Architectural Portfolio

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Bahman Jamasbi

I am a graduate of master of architecture program from the University of Virginia’s School of Architecture. My UVA experience has provided me with a strong academic experience, and, as my resume indicates, over the last two and a half years I have sought out a wide variety of academic and research experiences to supplement my learning in studio. The interdisciplinary agenda advocated at the UVA School of architecture allowed me to explore a mode of problem solving that require expertise and knowledge specific to Landscape architecture or Urban design by collaborating with students and professors of those disciplines in several projects in the studio projects and beyond. In my time at the graduate school I had a chance to focus on the design ideologies I find interesting personally as well as the tools I found important to learn during my time in the offices I worked for prior graduate school. The most significant of these principles and tools are Performance-driven sustainable design, parametric design paradigms and design development process. All of which I believe, should heavily rely on advanced analytical tools and data rather than mere assumption, in order to truly contribute to the enhancement of the final design. I believe I have acquired a set of valuable skills in all those areas both in terms of research oriented decision making and in the term of proficiency in the related software. What I value most about my previous professional work involvements is the insight offered into a wide variety of architectural practices and studio cultures. I believe the best way to develop my interests and goals is to become involved in practice in a way that continually challenges myself, surrounded by professionals, in an immersive, comprehensive and motivating environment. I am a thorough, quick, and adept thinker and learner, and I am confident that you will find that I can make a valuable contribution to your practice. I value being an accountable employee that follows the norms of the office and is fully responsible for delivering what he was asked for as much as I value offices that are open to experience new technologies and create a platform for young architects to be exposed to all aspects of the professional practice.

Work Experience: +PADIAV PARTH Consulting Architects (Summer 2012 Tehran/Iran) Studio chief: Bahram Shokouhian Job title: Associated Interior Designer, 3rd visualization team member Jobs: - Interior design, accessories design, 3rd modeling and visualization of Golestan project + TARH O MANTAGHEH Consulting Architects (Fall 2011 _ spring 2012 Tehran/ Iran) Job title: Associated Interior Designer, Planner, Draftsman Jobs: - Interior design, Planning and 2D drafting of various projects + BARSIAN Architectural Group (2008 _ 2009 Tehran/Iran) Studio chief: Jila Norouzi Job title: Associated designer, 3rd visualization team member Jobs: - Interior design of National War Museum of Tehran (Block C) supervised by Jila Norouzi - Planning of National War Museum of Tehran (Block C, D, E and F) - 3rd modeling and visualization of different parts of the War museum (Amphitheaters, Site plan, Official section, Exhibitions and etc.) + Aruna.ir Website (Iran Architecture and Urbanism News Agency) (2007 _ 2010 Tehran/Iran) Job title: Volunteer Journalist Jobs: - Interview with Sami Rintala (Finnish architect) supervised by Dr. Bahram Yousefi - Interview with 8 of the most renowned Iranian in collaboration with Dr. Bahram Yousefi

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Teaching Experience: +Parametric structural design (Teaching assistant) fall 2016 Semester University of Virginia, Charlottesville, VA, U.S + CAAD 3-D geometrical modeling and visualization (Teaching assistant) fall 2016 Semester University of Virginia, Charlottesville, VA, U.S + Grasshopper Spatial Practice (Teaching assistant) fall 2015 Semester University of Virginia, Charlottesville, VA, U.S + Generative Optimization using parametric tools (Workshop assistant) September 2012 Tehran, Iran + Architecture in Fashion (Workshop assistant) July 2013 Tehran, Iran Educations: + Mater of Architecture (2016) University of Virginia, Charlottesville, Virginia + B.A in Architecture (2005_2010) Islamic Azad University, Tehran, Iran + Diploma in Mathematics and Physics (2001_2004) Alborz High school, Tehran, Iran Skills: + Computer Software: Adobe CC Suite, Autodesk 3D Studio Max, Rhino, Grasshopper and related plugins (karamba, kangaroo, elk, ladybug, etc.), Autodesk Revit Architecture, SketchUp, V-ray render, AutoCAD, Processing, Python. + Other: - Graphic Design - Digital Fabrication - Drawing, Sketching - Design, Research, Marketing Awards and Accomplishments: + FEZANA Academic Scholarship (2015-16) + Snow Sanctuary, Project selected for presentation at the Atmos Water+ Design Competition, University of Manitoba, Canada. In collaboration with Eric Der. (winter 2016) + Deep into Red, Honorable Mention Prize, National Design Competition for Airbus 655 Passenger Plane Memorial (june-2007) + Lightness, Design was ranked in Top 15 projects among 85 participants National Design Competition for Tirajeh Commercial Center (september-2010) + UVA school of architecture graduate scholarship (2014-16) Languages: + English + Persian

