DAMn interieur guide 2012 by bag aar

INTERIEUR Kortrijk Guide 2012

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DAMN° INTERIEUR Kortrijk Guide 2012

TAXI !!! By picking the all-embracing catchphrase ‘City in the Biennale, Biennale in the City’ for its 2012 theme, Interieur most certainly became best mates with Kortrijk. In the leap to this 23nd edition the design biennale surprised many by announcing to turn its regular formula since 1968 upside down and inside out, crawling outside the Xpo walls and pushing the design fair towards ‘a coherent visitor experience’ within the boundaries of Kortrijk’s city limits, and also making its connection to the Eurometropole tangible in places like Lille. A surprise or not, design events these days have to be imaginative and visionary, and flexible enough to hold itself against the light in order to improve, diversify and stay competitive in an overstocked market. With Kortrijk-born Lowie Vermeersch - as the new president of the Stichting Interieur and also in the curator seat of this 2012 edition - the biennale engaged a Lys city homeboy from international waters,

to create a bridge from the Xpo design trade fair to the various events in the city. We can already predict the very first traffic jams along the Doorniksesteenweg. For your pleasure we compiled a variation of adventurous stories and gathered several opinions from its major players on Design and the City in this 4th DAMN° Interieur Kortrijk city guide. Read all about the fruit of these collaborations in this handy little booklet, delivering various background info from the Xpo’s diagonal avenues to the wild exoticism on Buda Island. And although shuttles have been arranged from the Xpo to the city…Taxi Gilbert, get your golden spurs ready… • (WALTER BETTENS)

DAMN° wishes to thank all contributors to this city guide, from Stichting Interieur, Stad Kortrijk, Designregio Kortrijk, Design Platform Vlaanderen, Lille Fantastic 2012…

23rd International Biennale

www.interieur.be

20 - 28 October Kortrijk, Belgium

DAMN° INTERIEUR Kortrijk Guide 2012

CONTENTS A city in the biennalE A New Approach Vermeersch: courting courting design in Kortrijk

CH-CH-CH-CHANGES Interieur Design Biennale: the Xpo community

Lowie Vermeersch, © Wim Van Eesbeek

Vermeersch’s own contemplation on Future Primitives as presented in Corso Blu

Master Chair by Autoban for De La Espada

All’s FAIR Talking shop with Interieur’s exhibitors

Designregio Kortrijk Presents 5x5

Design platform VLAANDEREN Nice to meet you!

LS BEDDING + Alain Gilles (5x5)

Project Room Muller - Van Severen

UNFOLDING THE MAP Belgian Design: a matter of identity

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CONTENTS THE COMPLETE MAP Find your way in Kortrijk in no time!

BUDA Factory: A new way to produce

INTERIEUR TALKS DESIGN

A biennale in the city THE ISLAND OF EXPECTATIONS

BUDA::lab workshop

FOOD FOR THOUGHT Design gets tasty

EAT, DRINK, INTERIEUR The flavours of Kortrijk 82

Freshly cut, a DesignMarketo event at the BUDA factory Bela & Benoît at Interieur Extra, represented by Valerie Traan gallery. Photo © Fien Muller

LOVEGROVE IN THE LOWLANDS Ross Lovegrove in Kortrijk & Lille

INTERIEUR: THE CITY EXPERIENCE Highlights at BUDA Island & Interieur Extra

AGENDA What, where and when? All you need to know

Nick Cave. James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York

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Ross Lovegrove. Photo © Siegrid Demyttenaere

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COLOPHON DAMN°’s guide to Interieur 2012 is a free supplement of DAMN°, a magazine on contemporary culture PUBLISHER DAMnation Ltd DAMN°magazine, Bellevuestraat 41 9050 Gent, Belgium EDITORIAL TEAM Walter Bettens walter@DAMNmagazine.net Siegrid Demyttenaere siegrid@DAMNmagazine.net Emma Firmin emma@DAMNmagazine.net SUBEDITORS Jodie Hruby (English) Veerle Devos (Dutch) ART DIRECTION & GRAPHIC DESIGN Siegrid Demyttenaere

ADVERTISING MANAGER Bessaam El-Asmar bessaam@DAMNmagazine.net +49 17632749677

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ADvertising germany Peter Wolfram (Wolfram Werbung) wolfram@wolframwerbung.com +49 89 9392 6711 ADMINISTRATION & SUBSCRIPTIONS Claudine De Pauw claudine@DAMNmagazine.net CONTRIBUTORS Tamara Gausi Emma Firmin Jodie Hruby Dieter Van Den Storm Monique Bucquoye Stijn Debaillie Pieter Michiels Alok P. Nandi

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All paper used in the production of this publication comes from well-managed sources.

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INTERIEUR A city in the biennale

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A New Approach Vermeersch: courting design in Kortrijk It is as though the Interieur Design Biennale has truly blossomed. Not only does it now have a shining star at its centre but it possesses a spray of exhibitions and events that is colourful, multifaceted, adventurous, original, and extremely well composed. Really quite exotic, as DAMN° discovers. Tamara Gausi

The founders of the Interieur Design Biennale once spoke of a time of crisis when “design had lost sight of its aims, that its vital link with life was missing”*. Happily, the decades have marched on, but where is design now? And just what can Lowie Vermeersch bring to Interieur’s ongoing story? When Vermeersch announced that he would be taking over as president of the Interieur Foundation last May, expectations were high. As the award-winning design director of the prestigious Italian car firm Pininfarina (a feat he accomplished in 2007, aged just 33), Kortrijk-born Vermeersch had built a global reputation for his adherence to detail and innovation, and his elegant, people-first approach to design. Today, he’s applying those same principles to his work as curator of the 2012 Interieur Design Biennale. For the first time in its 44 year history, Belgium’s biggest design fair will be a ‘Biennale in the city, a city in the Biennale’, a concept that will play out in content and spatially with the creation of a ‘temporary design city’ inside Kortrijk Xpo and the incursion of the Biennale into Kortrijk-proper, mainly centred around the three-pronged Buda Island in the heart of the city. For Vermeersch, this cross-pollination is inspired not only by

Toen Lowie Vermeersch in mei aankondigde dat hij de nieuwe voorzitter zou worden van de Interieur Foundation, waren de verwachtingen hoog gespannen. Als bekroond designdirecteur van het prestigieuze Italiaanse autodesignbedrijf Pininfarina (een prestatie die hij neerzette in 2007, op nauwelijks 33-jarige leeftijd) had de in Kortrijk geboren Vermeersch een wereldwijde reputatie opgebouwd dankzij zijn aandacht voor detail en innovatie, en zijn elegante kijk op design, waarin de mens centraal staat. Vandaag past hij dezelfde principes toe als curator van de Biënnale Interieur 2012. Voor het eerst in haar 44-jarige geschiedenis is de grootste designbeurs van België ‘een Biënnale in de stad, een stad in de Biënnale’, een concept dat inhoudelijk en ruimtelijk wordt uitgewerkt met de creatie van een ‘tijdelijke designstad’ in Kortrijk Xpo. Kortrijk zelf zal eveneens in het teken staan van de Biënnale, en dat zal vooral merkbaar zijn rond Buda-eiland in het hart van de stad. Voor Vermeersch is deze kruisbestuiving niet alleen geïnspireerd door het diverse publiek van Interieur, maar ook door zijn veelzijdige karakter. “Het is een handelsbeurs, maar er zijn ook bezoekers uit het grote publiek, wat bijzonder is. De spreiding van de projecten tussen Xpo en het stadscentrum geeft ons niet alleen meer fysieke ruimte om het programma uit te breiden, maar symboliseert ook de combinatie van economische en culturele overwegingen van Interieur.” Dit jaar duurt de Biënnale negen dagen. Bij Interieur heeft ‘verandering’ echter niet alleen betrekking op een tijdsaspect. Zo wordt de eregast vervangen door ‘project rooms’ van zeven ontwerpers, kunstenaars en architecten (Future Primitives), vindt er een festival plaats tijdens het openingsweekend en is er een tweedaags programma gericht op professionele ontwer-

Lowie Vermeersch © Wim Van Eesbeek *Geert Bekaert, president of the Interieur Foundation (1991 - 2000), an excerpt from the catalogue Interieur: Design Biennale Since 1968, published on the occasion of the Interieur Design Biennale 2010.

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LOUIS VERMEERSCH On narrative design

Interieur’s diverse audience but its potential for diverse outcomes. “It’s a trade fair but there are also many members of the general public who attend, which is something quite special,” he says. “Spreading projects between the Xpo and the city centre not only give us more physical space to expand the programme but it also symbolises the mix between the economic and cultural considerations of Interieur.” This year taking place over nine days, ‘change’ at Interieur aims to be more than a timely tag, with the vision of one solo guest of honour replaced with project rooms by seven designers, artists and architects (Future Primitives); an opening weekend festival; a two-day programme aimed specifically at design professionals; workshops, seminars, cultural events and installations, and the design circuit of Ventura Interieur, Interieur Extra, and partners in the Eurometropole, like those related to lille3000’s Fantastic 2012 event. All this not only enhances the immediate geographic reach of Interieur, but also intends to make it a more

pers. Verder zijn er ook workshops, seminaries, culturele evenementen en installaties, plus het designcircuit, met Ventura Interieur, Interieur Extra en partners in de Eurometropool, zoals deze verbonden aan het evenement Fantastic 2012 van lille3000. Al deze elementen versterken niet alleen het onmiddellijke geografische bereik van Interieur, maar maken van het evenement ook een meer zintuiglijke ervaring, die zowel overdag als ‘s avonds wordt beleefd. Zoals altijd moeten ontwerpers, bedrijven – waarvan er meer dan 300 exposeren – en andere deelnemers zich inschrijven om te worden gekozen door de selectiecomités. Vermeersch beschouwt dit veeleer als een teken van kwaliteit dan als creatief snobisme, en om dit te bewijzen, blijft Interieur zwaar investeren in jong talent.

Granstudio model shop Ongoing study / sketch © Granstudio

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“In 2010 namen 30 jonge ontwerpers deel aan de Biënnale, maar dit jaar zijn het er zo’n 140.”

Lowie Vermeersch © Wim Van Eesbeek

Voor Vermeersch, zoon van kunstenaar Rik Vermeersch en kleinzoon van beeldhouwer José Vermeersch, voelt werken voor Interieur, na zijn vertrek bij Pininfarina en de oprichting van zijn eigen designbedrijf granstudio in Turijn, als thuiskomen. “Ik ben zo goed als geboren in het gebouw waar het nieuwe stadsprogramma plaatsvindt,” lacht hij. Misschien kan hij dus verklaren waarom een kleine stad als Kortrijk zich heeft kunnen positioneren als één van de belangrijkste creatieve centra van België? “Kortrijk mag dan een kleine stad zijn, er zijn hier tal van bedrijven die zich toespitsen op design en er zijn veel mogelijkheden voor ontwerpers. Historisch gezien was dit een streek met een sterke textielindustrie, maar het is ook een plaats waar dingen worden gedaan. Wie hier ideeën heeft, probeert ze uit te voeren.”

sensorial experience, one that extends through the daylight hours and into the night. As always, designers, companies – of which over 300 will be exhibiting at the fair – and other participants must apply to be chosen by the selection committees. But Vermeersch sees this as a mark of quality rather than creative snobbery, and to prove it, Interieur continues to invest heavily in young talent. “In 2010, there were 30 young designers participating in the Biennale, but this year, if you look at all the initiatives such as Ventura Interieur and the Interieur Design Awards, there are now about 140 of them.” For Vermeersch, the son of artist Rik Vermeersch and the grandson of prominent Flemish sculptor José Vermeersch, after leaving Pininfarina and setting up his own design firm, granstudio, in Turin, working for Interieur represents something of a homecoming. “I was basically born in the building where the new city programme takes place,” he laughs. So maybe he can explain why a city as small as Kortrijk has been able to position itself as one of Belgium’s key creative hubs? “It may be small, but there are many companies in the field of design here and also lots of opportunities for designers […] Historically, this used to be an area with a strong textile industry. But also, this is a place that very much has an attitude of doing things. Here, people who have good ideas like to try and make them happen.” Is it important for Interieur that Vermeersch is a designer with a global profile who also happens to be a local boy? “I think you would have to ask the team that,” he says with characteristic humility, “but one thing I can do is give a new impulse to the Biennale by approaching it with fresh eyes. The fact that I work internationally means

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that I can help to place Interieur within an international context. But because I am from here, I also understand the culture and mentality.” And what’s next for Interieur? “Well, I think I should let the new curator answer that, but one of the things that I am very interested in, and one of the things Interieur touches upon, is how your living room and the inside of your home offers the perfect space to respond to what’s going on in the world outside. There is so much focus on speed in today’s world and we tend to think of the home as something that balances that. But in the future I think we’ll see how these new ways of living are also floating into our homes.” And if you can’t wait for tomorrow, Vermeersch’s own contemplation on Future Primitives is being presented by way of the selected design objects, Corso Blu, which embody not only the philosophical questions of the theme but also their relevance to the creative and commercial lynchpins of Interieur as an evolving event. •

Is het belangrijk voor Interieur dat Vermeersch een ontwerper is met een internationale uitstraling die ook afkomstig is uit deze streek? “Ik denk dat je dat beter aan het team vraagt,” zegt hij bescheiden, “maar ik kan de Biënnale wel een nieuwe impuls geven door het evenement op een originele manier te benaderen. Omdat ik internationaal werk, kan ik Interieur helpen in een internationale context te plaatsen. En omdat ik afkomstig ben uit deze streek, begrijp ik ook de plaatselijke cultuur en mentaliteit.” Wat brengt de toekomst voor Interieur? “Ik kan deze vraag beter laten beantwoorden door de volgende curator, maar één van de dingen waarin ik geïnteresseerd ben en die Interieur ook aanstipt, is hoe je woonkamer en de binnenkant van je woning de perfecte ruimte biedt om te reageren op wat gebeurt in de buitenwereld. In de wereld van vandaag is snelheid heel belangrijk, en we zijn geneigd te denken dat onze woning iets is wat dit in evenwicht brengt. Ik denk dat we in de toekomst zullen zien hoe deze nieuwe manieren van leven ook tot uiting komen in onze woning.” Voor wie niet tot morgen kan wachten: Vermeersch’ eigen reflecties over Future Primitives worden voorgesteld in Corso Blu, een selectie van designobjecten die de filosofische vragen van het thema belichamen, maar die ook relevant zijn als creatieve en commerciële hoekstenen van Interieur als een evenement in ontwikkeling. •

Vermeersch’s own contemplation on Future Primitives as presented in Corso Blu (1), 6 Tipsy glasses by Loris & Livia (2), Express table by Eliumstudio for Superette (3), Koloro desk & stool by Torafu Architects for Ichiro (4)

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CH-CH-CH-CHANGES Interieur Design Biennale: the Xpo community From a sprawling megalopolis to a compact cityscape, our experiences of living environments are as diverse as the people and places that define their fabrics, interwoven with the memories of the past and hopes for the future. Constancy and flux are part of the deal, so how will Interieur plot its course across the Xpo halls of Kortrijk? EMMA FIRMIN

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Change will be experienced in many ways during the Interieur Design Biennale 2012. As the curator, Lowie Vermeersch has chosen to take the metaphor of the city – minus its congestion and pollution – further than words and is determined to make the event a “coherent visitor experience,” regardless of its multiple locations. It comes as welcome news that it was time to “let go of a rigid, grid-based floorplan” and streamline the experience without sacrificing the desire to make it a “true journey of discovery.” So it’s goodbye to hall trudging and sidelined feature exhibitions and hello to “open squares and diagonal boulevards… where experiences and meetings are central components.” So, map in hand, all senses alerted, what can visitors expect from this mix of commerce and culture at the Biennale’s Xpo location? Well apart from all the national and international exhibitors, one of the most striking departures this year is the absence of a solo guest of honour. Favouring the plurality of design in today’s networked world makes sense and underlines Vermeersch’s belief, in accord with the very roots of the Biennale, that the

Tijdens de Design Biënnale Interieur 2012 gaat het om verandering, op vele manieren. Curator Lowie Vermeersch koos voor de metafoor van de stad – zonder de verkeersopstoppingen en vervuiling – en is vastbesloten om van het evenement een “coherente bezoekerservaring” te maken, ondanks de verschillende locaties. Een gestroomlijnde ervaring ook, maar eveneens een “echte ontdekkingsreis”. Verfrissend is alvast het idee om “het strakke, op een rooster gebaseerde grondplan los te laten”. Met andere woorden: vaarwel aan het gesjok door de zalen van de ene stand naar de andere, en welkom aan de ‘open pleinen en diagonale boulevards… waar alles in het teken staat van ervaren en ontmoeten. Wat mogen de bezoekers, met de kaart in de hand en alle zintuigen op scherp, verwachten van de mix van commercieel en cultureel op de Xpolocatie van de Biënnale? Naast alle binnenen buitenlandse standhouders, is er dit jaar geen solo-eregast. Een logische keuze in het kader van de pluraliteit van design in de hedendaagse wereld van netwerken, en passend bij Vermeersch’ visie – en de oorsprong van de Biënnale – dat dit een evenement is over “binnenleefruimtes, niet louter over designvoorwerpen”. Onder de titel ‘Future Primitives’ kregen zeven designers, kunstenaars en architecten elk 60m² om een projectkamer te bouwen waarin ze hun visie kunnen tonen op de woonervaring van de toekomst. Daarbij kijken ze voorbij de horizon maar bevragen ze tegelijk de noden die de basis vormen voor die verschillende toekomstbeelden. In de Xpo zullen projecten te zien zijn van de Japanse designstudio Nendo, de Amerikaanse architect en filosoof Greg Lynn, het Nederlandse designerduo Makkink & Bey, en de Belgische combi van fotografe Fien Muller en kunstenaar Hannes Van Severen.

