Dissertation PPT

Research Paper

“REVIVING CULTURE THROUGH ADAPTIVE REUSE"

SUBMITTED BY :

AYUSHI JANGID

B.ARCH, 4TH YEAR SEC B

ROLL NO – 01518001620

DELHI TECHNICAL CAMPUS

SUBMITTED TO :

AR. TANYA GUPTA

AR. SEEMA SHARMA

AR. KIRTI SHARMA

ER. PARVEZ ALAM

REVIVING CULTURE THROUGH ADAPTIVE REUSE

SYNOPSIS

1.1. Introduction

1.2. Need of study

1.3. Aim

4.2. Conclusion ANALYSIS 01 02 03 04

1.4. Objective

1.5. Scope

1.6. Limitation

1.7. Hypothesis

1.8 Methodology

1.9. Objective Matrix

LITERATURE STUDY

2.1. Introduction

2.2. Cultural center

2.3. Culture

2.4. Sense of place

2.5. Influence

CASE STUDY

3.1. Dara Shikoh’s Museum & library, Delhi

3.2. The freedom park, Bangalore

3.3. Quarry theatre at St Luke's, UK

4.1. Comparative table

1.1. INTRODUCTION

• Cultural centers reuse historical buildings for modern purposes.

• It revitalizes old spaces and promotes heritage and community involvement.

• This method combines history with practicality by preserving architectural gems and supporting tradition and innovation.

• It shows dedication to sustainable development and improving communities through reimagining these spaces.

1.2. NEED OF STUDY

• Reviving culture through adaptive reuse strengthens community bonds by recalling shared history and identity.

• Involving local communities in reusing buildings encourages community participation and ownership, resulting in enhanced well-being and unity.

1.3. AIM

• Integration of adaptive reuse methods transform old buildings into a lively cultural center, preserving their heritage while creating a dynamic space for cultural expression and community engagement.

1.4. OBJECTIVE

Fig02.CulturalCentersAdaptive Reuse(Source:Archtonic)

• To Study preservation methods for cultural heritage in the original structure.

1.5.

• To explore how adaptive reuse preserves cultural identity.

• Cultural centers offer educational programs and workshops for a stimulating learning setting.

• Encourage community participation through cultural events, promoting a feeling of belonging.

1.6.

LIMITATION

• Communities may resist changing historic buildings, impacting projects.

• Adaptive reuse projects can face success or challenges over time.

• Studies done in a short period may not show longterm impacts or changing trends in adaptive reuse.

1.7.

HYPOTHESIS

• Revitalization of culture and preservation of building are achieved through adaptive reuse in cultural centers, as spaces are repurposed to promote cultural renewal and community involvement.

• To explore how adaptive reuse can help preserve cultural heritage by repurposing cultural centers.

• To understand the adaptive reuse strategies, thereby converting current buildings into a cultural center.

• To Examining the preservation of heritage and revival of culture for present and future generations through cultural centers.

Fig03.AdaptiveReuse&Culture (Source:BuiltHeritage)

Fig01.AdaptiveReuse (Source:ArchDaily)

1.8. METHODOLOGY CHART

SELECTION OF TOPIC

Study of available research paper, reports, manuals etc.

ADAPTIVE REUSE OF CULTURAL CENTERS

UNDERSTANDING OF RESEARCH

Defining limitation and scope

Dara shikoh museum & library

The freedom park at Bangalore

Understanding the importance of adaptive reuse

Quarry theatre ST. Luke's at UK

Elements and type of adaptive reuse INFERENCE

FORMULATION OF AIM & OBJECTIVE

Aspects & types

1.9. OBJECTIVE

MATRIX

OBJECTIVE 1

To understand the adaptive reuse strategies, thereby converting current buildings into a cultural center.

Cultural center & culture

Sense of place

Influence

Literature study

OBJECTIVE 2

To explore how adaptive reuse can help preserve cultural heritage by repurposing cultural centers.

History & timeline

CONCLUSION & INFERENCE

Functional spaces

Case study

OBJECTIVE 3

To Study preservation methods for cultural heritage in the original structure.

Arch. Style

Structural system

Examining Building from the perspective of culture and individuals.

OBJECTIVE 4

To Examining the preservation of heritage and revival of culture for present and future generations through cultural centers.

