续 CHUNFEI BAI
PORT·FOLIO
Bachelor of Engineering, Beijing Normal University, ZhuHai, China Applying for Admission to Master programme, Track in Architecture, TU Delft
CHUNFEI BAI EMAIL : baichunfei1991@163.com TEL : 0086 -13926963944 ADDRESS : Room 3B, Unit 1, Building 7, Yingchun Garden, Shijicheng Neighbourhood, Guandu District, Kunming, P. R. China 650214
EDUCATION 09/2012-06/2016
Beijing Normal University, Zhuhai (BNUZ) Zhuhai, China Candidate of Bachelor of Engineering, expected July 2016 •Major: Architectural Design •GPA: 3.9/5.0 Rank: 1/131
02/2015-07/2015
Tainan University of Technology Elected Exchange Student
02/2009-02/2012
The University of Sydney Advanced Studying Student •Major: Aeronautics & Astronautics
P3—P7
Sliced History
EXPERIENCE 07/2015-10/2015
Taiwan Sydney, Australia
Consultants Incorporated (Xiamen) Architectural Design Advisory Co., Ltd Intern Designer •Studied the characteristics of the Chinese-style villa •Assisted in designing and planning the Xiamen local village-Yipen Village and its hill landscape node after on-site investigation •Led the international tendering of Seoul Tax Office Building design which focused on its historical context and connotation
P8—P11 P12—P14
DRIFT· SAND 岁月
Symbiote
HONORS 05/2015 11/2014 11/2014 10/2014 10/2014 10/2013 10/2013
•Design Award The 9th Taiwan Spatial and Interior Design Competition •China National Scholarship •First Award in School Resume Design Competition •Outstanding Academic Performance Scholarship by University •Social Work Scholarship by University •Outstanding Academic Performance Scholarship by University •Social Work Scholarship by University
P15—P19
Hidden Anchorite
Sliced History Architectual Design Xiamen, PR, China Internship Group Work As Idea Provider And Most Building Design Rendering Partner : Congyi HUANG Aug, 27th 2015 SEP, 24th 2015 Internship work Tutor : Zhihong CAI, Huaqiao University Korean Sejone-daero Historic Cultural Space Design Competition
SITE OVERVIEW
Sejong
_daero is Joseon’s political symbolics street. The design area of former site is National Tax Service building which is located in a meeting point between Seohakdang-gil street and a new street of the Korean Empire.
The
main goal of this project is to link the site of the former National Tax Service Building to urban architectural heritage and the surroundings that contain various cultural activities. Developing a historic cultural place harmonizes past, present, and future.
The
surrounding historical facilities such as Deoksugung, City Hall, and Hwangu-dan have been the historical hubs of South Korea and create a symbolic cultural scenery. The site could be formed as a public space which inherits the historical atmosphere and reflects a public character of this place.
UNDERGROUND MASTERPLAN
UNDERGROUND DESIGN DIAGRAMS
We
hope to deal with this site with Sejong-daero district, both on the ground and the underground level which can enable tourists move continuously fromground to underground.
IDEA GENERATION DESIGN DIAGRAMS
When
it comes to the underground Masterplan, we follow our original design concept, treating the underground areas as one part of the course of history which means we unfold of the interior structure of the “slicing history”. What we can see are
the various and irregular form of fabrics, which there are apparent horizontal and parallel connections, that serves as a bridge between the historical stories.
IMAGE COLLAGE
CONCEPTUAL MODEL
What
we are trying to focus on is the inter-relationship among the architectural form, history and culture. With the time passing by, the historic track and trail serve as a bridge between the past and the future which, to some extent, contribute to building up the charm of the whole districts or even the city. As historical trace
accumulating, they are supposed to precipitate and also intermingle one another that can be regarded as a kind of historic fabric or context. By means of slicing and pulling, what illustrates us is the interior structure of history stories. Looking inside, we can find out there still some connections among them. This connection and forward development tendency can
better show the relationship among the past, today and the future. Hence, we treat the void between the slices as a method to look inside of history and culture and also a sort of way to develop our design. The transparent space at the bottom represents the past history which can certainly attract tourists and indigenous people to perceive the history and
culture which is also the most exciting part of our design.The upper part is a intact square which means the uncut history. We treat such space as our interactive space to develop our historic exhibition so as to enable individuals easily touch and comprehend what the past happened, how we possess our lives today and what the history expected us to know about.
