22 minute read
New York Tristate
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New York Tristate
Plays
• Seeking submissions from Equity
actors for roles in “Choir Boy” (Tarell Alvin McCraney, writer; Christopher D. Betts, dir.; Rehearsals begin Feb. 1, 2022; tech begins Mar. 18; runs Mar. 31-Apr. 23) and “Between Two Knees” (The 1491s, playwright; Eric Ting, dir.; Presented with Oregon Shakespeare Festival. Rehearsals begin Mar. 22; tech begins Apr. 29; runs May 12-Jun. 4).
• Company: Yale Repertory Theatre /
Drama Productions Inc. Staff: Kay Perdue Meadows (Yale Repertory Theatre), artistic assoc.; Amy Boratko (Yale Repertory Theatre), acting assoc. artistic dir.; James Bundy, dean-artistic dir.; Louis DiPaolo (Tara Rubin Casting), casting; Tara Rubin (Tara Rubin Casting), casting; Vanjah Alexander, casting assoc.
• Rehearses and performs in New Haven,
CT. Note: If hired, all actors on contract with Yale Repertory Theatre must be fully vaccinated and will be asked to complete an attestation of vaccination form prior to arrival on campus.
• Seeking—Equity Actors: 18+, all
ethnicities.
• Seeking submissions from CT. • For consideration, submit PDF of head-
shot and resume, and a video link to your audition (YouTube or Vimeo preferred) to YaleRepEPA21@gmail.com with the subject line “Local Submission/ Actor’s Full Name/2021 EPA.” Submissions deadline is Aug. 20. Any tapes received after the deadline will not be viewed.
• Video Preparation Instructions: Prepare
a two minute contemporary or classical monologue, your choice; preference for heightened or poetic language. If interested in “Choir Boy,” also prepare a 1-2 minute cut of an a cappella song of your choice. Include a slate that includes your full name and the project and/or role for which you’re interested to audition. To ensure that we will be able to view your submission, note that the video should be listed as “Unlisted” rather than “Private” on YouTube, and as “Anyone” or “People with the private link” on Vimeo.
• All roles at Yale Rep are understudied.
Yale Rep is committed to an inclusive casting policy and encourages all actors to audition regardless of an individual’s sex, race, color, religion, age, disability, status as a veteran, national or ethnic origin, sexual orientation, or gender identity or expression. No stage manager positions are available for these productions.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $739-$1325/wk. and $739/wk.
(understudies). Equity LORT Non Rep C & D Contracts.
• Seeking Equity actors for roles in 2021-
22 season. Season Includes: “Ken Ludwig’s Dear Jack, Dear Louise” (Ken Ludwig (LORT D), writer; David Saint, dir.; 1st rehearsal Sept. 28; 1st preview Oct. 26; runs Oct. 29-Nov. 21); “It’s Only a Play” (Terrence McNally (LORT C), writer; Kevin Cahoon, dir.; 1st Rehearsal Nov. 9, 1st Preview Nov. 30, runs Dec. 3-19); “Her Portmanteau” (Mfoniso Udofia (LORT D), writer; Laiona Michelle, dir.; 1st Rehearsal Dec. 21; 1st Preview Jan. 18; runs Jan. 21-Feb. 13); “Baipás” (Jacobo Morales (LORT D), writer; Julio Monge, dir.; 1st Rehearsal Feb. 1; load in: Feb.14-23; tech: Feb. 24-27; 1st Preview: Mar. 1; runs Mar. 4-27). No roles will be understudied.
• Company: George Street Playhouse.
Staff: Pat McCorkle(Viewing Auditions), McCorkle Casting; David Saint, artistic dir.; Scott M. Goldman, general manager.
• Rehearses and runs in New Brunswick,
NJ.
• Seeking—All Roles: 18+. • Seeking submissions from NJ. • For consideration, email the video link
and separate attachments of your headshot and resume to epa.submission@mccorklecasting.com with the subject line “Full Actor Name/George Street EPA Submission.” Submissions deadline is Aug. 20.
