değişik komekli beslenen bu birikimi i ve deneyimleyebileceği ıllı mekan aslında Pasaj’ın tasarımcılar orada kendi acılığıyla üretilenlerle hargileriyle özümserler..
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Termitecture
archisection competition pr. w/ Aslı Mut, Onur Türkmen, Sude Vural
Dünya’daki küresel değişim artık yadsınamaz vaziyete gelmekle beraber gündelik hayatı hatrı sayılır ölçüde etkilemeye başladı. Gündelik hayatın etkilenmesiyle insanlar bu konuda artık bir faaliyet yapmak durumunda olduklarını anladılar, çünkü bilimkurgu filmlerinde gördükleri senaryoları yaşamaya başlamışlardı. Dünya’nın dört bir yanındaki uzmanların yaptıkları uyarılar ve farkındalık faliyetleri önceleri aktivist grupları ve eylemlerini etkiledi, ardından kamuda oluşan bilinçle beraber insanlar alternatif çözüm arayışlarına gittiler. Bu gidişata bir ‘DUR!’ demedikleri takdirde halihazırda oldukça hasta olan Dünyaları ölecek ve ellerinden hiçbir şey gelemeyecekti.
Dünya ülkelerinin üst düzey yetkilileri ve çeşitli alanlardaki uzmanlar, önlenemeyen büyük ölçekli afetlere ve sayısız insan ölümlerine kayıtsız kalamamaya başlayınca ortak bir oturum yapmaya ve sorunları tartışmaya karar verdiler. İklim sorunu farklı şekillerde tüm dünyada ve ülkelerde görülüyordu ve hayatları kalitesizleşiyordu. Ancak artık sorunlar öylesine bir hal almıştı ki ortak bir hareket zorunlu olmuştu, ülkelerin tek başına aldıkları önlemler yetersiz kalıyordu. Her ülkeden uzman tasarımcılar oluşturulabilecek yeni çözümler ve yaşayış biçimleri üzerine tartıştılar ve inovatif bir teknolojiye gereksinim duyulduğunu bildirdiler. Corina Tarnita: “ Termit yuvalarının etrafındaki bitki örtüsü daha uzun süre yaşıyor ve dış etkenlere bağlı azalması daha fazla zaman alıyor. En zorlu dış etkenlerde bile, bitki örtüsü kaybedildiğinde, termit yuvalarının etrafında hızla tekrar oluşmaya başlıyor. Termit yuvaları orada oldukça, ekosistemlerin iyileşmek için daha fazla şansları olacaktır. ” *
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*Termodinamik Dergi; Sayı: 289, Eylül
işbölümü - termitler yuvalarını yaparken işbölümü yaparak işleri kısa sürede halldeler. uygulanmaya karar verilen işlem sırasında nano robotlar da tıpkı termitler gibi birbirleriyle iletişim halinde olurlar. böylece işlem kısa sürer. her nano robotun yapacak farklı bölgesi ve uygulaması olduğundan işlem parçalara bölünmüş ve özelleştirilmiş olur. etki alanı daraltılınca yapılan işlemler daha verimli bir hal alır. nano robot yaralanması - uygulama esnasında nanorobotların başına gelebilecek tehlikeli olaylara karşı kendisini, salgının üretildiği kısımda bulunan özel onarım mekanizmasıyla, hasarlar çok ciddi düzeyde değilse tedavi edebilir. bunun mümkün olmadığı durumlarda nanorobot otomatik olarak bekleme durumuna geçer, kendisini güvenli bir konuma alır ve vericisiyle sisteme uyarı yollar.
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Glıtch |queer| Space arch. pr. V
assoc. prof. Meltem Aksoy
The Industrial Quarter has been in a constant and rapid change since beginning of its life after workshops and repairers moved to region. Taking advanta structure there, Glitch [queer] Space aims to bring the minority social groups to society through various artistic activities. It is aimed that coexistence of variou ceived from each other will increase the tolerance of these groups to each other and lead to the destruction of various prejudices. In addition to this partnersh areas to the people who are homeless, and sets up spaces for everyone who wants to be alone. Spaces proposed for these oppressed people were designe practices in order to be free enough. The term glitch, which is defined as short-lived errors in the digital system, is used in project title to characterize the situ discrimination and at the same time referring to change of meaning of the word `queer`. `Glitch Art` practices are used to space and visual production by
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age of this flexibility and variability of sociological us social groups that appear to be different & perhip, Glitch Space offers common accommodation ed as `freespaces` by using `anarchitecture` uations of these people who are exposed to social y using some kind of handworks and a programs.
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concept & participants & spaces
In Sanayi M, free access society that is desired to be established for people who are excluded by existing society is an anarchist entity inevitably due to its social existence. Whatever thing is intended here is to initiate a harmonization process within the existing change in the social structure of there. It was intended to bring together the leper –people who be marginalized - and others –people who do that- and to create a protected area for the lepers. L G B T I + community is thought as lepers.
Anarchitecture practices were used to investigate the spatial counterparts of the social formation to be lived here. According to Woods, in order to overcome social imbalances, the hierarchy must be destroyed and instead it should be replaced by heterarchy. Heterarchical societies are rich in diversity and choice; complex, flowing and multilayered structures, where art and life flow together, contain a fluent authority. The heterarchical city can be seen as a free zone structured within the hierarchical and historical city. These free zones are separated from the other infra structure and present themselves as a ’heterarchic city’: an independent city from authoritarian control. It is inevitable that this life to be established in Sanayi M. creates a heterarchical society. The places to be established for this heterarchic society should not be expected to be fully defined. Semi-defined spaces open to free use will also contribute to the diversity of society. In this context, Woods’ “free-space” concept has been thought as an important sub idea.