Cell :( 001)6502406658 E-MAIL: bj3xe@virginia.edu


Contents Serendipitous Residential pages 4-19 Serendipitous Residential Collage on the Carr’s hill

enriching the social edge effect creating activity-oriented density

Emergence Cultural pages 20-27

Design Development Studio Menefee/Hays Bahman Jamasbi Spring 2016

A.C art district

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36 units 144 students

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2

inverted hill topography of the connected roofs opening view to the east

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3

conforming to the existing topography

day light access

Cultural pages 28-37

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mid-level shared assembly spaces opening the view to the west

Breathing ground

Landscape design pages 38-51

privacy noise

Western elevation scale:1/24”=1’

Office space

Metropolitan Montana

Lightness

Snow sanctuary

Commercial Design developement pages 52-55

Mixed-use residential pages 56-61

Commercial pages 62-67

Parametric structural design pages 68-69

War museum

United elemnts of joy

Cultural page 70-71

Education pages 72-73

QPRC (quantum physics research center )

Graphic designs, free hand drawings, digital fabrication and Selected interior designs

Education pages 74-75

pages 76-79

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Serendipitous Design development studio spring 2016 Residential College Charlottesville, Virginia 25,000 sqft Overlooking the president’s house emphasizes on the importance of mutual understanding and close interaction between the students and faculty/ staff that keep a university vibrant and thriving. Mid- level open courtyards as well as rooftops create opportunities for daily interaction between the neighbor students. An enriched sense of community is achieved by giving the opportunity of social interaction at One’s house door step. Meanwhile, multiple operable devices are designed to provide an acceptable level of control over one’s home privacy and quietness. It’s about having all the options in close proximity to your living space. A quality well defined in places like Manhattan, Paris, Barcelona and etc. by reaching the desirable balance of easy access to multiple choices of social life and easy control of your privacy in your house. Western elevation scale:1/24”=1’

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Serend

Residenti on the Ca

enriching the so creating activity

Serendipitous

Design Development Studio Menefee/Hays

Residential Collage on the Carr’s hill

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36 units 144 students

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inverted hill topography of the connected r opening view to the east

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conforming to the existing topo

Bahman Jamasbi Spring 2016

enriching the social edge effect creating activity-oriented density

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3

36 units 144 students

inverted hill topography of the connected roofs opening view to the east

4

5

day light access

mid-level shared assembly spaces opening the view to the west

conforming to the existing topography

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Western elevation scale:1/24”=1’

privacy noise


Serendipitous Residential Collage

Design Developm Men

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Bahma


concerete shear walls the elevator shaft

+63’0”

mechanical shaft

steel w

gathering space on the roof

operable folding panels

glass b

R-2 concerete staircase 2 hour rating

+55’10”

vertical shade sails fabric privacy fence

Det.04 +35’0”

Concrete encased wide-flange steel columns

+30’0”

movable planters as space dividers

+26’6”

+25’8”

Det.01

daily, small interactions

Det.02

+16’2”

+15’0”

Det.03

+5’8”

+2’5”

Section Perspective scale: 1/2”=1’

0’0”

gathering space under the units A.01

-4’ 3”

drainage pipe

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+60’0”

wall panels

bricks

+48’2”

+43’5”

Det.05

indirect natural lighting for bathrooms

+35’0”

wood siding on the southern facade

steel studs wall assembly with two layers of insulation R-value:19-22 stc rating:40-55

+28’0”