• Preparation Instructions: Limit your
video submission to three minutes maximum. Actors may prepare either a short contemporary monologue or a monologue from one of the plays. This time limit includes your slate (your name, name of play, and character you will be performing) which should be included at the beginning of your audition submission. Upload your taped audition to Vimeo and include a link for viewing in your email submission. YouTube links are also acceptable, but Vimeo is strongly preferred. Do not share via WeTransfer, Google Drive, Dropbox, iCloud or other file sharing platforms. Self tape suggestions for your audition. Framing your shot helps. Make sure your phone/device is in landscape format and not portrait position. Make sure the lighting is sufficient. Non-incandescent, bright white lighting that includes some diffusion (non direct, soft) is best. The sound is important. Make sure if using a reader that you are easily heard. An external mic (Lavalier) plugs into your device, is economical and sounds great. Your background is clean. Be aware of what’s behind you. A busy or dark background can distract the viewer/listener. Keep the slate separate from the actual audition. Slates can be your headshot or your “live” introduction, whichever you prefer.
• Feel free to listen to our podcast (2 epi-
sodes, 20 minutes each) on video auditions here: Part one: https://www. podbean.com/eu/pb-4et4x-927236 and Part two: https://www.podbean. com/eu/pb-xqe4n-92de4c.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $739/wk. (LORT D) and $926/wk.
(LORT C). Equity LORT Non-Rep Contracts.
Casting picks of the week
BY LISA HAMIL
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‘Dracula’
Bite into this Simi Valley, CA production
tv
Romanticize the past in Atlanta, GA for this ABC series
musical
Serve looks in this Broadway Equity production in NYC
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Don’t be a shrew in Addison, TX for this all-female, political, Equity reimagining
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‘Ninth Life’
Reincarnate in Portland, ME
• Seeking video submissions from Equity
actors for “Selling Kabul.”
• Company: Playwrights Horizons Inc.
Staff: Sylvia Khoury, playwright; Tyne Rafaeli, dir.; Alaine Alldaffer, casting dir.; Lisa Donadio, assoc. casting dirs.
• Rehearsals begin Oct. 26; tech runs
Nov. 12-16; runs Nov. 17-Dec. 23, 2021 or Jan. 16, 2022 at The Sharp Theater at Playwrights Horizons in NYC.
• Seeking—Taroon: male, 30-35, Afghan;
Afiya’s younger brother; once set on following in the family trade of becoming a tailor, his now-wife Bibi encouraged him to interpret for the Americans in Kabul, in hopes of unseating the Taliban and ushering a new era of peace for their country; when the Americanspulled out of Afghanistan, he was left with a promise of a visa—a promise that remains unfulfilled, to great personal peril. Naïve, idealistic, and with no small amount of bravado, Taroon has been hiding primarily in his sister’s home; at the top of the play, he awaits news of the birth of his first child. Afiya (Possible US/ Replacement): female, 30-35, Afghan; an honest woman struggling to remain uncompromised in a deeply compro-
mised situation—the moral center of the play; a serious, capable, and unfailingly good woman quietly keeping her family safe while hiding a deep well of shame; she shares her home with her brother, Taroon, and her husband, Jawid—and both relationships are deeply complicated; on one hand, she is furious with Taroon for putting himself and his family in danger by interpreting for the Americans, but does everything in her power to keep him safe from the Taliban—including hiding him in her apartment for months at a time; on the other hand, she is deeply unsettled by the actions Jawid has taken to try actualize their hope of having a child—which has included an agreement with the Taliban to make them army uniforms, hoping to use this extra income for fertility treatments; cast. Leyla (Possible US/Replacement): female, 25-29, Afghan; Afiya’s neighbor and childhood friend, who works for Afiya and Jawid’s tailor shop with her husband, Amir; the two couples are like family to each other, and live across the hall from each other; Leyla is clever and quick-witted, and enjoys playing flighty and dramatic in counterpart to her closest friend Afiya’s deep seriousness; she is also a new mother to her son, Nabil, who is six months old; she is a deep and true friend to Afiya; cast. Jawid (Possible US/Replacement): 18+, Afghan; a tailor by profession; he has chosen to protect his family by working for the Taliban, and has benefited from the small creature comforts this permits him; he feels extremely guilty about this decision, but never speaks of this shame; he is deeply in love with his wife, Afiya; cast.
