25 minute read
California
cast based on an acting reel. Submit with a dramatic acting reel or past dramatic audition tape.
• Seeking submissions from NY and NJ. • Send submissions to sjeanty@redmar-
blemedia.net.
• For consideration, submit online demo
clips. Casting states: “If possible, please submit actor’s online demo clips along with each actor submission.”
• Note: This production has a mandatory
vaccination policy and requires all cast & crew to be vaccinated with the COVID-19 vaccine (Pfizer, Moderna, Johnson & Johnson) or have a disability or sincerely held religious belief that prevents vaccination. If you meet this criteria, please submit without providing any additional information at this time. If you are selected, you will be given separate information on how to provide evidence to the production that you are fully vaccinated or to request an accommodation of any disability or a sincerely held religious belief. Any job offer will be conditioned on satisfactorily testing negative for COVID, showing evidence of vaccination, or being granted an accommodation of a disability or sincerely held religious belief by the Employer.
• Pays $210/12 (lead roles); and $120/8
(supporting roles).
Demo & Instructional Videos
Tech Conference, Live Speakers
• Casting live speakers for a tech confer-
ence in Las Vegas for Orcam, a company that develops devices for the blind and visually impaired, and for Mobileye, a company that develops self-driving cars.
• Company: Brooke Goldman Productions
Inc. Staff: Brooke Goldman, casting dir.
• Rehearses early December in NYC;
works Jan. 1-3 2022 in Las Vegas.
• Seeking—Live Speaker for Orcam: all
genders, 30-45, speaking for Orcam, a company that creates tech for the visually impaired and blind. Well-spoken, comfortable with public speaking, young professional, business casual. Live Speaker for Mobileye: all genders, 30-45, speaking for Orcam, a company that creates tech for the visually impaired and blind. Well-spoken, comfortable with public speaking, young professional, business casual.
• Seeking submissions from NY. • Send submissions to brooke@standard-
production.com.
• Note: All talent must be fully vaccinated
to attend the conference.
• Pays $500/day for rehearsals in NYC
(two rehearsals), $800/day in Las Vegas. Meals, travel, and lodging provided.
Tech Conference, SelfDriving Car Company
• Casting actors for a live tech confer-
ence show in Las Vegas where they will be speaking about and introducing new products for Mobileye, a company that develops self driving cars and advanced driver assistance systems. Production states: “Must be comfortable to read scripted material live in front of an audience for a tech conference.”
• Company: Brooke Goldman
Productions Inc. Staff: Brooke Goldman, casting dir.
• Rehearses early December in NYC; trav-
els to Las Vegas Jan. 2, 2022; works Jan. 3-8 in Las Vegas; travels back to NYC Jan. 9.
• Seeking—Live Speaker at Tech
Conference: all genders, 30-47.
• Seeking submissions from NY. • Send submissions to brookegoldma-
nproductions@gmail.com.
• Note: All talent must be fully vaccinated
to attend the conference.
• Pays $500/day for rehearsals in NYC
(two rehearsals). Pays $800/day in Las Vegas. Meals, travel, and lodging provided.
Online Commercials & Promos
Cleaning Product Commercial
• Casting cleaning product commercial.
Looking for talent/hand model.
• Company: Gildin Media. • Shoots TBD date in Brooklyn, NY. • Seeking—Hand Model: female, 25-40. • Seeking submissions from NY. • Send submissions to tyler@gildinmedia.
com.
• Send a video introducing yourself and
showing your hands as the spot will feature them. If you have any examples of related work (top down/mostly hands) would be great to share.
• Pay provided.
Stage Staff & Tech
• Seeking a director for “Once on
Rumspringa,” a Columbia University second year playwriting production. Synopsis: Amish childhood gal pals, Sadie Fisher and ex-Preacher’s daughter Willa Stolzfus, share a trailer, meth addiction, and sexual tension thick as cold butter. They’ve spent their Rumspringa together higher than Heaven, but the analog clock’s tickin’ on when they can revisit their Community, before forced to either surrender freedom or leave town forever. So, they make a pact: get clean, head home for Fall Communion, snatch cash from their folks, and then hit the road in Willa’s fancy non-Amish automobile. Destination: dreamy Sarasota, Florida.
• Production states: “A dark romantic
comedy about queer love and the meth epidemic among today’s Amish youth during Rumspringa (their 1-3 years spent “on the Outs,” exposed to contemporary worldly pleasures). Inspired by true events, self-conducted interviews with ex-Amish individuals, and my Lancaster County upbringing.”