Sliding fabric panles

mechanical pipes underneath the metal decking

A.02

A.03

horizontal bracing for primary columns

operable folding benches wheelchair accessible permeable paver

Building use: R-2 Construction type: II -A Number of Occupants = 112 Maximum exit access travel distance= 75 feet Maximum allowable travel distance= 200 feet Minimum corridor width= 40 inches Maximum allowable height (for R-2/II-A) = 65 feet Maximum height = 56 feet Maximum allowable “building Area” per story = 24,000 sq.ft “Building Area” per story= 5,600 sq.ft Number of units = 32 (28 housing units, 4 shared kitchens/community spaces) Average floor area per person for residential units = 200 sq.ft Heating and cooling= underfloor radiant system Structure = steel frame (encased steel columns) Accessibility= accessible paths for individuals with disabilities to 85% of units Lateral load resisting structural system = Steel moment-resisting frame

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1 36 Units 144 students

3 conforming to the existing topography

5 mid-level shared assembly spaces opening the view to the west

8

2 inverted hill topography of the connected roofs opening view to the east

4 day light access

6 Consideration of privacy and noise levels

Structure/Enclosure Scale: 1/4�-1’


structure enclosure

steel rod steel cladding mechanical shaft concrete shear walls

soft joint

clear glass shading device

soft joint

brick glass steel plate

Materiality

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Level : +30.0 ft

+26’6” +28’0” +23’0” +33’0” +35’0” +18’0”

Level : +60.0 ft

When the immediate vicinity is neither visible nor audible , the city apartment integrated into the urban fabric can be far provided both alternatives offer identical, house-like qualities of living: in the interior and at the transition to appropriate roof patio. The quality of living aimed for in the country retreat can easily be surpassed in an urban condominium with th offers the advantage of spending up to ten years of one’s life more freely and productively than being tied with hands to 0’0” +56’0”

Eastern elevation

+60’0” +50’0” +39’0” +43’0” +35’0”

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primary horizontal access 0’0”

primary vertical access

r more luxurious than the detached country home, e exterior space – a small yard, a winter garden or a he help of architectural and technical means. It also o the steering wheel of a car.

secondary horizontal access

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Light access study

Levels of light/privacy control

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ThermoWood siding vapor barrier 2” rigid insulation 2”x4” steel studs steel runner metal flashing

A.03 Section Axon

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Detail.2

Wall section

steel plate frosted/translucent glass (kalwall)

steel angle

clear glass

steel plate

vertical revolvong curtains

4 sliding panels/frames (textile/translucent material)

fabric curtain

4 sliding panels/frames (textile/translucent )

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Detail.3

2 pane clear glass storefront

2 pane frosted glass storefront

4 sliding panels/frames (textile/translucent )

fabric curtain rigid insulation steel fascia plate

steel clip

flexible steel tie

radiant floor heating steel angle

rigid insulation

steel fascia plate mechanical pipes 2 pane clear glass storefront

steel clip steel angle

rigid insulation steel tie joint protection

vapor barrier white cement panl

angle clip

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1

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3

Level 4 30' - 0"

Level 3 20' - 0"

frosted glass

Level 2 10' - 0"

steel rod (wind bracing) textile shader/cover

Level 1 0' - 0"

A

B

C

rolling wall panels Level 4 30' - 0"

Level 3 20' - 0"

Level 2 10' - 0"

Level 1 0' - 0"

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from piano aluminum hinge

5/4” laminated skylight glazing

1’0”

Pre-cast concrete skylight

3’10”

flashing

water barrier 6” rigid insulation

steel angle

rigid insulation stucco panels rounded steel plate

Detail.5 Skylight assembly

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Emergence Spring 2011 Tehran Opera House Tehtan, Iran B.A in Architecture thesis project 45,000 sqft Bearing in mind the common subjects among these observations and analyzes which are the contact, combination or confliction among different groups of people, urbanism issues and types of art, the concept of “ Conjunction” was considered as the main guideline in design process of the opera house. These ideas played an important roles in design of the opera house’s landscape. Each of the contextual forces or conceptual streams that were observed and analyzed in the pre-design research phase were represented in the landscape as narrow curved lines which form the buildings borders or become part of its mass and eventually all come together, converge and melt into the opera house volume which is emerging from the earth implying that these layers or streams are the sources of its propulsion. Concepts such as “Buoyancy” and “Ascendency” which are in close relationship to the intellectual basics of the Folding architecture were also used in different stages of design process.