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“glitch” is not only conceptually but also used as a production technique. For the spatial creation&researching, “glitches” were used digitally with the help of coding and manually made with the camera. In this way, a random situation has been created and the concept of “free-space” has been investigated. The resulting products were reproduced by using drawing and model techniques and spatial responses were searched. At the same time, the color palette in the images consists of colors formed as a result of coding. Some of the used codes appear on the side.
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[re]Circle
48 hours competition pr. w/ Aslı Mut, Onur Türkmen
Re- C likle yerleş lerde geri d birleş tarım koşul sistem edilm
Bu kü ak ek gibi b nered yetind hir ya erde ortay ısıtılm proje
Kürel bölge Kağıth doku bölge
Kürel aralar ilerek yarar sokak engel
Eklem yaca er ar geniş
Gülte bölge yetini sularl yönde aynı halles içinde irecek
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Circle projesi, kent içine özelyoğun yerleşim bölgelerine ştirilen, çevresinde bulunan eveki atık suyu kendi bünyesinde dönüştürerek kenti ve kentliyi ştirmek amacıyla bu suyu dikey m faaliyetinin yapılabileceği lları sağlayacak uzay kafes bir m olan jeodezik sistem ile inşa miş küreleri kurgular.
üreler su dönüşümü sağlayarkosisteme katkıda bulunduğu bu suyu kent içinde yapılması deyse imkansızlaşan tarım faalide kullanarak ekonomiye ve şeaşamına katkı sağlar. Bu kürelyapılan dikey tarım sonucunda ya çıkan organik atıkların evlerin ması için kullanımını da öngören e, sürdürülebilir bir mekandır.
ler bu proje kapsamında plot e olarak seçilen İstanbul’un hane ilçesinde yoğun kent usunun hakim olduğu Gültepe esine konumlandırılmıştır.
ler konut bölgelerinde sokak rına ve üst kotlara yerleştirk güneşten olabildiğince çok rlanır. Geçirgen yapısı sayesinde k üzerinde rahatsız edici ve ışığı lleyici bir etkide bulunmaz.
mlenebilir yapısı sayesinde ihtigöre sokak boyunca ve caddelrasına yerleştirilebilir, etki alanı şletilebilir.
epe gibi yoğun yerleşim olan elerde bile dikey tarım faaliin yapılması ve bu tarımın atık la gerçekleştirilmesi kente her en ekonomik fayda sağlayıp zamanda kentliyi kendi masinde sürdürülebilir prensipler eki bir mekanda etkin hale getk ve birleştirecektir.
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noname
stoneline marble fair competition pr. w/ Aslı Mut, Onur Türkmen
Stoneline Marbble İzmir’20 için tasarlanan standda asıl amaç ziyaretçinin Stoneline’ın kurumsal kimliğini tanıyıp mermerleri hem sanal ortamda hem de gerçekte deneyimleyebilmesini sağlayarak, marka tanıtımının en iyi şekilde yapılması ve ilgilenen insanların rahatça karar verebilmesinin sağlanmasıdır. Fuarda dolaşan bir ziyaretçinin ilgisini çekebilmek için standın iki koridor cephesine de hakim bir vaziyette büyük bir simülasyon ekranı tasarlanmıştır. Koridor cephelerinden birine karşılama bölümü konumlandırılmış diğerine ise deneyimleme mekanı adı verilen gerçek simülasyon kurgusu yerleştirilmiştir.
Stoneline ‘nın yapmış olduğu sim Stoneline’ı tanımış olacaktır. Ekran güçlü bir deneyim yaşayacaktır. Raylı interaktif sistemle hayata ge deneyimleyeceği ilginç bir alan ola
Karşılama alanının hemen arkasına yerleştirilmiş görüşme ve oturma mekanıyla beraber çalışan servis alanı ziyaretçinin Stoneline ‘la tanıştıktan sonra durup detaylı bir şekilde mermerleri ve katologları inceleyebileceği dinlenme alanıdır. Bu alanın hemen yanında bulunan deneyimle alanıyla da yakın temas halinde olduğundan deneyim ve karar verme anı bir bütün olarak kurgulanmıştır.Stoneline standındaki sirkülasyon kurgusu kurumsal kimliği tanıtmak adına, ziyaretçinin standla temas ettiği noktalarda firmanın logosuna ve ismine rastlayacağı şekilde düzenlenmiştir. Işıklandırmalarla ilgi çekiciliği artırılan mermer örneklerine ve görüşme alanına davetkar bir görünüm kazandırılmış, banyo örneğiyle kurgulanan gerçek simülasyon mekanı standda büyük bir alanda konumlandığından aynı anda pek
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mülasyon uygulamasının yerleştirildiği büyük ekran sayesinde ziyaretçi farklı mekanlarda farklı kombinasyonlar yaparak seçimini daha rahat yapabilecek ve nın hemen arkasına yerleştirilen banyo örneği üzerinden raylı sistemle tasarlanmış deneyimleme alanında ise ekranda gördüğü simülasyona benzer ama daha
eçirilmiş simülasyon dolaşım aksında bulunan ziyaretçinin ilgisini hemen çekecektir. Algılama aksından standa giriş yapan bir ziyaretçi için ise bilgi aldıktan sonra acaktır. Sanal ve gerçek simülasyon kurgusu kurumsal imaja değer katacaktır.
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Vertical Floating Neighborhood | Studio IV | 2019
Drawing 1927 Mimarlar Derneği Mimari Çizim ve Fotoğraf Yarışması | Yeni Normaller | 3. Prize
Section Mixed | Hand&Digital
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