Construction & material

Adaptive reuse approach & type

“REVIVING CULTURE THROUGH ADAPTIVE REUSE“

LITERATURE STUDY

TABLE OF CONTENT

INTRODUCTION

2.1.1. Adaptive reuse

2.1.2. Importance

2.1.3. Aspects

2.1.4. Types

2.1.5. History evolution

2.1.6. Process

CULTURAL CENTER

2.2.1. Introduction

2.2.2. Importance

2.2.3. Types

2.2.4. Evolution

CULTURE

2.3.1. Introduction

2.3.2. Community engagement

2.3.3. Cultural identity

2.3.4. Cultural heritage and revitalization

SENSE OF PLACE

2.4.1. Introduction

2.4.2. Suitability

2.4.3. Space

2.4.4. Function

INFLUENCE OF CULTURAL CENTER

2.5.1. Influence and Impact

2.5.2. Cases/Example

2.5.3. Conclusion

2.1. INTRODUCTION

2.1.1. ADAPTIVE REUSE

Adaptive reuse means using an old building for a different purpose instead of tearing it down. It allows for a creative and sustainable transformation that meets modern needs while preserving historical or architectural value. Adaptive reuse is a popular and feasible option for sustainable construction. It rejuvenates old buildings, preserves cultural heritage, and minimizes environmental harm of demolition and new construction.

2.1.2. IMPORTANCE

2.1.2.a. PRESERVATION OF CULTURAL HERITAGE 2.1.2.b. ENVIRONMENTAL SUSTAINABILITY

By repurposing historical buildings, we can save them from demolition and maintain a connection to our cultural heritage.

Adaptive reuse of old buildings helps in sustainable development by reducing the need for new construction materials and minimizing the environmental impact of demolition and waste disposal.

2.1.2.d. REVITALIZATION OF COMMUNITIES

Adaptive reuse often saves money compared to new construction. It requires less investment in materials and infrastructure, making it appealing to developers and entrepreneurs.

Adaptive reuse helps rejuvenate communities. It transforms abandoned buildings into lively spaces, attracting visitors, tourists, and businesses. This stimulates local economies and fosters community pride.

Fig06.GreenAndNaturalLight (Source:TheArchitectDiary)

Fig07.CheapMaterialAndTechniques (Source:UrbanDesignLab)

Fig08.SenseofPlace (Source:TheArchitectDiary)

Fig05.ConservationOfBuilding (Source:RethinkingTheFuture)

Fig04AdaptiveReuseBeforeAndAfter (Source:NarrateDesign)

2.1.3. ASPECTS

2.1.3.a.

2.1.3.b.

2.1.3.c.

2.1.3.d.

• Adaptive reuse helps minimize the impact of construction, conserves energy, and modernizes old buildings with efficient technology.

• It also protects wildlife, reinforces community identity, and promotes sustainable behavior.

• Adaptive reuse supports overall well-being by tackling environmental, social, and economic issues.

• Adaptive reuse preserves craftsmanship and heritage through repurposing buildings.

• It boosts cultural tourism and identity.

• Repurposed buildings serve present needs and engage the community.

• It respects heritage, incorporates it into contemporary life, and maintains its significance for future generations.

• Community participation is crucial in revamping buildings.

• This involves consulting with residents, maintaining community identity.

• Trust, educating, addressing issues, creating communal areas, backing local businesses, incorporating public art, and embracing diversity.

• Adaptive reuse reduces urban sprawl and maximizes land use.

• It increases city density and rejuvenates old industrial areas, while preserving natural spaces.

• It reduces reliance on cars and alleviates traffic congestion in urban areas.

• It also promotes sustainable growth and responsible development.

Fig10.ConservationOfStructure (Source:Architizer)

Fig11.NewUsers (Source:Quadrant360)

Fig12.NoNewConstruction (Source:ArchDaily)

Fig09.SameSpaceDifferentFunction (Source:RethinkingTheFuture)

2.1.4. TYPES OF ADAPTIVE REUSE

Adaptive reuse means making changes in both function and physicality. The change in function doesn't have to be dramatic, but it can be subtle.

Building conversion involves changing the function of abandoned or obsolete buildings that are no longer used or meeting the needs of their users.

Improving and fixing an old building, which might involve conversion work. Upgrading the old elements and layout of existing buildings for development purposes.

Adaptive reuse means repurposing unused buildings and materials, with benefits including preserving cultural heritage and memories.

2.1.5.

Fig14.Conversion (Source:Architizer)

Fig15.Renovation (Source:ArchDaily)

Fig16.Transformation (Source:ArchDaily)

Fig13.AdaptiveReuse (Source:RethinkingTheFuture)

2.1.6. PROCESS OF ADAPTIVE REUSE

The model for an adaptive reuse process of any building Initiative

2.2. CULTURAL CENTER

2.2.1. INTRODUCTION

A cultural center is a place that preserves and celebrates different cultures. It encourages collaboration through artistic, educational, and social activities. These centers offer exhibitions, performances, workshops, and events to enrich communities.