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A.C art district Spring 2015 Mixed-use cultural, educational convention center Atlantic City, NJ 800,000 sqft Boardwalk Hall used to be the center of cultural activity in Atlantic City. Over time as casinos took over, the arts district in Atlantic City decline, and the once vibrant Boardwalk Hall quickly fell into disrepair. The former home of concerts, shows, and the Miss America Pageant, Boardwalk Hall lays silent and its adjacent West Hall now serves as a parking garage in a city full of parking. The Six Disruptions seeks to reinvigorate the culture of Atlantic City by drawing arts to Boardwalk Hall. The redesign of West Hall looks at creating a new art school that feeds directly into Boardwalk Hall, so the students can perform in the historic landmark, and eventually re-establish the building as a centerpiece of the city. Conceptually, the project takes the structural grid of the existing building and establishes a new formal language using this as an inital organizing premise. This building creates an opportunity to further integrate the culture of Atlantic City for the residents and the tourists alike. Using the existing structural grid of West Hall, the art school takes on its own character by reinterpreting the site through five different obstructions that break up the thirty foot by thirty foot structural grid. This shifts the grid and allows for a new dynamic space on each floor that cuts a unqiue spot on each floor, sometimes extending or permeating other floors as well. In terms of the formal qualities, the building uses the idea of a shifting grid to push and pull element in accordance to the program of a new arts district, creating new spaces between different circulation paths around Boardwalk Hall. From the boardwalk, one moves through the central market space and can follow directly into the connection to Boardwalk Hall on the second floor. In the south, West Hall receives the boardwalk and integrates it into the exterior circulation. Adjacent to the west is a vacant lot, with a space for parks and new sculptures produced within the art school. Lastly, the northern part of the city integrates into the new threshold between the city and the boardwalk. Over time this new center will attract artists from around the world and start to bring Boardwalk Hall back to its former glory as a cultural icon for Atlantic City. Casinos will dissipate to the background as the former cultural richness integrates itself into the core of the city once more. In this transition back into restored glory, tourists and residents will come to know Atlantic City as a place of arts and culture, and, eventually, after many years of change, future generations will live in a world with a culturally vibrant Atlantic City.

spatial diagram library theater workshop market

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painting studio


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basic structure:

basic structure existing structural grid steel 4’ x 3’ columns encased in concrete spaced 30’ - 0” on center

theater steel space frame with concentrated centroid tensions band on exterior volume secured to existing column grid

library open web joist below 18” depth with 30’ - 0” span between exsiting column grid

existing structural grid steel 4’ x 3’ columns encased in concrete spaced 30’ - 0” on center

theater: steel space frame with concentrated centroid tensions band on exterior volume secured to existing column grid

library: open web joist below 18” depth with 30’ - 0” span between exsiting column grid

painting studio:

painting studio 4’ - 0” deep parallel chord truss sytems spanning between existing column grid supporting 30’ - 0 load span above

4’ - 0” deep parallel chord truss sytems spanning between existing column grid supporting 30’ - 0 load span above workshop: 18” depth crossing flat truss sytem spanning between existing column grid

workshop 18” depth crossing flat truss sytem spanning between existing column grid

existing structure: 18” depth stel w flange spanning 30 - 0” on center in typical grid

existing structure 18” depth stel w flange spanning 30 - 0” on center in typical grid

market:

market steel moment frame carrying load above, transferring load to double 8’ x 6’ steel columns encased in concrete at base

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steel moment frame carrying load above, transferring load to double 8’ x 6’ steel columns encased in concrete at base


floor _05 library study area event room computer lab meditation yoga

floor _04

drama theater practice rooms set design storage presentation room lounge offices photo room soundstage screening room music practice editing suites recording studio

floor _03

workshop virtual reality room student union metallurgy room classrooms woodshop CNC/3D priting room lounge

floor _02

painting studio cafe lounge glass studio cleaning/storage sculpture studio formwork room casting room kiln room supply closet

floor _01 market cafe restaurant art exhibition showcase space shops kids art school equipment rental dining hall loading/storage kitchen information desk

