43 minute read
National/Regional
• Shoot Day Rate: SAG-AFTRA: $845 +
10%, if applicable (1 day rate) or $1,149 +10%, if applicable (2 day rate.)
Local Commercials
Living Spaces: Purple Campaign 2022
• Casting Living Spaces Purple campaign
commercial.
• Company: Living Spaces. Staff:
Jonathan Munsayac, sr. production manager.
• Shoots Feb. 10 at 14501 Artesia Blvd, in
La Mirada, CA 90638.
• Seeking—Lead Female: female, 18-35,
all ethnicities.
• Seeking submissions from CA. • Send submissions to jonathan.mun-
sayac@livingspaces.com.
• Dancing or Ballet Background is a plus.
Talent will be asked to lay down side ways on apple boxes or yoga blocks to help create a floating effect.
• Our budget is $400 Day Rate. Usage
would be perpetual for possible use in other marketing material. Media usage is Broadcast TV + digital commercial. Airdate for our Purple Campaign is Feb. 28-Mar. 20, 2022.
Local Automotive Commercial, Adventurer’s Only
• Casting a male and female to be an
adventure couple in a local commercial from Local Automotive Group. Note: One day shoot near Lake Tahoe. We will meet in Reno, NV then drive to our shoot destination which will be in the mountains. The footage will be combination of interior driving shots plus some snow lifestyle like grabbing the skis off the roof rack, walking in the snow, etc.
• Company: Mapache Films. Staff: Matt
Page, president.
• Shoots Feb. 23 from 9 a.m.-3 p.m. in
Lake Tahoe, NV.
• Seeking—Male Driver: male, 25-38,
Ethnically Ambiguous / Multiracial, Latino / Hispanic, White / European Descent. Female Passenger: female, 25-37, Ethnically Ambiguous / Multiracial, Latino / Hispanic, White / European Descent.
• Seeking submissions from NV and CA. • Apply on Backstage.com • Include a headshot or photo of yourself
to be considered.
• Pays $300/day. Snacks and beverages
provided.
Online Commercials & Promos
National Bike Brand, Snap To It, Social Video
• Casting a short video for social media
featuring a young adult male age 20-25 for a branded bike.
• Company: Anaheim Studios. Staff:
Sean Atalla, coord.
• Shoots Jan. 27 in L.A. • Seeking—Young Male Bicycle Rider:
male, 20-25, this video features a young adult male age 20-25 searching for the right outfit to ride his bike in style.
• Seeking submissions from CA. • Apply on Backstage.com • To be considered, include a short video
stating your name and age, along with the date of the video.
• Pays $350 flat rate for a half day of
shooting (approximately four-five hours). This is a buyout; brand is looking for full rights to use for online/ social media globally in perpetuity.
Silk PillowCase Testimonial, Mother And Daughter Teams
• Casting fun outgoing mother daughter
teams who have good chemistry. Note: You will be talking about the benefits of silk pillow cases.
• Company: TubeScience. Staff: Sarah
Furlong, casting prod.-talent prod.
• Shoots TBD remotely. • Seeking—Mother Or Daughter For Silk
Pillow Case Testimonial: female, 18-55, all ethnicities, for this project we are looking for fun mother and daughter duos who are both chatty and outgoing; we need you both excited about the product and willing to talk on camera.
• Seeking submissions nationwide. • Send submissions to casting@tube-
science.com.
• This is an ongoing casting but please
get your audition in sooner than later because I will be sending auditions to the talent team every few days. Both mother and daughter need to be in the same city and send in a selfie audition which you need to do together. When you film your audition, film it in the bedroom so we can see your set up.
• Each talent will receive $200 for this
project plus two Queen size silk pillow cases.
Social Video, National Bike Brand, Transitions
• Casting a short video to appear on
social media featuring a fun, enthusiastic woman for a branded bike.
• Company: Anaheim Studios. Staff:
Sean Atalla, coord.
• Shoots Jan. 27, in/around LA, CA. • Seeking—Female Bicycle Rider:
female, 20-40, a fun, enthusiastic woman ready to take on the day with her bike.
• Seeking submissions from CA. • Send submissions to sean@anaheim-
studios.com.
• For consideration, include a short
video stating your name, age, and confirming if you can ride a bike, along with the date the video was recorded.
• Pays $250 flat rate/half day of shoot-
ing (four-five hours). Production states: “This is a buyout; brand is looking for full rights to use for online/social media globally in perpetuity.”
• Casting “Splendid,” a digital
commercial.
• Company: TBA. Staff: L. Brawner, coord. • Fitting on Jan. 23 or 24; shoots Jan. 25
- 27 in L.A.
• Seeking—6 - 12 Month Year-Old Baby:
all genders, 1, South Asian / Indian, cute babies.
• Seeking submissions from CA. • Apply on Backstage.com • Session fee: $1,000 for the first eight
hours of work. Overtime, if applicable, calculated at 1.5x the regular rate for work over eight hours up to 12 hours (or $187.50 per hour), and any hours over 12 calculated at 2x the regular rate (or $250 per hour). Prior day fitting/product interaction session fee is $50 per hour. COVID stipend is $100. Usage fee: If talent’s identifiable face remains in final, airing materials, a $2,500 buyout fee will be paid covering use of the materials for the Term, in the Media and Territory above. This fee is payment in exchange for full and unlimited use of the rights to the image or video. Usage: three years - worldwide - all internet, digital, and social media; industrial/non- broadcast; in-store, third-party channel advertising; PR and archival media. Screen grabs/stills from video. If talent’s identifiable face remains in final, airing Materials, an additional $5,000 will be paid for one year of use on broadcast TV, worldwide.
Film & TV Crew
RAA Productions, Production Assistant
• Seeking production assistant who can
manage records and details on IMDB and other online works. Production states: “We are a Production Company focused on making music video, short films, webseries, and feature film.”
• Company: RAA Productions. Staff: S.
Manoj, coord.
• Works remotely. • Seeking—Producers Assistant: 18+. • Seeking submissions from CA. • Send submissions to sujhamanoj@
gmail.com.
• Pays $150/five hrs.
‘Send Help,’ Crew
• Seeking crew for “Send Help,” a TV
series. Synopsis: A coming of age dark comedy series about a first generation American struggling to overcome the challenges of “making it” in Hollywood, whilst coming to terms with a recent family tragedy.
• Company: MJ Pictures. Staff: MIke
Gauyo and Jean Elie, coord.
• Shoots Feb. 7-Mar. 14 in L.A., CA. • Seeking—Set Production Assistant:
18+. Truck Driving Production Assistant: 18+.
• Seeking submissions from CA. • Apply on Backstage.com • Pays $200-$250/day.