• Seeking submissions from NY. • For consideration, submit tapes in
Vimeo or Unlisted YouTube format along with headshot and resume preferably as a PDF to PHCastingSubmissions@phnyc.org with your union status in the subject line. Video Audition Preparation: Prepare a short monologue. A personal introduction would be appreciated, but not required. Total video not to exceed five minutes. Submissions deadline is Aug. 20 at 6 p.m EDT. SM and ASM positions are filled for this production.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Equity Off Broadway Salary TBA (cur-
rently $656 weekly minimum - Cat AA.)
• Seeking nonunion readers for a
scripted reading of Ann P. Meredith’s award-winning play, “Special.” The reading has been awarded a NYFA CAC Community Engagement Grant. Panel and Q&A to follow.
• Company: Swordfish Productions
Pictures and Theatrical. Staff: Ann P. Meredith, playwright-prod.-dir.
• Performs Sept. 23, 2021 at Theatre Row
on 42nd Street in NYC.
• Seeking—Readers: all genders, 18+. • Seeking submissions from NY. • Submit the following: one 4x5 head-
shot, one 2-minute clip, and proof of completed vaccination to annpmeredith7@gmail.com, with “Reader” in the subject line.
• Pay provided.
• Seeking video submissions from Equity
actors for roles in Vivid Stage 2021-22 season. Season includes “Portrait of the Window Kinski” (Sara Jean Accuardi, writer; Clark Carmichael, dir. Rehearsals begin Sept. 6; runs Sept. 30-Oct. 10); “Water in My Hands” (Emma Gibson, writer. Rehearsals begin Nov. 8, 2021; runs Dec. 2-12, 2021); “Twirl” (Joe Sutton, writer; Laura Ekstrand, dir. Rehearsals begin Jan. 24, 2022; runs Feb. 17-27, 2022); and “Life’s Work” ( Laura Ekstrand, writer; Betsy True, dir. Rehearsals begin Mar. 28; runs Apr. 21-May 1, 2022).
• Company: Vivid Stage. Staff: Laura
Ekstrand, artistic dir.; Clark Carmichael, dir. of “Portrait of the Window Kinski”; Betsy True, dir. of “Life’s Work”
• Season rehearses and performs in
Summit, NJ. Note: All actors must be fully vaccinated to be considered for roles this season. Proof of vaccination must be provided.
• Seeking—Equity Actors: 18+, all
ethncities.
• Seeking submissions from NJ and NY. • For consideration, submit your head-
shot, resume, and video audition to info@vividstage.org.
• Video tape yourself performing a one
minute, comedic contemporary monologue. Slate your name, the role for which you are submitting and title of your piece before beginning your monologue. Your video should be named in the following format: “Your Name_Role.” Submissions deadline is Aug. 20. Callbacks will take place in person at the theater in Summit, NJ.
• When casting personnel state that a
role has been formally offered and accepted, Equity audition notices list the role as “Cast.” For more info visit www.vividstage.org.
• Production states: “We are actively
seeking to increase our knowledge of a diverse pool of actors. Actors of all ethnicities are encouraged to attend. Although some roles are cast from our ensemble, we draw on actors we meet for productions, readings and other projects as well as future opportunities.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.”
• Pays $271/wk. Equity SPT Contract.
VISIT BACKSTAGE.COM/CASTING
for full character breakdowns, script sides, and more casting notices
• Casting the national tour of Dr. Seuss’s
“How The Grinch Stole Christmas.” Synopsis:The Grinch discovers there’s more to Christmas than he bargained for in this heart-warming holiday classic. Max the Dog narrates as the sour and scheming Grinch, whose heart is “two sizes too small”, decides to steal Christmas away from the holiday loving Whos.
• Director’s Note on Casting: Whoville is
made up of individuals that are all different from one another and get much joy in celebrating the holiday, the community, and their differences. We are actively assembling a cast that represents different ethnicities, races, gender identities, religions, levels of ableness, sexualities, and political parties. It is meant to be a metaphor for the rich and diverse cultural tapestry that makes up our melting-pot nation.
• Company: TROIKA Entertainment/
Running Subway Productions. Staff: Timothy Mason, book-lyrics; Mel Marvin, music; Matt August, dir.; Bob Richard, choreo.; Peter Leigh-Nilsen, musical supervisor; Brian Schrader and Tegan Meyer, general mgmt.; Chad Eric Murnane, CSA (Binder Casting), casting.