• Company: Columbia University MFA
Theatre Department. Staff: Ellis Stump, prod.
• Rehearses December-January, 2022;
shoots Jan. 28-29, 2022 at Shapiro Theater in NYC.
• Seeking—Director: 18+. • Seeking submissions from NY. • Send submissions to THEellisstump@
gmail.com.
• Production states: “Travel Stipend /
MetroCard available.”
• Seeking Equity Assistant Stage Manager
for “The Skin of Our Teeth.” This production of “The Skin of Our Teeth” will tell the story of a Black, American family going through apocalypse after apocalypse, over and over and over again through epochs…and the necessity and the urgency to get back up and try again. • Company: Lincoln Center Theater. Staff: Lileana Blain-Cruz, dir.; Thornton Wilder, writer; Daniel Swee, CD; Camille Hickman, casting assoc. • Rehearsals begin Feb. 24, 2022; runs Mar. 31-June 12 in NY. • Seeking—Assistant Stage Manager: 18+. • Seeking submissions from NY. • For consideration, submit resume to Paul Smithymanat smithyman@lct.org. Submissions deadline is Nov. 22, 6 p.m. EST.
• For more info, visit www.lct.org. • LCT is committed to diversity, equity,
inclusion, and access in all areas of its structure and operations as attention to these goals makes it stronger and helps better serve the artists, staff, crew, audience, and community at large. LCT welcomes candidates who are fully committed to joining a theater that is proactively focused on diversity, equity, and inclusion. Applicants from populations underrepresented in theater and who align themselves with LCT’s values and goals are encouraged to apply. • Note: Adherence to all applicable New York State, New York City, and CDC public health and safety guidelines will be required of all employees. Stage managers must be fully vaccinated for Covid-19 to be considered for an offer of employment. • Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $2,050 wk. Equity LORT A+
Contract.
VISIT BACKSTAGE.COM/CASTING
for full character breakdowns, script sides, and more casting notices
Southern California
Plays
• Casting Equity actors in “Closer Than
Ever” a musical revue in two acts, with words by Richard Maltby, Jr. and music by David Shire. The revue contains no dialogue, and Maltby and Shire have described this show as a “bookless book musical.”
• Company: Coachella Valley Repertory.
Staff: Ron Celona, dir.; Scott Storr, musical dir.; Richard Maltby Jr, lyrics; David Shire, music.
• Rehearsals begin Feb. 7, 2022; runs
Mar. 1-20, 2022 in Cathedral City, CA.
• Seeking—Woman #1: 25-40. Woman
#2: 25-40. Man #1: 25-40. Man #2: 25-40.
• Seeking submissions from CA. • Prepare two brief musical theatre
songs. One character/storytelling song and one belt/full-out singing song that shows off your range. Include vocal range with resume. You may also use the accompaniment provided at https://www.dropbox.com/sh/tx0vxyr3ayyenzm/ AADp17iZ1geJ-rVoO33DY_3oa?dl=0
• For consideration, submit audition
video to auditions@cvrep.org. Submissions deadline is Nov. 27.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $508/wk. Equity SPT 6 Contract.
Musicals
• Seeking two nonunion female-identify-
ing performers to complete the cast of “The Marvelous Wonderettes.”
• Company: San Luis Obispo Repertory
Theatre. Staff: Kevin Harris, managing artistic dir.; Suzy Newman, dir.; Kelly Fidopiastis, choreo.
• Rehearses Jan.11, 2022-Feb. 3, 2022;
runs Feb. 4-Mar. 6 (27 performances) in San Luis Obispo, CA.
• Seeking—Cindy Lou: female, 18-35, all
ethnicities, to play 18 and 28; she knows she is the prettiest girl at Springfield High. She knows she will be named Prom Queen and acts out against her best friend Betty Jean when things don’t go her way. She makes the biggest change between Act 1 & 2, having learned the lessons of true love and loss. Vocal Range: Mezzo-Soprano Belt: E3-F5. Sings melody line on most songs, so the other girls hang their
vocals on this voice. Among the songs she sings lead are: ‘Allegheny Moon,’ ‘Son of a Preacher Man,’ and ‘Maybe’. Missy: female, 18-35, all ethnicities, to play 18 and 28; the over-achiever of the group. Very controlled, very concerned that everything at the prom turns out wonderful and perfect. Head of the prom decorations committee; and absolutely smitten with her music teacher. Her best friend is Suzy.Vocal Range: Soprano: G3-A5. Wide range, floating high vocals and belting throughout the show. Among the songs she sings lead are: ‘Secret Love,’ ‘You Don’t Own Me,’ and ‘Wedding Bell Blues’.