VISIT BACKSTAGE.COM/CASTING
for full character breakdowns, script sides, and more casting notices
Northern California
Plays
• Seeking video submissions from Equity
actors for “Steel Magnolias.”
• Company: Sierra Repertory Theatre.
Staff: Scott Viets, prod. artistic dir.; Jerry Lee, assoc. artistic dir.
• Rehearsals begin Mar. 29; runs Apr.
14-May 22 in Sonora, CA.
• Seeking—M’Lynn Eatenton: female, 50,
Southeast Asian / Pacific Islander. Truvy Jones: female, 40. Annelle Dupuy-Desoto: female, 25. Clairee Belcher: female, 60. Ouiser Boudreaux: female, 60.
• Seeking submissions from CA. • We encourage participation by per-
formers of all races and ethnicities. We celebrate opportunities for non-traditional, diverse, and inclusive casting
• For consideration, submit headshot,
resume, and a link (unlisted YouTube links are preferred) to your video (side available at tinyurl.com/2p8tjpu2) to jlee@sierrarep.org. Submission deadline is Feb. 11.
• Pays $526/wk. plus pension and health.
Round-trip airfare and hosted housing. Equity SPT (Tier 6) Agreement.
National/ Regional
Plays
• Seeking video submissions from Equity
actors for “A Bold Stroke For A Wife,” a one-week staged reading by Susanna Centilivre. Note: Pittsburgh locals encouraged to submit. Celebrating 25 years in Pittsburgh, PICT Classic Theatre is Pittsburgh’s home for classic and Irish productions. PICT is committed to a casting focus that is intentionally inclusive and local to the Greater Pittsburgh Area. All are welcome.
• Company: PICT Classical Theatre. Staff:
Alan Stanford, artistic-exec. dir.; Sharon McCune, assoc. prod.; Catherine Kolos, general operations manager; Elena Alexandratos, dir.
• Rehearsals May 3-7; two performances
of the reading Sunday, May 8 at 2 p.m. and 7 p.m. in Pittsburgh, PA.
• Seeking—Modellove: male, 50-60.
Periwinkle: male, 50-60. Tradelove: male, 50. Obediah: male, 50. Fainwell: male, 20-30. Freeman: male, 30. Simon Pure: male, 20-30. Sackbut: male, 50-60. Mrs. Lovely: female, 20-30. Mrs. Prim: female, 40-50. Betty: female, 20.
• Seeking submissions from PA.
• Prepare one brief monologue of the
period (Goldsmith, Sheridan, Goldoni, Moliere, etc. No Shakespeare, please). Callbacks will be a cold read from the script. Videos should begin with a slate of your name and home city and should be no longer than two minutes in length.
• For consideration, submit your audition
along with your current headshot and resume to the audition link at: https:// www.picttheatre.org/participate/ . Submission deadline is Feb. 4 at 9 a.m. ET. Callbacks will be held over zoom at the director’s discretion. All rehearsals and performances are held in person at WQED Studios in Oakland (Pittsburgh, PA).
• Pays $318/wk. Equity SPT Tier II
Agreement.
• Seeking video submissions from Equity
actors for “Appropriate.” Synopsis: Every estranged member of the Lafayette family has descended upon the crumbling Arkansas homestead to settle the accounts of the newly dead patriarch. As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father’s possessions, the reunion takes a turn for the explosive, unleashing a series of surprises and confrontations.
• Company: Profile Theatre Project. Staff:
Branden Jacobs-Jenkins, playwright; Josh Hecht, artistic dir.; Jamie Rea, line prod.; Jerry Ruiz, stage dir.; Caleb Bourgeois, company mgr.
• Rehearsals Apr. 4-May 7; runs May 5-22
or 29 in Portland, OR.
• Seeking—Antoinette “Toni” Lafayette:
female, 45-55, White / European Descent. Rhys Thurston: male, 18, White / European Descent. Beauregarde “Bo” Lafayette: male, 45-55, White / European Descent. Rachael KramerLafayette: female, 45-49, White / European Descent. Cassidy “Cassie” Kramer-Lafayette: female, 18, White / European Descent. Ainsley KramerLafayette: male, 8, White / European Descent. Francois “Franz/Frank” Lafayette: male, 35-45, White / European Descent. River Rayner: female, 20-25, White / European Descent.
• Seeking submissions from OR. • Prepare a video recording of a contem-
porary monologue no longer than two minutes. Upload and provide the link (youtube, vimeo, etc) in your submission via the following form: https://profiletheatre.org/casting Submission deadline is Feb. 7. Callbacks will take place on Feb. 10.
• For more info, visit www.profiletheatre.
org.
• COVID-19 Compliance: Vaccination:
Profile Theatre requires documentation of vaccination. Testing: If you are offered a role, you must be willing to take a COVID test as documentation of a negative test result is required 72 hours prior to first rehearsal. Additional testing may be required as needed. Profile will provide and/or pay for this and any additional tests necessary to the scope of participation.
• Pays $510/wk. (SPT 5.) Equity SPT
Agreement.
• Seeking video submissions from Equity
actors for roles in “As You Like It.” Oklahoma based actors are encouraged to submit.
• Company: Oklahoma Shakespeare in
the Park. Staff: Erin Sloan, dir.; Kathryn McGill, artistic dir.
• Rehearsals begin Apr. 4; runs Apr.
29-May 14 at Oklahoma Shakespeare in the Park in Oklahoma City, OK.
• Seeking—Duke Senior: all genders, 18+,
all ethnicities. Duke Frederick: all genders, 18+, all ethnicities. Amiens: all genders, 18+, all ethnicities. Jaques: all genders, 18+, all ethnicities. Le Beau: all genders, 18+, all ethnicities. Charles: all genders, 18+, all ethnicities. Oliver: all genders, 18+, all ethnicities. Orlando: all genders, 18+, all ethnicities. Adam: all genders, 18+, all ethnicities. Denis: all genders, 18+, all ethnicities. Touchstone: all genders, 18+, all ethnicities. Sir Oliver Martext: all genders, 18+, all ethnicities. Corin: all genders, 18+, all ethnicities. Silvius: all genders, 18+, all ethnicities. William: all genders, 18+, all ethnicities. Hymen: all genders, 18+, all ethnicities. Rosalind: all genders, 18+, all ethnicities. Celia: all genders, 18+, all ethnicities. Phebe: all genders, 18+, all ethnicities. Audrey: all genders, 18+, all ethnicities. Jaques de Boys: all genders, 18+, all ethnicities. First Lord at Court: all genders, 18+, all ethnicities. Second Lord at Court: all genders, 18+, all ethnicities. First Lord in Arden: all genders, 18+, all ethnicities. Second Lord in Arden: all genders, 18+, all ethnicities. First Page: all genders, 18+, all ethnicities. Second Page: all genders, 18+, all ethnicities.
