casting National/Regional male, late 20s - early 30s, Black; in public, he is a gladiator with endless amounts of showboat swagger; in the press room, he is witty whilst suppressing both facts and his anger; in private, however, he lets down his guard to reveal his emotional vulnerabilities; he also sings with Fish and Wynton. Fish: male, 18-25, Black / African Descent, male, late teens - early 20s, a skilled amateur boxer; a tall, spirited, proud, cautious, and cynical young man from Mississippi who becomes Jay’s sparring partner; also takes care of his grandfather; sings with Jay and Wynton.
• Seeking submissions from FL. • Send submissions to casting@madcow-
theatre.com.
• In your cover letter, indicate your avail-
ability, as well as if you have housing in Orlando. Submit a video with both of the attached sides, regardless of which role you are submitting for. • Pays $1,100. Housing available if
needed.
Theatre Three 2021-22 Season
• Seeking video submissions from Equity
actors for roles in Theatre Three 202122 Season. Season includes “Maytag Virgin” (Whitney Latrice Coulter,, dir. Rehearses Jan. 4-26, 2022; runs Jan 27Feb. 20, 2022); “Stede Bonnet: The F*ckin Pirate Musical” (Gloria Benavides, dir.; Nicole Neely, playwright; Clint Gilbert, composer. Rehearses Mar. 15-Apr. 6, 2022; runs Apr. 7- May 1, 2022); “Who’s Afraid of Virginia Woolf” (Blake Hackler, dir. Rehearses May 10-June 8; runs June 9-July 3, 2022). • Company: Theatre Three, Inc. Staff:
Jeffrey Schmidt, artistic dir.; Christie Vela, assoc. artistic dir.; Sarah Barnes, company mgr.
• Rehearses and performs in Dallas, TX. • Seeking—Equity Actors: 18+. • Seeking submissions from TX. • For consideration, submit a digital
headshot, resume, and audition form to theatre3auditions@gmail.com. Videos should be emailed via WeTransfer, Dropbox, or Hightail. Submissions will be accepted Oct. 25-Nov. 9. Submissions deadline is Nov. 9 at 5 p.m. PDT.
• Preparation Instructions: Actors should
prepare a 3-minute audition consisting of either 2 contrasting monologues or 1 monologue and a brief song of their choosing. You may also choose from the accompaniment provided. You may request sheet music by emailingtheatre3auditions@gmail.com.
• Soprano: https://www.dropbox.com/s/
th31i8djqr0obbo/To%20See%20 The%20Sun%20Again%20 %28Soprano%29.mp3?dl=0
• Alto: https://www.dropbox.com/s/dke-
gems2i1eu8ys/Blackbeard%20 %28Alto%29%20%281%29.mp3?dl=0
• Tenor: www.dropbox.com/s/r9hbqxrc-
gvkpgn5/If%20I%20Could%20 Rewrite%20My%20Story%20 %28Tenor%29.mp3?dl=0
• Bari-Bass: www.dropbox.com/s/
wv4q81udv2r7rmw/A%20 Pirate%27s%20Life%20is%20Not%20 For%20You%20%28BariBass%29. mp3?dl=0
BACKSTAGE 11.04.21
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Todd” (Brad Carroll, dir.; Jeremy Mann, music dir. Runs May 9-Sept. 9, 2022); “The Sound of Music” (Keenon Hooks, dir.-choreo.; Alan Patrick Kenny, music dir. Runs May 10-Oct. 8, 2022); “Trouble in Mind” (Melissa Maxwell, dir. Runs May 9-Sept. 9, 2022); “Clue” (Hunter Foster, dir. May 9-Oct. 8, 2022); “The Tempest” (Cameron Knight, dir. Runs June 7-Oct. 8, 2022) and “Thurgood” (Delicia Turner Sonnenberg, dir. Contract dates Aug. 25-Oct. 8, 2021).
‘To Kill a Mockingbird’ Nat’l Tour
Staff: Brian Vaughn, artistic dir.; Derek Livingston and Tanya J. Searle, artistic associates.
• For more info, visit www.theatre3dallas.
com.
• Equity’s contracts prohibit discrimina-
• Pays $451/wk. Equity SPT 5 Contract.
• Company: Utah Shakespeare Festival.
• Seeking video submissions from Equity
actors for the National Tour of “To Kill a Mockingbird.” Synopsis: “To Kill a Mockingbird” tells a story of racial injustice and childhood innocence. Set during the Depression in the fictional town of Maycomb, Alabama, small town lawyer Atticus Finch defends an Black man, Tom Robinson, who is falsely accused of rape, before an all white jury.
• Note: Individuals will be contacted
directly via email regarding callbacks, which will also be held via video submission. There are understudy roles available.