Future Primitives sketch by Lowie Vermeersch Project Rooms at the Xpo by Japanese design studio Nendo (1), American architect and philosopher Greg Lynn (2), Dutch design duo Makkink & Bey (3)

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event is about ‘living spaces, not just design objects’. Under the title Future Primitives, seven designers, artists, and architects have each been given 60m2 to build one project room in which to present their vision on tomorrow’s living experience, looking beyond the horizon but also questioning the primitive needs that take us to these places. At the Xpo will be the projects by Japanese design studio Nendo, American architect and philosopher Greg Lynn, Dutch design duo Makkink & Bey, and Belgian combo of photographer Fien Muller and artist Hannes Van Severen, with investigations that range from a concentration on specific elements to conceptual explorations. Vermeersch’s own take on the theme of Future Primitives can be seen in Corso Blu, a collection of familiar, new, and avant-garde designs by the likes of the Bouroullec brothers for Vitra, Pia Wustenberg and Knife & Saw. The exhibition will traverse a space of over 100m in length that cuts through the different halls, and its ‘imaginary’ windows

Vermeersch’ eigen invulling van het thema ‘Future Primitives’ is te zien in Corso Blu, een verzameling vertrouwde, nieuwe en avant-gardedesigns door onder meer de gebroeders Bouroullec voor Vitra, en Vincent Van Duysen voor Pastoe. Het tentoonstellingstraject is 100m lang en loopt door verschillende zalen. Door de ‘denkbeeldige’ ramen zijn niet alleen de voorwerpen te zien, maar kan men ook een blik werpen op de trends in interieurs en woonomgevingen. Corso Blu is één van de drie tentoonstellingen die diagonaal door de Xpo lopen. De twee andere zijn Déjà-Vu, met als curatoren Moniek E. Bucquoye en Chris Meplon (zie p. 34), over herhalingen en verwantschappen in design en over het idee van originaliteit; en Flanders Avenue, één van de eerste publieke uitstapjes van Design Platform Flanders (zie p. 48). Laatstgenoemde tentoonstelling plaatst het werk van vier Vlaamse designers - Geoffrey Brussato, Maarten De Ceulaer, Nedda El-Asmar en Michaël Verheyden - in dialoog met

Project Rooms at the Xpo by Belgian combo of photographer Fien Muller and artist Hannes Van Severen (represented by Valerie Traan Gallery) (1/2)

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5 Future Primitives, selected by Lowie Vermeersch can be seen in Corso Blu (1); The Bike Shelf by Knife & Saw (2), Stacking Vessel Soldier by Pia Wustenberg (3), Slow Chair by Ronan and Erwan Bouroullec for Vitra (4) and a lot more to discover... Mutation Chair by Maarten De Ceulaer (5) and Surfaces by Charlotte Dumoncel d’Argence (6) at Flanders Avenue

will not only show the objects but also offer views on the tendencies affecting our living environments and interiors. Corso Blu is one of three exhibitions that will diagonally navigate the Xpo, with Déjà-Vu curated by Moniek E. Bucquoye and Chris Meplon (see page 34), testing design’s double-takes and the very idea of originality, with one of Design Platform Flanders’ (see page 48) first public forays, Flanders Avenue, making up the trio. The latter sees four Flemish designers: Geoffrey Brussato, Maarten De Ceulaer, Nedda El-Asmar and Michaël Verheyden, placing their work in dialogue with four of their students/pupils, respectively Tom Lambeens, Charlotte Dumoncel d’Argence, Celina Gram and Jill Ryckaert, in a scenography by Caroline Voet that echoes the dynamic of Interieur at the Xpo. Elsewhere, the work that has made Alain Gilles (see page 32), the seventh recipient of the ‘Designer of the Year’ title will also be on display, with other special features to look out for – and hard to miss – including the 30m long Marina table that will mark the 18th birthday of Extremis. The ta-

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ble, a design by Bruno Fattorini & Partners, has been produced in Oudenaarde and brought to Kortrijk by boat, carried to the Xpo by 110 students in early October in what is described as a ‘heroic procession’ – let’s just hope that by the time it gets to the Xpo it remains in one piece! And while we’re in monumental mode, there will also be the chance to see the Czech crystal and glass producer Lasvit’s Liquidkristal pavilion, developed in collaboration with another of Interieur’s Future Primitives, Ross Lovegrove.

het werk van vier van hun studenten/leerlingen, respectievelijk Tom Lambeens, Charlotte Dumoncel d’Argence, Celina Gram en Jill Ryckaert. In een scenografie van Caroline Voet, die de dynamiek van Interieur in de Xpo doet weerklinken. 2

Bars, a bookshop, meeting places, a space for children… the view up close and from afar is certainly that of a cityscape, and Interieur at the Xpo promises to be an experience that can respond to the many-minded needs of Interieur’s design citizens, whether professional or public. Design galleries such as Sophie Lachaert, Victor Hunt, Carpenters Workshop Gallery, Valerie Traan, Judy Straten, Ampersand, and Gosserez will provide a vision of design that may be limited in editions but not in imagination – and provide plenty of thought food for those who want to debate the borders of art and design. And whether you are an Interieur virgin or practically part of the furniture, don’t miss the Ventura Interieur quarter at the Xpo. Replacing the Young Designers Fair, the majority of

Elders wordt ook het werk tentoongesteld dat Alain Gilles voor de zevende keer de titel ‘Designer van het Jaar’ opleverde (zie p. 32), naast andere blikvangers zoals de 30m lange Marinatafel waarmee Extremis zijn 18de verjaardag viert. Deze tafel, een ontwerp van Bruno Fattorini & Partners, werd in Oudenaarde gemaakt en per boot naar Kortrijk gebracht, en wordt begin oktober door 110 studenten naar de Xpo gedragen in wat een ‘heroïsche processie’ wordt genoemd – laten we hopen dat ze in één stuk in de Xpo aankomt! En nu we het toch over monumentale zaken hebben, de bezoekers zullen ook het Liquidkristal-paviljoen kunnen bezoeken van de Tsjechische kristal- en glasproducent Lasvit, in samenwerking met die andere ‘Future Primitive’, Ross Lovegrove. Bars, een boekwinkel, ontmoetingsplekken, een ruimte voor kinderen… wat u van dichtbij of veraf te zien krijgt, doet in elk geval denken aan een stad. Interieur is een ervaring die een antwoord probeert te bieden op uiteenlopende behoeften van liefhebbers van interieurdesign, professionals en andere bezoekers. Designgaleries zoals Sophie Lachaert, Victor Hunt, Carpenters Workshop Gallery, Valerie Traan, Judy Straten, Ampersand en Gosserez brengen een kijk op design die stof tot nadenken biedt voor wie graag over de grenzen van kunst en design heen het

The Lasvit pavilion by Ross Lovegrove in Hall 1 at the Xpo (1) ‘Heroic procession’: a 30m long Marina table that will mark the 18th birthday of Extremis designed by Bruno Fattorini & Partners, brought to Kortrijk by boat, carried to the Xpo by 110 students. (2)

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Bamboo-Steel Table by Nendo, represented by Galerie Sofie Lachaert (1) Camoufleur, designed by Richard Hutten, represented by Galerie Judy Straten (2) FRAGILE FUTURE III, designed by Lonneke Gordijn and Ralph Nauta, represented by Galerie Carpenters Workshop (3)

NymphĂŠa by Vaulot & DyĂ¨vre, represented by Galerie Gosserez (4) Block collection, designed by Sylvain Willenz. These containers and office accessories have all been made using a glass casting method inspired by the well-known lost-wax technique. Instead of using wax, each piece has been made and assembled by hand using Expanded Polystyrene (EPS) board as the base material. Represented by Galerie Victor Hunt (5/6)

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the Ventura Interieur programme can be seen throughout the Buda Island location. This selection includes highlights such as Belgium designer Bram Vanderbeke and a group show by Lille Design. Ventura Projects, which was initiated by Organised in Design’s Dutch founders Margriet Vollenberg and Margo Konings, first put its ‘curated design districts’ into practice in Milan with the Ventura Lambrate, and this is its first venture into Kortrijk. With a mix of individual designers, design collectives, new brands, academies and institutions, it’s good to see that Interieur isn’t internalising the mood of change, and is making its ‘temporary city’ an open one. •

debat aangaat. En of u nu een absolute nieuwkomer of een trouwe bezoeker van Interieur bent, het onderdeel Ventura Interieur in de Xpo mag u zeker niet missen. Ventura Interieur volgt de ‘Young Designers Fair’ op. Het grootste deel van het Ventura Interieur-programma is te zien op het Buda-eiland, maar deze selectie omvat ook hoogtepunten zoals werk van de Belgische designer Bram Vanderbeke en een groepstentoonstelling door Lille design. De Ventura Projects zijn een initiatief van Margriet Vollenberg en Margo Konings, de Nederlandse stichters van Organised in Design. Zij brachten hun ‘curated design districts’ voor het eerst in de praktijk in Milaan, met Ventura Lambrate. Dit wordt het eerste Ventura Project in Kortrijk. Het is goed om te zien dat Interieur, met zijn mix van individuele designers, designcollectieven, nieuwe merken, academies en instellingen, de veranderingen niet naar binnen gericht doorvoert, maar van zijn ‘tijdelijke stad’ een open stad maakt. •

Ventura Interieur at the Xpo; Hearth by Mathias De Ferm (1), Tuberack by Joeri Reynaert (2), LAMA by Rejon (3), Woven by Bram Vanderbeke (4), Tensio.Time by Nicolas Destino - Lille Design. Photo © Kevin Louage (5)

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INTERIEUR 2012 Kortrijk, Belgium Stand 552 | Hall 5

Illustration by Leonardo Sonnoli

www.abet.be

Parade Collection

design Giulio Iacchetti

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Alain Gilles: Designer of the Year It’s a grand sounding title, but the recipient of this year’s Designer of the Year award certainly doesn’t have his head in the clouds or walk around like an emperor without clothes. Alain Gilles’ work has a focus and a sensibility that is both personal and pragmatic, working with international manufacturers including Casamania, Bonaldo, Buzzispace, Galerie Gosserez, Qui est Paul, and O’sun. Issuing the award were Interieur vzw, Knack Weekend and Le Vif Weekend magazines, in collaboration with Design Museum Gent, Grand Hornu Images, and Design September. DAMN° asked Gilles to flesh out the reasons highlighted for his ‘win’. (EF) How & why are you solid? Probably because people assume I have good know-how about different production methods. In a way, I have decent know-how, but I always tend to have to guess when playing with the limits of a material or technique, and to have to feel the material, even though I sculpt everything directly in 3D and don’t do prototypes! How & why are you relevant? If someone says I am relevant as a designer I reckon it is because I design pieces that make sense, that are usable, and that answer people’s needs in the world of today. My personal threshold for judging my own designs is usually their relevance and functionality. How & why are you industrially responsible?

I always try to turn my concepts, my dreams, into things that are producible at a cost that is more or less in line with the market of an editor or potential producer. I also try to make

Het is een plechtig klinkende titel, maar de ‘Designer van het Jaar 2012’ leeft zeker niet met het hoofd in de wolken en loopt niet rond als een keizer zonder kleren. Alain Gilles’ werk is qua focus en gevoeligheid zowel persoonlijk als pragmatisch. Hij werkt met internationale producenten zoals Casamania, Bonaldo, Buzzispace, Galerie Gasserez, Qui est Paul, en o’sun. Gilles kreeg de titel van Interieur vzw, de magazines Knack Weekend en Le Vif Weekend, in samenwerking met het Design museum Gent, Grand-Hornu Images en Design September. DAMN° vroeg hem naar de redenen van deze onderscheiding. In welke zin en waarom bent u een gedegen designer? Wellicht omdat mensen ervan uitgaan dat ik een goede kennis van zaken heb over de verschillende productiemethodes. In zekere zin is dat ook zo, maar toch blijft het vaak gokken als ik speel met de grenzen van een materiaal of techniek, en moet ik het materiaal kunnen voelen - ook al maak ik alles direct in 3D, zonder prototypes! In welke zin en waarom bent u relevant? Misschien omdat ik zinvolle stukken maak, stukken die bruikbaar zijn en die aan een hedendaagse behoefte beantwoorden. Ook voor mijzelf zijn relevantie en functionaliteit een belangrijke maatstaf bij het beoordelen van mijn eigen ontwerpen. Zijn uw stukken produceerbaar Ik probeer mijn ideeën, mijn dromen altijd om te

Alain Gilles, photo © Serge Anton (1) Buzzihood for Buzzispace, flatpack(2) Tectonic side tables for Bonaldo (3)

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Big Table for Bonaldo, development drawing (1) Translation Armchair for Qui est Paul, photo by Claude Smekens © Design Vlaanderen (2) 0ne & Two, experiment for ‘Les petits riens’, a second hand - second life auction (3) Collage of Sofa Tables (red/blue/khaki/brown/ black) for Bonaldo (4) Nomad solar lamp for O’Sun (5) Container, sideboard for Casamania (6)

zetten in dingen die produceerbaar zijn tegen een kostprijs die min of meer strookt met de markt van een uitgever of een potentiële producent. Ik probeer ook producten te maken die zo duurzaam mogelijk zijn of een design hebben dat kan blijven bestaan en evolueren, zodat ze ook een tweede of derde leven kunnen krijgen. In welke zin en waarom bent u poëtisch? Door een beweging, een spanning, een discussie in het stuk zelf te leggen. Door een grafische of vrouwelijke toets toe te voegen aan overwegend mannelijke architecturale stukken. Door producten te ontwerpen die ‘simplex’ zijn: simpel, maar voldoende complex om boeiend te blijven en een verhaal te vertellen. Door mensen aan te spreken op verschillende niveaus, omdat mijn ontwerpen meestal verschillende ingangen, verschillende lagen kennen. •

products that are as sustainable as possible or have a design that can last and evolve, so they can have a second or third life. How & why are you poetic? By bringing a movement, a tension, a discussion within the piece itself. By adding a graphic or feminine touch to fairly masculine and architectural pieces. By designing products that have this simplexity: simplicity with enough complexity to remain interesting and tell a story. By addressing people on different levels, since there are usually different entry points into my designs, different layers. •

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THE Déjà-vu street Moniek E. Bucquoye

Déjà-Vu is an exhibition about design affiliations, curated by Moniek E. Bucquoye and Chris Meplon. Design involves creativity and innovation, and if an object is not innovative, in theory it’s not ‘design’. How is it then that on first seeing design objects we often ask ourselves: “Hey, is this new? Haven’t I seen this before?” In 2005 Japanese designer Naoto Fukasawa designed an aluminum chair for the Italian company Magis. It was called Déjà-Vu. In daily speech we use this term for things or situations we have already seen. But the more scientifically accepted explanation is that a sense of déjà-vu is caused by misperception. Is it true that more and more design objects look more and more alike, or is this just another instance of misperception? Objects that independently trigger a feeling of déjà-vu are deliberately juxtaposed in this exhibition. Their physical proximity allows us to put any vague impression to the test. Does this bring about a paradigm shift? Does it cause fundamental changes in our attitudes to concepts like originality and innovation? Let the debate begin. •

Déjà-Vu is een tentoonstelling over verwantschappen in design, onder curatorschap van Moniek E. Bucquoye en Chris Meplon. Design impliceert creativiteit en vernieuwing. Een voorwerp dat niet vernieuwend is, is in theorie geen design. Maar hoe komt het dan dat we bij het zien van designvoorwerpen vaak denken “Hé, is dit nieuw? Heb ik dat al niet eerder gezien?” In 2005 ontwierp de Japanse designer Naoto Fukasawa een aluminiumstoel voor de Italiaanse firma Magis. De stoel kreeg de naam Déjà-Vu. In het dagelijkse taalgebruik gebruiken we die term voor dingen of situaties die we al eerder hebben gezien. Maar een wetenschappelijk juistere uitleg is dat een déjà vu een ervaring is die wordt veroorzaakt door een foute perceptie. Klopt het dat meer en meer designvoorwerpen er meer en meer hetzelfde uitzien, of heeft ook dit met foute perceptie te maken? Voorwerpen die onafhankelijk van elkaar een déjà vu uitlokken, worden in deze tentoonstelling bewust naast elkaar gezet. Hun fysieke nabijheid laat ons toe om onze vage indrukken te toetsen. Leidt dit tot een nieuw paradigma? Leidt dit tot fundamentele veranderingen in onze houding ten opzichte van ideeën zoals originaliteit en vernieuwing? Laat het debat beginnen. •

Déjà-vu by Naoto Fukasawa for Magis (1), Basel by Jasper Morrison for Vitra (2) Bong, coffee table by Giulio Cappellini for Cappellini (3), TATTOO pouf by Maurizio Galante from Cerruti Baleri (4) Matt Ring by Objekten (5), Gloria by Norway Says from MUUTO (6)

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Interieur 2012 Hall 6, stand 607 Kortrijk Xpo, Doorniksesteenweg 216 8500 Kortrijk, Belgium N°35 Automatica Carcanapé by BLESS

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All’s FAIR Talking shop with Interieur’s exhibitors There are some 300 exhibitors taking part in the Interieur Design Biennale. Why? It might sound like an obvious question, but with the diverse and evolving channels that companies use to promote and communicate their products, it’s not mere musing. Do the time and money justify the outcomes? The innumerable design festivals, weeks and fairs, not to mention the heavyweight clout of Milan and Cologne, and events in emerging markets, mean that competition is fiercer than ever. So, how to retain relevance and make the experience of exhibiting one that fulfils commercial and creative demands? DAMN° asked regular, returning, and first-time Interieur exhibitors what such events mean for their companies. (EF) Questions: 1. Your company regularly attends/is returning/ is at Interieur for the first time, what is its specific importance for you? 2. There are so many different channels for you to communicate your company’s activities, what purpose do events like Interieur have? 3. How do you see the relationship between exhibitor, visitor and organiser evolving in the future?