• Seeking submissions from OK. • Send submissions to info@okshakes.
org.
• For consideration, tape two contrasting
classical monologues, no more than three minutes total, and upload to YouTube or Vimeo. Attachments or links to shared drives will not be opened. Invited callbacks will be held virtually or in- person
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $271/wk. Equity SPT (SPT 1)
Agreement.
Opera House Arts 2022 Season
• Seeking video submissions from Equity
actors and actor-musicians for roles in Opera House Arts 2022 Season, Season includes: “Much Ado About Nothing” (William Shakespeare, playwright. Emma Went, dir. Rehearsals begin June 7; runs June 29-July 17) and “World Builders” (Johnna Adams, playwright; Cait Robinson, artistic dir.-dir. Rehearsals begin July 19; runs Aug. 12-28.).
• Company: Opera House Arts. • Season runs in Stonington, ME. • Seeking—Equity Actors: 18+. • Seeking submissions from ME. • Zoom auditions for each production
TBD following an open call for video auditions. • For consideration, submit a 90 second video of a contemporary or classical monologue, a headshot, and a resume to casting@operahousearts.org with the subject line including your name, union status, and the title of the production(s) you are submitting for. Submission deadline is Feb. 8. Note:
• Rehearsals for “Much Ado About
Nothing” are expected to be conducted in-person, both indoors and outdoors, with outdoor performances. Rehearsals for “World Builders” are expected to be conducted in-person, with indoor performances.
• For more info, visit operahousearts.org.
Full vaccination against COVID-19 by the time of first rehearsal is required except for those with a documented medical exemption or sincerely held religious belief.
• Pays $451/wk. (SPT 5.) Equity SPT
Agreement.
• Seeking video submissions from Equity
actors for roles in a one-week staged reading of “Rachel.”
• Company: PICT Classical Theatre. Staff:
Alan Stanford, artistic dir.-exec. dir.; Sharon McCune, assoc. prod.; Catherine Kolos, general operations mgr.; Raecine Singletary, dir.
• Callbacks TBD over Zoom; Rehearses
May 3-7; runs May 8 (2 p.m. and 7 p.m.) at WQED Studios in Oakland, Pittsburgh, PA.
• Seeking—Equity Actors: 18+. • Seeking submissions from PA. • For consideration, submit a video audi-
tion, headshot and resume to the audition link at: www.picttheatre.org/ participate/ Audition Video Instructions: Prepare a brief contemporary monologue of your choosing. Slate your name and home city, and should be no longer than two minutes in length. Submission deadline is Feb. 4 at 9 a.m. ET.
• Pittsburgh locals encouraged to submit.
PICT is committed to a casting focus that is intentionally inclusive and local to the Greater Pittsburgh Area. All are welcome.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $318/wk. Equity SPT (Tier II)
Contract.
Round House Theatre 20222023 Season
• Seeking video submissions from Equity
actors for the Round House Theatre 2022-2023 Season. Season includes: “Nine Night” (American Premiere; rescheduled from ’21-’22 season due to Covid-19 cancellation; Natasha Gordon, playwright; Timothy Douglas, dir.; Rehearsals begin Aug. 30; runs Sept. 14-Oct. 9), “The Tempest” (William Shakespeare, playwright; Aaron Posner & Teller, adapted by-dir.; Teller & Johnny Thompson, magic by; Tom Waits & Kathleen Brennen, music by; Matt Kent, CoArtistic Director of Pilobolus, movement by. Rehearsals begin Oct. 11; runs Nov. 23-Jan. 29, 2023), “Jennifer, Who Is Leaving” (Presented in rep with On The Far End; Morgan Gould, writer-dir. Rehearsals begin Feb. 21, 2023; runs Mar. 30-May 7, 2023), “On The Far End” (Presented in rep with Jennifer, Who Is Leaving; Mary Kathryn Nagle, playwright; Rehearsals begin Feb. 21, 2023; runs Mar. 28-May 7, 2023), and “Slave Play” (Jeremy O. Harris, playwright; Reginald L. Douglas, dir. Rehearsals begin May 2, 2023; runs June 7-July 2, 2023.).
• Company: Round House Theatre. Staff:
Ryan Rilette, artistic dir.; Ed Zakreski, managing dir.; Sarah Cooney, casting dir.; assoc. artist casting and producing.
• Season runs in Bethesda, MD. • Seeking—Equity Actors: 19+. • Seeking submissions from MD. • For consideration, email your submis-
sion to casting@roundhousetheatre. org with the subject line “EPA submission – DMV Local” or “EPA submission – Out of Town”, accordingly. Submission deadline is Feb. 7.
• Preparation Instructions: Self-tape a
one-to-two-minute monologue (classical if submitting for “The Tempest,” contemporary if submitting for any other production in the season). Slate with the following information: Name. Pronouns, and any other way that you wish to self-identify. The name of your audition piece. Any specific roles which you are interested in being considered for. Indicate if you would like to be considered as a local or out of town actor.
• For more info, visit www.roundhouse-
theatre.org.
• Pays $739/wk. Equity LORT DNon-Rep
Agreement.
Saco River Theatre 2022 Season
• Seeking video submissions from Equity
actors for the Saco River Theatre 2022 Season. Season includes: “Humble Boy” (Charlotte Jones, playwright. Rehearsals begin Feb. 28; runs Apr. 22-30) and “To Fool The Eye” (Jeffrey Hatcher, playwright. Rehearsals begin May 30; runs July 22-30.).
• Company: The Saco River Theatre.
Staff: Jennifer Porter, artistic dir.; Dana Packard, dir.
• Season runs at Saco River Theatre, 29
Salmon Falls Rd. in Buxton, ME.
• Seeking—Equity Actors: 18+. • Seeking submissions from ME. • Read from the sides provided at https://
drive.google.com/drive/folders/1Q661YWOv-VMe2F6S2AG8a-YlaUmGI5c . If a reader is not accessible to you, prepare a brief monologue. Deadline: Feb. 3.
• Pays $279/wk. Equity SPT (Tier I)
Agreement.
reading of “The Black Eyed” Note: Pittsburgh locals encouraged to submit. Celebrating 25 years in Pittsburgh, PICT Classic Theatre is Pittsburgh’s home for classic and Irish productions. PICT is committed to a casting focus that is intentionally inclusive and local to the Greater Pittsburgh Area. All are welcome.
• Company: PICT Classical Theatre. Staff:
Alan Stanford, artistic-exec. dir.; Sharon McCune, assoc. prod.; Catherine Kolos, general operations mgr.; Ingrid Sonnichson, dir.
• Rehearsals May 24-28, 2022; two per-
formances of the reading Sunday, May 29 at 2 p.m. and 7 p.m. in person at WQED Studios in Oakland (Pittsburgh, PA).