• Seeking submissions from CA. • Send submissions to kevin@slorep.org. • For consideration, upload a current
headshot, resume, and digital submission to the following link https://www. dropbox.com/request/ WlrnP762ZuhO69kKAyv8. All digital submissions should include a 32-bar (or less) vocal audition and a short, contemporary, comedic monologue (less than two minutes). Submissions deadline is Dec. 1.
• If you are local and would prefer to
schedule an in-person audition, email your request to Kevin Harris at kevin@ slorep.org.
• Note: All performers will be provided
with individual rehearsal/vocal part tracks when contracted and be expected to come into rehearsal on Jan. 11, 2022 familiar with the music and their individual parts (additional compensation for pre-rehearsal work on music will be included in the contract.)
• Contract will pay weekly rate ($300-
$400/wk.) for all rehearsal and performance periods. Travel reimbursement and housing available.
Feature Films
• Casting “Immortal Thieves - The Bloody
Heist,” a supernatural thriller. Synopsis: A ragtag group of 5 thieves attempt to steal an invaluable artifact and come face to face with its demon owners. Some things are to be feared more than death.
• Company: Bottle Monster LLC. Staff:
Anthony Dillistone, creative prod.
• Tentatively shoots Nov. 29-Dec. 9 +
anticipated pickup days in December in the L.A. area.
• Seeking—Lucky: male, 30-35, White /
European Descent, California surfertype who has been worn down by life. He has never gotten his lucky break and wearily has accepted his lot in life. He walks through life as a zombie now, not truly caring for anything or anyone except for his brother (The Kid). Dakota: female, 30-35, all ethnicities, feisty and quick-witted. She’s had a tough life but on the outside she looks like she has it all together. Lucky originally brought her into a life of crime when she was an aspiring singer. After she was screwed over by her ex-manager, Lucky helped her seek revenge and plunged her into the dark side of crime. The Kid: male, 25-30, White / European Descent, tall and lean with a boyish face. As the younger brother of Lucky, he has always gotten away with anything and Lucky has always gotten him out of any jam he’s been in. He never truly grew-up and is a child in a man’s body. He never acknowledges his role in what happens to him. Four Fingers: male, 40-44, all ethnicities, a bit of a buffoon and always putting his foot in his mouth. He has been picking locks and cracking safes since he was a kid. He grew up on the streets but his skills as a safecracker have gotten him by. He is always seeking the thrill of the next job. He constantly seeks others validation and uses humor to get attention. He has been loyal to Lucky and his crew. Fatima: female, 19-25, all ethnicities, very intelligent but a true introvert. She should have been a CEO of a tech company but her father’s illness and her shyness prevent her from ever being truly successful. She is her own worst enemy. The Boss: male, 40-50, all ethnicities, ruthless, elegant, successful and criminally - business-minded, gangster. He will do anything he needs to do, use anyone he needs to, to achieve his goals. Miami: female, 25-30, Latino / Hispanic, tall, elegant, cool, collected, ruthless and possibly sociopathic - she is The Boss’ Lieutenant and enforcer. Layla: female, 25-30, Ethnically Ambiguous / Multiracial, Latino / Hispanic, White / European Descent, all business and her business is violence. Clever, cool, collected, and ruthless, she is one of The Boss’ bodyguards/ enforcers... a 2nd to Miami. Tina: female, 25-29, all ethnicities, but looks much older. She’s had a tough life, living on the edge of society, doing what she needs to do to survive, including burglary. Marc: male, 30-35, all ethnicities, born on the hardscrabble streets and scrapes by through theft, burglary and any kind of scam that he can devise. Wilhemina: female, 50-59, Ethnically Ambiguous / Multiracial, White / European Descent, elegant, luxurious. She is the epitome of living in style and good taste... timeless and glamourous... with an air of mystery and danger. Butler: male, 50-60, all ethnicities, elegant, classically dressed... the perfect British Butler with the appearance, bearing and demeaner that implies.
• Seeking submissions from CA. • Apply on Backstage.com • The Producers plan to apply for the
SAG-AFTRA New Media Agreement. Duration varies by role, please see role for specific duration estimates.
Student Films
• Casting “Cassette Girl.” This film is the
story of Jamie; a man trying to get over a rough breakup which proves to be easier said than done. Jamie is constantly haunted by “Cally,” an idealized version of his ex who follows him around everywhere he goes. In his head, she never leaves his side. Things change when Jamie bumps into someone from his past. A high school friend named Maya. Sparks fly but is it enough for Jamie to finally get over Cally?