THE REGULARS DuraviT Vincent Boone, general manager (BeLux)

1. Over the last couple of decades Duravit has been actively developing high quality design products in collaboration with renowned visionary designers that offer a long-term innovative perspective. Interieur is the perfect platform to showcase these new products because its visionary purpose coincides with that of our company. Visitors are likely to find what they are looking for. 2. Prior to the fair every exhibitor is judged on different aspects. The level of the Biennale is therefore very high. This

Er doen zo’n 300 exposanten mee aan de Design Biënnale Interieur. Waarom? Dat lijkt misschien een voor de hand liggende vraag, maar met alle diverse zich ontwikkelende kanalen die ondernemingen gebruiken om hun producten te promoten en te communiceren is het geen overbodige vraag. Zijn de resultaten de tijd en het geld waard? Dankzij het ontelbare aantal designfestivals, -weken en -beurzen, waaronder de meest prestigieuze van Milaan en Keulen, en evenementen in opkomende markten is de concurrentie heviger dan ooit. Hoe behoud je dus de relevantie en zorg je ervoor dat deelname aan een beurs inspeelt op commerciële en creatieve behoeften? DAMn° vroeg habitués en nieuwe Interieur-exposanten wat een evenement zoals Interieur voor hun onderneming betekent. Vragen: 1. Uw onderneming is regelmatig/opnieuw/voor het eerst aanwezig op Interieur, wat is het specifieke belang van deze beurs voor u? 2. Er bestaan vele verschillende kanalen om de activiteiten van uw onderneming te communiceren. Welk specifiek doel heeft een evenement als Interieur voor u? 3. Hoe denkt u dat de relatie tussen exposant, bezoeker en organisator zich in de toekomst zal ontwikkelen? REGELMATIGE EXPOSANTEN Duravit BELUX Vincent Boone, algemeen directeur 1. De afgelopen decennia ontwikkelde Duravit hoogwaardige designproducten in samenwerking met bekende designers met een visie en een vernieuwend langetermijnperspectief. Interieur is het

The You-Turn was first introduced by Delta Light during Interieur Design Biennale 2010. Because of its success, the You-Turn has now been extended into a complete set of lighting solutions comprising of ceiling surface and track lighting, and made into a special module in combination with the Splitline. (1) Tweeter is one of the most remarkable newcomers in the Delta Light collection. Available in ceiling recessed and ceiling surface-mounted versions, Tweeter introduces new levels of flexibility, both in movement and in lighting application. (2) Nahho floatation tub designed by Eeos for Duravit (3)

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creates an environment that enables the visitor to have all their senses stimulated: look, hear, touch, feel and taste. 3. The organiser gives certain directives, creating a framework. The exhibitor then has to show the necessary creativity in presenting itself and its products. The visitor is free to decide whether a stand is worth a visit. We donâ&#x20AC;&#x2122;t see any major changes in this fairly traditional pattern. The ecological aspect will inevitably become more important. Most fairs already offer online platforms that allow visitors to review products they were interested in at the fair at a later time in their homes. Delta Light (BE) Reggy Van den Branden, marketing manager

1. Interieur is still considered to be a unique and trendsetting occasion within the design & architecture world. Its focus on quality, innovation and content is a good match with the core values of Delta Light. Furthermore, it is the number one design event in our home market, in close proximity to our headquarters. 2. Itâ&#x20AC;&#x2122;s an excellent opportunity to meet our target audience face-to-face. An occasion to launch new collections and get instant feedback. Personal contact is a very important aspect of our approach. 3. With the continuous evolution of multimedia, the Internet and peopleâ&#x20AC;&#x2122;s busy agendas, it is a challenge for both organisers and exhibitors to provide good and attractive content that convinces visitors to come. The exchange of information happens on different platforms, an event like Interieur needs to have enough relevance to get people to move away from their desks.

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Abet Laminati (IT) Johnny Maris, general manager (BE)

1. Interieur is one of the most prestigious design events in Western Europe. At Interieur, Abet Laminati is able to present the company’s ideas and solutions in an inspiring space that we create specifically for this exciting event. Interieur delivers a number of marketing objectives, from brand building through to product demonstration and b2b contact with verified professional visitors. 2. Traditional advertising and communication tools seek to communicate appropriate messages to core audiences. Exhibitions and events like Interieur allow Abet Laminati to go one step further and engage in the power of ‘live’ conversation with our target audience. Interieur brings our brand messages alive. Events like Interieur are one of the most effective mediums for establishing and maintaining customer relations. In an increasingly digital age, they are the only media where buyer, seller and product physically come together. 3. An event like Interieur attracts strong brands and visitors from all over Europe, providing a platform to build relationships between exhibitors and visitors. One of the principle challenges is to understand how technology (e.g. digital environment, social media etc) may enhance the exhibition experience in the future.

perfecte platform om deze nieuwe producten te presenteren, omdat deze beurs dezelfde visionaire inslag heeft als onze onderneming. Hier hebben bezoekers grote kans om te vinden wat ze zoeken. 2. Voorafgaand aan de beurs wordt elke exposant op verschillende aspecten beoordeeld. Het niveau van de Biënnale is dan ook bijzonder hoog. Zo wordt een omgeving gecreëerd waarin alle zintuigen van bezoekers worden gestimuleerd: gehoor, zicht, reukzin, tast en smaak. 3. De organisator stelt richtlijnen op en creëert zo een kader. Het is aan de exposant om zichzelf en zijn producten creatief te presenteren. De bezoeker beslist zelf of een stand een bezoek waard is of niet. We verwachten geen grote veranderingen in dit vrij traditionele patroon. Het ecologische aspect zal onvermijdelijk belangrijker worden. Veel beurzen bieden nu al onlineplatforms waar bezoekers producten die ze op de beurs interessant vonden op een later tijdstip thuis kunnen bekijken. Dit vermindert de hoeveelheid gedrukte media, zoals productbrochures. Delta Light (BE) Reggy Van den Branden, marketingmanager 1. Interieur wordt nog steeds beschouwd als een uniek en trendsettend gebeuren in de wereld van design en architectuur. De focus op kwaliteit, innovatie en inhoud past goed bij de kernwaarden van Delta Light. Bovendien is Interieur het belangrijkste designevenement in onze thuismarkt, vlak bij ons hoofdkantoor. 2. Het is een uitstekende gelegenheid om onze doelgroep persoonlijk te ontmoeten, het biedt mogelijkheden om onze nieuwe collecties te introduceren en om direct feedback te ontvangen. Persoonlijk contact is een heel belangrijk aspect van onze benadering.

Digital Print patterns, part of the new collection PARADE, designed by Giulio Iacchetti for Abet Laminati

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Meet us at

KORTRIJK BELGIUM

KORTRIJK XPO / HALL 6, STAND 626

Adnet Circulaire Mirror designed by Jacques Adnet GUBI @GUBI.COM WWW.GUBI.COM

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THE FIRST-TIMERS De La Espada (PT) Luis De Oliveira, managing director

1. We have always admired Interieur, going back to a visit that could have been as early as the year 2000. It is among the bestcurated small exhibitions that we know. 2. Exhibitions remain for us the most important means of communication, alongside the Internet and social media. We have our issues with the current format and the cost of many exhibitions; we believe there should be more local exhibitions and these should be of a higher standard but at a lower cost, compared to the very large exhibitions that dominate the current scene. 3. We want to see a world where exhibitors focus on content and entertainment, with lower rental costs, and where exhibition organisers focus on raising revenue from visitors, providing them with a complete experience: food, accommodation, events, entertainment, retail etc. The idea of a fabulous department store or an inspiring market is the way forward, rather than the trade focused old-fashioned exhibition. Gubi (DK) Louise B Zastrow, creative director – brand & communication

1. Interieur is known for its uncompromising international selection of contemporary interior design products, and that is something we want to support, and it’s the right context for our brand. On top of that, Interieur is not only a trade fair, but it is also open to the public. It has become an international fair that attracts a lot of attention and also has a cultural context that is very interesting to follow. 2. We only participate in events when the design community is listening and ready to share the news – so this is a great

3. Met de zich voortdurend ontwikkelende multimedia, internet en de drukke agenda’s van mensen is het zowel voor organisatoren als exposanten een hele uitdaging om goede en aantrekkelijke content te bieden die bezoekers kan overtuigen om te komen. Uitwisseling van informatie gebeurt op verschillende niveaus. Een evenement als Interieur moet voldoende relevantie hebben om mensen achter hun bureau vandaan te kunnen lokken. Abet Laminati (IT) Johnny Maris, algemeen directeur (Abet België) 1. Interieur is één van de meest prestigieuze designbeurzen van West-Europa. Op Interieur kan Abet Laminati ideeën en oplossingen presenteren in een inspirerende ruimte die we speciaal voor dit evenement creëren. Interieur leent zich voor tal van marketingdoeleinden, van brand building over productdemonstraties tot b2b-contact met professionele bezoekers. 2. Traditionele reclame- en communicatiemiddelen bereiken een kernpubliek met een one-sizefits-all boodschap. Beurzen en evenementen als Interieur bieden Abet Laminati daarentegen de mogelijkheid om een stap verder te gaan en gebruik te maken van de kracht van een ‘live gesprek’ met de doelgroep. Interieur brengt merkboodschappen tot leven. Het behoort tot de meest effectieve media om klantrelaties aan te gaan en te onderhouden. In een toenemend digitaal tijdperk zijn dit soort beurzen de enige media waar koper, verkoper en product fysiek samenkomen. 3. Een evenement als Interieur trekt sterke merken en bezoekers uit heel Europa aan en vormt zo een platform om interactieve relaties op te bouwen tussen exposanten en bezoekers. Eén van de belangrijkste uitdagingen is begrijpen hoe technologie (digitale omgeving, sociale media, etc.) de beurservaring in de toekomst kan verbeteren. NIEUWE EXPOSANTEN De La Espada (PT) Luis De Oliveira, directeur 1. We hebben Interieur altijd bewonderd; ons eerste bezoek dateert geloof ik van 2000. Het is één van de best beheerde kleinere beurzen die we kennen. 2. Beurzen blijven voor ons het belangrijkste communicatiemiddel, naast internet en sociale media. We hebben enige bezwaren tegen het huidige formaat en de kosten van veel beurzen. Naar ons idee zouden er meer lokale beurzen moeten zijn, en dan van een hoger niveau en tegen lagere kosten dan de hele grote beurzen die momenteel de designwereld domineren.

Bestlite, GUBI (1) Matégot Coatrack black, GUBI (2) Armstrong Sofa by Matthew Hilton for De La Espada (3) Master Chair by Autoban for De La Espada, launched at the Interieur Biennale (4) Matthew Hilton accessories for De La Espada (from left to right): Industry, Cocoon (background), Honeycomb (foreground), Drop. To mark five years of his eponymous brand, Matthew Hilton launched a range of accessories made from machined solid brass at the London Design Festival and these are being exhibited at the Interieur Biennale (5)

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platform for creating attention for a new product, showing our brand and what we stand for. A lot of our products are also more globally oriented and not only Danish design; for example the collections by French designers Mathieu MatĂŠgot and Jacques Adnet, from which we will be showing new products here. 3. Hopefully we can collaborate even more in order to grow and develop the traditional fair into a wider and more exciting experience. We are very happy to see that this is changing these days, with everyone being allowed to tell their real story and create more experiences to inspire our customers.

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3. Wij zien graag een wereld waarin exposanten zich focussen op inhoud en entertainment, met lagere huurkosten, en waar organisatoren zich richten op het genereren van inkomsten van bezoekers door hen een totaalervaring te bieden: catering, accommodatie, evenementen, entertainment, retail, etc. Het idee van een grootwarenhuis of een inspirerende markt is waar we naartoe moeten, in plaats van de ouderwetse handelsgerichte beurs.

LEICHT Küchen (DE) Harald Blessing, export manager

1. Interieur is a very important contact platform for meeting architects and designers. It is also important for the cultivation of our clientele and it gives us the opportunity to get in contact with new customers in our target group. 2. We can have direct contact with the opinion leaders in the market. We can show our kitchens, our design, our quality, all live. Independent from exhibitions and fairs, we also use all other channels of communication with our customers: online, print, and social media. 3. There should be a close cooperation between the exhibitor and the organiser, to install a successful fair that is interesting for visitors. All interests should be taken into consideration.

Gubi (DK) Louise B Zastrow, creatief directeur - merk & communicatie 1. Interieur staat bekend om zijn fantastische internationale selectie van hedendaags interieurdesign. Dat is iets wat we willen steunen – het is een context waarin we ons merk graag zien. Bovendien is Interieur een handelsbeurs die ook toegankelijk is voor het grote publiek. Het evenement is uitgegroeid tot een internationale beurs die veel aandacht trekt, met een interessante culturele context. 2. We doen alleen mee aan evenementen als de designcommunity bereid is om te luisteren en te delen – dit is dus een geweldig platform om de aandacht op een nieuw product te vestigen, ons merk te presenteren en duidelijk te maken waar we voor staan. Veel van onze producten zijn mondiaal georiënteerd. We hebben Deens design maar ook bijvoorbeeld collecties van de Franse designers Mathieu Matégot en Jacques Adnet die we tijdens Interieur zullen tonen. 3. Hopelijk kunnen we nog nauwer samenwerken om de traditionele beurs te laten uitgroeien en ontwikkelen tot een bredere en spannende ervaring. Het doet ons erg veel plezier om te zien dat deze evolutie al gaande is, zodat iedereen zijn eigen verhaal kan vertellen en meer ervaringen kan creëren om klanten te inspireren.

Tocco, the new kitchen line by LEICHT Küchen with accents in retro colours. (1/2) Vase from the Variations collection by Patricia Urquiola for Baccarat (3) Bear and Duck from the Zoo collection by Jaime Hayon for Baccarat (4/5)

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THE RETURNERS Baccarat (FR) Barend Van Mullem, area director Benelux Greece/Scandinavia/Spain/Switzerland/ Portugal

LEICHT Küchen (DE) Harald Blessing, exportmanager 1. Interieur is een heel bijzonder contactplatform waar je architecten en designers kunt ontmoeten. Het is ook belangrijk voor de aangroei van onze clientèle en biedt ons de gelegenheid om in contact te komen met nieuwe klanten in onze doelgroep. 2. We kunnen direct contact hebben met opinieleiders in de markt. We kunnen onze keukens, ons design en onze kwaliteit live laten zien. Naast beurzen en tentoonstellingen maken we ook gebruik van alle andere communicatiekanalen: onlinemedia, gedrukte en sociale media. 3. Voor een succesvolle beurs die interessant is voor bezoekers is een nauwe samenwerking tussen exposant en organisator noodzakelijk. Daarbij moet rekening worden gehouden met alle belangen.

TERUGKERENDE EXPOSANTEN Baccarat (FR) Barend van Mullem, area director Benelux/Griekenland/Scandinavië/Spanje/Zwitserland/Portugal 1. Baccarat geeft al sinds 1764 uiting aan de Franse art de vivre […] Baccarat staat voor geschiedenis en moderniteit, dus het was een logische keuze om terug te keren naar Interieur om onze collecties met onder meer Philippe Starck, Jaime Hayon, Patricia Urquiola, Arik Levy en Michele de Lucchi te presenteren. 2. Het merk heeft de afgelopen decennia befaamde iconische producten ontwikkeld en zet deze opnieuw in de schijnwerpers via moderne interpretaties van toonaangevende designers of van het eigen designteam. Baccarat is een internationale onderneming van Franse origine die bijzonder succesvol is in Europa en die een sterke positie bezet in opkomende markten. Wij willen een ware luxe shop-ervaring creëren via een netwerk dat

1. Baccarat has been the expression of a French art de vivre since 1764 […] Baccarat stands for heritage and modernity, so it was logical to return to Interieur to showcase our collections of Philippe Starck, Jaime Hayon, Patricia Urquiola, Arik Levy and Michele de Lucchi, among others. 2. The brand has been developing distinguished iconic products over the decades and has reinvested them via modern interpretations with leading designers or its own in-house design team. Baccarat is an international company building on unrivalled French performance in Europe, while presenting strong positions in emerging markets. We want to ensure a true luxury shopping experience, delivered through a network dominated by retail, in order to increase control on Baccarat’s brand image, while also relying on a perfectly managed wholesale network and alternative channels (e.g. A&D, ecommerce). Interieur is a unique platform for achieving these objectives. 3. For Baccarat, the interaction between the exhibitor, visitor, and organiser contributes to a relationship of a high standard, enabling us to expand the brand to an even broader, still very discerning audience, without compromising on our quality.