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disruption 1:

disruption 2:

disruption 3:

disruption 4:

program: the market

program: painting studio

program: workshop

program: theater

structure: steel moment frame

structure: parallel chord truss

structure: flat crossing steel truss

structure: space frame

why: connection from the boardwalk and the city spiral moving vertically to connect floors

why: northern light for painting

why: centrality, access to main workshop from all floors, deflections towards circulation cores for service

why: access to core closest to boardwalk hall, access to boardwalk hall, close to set design

disruption 5:

disruption 6:

program: library

program: lighting

structure: open web joist below

structure: none (open space)

why: move vertically along southern edge, view south towards boardwalk and ocean, view west towards adjacent sculpture park

why: induce light into dark space, create central gathering space below


+ 60’ - 0”

structural type _05 open web joist + 49’ - 6”

structural type _04 space frame + 39’ - 0”

structural type _03 crossing flat truss + 28’ - 6”

structural type _02 parallel chord truss + 18’ - 0”

structural type _01 steel moment frame

+ 0’ - 0”

conceptual detail section

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Breathing ground Fall 2014 Surveillance Practices: Drawing the nature of sites Milton airfield, Charlottesville, VA Soil microbial activity can be measured by evaluating the amount of organic biomass available in top layers of the soil profile and can be manipulated by controlling different factors within and outside of the soil. Soil temperature, moisture, compaction and amount of received solar exposure are among the most effective ones. By studying these effective factors a framework for the methods of improving soil microbial activity through an intervention can be drawn. Most of these factors can be interpreted as the pressures exerted on the soil, influencing the location, population, behavior and activity level of the soil microbial colonies. These pressures that are understood to have the most significant impacts on the soil structure and microbial activity were chosen from all of the effective factors to be further studied as the subjects that could suggest a frameworks for a physical or experiential intervention.

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Effective Factors and Pressures Soil temperature and moisture content can be consider as the two main indicators of soil activity level at a given time and its rate of change over a long period of time. The combination of these two factors create a psychrometric condition within the soil that indicates whether the soil microbes are living in their comfort zone or not.

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ground surface temperature

Landscape Surviellance Unit

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electrical resistance- moisture content


Microbial comfort zone is defined as the most favorable temperature and moisture content ranges in which the soil populating microbes are at their most active state and have the highest rate of interaction with other organisms living in the soil. By finding the extreme psychrometric conditions we can decide on specific methodologies and interventions responsive to each particular condition in order to mitigate the situation.

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Algorithmic design of surface/ Controlling the dimension and location of modules and openings based on the psychrometric data input (temperature and moisture content)

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Keeping the soil temperature and moisture in their most favorable range for the soil populating microbes (Mesophiles) in order to enhance the soil’s microbial activity can be achieved by designing a conditioning surface on the existing ground that alters in shape and function based on the anticipated result/mitigation at each specific area. This surface acts as a thermal envelope for the soil underneath in order to create an environment that approximate the soil organism’s comfort zone factors and increases the average microbial activity within a given area. Similar to the building envelope and intelligent facades that are designed to control heat exchange, solar exposure, ventilation and drainage, in designing the surface for the soil thermal insulation, Heat retention, moisture retention, drainage, aeration and sheltering were the main desired results. Increasing the soil microbial activity using the methods above, would have various beneficial aspects and potential applications based on the geographical location and time scale that they have been used in. Thermal insulation which would prevent freezing and thawing (rapid extreme changes) is one of the most important effects that can be achieved with this intervention which changes the frost line level in the intervention area and if precisely controlled this effect can used as a method of climate change adaptation. Practices in climate adaptation attempt to return the equilibrium in order to reduce the number of extreme moments and/or mitigate their negative effects on natural organisms and processes. Designing a condition-responsive surface made out of organic materials on the ground acts as a filter for environmental conditions and can be seen as a Phytoremediation method for climate adaptation that moderates the number of extreme moments experienced by soil microbes which would subsequently lead to an improved soil structure and enriched organic layer over time.

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ceramic tiles mortar base water barrier rigid insulation concrete fill shallow-arched brick ceiling ( 4” depth, 4-1/2” rise)

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1.Spread Footing Foundation

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Office space Spring 2015 Design development Charlottesville, VA 3,000 sqft

2.steel columns

3.foundation walls

4.steel beams

5.enclosure

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A.03

ceramic tiles flashing membrane water barrier

1/8” steel channel concrete fill

steel cable anchor rod

A.02

¼” steel T channel

ceramic tiles ¼” steel C channel

clear glass sheet steel window frame steel box channel stone window sill

mortar bed

with drip

1/8” reglet styrofoam sealant 2” polyester rigid insulation flashing membrane shelf angle 5”x5”x ¼” 2” cavity air gap water barrier