• Seeking—Aiesha: female, 20-39,
Middle Eastern. Architect: female, 40-59, Middle Eastern. Delilah: female, 20-25, Latino / Hispanic, Middle Eastern. Tamam: female, 18-25, Middle Eastern.
• Seeking submissions from PA. • Prepare a brief contemporary mono-
logue of your choosing. Videos should begin with a slate of your name and home city and should be no longer than two minutes in length.
• For consideration, submit your audition
along with your current headshot and resume to the audition link at: https:// www.picttheatre.org/participate/ Submission deadline is Feb. 4, 2022 at 9 a.m. ET. Callbacks will be held over zoom at the director’s discretion.
• Pays $318/wk. (SPT Tier II.) Equity SPT
Agreement.
Musicals
• Seeking submissions from Equity
actors for roles in “Choir Boy.”
• Company: Denver Center for the
Performing Arts. Staff: Tarell Alvin McCraney, playwright; Jamil Jude, dir.; Paige Hernandez, choreo.; Harriet Bass and Gama Valle, casting dirs. (NYC Casting: Bass/Valle Casting); Grady Soapes, SCPA dir. of casting.
• Rehearsas beginl Mar. 22; runs Apr.
22-May 29 in Denver, CO.
• Seeking—Pharus Jonathan Young: male,
14-19, Black / African Descent. Anthony Justine “AJ” James: male, 14-19, Black / African Descent. David Heard: male, 14-19, Black / African Descent.
• Seeking submissions from CO. • For consideration for the opportunity to
submit a video audition, email a digital copy of headshot and resume to bassvallecasting@gmail.com. Submissions deadline is Feb. 8. Callbacks will be held Feb. 15-16.
• Bass/Valle Casting encourages people
of all races, ages, ethnicities, abilities and gender identities to apply. All performers must be fully vaccinated against COVID-19 as defined by the CDC (i.e., more than 14 calendar days following receipt of a final dose of an FDA or World Health Organization authorized or approved vaccine) by March 8. Any actor requiring a medical or religious exemption must provide written documentation for the exemption during the hiring process.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $1,050/wk. Equity LORT Non-Rep
(LORT D) Contract.
• Seeking video submissions from Equity
actors for principal roles in “Cinderella.”
• Synopsis: Welcome to Belleville - a
town whose financial solvency depends on remaining the most aggressively picturesque town in the history of the world, populated exclusively with gorgeous townsfolk who stop at nothing to achieve perfection. Belleville is fairy tale come to life: a place where you can’t move without falling over a wishing well or a quivering milkmaid. Maintaining this façade is a full-time job, and one that is enforced very seriously indeed. The only person steadfastly refusing to live in the fairy tale is Cinderella, loud-mouthed, dripping with disdain, and more likely to roast Hansel and Gretel for dinner than play the demure and downtrodden maid, Cinderella is desperate to escape the superficiality of the town. But underneath it all, the loneliness that comes with being the town pariah is wearing on her. It doesn’t help that her only friend, Prince Sebastian, has suddenly become the heir to the throne after the mysterious disappearance of his elder brother: sex god and charisma machine, Prince Charming. Suddenly thrust into the spotlight, the formerly shy and somewhat-less-sex-goddish Sebastian seems to be quickly growing into his brother’s enormous britches, and out of his friendship with Cinderella. But this change of circumstances also introduces something else to the relationship, a new spark which neither of them quite know what to do with. Could it be that these two old friends mean more to one another than they are willing to let on? After a devastating PR disaster for Belleville, and with the threat of the guillotine glinting on the horizon, the Queen decides that the only thing to save the town (and her pretty neck) is a Royal Wedding: something colorful and distracting so the peasants don’t get too revolution-y. All looks lost for the blossoming romance, until Cinderella meets The Godmother, who can fix any problem with a little incision and a couple of broken ribs. Maybe the answer lies where Cinderella has been refusing to look: in conforming to the town’s ideals about beauty and identity.
• Staff: Andrew Lloyd Webber, music;
David Zippel, lyrics; Emerald Fennell, book; Laurence Connor, dir.; Joann M. Hunter, choreo.; Kristen Blodgette and David Wilson, music supervisors; The Really Useful Group, Ltd, prod.; Wagner Johnson Productions, general management; Tara Rubin, casting; Claire Burke, casting dir.; Kevin Metzger-Timson, casting assoc.
• Rehearsals and performs in the fall. • Seeking—Equity Actors: all genders,
18+, all ethnicities.
• Seeking submissions from GA. • Auditions will be held in February. • For consideration, submit a video audi-
tion (via Vimeo, Google Drive, or Drop Box only If via Google Drive, make sure the privacy settings are set access to view), headshot and resume using this form: https://tinyurl.com/ PrincipalSubmissions .
• Audition Video Instructions: Prepare a
video of a brief contemporary musical theatre pop song or one of selections provided here: https://tinyurl.com/ CinderellaPrincipals. Include a full-body slate at the beginning of your video and film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. It’s recommended that you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape. submissions deadline is Feb 3.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $2,323/wk. Equity Production
(League) Contract.
• Seeking video submissions from Equity
actors for roles in “Henry IV Part I.”
• Company: Shakespeare Festival at
Tulane. Staff: Burton Tedesco, dir.; Martin Sachs, artistic dir.
• Rehearses June 14-July 14 (Tues.-Fri. at
6-10 p.m., Sat.-Sun. at 12-5 p.m.); runs July 15-30 (15-16, 22-23, 28-30 at 7:30 p.m., 17, 24, 30 1:30 p.m.) in New Orleans, LA.
• Seeking—Equity Actors: all genders,
18+, all ethnicities.
• Seeking submissions from LA. • For consideration, prepare a one-min-
ute Shakespeare monologue in verse to shakespearecasting@tulane.edu. Submission deadline is Feb. 5 at 5 p.m. CT.
• For more info, visit https://neworleans-
shakespeare.org/pages/auditions. Callbacks Feb. 6 over Zoom.
• Pays $450/wk. Equity Special
Appearance Contract.
• Seeking video submissions from Equity
actors for roles in “Land Of Oz.” Synopsis: Tip was raised by an evil witch but manages to escape with the help of his new friend Jack the Pumpkinhead. Together they journey to the Emerald City to save it from a rebel army. With the help of our old friends the Scarecrow, the Tin Man, and the Lion they must save Oz and set the rightful heir to the throne! Production states: “Based on the second book in L. Frank Baum’s Oz series, this world-premiere musical is adapted by the award-winning playwright of ‘Grounded,’ ‘Marie and Rosetta,’ and ‘Into the Breeches.’”