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Lensvelt (NL) Hans Lensvelt, director

1. I thought it was the perfect occasion to present to an international audience the new programme my company has developed, On Stock. 2. Lensvelt manufactures innovative interior solutions to satisfy people and companies in every work, play, relax and think space, all to inspire architects and interior designers to do the unexpected. Brands and brand value is getting more and more important, especially for a company like Lensvelt. We do live in one world. A world that is more and more overpopulated by super large companies such as Ikea and MacDonald’s, which want to dictate our tastes, opinions and even our dreams. Shops are getting less important. They evolve into experience centres where potential buyers are triggered by the Internet and manipulated by search machines such as Google. At Lensvelt we focus on architects and interior designers as the most important influencers of the buying process of companies. [Therefore] I see Interieur as the best interface to inform those architects and interior designers. 3. It’s hard to say how this relationship will evolve, but for sure, as I’ve tried to explain, as an entrepreneur I will always need to join this kind of event where I can have direct contact with people from the design environment. •

voornamelijk bestaat uit retail, om de controle van Baccarat op het merkimago te vergroten. Maar we vertrouwen ook op een perfect beheerd netwerk van groothandels en alternatieve kanalen (zoals A&D en e-commerce). Interieur is een uniek platform om deze doelstellingen te verwezenlijken. 3. Voor Baccarat bevordert de interactie tussen exposant, bezoeker en organisator een hoogwaardige relatie om het merk te kunnen uitdragen naar een nog breder maar kritisch publiek, zonder afbreuk te doen aan onze kwaliteit. Lensvelt (NL) Hans Lensvelt, directeur 1. Het leek mij de perfecte gelegenheid om On Stock, het nieuwe programma dat mijn onderneming heeft ontwikkeld, te presenteren aan een internationaal publiek. 2. Lensvelt ontwikkelt zowel voor particulieren als bedrijven vernieuwende interieuroplossingen voor elke werk-, speel-, relax- of denkruimte en daagt architecten en interieurdesigners uit om voor het onverwachte te gaan. Merken en merkwaarde worden steeds belangrijker, zeker voor een onderneming als Lensvelt. We leven allemaal samen in één wereld. Een wereld die steeds meer overspoeld wordt door enorme bedrijven als Ikea en McDonald’s die onze smaak, meningen en zelfs dromen willen beïnvloeden. Winkels worden minder belangrijk. Die veranderen in ervaringscentra waar potentiële kopers worden getriggerd door internet en gemanipuleerde zoekmachines als Google. Bij Lensvelt richten we ons op architecten en interieurdesigners als belangrijkste beïnvloeders van het koopproces van bedrijven. Daarom zie ik Interieur als de beste interface om deze architecten en interieurdesigners te informeren. 3. Het is moeilijk te voorspellen hoe deze relatie zich zal ontwikkelen, maar zoals ik al vertelde, zal ik als ondernemer altijd meedoen aan dit soort evenementen waar ik rechtstreeks contact kan hebben met mensen uit de designerwereld. •

4 LENSVELT ON STOCK. The Dutch contract manufacturer Lensvelt, has made an exciting selection of products from its Collection, that can be delivered within a week. That Chair by Richard Hutten (1) AVL Office Chair by AVL Joep van Lieshout (2) &P&H#1 stool by Ronald Hooft and Dirk Prast (3) Foldable Desk by Paolo Rizzatto & Franciso Gomez Paz (4)

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styles in carpet tiles

ALTERNATIVE100 900

Alternative100. Hot couture! Style, class, charisma… creating the right setting can do wonders. Take hotel and office spaces to a higher level by styling the floor with modulyss Alternative100 carpet tiles. Next to beautiful, daring colours – a perfect match with the Cambridge collection – the structure of Alternative100 adds a fancy flair to each floor. This ecological loop pile tip sheared carpet tile – known for its stylish look de luxe – is made from 100% recycled nylon yarn (Econyl). Hot tuft! ®

Visit us @ Interieur, Hall 6 #606 More information: modulyss | T +32 (0)52 45 72 11 | info@modulyss.com | www.modulyss.com ®

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Designregio Kortrijk presents 5x5 Designregio Kortrijk aims to position the Kortrijk region as an area that uses design as a lever for its development. It directs its activities at a better integration of design culture in the region’s industrial fabric, in education, and in the public and cultural sectors. The result of a partnership between the city of Kortrijk, Interieur Foundation, Howest, Intercommunale Leiedal and the Flemish Chamber of Commerce (Voka West Flanders), Designregio Kortrijk is also a founding member and, since this year, regional hub of Design Platform Vlaanderen. A supplier of goods and services must continuously anticipate the market’s emerging needs and society’s ongoing changes. To do so successfully requires a coherent and effective approach. Cooperating and collaborating with an experienced designer offers the opportunity to generate new insights and helps to design and develop new products or services with lasting added value. As such, Designregio Kortrijk developed the 5X5 concept, which takes place for the third time after its successful debut in 2006. Over the course of a year, five businesses from the Kortrijk region team up with a leading designer, receiving substantial support throughout the process. • The five design couples this edition are: (hall5, Xpo) OUTDOOR WOOD CONCEPTS + Roel Vandebeek (1) DE WITTE LIETAER + Stefan Schöning (2) BMINUS + GBO (Eric Dumortier) (3) GROUP DE KEYZER/ALKE + Alain Berteau (4) LS BEDDING + Alain Gilles (5) 5x5 is part of the EFRO project Humin (n° 610, 2011-2013). The project helps in creating a competitive advantage through ‘people centred innovation’: innovating with and for the end user. Humin is set up by Genk/C-mine and Designregio Kortrijk, with the support of Flanders and Europe. 5X5 is coordinated by Kris Dekeyzer. www.designregio-kortrijk.be/projectlijnen/5x5

OUTDOOR wood concepts

personalize your façade 4

Designregio Kortrijk positioneert de streek als een regio die design gebruikt als hefboom voor haar ontwikkeling. Haar activiteiten zijn gericht op de integratie van designcultuur in het industriële weefsel, in het onderwijs en in de openbare en culturele sector. Designregio Kortrijk is het resultaat van een samenwerkingsverband tussen de stad Kortrijk, Interieur Foundation, Howest, de intercommunale Leiedal en het Vlaams netwerk van ondernemingen (Voka West-Vlaanderen). De organisatie is stichtend lid van en, sinds dit jaar, een regionaal centrum van Design Platform Vlaanderen. Elke producent moet inspelen op nieuwe behoeften van de markt en op veranderingen in de maatschappij. Een coherente, efficiënte aanpak is daarvoor noodzakelijk. Samenwerken met ervaren ontwerpers biedt de mogelijkheid om nieuwe inzichten te genereren en helpt om nieuwe producten of diensten met een blijvende meerwaarde te ontwerpen en ontwikkelen. Daarom werkte Designregio Kortrijk het concept 5X5 uit, dat na een succesvol debuut in 2006 nu voor de derde keer plaatsvindt. Een jaar lang werken vijf ondernemingen uit de regio Kortrijk samen met een topontwerper. •

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Design platform VLAANDEREN: nice to meet you! The bustling Flemish design landscape is internationally recognised as a designminded region. To strengthen design at home and abroad, five key organisations combine forces in the Design Platform Vlaanderen. Those five - Design Flanders, Flanders InShape, Flanders Fashion Institute, Designregio Kortrijk, and Design Hub Limburg - are supported by the Flemish ministers of economy (Enterprise Agency), innovation and culture. • Connect, enhance, transform Design Platform Vlaanderen is developing a strategic policy for Flemish design and promotes this at home and abroad. At the INTERIEUR Biennale 2012 the platform presents itself for the first time, and it does so as:

- DESIGN FUSION: Flanders Design Summit 2012 Monday, 22 October, Kortrijk Xpo Meeting Center XXL. Annita Beysen, Marcus Fairs, Max Fraser, Ineke Hans, Jaime Hayon James Irvine, Koen Verhaert, Dirk Wynants,... give inspiring lectures. Registration required: www.designplatformvlaanderen.be - FLANDERS AVENUE: 20-28 October, Kortrijk Xpo. In one of the diagonals of the Biennale, top Flemish designers exhibit together with the young talents. The duos are: Geoffrey Brusatto and Tom Lambeens, Maarten De Ceulaer and Charlotte Dumoncel d’Argence, Nedda El-Asmar and Celina Gram, and Michaël Verheyden and Jill Ryckaert. The scenography is by architect Caroline Voet. - PROJECT ROOM MULLER-VAN SEVEREN: 20-28 October, Kortrijk Xpo. Design Platform Vlaanderen promotes Flemish design and talent in an international context, and presents this top Flemish designer duo in one of the seven project rooms. (1) - VENTURA INTERIEUR: 20-28 October, Kortrijk Xpo & Buda Island. Sixteen designers enthusiastically display their objects. Design Platform Vlaanderen selected them after an open call and finances their position amongst other (inter)national participants in Ventura Interieur. (2) - DRESS A HOST(ESS)!: 20-28 October, Kortrijk Xpo & Buda Island. Damien Ravn won the DRESS A HOST(ESS)! competition - a joint initiative of Design Platform Vlaanderen and Interieur - and is clothing the hosts and hostesses in this edition of the Biennale. These projects are supported by Flanders in Action and Enterprise Agency.

www.designplatformvlaanderen.be

Het bedrijvige Vlaamse designlandschap wordt internationaal erkend als een designminded regio. Om design in binnenen buitenland te versterken, bundelen vijf kernorganisaties de krachten in het Design Platform Vlaanderen. Die vijf - Design Vlaanderen, Flanders InShape, Flanders Fashion Institute, Designregio Kortrijk en Design Hub Limburg – worden ondersteund door de Vlaamse ministers van economie (Agentschap Ondernemen), innovatie en cultuur. Design Platform Vlaanderen ontwikkelt één strategisch beleid voor Vlaams ontwerp en promoot dit in binnenen buitenland. Op de Biënnale INTERIEUR 2012 komt het platform voor het eerst naar buiten, en wel zo: - DESIGN FUSION: Vlaanderen Design Summit 2012, maandag 22/10/2012, Kortrijk Xpo Meeting Center XXL. - FLANDERS AVENUE: Kortrijk Xpo. - PROJECT ROOM MULLER-VAN SEVEREN: Kortrijk Xpo. (1) - VENTURA INTERIEUR: Kortrijk Xpo & Buda eiland. (2) - DRESS A HOST(ESS)!: Kortrijk Xpo & Buda eiland. Deze initiatieven worden gecofinancierd door Vlaanderen in Actie en het Agentschap Ondernemen.

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Secured comfort and well being. Public becomes private. #001 EarChair by Jurgen Bey, Studio Makkink & Bey

PROOFF presents #006 SideSeat during Orgatec Kรถln @ Design Post Kรถln 23 - 27 October 2012 | 11.00 - 20.00 POP-UP SHOWROOM LONDON Foundation Studio, Unit 1, 49-59 Old Street, London, EC1V 9HX (open upon appointement)

www.prooff.com

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UNFOLDING THE MAP Belgian Design: a matter of identity Even though the Interieur Biennale has a global reputation as an international platform, it is the moment when Belgian companies have the time, space & context to shine. Plucking out just a few of the country’s brands and designers on show, diverse exhibitors provide a number of clues for those in search of a national design identity. Dieter Van Den Storm

Not so long ago I sat in on a debate on design and national identity (What The Helsinki! Culture Through Design, La Fabrika, Brussels, 2012.) The different people taking part all agreed quite unanimously that it is easier to define another country’s design then one’s own. When we spoke about Scandinavian design, we all confirmed that there are certain recurrent elements such as working with natural materials like wood. Dutch design is strongly embedded in cultural references. The French is about ‘les arts décoratifs’. And the Italian like it a bit more extravagant. Broad strokes and nuances make up the map of commonalities – that’s a given – but, shifting or rooted in its DNA, there are clearly recognisable identities. But defining Belgian design was a harder thing to do. Is it design from Belgium or should we speak about objects designed in Belgium? First of all, we don’t have a major institute educating young designers as they do at the RCA in London, ECAL in Lausanne or the Design Academy in Eindhoven. Most of our designers are self-made, architects and interior architects turned into designer, or product designers, returning after a formation abroad. Secondly, our designers are

forced to break out. Living in a smaller market where the actual manufacturing opportunities are much harder to find, they aim their targets as high as they can, working for leading international companies. And they are rather successful at it. A quick checklist gives you Belgian Designer of the Year, Alain Gilles (see p32), who works for Italian companies such as Bonaldo and Casamanie; Sylvain Willenz, one of the busiest Belgian talents, and his designs for Cappellini, Karimoku and Established & Sons; while, those designers like Vincent Van Duysen and Xavier Lust, to name just two, have been working across borders for some time.

An international event like Interieur is proof that there are a lot of Belgian companies worth exposing and able to compete on an international scale. The industrial heritage of Kortrijk and the surrounding area was once world renowned for textiles, yet over the years this diminished and other industries have taken over. The outdoor

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Pole collection by Studio Segers for Mookum

market, with companies such as Extremis, Manutti and Royal Botania, makes its presence felt and shows how the Belgian weather doesnâ&#x20AC;&#x2122;t dampen enthusiasm for life outside. The lighting industry is also strong, with one of the best export products at the moment. Companies including Modular, Wever & DucrĂŠ and Dark, all specialise in different sections, from spotlights

and LEDs to smile-inducing illumination. A lighting company such as Delta Light has also discovered the strength of collaboration and worked together with fashion designer Tim Van Steenbergen, creating his own light based on an existing model. This fashion designer is being picked up by more than media headlines, with textile company Aristide asking him to create

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patterns and textiles for the home sector. Done well, these kinds of exchanges can give different companies the exposure they want and need, and consumers a product that is the result of different ways of thinking. For example, in recent years companies like Serax, which specialises in all kinds of tableware and home accessories, has invested in some original collaborations, such as the designer/chef partnerships between Nedda El-Asmar/ Wout Bru, and Ann Van Hoey /Peter Goossens. Another Belgian talent is Brussels-based designer Jean-François d’Or. He has objects in production with the French company Ligne Roset and Domani. At Interieur he presents some new mirrors for REFLECT+. A new brand from Belgian mirror producer Deknudt, this combination of strong ideas matched by smart material choices and inventive insights, is interpreted by companies in various forms and functions throughout Interieur: Vasco’s heating concepts; Novy’s cooker hoods; and Modulyss’ carpet tiles. And if you think about Interieur refocusing on living environments, it’s just these kinds of exhibitors

that you should visit to have daily impact on your life. Continuing the theme in another place and space, Bart Lens is showing his own designs under the name Objet B’Art, while the young company Basalte shows that touch-sensitive switches are not the future but the present. And in this head-rush of activity, new furniture and home accessory company Mookum puts exclusive objects from Belgian designers under the spotlight. Surprising, innovative, flexible, and with survival skills, maybe these characteristics, rather than any visual signposts, point to an identity that can be read by any language or culture. • 3

Red Lable Bokz by Royal Botania (1) Smile by Wever & Ducré (2) Converse by Modulyss (3)

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UP_SIDE

a new generation of cookerhoods

www.novy.com

THE SILENT COOKER HOOD

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MANUTTI Kortrijk Xpo, Hall 2, stand 220

Modular Lighting Instruments Armoedestraat 71, 8800 Roeselare

With its worldwide network, fairs are an essential platform for Modular to meet its international dealers and clients. Participating in the Italian and German shows of Euroluce and Light & Building respectively, the company’s press & communication’s manager, Els Kerckhof, sees the synergy with Kortrijk’s biennale: “Interieur is important in the way that it is a milestone within our company to launch novelties.” This year the company will be showcasing new designs at its headquarters in Roeselare during Interieur, with its authentic approach summed up by Kerckhof when she notes that it remains “faithful to our design process by working with some internal designers, in collaboration with the typical Modular external designers. Mainly for DNA reasons…” Kerckhof words reflect Modular’s precision and breadth of perspective: “Our core business is architectural lighting, we expect far more than just design. It’s the ultimate combination between technology and design...Hasselt, Antwerp and Kortrijk have education programmes for product developers/designers and we work with them on a regular basis.” www.supermodular.com

For Stephane De Winter, the CEO of Manutti, since the last Interieur, the company has been moving its furniture for outdoor living spaces in a more design-led direction. Developing its international profile, it has become a key player in Europe and has set America in its sights. When it comes to the current economic context, De Winter’s message is clear: “Manutti didn’t stop evolving. We didn’t deteriorate.” And, with good responses from clients at a range of events, and collaborations with Belgian designers such as Gerd Couckhuyt, whose work includes the Mood lounge and coffee tables, De Winter is confident about the company’s decisions. But what about the broader Belgian design context? At the moment, De Winter thinks “there is a good collaboration between schools, like the Howest in Kortrijk and the KHLim in Diepenbeek, and companies. They invest in design and the presentation of furniture, and we have to keep on stimulating that in the future.” www.manutti.com

Elements collection designed by Gerd Couckhuyt for Manutti (1) Chapeau, designed in cooperation with Couvreur-Devos for Modular (2/3)

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Fusion Tables Hall 4, stand 412

Deknudt Mirrors, REFLECT+ Kortrijk Xpo, Hall 4, stand 447

Deknudt is another Belgian company for whom the last couple of years have been intensive, what Annemie Vanzieleghem, in-house designer and head of Design and R&D, describes as “special and hectic”. The company started developing, producing and selling a totally new exclusive mirror collection, working with external designers Bart Lens, Stefan Schöning and Jean-François D’or for its Reflect+ collection (on show at Interieur), and developing a concept with MADE (design studio), which Vanzieleghem says should be ready in January 2013. Vanzieleghem cheers on such initiatives like the BUDA Factory, seeing the special labs and codevelopment projects as a way to “stimulate the cooperation between industry and product design students.” However, Vanzieleghem’s points out the company’s obligations to its consumers: to make good, well-designed products, which are conscious of price accessibility. And while this last word is one Vanzieleghem associates with the idea of a Belgian design identity, she doesn’t confuse characteristics with content. www.deknudtmirrors.com

With its sociable designs that mix long-held experiences of dining & gaming tables, Fusion Tables’ sales & marketing manager, Thierry Hoyaux, is not shy to say that two years ago the company’s first Interieur participation was “amazing.” Going on to exhibit in the UK, Spain and Germany, he clearly identifies a “serious lift in our sales development,” a result backed up by new sales agents and points-of-sale, which according to Hoyaux were so convincing it motivated the company to develop new lacquered ranges, a lighting system and other concepts. For Hoyaux, Belgian designers are “artists with a business brain,” and surveying the industry as a whole, he sees the country as well placed to adapt products in a worldwide market, with questions of a national design identity better replaced by its multifaceted considerations: a humble approach; a constructive art to improve the user’s everyday life. www.fusiontables.com

New Fusion Side Board (1) EDVARD mirror by Jean-François D’Or for Reflect+ (2/3)

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NEW | Fotomuseum Lamp and Fotomuseum Table by Richard Hutten for NgispeN Interieur 12 | Booth 605 | www.gispen.be

pLayINg WITH TRadITIoN

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NOVY Hall 2, stand 217

The marketing manager of Novy, Katrien Van Hecke, has seen the company she works for expands its European presence over the last few years, identifying its home market, Germany, the Netherlands, France and Spain as particularly strong. Specialising in hoods for a range of cookers that make kitchen spaces living rooms, Novy works with an internal design team, and Van Hecke is another industry figure who focuses on the mind-set of a Belgian design identity: no-nonsense, and having a real link to consumers’ needs. www.novy.be

Basalte Hall 3, stand 302

Floating quotes from the likes of Leonardo da Vinci to Steve Jobs across the top of its website, the design-technology of Basalte’s home automation systems has been awarded numerous prizes. For the company’s CEO, Klaas Arnout, such professional acknowledgment enables Basalte to “further strengthen our position in the market and to establish our brand.” Currently working with its Belgian design team of Sandra Maes and Arnout, for the latter “ the economic reality forces Belgium to focus on creativity…Luckily there are a lot of successful examples of Belgian companies focusing on design as a true asset… This wouldn’t be possible without the necessary talent…so I hope that politics and governments keep on investing in the necessary initiatives to further nourish these talents.” And unlike some, Arnout zooms in on a Belgian design identity, manifested in levels of creativity, knowledge about materials and craftsmanship, something he says “we should cherish and be proud of.” www.basalte.be

UP_SIDE the table top cooker hood by Novy (1) Basalte Deseo1/2/3/4. Arnout & Maes for Basalte. Photo: Julien Lanoo Photographs (2)

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b Inspired At Legrand Group, our goal is to make your life easier and more functional. That is why we are continuously exploring new horizons in home automation and why our switches’ renowned design and aesthetic options are all designed to cater to your specific needs and ideas. This can only be achieved by a constant flow of inspiration that we would love to share with you. Curious? Visit our Concept Store and... “b Inspired”!