• Company: Little Brother Productions.
Staff: Maxwell Walters, writer-dir.; Cayden Tuttle, AD-prod.; David Estrada, DP-cam op; Gavin Callow, storyboard; Gabe Diaz, sound mixer.
• Rehearsals will be in late November (a
date will be provided soon); shoot Dec. 13-17.
• Seeking—Cally: female, 20-30, Cally is
the ex girlfriend of the lead; Jamie. She is a likable but sarcastic and snarky counterpart to the lead. She is naturally funny but cynical. Almost a modern-day femme fatale. She’s aware of the power she has over men and uses it to her advantage. Maya: female, 20-30, Maya is very different from Cally. She’s unique and somewhat “quirky” if you will. Unlike Cally, Maya’s an optimist who always laughs at the little things in life that would frustrate most of us. She wears glasses and carries around a Sony Walkman and a few cassettes to go along with it. If I had to compare her “vibe” to another character in modern pop culture the closest I can think of would be a more subtle version of Ramona Flowers from Scott Pilgrim Vs. The World. Mikey: male, 20-30, Mikey is the best friend of Jamie. They’ve been friends for years and he’s always steered him in the right direction. He’s wise beyond his years but still carries himself with a laidback, almost stonerlike vibe. He never went to college and he only ever wears board shorts and t shirts but you if you close your eyes you’d think you’re talking to someone with a lifetime of knowledge and experience; and he’s all too happy to share it with you.
• Seeking submissions from CA. • Apply on Backstage.com. • If interested, send your availability and
examples of previous work, and will send you the sides to audition with. At which time you can send an initial audition/reading tape and production can go from there.
• No monetary compensation; meals,
refreshments provided.
• Casting “Hermanas,” a short film.
Synopsis: Based on a true story from the early 90s, the story follows the oldest sister of nine Latinas living with their abusive father. The girls face one of their worst nights when the youngest is violently abused, forcing them to try to escape the hell they have known as home.
• Company: SF State Cinema. Staff: Alex
Landin, dir.; Jacob Tucker, cinematographer; Arely Acuna and Gema Ceron, prods.
• Shoots Dec. 3-5 in Los Angeles, CA. • Seeking—Amparo: female, 16-23,
Latino / Hispanic, the oldest of eight siblings in a Mexican household. She looks after everyone, even going against their abusive father. She has ambitions of making a better life for the girls, even going to night school. Even though the girls’ life is full of hardships, she makes sure they at least have some fun. Ricardo: male, 36-55, Latino / Hispanic, immigrated from Mexico to L.A. with all of his daughters. Their dream was to all go to Disneyland. But as financial hardships stacked up, he was forced to make his girls work to keep them housed. His tactics are harsh, and over time he lost himself. He has trust within his oldest daughter to make sure the work is done. Overall, a complicated man that struggled how to show he cared for his family, in his own way. Marielena: female, 15-21, Latino / Hispanic, the second youngest sibling. She has tendencies to disagree with her older sister, but overall wants the same for the family. She makes sure the work gets done and protects her younger sisters from their father. Yesenia: female, 14-21, Latino / Hispanic, one of the older sisters, but not old enough to be in charge. She likes to banter with her sisters, and still maintains love for the family despite their poverty and hardships. Like the other girls, they are united against their abusive father. Yadira: female, 10-16, Latino / Hispanic, one of the middle children. She’s not quite a long adult yet, but she works with the older sisters for the more complex jobs. She joins the group in making sure the chores get done around the house. While she is not the baby of the family, her early maturing shows how living in this family can affect the girls. Ricky: male, 8-13, Latino / Hispanic, the only boy of the family, also the youngest. As a result, he gets different treatment and does different kind of chores. He sometimes does mischievous pranks on his siblings, and sometimes gets punished for them. Veronica: female, 8-14, Latino / Hispanic, the youngest girl of the family, Veronica is a playful soul. Still a child, she helps get some of the chores done around the house, and is cared for by the older siblings. Florina: female, 8-14, Latino / Hispanic, one of the younger sisters, she’s very feisty on screen. As she’s still young, she doesn’t deal with some of the hardships the older sisters have to work. Sarah: female, 16-21, Black / African Descent, Southeast Asian / Pacific Islander, White / European Descent, a friend of the lead character, Amparo. She supplies her with feminine hygiene products, because the family does not have normal access. While momentarily, she does express care for the family and offers a solution. Norma: female, 30-45, Latino / Hispanic, the mistress of the Father. With the mother absent, Norma is a normal guest of the house. She is taken care of by the father.