• Seeking—Equity Actors: 18+. • Seeking submissions from MD. • For consideration, email the video audi-
• For question, email casting@bard.org.
tion, with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to tkamauditions@ gmail.com with the subject line “[Your full name] -[The role for which you’d like to be considered].” Submissions deadline is Nov. 4.
For more info, visit www.bard.org.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Preparation Instructions: Prepare sides
from the script for one track of your choosing or prepare a monologue from a 20th century American play. Link to materials: https://www.dropbox.com/ sh/zqm13ggyt9iqndt/ AACV8h8zTxfuSD_uN6LM7xCqa?dl=0 If you are using an iPhone to video record, be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, slate your name, location, and height.
• Pays $1,008/wk. (LORT B through Sept.
10 or Oct. 8) or $739/wk. (LORT D; June 7-Oct. 8). Equity Special Agreement LORT B & D Contracts.
Student Films
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• No pay.
Scripted TV & Video Walt Disney Television Studios. It’s a story about a family who adopts a little person born overseas and explores, with sensitivity and different perspectives, the confusion and mystery surrounding her age and upbringing as a result of the family’s own misconceptions of the little person community. The project grapples with ideas of perspective, secrecy, trauma, ambition, and psychological tension surrounding a woman with the universal need for unconditional love.
airtable.com/shr3jvUtl4iKvGinO to complete the application form and to upload your video link (YouTube or Vimeo are preferred), your headshot, and your resume. Ensure that your union or non-union status is clearly designated within the context of your resumé. Do not send a cover letter or any supplemental materials, such as additional photos or reels. Submissions deadline is Nov. 15, 2021. See additional materials for self-tape instructions.
Columbia, MD.
webster.edu.
• Seeking—Equity Actors: 18+, all • Seeking submissions from UT. • For consideration, use this link https://
• Rehearsals begin February 2022 in
• Send submissions to kaylaodow28@
‘Safe Haven’
ethnicities.
Staff: Barry Diller, prod.; Seth Wenig (NETworks), exec. prod.; Gregory Vander Ploeg (Gentry & Associates), general mgr.; Bartlett Sher, dir.; Aaron Sorkin, adaptation; Harper Lee, novel as source material; Adam Caldwell CSA, Destiny Lilly CSA (The Telsey Office), casting.
from 9 a.m.-2 p.m. at Webster University, Communication Building Sverdrup, Room 131, St. Louis, MO 63103.
• Rehearses and performs in Cedar City,
UT.
• Company: TKMB National Tour LLC.
• Auditions will be held by appt. Nov. 14
‘The Bailey’s’
• Casting “The Bailey’s,” a short narrative
film based on a behind-the-scenes look at an influencer couple shows the reality of their relationship. As soon as the camera cuts their real intentions come out to play.
• Casting “Safe Haven,” a series for a
• Production states: “Producer is com-
mitted to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation or gender identity or any other basis protected by law, subject to legitimate casting objectives.” • Company: Aufiero Horn Casting. Staff:
Amber Horn, casting dir.; Danielle Aufiero, casting dir.; Steven Tylor O’Connor, casting associate.
• Shoot dates TBD in 2022 in the USA. • Seeking—Alana (Little Person-Dwarf):
female, 10-22, all ethnicities, Character portrayed is a little person / person with dwarfism, female, any ethnicity, and will be playing a wide range of ages from 10-22. Must be able to speak American English. The character will be in scenes all throughout their life and we are committed to casting an amazing actor with lived experience as a little person / person with dwarfism for the role. She’s both cheery and endearing but can shift to anger and violence when she feels threatened. • Seeking submissions worldwide. • Apply on Backstage.com. • Note: Casting little people-people with
dwarfism.
• A series regular role. Compensation
would be negotiated with business affairs. Approximately a five figure per episode fee.
• Company: Webster University. Staff: K.
Oldow, casting.
• Pays $1,702/wk. Equity Production
(League) (Tier B) Contract.
• Rehearsals Nov. 21-22; shoots Dec. 5-6
(possible extra days for ADR recording).
Utah Shakespeare Festival 2022 Season
• Seeking—Becca: female, 25-35, all
ethnicities, a woman who can fake charm, but in reality is ugly on the inside while beautiful on the outside. She is independent and toxic and her end goal is her own gain. Andrew: male, 25-35, all ethnicities, manipulative and selfish Andrew is in the prime of his life in terms of looks, but he is always chasing more.
• Seeking video submissions from Equity
actors for Utah Shakespeare Festival’s 2022 Season. Season includes “All’s Well That Ends Well” (Melinda Pfundstein, dir. Runs May 10-Sept. 8, 2022); “King Lear” (Vincent Cardinal, dir. Runs May 9-Sept. 10, 2022); “Sweeney
22
Reality TV & Documentary Gender Pronoun Conversation
• Seeking individuals to participate in a
discussion about gender pronouns/preferred pronouns, and bring awareness to the importance of this topic. The aim backstage.com