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JOIN US FOR A COCKTAIL WITH RIEUR 2012 ROSS LOVEGROVE INTERNATIONAL NALE on SUNDAY 21 October 2012 at 5pm

Lasvit Stand 121 and LLK pavillion / Hall 1

ober 2012 / Opening Hours 10 – 18

niksesteenwegLasvit 216 / Kortrĳ k / Belgium LiquidKristal by Ross Lovegrove avillion / Hall 1Infinity by Jitka Kamencova Skuhrava

by Ross Lovegrove encova Skuhrava www.lasvit.com www.DAMNmagazine.net

announcement Lasvit + Ross L DAMN° cocktail on Sunday 61 /

image????? text???? (its in his glass pavillion)

INTERIEUR 2012 23rd INTERNATIONAL ect Ad Lasvit hiernaast BIENNALE zetten, Bes???? 20 – 28 October 2012 / Opening Hours 10 – 18 Kortrĳk Xpo / Doorniksesteenweg 216 / Kortrĳk / Belgium Stand 121 and LLK pavillion / Hall 1 Lasvit LiquidKristal by Ross Lovegrove Inﬁnity by Jitka Kamencova Skuhrava www.lasvit.com

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INTERIEUR A biennale in the city

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1 OESTERBAR

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South Entrance Ticketing Cloak Room Kid’s Corner Press Room by Quinze & Milan Bookshop by Copyright

Future Primitives Project Rooms

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Future Primitives Project Rooms

Prada Lounge by Verpan Kristal Pavillion by Lasvit

GREG LYNN

Alain Gilles ‘Designer of the Year’

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Déjà-Vu exhibition Design Galleries XXL restaurant Design Summit

6 Marina table (30 m) by Extremis

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Flanders Avenue by Design Platform Vlaanderen

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EXTREMIS: 30M marina table / Parcours from Buda Beach to Kortrijk Xpo on 11/10 BROELMUSEUM: 4 Yearly Design Prize / Broelkaai 6 BUDA KUNSTENCENTRUM / Kapucijnenstraat 2 Odilon Creations + Bleu Nature + Art PrOPOS / Vaartstraat 130 Pop It Up Winebar & Camphotel / Condédreef 97 Gyselinck Design / Wijngaardstraat 26-28 Wijnen De Clerck + Gyselinck Design: wine & design / Bissegemsestraat 65 BHOOM, Creative Design Unit / Loofstraat 39-2 K VORM / Doorniksewijk 45 Focus Advertising: The Future Update: trend lecture / Lounge of the Interieur Bistro, Buda Factory, 25/10 at 7.30 pm KATHO & CO: HUB01 / Doorniksesteenweg 145 KATHO BA Event Management / Black Box (studio Multimediacel), Doorniksesteenweg 145 Sint Lucas Antwerpen (jewelry design department): Glue/Glossy / Mobile kiosk at the Buda Island & in city centre Van Marcke ART BOX / Conservatoriumplein 1 STAL 13: old objects get a new life / Kleine Sint-Jansstraat 13 Carrelage du Marais + Valerie Traan Gallery + Thomas Nachtergaele / Veldstraat 73 CASALIS: Pop-up bar and restaurant / Stasegemsesteenweg 72 BAVETTE: Spit-Velo / in front of the Buda Tower INspé: Inspire to evolve’ / check: www.interieur.be/calendar Muziekcafé Track / Conservatoriumplein 1 M.KINT Bicycles / Proosdijstraat 21 BURO II & ARCHI+I / Hoekhuis Habbekrats, Oude Kasteelstraat 4

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INTERIEUR A bieNnialE in the city

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buda island 2 (UN)forbidden city by Alessi Piet Hein Eek Hay pop-up The Bench Years by Established & Sons

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BUDA Gallery

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BUDA factory

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BUDA TOWER

>'In the cloud' by Sou Fujimoto [JP] > Ventura Interieur Ventura Interieur Future Primitives Project Rooms

Future Primitives Project Rooms

david bowen

Future Primitives Project Rooms

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ross lovegrove >Interieur Award Winners >Future Form Lab 0

budascoop Selected filmprogramme

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INTERIEUR EXTRA (vervolg)

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Howest Industrial Design Center: Alumni Expo 2012 / Marksesteenweg 58 Taste & Colours / Groeningelaan 22 Renatex: art and fabricS / Jan Palfijnstraat 20 Deweer Gallery ‘Re-opening’ / Tiegemstraat 6a, 8553 Otegem (Wed, Thu, Fri & Sun from 2-6pm and on appointment) Bookshop Theoria & Deevie Vermetten / Onze-Lieve-Vrouwestraat 22 contemporary architecture walk / Info: www.kortrijk.be/toerisme Uitreiking Cultuurprijs Vormgeving / Buda Factory on 23/10 at 07.30pm Schouwburg: BOX Baroque Orchestration of X / Schouwburgplein 14 on 21/10 Parkjazz / In & around Muziekcentrum Track on 27/10, Conservatoriumplein 1, in Schouwburg on 28/10 Designregio Kortrijk - Vitrine Project / Broelkaai 1B De Invasie: The Villa / BUDA Island, 27+28 October 5AM + Float:Left + Benoit De Clerck: creatieve studio in a container / Vandaleplein DOOM: MUsical interventions (Track, De Kreun, Conservatorium, Vlamo, Quindo, Respiro dell’ Arte and Festival van Vlaanderen) / Conservatoriumplein

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Ventura Interieur / BUDA Buda Factory, Ground Floor (A)

Marius Op ’t Eynde / MariusPetrus, BE Ria Lins, BE Andrea Brena, IT Hunt, BE Meike Harde, DE RJW Elsinga, NL yet|matilde, IT IZR, BE Jonathan Hens, BE Wim Bussels, BE Rform, BE James Van Vossel, BE Tore Bleuzé, BE Joke Verbeeren, BE Kuppers en Wuytens, BE C.A.D. Brussels, BE ABKM/Academie Beeldende Kunsten Maastricht, NL Associated Weavers, BE: Awareness Award nominees and winners LUCA interieurvormgeving Gent/Brussel, BE KASK / School of Arts Gent, BE ArtEZ hogeschool voor de kunsten, NL

Buda Factory, Second Floor (A)

Eva Menga & Mel Roose, BE Xavier Coenen, BE ELISAbeth LEEnknegt, BE Associazione IN Residence Design, IT: ANOTHER TERRA with Tomás Alonso, BCXSY, Pieke Bergmans, Julien Carretero, Maarten De Ceulaer, FormaFantasma, Glithero, Pepe Heykoop, Lanzavecchia + Wai, Tomáš Gabzdil Libertiny, Philippe Malouin, Jo Meesters, Minale-Maeda, Mischer’Traxler, Liliana Ovalle, Raw-Edges Design Studio, Studio Besau Marguerre and Anke Weiss. Vatos Wallcoverings, BE Atelier Belge, BE Joyce Flendrie Interieurarchitectuur & Design, NL Robert van Embricqs, NL Casalto, BE Marko Vuijk, NL Barry Rengelink, NL Toegepast 17, BE by Maison Caro en Kaspar Hamacher: Jenny Stieglitz, Makiko Shinoda, Noortje De La Haye, Veerle Tytgat and Eline Cautreels & Maarten De Beukelaer. Moupila, BE Chris Ruhe Meubelkunst, NL Marked, BE: Laura Bergans, Joëlle Batens, Dorinda Bielen, Nick Ceulemans, Gilberte Claes, Denise Gielen, Andrea Mohr, Jeroen Seré, Astrid Vyt and Caroline Das & Kim Nivelle. Flown, FR

Buda Gallery (B)

Studio Avni, IN. Present for four days. Johannnes Hemann, DE. Present for four days. Annamaria Litterio, IT. Present for four days. Ben Ryuki Miyagi Architectural Design, JP. Present for four days. Inside of Mobile, NL: Jeroen Wand, Mieke Meijer, Daphna Laurens, Jetske Visser, Lotty Lindeman & Wouter Scheublin, Pascal Smelik, Max Lipsey en Karmen Saat Tim Baute, BE Ministry of Mass, BE Fred&Juul, IT The Home Project design studio, PT

Outside at Buda Island

KATHO University College, BE (11)

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THE ISLAND OF EXPECTATIONS BUDA Factory: A new way to produce Over the last few years the urban renewal of the Buda Island in the heart of Kortrijk has been a labour of love - and probably a few sleepless nights about funding - for the many organisations and individuals that have made this idea a living, breathing reality. A cultural hub described as a ‘radical encounter of art and economy’, which has been seen through by the City of Kortrijk and supported by the Flemish Government, European Union, public institutions and private partners, after the successful transformation and opening of the BUDA Arts Centre and Buda Tower, now comes the BUDA Factory. In perfect timing with Interieur, DAMn° provides an insider’s view of this very modern interpretation of a production line. pieter michiels

The story of BUDA Island in Kortrijk is one of slow but steady growth. For me, it’s a story that I have seen emerge, develop and sometimes experience struggles, from nearby, as a citizen, and from a distance, as a visitor. But the City and the organisations that already welcome many artists, entrepreneurs, students, teachers and residents through various initiatives have maintained the firm belief that this island should be one of creation. At its heart is the belief that opinions differ and that this difference is a good thing. It sets fire to ideas that never would have emerged in isolation, collisions that are not a car-crash but meeting points at unlikely crossroads. It would be lovely to say that ‘islands are meeting on an island’ and are able to turn the world around. Well, it’s not going to happen overnight. But these kinds of breeding grounds are definitely surfacing all over the world. The fact that Kortrijk chooses to do this shows it has some balls. And it takes guts to achieve glory, does it not? But the atmosphere on BUDA Island has been shifting for some time. Shifting towards an air of interaction, creation: kitchen gardens are popping up; cosy bars with something to tell are opening, with more to come; there

Het verhaal achter het Buda-eiland in Kortrijk is er één van lange adem. Voor mij is het een verhaal dat ik als burger van dichtbij en als bezoeker vanaf een afstand zag ontstaan, groeien en soms worstelen. Maar stadsbestuur en organisaties bleven er rotsvast van overtuigd dat creatie aan de basis van dit eiland moest liggen. Zij verwelkomden vele kunstenaars, ondernemers, studenten, leerkrachten en burgers in het kader van uiteenlopende initiatieven. Daarachter schuilt het geloof dat meningen verschillen en dat die verschillen net positief zijn. Ze stuwen ideeën voort die afzonderlijk nooit zouden zijn ontstaan. Het zijn botsingen, niet als bij een auto-ongeval maar als bij een ontmoeting op een onverwacht kruispunt. Een goede omschrijving lijkt me dat ‘eilanden elkaar ontmoeten op een eiland’ en de wereld kunnen veranderen. Niet van de ene dag op de andere uiteraard. Maar het zijn zeker dergelijke broedplaatsen die overal ter wereld opduiken. Dat Kortrijk deze kaart trekt, getuigt van lef. Wie niet waagt, niet wint, nietwaar? De sfeer op het Buda-eiland ondergaat sinds een tijdje veranderingen: het is steeds meer een plaats waar interactie en creatie centraal staan - moestuintjes zijn aan een opmars bezig, gezellige cafeetjes met een verhaal schieten als paddenstoelen uit de grond. Er is veel belangstelling voor opvallende dans- en theatervoorstellingen, jongeren brengen er graag hun tijd door en nieuwe namen gaan op zoek naar vrije ruimte. De nieuwste aanwinst in deze oase in de stad voegt een extra sfeer toe: een stadsfabriek… de Budafabriek. Het is indrukwekkend om een filosofie tot stand te zien komen wanneer een oude textielfabriek omgetoverd wordt tot een fantastische, ultralichte openbare ruimte. Dit gebouw

The BUDA Factory Photos: David Samyn BUDA::lab workshop Photo: Pieter Michiels Rendering: studio Woot Woot

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is a popular stage for high-profile dance and theatre performances; youngsters are hanging out there; and start-ups are hunting to find some tenantless ground. The most recent addition to this urban reef brings a new environment: a city factory… the BUDA Factory. It has been astonishing to see a philosophy come together, with the old textile factory of Desmet-Dejaeghere transformed by Flemish architect Peter Swinnen’s firm 51N4E into a fantastic, ultra-light public space. This building breathes life into the values of ‘meeting’, ‘creating’ and ‘sharing’ with which BUDA Island has been nourished since it was first conceived, fleshing out its thinking with something more tangible. “...life is about the people you meet, and the things you create with them. So go out and start creating...” (Holstee Manifesto). Some critics would/will call it over-the-top to evoke these words, but for others the BUDA Factory is a tremendous opportunity because these places can become part of the changes happening within the (creative) economy. The power is shifting from the company that dictates what the customer needs to a vast number of customers who are becoming more and more conscious about their own (product or service) needs.

blaast nieuw leven in begrippen als ‘ontmoeten’, ‘creëren’ en ‘waarden delen’ die het Buda-eiland al voeden vanaf het prille begin. De redeneringen erachter worden nu tastbaar. “...het leven gaat over de mensen die je ontmoet, en wat je samen met hen creëert. Ga dus naar buiten en begin te creëren...” (The Holstee Manifesto). Sommige critici vinden het waarschijnlijk een stap te ver om die woorden aan te halen, maar voor anderen betekent de Budafabriek een geweldige kans. Deze ruimtes kunnen immers een rol spelen in de veranderingen die binnen de (creatieve) economie aan de gang zijn. De macht verschuift van het bedrijf dat dicteert wat de klant nodig heeft naar een groot aantal klanten die zich steeds bewuster worden van hun eigen be-

BUDA::lab workshop Photos: Pieter Michiels

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hoeften. In de Budafabriek kan een verzameling bestaande principes en overtuigingen getest en voorbij hun huidige grenzen geduwd worden: codesign tussen een bedrijf en zijn klanten, lokale en kleinschalige productie, razendsnelle maatschappijgedreven innovatie, applicaties voor groepsaankopen, microfondsen voor grootse ideeën, het belang van een eerlijk en duurzaam verhaal achter een product. Het zijn allemaal indicaties dat een nieuwe creatieve, parallelle economie op het punt staat om door te breken.

BUDA::lab workshop Photo: Pieter Michiels

Tegen dit doek, geen achtergrond weliswaar, behoort de Budafabriek in zekere zin tot een nieuw soort fabriek met een echte productiefaciliteit (prototype) op de benedenverdieping: BUDAlab.

