8 minute read
California
for Camille, sing a song of your own (pop/rock or any style) or sing the provided song. Note: To view songs and dance combination see the online listing.
• Pays $617/wk. (Level Four Development
Contract.) Equity Off Broadway Agreement.
‘Chorus Calls
• Seeking video submissions from Equity
chorus singers for the tour of “Les Miserables.”
• Staff: Claude-Michel Schönberg, music;
Alain Boublil and Claude-Michel Schönberg, book; Alain Boublil and Herbert Kretzmer, lyrics; Cameron Mackintosh, prod.; James Powell & Laurence Connor, dirs.; Stephen Brooker, musical supervisor; James Moore, US musical supervisor; NETworks and Gregory Vander Ploeg, general mgr.; Tara Rubin, casting; Felicia Rudolph, casting-CSA-casting dir.
• Rehearsals begin Aug. 22; perfor-
mances begin Oct. 7 in NYC.
• Seeking—Equity Singers & Swings: all
genders, 18+.
• Seeking submissions from NY. • For consideration, submit a video audi-
tion (via a Dropbox or Google Drive link) singing the provided ensemble show material cut best suited for your vocal part at (https://tinyurl.com/ LesMisTourAEAcallsmaterial). To submit your tape for the ECC for singers, fill out this form (https://tinyurl.com/ LesMisTourAEAcallssubmit). Audition Video Instructions: No songs of your own and only submit once. Slate with your name and height. Submissions deadline is Feb. 2 at 6 p.m. EST.
• The producers, creative team and cast-
ing team are committed to an equitable, inclusive, and accessible casting process for “Les Misérables.” We are actively seeking performers of all races, ethnicities, cultural backgrounds, abilities, gender identities, and body types to audition. All touring employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19, administered at least two weeks prior to any on-site work for production (including any inperson callbacks).
• Pays $859/wk. Equity Short
Engagement Touring (Category 3) contract.
• Seeking video submissions from Equity
singers and dancers for “Only Gold.”
• Company: MCC Theater. Staff: Robert
LuPone, Bernard Telsey, William Cantler, co-artistic dirs.; Blake West, exec. dir.; Kate Nash, music-lyrics; Andy Blankenbuehler & Ted Malawer, book; The Telsey Office, casting dirs.; Beth Dembrow, general mngr. Rachel Hoffman, C.S.A., casting dir.; Andy Blankenbuehler, dir.-choreo.; Cian McCarthy, music dir.
• Runs Mar. 14-Apr. 9 in NYC. • Seeking—Dance Ensemble: 18+.
Ensemble Singers: 18+.
• Seeking submissions from NY. • For consideration, submit videos at
https://docs.google.com/ forms/d/e/1FAIpQLSfOiEBSsGgLuQ9riD kik7KZmWi1IqxI3RTLANRlZraHB0Sw6g/ viewform. Submissions deadline is Feb. 1.
• Preparation Instructions: Dancers:
Submit a video of the provided dance combination. Singers: Choose one of the following: Sing a song of your own (pop/rock or any style) or sing the provided song. Note: To view songs and dance combination see the online listing.
• Pays $617/wk. (Level Four Development
Contract.) Equity Off Broadway Agreement.
Stage Staff & Tech
Ogunquit Playhouse 2022 Season, Stage Managers
• Seeking an Equity stage manager for
the Ogunquit Playhouse’s 2022 Season. Season includes: “The Cher Show” (Rehearsals begin Apr. 25 in Maine; runs May 14-June 25); “The Nutty Professor” (Rehearsals begin June 6 in NYC; runs July 9-Aug. 6); “Mr. Holland’s Opus” (Rehearsals begin July 18 in NYC; runs Aug. 20-Sept. 17); “Clue” (Rehearsals begin Sept. 5 in NYC; runs Sept. 24-Oct. 30); and “Elf” (Rehearsals begin Nov. 14 in Maine; runs Dec. 2-18 at the Music Hall).
• Company: Ogunquit Playhouse. Staff:
Brian J. Swasey, prod. dir.; Mark Brandon, CSA and Chad Eric Murnane, CSA, casting dirs.
• Season runs in Ogunquit, ME. Note: The
EEOC takes the position that employers can ask employees about vaccination status and seek proof that they have been vaccinated, such as the vaccination card.
• Seeking—Equity Stage Manager: 18+. • Seeking submissions from ME. • For consideration, submit resume to
production@ogunquitplayhouse.org. Submissions deadline is Jan. 28, 6 p.m.
• For more info, visit www.ogunquitplay-
house.org.
• Pays $1,035/wk. (new agreement under
negotiations.) Equity COST Agreement.
• Seeking an Equity stage manager for
the Westport Country Playhouse 2022 Season: “Next To Normal” (Marcos Santana, dir.-choreo.; Emily Croome, music dir. Rehearsals Mar. 8-30 in NYC; tech March 31, Apr. 1-3; runs Apr. 5- 24 or May 1), “Straight White Men” (Jean Young Lee, playwright; Mark Lamos, dir. Rehearsals Apr. 26- May 18 in Westport, CT; tech May 19-22; runs May 24-June 5), “Kim’s Convenience” (Ins Choi, playwright; Nelson T. Eusebio III, dir. Rehearsals June 7- 29 in NYC; tech June 30-July 3; runs July 5-17 or July 24), “400 Miles” (Amy Herzog, playwright; David Kennedy, dir. Rehearsals July 27-Aug. 17, 2022 in Westport, CT; tech Aug. 18-21; runs Aug. 23-Sept. 4), and “From The Mississippi Delta” (Endesha Ida Mae Holland, playwright; Goldie E. Patrick, dir. Rehearsals Sept. 20-Oct. 12 in Westport, CT; tech Oct. 13-16; runs Oct. 18-30 or Nov. 6.).