• Rehearsals begin o/a Oct. 25-Dec. 13 in
NYC; performs on tour.
• Production states: “Performance
weeks may have up to 12 performances in a given week. The Production runs approximately 85 minutes.”
• Seeking—Roles: 18+, see additional
materials for character breakdown.
• Seeking submissions from NY. • For video submissions all videos should
be uploaded as separate clips, not as one long video. Videos should be labeled in this exact way and order: Slate, Side #1, Side #2, Song #1 (Title), Song #2 (Title). Do not upload the entire audition as one file. Taped submissions must be received by Aug. 16 at 9 p.m. EST.
• See Additional Materials online for
open call instructions.
• Rehearsals: Flat. $600.00 p/w;
Performances: Min. $1,500 p/w – Lead. Max. $750 p/w – Principals.; Max. $650 p/w– Featured Ens.; lat. $600 p/w –Ensemble.
‘Waitress,’ B’Way
• Seeking video submissions for the role
of Lulu in “Waitress” on Broadway.
• Staff: NAMCO/ Barry Weissler, Fran
Weissler, Alecia Parker, prods.; Diane Paulus, dir.; Jessie Nelson, book; Sara Bareilles, music-lyrics; Nadia DiGiallonardo, music supervisor; Lorin Lotarro, choreo.; Patrick Goodwin (The Telsey Office), CSA (viewing auditions), casting.
• Rehearsals mid/late August; runs Sept.
2nd at Barrymore Theatre.
• Seeking—Lulu: female, 4-5, young
girl, to play 6 years old. Any ethnicity. Jenna’s daughter. A sweet, carefree child who appears in the last scene of the show. Should have excellent pitch and have a strong, simple voice. Should be shorter than 4’4” and younger than six years old. PRINCIPAL. Actors local to the New York City areaencouraged to submit.
• Seeking submissions from NY. • Preparation: Actors should make a tape
no more than two minutes in length which includes all of the following: A slate of Lulu candidate clearing saying their name, height, current home location and date of birth. This should also include a full body shot. Briefly talking about what they did this summer. Telling us about their favorite movie, TV show or theatre production. Running and jumping into an adult’s arms (safely!)
• Taping Instructions: If you are using an
iPhone to video record, be sure to film horizontally and in a well-lit space (not backlit). • For consideration, submit the video, along with a photo/resume (if they have a resume), in a downloadable format (Google Drive, Dropbox, etc.) to waitressmusicalcasting@gmail.com with the subject line “[Actor’s full name] - [Lulu EPA Audition].” Do no submit tapes to this e-mail address through a third party website.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $2,323/wk. split between two
actors with each being paid the weekly minimum pro rata. Equity Production (League) Contract.
Feature Films
• Casting “Next Stop Christmas,” a
Christmas family film for Hallmark Channel.
• Company: Synthetic Cinema
International. Staff: H. Greer, coord.
• Shoots Aug. 22 in Norwich, CT. • Seeking—Pedestrians: all genders, 8+,
all ethnicities.
• Seeking submissions from CT. • Send submissions to HBGCasting@
gmail.com.
• To be invited to specific roles for your
type, you must visit: https://hbgcasting. com/join-our-database/.
• You must have a car to self report and
be local to the East Coast. If you have joined the database within the last two years, no need to re-join.
• Pay TBD.
Short Films
• Casting “Wisp,” a multi-channel video
art installation slated to be exhibited next spring in New York City. Five characters interact with a dancing wisp of smoke in front of them. It is a short piece around 2.5 minutes long. Actors
will be needed for 2-3 hours each on shoot date.
• Company: Pierre St-Jacques. Staff:
Pierre St-Jacques, artist.
• Shoot date TBD in mid-late September
in Brooklyn, NY. Possible Zoom meeting beforehand to discuss the role and any questions talent may have.