• Company: Dobama Theatre. Staff:
George Brant, book and lyrics; Nathan Motta, lyrics; Nathan Motta, dir.; Matthew Dolan, music dir.
• Rehearsals begin Oct. 22; runs Dec.
2-31 (possible development workshops runs June 19-26) in Cleveland Heights, OH.
• Seeking—Equity Actors: 18+. • Seeking submissions from OH. • For consideration, submit the Unlisted
YouTube link in an email along with an attached: completed audition form, résumé, and headshot to auditions@ dobama.org . Production states: “The video should be uploaded to YouTube and set to ‘Unlisted.’ Audition forms and instructions for uploading an Unlisted YouTube link can be found at: https:// www.dobama.org/workingatdobama#audition . Submissions deadline is Feb. 5. Callbacks will be held Feb. 20 (5 p.m.-10 p.m.), and 21 (6 p.m.10 p.m.)
• Preparation instructions: Record one
monologue 60-90 seconds in length and 30-60 seconds of a song that are both generally in the general style of an Oz-based musical theatre piece (“The Wizard of Oz,” “The Wiz,” or “Wicked”). If you would like to use the accompaniment at https://www.dobama.org/ working-atdobama#audition please record both songs Feel free to take notes or sections up or down an octave if that makes them more comfortable for you. Slate at the beginning of the video (state your name and what you’re performing). We ask that the camera show as much of the actor’s body as possible in order to replicate a live theatre audition.
• Equity’s contracts prohibit discrimina-
tion. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $404/wk. Equity Production (SPT
4) Contract.
• Casting Equity actors “Legally Blonde”
(Kurt Stamm, dir.; Tom Vendafreddo, musical dir. Rehearsals begin May 31; runs June 24-July 17) and “Little Shop Of Horrors” (Kurt Stamm, dir.; Joshua Keller, musical dir. Rehearsals begin July 26; runs Aug. 12-28.) Note: Any ethnicities encouraged to submit for all roles.
• Company: Mason Street Warehouse.
Staff: Kurt Stamm, artistic dir.; Maribeth Van Hecke, prod.; Liz Frasier, casting dir.
• Productions runs at The Saugatuck
Center for the Arts in Saugatuck, MI.
• Seeking—Equity Actors: 18+. • Seeking submissions from MI. • Prepare two short songs in the style of
the show(s) and record them in .mov format. Files maybe uploaded to this
link: https://www.dropbox.com/ request/ID5uWbQOQZNUBEpGmEAb Slate your audition. Deadline: Feb. 5. Prepare two short songs in the style of the show(s) and record them in .mov format. Slate your audition. You may also use the accompaniment provided at https://www.dropbox.com/ sh/tramolucsitwkwu/ AABcM0Tctix47gLo_0WXwpdoa?dl=0.
• Pays $657/wk. (SPT 8.) Equity SPT
Agreement.
• Seeking video submissions from
Equity actors for roles in “Natasha, Pierre, and the Great Comet of 1812.”
• Company: Capital City Theatre. Staff:
Andrew Abrams, dir.-artisitc dir.; Sabra Michelle, choreo.; Evan Lange, musical dir.
• First rehearsal May 10, 2022 at the
Capital City Theatre in middleton, WI; runs June 3-12 at Four Winds Farm, WI. The show will be performed in person and fully immersively indoors.
• Seeking—Equity Actors: all genders,
18+, all ethnicities.
• Seeking submissions from WI. • For consideration, submit a video
audition to info@capitalcitytheatre. org. Auditon instructions: Prepare a one minute contemporary musical theatre piece of your own choosing that is as close to the style of the show as possible and that shows the unique character of your voice. You may also use the accompaniment provided at https://www.dropbox.com/ sh/xhlk1kiltjk8wpa/A ADOfoDVyHiOfaXc5JwlaRTla?dl=0. Slate your name and title of song. Submission deadline is Feb. 28, 2022.
• Audience will be masked and all rele-
vant Equity COVID 19 safety protocols in effect at the time of production will be adhered to as well as a Covid Compliance Officer being present if still required. All cast, crew, designers, etc will be required to be vaccinated for COVID-19 at least 3 weeks prior to May 10, 2022.
• Equity’s contracts prohibit discrimi-
nation. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $600/wk. Equity SPT 5 contract.
• Seeking Equity stage managers for
future consideration for “Ring of Fire.” Note: All stage managerial positions in “Ring Of Fire” have been filled.
• Company: North Carolina Theatre.
Staff: Johnny Cash, music and lyrics; Richard Maltby, Jr, creator; William Meade, conception; Eric Woodall (CSA), producing artistic dir.-casting dir.; Lauren Juengel, production mgr.assoc. prod.; Randy Redd, dir.-music dir.
• Rehearsals begin May 18; runs Apr.
29-May 8 in Raleigh, NC.
• Seeking—Equity Stage Manager: 18+. • Seeking submissions from NC. • For consideration, submit a résumé
for future consideration to LJuengel@ nctheatre.com . Submissions deadline is Feb. 3.
• In-person rehearsals inside of North
Carolina Theatre’s rehearsal Studios. In-person performances inside the A.J. Fletcher Theater in Duke Energy Center for the Performing Arts.
• Complying with all COVID guidelines,
restrictions, and regulations from CDC, the state of North Carolina, and Actors’ Equity Association. In-person rehearsals inside of North Carolina Theatre’s rehearsal Studios. In-person performances inside the A.J. Fletcher Theater in Duke Energy Center for the Performing Arts.
• Equity’s contracts prohibit discrimi-
nation. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
• Pays $1,007/wk. Equity LOA ref. COST
Contract.
• Seeking video submissions from
Equity actors for principal roles in “Rock of Ages.”
• Company: Arts Center of Coastal
Carolina. Staff: Richard Feldman, vice president-general mgr.; Sara Brians, dir.-choreo.; Dan Gibson, musical dir.
• First reharsal June 7; first preview
June 29; runs July 1-Aug. 14 in Hilton Head Island, SC.
• Seeking—Equity Actors: all genders,
18+, all ethnicities.
• Seeking submissions from SC. • For consideration, submit a video
audition at (www.artshhi.com/auditions) or by emailing your audition materials with the subject line: “Rock of Ages, [Your Name]” and upload your video audition to Youtube as unlisted. Audition Video Instructions: Prepare the sides and tracks for the character you are interested in at (www.artshhi.com/auditions). If a reader is not accessible to you, you may perform a monologue in the style of the show. Submissions deadline is Feb. 7.
• All Actors must be fully vaccinated
against COVID-19. Equity approved the fully vaccinated company for this production rehearsals and performances held indoors at The Arts Center. We are working with an Equity-approved safety plan that includes vaccination, testing, masking, cleaning and distancing protocols. Pursuant to current Equity guidelines, proof of full vaccination no later than two weeks prior to in-person work.