At the BUDA Factory, a collection of existing principles and beliefs can be tested and pushed beyond their current boundaries: codesigning between a company and its customers; local and small-batch productions; hyper fast community driven innovations; group-buying applications; micro-funding of great ideas; the importance of an honest and sustainable story behind a product… these all indicate that a new, creative, parallel economy is reaching its breakthrough. It is against this backdrop, but not in the background, that the BUDA Factory is, in a sense, part of a new kind of factory with a real (prototyping) production facility on its ground floor: BUDA::lab. This workshop, inspired by the ‘Techshop’ (www.techshop. com) initiatives spread out all over the USA, is open for everyone interested in creating just about anything: a student sweating over his or her graduation prototype; a small start-up unable to invest in its own small workshop; a resident in need of an accurate tool for a short period; an artist interested in testing new production technologies; companies looking for a flexible workshop, inspiration, or a place to moveinto temporarily; BUDA::lab offers a home to all. Furthermore, the BUDA::lab possesses a broad range of machinery, but it is still quite basic. Thus, the aspiration is to set up concrete collaborations with production facilities in the locale in order to build-up a network of professional machinery that is available during otherwise idle times. At BUDA::lab, words and actions do not compete for intellectual priority but co-exist to explore a future that is both near and far. •

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The Buda Factory is supported by a network of partners that includes the City of Kortrijk; Het Autonoom Gemeentebedrijf (AGB) Buda; BUDA Arts Centre; Design Region Kortrijk; Broel Museum; University College West Flanders (Howest); Flanders In Shape; Woon en Zorg Heilig Hart; Intermunicipal organisation Leiedal; and will develop joint projects with Vzw Arteconomy, Bolwerk, Unizo, Voka, Stichting Interieur, De Invasie & KATHO a.o www.buda-eiland.be www.budakortrijk.be

BUDA::lab hosts several workshops during the Interieur Design Biennale 2012: 20 - 26/10: Make your own chair! In cooperation with sketchchair (sketchchair.com) (1/2) 20 – 21/10: Ultimaker building weekend in cooperation with Timelab 22 - 26/10: Co-design workshops by VAi – Design battles by industrial design students of Howest (3) 27 - 28/10: Designers of De Invasie invade BUDA::lab during ‘The Battle’ (deinvasie.be)

Dit atelier is geïnspireerd op de ‘Techshop’*-initiatieven die je over heel de VS vindt, en staat echt open voor iedereen die om het even wat wil creëren. Een student die zwoegt op het prototype dat hij als afstudeerproject maakt, een beginnend bedrijfje dat nog niet kan investeren in een eigen, klein atelier, een particulier die even een bepaald apparaat nodig heeft, een kunstenaar die nieuwe productietechnologieën wil uittesten, bedrijven die op zoek zijn naar een flexibel atelier, inspiratie of tijdelijk onderdak: BUDAlab verwelkomt hen allemaal. Daarnaast biedt BUDAlab een breed gamma van basismachines. De ambitie is dan ook om concrete samenwerkingsverbanden met productiefaciliteiten op te zetten en zo een netwerk en planning uit te bouwen met beschikbare professionele machines wanneer ze anders toch zouden stilliggen. Bij BUDAlab strijden woorden en daden niet om intellectuele prioriteit, maar verkennen ze hand in hand de nabije en verre toekomst. • 3

Make your own chair! In cooperation with sketchchair (1/2) VAi workshop, © VAi (3)

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Armoedestraat 71, 8800 Roeselare - Belgium facebook.com/ModularLighting

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INTERIEUR TALKS DESIGN At the Xpo…

In the City…

DESIGN FUSION, Vlaanderen Design Summit 2012

Ideal Love: a series of

22 October, Entrance Meeting Centre Hall XXL Design can be a tool for ground-breaking change, for the visualisation of business strategies and the improvement and refinement of our lives and the world at large. But our world and our society are changing rapidly, which also means a changing role for design and the designer. We need to take a holistic responsibility, think in creative paths and develop more sustainable design intelligence. A joint initiative of the Design Platform Flanders, Design Fusion brings together Flemish and international speakers to explore the value of design and its implementation as a critical resource to transform Flanders into a creative, competitive, polyvalent and human economy that creates sustainable wealth, employment and society in the context of global challenges. Programme 12h-13h: INEKE HANS - designer (NL), KOEN VERHAERT - founder of Verhaert (BE) 15h-16h: MAX FRASER - deputy director London Design Festival (UK), ANNITA BEYSEN - managing partner at u-sentric (BE), JAMES IRVINE designer (UK) 18h-19h: JAIME HAYON - designer (ES), DIRK WYNANTS - Extremis (BE), MARCUS FAIRS - Dezeen editor-in-chief (UK). The event will be followed by cocktail and networking + finger food (create your own creative dish) + music and party (programme subject to change) Register now online. Seats are limited. drk.wufoo.com/forms/registration-design-fusion/ Additional information www.designplatformvlaanderen.be

symposiums by communication designer, Nuno Coelho (PT) 22 + 27/28 October (check www.interieur.be/calendar for exact times)*

For Plato, a symposium was a philosophical dialogue that dealt with ideal love and the vision of absolute beauty. Symposiums were in fact, a drinking party with music, performance and intellectual conversation. Yet today, they are too often synonymous with long presentations, which while providing some useful insights can be simply dull. Not so at Kortrijk, where Nuno Coelho is organising a series of informal, yet philosophical conversations fuelled by Belgian beer and snacks, which aim to bridge the gap between design theory, practice and commerce. In keeping with the roots of symposiums and interacting with the setting and atmosphere of the Interieur Bistro, three hosts will lure guests to three different symposiums happening simultaneously at different tables. The symposiums include the following topics: 1. What is the current status of objects as meaning-making machines? 2. What sensorial experiences can be relevant in our future living environment? Which experiences are meaningful? Do we see our living environment, our interior, as the ideal place to create that balance? 3. What is the relevance of ‘authorship’ or a signature style in todays design context?

*dates correct at time of going to print

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DISCOVER SERAX AUTUMN WINTER 2012 COLLECTION

CONTACT & INFO VELDKANT 21 | 2550 KONTICH | T +32 3 458 05 82 INFO@SERAX.COM WWW.SERAX.COM

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FOOD FOR THOUGHT Design gets tasty The recipe for a satisfying and sometimes surprising culinary experience is not limited to the ingredients you put into your mouth. And design’s relationship to solids and liquids has long been more than flashy or raw interiors. Food-design and design-food, from how and where the stuff on your plate gets there to the sheer joy of sharing a meal, there’s a high and low calorie menu of ideas to tuck into. ALOK B. NANDI

The mood for food is in full swing these days. Interieur 2012 is of course following the trend, bringing the salon into the city and the city into the salon, with the Interieur Bistro at the BUDA Tower, pop-up bars, alternative eateries and other gastroon-the-move experiences (see page 82). As to the world outside of Kortrijk, this year the noted Core77 Design Awards had - for the first time ever - a category for Food Design, and in a more academic tone, in June, London hosted a major conference on ‘Designing Food and Designing for Food’. These last few years have also seen the emergence of a fuzzy fooddesign terrain, with ‘design culinaire’ at the St-Etienne Design Biennale in France, among other things, and an avant-garde lead taken by the Eindhoven Design Academy & co-adepts. The very nature of design and its multiple dimensions are expanding design territories. That’s obvious. We have seen the appearance of so many sectors, such as strategic design, interaction design, service design... and now food design. But design is about transformation. Process and form. The centre of gravity seems to be moving away from the 20th century industrial de-

Edible Containers by Diane Leclair Bisson for Socially Creative, Inc. Professional Winner, Core77 Design Award The Edible Container invites us to reflect upon overconsumption and its impact on global pollution. The objective is to create a strong variety of products for diverse usage contexts, and a new material typology of shapes, colours and flavours that meet with high nutritional standards and sustainability.

PLANT by the Lund University for NASA Student Notable, Core77 Design Award PLANT is a concept developed in cooperation with NASA that enables astronauts to grow food on long duration space flights in a clean and safe way.

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THE ALLCONSUMING HUMAN Premsela’s exhibition at the Designhuis in Eindhoven, Food Culture: Eating by Design features works that link design, food and the origins of what we eat. Selected projects map our complex relationship with food and make visitors conscious of how it is produced. The exhibition shows how designers can help humanity make necessary future changes to the food. Food Culture: Eating by Design exhibition runs untill 06 January 2013 designhuis.nl 1. Stummerer/ Hablesreiter/ Koeb 2. MRI Steak by James King 3. GGlab Photo by Lizzy Kalisvaart

sign focus, leaving behind the good old ‘products’ approach. So how can food be more than just an excuse to show more chairs and suspended lights? From Milan to London, from the Helsinki World Design Capital to Design Week in any city, food is and will be a hot topic. The spectacle of food is pushing the boundaries from functional to aesthetic, and even non-aesthetic. There are also activities which allow us to look deep into the food matter, hence to explore design questions in which the wicked problems of human society not only stick to the icing on the

cake, a layer in which design and decoration are in complete confusion. Let’s focus for example on Note by Note Cuisine. First proposed in 1994 by Hervé This (published in Scientific American magazine), the initial proposal was to improve food... but the next idea was obvious: to make dishes entirely from compounds. Note by Note Cuisine does not use meat, fish, vegetable or fruits, but rather compounds, either pure compounds or mixtures, just like electronic music is not using trumpets or violins, but rather pure waves in which sounds and music are

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mixed. For Note by Note Cuisine, the cook has to design the shapes of the various parts of the dish, design the colours, the tastes, the smells, the temperatures, the trigeminal stimulation, the consistencies, the nutritional aspects, etc. Hervé This was the co-initiator of molecular cuisine, but these days he is more focused on Note by Note, showing the feasibility of many meals by well-known chefs. In Belgium, Sang Hoon Degeimbre is a chef exploring questions raised by the connections between culinary art, science and design, and would be an ideal candidate to investigate the Note by Note approach.

Food design is an area where co-creation dynamics are key. And the terrain is complex, as designers not only need to cooperate with scientists and policy makers, but also with the rural sectors, and so forth. To quote Hervé This, we could argue that many design questions arise from this 4

new cuisine: land development, economy, sensorial technique, art, politics, nutrition, toxicology… Indeed, food design isn’t limited to the styling of a dish. The entire range, from critical design to experience design to systems shaping, let us all, as ‘designers’, act on form, process, and transformation - for the human being and for humanity! •

www.fooddesign2012.com www.core77designawards.com www.architempo.net/food-design

Hervé This, inventor of the ‘Molecular Gastronomy’ (1) L’Air du Temps: Sang Hoon Degeimbre (2) Photo: Gaetan Miclotte (3) Jean-Pierre Gabriel (4)

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deltalight.com/technology

THINK TECHNOLOGY

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EAT, DRINK, INTERIEUR The flavours of Kortrijk What does a biennale taste like? How does it pour itself into the memories of all those who take part? Exemplifying the sensory experience of this year’s Interieur, there is a pick ‘n’ mix of events and locations to suit those who like nothing more than to roll-up their sleeves and dive into their dishes, share, and make the act of eating and drinking a moment that fulfils and leaves more than a pleasant after-taste. Alternatively, you can go solo, take a pause, and swallow the atmosphere. Interieur Bistro BUDA Island, BUDA Factory (1st floor) Drawing the Interieur crowd into the heart of its city neighbourhood, keep checking the Interieur website for the plentiful activities that will take place on its urban reef. The UK’s DesignMarketo serves up Freshly Cut, a simple selection of daily menus, where visitors can ‘kijk in the kitchen’ and eat freshly made local food in surroundings that drip with design. Choose your own chair from the selected designs; sniff the suspended garden of herbs and plants; and take a seat at the long, communal tables. It’s warm, welcoming, and a place where design, food, and the company of friends are (within limits) guaranteed not to give you indigestion! Interieur Bistro is open daily from lunchtime until late, offering a quick lunch or a more (in) formal evening dinner. To ensure a place call: +32 471 763 177

At the Xpo… You need energy for Interieur and at the Xpo grounds there are plenty of bars to stop off at and refuel. Criss-crossing the halls, you can pause at Bar Maison, Black Bar, Box Bar, Be Bar, and if you want a mouthful of glamour, treat yourself to the Oyster Bar.

Jérôme Rigaud and Alex Bettler: DesignMarketo (1) Herbs Logo for the Interieur Bistro (2) Freshly Cut (3) Taste & Colours (4)

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AD 2

De Invasie:

The Villa, BUDA Island, 27+28 October (MAP 33) Along with its Design Battle, the Belgian platform for young designers can also be digested during the last weekend of Interieur. Working alongside baristas, a lab will experiment with coffee, while Palm â&#x20AC;&#x201C; another essential fortifier â&#x20AC;&#x201C; will be doing some on-site brewing. www.deinvasie.be

Taste & Colours: Groeningelaan 22 (MAP 24) Throughout Interieur, Kortrijk-based Taste & Colours will be fusing food, atmosphere and design with a selection of food that can be enjoyed in a loft space with an equally enticing walled town garden. Dinner can be booked via info@tasteandcolours.com or on +32 (0)56 404040 www.tasteandcolours.com

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Bavette/Spitvelo

Pop It Up wine bar & camp hotel: Condédreef 97 (MAP 5) Kortrijk during October might not be the obvious place to be under the stars, but this year Interieur is definitely running day & night. Condé97 provides a popup wine bar and camp hotel in the city, where guests can sleep in a tent inside an old atelier that used to be tent canvas factory – where else? Ten pimped-up tents can be booked for €65 per person or €85 for two. The price includes a mattress, a personal sleeping bag & shower facilities, with breakfast extra. All further info: info@ popitup.eu. The wine bar is open on 1920-21/10 & 25,26,27/10 from 6:00pm until 11:30pm, and the camp hotel from 19/1029/10 at 4:00pm until noon. letspopitup.wordpress.com

in front of the BUDA Tower (MAP 18) Looking like an invention from Chitty Chitty Bang Bang, can there be a more active way of getting your BBQ? A historian and an architect, the guys from Bavette, Tim Vanrobaeys and Mathias Vandenbulcke, show how their motto of “eat vegetarian, but spear an animal and smoke a fish when there is something to celebrate” tastes in real-time. • kartelle.be/keuken

Bavette, photo: Arian Christiaens (1) photos: Astrid Agemans/ Kartelle (2/3) Condé97 (4)

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Controlling the Gira KNX / EIB installation Gira push button sensor 3 www.gira.com/pushbuttonsensor3 hall 5, stand 520

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LOVEGROVE IN THE LOWLANDS Ross Lovegrove in Kortrijk & Lille The Eurometropole is a somewhat jargonistic-sounding name, with a geographic vagueness that could be applied to anywhere in Europe, where there is - you guessed it – a metropole. However, don’t let the blandness of the banner put you off, the axis of Lille-Kortrijk-Tournai, is working together in more than words. And with the dates of the Interieur Design Biennale and Lille’s Fantastic nicely overlapping, British designer Ross Lovegrove embodies its boundarybreaking endeavours in projects for both Interieur and Fantastic 2012. EMMA FIRMIN 1

Ross Lovegrove is one of Interieur’s Future Primitives and installing his UFO project at the Gare Lille Flandres. Engaged and engaging with design from its philosophy, concept and economics to componentry, production and post-use life, for some his organic forms are too slick and shiny, but like an iceberg such object focus is only the surface of the mind at work. As he says, “being an industrial designer is not about going to Milan and doing a couple of chairs,” and is adamant that design, like art, needs more conceptual debate. It’s not superfluous self-indulgence, but the belief that “strangeness is the consequence of innovative thinking” and that industrial design has to address questions of “conscious, morality, making, resources, global cultures and differences.” He is aware that even the job description ‘designer’ has become a “disposable, non-specific title,” missing a definition that needs to be “more involved in the philosophy of [its] time” and not reduced to just a question of money that doesn’t exercise minds – whether you are making or consuming the product. So Lovegrove, whose forms are rooted in “the deep past and the deep future”, must have eloquently screamed out for inclu-

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UFO by Ross Lovegrove on show in Lille during Lille Fantastic (1) Sketch of the Future Primitivism car by Ross Lovegrove in Kortrijk (2) Ross Lovegrove Photo: Siegrid Demyttenaere (3)

sion in Lowie Vermeersch’s Future Primitive project rooms at Interieur. At the BUDA Factory in Kortrijk, visitors will see an installation that was partly inspired by a Pininfarina CNR study in the mid-1970s, a concept car that Lovegrove describes as a “weird looking fish you could see swimming in the Amazon.” Testing ideas with its original designers in Turin and collaborating with a Columbia University architect, he has taken this form several stages further, to simulate the “purest aerodynamic form containing humans that I can create,” reversing the logic and going for “instinctive override.” There’s no wheels, but a ‘”super digital flow that feels like new nature.” You will only be able to read the form through projections, which will be streamed, accel-

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erated and decelerated, Lovegrove aiming “to create an amazing, experiential dimension, closer to art than design.” The UFO experience at Lille will be similarly out of this world. Built in Montpellier, even Lovegrove is impressed by the scale of the object, which at the end of the day is still transport. Space, the objects that do/could fly through it and even extraterrestrials is a subject that Lovegrove finds compulsive. On the one hand you have the serious scientific analysis by NASA and the likes, and on the other hand there are the little green men hunters. But as he showed with a poster of around 50 UFO typologies there is a biodiversity of these objects – some of which look plain wrong in their aerodynamic approach to the biosphere, while others…well maybe they could work. And as for COS, it’s a city-based car project that has been actively bouncing around Lovegrove’s mind for some eight years, even getting to engineering stage. He sees Lille as somewhere that has not given up on the car, but unlike other places like London is not infested by these “mini elephants.” Breaking free from the linear movement of cars, combustion engines and even hybrids, as well as challenging “product economics relative to industry standards”, COS would use I.A and solar energy, exemplifying Lovegrove’s idea

of relating car to nature, and a way of tackling the dangerous detachment that the usual tin car promotes. And whether such a vehicle could or should happen in Lovegrove’s lifetime, it is part of his ‘future primitivism’ and search for the “genesis of form” that is a “…soft slow silent walk to view an object through the evolutionary spirit of mankind.” *• Interieur Design Biennale: 20 – 28 October 2012 Fantastic 2012: 6 October – 13 January 2013 www.rosslovegrove.com www.eurometropolis.eu www.interieur.be www.lille3000.eu www.lille-design.com www.designregio-kortrijk.be The Eurometropole was created in 2008 and incorporates 147 Belgian and French communes. The Pop Up Design programme meanders through its passage, providing a snapshot that is long in exposure for design in the region (see page 120 for highlights.)

*taken from Lovegrove’s Future Primitivism statement, 2012 UFO by Ross Lovegrove on show in Lille during Lille Fantastic (1) COS, car on a stick by Ross Lovegrove (2)

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INTERIEUR: THE CITY EXPERIENCE BUDA Island highlights The ‘Biennale in the City’ is a many-tentacled array of exhibitions, installations, pop-up events, talks, workshops, design-defined happenings and even concerts that will reach into the many corners of Kortrijk, extending its reach with the Interieur Extra programme (highlights, from p.102). Throbbing away at its centre is the BUDA Island, where the urban spaces it provides are ideal for exploring the many ways that design can be manifested, with projects from long-established designers, architects and artists, and young & upcoming creatives, together testing the boundaries of what design and a biennale looks, sounds, feels, thinks and tastes like.