The
importance of the relationship between the environment and design part is the diversing perspectives towards different directions . Our hope
is that people are provided with a transparent sight views which means people could watch the other buildings in a different method of division.
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What
we expect is that “The Sliced His-
tory� can be regarded as a simple and pure building, standing out this district. In stead of many multifarious adornments, we utilise the simple materials like glass and steel to make the shape. Looking at a distance, it seems like everything turns into transparent at the bottom as if the upper square part is floating in the air. However, the transparent appearance will not influence the interior functionality and the individual activities.
The
interior light we use are soft ones that we
can make people feel comfortable in the buildings. Standing at this place, we think as if the surroundings are lightened by it at night. There are much relevance between them. As a part of history, not only can it accommodate many people with all different backgrounds, also serves as a kind of intercommunication that make the design area and underground area connected.
DRIFT·SAND 岁月 Outdoor Literature Exhibition Design Taiwan, PR, China Academic Group Work As Idea Provider And Most Design Rendering Partner : Youzhen CHEN MAR, 10th 2015 JUN, 24th 2015 2nd semester of the 3th year Tutor : Ruinan TAN, TAINAN University of TECHNOLOGY Prize: 1st Design Award in the 9th "2015 TSID" National College Students Space Design Competition.
The
design area is located in the 321 Old Lane, North of the TAIINAN City which was a japanese officers' dwellings. Nowadays, it has been used as a Art settlement by many artists. When it comes to the design area,
The
the TAINAN government expect to reform it shape and structure, treating it as a exhibition space of the litterateurs' lives. Accordingly, we chose a very famous litterateur in TAIWAN, named SANMAO as our design client.
design area cover 2 an area of 1800 m and has plenty usable land and also has many multiple vegetations to utilise. In addition, when it comes to the ground, it has a slight slope land. Connecting all of those characters, we connect the main vegetations in a
Original plant
The SAN
mao was a novelist, translator and famous writer. Born as Chen Mao Ping, Her work ranges from autobiographical writing, to travel writing and reflective novels, to translations of European comic books. The first public work is The Stories of the Sahara, which was on her experiences living in the Shara together with her Spanish husband Jose, whom she first met in Madrid and later married in 1973 while living together in the then Spanishcontrolled western Sahara. It was an eye-opening account of life and love in the desert, and quickly established Sanmao as a travel writer with a unique voice and perspective.
upper area is called "desert viewing platform". It can definitely provide individuals with different views. Considering its formation, we use the varying fluctuation as the main concept and meanwile make the frame according its
Connection
Curves
original shape. Above those prerequisites, it is easy to draw its path. Surely, we also need the column to bear the weight. The column we use is like a funnel due to the fact that it can better to handle with the falling rain.
The
wind flow circulation is based on the local wind direction which is southwest. On this flow, we hope the gaps can lead the wind.
The
underground also has a series of water lead system which is most formed by falling rain. It can nourish the plants living in the design area.
SAN
mao is a open and free person. She likes to experience different lives without any restrictions. So, we use the period of Sanmao's lives living in the Sahara as our the main concept. Then, we hope to extract some elements like free curves to form our design.
There
has two kinds of the tourists flow lines. The one is for ground level. The other one is above the ground - viewing ground.
Ground sketch
FLUCTUATION
RAIN
FRAME
SCREW WATER CHANNEL
COLUMN
successive way. Then we make the corner point become the bezier points. Finally, we can get the rough district division. Above the ground level, we set up a series of footpath, guaranteeing tourists has a varying perspectives towards the whole display area.
Desert area
UPPER AREA
FOOTPATH
SLIGHT ANGLE
Footpath
COLUMN
FLOW LINES
COLLECTION
The
design area has two direction flows for the tourists. The one is on the ground level which has a very slight ups and downs for its desert concept. The other one is on the level of 2.4m higher than the ground. On the north of the base, we have a ramp which people can heading to the higher footpath.
Looking from the section below, it is easy to understand that the whole area has three hierarchies ( senery platform +2.40m, desert ground area Âą0.0m and underground water collection system respectively). When it comes to the ground area, the altitude difference in the similar
desert area are no more than 0.45m. Hence, it can definitely meet all individuals' need also including the disabled.