• Seeking submissions from CA. • Apply on Backstage.com. • Unpaid. Food and transportation pro-
vided. Production states: “Some roles will receive pay, based on how much fundraising we’re able to get.”
• Casting “Run Girl Run,” a graduate stu-
dent film production at USC.
• Company: USC. Staff: Raphael Buisson,
dir.
• Shoots sometime between Nov. 15-24 in
Koreatown, Beverly Hills, Venice, DTLA.
• Seeking—Ariane: female, 18-45, all
ethnicities, Neo-noir thriller. Ariane has recently lost her job in a law firm.
After returning home to discover her boyfriend cheating on him, she decides to go for a run to forget the life changing events she’s been through.Hardworking, Ariane used to think she had the best life. A stable job, a nice apartment in Los Angeles, a handsome husband. But in one day, everything will fall apart as she will loose her job and discover her husband is cheating on her. After that traumatizing day, she decides to become a complete different person to forget.Inspirations: Eyes Wide Shut, The Shoes- Time to Dance (music clip), Spring Breakers, Shame…. Diane - Ariane’s bestfriend: female, 18-45, all ethnicities, Neo-noir Thriller. Ariane has recently lost her job in a law firm. After returning home to discover her boyfriend cheating on him, she decides to go for a run to forget the traumatizing events she’s been through… The role will be Ariane’s bestfriend. She is also the one who will have sex with Ariane’s boyfriend. She grew up in a boring city of the Midwest. Since she arrived in LA to work in fashion, she follows her desires to enjoy life fully by partying, having sex, alcohol, drugs... Inspirations: Eyes Wide Shut, The Shoes - Time to Dance (music clip), Spring Breakers, Shame….
• Seeking submissions from CA. • Send submissions to rbuisson@usc.
edu.
• Travel and meals provided
‘Samaritan’
• Casting a Babadook-esque “creature”
villain for a short horror-thriller by director John Poliquin.
• Staff: John Poliquin, writer-dir.; Colin
Minihan, writer-prod.
• Shoots Nov. 23-24 in Los Angeles, CA. • Seeking—Creature/Villain: male, 18-50,
no dialogue; the character is a creature that is essentially stalking a young woman who has just moved into an apartment. The creature is brooding, menacing.As described in the script: “He’s dressed in black. Wears a strange top hat. His pale face hidden in a grainy shadow. Long fingers.”Actors could dress in dark clothes (hat a plus) and take on a menacing stance, looking into the camera. Reels are a plus.
• Seeking submissions from CA. • Apply on Backstage.com. • Meals provided.
Multimedia
Buzzfeed, Latinx People Share With Romantic Holiday Memories
• Seeking Latinx people to share their
most hilarious or lighthearted holiday love memories.
• Company: BuzzFeed Inc. Staff: Oscar
Reveles, Casting Director.
• Shoots in Hollywood, CA. • Seeking—Main Talent: all genders, 18+,
Latino / Hispanic, Latinx people who can share their most hilarious or lighthearted holiday love memories.
• Seeking submissions from CA. • Apply on Backstage.com • For consideration, fill out this form :
https://airtable.com/ shrzfQkrT9vGObBUy.
• Pays $300/day.
Online Commercials & Promos
DTC Wallet Paid Social Ad
• Casting a 25-55 y/o male for a video
shoot with a client’s smart wallet. You will be the host of the video reading through a script talking about the wallet. Script example is provided below.
• Company: Stavro Media. Staff: Stavro
Victor, Content Producer/ Director.
• Shoots Nov. 20 or Nov. 21 in Walnut
Creek/Concord, CA area. Aiming for a 1/2 day shoot for talent. Confirm if either date works for you.
• Seeking—Lead Male: male, 20-50, all
ethnicities.
• Seeking submissions from CA. • Send submissions to stavromedia@
gmail.com.
• Video example casting is going for:
https://vimeo.com/392726043
• Submit an example video read ASAP. • Payment for the role in this production
will be $400. This pays for the use and perpetuity of your image/voice in the ad for commercial usage.
• Casting a nonunion infomercial from a
leading brand innovator in OTC Hearing Aids. A leading brand innovator in OTC hearing aids is looking for an expert in hearing and hearing loss. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like.