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FUTURE PRIMITIVES BUDA Island

Ross Lovegrove BUDA Factory, 1st floor

David Bowen

BUDA Tower, 1st floor

Troika

BUDA Tower, ground floor

Project rooms ‘Future Primitives’ at Buda Island: Troika explores the line between light and architecture (1) Underwater by David Bowen(2) is a large-scale suspended installation that gives the impression of being under the surface of water. Future Primitive car by Ross Lovegrove (3)

One of Interieur’s headline exhibitions, the Future Primitives projects also find their way into the city of Kortrijk. Artist David Bowen (USA) presents ‘underwater’, a large-scale suspended installation that uses Microsoft Kinect to collect real-time surface data from the local river Leie, which then articulates the project’s mechanics. Meanwhile, the collective of Eva Rucki, Conny Freyer and Sebastien Noel that makes up Troika (GB), inscribes one architectural space within another,

with a cathedral of 22 columns made of light, bent with lenses, to create a structure that you can see but can’t touch. And at the crossroads between technology, materials science and intelligent organic forms, Ross Lovegrove (GB) uses computational fluid dynamics and informs the software to define the ideal streamlined shape of his optimal streamlined vehicle, in an experience he says will be closer to art than design.

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Object winner: Purist by Elisa Honkanen (1) Object 2nd prize: Kishu by Maya Selway (2) Object 3rd prize: Rings by Zascho Petkow (3) Space winner: Deformable Wall by Sandwich + blue architects (4) The jury © Wouter Van Vaerenbergh (5)

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Interieur Design Awards BUDA Factory, ground floor Well over 200 entrants from 33 countries submitted designs to this year’s award, which was divided into two distinct categories: ‘Object’ and ‘Space’. In the former category first prize was awarded to Elisa Honkanen from Finland, whose ‘Purist’ chair engages in a gravity game with rope, while in the latter the winner was the ‘Deformable Wall’ by Japanese creative platform Sandwich in cooperation with blue architects from Switzerland, a concept that focuses on the walls we often forget about. The jury was composed of journalist Felix Burrichter, artist Jan De Cock, graphic designer Sara De Bondt, design retailer Sheikh Majed Al-Sabah, Torafu architects from Japan, together with designers Tomas Alonso, Oskar Zieta and Bruno Vermeersch.

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Please visit our website www.royalbotania.com to discover our collection and to find your Royal Botania specialist.

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The Battle by De Invasie BUDA Island, Villa, 27-28 October Featuring over 40 designers and 20 open workspaces, the Belgian design platform De Invasie presents The Battle, where you can both see and buy the work of young designers, and also discover how they make their products. The Warriors include MaaK, Joeri Reynaert, Stefan De Pauw, Atelier Bonk, Lien Hereijgers, Evert Martin, Ambet Manalo, Jolien Holvoet, Stal collectief, Margo Slingerland, Margerita Sanders, Julie Van Mulders, NOT TOO ARTY, Marlies Davans, Ilse Acke, Black Balloon, Cariboudeficelle & Katja Van Breedam.

www.thebattlekortrijk.be

INTERIORcity* BUDA ISLAND, VILLA (MAP 4) A collaboration of Interieur, the Flemish Architecture Institute (VAi) and architecture and interior architecture students from Belgian and Dutch schools. This workshop examines the relationship between the inner life of buildings and the city, between the fair and the city and between people: those living in Kortrijk and visitors to the Biennale. www.vai.be

Atelier Blanco, Gent (1) Atelier Obi-One, Heule (Kortrijk) (2) ZWERT (3) Laure Dever (4) Vostokring by Lien Hereijgers (5) STAM (6) VAi workshop, ÂŠ VAi (7)

*The workshop is also related to the ambitions laid out in the ViA Vlaanderen in Actie Plan, the Vokaplan Kortrijk and by the Flemish Government Architect, engaging with the initiatives of DesigncityKortrijk and BUDA::lab. School of Interior Architecture, Sint Lucas School of Architecture

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VENTURA INTERIEUR BUDA Factory (ground floor & 2nd floor) BUDA Gallery (ground floor) The opening of the BUDA Factory provides Organisation in Design with a wideopened welcome to host a showcase of new talent that responds to its architectural setting, presenting a diverse range of international young designers, new brands, academies and institutions. Including those who will show at the Xpo, Ventura Interieur exhibitors will number more than 70. Especially after Ventura Project’s success in the Lambrate district of Milan, the partnership with Interieur is a no-brainer when it comes to the biennale-city equation.

www.venturaprojects.com 3

Opa Piet by Chris Ruhe (1) Marius Op ’t Eynde / MariusPetrus (2) Rendu by Casalto (3) Awareness Award winner: Wrapped Carpet by Associated Weavers (4) BakZit by Fermetti for ATELIER BELGE (5)

Makiko for Toegepast 17, Z33 Photo: Kristof Vrancken

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Future form lab BUDA Factory (ground floor) How can innovative soft- and hardware radically change the way in which we are dealing with forms and environments? Design possibilities based on the principles of generative design respond in Flemish research, experimentations, prototypes, DIY installations and produced objects by the Experimental Media Research Group of Sint Lucas University College of Art & Design (Antwerp), Unfold (Antwerp), Noumenon (Brussels) and MGX by Materialise (Leuven). •

L’Artisan Electronique by Unfold & Tim Knapen. In l’Artisan Electronique, pottery, one of the oldest artisanal techniques for making utilitarian objects, is combined with new digital media. Photos by: Liesje Reyskens (1) Kristof Vrancken (2) Unfold (3)

AI.MGX by Assa Ashuach for .MGX by Materialise (4) Bloom by Patrick Jouin for .MGX by Materialise, photo © Thomas Duval (5) 5

Sou Fujimoto: in the clouds BUDA gallery (ground floor) One of the team involved in the Toyo Itocurated Japanese pavilion at this year’s Venice Architecture Biennale, which won the Golden Lion for National Pavilions, for Interieur architect Sou Fujimoto presents an installation that reflects his fascination with those fluffy things in the sky, previously imagined as a series of irregular geometric American tulipwood ‘clouds’ that float on transparent Plexiglass legs. • www.sou-fujimoto.net

In the Clouds by Sou Fujimoto (6)

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form follows emotion

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PIET HEIN EEK BUDA tower (3d floor) His scrapwood cupboard from 1990 has been described by Piet Hein Eek as his personal “reaction against the prevalent craving for flawlessness.” It’s a piece and approach that continues to strike a joyful chord and evolve, with the Dutch designer presenting a selection of his self-initiated works that includes items from the scrapwood collection, the waste table in plywood and the old lampshade lamp. • www.pietheineek.nl

(UN)forbidden City, Alessi BUDA tower (5th floor) Bridging cultures, this exhibition shows what happened when the Italian company Alessi asked eight Chinese architects to reinterpret one of the most archetypal of their products, the tray, in order to explore the potential of Chinese product design. Curated by Gary Chang, his work is joined by Chang Yung Ho, Liu Jiakun, Ma Yansong, Urbanus, Wang Shu, Zhang Ke, and Zhang Lei.

www.alessi.com

BUDA Arts Centre budavista at BUDASCOOP Three films and a performance-installation that focus on design and interiors from another perspective: 20/10, 8:15pm: LUCIEN HERVE, PHOTOGRAPHE MALGRE LUI (première), doc / Gerrit Messiaen, 2012 21/10, 8:15pm: NORTH BY NORTHWEST, thriller / Alfred Hitchcock, 1959 22/10, 8:15pm: ANTWERPEN CENTRAAL, doc / Peter Kruger, 2011, with Johan Leyson 22/10, 6pm: WELCOME TO THE JUNGLE, open studio with Andros Zins-Browne, who talks about the sensory experience of his soon to premiere performance-installation. • Info & details: +32 56 22 10 91 info@budakortrijk.be /www.budakortrijk.be

Oak chair by Piet Hein Eek (1) Lotus Leaf by architect Chang Yung Ho for Alessi. The lotus plant is a favorite food of the Chinese people. Lotus leaves are also used to wrap or serve food. We picked a lotus leaf and let it drie as a reference. (2/3) Lucien Hervé, a documentary by Gerrit Messiaen, avant-première on 20/10 at 20:15pm (4)

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Broelmuseum BUDA Island, Broelkaai 6 (MAP 2) The ‘Vierjaarlijkste Prijs Vormgeving’ is a prestigious award in the sector and is presented by the Province of West-Flanders. The exhibition opens to the public on 19/10. www.kortrijk.be/broelmuseum

Odilon Creations Vaartstraat 130 (MAP 4) Expo & creative network that integrates contemporary organic materials and natural elements in architecture. Featuring Jan Vanderbeken (Odilon Creations), Frank Lefebvre (Bleu Nature) and Philippe Rigaux (Art Propos).

Gyselinck Design + Wijnen De Clerck + Wijngaardstraat 26-28 (MAP 6) Bissegemsestraat 65 (MAP 7) Design exhibition (20-30 October) with work of Michel Charlot, Alain Berteau & Objekten, Sylvain Willenz & Chevalier Edition, Matthieu Lehanneur, The AlfredCollection, LABT and Arflex: sixtyearsofhistory, a.o. Also on show will be Millesime, an original look at the relationships you can build between wine & design.

KATHO & CO: HUB01 Doorniksesteenweg 145 (MAP 11) ‘HUB01’, a mobile, personalised and affordable student-housing terminal. Focused on flexibility and mobility the idea responds to the idea of learning anytime, anywhere and in every way. A project from Katho University College in collaboration with Vitra, Modular, Niko, AVC, Centric, Ideal Standard, QuickStep, Recticel, Remmerie’s, VSK, Pilkington, Kortrijk, Flanders DC, and many others. www.hub01.com

STAL 13 Kleine Sint-Jansstraat 13 (MAP 15) STAL13 is an atelier where old objects get a much-needed makeover by Peter Vermeulen. During the Interieur Design Biennale, Stal13 will be organising an exhibition open daily and welcome to all.

Odilon Creations (1) TheAlfredCollection by by Maison Marie Mees and Cathérine Biasino at Ghyselinck design (2) HUB01by the KATHO students (3)

preview, © Cyril Lagel, GraphicObsession. Organisation SAFI, a subsidiary of Ateliers d’Art de France and Reed Expositions France. Tel. + 33 (0)1 44 29 02 00. info@safisalons.fr

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Home influences 18-22 JAN. 2013 PARIS NORD VILLEPINTE

www.maison-objet.com The show for home-fashion Trade only. Visitors: Promosalons Tel. +32 (0)2 534 98 98 glachapelle@promosalons.com

PARIS CAPITALE DE LA CREATION

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Carrelage du Marais + Valerie Traan Gallery + Thomas Nachtergaele

ODILON BUDA tower (5th floor) Looking like an invention from Chitty Chitty Bang Bang, can there be a more active way of getting your BBQ? A historian and an architect, the guys from Bavette, Tim Vanrobaeys and Mathias Vandenbulcke

Veldstraat 73 (MAP 16) A meeting of art, design and architecture. In a part of the former Vetex factory that is being restored by interior architect Thomas Nachtergaele, artist Benoît Van Innis, who already has a track record of successful collaborations with renowned architects such as noaArchitecten and Robbrecht&Daem, combines his work Portuguese partner Bela Silva, designer of many sculptures and tiles for public areas. www.carrelagesdumarais.be, www.valerietraan.be 2

M.KINT Bicycles Proosdijstraat 21 (MAP 21) Create your own Marcel Kint bike or check out ‘The Magnificent 7’, customized bicycles based on the profiles of seven famous Belgians.

Howest Industrial Design Center Marksesteenweg 58 (MAP 23) A broad portfolio from Howest Industrial (Product) Design graduates, who have gone on to work for Philips, Etap, Barco, Greenpan, Barbecook, Deceuninck, a.o. www.industrialdesigncenter.be

Renatex : art and fabricS Jan Palfijnstraat 20 (MAP 25) Proving that the heritage of Kortrijk’s textile industry is not consigned to past history, local company Renatex presents an exhibition combining materials & art.

Deweer Gallery ‘Re-opening’ Tiegemstraat 6a, 8553 Otegem (MAP 26) The recently renovated & expanded gallery presents a three part group-show featuring the works of 25 artists, including Stephan Balkenhol, Monica Bonvicini, Keren Cytter, Jan Fabre, & Alexandre Singh. www.deweergallery.com

Bela & Benoît at Interieur Extra, represented by Valerie Traan gallery. Photo © Fien Muller (1) The Magnificent 7 by Marcel Kint (2) Christophe Denys at Renatex (3)

Discove® the t∑lents of ∑®chitects from Belgium www.wb∑®chitectu®es.be

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WB A promotes ∑®chitects and rel∑ted p®ofessions (pl∑nne®s, l∑ndsc∑pe®s, photog®∑phe®s, etc.) f®om B®ussels and W∑lloni∑ on the inte®n∑tion∑l st∑ge COME AND MEET US At the Istanbul Design Biennial from 13 October to 12 December 2012

CONTACT Wallonie-Bruxelles Architectures 12 Boulevard Baudouin, B-1000 Brussels T +32 2 421 83 64 contact@wbarchitectures.be NEY+Partners, Glass roof of the National Maritime Museum - The Netherlands © Jean-Luc Deru – JDS Architects Julien De Smedt, New Holmenkollen Ski Jump - Norway © JDS Architects – Frederic Haesevoets Architecture, Duplex in Paris - France © Frederic Haesevoets Architecture – Vers plus de bien-être V+, Private house in Châtillon - France © Maxime Delvaux Bureau Greisch, Millau Viaduct - France © Jean-Luc Deru

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At the Hong Kong Business of Design Week from 3 to 8 December 2012

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A collaboration that clicks Veuve Clicquot meets Fusiontables The prestigious champagne house Veuve Clicquot has teamed up with Belgian design label Fusiontables for a somewhat heavenly sort of project. And what, you might ask, is the result of this curious collaboration? Well, an elegant dining table that transforms into a billiards table, that’s what. This was not at all a frivolous choice of object, for everyone knows that the game is popular worldwide. And to nicely round things off, the design agency Saluc created an exclusive range of balls in Veuve Clicquot’s beloved yellow. The numbered series of ‘Veuve Cliquot by Fusiontables’ tables, in which precious materials were employed by highly skilled Belgian craftsmen, is presented as a very special limited edition of 99. This innovative product in the emblematic Veuve Clicquot colours thus perfectly illustrates the famous champagne brand’s love for design, expounding upon the link between innovation and the French art de vivre, two essential values it heartily upholds. The table premiered in Brussels during the opening of Design September 2012. Since its beginnings in 1772 Veuve Clicquot has always put quality before quantity. Today it affirms its bold and modern approach by taking part in various events around contemporary design and by working with various artists. Many designers and architects of international renown have meanwhile contributed to different projects. An example of a recent realisation is the thorough renovation of the Hôtel du Marc in Reims, France by architect Bruno Moinard, complete with a gazebo in the garden designed by the Campana Brothers. •

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INTERIEUR Kortrijk Hall 4, Stand 402 www.serien.com

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AGENDA What? Where? When?

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AGENDA THE BIG WORLD OF BELGIUM ________________________________

BRUSSELS

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Aperto Chiuso Design Flanders Gallery, Brussels

Until 04 November 2012 Opening and closing. This applies to many things in our daily lives. If well designed, it is an unremarkable aspect. If things don’t run smoothly, then the item can be the source of considerable annoyance. An infinite number of components, systems or objects make this state possible. On show is enough material to shake a stick at. www.designvlaanderen.be

Tapis Tridimensionnel at Librairie Quartier Latin. A graduation project developed as part of a Master’s of Textile Design course at the Brussels Fine Arts Academy.

multipurpose 3D carpet to be used by several people to sit or lay down upon, to cover oneself or to hide in, to engage in conversations... www.cfc-editions.be ________________________________

Parque do Flamengo La Loge, Brussels

Until 03 November 2012 Belgian artist Sophie Nys filmed

Sweetietas by Awardt. Photo: Eddy Fliers

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JULES WABBES Furniture Designer BOZAR, Brussels

Until 13 January 2013 Jules Wabbes was one of Belgium’s leading designers of the post-war period. This exhibition presents a complete overview of his work as a furniture designer, from his earliest models, such as a tabouret, to furniture for student accommodation, with a focus on the Foncolin building and on his participation in the Milan Triennales of 1957 and 1960. www.bozar.be Jules Wabbes with a prototype of his stainless steel lamp at the XIth Triennale, Milan, 1957 (right)

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Tapis Tridimensionnel Librairie Quartier Latin, Brussels

Until 31October Delphine Beau Morandini recycles materials that were once part of our daily life, discarded worn-out textiles such as old bed sheets or jeans. Handling, transforming and combining them, forming volumes and enhancing their appearance in order to create a

the ‘Parque do Flamengo’ in Rio de Janeiro. This semi-documentary’s main character is the park designed by the landscape architect Roberto Burle Marx between 1954 and 1959. Simultaneously a painter, sculptor, poet and botanist, he is known worldwide as one of the greatest landscape architects of the 20th century. www.la-loge.be

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end of a series of micro-exhibitions held here over four years is celebrated by the publishing of a catalogue bringing together all the practices for one last time. www.bozar.be ________________________________

Nicolas Todd & Damien Fitch at Galerie Flore

What’s Up Flore, Brussels Until 26 October 2012 Galerie Flore initially based in Paris, has recently moved to Brussels, bringing with it a love for a mix of styles and a taste for rare objects. Located in a beautiful Art Nouveau building, a stimulating dialogue has been created between the architecture and the art on display. Louis XVIII furniture stands alongside contemporary offerings by Zaha Hadid, Jurgen Bey, and many others. www.galerieflore.com ________________________________

Intersections#2 Atomium, Brussels

Until 06 January 2013 Symbol of modernity, technical prowess and architectural statement, the Atomium has been a place dedicated to creation since its opening in 1958. Naturally the ‘most Belgian Brussels building’ pays special attention to modern design. ‘Intersections’ offers a cross-sectional and innovative look at young Belgian creation, with three Belgian designers presenting their work and thoughts about textile, urban and industrial design. www.atomium.be

Achilles Associates

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XX MODELS Young Belgian architecture BOZAR, Brussels

Until 25 November 2012 N|I|C|H|E is a selection of 20 promising young architectural practices, comprising of 20 models of one of their first large-scale projects, and 20 talks. The

Leigh Ledare: Leigh Ledare, et al. WIELS Centre for Contemporary Art Brussels

Without (Jonathan Monk) Meessen De Clercq, Brussels

Until 10 November 2012 Without is about the artist without the artist. The beginning of Jonathan Monk’s work – and one of its primary points of investigation – typically emerges from

Until 25 November 2012 Comprising of over 100 pieces, including examples from nearly all his photographic series to date, as well as video, text-based, and several newly produced works never before shown. Ledare uses photography, archival material, and text to explore human agency, social relationships, taboos and the photographic, in equal turns. www.wiels.org Leigh Ledare, Personal Commissions, 2008: Let the Good Times Roll. 1 Blond, 53 yrs old, curvy, buxom, slim, clean, petite. No diseases or drugs. Seeking healthy, honest, reliable, financially secure younger man for discreet sensual fun. Image courtesy of the artist, Pilar Corrias Gallery, London, and Office Baroque, Antwerp.