#8 steel bar 6” diameter spotlight fixture 12’ long 1/8” steel plate base

weep holes 24‘ O.C sealant compressible joint filler

A.04

exterior brick veneer

gypsum drywall on metal furring

A.07

floor ceramic tile concrete fill

flashing membrane shelf angle 5“ 5” ¼”

weep holes 24‘ O.C sealant

tension rod mortar base 10 wide flange steel beam w

compressible joint filler

A.05 exterior brick veneer water barrier 2 ” cavity air gap 1/8” grout fill

solid CMU block 2” polyester rigid insulation masonry wall tie with drip

2” polyester rigid insulation

gypsum board on metal furring

2” cavity air gap

solid CMU block

exterior brick veneer

compressible insulation

cement grout fill weep holes

concrete slab

flashing membrane water barrier gravel

foundation wall geotextile fabric drain pipe

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gypsum board on metal furring

ceramic tiles

A.06

base mortar water barrier rigid insulation

A.01


A.07

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Metropolitan Montana Connecting the Bridges to the public access concenteration points on the street R

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T i e t ê

Valleys:

Controlling the flow of water by directing street runoff as well as creating pedestrian paths

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Ridges: i

ted landform which of drinking water

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Fall 2016 research studio / internatial design competition Mixed-use residential 500,000 sqft R grid for placement of water communities is generated by integration of the valley and ridge lines base

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Among all the issues modern Sao Paulo is dealing with, we think the most severe problem are the isolation between n life, the producing process and consuming process of food, and the isolation between neighbors which contributes to We are ambitious to solve these problems with a multi-layered solution by proposing a new hybrid infrastructural syst space. Together they will construct a habitable landform in the urban area, which is Metropolitan Montana. When it comes to nature process, the most unique thing about Sao Paulo is the massive amount of precipitation occu with this rich resource of precipitation, the city is still facing the shortage of drinking water, and rain becomes runoff an channeled directly to the river, at the same time the river floods back. So we propose a layered infrastructure to collect intelligently; in order to create a closed loop of water infrastructural and hybrid city life. So how do we going to deal with the water? The earth landforms give us inspiration. The natural forces shape the land systematically to generate the waterscape; and early civilization emerge nearby. We abstract the mechanism of formation and water interaction of the various landforms and filtered this to “hollow” a collects the precipitation with its embracing form. Alluvial fan distributes water with its spreading form. We combined one alluvial fan community to create one unit of city neighborhood. At the scale of the site, analyses of the existing watershed directed us to define the valley lines, they will be pedestrian channels designed for the treatment of the runoff water along it. Connecting the rail station and existing road to bus side of the site, we designed the ridge lines which is a network of elevated streets for bikes and pedestrians. This way w which ends at the southern edge of the site. Besides defining the accessibility paths, these two network of streets (valleys and ridges) play the major role in distribu water. Finally, the community units (defined by hollow and alluvial fan shapes) connect the elevated network (ridges) A corridor of commercial boulevard is designed as a widen meander to connect the station mall, existing market in the on the east side to emphasize on the public access to all different parts of the site. 0 0.05

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Cisterns are placed as the defining element of the communities, individual building masses are created following the alluvial fan typology and with consideration of density, family size and daylight access

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nature process and human’s urban o the issue of safety. tem of water, mobility and public 0 0.05

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R Farmlands, art mall, ground level ponds and commercial spaces are designed to accordance with the idea of creating a connected, diverse and dense urban landscape

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Social landscape : o

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Communities: i

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potential areas for placement of the water communities is defined by using the grid and defining a green corridor enhancing the connection between two edges of the site

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Divisions:

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ur in the monsoon season. But nd gets polluted and when it is t and distribute the precipitation

dform; they distribute rainwater

and “alluvial fan” landforms. Hollow d one hollow water community and

Art Mall Cave

SOHO Cliff

Community Pond & farming alluvial fan

Biking Neighborhood Ridge

Rural Valley

Farmer’s Market Meander

n and bike paths on ground and also stops along the road on the east we extend the existing bike lane

ution, collecting and directing to the paths of the ground (valleys). e center of the site and the street