• Pays $579/wk. Equity SPT (SPT 7)
contract.
VISIT BACKSTAGE.COM/CASTING
for full character breakdowns, script sides, and more casting notices
Scripted TV & Video
• Casting visually impaired actresses
only for a lead role in “Blindsided,” a two hour pilot with an eight episode guarantee. Synopsis: Injured and permanently blinded during the course of a police action, Emma Bardovi now working as a civilian liaison for some difficult, high profile cases, where her excellent brain and superb detective skills more than make up for her lack of sight...
• Company: Johnson Production Group.
Staff: Jeff Sagansky, Scott Siegler, exec. prods.; David Weaver, dir.; Joseph Schneider, SAG-AFTRA writer; Lindsay Chag, US casting dir.; Brad Clark, casting assoc.
• Shoots TBD in Vancouver, Canada and
Los Angeles, CA.
• Seeking—Emma Bardovi: female,
35-45, any ethnicity, visually impaired, very intelligent, with alogical, scientific mind, wry-humored, confident, strongwilled (possibly to a fault), stubborn, Emma Bardovi was a first-rate Los Angeles police detective who excelled at finding a way into a case when no one else could; now permanently blinded from a police action that’s still unsolved, Bardovi has acclimated herself amazingly to livingas a blind person: she uses a dog clicker for echolocation, has honed her other senses (smell, hearing, touch) to a high level, and is fearless at venturing out into the world, despite the total blackness around her; while struggling to figure out the strange sequence of events that lead to her injury, Bardovi has been given the job of a sort ofcivilian consultant by her captain, who values her mind and skill set; now working on solving the murder of a young woman, partnered with the rookie Tyler Knappe and just getting used to having a service dog, Bardovi puts her unique talents into play to solve an apparently dead-end case-and it clearly won’t be the last...lead; salary negotiable.
• Seeking submissions nationwide. • Submissions to AuditionsLCC@gmail.
com.
• Pays TBD. SAG-AFTRA.
National Commercials
Wayfair Outdoor 2022 Commercial
• Casting “Wayfair Outdoor 2022” a
commercial for Wayfair.
• Staff: Fatima Litim and Nicol Zaino,
prods.; Junhee Chung, dir.; Barbara Stordahl & Jason Crow, casting dirs.
• Shoots Feb. 28-Mar. 5 (1-2 shoot days
per actor) in Austin, TX. COVID-19 Notice: Production will comply with applicable health and safety laws and regulations relating to the COVID-19 pandemic. Actors will be required to comply with Production’s then-applicable COVID-19 protocols, including any advance testing and negative test result requirements. Employment will be contingent upon receiving a negative preemployment test result. Current protocols require testing approximately 48hrs prior to the start of services. In addition, as a condition of filming at locations that require all Cast & Crew must be fully vaccinated to be eligible to work at their location, subject to applicable laws and requirements, and you will be asked to complete form and to prove vaccine status. All protocols, including timing and frequency of any required testing, are subject to change.
• Seeking—Kiera (Rug Couple): female,
20-39, all ethnicities, open to all shapes and sizes. Ability to do subtle comedy, should be able to make us laugh with just a facial expression. Ability to ad lib. Recently married to Rodney. They are a happy couple with a lot of chemistry. When it comes to furnishing their home, Kiera makes most of the decisions, but their outdoor space is one they are tackling together. Kiera is shopping on the Wayfair app. for a rug for the deck (because that deck is hot!). This role will be a Principal Speaking Role ($800/day, possible 1-2 shoot days). Rodney (Rug Couple): male, 20-39, all ethnicities, open to all shapes and sizes. Ability to do subtle comedy, should be able to make us laugh with just a facial expression. Ability to ad lib. Recently married to Kiera. They are a happy couple with a lot of chemistry. When it comes to furnishing their home, Kiera makes most of the decisions, but their outdoor space is one they are tackling together. Kiera is shopping on the Wayfair app. for a rug for the deck (because that deck is hot!). This role will be a Principal Speaking Role ($800/day; possible 1-2 shoot days). Michelle (Grilling Mom and Son): female, 30-49, Asian, Latino / Hispanic, Latinx or Asian but open to all ethnicities. Single Mom raising Julio, her six years old son. With a single income, Michelle knows how to shop smarter, not harder and the women in her neighborhood are always asking where she got her stuff. (Wayfair, of course). Her style is classic with a twist, put-together, economical but elegant, stylish and kid-friendly. Needs a good sense of comedy. She’s outdoors grilling steaks, trying not to burn them, while on the phone with her sister and keeping an eye on her mischievous young son. Scene involves a dog, must be comfortable working with a trained dog. This role will be a Principal Speaking Role ($800/ day, possible 1-2 shoot days). Julio (Grilling Mom and Son): male, 4-6, Asian, Latino / Hispanic, Latinx or Asian but open to all ethnicities. Outgoing. Mischievous energy. Silly. He is a funny kid, makes us laugh (driving force of comedy in scene). He keeps his mom on her toes. Scene involves a dog, must be comfortable working with a trained dog. This role will be a Principal Non-Speaking Role – may include some laughter. ($600/day, possible 1-2 shoot days). Char (Rooftop Girls): female, 20-29, all ethnicities, open to all shapes and sizes. She is suntanning, will require filming in a bathing suit. Modern, real, not cynical. Char and Camila have been roommates since college and just got their first ‘big girl’ apartment. Great friends, great chemistry,
they are opposites that complement each other. They have created a dope rooftop hangout so they have a great space to be social and have the most Instagrammable rooftop in the feed. This role will be a Principal Speaking role ($800/day, possible 1-2 shoot days). Camilla (Rooftop Girls): female, 20-29, all ethnicities, all shapes and sizes. Tans easily, could spend all day in the sun. She is suntanning, will require filming in a bathing suit. Modern, real, not cynical. Camila and Char have been roommates since college and just got their first ‘big girl’ apartment. Great friends, great chemistry, they are opposites that complement each other. They have created a dope rooftop hangout so they have a great space to be social and have the most Instagrammable rooftop in the feed. This role will be a Principal Speaking role ($800/day, possible 1-2 shoot days). Jeannie (Firepit Couple): female, 60-69, all ethnicities, all shapes and sizes. Energetic, youthful, fun loving and vibrant. A bit of a wild card. She’s been happily married to Harold for 30 years, they have retired to Florida from New Jersey. They now love to entertain at their poolside bungalow and Jeannie makes a mean margarita. Able to banter and ad lib. This role will be a Principal Speaking role ($800/day, possible 1-2 shoot days). Harold (Firepit Couple): male, 60-69, all ethnicities, all shapes and sizes. Energetic, youthful, fun loving and vibrant, although a bit stoic. Married to Jeannie for 30 years, they have retired to Florida from New Jersey. They now love to entertain at their poolside bungalow. His wife makes a mean margarita but he’s more of a beer guy. Role is likely a Principal Nonspeaking Role but may need to ad lib. ($800/day, possible 1-2 shoot days).