Desert texture
Frames
Desert platform
Rain collection
Accessible pathway
Underground water circulation
SCENERY Bischofia
Longan
Broussonetia
Cedrela
Camphor
Michelia
Rhapis
Melia
Musa
Ficus
Coconut
plants we use are those that are indigenous to the TAINAN city which can be easily found. Most of them are subtropical plants.
每想你一次 天上票落一粒沙,从此变成了撒哈拉 每想你一次 天上就掉下一滴水,于是便形成了太平洋
Enjoying
the senery on the desert footpath, people can gain the totally diversing point of views. When you are strolling ups and downs on the footpath, what most inspire you is the feeling that coming out from the deeper heart to memorise the distinguished women— Sanmao and also to be exposured in the similar circumstance that she had been through during the period of Shara in order to perceive the hard abut stimulating life styles.
Symbiote City Design Zhuhai, PR, China Academic Group Work As Idea Provider And Most Rendering Partner : Weijie CHEN October, 8th 2014 December, 23th 2014 1st semester of the 3rd year Tutor : Nan ZHANG, Beijing Normal University, Zhuhai The competition of reconstruction of the street of Dong AN village.
NOTE1
The
transformation village is located in the Xiangzhou district, Zhuhai city. The main stems are formed by BeiBao street, DongBao street, XiBao street and DaShi street and so on. The southwest of the land area which coverd by the new buildings are most accomodated by the external population. In addition, the southeast and northwest areas are gathered by the old stylish dwellings where emit a strong sense of historical smell.
NOTE1
The
note 2 is located the centre of the leisure spot. Most Local people would love to go there to have a rest and chat with friends. around this area, there are a few one hundred year of the ancient tree and also the ground has slight grade. Therefore, we use the relationship between height difference and the visual spot to creat a series of leisure place. Through ups and downs, people could experience differing spaces. Some of them are open to the main road, while others are secret to the public.
Our
design is all based on one prerequisite which makes a small change in order to gain a big improve. We choose a few small discarded spaces as our main design areas such as the triangle semi-enclosed space which can serve the dwellers again. Via the division of those spaces and also the variation of the texture, we hope they can integrate well with the original circumstance and provide more convenience for individuals.
ZONE SECTIONS
IMPORTANT NOTES
DESIGN AREA
Design Area
CIRCULATION
From
ACTIVITY AREA
the analysis of the circulations and activity areas, then we choose four design areas to transform. Every of them is the space which is abandoned by the villagers because of the boundedness of using. What we want is to reuse these places and creat stimulating space for the locals.
we
Subtraction
TIME CALCULATION
think the most important information is what kind of the spaces that people love to stay and have a rest in there. By means of questionaires, then we know about most local people do not want to change a lot about their living environment and also they want more connection space in their neighborhood.
Division
Plus
Footpath
Zoning
Near
the main gate,there is a abandoned triangle space. This space is narrow and cramped. So we use the original shape to creat a series of triangle greening platforms in order to disperse the people flow and also provide dwellers with a recreational facilities. This space is between two houses and face to the main road. Hence, we use height difference and trees to make some secret interspaces. There are a few point of sight which are formed by serial trees .
NOTE2
The
height of the viewing platforms are designed based on the human engineering. we calculate the rough average height of the local people and then set -0.8m and 1.65m as our main data. In order to obtain enough sunlight time, we set serial sun reflectors on the right place to get the sunlight and also decrease the sun glare.
NOTE3
We
set up a series of canopies and visual platforms which can definitely increase the enjoyment of the main road. The locals and tourists can use those road notes to have a rest and stay for a temporary moment. This small act of action may have a big step for the strangers and tourists. People come to the notes and then have a relaxed conversation with others which is a good way to decrease the strangeness among people.
Visual platform
Canopy
The
narrow and cramped space is located between in two houses. Due to many restrictions, it has been abandoned for many years. Hence, we split the narrow space with three seperate parts which the length and width are easy to be fully used. Then we treat them separately and meanwhile the footpath trajects in the three parts. When it comes to the individual first experience, we hope this place is private and semi-private for the locals. As for the elevations, we use the soft materials instead of the hard ones.