2.2.3.

TYPES OF CULTURAL CENTERS

2.2.3.a. COMMUNITY CULTURAL CENTER

• The community center offers various activities and facilities for arts, performances, and events to enhance cultural engagement and support diverse artistic expressions while preserving local traditions.

2.2.3.b. MUSEUM

• A museum collects, preserves, studies, and displays significant objects.

• Museums educate and inspire with various artifacts. Exhibitions display artwork by theme.

• Galleries sell visual art and promote artists.

2.2.2. IMPORTANCE

• Cultural centers are important for social cohesion and understanding.

• They celebrate diversity and heritage, promote traditions, languages, and customs.

• Cultural centers also create a sense of community, connect people, and encourage cross-cultural dialogue.

• They educate by teaching about different cultures, promoting tolerance, and breaking stereotypes.

2.2.3.c. MULTICULTURAL CENTER

• A multicultural center celebrates diversity and cultural activities.

• It fosters understanding among people from different backgrounds.

• These centers offer resources for enhancing cultural awareness in a community.

2.2.3.d. PERFORMING ARTS CENTER

• A Performing Arts Center is a venue for live theater, dance, and music performances.

• It allows artists to display their talents and enhance culture.

• PACs have various performance spaces and technical facilities for events.

Fig20.Museum (Source:ArchDaily)

Fig21.MulticulturalCenter (Source:ArchDaily)

Fig22.PerformingArtsCenter (Source:ArchDaily)

Fig19.CommunityCulturalCenter (Source:ArchDaily)

Fig18.ArtGallery (Source:Architizer)

2.2. CULTURAL CENTER

2.2.4. EVOLUTION

During the Middle Ages, cathedrals and monasteries were cultural centers. During the Renaissance, public theatres and assembly halls were created. In the 19th and 20th centuries, purpose-built cultural centers became popular.

2.3. CULTURE

2.3.1. INTRODUCTION

• Culture is the beliefs, values, customs, practices, and traits of a group.

• It is passed down to shape perceptions and behavior.

• Culture includes language, art, religion, music, traditions, and institutions.

• It changes over time based on experiences and innovations.

Cultural centers, such as museums and theaters, preserve heritage and promote diversity in modern times. Iconic cultural centers in cities represent their culture.

Cultural center buildings updating to modernize and better serve society. They play a vital in cultural expression, education, and promoting unity among people.

Fig23.EvolutionOfCultureCenter (Source:RethinkingTheFuture)

Fig25.CommunityEngagement (Source:Author) Fig24.Culture (Source:Author)

2.3.2. COMMUNITY ENGAGEMENT

• Community engagement involves interacting with a community to build relationships and collaborate on projects.

• It encourages open communication and diverse perspectives.

• The goal is to empower individuals and work towards positive social change.

• This can include public meetings, surveys, workshops, and partnerships.

• Effective engagement leads to informed decision-making, increased trust, and community development.

2.3. CULTURE

2.3.3. COMMUNITY IDENTITY

• Community identity is the feeling of belonging, values, and culture that brings people together.

• It includes the traits, traditions, and experiences that define a group.

• Factors like history, language, customs, beliefs, and location influence this identity.

• Community identity creates solidarity, cooperation, and understanding among members, making a supportive environment.

Government interest

Public interest

Economic interest

2.3.4. REVITALIZING CULTURAL HERITAGE

• Reviving cultural heritage involves renewing, preserving, and promoting traditions and assets of a community.

• Efforts focus on reviving historical sites, traditions, art forms, languages, to prevent them from disappearing.

• Important aspects of revitalization include restoring artifacts, preserving traditional practices, promoting cultural education, and involving the community.

• The aim is to protect and maintain the importance of cultural heritage.

• Collaboration is important to create strategies that balance preservation with societal needs.

Cultural asset is preserved of new cultural landmarks. Public engagement in heritage. Protection is encouraged.

Public interest local culture & character can be retained. Opportunities to improve urban environment. New cultural resources for public enjoyment & education.

2.4. SENSE OF PLACE

• Understanding the importance of a location can influence choices on how to repurpose historic buildings.

• It is essential to find a balance between preserving the old structure and meeting modern requirements to maintain authenticity.

Job, business opportunities, new tourism and better use of land resources.