• Seeking submissions from TX. • For consideration, email headshot,
resume, and demo reel (if available) to sandtcasting@gmail.com. Note if you are local to Austin, TX.
• Pays $800/day plus 10% agency fee
(principal rate, adults); $600/day plus 10% agency fee (principal rate, child). Principal Usage rate: TV/Online/Stills) $2,000 total +20% agency fee. Renewals will not exceed 10% increase for the next 3 renewal cycles. Usage: 2 years -TV/Online/Stills (US & CA)
Online Commercials & Promos
UGC Dog Commercial For Online Insurance Company (Can)
• Seeking a UGC talent/ influencer to
talk about their experience with our client who is a pet insurance company. Note: You will read a provided script and capture additional b-roll footage of you and your dog! Looking for fun and energetic talent who has experience with UGC video work!
• Company: Grow With Bamboo. Staff:
Stavro Victor, content prod.
• Video will be recorded remotely with
your own high-quality phone camera.
• Seeking—UGC Talent: 21-50, all
ethnicities.
• Seeking submissions nationwide. • For consideration, submit a sample UGC
video of you and your dog telling us a story about you and your dog so the team can get to know you better to stavro@growwithbamboo.com.
• Pays $150-$250 for video footage use in
perpetuity.
Stage Staff & Tech
Arrow Rock Lyceum 2022 Season, Equity Stage Manager Submissions
• Seeking Equity stage manager for future
consideration for Arrow Rock Lyceum 2022 Season. Season includes: “Shrek” (Rehearsals begin May 17; runs June 2-12), “Jersey Boys” (Rehearsals begin June 5; runs June 23-July 3), “Dreamgirls” (Rehearsals begin June 26; runs July 14-24), “Clue” (Rehearsals begin July 28; runs Aug. 12-21), “Sherwood” (Rehearsals begin Aug. 14; runs Sept. 2-11), “A Grand Night For Singing” ((Rehearsals begin Sept. 4; runs Sept. 23-Oct. 2), and “A Christmas Carol” (Rehearsals begin Nov. 29; runs Dec. 14-23.).
• Company: Arrow Rock Lyceum Theatre.
Staff: Arrow Rock Lyceum Theatre. prod.; Quin Gresham, artistic dir.; Jason Styres / The Casting Collaborative, casting dir.
• Season runs in Arrow Rock, MO. • Seeking—Equity Stage Manager: 18+. • Seeking submissions from MO. • Submit for future consideration. • Pays $911/wk. (LOA ref LORT D.) Equity
LOA Agreement.
‘Cinderella,’ B’way
• Seeking Equity Stage Manager for the
Broadway production of ‘Cinderella.’
• Company: Producing Org TBD. Staff:
Andrew Lloyd Webber, music; David Zippel; lyrics; Emerald Fennell, book.; Laurence Connor, dir.; Kristen Blodgette and David Wilson, music supervisors; The Really Useful Group, Ltd. prod; Wagner Johnson Productions; general management; Tara Rubin, casting; David Wilson, music sup.; JoAnn M. Hunter, choreo.
• Rehearses and performs fall 2022. • Seeking—Equity Stage Manager: 18+. • For consideration, submit your resume
to admin@wagnerjohnson.com. Submission deadline is Feb. 4.
• Pays $3,816/wk. Equity Production
(League) Contract.
• Seeking Equity stage managers and
assistant stage managers for Paramount Arts Center 2022-23 Season. The inaugural Bold Series season in the newly renovated, 165 seat Copley Theatre includes: “Hand to God” (Robert Askins, writer; Trent Stork, dir.; Pre-production begins Apr. 18; rehearsal begin Apr. 25; runs June 1-July 10), “Fun Home” (Jeanine Tesori, music; Lisa Kron, book and lyrics; Alison Bechdel, graphic novel; Marti Lyons, dir.; Ariel Triunfo, choreo.; Kory Danielson, music dir.; Pre-production begins June 27, rehearsal begin July 4; runs Aug. 10-Sept. 18), and “BULL: a love story” (Nancy García Loza, writer; Laura Alcalá Baker, dir.; Pre-production begins Aug. 29; rehearsal begins: Sept.5; runs Oct. 12-Nov. 20). The upcoming season of the Broadway Series in the 1,843 seat Paramount Theatre includes: “Dreamgirls” (Tom Eyen, book and lyrics; Henry Krieger, music; Christopher D. Betts, dir.; Pre-production begins July 25; rehearsal begins Aug. 1; runs Sept. 9-Oct. 16), “Sound of Music” (Richard Rodgers, music; Oscar Hammerstein II, lyrics; Howard Lindsay and Russel Crouse, book; Amber Mak, dir.; Pre-production begins Oct. 3; rehearsal begins Oct. 10; runs Nov. 18-Jan. 8, 2023), “Into the Woods” (James Lapine, book; Stephen Sondheim, music and lyrics; Jim Corti, dir.; Pre-production begins Late December; rehearsal begins: January 2023; runs February-March 2023), and “School of Rock” (Mike White, Paramount movie; Julian Fellowes, book; Glenn Slater, lyrics; Andrew Lloyd Webber, new music; Trent Stork, dir.; Pre-production begins March 2023; rehearsal begins March 2023; runs April-Late May/Early June 2023).
• Company: Aurora Civic Center Authority.
Staff: Tim Rater, president-CEO; Jim Corti, artistic dir.; Rose Quealy, VP of productions; Jonathan Allsup, production dir.; Yesenia Esparza, assoc. prod. mgr.
• Rehearses and runs in Copley Theatre
and Paramount Theatre in Aurora, IL.
• Seeking—Equity Stage Manager: 18+.
Assistant Stage Manager: 18+.
• Seeking submissions from IL. • For consideration, send resume to
ProductionJobs@paramountarts.com with the subject line: ACCA Stage Mgmt. or mail to Yesenia Esparza, 8 E. Galena Blvd. Ste. 230, Aurora, IL 60506. Applicants should indicate city and state of residency in their submission. Submission deadline Feb. 4.
• For more info, visit https://paramoun-
taurora.com/
• Bold Series pays $35/hr. for 5-day
rehearsal week; $780/wk. (Stage Manager), $715/wk. (ASM) and $42/hr. for 6-day rehearsal week; $864/wk. (Stage Manager), $792/wk. (ASM). Broadway series pays $1141/wk. (Stage Manager) and $840 (ASM). Equity LOA Contract.
• Seeking an Equity production stage
manager for “Raisin.”