• Seeking—Wisp #1: female, 18-30, all
ethnicities, character sits on a stool and interacts with a floating wisp of smoke in front of them (which will be added via CGI). A curious and intelligent character. Wisp #2: male, 27-35, all ethnicities, character sits on a stool and interacts with a floating wisp of smoke in front of them (which will be added via CGI). A nervous and unsure character. Wisp #3: male, 6-12, all ethnicities, character sits on a stool and interacts with a floating wisp of smoke in front of them (which will be added via CGI). A happy and peaceful character. Wisp #4: 40-50, all ethnicities, character sits on a stool and interacts with a floating wisp of smoke in front of them (which will be added via CGI). A hard, displeased, and angry person. Wisp #5: male, 60-75, all ethnicities, character sits on a stool and interacts with a floating wisp of smoke in front of them (which will be added via CGI). A curious and playful character.
• Seeking submissions from NY. • Apply on Backstage.com. • Pays $200. Food and credit also
included. Actors will be needed for 2-3 hours on the shoot date.
Student Films
• Casting “B-Box,” a short ten-minute
NYU student comedy film.
• Company: NYU. Staff: Xavier Michael
Griffiths, filmmaker.
• Shoots first week of September in NYC. • Seeking—Asher: male, 20-35, Black /
African Descent, male, 20s, Black, clean cut, suave, earnest. Brandi: female, 20-35, Black / African Descent, female, 20s, Black, natural hair; romantic, strong willed, caring.
• Seeking submissions from NY. • Send submissions to xmg202@nyu.edu. • Pays $125/day. Travel and meals
provided.
Scripted TV & Video
‘Empires’ Extras
• Casting nonspeaking extras for
“Empires” a miniseries for a major cable network.
• Company: Barbara McNamara Casting.
Staff: Barbara McNamara, casting dir. CSA.
• Shoots Aug. 16-Sept. 3 in Newark, New
Jersey. Schedule tbd. Note: Must self-
VISIT BACKSTAGE.COM/CASTING
for full character breakdowns, script sides, and more casting notices report. Must be fully vaccinated. COVID testing prior to working on set.
• Seeking—Men: 20-50, Black / African
Descent, White / European Descent.
• Seeking submissions from NY. • Apply on Backstage.com. • Pays $210/12 hrs.
Reality TV & Documentary
ID: ‘Evil Lives Here’ Episode 703
• Casting episode 703 of “Evil Lives
Here,” a crime recreation show for ID Network. Synopsis: When doctors told Charlie what they suspected his fiancé, Ashley, had done, he refused to believe them. When police said she had confessed, he still didn’t want to believe it… because believing it would mean admitting that he had fallen for her lies and spent years blind to the horrific things she had done right under his nose.
• Company: Red Marble Media. Staff: Red
Marble Media, casting dir.
• Shoots Aug. 24-27 (three-four days
shoot) in New Jersey. All cast and crew are required to be fully vaccinated to work on this production.
• Seeking—Charlie: male, 30-40, White /
European Descent, a genuinely nice guy who wants to protect the people he loves and doesn’t want to rock the boat- often to the point of blind adoration. His deep empathy, altruism, and willingness to believe in those around him lead him to ignore the warning signs until it’s too late. Now, he’s haunted by his mistakes and struggles every day to understand how this tragedy came to pass.Lead Role: Physical description: Short blonde hair and beard, light eyes, average height and build.Must be fully vaccinated and can show vaccination status to production. Please state if you are fully vaccinated when applying. Ashley: female, 30-35, White / European Descent, a doubleedged sword- she can be cold, calculating, and unhinged, but she can also be warm, kind, and funny. Her ability to turn on a dime and lie easily without regret makes her a force to be reckoned with, which is why she’s in charge while her husband Charlie is just along for the ride. She commits acts of such physical and emotional trauma that any other person would crumble to pieces, but Ashley keeps on trucking on.Lead Role: Physical description: Short brunette hair (think pixie cut or chinlength), brown eyes, average height and build.Must be fully vaccinated and can show vaccination status to production. Please state if you are fully vaccinated when applying. Ashley’s Mom: female, 55-65, White / European Descent, a mother always knows when their children are going through tough times. Ashley’s mom was no different. When she came to visit her daughter and grandchildren, she could tell that Ashley wasn’t quite herself. In fact, she was well aware that Ashley was with child but couldn’t understand why her daughter was in denial about her latest pregnancy. She was a decent mother with two children and had