• Projects must reflect the values and traditions of the community for successful revitalization.

Fig27.Revitalization (Source:Author)

Fig26.CommunityIdentity (Source:Author)

Fig28.SenseofPlace (Source:RethinkingTheFuture)

2.4. SENSE OF PLACE

2.4.2. SUITABILITY

2.4.2.a. FUNCTIONALITY TRANSFORMATION

• Adapting a space means changing its function.

• For example, a warehouse can become apartments, a factory offices, or a church a cultural center.

• The space is altered to fit the new purpose.

2.4.2.b. PRESERVATION OF ARCHITECTURAL ELEMENTS

• Adaptive reuse preserves architectural features.

• Assessing spaces helps decide what to keep or restore.

• Functionality must be balanced with preserving historical or culturally significant elements.

2.4.2.c. COMMUNITY ENGAGEMENT AND INTERACTION

• Adaptive reuse projects help create lively communities by designing spaces for social interaction, community engagement, and public use.

• This can include shared spaces, outdoor areas, and cultural hubs to foster a sense of belonging.

2.4.2.d. FLEXIBILITY AND VERSATILITY

• Spaces should be designed with features like open floor plans and modular configurations to adapt and change over time and meet different needs, improving longevity and sustainability.

Fig30.Conservation (Source:Architizer)

Fig31.NewUsers (Source:ArchDaily)

Fig32.MinorChanges (Source:ArchDaily)

Fig29

2.4. SENSE OF PLACE

2.4.3. SPACE

2.4.3.a. PRESERVATION OF CULTURAL HERITAGE

• Cultural centers preserve a community's history and traditions by storing artifacts, artworks, performances, and expressions of cultural identity.

2.4.3.b. PROMOTION OF ARTS AND CULTURE

• Cultural centers showcase art forms such as visual arts, performing arts, literature, and music through exhibitions and events.

ASPECT

Form and Configuration

Span Range

Support System

Load Distribution

Material Usage

2.4.3.c. TOURISM AND ECONOMIC IMPACT

• Cultural centers attract tourists and help boost a region's economy.

• They also benefit local businesses by increasing customer traffic.

2.4.3.d. COMMUNITY COHESION AND IDENTITY

• Cultural centers unite diverse groups by fostering a sense of belonging.

• They celebrate a community's unique identity and promote pride and connection.

Construction Complexity

2.4.4.

FUNCTION

LONG-SPAN STRUCTURES SHELL STRUCTURES

Typically linear or grid-like configurations. Curved or domed configurations.

Spans large distances horizontally. Spans are often radial or circular.

Relies on columns, beams, or trusses for support. Self-supporting; requires minimal internal support.

Uniform distribution of loads across the span. Loads are transferred as membrane stresses.

Various materials like steel, concrete, or timber. Often lightweight materials like concrete shells or thin shells of reinforced concrete.

Can be complex due to the need for internal support systems. Shell forms can be complex but construction might be simplified in some cases.

Aesthetic Possibilities Offers flexibility in architectural design. Provides unique and aesthetically pleasing curved or domed shapes.

Examples Bridges, hangars, stadiums. Domes, vaults, thin-shell roofs.

Fig33.TypeofTrussandRoofs (Source:Skyciv)

2.5. INFLUENCE OF CULTURAL CENTER

2.5.1. INFLUENCE AND IMPACT

2.5.1.a.

CULTURAL PRESERVATION

2.5.1.b. COMMUNITY ENGAGEMENT 2.5.1.c. EDUCATION AND AWARENESS

2.5.1.d. SOCIAL INCLUSION

Cultural centers serve as guardians of heritage, artifacts, and traditions, ensuring their preservation for future generations.

Cultural centers provide spaces for communal activities, events, and gatherings

Cultural centers offer educational programs, exhibitions, and workshops.

Cultural centers often cater to diverse audiences and promote inclusivity.

They help prevent the loss of cultural identity by safeguarding and promoting historical elements, rituals, and artistic expressions.

They foster a sense of belonging, encourage social interactions, and strengthen community bonds.

They enhance public awareness, promote understanding of diverse cultures, and contribute to cross-cultural dialogue.

Community spaces bring people from diverse backgrounds together, promoting unity and breaking social barriers.