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Bike Renting

Parking Lot

Rain Gardens Parking Lot

Cave Park Chain

Bike Renting

Rain Gardens

D Rain Gardens

Birdview Park

C

Baloon Termnal Rain Gardens

Rain Gardens

Bike Renting Parking Lot

Rain Gardens

Parking Lot

Rain Gardens

Bike Renting

Baloo

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Parking Lot

Rain Gardens

Bike Renting

Art Mall

Rain Gardens

Parade

Downtown Meander Corridor Parking Lot Art Mall

Bike Renting

Dod Park

Center Pavilian

Art Mall

Art Mall Sports Zone Art Zone

Birdview Bridges Farmers Market

Rain Gardens

Birdview Bridges Beach Zone

Art Mall

Garden ZOne

Riverfront Recreational Zone Birdview Bridges

Baloon Termnal

Restaurant Paradixe

Station Mall

Birdview Bridges

on Termnal

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Lightness Summer 2010 National designcompetition Iran industrial trade center Rasht,Iran 10,000 sqft In the present day, the high momentum of the technological improvements is affecting our lives in a more tangible and significant way. At every era avant-garde architectural movements inclined to reflect social, cultural and philosophical streams by using the most recent construction methods. The swift and fluent flow of the information is the major aspect of the 21th century’s life; by using them in the conceptual design process we will approach to a groundbreaking formal concept in architecture which is: ‘’ Lightness ” Considering the main aspects of the area’s vernacular architecture (Iran’s northern ridge) and also using the general architectural elements and hierarchic disciplines of the “BAZAAR” we reached a coherent form which along with simplicity and modernity is attendant to principles of Iran’s ethnic traditional architecture.

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Snow sanctuary Fall 2015 Parametric structural design 300 sqft units

https://www.youtube.com/watch?v=V43vXLfqhZk

Snow Sanctuary looks at an aggregative modular system that utilizes structural properties in conjunction with the properties of water. Snow is used to insulate the building, and as it melts, a central detachable pipe recirculates the water into the plumbing. The columns and roof fabric were designed using Karamba and Kangaroo plug-ins. They are built to deflect to a prescribed degree under the average snow load of an arctic region, so as the snow load increases, the interior space becomes smaller and hence, easier to heat. accumulated snow load

lateral load and snow load

structural fabric max allowable deflection: 15’

thin plastic columns

detatchable water pipe

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War musuem 2010 As interior designer and visualizer Barsian Design group Tehran, Iran The primary approach to the interior design of the war museum was to open up space by eliminating unnecessary walls and use various forms of movable partitions instead, in order to give the visitors freedom to take their desired path when they walk through different galleries. Formal and conceptual ideas of Deconstruction Architecture formed the general visual principles of the exterior and interior design of Tehran War Museum.

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United elemnts of Joy Spring 2008 Kindergarden Tehran,Iran 3,000 sqft Kindergarten perimeter as the primary layer in the formation of children’s social character is a bridge between home and society and the place of the first friendships and other experiences for a child as a member of a group. Hence it should prepare the comfort, tranquility and the security of a home; further it should have exciting spaces for explorer kids. This principle illustrated abstractly in this design by composing three presented forms, which inclined by the site position, the functional program and the climate attributions throughout the design process.

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Quantum Physics Research Center Fall 2009 Research institution 10,000 sqft In physics, a quantum is the minimum amount of any physical entity involved in an interaction. Behind this, one finds the fundamental notion that a physical property may be “quantized,” referred to as “the hypothesis of quantization”.[1] This means that the magnitude can take on only certain discrete values. There is a related term of quantum number. An example of an entity that is quantized is the energy transfer of elementary particles of matter (called fermions) through bosons and of photons. A photon is a single quantum of light, and is referred to as a “light quantum”. The energy of an electron bound to an atom (at rest) is said to be quantized, which results in the stability of atoms, and of matter in general. As incorporated into the theory of quantum mechanics, this is regarded by physicists as part of the fundamental framework for understanding and describing nature at the infinitesimal level. Normally quanta are considered to be discrete packets with energy stored in them. Max Planck considered these quanta to be particles that can change their form (meaning that they can be absorbed and released). This phenomenon can be observed in the case of black body radiation, when it is being heated and cooled.

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Interior Design 2011 As interior designer and visualizer Various projects Padiav Parth Architects Tehran, Iran Selected interior/furniture design and visualization works

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Selected Graphic design, free hand drawings and digital fabrication

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