• Company: Westport Country
Playhouse. Staff: Mark Lamos, artistic dir.; David Dreyfoos, assoc. prod.; Tara Rubin Casting: Tara Rubin, CSA, Claire Burke, CSA and Laura Schutzel, CSA, casting dirs.
• Rehearses and performs live at the
Westport Country Playhouse in Westport, CT. Note: Westport Country Playhouse is a fully vaccinated company and will require proof of vaccination as part of your employment. Each production will have a possible streaming component in accordance with the LORT media side letter agreements with Equity.
• Seeking—Equity Stage Manager: 18+. • Seeking submissions from CT. • For consideration, submit resume to
David Dreyfoos at David Dreyfoos/ Associate Producer, Westport Country Playhouse, 25 Powers Court Westport, CT 06880. Submissions deadline is Jan. 31.
• Pays $1,202/wk. Equity LORT B Non-Rep
Contract.
Southern California
Student Films
• Casting “Bulwark,” a short film about
positive forces defending the vulnerability of Earth from the negative. If they are successful, peace will continue. If they are not, the Earth will surely show its displeasure which could cost human lives.
• Company: University of Southern
California. Staff: Rob Monroe, dir.- writer.
• Shoots Feb. 26-27 and Mar. 5-6 (dates
are subject to change) in L.A.
• Seeking—Orit: male, 19-26, all ethnici-
ties, attentive, strong, flowing; new to this battle (mentioned in the production description), but he is ready; a sponge to any and all teaching and courageous enough to test his limits. He is eager, yet focused. He is the “young Obi-Wan” of this story. Note: Must have extensive Martial Arts experience (provide reel or video sample). Yerxa: male, 28-38, all ethnicities, seasoned; wise, discerning. He is strong and powerful, but more often chooses restraint. He loves to teach and loves to see his teachings flourish in his students; objective driven and will do what is necessary to accomplish the mission at hand. Note: Must have extensive Martial Arts experience (provide reel or video sample). Isaura: female, 25-35, all ethnicities, is... well, she’s bada** in a royal kind of way. She is the guardian of the Alsu Temple. She is direct, elegant, decorous. She is water: soft when at peace, but a tsunami when she needs to be. Note: Must have extensive Martial Arts experience (provide reel or video sample). Artis: male, 25-30, all ethnicities, isn’t someone you want to oppose. His walk alone, steady and smooth is enough to tell you he’s a bad man. His eyes are focused but behind them is anger, passion, and a plan. He’s not to be tamed and will only adhere to those who are in extreme power. That is, until, he is strong enough to overtake them. Note: Must have extensive Martial Arts experience (provide reel or video sample). Hanoff: male, 35-50, all ethnicities, the voice of Hades, thunderous, and not the voice you ever want to hear. When he speaks, everything and everyone listens. He demands, and expects the demands to be followed. This role will only be saying one word, “Return!” Visual Effects Artist (Sci-Fi, Fantasy): all genders, 18+, all ethnicities, to create a visual, pulsating beacon. For this project, we will also be looking for energy flashes of sorts when our characters’ main blow connects (fist to fist as if to stalemate).
• Seeking submissions from CA. • Send submissions to rlmonroe@usc.
edu.
• Note: Per strict COVID-19 Safety
Guidelines you must be vaccinated and provide proof. Must be boosted if your second dose has been within 6 months. We will require a negative test result within 72 hours of filming.
• This is a student film being produced
through The University of Southern California’s School of Cinematic Arts. IMDb credit will be provided as well as meals.
• Casting “Earrings,” a coming-of-age
Chapman University thesis film.
• Company: Chapman University. Staff:
Jennifer De Los Santos, Gaby Cuevas, casting dir.; Brittany Catallo, dir.; Tina Bui, prod.; Vijey Adithya-Mohanraj, DP.
• Shoots Mar. 10-20 in Los Angeles, CA,
and Orange County, CA.
• Seeking—Kit: female, 9-12, Asian, Black
/ African Descent, Ethnically Ambiguous / Multiracial, Indigenous Peoples, Latino / Hispanic, Middle Eastern, South Asian / Indian, Southeast Asian / Pacific Islander, a shy but stubborn girl who is very passionate about doing the things she wants uses her creativity to try to overcome her insecurity. Naturally playful and dramatic talks like an adult but in an endearing way. Smart but too naive to know why she doesn’t fit in. Clarence: male, 26-35, Asian, Black / African Descent, Ethnically Ambiguous / Multiracial, Indigenous Peoples, Latino / Hispanic, Middle Eastern, South Asian / Indian, Southeast Asian / Pacific Islander, a single father who lost Kit’s mom when she was little and is now struggling with his daughter’s rapid ascent into adulthood. He is a bit bumbling and machismo and is growing up with his daughter, so he is very overprotective of her. He tries to balance his inability to say no to his daughter with his insecurity over being both a mother and a father. Works a grueling day job, has no help at home. Miss Morgan: female, 26-35, all ethnicities, Kit’s well-meaning, soft teacher