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the point at which other artists’ ideas culminate into works of art. Artworks are shown by a number of international artists who continue this process of, and approach to, the production of art. www.meessendeclercq.be ________________________________

High Fashion Low Countries MAD, Brussels

Until 26 October This is a vivid example of how relevant entities and cutting-edge designers from Belgium and the Netherlands take note of changing times. The selected designers present unique pieces resulting from their most comprehensive research on new technologies and innovative approaches to sustainable design and traditional craftsmanship. Also shown are their research diaries, video interviews and other editorial content. www.madbrussels.be

guration of the new exhibition pavilion Het Huis. Presented are fragile works in terracotta, for which this protected environment forms the perfect setting. Schütte’s works have been exhibited here on numerous occasions, but this is the first time the artist has had a solo exhibition at the Middelheim. www.middelheimmuseum.be ________________________________

Gerrit Thomas Rietveld Studio Job Gallery, Antwerp

11 October 2012 - 11 January 2013 A number of outstanding works and several idiosyncratic pieces are shown in this exhibition. Particularly impressive are the scale models Rietveld produced himself. These works have seldom been exhibited since 1990, and then only in museums, so this is indeed a great opportunity to see some of Rietveld’s masterful furniture items. www.studiojob.be

Madame Grès. Sculptural Fashion.

a range of stylistic periods, from Hellenistic, draped evening dresses to modern, minimalist daytime garments and stylish beachwear. www.momu.be

High Fashion Low Countries. Photos: Magali Elali

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ANTWERP

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New ceramic sculptures by Thomas Schütte Middelheim Museum, Antwerp

Until 13 January 2013 German artist Thomas Schütte has created ceramic sculptures for the inau-

Model of Rietveld’s Philips Pavilion, World Expo ‘58, Brussels

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MADAME GRÈS Sculptural Fashion MoMU, Antwerp

Until 10 February 2013 Madame Grès felt herself as a kind of sculptor, draping or pleating the fabric directly onto the model without artificial devices and mostly without using scissors and needles, so that she also came to be known as the pioneer of seamless garments. In the 50 years of her career, her work went through

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HASSELT

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Dressing the 20th Century Women’s Fashion in the Designer Era Modemuseum, Hasselt Until 06 January 2013 The 20th century was characterized by extremely diverse fashions that followed each other at a breathtaking rate. The status of the designer was also redefined within this context. This

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exhibition focuses on fashion designers from Limburg, a region that continues to generate a diverse group of fashion talents -Raf Simons, Maison Martin Margiela, Les Hommes, and Sofie Claes, to name a few. www.modemuseumhasselt.be

Installation by Mario Merz, Chambres d’Amis, 1986

Förg, François Hers, Joseph Kosuth, Mario Merz, Helmut Middendorf, Bruce Nauman, Oswald Oberhuber, Royden Rabinowitch, Norbert Radermacher, Paul Thek, Jan Vercruysse, Lawrence Weiner www.smak.be ________________________________

FoAM – Borrowed Scenery Snoepwinkel Vooruit, Ghent

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GHENT

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Daniel Buren Le Décor et son Double

S.M.A.K., Ghent Until 04 November 2012 For the ‘Chambres d’Amis’ exhibition in 1986, the French artist Daniel Buren applied his familiar banded motif to the guestroom in the house of the art collectors Annick and Anton Herbert. He also installed a copy of the room in the museum at the time. This public half of ‘Le Décor et son Double’ is shown again for the first time and is also being incorporated into the S.M.A.K. collection. www.smak.be ________________________________

Chambres d’Amis Collection presentation

S.M.A.K., Ghent Until 04 November 2012 As part of TRACK, S.M.A.K. brings together several works created for the ‘Chambres d’Amis’ citywide exhibition in 1986, unique in its departure from the museum building and its introduction of 51 works of contemporary art into private houses in Ghent’s city centre. The artists: Christian Boltanski, Günther

Until 04 November 2012 Brussels collective FoAM attempts to develop new forms of society modelled on the world of plants. Plants are sustainable, recycle their own waste, produce their own energy, feed the soil instead of polluting it, and clean the air. During ‘Electrified’, FoAM builds a new world called Borrowed Scenery in the Snoepwinkel – the small building next to Vooruit’s box office. Visitors can explore this ethno-botanical laboratory at liberty. www.vooruit.be

FoAM, Borrowed Scenery

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Circumstance | Tomorrow the ground forgets you were here

Walpoortstraat, Lammerstraat and Het Zuid (square), Ghent Until 04 November 2012 Listen to the city; hear the thoughts of the coffee shop manager, the chocolatier, the lady from the tobacco shop, the library desk clerk. Circumstance creates an audio walk, a unique experience with text, music and background noise. Two streets and a square become a reality film set in the place you are walking around. www.vooruit.be ________________________________

MONS

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Claude Aïello & les designers Grand-Hornu Images, Hornu Until 16 December 2012 Claude Aiello is involved in the reinvigoration of contemporary crafts in Vallauris, the cradle of ceramic production in France, bent on finding new ways to create ceramics, contacting designers and offering them his expertise and technical skills. Together their combined talents have given birth to original works. www.grand-hornu-images.be Mathieu Lehanneur, the brain behind the so-called Age of the World containers made of enamelled ceramic, by Claude Aiello in Vallauris.

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Flanders Expo Gent Textirama vzw/asbl Poortakkerstraat 90 BE-9051 Gent tel: +32(0)9/24 38 450 - fax: +32(0)9/24 38 455 - info@intirio.be

www.bigfish-cp.be

www.intirio.be

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LIèGE

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RECIPROCITY design liège Various locations throughout Liège

05 - 28 October 2012 RECIPROCITY design liège is the new name and sixth outing of the International Design Biennial in Liège. It’s a title that is reflected in the event’s programme, which underlines some of the ethical values that define design: exchange, respect and generosity. Committing itself to exploring social innovation in this and future editions, the role of design and of designers in what is a process of change is explored in different ways, from scales to systemics, memories to masterplans, and one of the aims of event is to recognise and translate the potential of a social project into a new prototype of product-service, highlighting the frameworks that rationalise the intentions of local actions to make them feasible and accessible at the public level. At the Meeting Point and the Mapping the Design World project, visitors can immerse themselves in every aspect of the event and its theme: social design and the way it manifests itself in a worldwide context, with a focus on the interests of the entire city and its population. The biennial features the key exhibitions Memorabilia, Craft&Industry, Welcome to Saint-Gilles, and KidsDrivenDesign, plus guest shows, conferences and projects that involve everyone from the city’s shopkeepers to its students.

Heidelberg Project / Mapping the Design World

Connecting Gardens by Martina Muzi (Design Academy Eindhoven) / Welcome to St-Gilles

KDD project / Kids Driven Design

Check website for details of the open debates relating to Mapping The Design World/Meeting. Also free and interesting: Public and Collaborative days, 27 – 28 October, seminar and philosophy talk organised by DESIS (Design for Social Innovation and Sustainabilty) network and moderated by its founder, Ezio Manzini. www.designliege.be

MINIMATO by Nils Holger Moormann / Trames-Wefts

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3rd B2B event for contract proâ&#x20AC;&#x2122;s

wED 5 & tHU 6 JUnE 2013

Kiki van eijk and Joost van Bleiswijk for Bernhardt design. Photo by nienke Klunder and Wiglius de Bie. graphic design: www.waterproof2000.be

tour&taxis, Brussels

B2B event focused on the interior design of projects With a selected offer of furniture and interior textiles

www.contract-contact.be

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AGENDA THE BIG WORLD AROUND BELGIUM ________________________________

POP UP: DESIGN IN THE LILLE-KORTRIJKTOURNAI EUROMETROPLE

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Futurotextiles 3 Le Ceti, L’Union Tourcoing, Roubaix, Wattrelos

13 October - 30 December 2012 New, incredible materials, microencapsulated lace, and magical textiles are at the heart of this exhibition whose common thread is ultra-lightweight fabrics. Fashion, contemporary art and industrial objects are featured, with a focus on bio-textiles, smart textiles, recycling, and composite materials in the many and various fields of geotextiles, architecture, transport, housing, furniture, sports, protection, medicine and well-being. The exhibition is also presented on the occasion of the inauguration CETI, the European Centre for Innovative Textiles. www.ceti.com ________________________________

Living Design Gare Saint Sauveur, Lille

19 - 28 October 2012 A look behind the scenes reveals a space of multiple components: fabulous ideas for children, a manufacturing laboratory of unusual objects, experimental projects involving unsuspected resources. Living design provides a showcase of ambitious projects that exceed the limits of our imagination. Designers, design schools and businesses come together in an exhibition to explore, live and experience. www.designregio-kortrijk.be www.weekvanhetontwerpen.be

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Design for Change L’Imaginarium, Tourcoing

26 - 28 October 2012 Nearly 20 international design schools are participating in the second edition of Design for Change. All for the purpose of reflecting on design and its uses, to launch innovative ideas and new practices in Lille. The new works are anchored in the heart of the selected archetypical neighbourhoods, chosen as archetypical changing places, just like those found throughout the world. imaginarium-society.org ________________________________

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Lille Design - Pourquoi un corbeau ressemble à un bureau? (Why does a raven look like a writing desk?) Ventura Interieur, Kortrijk Xpo

20 - 28 October 2012 Lille Design offers a journey to the centre of the imagination, through the works of 20 designers from the Euro-region. Just as design generates an experience of use and sensation, this exhibition changes the way we look, inviting the visitor on a novel journey of empathetic, unexpected, human design, and so offering a way to restore one’s dream of daily life. www.lille-design.com

Loop.ph Energy Lab Parc Jean Baptiste Lebas / Gare Saint-Sauveur, Lille

06 October 2012 - 13 January 2013 Along with an expo on sustainable design, creative workshops are on offer for visitors to explore the energy potential of fruit and vegetables, use algae to produce biofuel, make bioluminescent lanterns and more! And the park has been transformed into a mystical, futuristic place by illuminated works of art, drawing a poetic line between electricity and energy of plant origin. www.lille3000.eu/gare-saint-sauveur

Bocal à poisson by Marc Ange, 2012 Chimère Édition

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: Kortrijk n i u o y See 6

1 Booth 3 / 3 l l a 8 Oct, H

20 – 2

www.viteo.com

122 / DAMN° INTERIEUR Kortrijk Guide 2012

________________________________ buildings and descriptions of artificial environments or alternative realities, handmade at a small scale or in the form sculptures, as subjects for photography or video. www.fantastic2012.com ________________________________

LILLE FANTASTIC

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Métamorphoses Urbaines Throughout Lille

06 October - 13 January More than 25 metamorphoses transform the surrounding metropolis: a house that has fallen from the sky, a flying saucer that welcomes travellers from the train station, while a tousled giant surprises those at the station... these feasts outside of the norm can be found in the four corners of the city during the Fantastic festival. www.fantastic2012.com

Robert & Shana ParkeHarrison Maison Folie le Colysée, Lambersart James Prinz Photography. Courtesy of the artist (Nick Cave) and Jack Shainman Gallery, New York

skeleton hiding underground... To help them in their quest, they appealed to the children of the metropolis. Their search was successful - the animal has been exposed! www.fantastic2012.com ________________________________

Anatomies de l’Étrange Musée d’histoire naturelle Lille city centre

19 October - 03 March In composing this exhibition, the Museum of Natural History had the wonderfully fresh intention of questioning the notion of fantasy within its collections. The extraordinary monsters and objects on display demonstrate that which is remote, misunderstood or fantasised about.. www.fantastic2012.com ________________________________

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PHANTASIA Tripostal, Lille Centre

06 October - 13 January In Phantasia an unbridled imagination reigns free. At the Tri Postal artists take the visitor outside of the real and the ordinary during a stroll that leads into inexplicable, magical and fictional worlds. Ten artists are responsible for the ten extraordinary works to be found here. www.fantastic2012.com ________________________________

La Ville Magique LaM, Musée d’Art Moderne, d’Art Contemporain et d’Art Brut Villeneuve d’Ascq

17 November - 13 January The dreamlike, poetic, and decidedly unreal universe of Robert and Shana ParkeHarrison plunges the viewer into a peculiar environment, halfway between dream and reality. At once fantastic and realistic, their work provides a surreal vision of the world, a universe that leaves a whole lot of room for imagination. www.fantastic2012.com ________________________________

François Schuiten Dentelle Stellaire La Rambla Rue Faidherbe, Façade Voix du Nord, Central Lille

06 October - 13 January A work of fantasy, La Rambla is an extravagant, illuminated work of art designed by François Schuiten, a Belgian comic book artist and scenographer, and created by Ricardo Basualdo. This installation measures 200 metres high and is made up of more than 5,000 LED bulbs, transforming the street into a palace of interwoven lace comprised of lights. www.fantastic2012.com

Until 13 January Since the end of the 19th century, the city has played the main character in some fantastic tale for certain artists... Magical City exhibition offers a plunge into various urban myths of the interwar period, when the city seemed to amass all the fantasies and fears of the Western world. Brought together are over 200 paintings, drawings, collages, photographs and films. www.fantastic2012.com ________________________________

Lucy + Jorge Orta Fouilles Fantastiques Throughout Lille

Otherworldly Optical delusions and small realities MUba Eugène Leroy , Tourcoing

October - December 2012 When scouting round in Lille, the artists Lucy + Jorge Orta found some strange bones, seeming to belong to a huge creature. Surely there was a mysterious

05 October - 13 January Otherworldly: Optical Delusions and Small realities highlights the phenomenon of the renaissance of interest among artists of the world for miniature

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C 64 - M 47 - J 25 - N 5

SNCF SNC_11_0000_Logo2011 16/02/2011 24, rue Salomon de Rothschild - 92288 Suresnes - FRANCE Tél. : +33 (0)1 57 32 87 00 / Fax : +33 (0)1 57 32 87 87 Web : www.carrenoir.com

Ce fichier est un document d’exécution créé sur Illustrator version CS3.

ÉQUIVALENCE QUADRI

DÉGRADÉ CYAN MAGENTA YELLOW

RÉSERVE BLANCHE

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EINDHOVEN

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DUTCH DESIGN WEEK Various locations throughout Eindhoven, Netherlands

20 - 28 October 2012 Taking place in perfect parallel with Interieur 2012 is the Dutch Design Week. Eindhoven, the veritable capital of design in the Netherlands, positively bursts with displays of industrial design, products, graphics, textiles and fashion, spatial and service design, and food, to fulfil a public yearning for innovative finds. With a daily calendar full of activities including exhibitions, workshops, seminars, lectures, award-giving ceremonies, and even a mini-festival, there is truly something for all tastes and temperaments every day of the week. The whole city exudes the keen sense of enthusiasm brought by a staggering amount of boundless creativity from hundreds of renowned designers and young talents. An atmosphere of pride and good-spiritedness prevails. Thrilling ideas, mind-blowing experiments and extraordinary collaborations are what this nine-day week promises, with an array of themes that explore co-creation, design education, design thinking, sustainability, crafts and future concepts. And the designers are not only keen to

From the One +1 series by Daniel Eatock 76: Cabinet Project at Onomatopee

Beyond the Body by Imme Van Der Haak RCA Collective 2012 at Sectie C

Designing Out Crime (DOC) at STADHUIS MEETS DESIGN

share their wares but also their thoughts on what exactly design means to them, such as Stampiet’s Piet Bergmann who says: “A good concept even makes Italians forget about their pasta.” www.ddw.nl

Crafting Sustainability: experiments with upholstery are performed in the carpenters’ workplace

Stummerer / Hablesreiter / Loeckinger / Koeb Food Culture: Eating by Design at the Designhuis

From This to These: Progressive copying one form, endless ideas, by Niko Leun at the Graduation Show 2012, Design Academy Eindhoven

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As a visitor of Interieur 2012, you are sensitive to the mood that arises from an interior space, aren’t you? Just like the new Volvo V40. Its 7 colour LED interior lighting adapts subtly to your mood of the moment. And its interactive dashboard changes to match your temperament. ‘Performance’ for the pleasure of sporty driving, ‘Eco’ for environmentally-aware driving, or ‘Elegance’ for more comfort. Intuitively, you will ﬁnd all of the driving information that you need. No more compromise: the Volvo Sensus system even remembers your preferences.

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foto: www.renevanderhulst.nl

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Lensvelt manufactures innovative interior solutions for every work, play, relax and think space. To satisfy people and companies, to inspire architects and interior designers to do the unexpected by working with the most remarkable artists, architects and product designers such as Richard Meier, Paolo Rizzatto, Richard Hutten, Wiel Arets, Marcel Wanders, Ronald Hooft, Diederik Fokkema, Maarten van Severen, Gerard van den Berg, Studio Job, Atelier Van Lieshout, Bertjan Pot, Ineke Hans.

Visit us in Kortrijk - Hall 6 - Booth 614