Fig34.ConservationOfStructure (Source:AmazingArchitecture)

Fig35.NewUsers (Source:RethinkingTheFuture)

Fig36.WallArt (Source:RethinkingTheFuture)

Fig37.InteractionSpaces (Source:TheDesignVillage)

Fig38.BeforeMuseumOfContemporaryArtsAfrica (Source:ArchDaily)

Fig39.BeforeTateModernMuseum (Source:ArchDaily)

Fig40.BeforeKhaus (Source:ArchDaily)

Fig38.AfterMuseumOfContemporaryArtsAfrica (Source:ArchDaily)

Fig39.AfterTateModernMuseum (Source:ArchDaily)

Fig40.AfterKhaus (Source:ArchDaily)

2.5.3. CONCLUSION

• Reviving culture through adaptive reuse is a sustainable approach that brings new life to historical spaces.

• This process preserves heritage and fosters community connection.

• Repurposing old structures bridges tradition and modernity, creating spaces that meet society's needs while honoring cultural traditions.

• Adaptive reuse projects promote environmental sustainability and economic revitalization.

• This strategy demonstrates how heritage can enhance the present and create a vibrant future.

Fig41.SenseofPlace (Source:RethinkingTheFuture)

“REVIVING CULTURE THROUGH ADAPTIVE REUSE“

CASE STUDY

3.1. LIVE / OFFLINE

3.2. NATIONAL

3.3. INTERNATIONAL

DARA SHIKOH MUSEUM & LIBRARY AT DELHI

THE FREEDOM PARK AT BANGALORE

QUARRY THEATRE AT ST LUKE'S AT UK

• ABOUT

• Introduction

• Location

• History

• Evolution Timeline

ARCHITECTURAL CONTEXT

• Architectural Style

• Function & Space

CULTURAL CENTRE

• Structural System

• Construction Material

ADAPTIVE REUSE

• Type & Approach

• Before & after

CONCLUSION

• Comparative analysis • Inference

Fig42.BeforeDaraShikoh’sMuseum&Library (Source:Zikr-E-Dilli)

Fig43.BeforeTheFreedomPark (Source:MathewGhosh)

Fig44.BeforeQuarryTheatre (Source:ArchDaily)

Fig42.AfterDaraShikoh’sMuseum&Library (Source:Zikr-E-Dilli)

Fig43.AfterTheFreedomPark (Source:MathewGhosh)

Fig44.AfterQuarryTheatre (Source:ArchDaily)

3.1. LIVE CASE STUDY

DARA SHIKOH MUSEUM, DELHI

3.1.1. ABOUT

• Dara Shikoh was Shah Jahan's favorite son and was expected to inherit the Mughal throne.

• He had a love for architecture and built a mansion near the Kashmiri gate, which is now the Dara Shikoh Library.

• The library, formerly his personal collection, is now managed by the Archeological Survey of India.

3.1.1.1.

INTRODUCTION

• LOCATION

• ARCHITECT

• CLIENT

• BUILT AREA

• DESIGNED

• COMPLETED

LOCATION

3.1.1.3. HISTORY

building was built in 1637 CE Library by Dara Shikoh. was later modified by different occupants. Some parts of the original structure remain, particularly on the northern side.

• There is a Qutabkhana or Kitabkhana that held Dara Shikoh's books and manuscripts.

• The rest of the building has a colonial style with roman pillars.

Fig45. DaraShikohMuseum&Library (Source:Author)

Fig46.SitePlan (Source:GoogleMap)

Fig47. DelhiMap (Source:IndiaMap) Fig48.BuildingTimeline

3.1. LIVE CASE STUDY

DARA SHIKOH MUSEUM, DELHI

3.1.2. ARCHITECTURAL CONTEXT

3.1.2.1. ARCHITECTURAL STYLE

• The museum's architecture combines Mughal and colonial design elements.

• It features Mughal-inspired domes, arches, and carvings, while also incorporating modern touches.

• This blend represents the museum's goal of connecting the past and present for visitors interested in history and culture.

Mughal arches

Stone craving

Jaali pattern

3.1.2.2. FUNCTION & SPACES

• The museum displays artifacts, manuscripts, and artworks related to Dara Shikoh's life and contributions.

• It has exhibition halls, a library, and a research center.

• The architecture includes Mughal elements with intricate designs, double height ceiling, and gardens.