• Company: Skylight Music Theatre.
Staff: Kenneth Roberson, dir.-choreo.; Christie Chiles Twillie, music dir.; Morgan Williams, assoc. choreo.; Michael Unger, artistic dir.; Susan Varela, dir. of Artistic Operations; Joel Kipper, dir. of production and facilities; Kate Ferdinandi, asst. dir. of production and facilities. • Prep week begins Mar. 7; rehearsals begin Mar. 15; runs Apr. 2-24 in Milwaukee, WI. Note: Fully vaccinated staff, must be able to provide proof of vaccination.
• Seeking—Equity Stage Manager: 18+. • Seeking submissions from WI. • For consideration, submit resume to
KateF@skylightmusictheatre.org. Submission deadline is Feb. 14.
• For more info, visit skylightmusicthe-
atre.org.
• Pays $867/wk. Equity SPT 8 Agreement.
Round House Theatre 20222023 Season
• Seeking Equity Stage Managers for
future consideration for the Round House Theatre 2022-2023 Season. Note: All stage managerial positions in Round House Theatre 2022-23 Season have been filled. Season includes: “Nine Night” (American Premiere; rescheduled from ’21-’22 season due to Covid-19 cancellation; Natasha Gordon, playwright; Timothy Douglas, dir.; Rehearsals begin Aug. 30; runs Sept. 14-Oct. 9), “The Tempest” (William Shakespeare, playwright; Aaron Posner & Teller, adapted by-dir.; Teller & Johnny Thompson, magic by; Tom Waits & Kathleen Brennen, music by; Matt Kent, CoArtistic dir. of “Pilobolus,” movement by. Rehearsals begin Oct. 11; runs Nov. 23-Jan. 29, 2023), “Jennifer, Who Is Leaving” (Presented in rep with On The Far End; Morgan Gould, writer-dir. Rehearsals begin Feb. 21, 2023; runs Mar. 30-May 7, 2023), “On The Far End” (Presented in rep with Jennifer, Who Is Leaving; Mary Kathryn Nagle, playwright; Rehearsals begin Feb. 21, 2023; runs Mar. 28-May 7, 2023), and “Slave Play” (Jeremy O. Harris, playwright; Reginald L. Douglas, dir. Rehearsals begin May 2, 2023; runs June 7-July 2, 2023.).
• Company: Round House Theatre. Staff:
Ryan Rilette, artistic dir.; Ed Zakreski, managing dir.; Sarah Cooney, casting dir.; assoc. artist casting and producing.
• Season runs in Bethesda, MD. • Seeking—Equity Stage Manager: 19+. • Seeking submissions from MD. • For future consideration, email resume
to casting@roundhousetheatre.org. Submission deadline is Feb. 7.
• For more info, visit www.roundhouse-
theatre.org.
• Pays $911/wk. Equity LORT DNon-Rep
Agreement.
• Seeking Equity stage manager for
“Weathering,” by Harrison David Rivers. Note: Prior experience as an Equity stage manager is required. Must have strong communication skills, be familiar with Outlook365 and Microsoft Word, and be able to lift 25-30 lbs. periodically. Cast is comprised of seven adults and one child.
• Company: Penumbra Theatre. Staff:
Colette Robert, dir.; Sarah Bellamy, president of Penumbra Theatre Company; Ron Schultz, senior prod. mgr.
• Stage manager prep week begins Mar.
22; rehearsals begin Mar. 29; runs Apr. 26-May 22 in Saint Paul, MN.
• Seeking—Equity Stage Manager: 18+. • Seeking submissions from MN. • For consideration, submit resume to
ron.schultz@penumbratheatre.org. Submissions deadline is Feb. 7.
• For more info, visit www.penumbrathe-
atre.org.
• Pays $842/wk. Equity SPT 9
Agreement.
The 28th Annual Screen Actors Guild Awards
n “Belfast” n “CODA” n “Don’t Look Up” n “House of Gucci” n “King Richard”
n Jessica Chastain,
“The Eyes of Tammy Faye” n Olivia Colman, “The Lost Daughter” n Lady Gaga, “House of Gucci” n Jennifer Hudson, “Respect” n Nicole Kidman, “Being the Ricardos”
n Javier Bardem, “Being the Ricardos” n Benedict Cumberbatch,
“The Power of the Dog” n Andrew Garfield,“Tick, Tick...Boom!” n Will Smith, “King Richard” n Denzel Washington,
“The Tragedy of Macbeth”
n Caitríona Balfe, “Belfast” n Cate Blanchett, “Nightmare Alley” n Ariana DeBose, “West Side Story” n Kirsten Dunst, “The Power of the Dog” n Ruth Negga, “Passing”
n Ben Affleck, “The Tender Bar” n Bradley Cooper, “Licorice Pizza” n TroyKotsur, “CODA” n JaredLeto, “House of Gucci” n KodiSmit-McPhee,
“The Power of the Dog”
n “The Great” n “Hacks” n “TheKominskyMethod” n “OnlyMurdersintheBuilding” n “TedLasso”
n Elle Fanning, “The Great” n SandraOh, “The Chair” n JeanSmart, “Hacks” n JunoTemple, “Ted Lasso” n HannahWaddingham, “Ted Lasso”
n MichaelDouglas, “The Kominsky Method” n BrettGoldstein, “Ted Lasso” n SteveMartin,
“Only Murders in the Building” n MartinShort,
“Only Murders in the Building” n JasonSudeikis, “Ted Lasso”
n “The Handmaid’s Tale” n “TheMorningShow” n “SquidGame” n “Succession” n “Yellowstone”
n JenniferAniston, “The Morning Show” n JungHo-yeon, “Squid Game” n ElisabethMoss, “The Handmaid’s Tale” n SarahSnook, “Succession” n ReeseWitherspoon, “The Morning Show”
n BrianCox, “Succession” n BillyCrudup, “The Morning Show” n KieranCulkin, “Succession” n LeeJung-jae, “Squid Game” n JeremyStrong, “Succession”
n Jennifer Coolidge, “The White Lotus” n CynthiaErivo, “Genius: Aretha” n MargaretQualley, “Maid” n JeanSmart, “Mare of Easttown” n KateWinslet, “Mare of Easttown”
n MurrayBartlett, “The White Lotus” n OscarIsaac, “Scenes From a Marriage” n MichaelKeaton, “Dopesick” n EwanMcGregor, “Halston” n EvanPeters, “Mare of Easttown”
n “Black Widow” n “Dune” n “The Matrix Resurrections” n “No Time to Die” n “Shang-Chi and the Legend of the
Ten Rings”
n “Cobra Kai” n “The Falcon and the Winter Soldier” n “Loki” n “Mare of Easttown” n “Squid Game”