a very loving and caring boyfriend. It was a perfect environment for a newborn baby. But what her daughter would do next, her mother never saw coming. Must be fully vaccinated. Ashley’s Older Daughter: female, 10-12, White / European Descent, she always felt loved and protected by her mother. But then there were times when her mom didn’t seem like herself. Too young to understand what was going on and what her mother was hiding from her and her family. Supporting role Notice of Use: The child actor will be excused from the dinner table to go watch tv. The child actor will ask the mom to buy toys from the store. Child actor will watch parents argue while playing with sister in the background. Physical Description: Dark brown hair, average height and build. Production states: “Please note: That the child actor will be required to get a rapid covid test prior to coming to set. Parents/guardians must be fully vaccinated and will also be required to get a rapid test done prior to coming to the set.” Ashley’s Younger Daughter: female, 7-9, White / European Descent, she always felt loved and protected by her mother. But then there were times when her mom didn’t seem like herself. Too young to understand what was going on and what her mother was hiding from her and her family. Supporting role Physical description: Blonde hair, average height and build.Production states: “Notice of use: The child actor will be excused from the dinner table to go watch tv. The child actor will ask the mom to buy toys from the store. Child actor will watch parents argue while playing with sister in the background. Please note: That the child actor will be required to get a rapid covid test prior to coming to set. Parents/guardians must be fully vaccinated and will also be required to get a rapid test done prior to coming to the set.”
• Seeking submissions from NY. • Send submissions to sjeanty@redmar-
blemedia.net.
• If possible, submit actor’s online demo
clips along with each actor submission.
• Note: COVID safety precautions will be
in full effect during filming. Production will also have a COVID compliance officer on set. All cast and crew are required to get a rapid COVID test done one day prior to coming to set.
• Pays $210/day plus $105 for COVID
testing.
National Commercials
• Casting “Solo.” Logline: A young, hand-
some Latino man is working and demonstrating that with hard work, anything is possible.
• Company: Brooklyn College. Staff: F.
Gonzalez, coord.
• Shoots Aug. 28 in Brooklyn, NY. • Seeking—Marco: male, 18-30, Latino /
Hispanic, young Latino man.
• Seeking submissions from NY. • For consideration, email resume, reels,
photo, and any other work you will want production to consider to fridahgonzalezproductions@gmail.com.
• Stipend and meals will be provided.
Online Commercials & Promos
Promotional Spot, Camp Siblings (Ages 8-12)
• Casting a pair of siblings (brother and
sister; ages ranging from 8-12) for an online promotional spot about a camp. Parents will ultimately be cast as well, so if there is an acting parent in the family, be sure to specify it in your application.
• Company: LNBProduction. Staff:
Lauren Bennett, casting prod.
• Shoots one day between Aug. 26-Dept.
3 in NYC. • Seeking—Brother and Sister: all genders, 8-12, all ethnicities, Seeking an actual set of siblings (blended families as well!) to run around a camp together and interact with the games and activities. Note: Must submit video of siblings together for consideration. Brother: male, 8-12, all ethnicities, runs around a camp participating in the activities. Note: Pre-screening video required. Sister: female, 8-12, all ethnicities, runs around a campsite engaging with the activities. Note: Pre-screening video required.
• Seeking submissions from NY. • Apply on Backstage.com. • For consideration, submit a video of the
siblings appearing together on camera and follow these prompts: What are your names?; What are your ages?; What are your favorite summertime activities?; If you could create a camp, what would it look like and what would the campers do during the day?; Tell us something about your sibling that you think is cool about them.
• Pays $1,000/per actor, and includes all
web broadcast for three years. Prenegotiated clause that would pay an additional flat rate in case it goes to broadcast.
Print & Digital Modeling
Bridgewater Chocolate Lifestyle Shoot
• Casting photo shoot for Bridgewater
Chocolate - looking for emotional, precious moments.
• Company: Six+One. Staff: James Hill,
prod.
• Shoots TBD date in NYC. • Seeking—Older Couple: all genders,
50-65, Looking for an older couple. Younger Couple: all genders, 30-40, Younger couple. Female: female, 30-39. Young Lead: all genders, 14-18.