MUGHAL AND COLONIAL ARCHITECTURE

Louvers

Doric columns

Projected pediment

Fig49.Façade (Source:Author)

Fig50.Interior (Source:Author)

Fig51.FloorPlan (Source:Author)

DARA SHIKOH MUSEUM, DELHI

3.1.3. CULTURAL CENTER

3.1.3.1. STRUCTURAL SYSTEM

• RED SAND STONE SLAB

• I-SECTION BEAM

• RED SAND STONE ARCHES

• EXPOSED BRICK WALL

• WOODEN LOUVERS

• CONCRETE PLASTER COLUMNS

3.1.3.2. CONSTRUCTION MATERIAL

• GYPSUM CEILING

• PARTICLE BOARD FOR GALLERY WALL

Fig52.Interior (Source:Author)

Fig53.MaterialTexture (Source:iStock)

3.1. LIVE CASE STUDY

DARA SHIKOH MUSEUM, DELHI

3.1.4. ADAPTIVE REUSE :

3.1.4.1.

APPROACH : RETROFITTING

• Before adaptive reuse, the Dara Shikoh Museum in Delhi was probably unused.

• Now it is the Dara Shikoh Museum & Library, serving as a cultural and educational center.

• The museum showcases Dara Shikoh's items, and the library holds rare texts.

• It is now used for study, events, and visitors.

• This reuse preserves history and meets current needs.

Fig54.ArchElements (Source:Author)

PARAMETER

Fig55.&56.Before&After (Source:Zikr-e-dili,Author)

NAME Dara Shikoh Library Dara Shikoh Museum & Library

FUNCTION Library Cultural and educational center

CONSTRUCTION Built by the Dara Shikoh in 1637

Repurposed historical building

SIGNIFICANCE Dara Shikoh’s Library Honors the legacy of Dara Shikoh

LAYOUT

Open spaces and Mughal inspired features

USUAGE Educational Purpose

ATMOSPHERE Potentially neglected or forgotten

FEATURE

Adapted layout to accommodate museum and library

Showcasing artifacts, hosting events, scholarly study

Reflective of Dara Shikoh's intellectual pursuits

Likely historical architectural elements Exhibition halls, library, research center

ACCESSIBILITY Limited access Open to the public

3.1.4.3.

CONCLUSION

The Dara Shikoh’s Museum and Library preserves history, connects past and present, and promotes discussion on art, history, and philosophy. It focuses on sustainable development, conservation, and improving community spaces. Transforming old buildings revitalizes cities and highlights heritage and architectural innovation.

3.2. NATIONAL CASE STUDY THE FREEDOM PARK, AT BANGLORE

3.2.1. ABOUT

• Freedom Park in Bangalore is a historic site that was once a jail for Indian freedom fighters.

• It opened in 2008 and retains elements of its past while offering recreational, cultural, and educational activities.

• The Freedom Park repurposes a historically significant site, transforming it from oppressive to celebrating freedom, unity, and civic engagement.

3.2.1.1.INTRODUCTION

• SITE AREA

• LOCATION

• ARCHITECT

• CLIENT

• BUILT AREA

• DESIGNED

• COMPLETED 22 ACRES CENTRE OF BANGALORE MATTHEW AND GHOSH ARCH. BRUHAT MAHANAGARA PALIKE

3500 SQ. MTS APPROX.

Fig58.HyderabadMap (Source:IndiaMap)

FreedomPark (Source:BangaloreBlogs)

3.2.1.3.HISTORY

• Freedom Park in Bangalore, India used to be a British jail where Indian freedom fighters were imprisoned.

Fig59. SitePlan (Source:GoogleMap)

LOCATION

• After India became independent in 1947, the jail shut down and was transformed into Freedom Park by the Karnataka government in 2008.

• Today, Freedom Park is a spacious green space for recreation, arts, and education, paying homage to those who fought for India's independence and preserving their memory in the city.

3.2.1.4.

Fig60.BuildingTimeline (Source:MathewGhosh)

Fig57.

3.2. NATIONAL CASE STUDY

THE FREEDOM PARK, AT BANGLORE

3.2.2. ARCHITECTURAL CONTEXT

3.2.2.1. ARCHITECTURAL STYLE

• Modernist principles influenced prison design, emphasizing functionalism, simplicity, and efficiency.

• This style often features clean lines, minimal ornamentation, and standardized layouts.

3.2.2.2. FUNCTION & SPACES

• The design concept was inspired by a spiral movement representing liberty with elements like water pools, plazas, and sculpture parks.

• The jail's layout changed to a spiral shape with different landscaping areas.

• The central tower now symbolizes aspirations.

NATIONAL CASE STUDY

THE FREEDOM PARK, AT BANGLORE

3.2.2.2. FUNCTION & SPACE

Arch. Elements (Source: World Architecture Community)

The museum is located between high walls and gates, offering a view of the parallel walls and the watch tower

The watch tower transformed into a library with a mezzanine floor

A landscaped amphitheater with a seating capacity of 250 people in a contour sunken

. Section (Source:World Architecture Community)

The old entrance to the jail museum has been replaced with a new blue façade at the urban park.