• Company: asg casting, inc. - A Casting
Company. Staff: Arlene Schuster (CCDA), casting dir.; Justin Radley (CCDA), casting dir.; Stella Goss, casting assist.
• Shoots Jan. 13, 2022 in Southern CA. • Seeking—Real Audiologist: all genders,
25-65, all ethnicities, a real Audiologist. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host. Note: Include a bio for your specialty in the hearing loss profession if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss. Real Ear/Nose/Throat Physician: all genders, 30-65, all ethnicities, a real Ear, Nose, Throat Physician. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host. Note: Do not double submit. Include a bio for your specialty in the hearing loss profession if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss.
Real Board Member of Hearing Loss
Association: all genders, 25-65, all ethnicities, a real Board Member of the a Hearing Loss Association. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host. Note: Include a bio in the cover letter if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss. Real Physician With Expertise in Hearing: all genders, 30-65, all ethnicities, a real Physician with expertise on hearing loss. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host.Note: Do not double submit. Include a bio in the cover letter if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss. Real Audiologist Technician: all genders, 25-65, all ethnicities, a real Audiologist Technician. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host. Note: Include a bio in the cover letter if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss. Real Worker in R&D for Hearing Devices: all genders, 25-65, all ethnicities, a real worker in research and development of hearing devices. This expert does not have to “endorse” the product but will speak to the importance in hearing loss, options for treatment, and how to explain hearing loss and what that looks like. There will be scripted dialogue with the host. Note: Include a bio in the cover letter if you have one. Note experience and current location. Project notes are extremely important on this project. If nothing is noted, we have no way of knowing that talent is a real expert in the field of hearing loss.
• Auditions will be held Nov. 11 and Nov.
12 at Virtual Self Tapes, Santa Barbara, CA. And Nov. 11 and Nov. 12 at Virtual Self Tapes, San Francisco, CA. And Nov. 11 at Virtual Self Tapes, Los Angeles, CA. And Nov. 11 (deadline is Saturday 13th to apply) and Nov. 12 at Virtual Self Tapes, San Diego, CA. And Nov. 11 and Nov. 12 at Virtual Self Tapes, Palm Springs, CA. And Nov. 11 and Nov. 12 at Virtual Self Tapes, Las Vegas, NV.
• Send submissions to arlene@asgcast-
ing.com.
• Pays $5,000 (+20% if applicable) + any
travel/lodging. Usage: Broadcast cable for 3 years. Conflicts: Hearing Aids.
Pet Food Company, Family Photo And Video Shoot
• Seeking talent for a video and photo-
shoot for a pet food brand.
• The video will highlight the mother/
father/ child in a home setting, interaction with dogs and cats, and pet food. No audio will be captured of the mother/father/ child.
• Looking for a mother and child to apply
together or father and child apply together.
• A child should be between ages 2 and 6. • Company: Pets Global Inc. Staff: Olga
Leyman, coord.
• Shoots TBD in Santa Clarita, Los
Angeles, CA.
• Seeking—Child: all genders, 2-6, all
ethnicities, to submit with own mother between the ages of 25-40 to participate in a photo and video shoot with the dogs and cats for a pet food company. Parent: female, male, 25-45, all ethnicities, to submit with own daughter/ son between ages of 2-6, to participate in a shoot with dogs and cats for a pet food company.
• Seeking submissions from CA. • Apply on Backstage.com • For more info, visit www.inceptionpet-
foods.com.
• Pays $350 total ($200 to mother/father,
$150 to child). Includes full buyout of all rights.
Film & Documentary (Voiceover)
• Casting voiceover role for “Anti-Venom
for a Snake,” a student thesis that follows a New York drag queen during the AIDS epidemic.
• Company: University of Southern
California. Staff: Cameron Kostopoulos, coord.
• Records remotely. Have access to a
microphone (iPhone audio will also work).
• Seeking—Male Announcer #1: male,
gender-nonconforming, trans male, 25-65, The host of the Names Project AIDS Quilt Ceremony in New York, 1993. The announcer is reading off the names of all the victims who have died of AIDS, commemorated by the quilt. Reference video:https://www.youtube.com/ watch?v=lrVzjJ2e4hU&t=220s. Female Announcer #1: female, gender-nonconforming, trans female, 25-65, The host of the Names Project AIDS Quilt Ceremony in New York, 1993. The announcer is reading off the names of all the victims who have died of AIDS, commemorated by the quilt. Reference video:https://www.youtube.com/ watch?v=lrVzjJ2e4hU&t=220s.