NOTE4
Hidden Anchorite Architectual Design Zhuhai, PR, China Competition, individual work October, 2nd 2015 — November, 11th 2015 Tutor : Zhihong CAI, Huaqiao University Poland, Krakow Lung Cancer Centre Design Competition
What Even
though Krakow is a major tourist destination, its popularity fades in colder months; not due to the weather but due to the smog. Air pollution is an ever-present threat to those living in krakow, causing alarmingly high numbers of asthma, chronic lung diseases and lung cancer cases. The
I am trying to focus on is what experience that the building can provide for individuals. Specifically, the design area has four different main entrances to the centre of the park. Hence, what is the most important is about the feelings when people go through the entance and look directly at the building. So I choose to separate the function areas at the first floor and also make them connected to one another.The reason that I am doing this is because I want the building and people are more open to the park and the natural environment.
cause of these high levels of pollution is the city’s dependence on coal-burning furnaces to heat their homes and water. The key function of the building that we design will be to provide a comfortable and supportive environment in difficult times to the patients, as well as their friends and families.
1
The
The
chosen site is the Bror Hansson park, located in the heart of Krakow just across from its largest oncological research centre. There are four main entrances for the whole park. The park is surrounded by the trees and has a small square in the centre of the park. I hope my design can serve wll with all the faces of the landscape and also the entrances. Hence, I define my design as an anchorite that hide in the city which
are away from the hustle and bustle. With the highly industrialization and the severe pollution, people are desire finding a place to get away from the reality. What I am trying to convey the concept is to creat pure land which is hidden in the city like an Anchorite to make people, especially suffered from the Lung Cancer, have a place to relax themselves and are more exposured to the natural.
entrances are our design point. by means of analysis of the formation of the entrance, we can get a rough functonal areas. Each part will not stop people's view on the main entrances. They can get where they want immediately.
2
The 3
tranportation systems are separated by the function of the room places. The No.1 and No.3 diagrams are mainly open to the visitors and patients they can directly go to the dining rooms. The No.2 is mainly for the staff. Actually the main function staff rooms are mainly on the first floor.
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When it comes to the night......
The
most interesting part is the inside of the building. Open areas at first floor (Reception, Library, First-aid room, Staff office and meeting room) and the semi—open at the upper areas (consulting rooms, kitchen and dining room, community area). In the interior area, it has functional vertical stair systems which can definitely meet different kinds of people's need. The best part is the library. It is all covered by the glass wall which are transparent to the park areas. People could pick up the books they love when they are walking on the upper stairs and also can enjoy the views whenever sitting in the platforms.
Other About Me When
I was young, I deamed about what I would do in the following future. There was no answer but only one thought was to buy candies as many as I can to fit my watering mouth. As the photo shown, I am open and cute. Most people called me “Pink bread”.
Birth 1991
In
my junior school, my father sended me to the gym school and major is basketball. This period life was called “Learn to be strong”. We had a harsh living condition and did the physical exercise three times a day. In spite of thoes, I truly thought this part of life was of significant importance to me.
Gym School 2004
In
my high school, I was overly confident about myself that I could achieve everything via hard working. Hence, I chose to take IELTS and went abroad. The results were exciting. First time to pass the exam and one year later, I set foot in the University of Sydney. Everything turned out to be worthy. Suddenly, because of the family, I had to end up my study in Sydney and went back to China to re-test in order to be admitted. That truly was a heavy blow for me. As time going by, I backed to live and re-oriented my life position. Thinking it over, it may not be a evil deed for me but maybe a turning point. Life in Sydney 2009
BNUZ
was my chinese university. At this place, I began to ackonwledge the architcture. To be frank, at my first academic year, I have no much feelings about the buidlind, We did much painting and fundamental exercises. What I need to adjust to myself. One day, I found that I have tolly crush on architecture unconsciously. Hence, I just did all I can to enrich my scarcity mind such as the basic sketches, watering color, the news about the architecture and aslo the skills of computer. All of them would not make me be a great architect but they made me like architecture fur more. Begin to love architecture 2012
2015.02
I was chosen to be an exchange student to go to Taiwan. This part of life is called “gains”. I took part in the “Design Award The 9th Taiwan Spatial and Interior Design Competition” and I ranked the first place. This honor made me confident about my study and also turn out to be a turning point of my life that it drived me so crush on what I am studying. In addition, I began to have a fancy flavour to the photography. I like to capture people with all kinds backgrounds. I can feel strong feelings through the camera lens. It feels like the world is mine! This part of life is of crucial importance to me and also my career that I deeply love. I want to be a real designer and architect. I believe what I am doing now is all about my feelings to the architecture. Life in Taiwan 2015
TO be continued......