The entrance features an info corridor and a sculptural wall facing east.

Fig64.Arch.Elements (Source:MathewGhosh)

Fig63.

Fig63

3.2. NATIONAL CASE STUDY

THE FREEDOM PARK, AT BANGLORE

3.2.3. CULTURAL CENTERS

3.2.3.1.

STRUCTURAL SYSTEM

WATCH TOWER CONVERT INTO LIBRARY

• New mezzanine floor is built as a new space for library.

• Wall is made with stone which is painted as new layer.

• Outer circle is was demolished to make a single tower unit.

• Roof is covered with terracotta tiles.

• New roof covering to preserved the museum objects.

• Textured wall, with terracotta roof tiles covering, wooden columns.

• Divide into two area open and covered.

• Flooring is kept as is same.

• Walls are painted with new textured paint.

HOSPITAL CONVERT INTO MUSEUM

3.2.3.2. CONSTRUCTION MATERIAL

Fig66. MaterialTextures (Source:iStock)

Fig65.Arch.Elements (Source:WorldArchitectureCommunity)

Fig65.Arch.Elements (Source:WorldArchitectureCommunity)

3.2. NATIONAL CASE STUDY THE FREEDOM PARK,

AT BANGLORE

3.2.4. ADAPTIVE REUSE :

3.2.4.1.

APPROACH : TRANSFORMATION

• Renovate buildings as pavilions.

• Design landscapes to match land.

• Use sustainable resources.

• Construct a people's court with central tower.

• Add inserts to hospital walls for exhibitions, shops, or cafes, creating an open feel with floating roof.

• Design reflects light to stand out.

• Artwork walls follow same concept.

• Remove outer layer of Tower, leaving original core intact.

PARAMETER

NAME Central Jail Freedom Park

FUNCTION

CONSTRUCTION

SIGNIFICANCE

LAYOUT

USUAGE

Prison facility Public park and cultural space

Built by the British in 1867 Transformed in 2008

Historical jail where freedom fighters were imprisoned

Confined, restrictive layout with high walls and cells

Restricted to incarceration and administration

Commemorates the struggle for independence; serves as a public space

Open, expansive layout with green spaces and recreational areas

Open to the public for recreation, events, and gatherings

ATMOSPHERE Somber, authoritarian Vibrant, inclusive

FEATURE Cells, watchtowers, high walls

SYMBOLISM

ACCESSIBILITY

Symbol of British colonial power and oppression

Limited access to authorized personnel

Gardens, amphitheatre, exhibition spaces

Symbol of freedom and democracy

Accessible to all citizens

3.2.4.3.

CONCLUSION

Freedom Park in Bangalore revitalizes an old prison, promoting community amenities, resource conservation, social interaction, and civic engagement, demonstrating a sustainable development model.

Fig67.Arch.Elements (Source:WorldArchitectureCommunity)

Fig68.&69.Before&After (Source:BangaloreTourism)

3.3. INTERNATIONAL CASE STUDY

QUARRY THEATRE, ST LUKE'S UK

3.3.1. ABOUT

• The Quarry Theatre at St. Luke's in Bedford, UK is a cultural venue in a restored Victorian church.

• The historic building hosts various performances.

• In 1864, the church was constructed and later renovated to serve as event space.

• The Quarry Theatre holds events to encourage artistic expression.

3.3.1.1.INFORMATION

• LOCATION

• ARCHITECT

• CLIENT

• BUILT AREA

• DESIGNED

• COMPLETED

Fig72. SitePlan (Source:GoogleMap)

Fig70.QuarryTheatre (Source:TheHarpurTrust)

3.3.1.2.LOCATION

Fig71 UkMap (Source:GettyImage)

3.3.1.3.HISTORY

The Quarry Theatre at St Luke's in Bedford, UK used to be a church from the 19th century. It was later repurposed into a theatre in 2013, blending old and new design. The theatre hosts plays, concerts, and comedy shows, adding to Bedford's cultural scene and preserving the building's heritage.

Fig73.BuildingTimeline (Source:Dezeen)

3.3.1.4.

3.3. INTERNATIONAL CASE STUDY

QUARRY THEATRE, ST LUKE'S UK

3.3.2. ARCHITECTURAL CONTEXT

3.3.2.1.

ARCHITECTURAL STYLE

• Built in the 19th century with Romanesque church architecture, the building was converted into a modern theater in 2013.

• The new design features clean lines, simple designs, and advanced technology.

• The combination of old and new creates a unique atmosphere where history meets modernity, offering audiences an engaging experience.

Thick stone wall

Round arches

Small windows

ROMANESQUE CHURCH WITH CONTEMPORARY ARCHITECTURE STYLE

Minimal design

Curved edges

Less ornamentation

3.3.2.2. FUNCTION & SPACES

• He decided to preserve the church rather than converting it into apartments.

• An extension including a foyer, bar, and glass walls leading to a terrace was built connecting to the gardens and school.

• The old minister's house next to the church was renovated to include a booking office and foyer.

• Offices and a studio are located on the upper floors.

Fig75.FloorPlan (Source:ArchDaily)

Fig74.Facade (Source:ArchDaily)

Fig76.Interior (Source:ArchDaily)

QUARRY THEATRE, ST LUKE'S UK

3.3.3. CULTURAL CENTER

3.3.3.1. STRUCTURAL SYSTEM

• WOODEN BATTERN CEILING

• EXPOSED BRICK

• SEPARATE STEEL STRUCTURE INSIDE

• WOODEN RAILINGS

• PARTICLE BOARD CEILING WITH MODULAR LIGHTS

• NEW LAYER OF PAINT

• FOLDABLE AUDITORIUM SEATS

• WOODEN STARIS

WOODEN BATTERN STEEL STRUCTURE

WOODEN STAIRS

PARTICLE CEILING BOARD WOODEN RAILINGS

GLASS WINDOW

Fig77.Interior (Source:ArchDaily)

Fig78.MaterialTextures (Source:iStock)

3.3. INTERNATIONAL CASE STUDY

QUARRY THEATRE, ST LUKE'S UK

3.3.4. ADAPTIVE REUSE

:

3.3.4.1.

APPROACH : RESTORATION

• Modern amenities and technical enhancements were added to ensure the space meets contemporary standards for theatrical performances.

• The restoration process involved attention to detail, including refurbishing interior spaces and installing state-of-theart lighting and sound systems.

• The result is a beautifully restored venue that honors its heritage and provides a dynamic experience for audiences.

PARAMETER

NAME St Luke's Church

The Quarry Theatre at St Luke's

FUNCTION Religious worship Theatre and performance venue

CONSTRUCTION Mid-19th century

SIGNIFICANCE

LAYOUT

USUAGE

Church building with historical and religious significance

Traditional church layout with pews and altar

Religious ceremonies, community gatherings

Completed in 2015

Cultural landmark with historical and artistic significance

Adapted layout with seating for performances

theatrical performances, concerts, events

ATMOSPHERE Serene, reflective Energetic, creative

FEATURE Stained glass windows, bell tower Stage, lighting rig, sound system

ACCESSIBILITY

Limited to church members and visitors Open to the public and Students

3.3.4.3.

CONCLUSION

The Quarry Theatre at St Luke's in the UK successfully transformed a disused church into a vibrant performance space, showcasing adaptive reuse for sustainability and community involvement.

Fig80.&81.Before&After (Source: Dezeen)

Fig79.Arch.Elements (Source: Dezeen)

4.1. COMPARATIVE ANALYSIS

PARAMETERS

MUSEUM,

LOCATION

HISTORY

THEATRE ST LUKE'S

INFERENCES

The building is situated in a culturally vibrant area.

When a space changes its function, the new users of the space also change.

alterations have been made to the architectural design and exterior appearance of

4.1. COMPARATIVE ANALYSIS

DARA SHIKOH MUSEUM, DELHI

PARK, BANGALORE

PARAMETERS

LUKE'S INFERENCES

Influence how a space is used, its social interactions, and cultural importance, showing changing community desires.

STRUCTURE & MATERIAL

The entire building and its materials are preserved, with some changes made to the interior or exterior.

Retrofitting enhances buildings. Transformation changes a space. Restoration reverts a site to its original condition. Each method has distinct objectives in urban planning and architecture.

4.2. CONCLUSION

• Reviving culture through adaptive reuse preserves heritage and promotes sustainable development.

• Repurposing historic structures fosters appreciation for cultural identity and history.

• It revitalizes neglected spaces, stimulates economic growth, encourages creativity and innovation in architecture and design.

• Adaptive reuse projects become catalysts for cultural revival and attract visitors.

• This approach celebrates the past while embracing the future, creating dynamic environments honoring tradition while adapting to modern needs.

Fig82.AdaptiveReuse (Source:NarrateDesign)

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