Portfolio - Karthik Balla karthikballa@gmail.com +91 89 71 63 03 92
Sample Of Works
01
02
03
04
05
06
07
T.Able
Works @ Studio Mumbai Architects
Works @ Arun Nalapat Architects
Thotti Mane - Farm house
The Institute of business studies
The City of Rickshaws
The Nile Metropolitan Delta
01
03
05
24
27
32
38
1 T.Able 03.2014 - 04.2014 Individual Project: Designed & Selfmade; Delft, NETHERLANDS Habituated (to it now)
1
T.Able Study Work Party : The T.Able, a reflection of today’s lifestyle of constant change, reacts to constraints of space & money. It is trying to engage with the user by giving him/her the flexibility to modify the table as per ones use at a particular point in time.
Constraints
Lifestyle
Today’s Society
Material - MDF 18mm
Fixing - Stability & Flexibility
Process
3 T.Ables in 1 T.Able
X
X = 1200 mm
X
X = 200 mm
Center Table
Side Table
Study Table
T.Able
X
Time n People Characteristics
Tools & Equipment
Ease of Storage
X = 200 mm
Transport Process of Fixing
T.ABLE
2
2 House on Pali Hill 05.2008 - 04.2009 Professional Project: Studio Mumbai Architects, Mumbai, INDIA Project Architect: Samuel Barclay; My Role: Site Architect
3
House on Pali Hill Refinement & Execution As a site architect, my role was in bridging the gap between an architectural drawing and the craftsmen at site. It was in making the design understandable to the craftsmen and refining it through active discussions and sketches. A management of man, material, organizing the smooth flow of work and a keen eye to the execution was a part of the responsibility.
+
+
Bronze Clip
4
3a Brigade Exotica - Marketing Office 04.2011 - 10.2011 Professional Project: Arun Nalapat Architects, Bangalore, INDIA My Role: Project Architect
5
Brigade Exotica - Marketing Office
H W
Mirror Introduced
W
H
Site Photographs
W
H
Existing
Proposed
Initial renders n design we worked on as shown above .... A highly chik n strong contemporary
5 Star Hotel feel ? Rich colours n material ...
feel FORMAL .... Is this Right ?
Large n grand, FORMAL .... Is this right ?
Volumetric Understanding
Understanding of Site & Context of Project:
Environment & Feel of the project:
A visit to the existing building gave us all the quantifiable
The Design process initially began with highly modernistic appeal. Through the process, we striked a realization that stark space
data, while at the same time triggered 2 specific questions
tend to feel a bit cold and inhuman to a certain extent !!!
1. The volume felt a bit constrained. The height was
We then looked at 5 star hotels, their lobbies etc. and tried to deduce, whether people are comfortable in such spaces ? Well, they
overwhelming !!! What’s a comfortable volume n height ?
were grand and kind of warm too.... But we were not satisfied !!!!
2. The nature and feel of a a rugged unfinished building n the contemporary, stark whites blacks n browns !!!
6
Brigade Exotica - Marketing Office
+ Cozy
Large
We stumbled upon this image .... We felt good about the space, people chatting, relaxing, with a certain
An understanding of Nature and what makes it comfortable... the
freedom and ease for everybody.... Street Cafes - Is this an environemnt of nurturing ?
feel, touch, smell, its very sight !!! Could we transfer this feel into
From here, we were able to deduce two kinds of spaces .... a smaller volume where people sat and had their
our marketing office environment ???
coffee and the other a larger volume for people to walk through and for larger groups to connect and share
The material palette thus had a good proportion of wood, with a small water body and green. Pastel tones were used for the walls.
7
Brigade Exotica - Marketing Office
8
3b Brigade Exotica - Interiors of Show Flat 04.2010 - 12.2010 Professional Project: Arun Nalapat Architects, Bangalore, INDIA My Role: Project Architect
9
Brigade Exotica - Interiors of Show Flat The Interiors was approached keeping in mind the user, the flexibility and the feel a Home is to have. And the most challenging part being, the need to roughly be inclusive in the thought considering varied tastes and aspirations of the 360 odd buyers. It was to help the prospective buyer realize his future in this place. The level of engagement went down to the last detail like choosing table mats, and cutlery for the dining table too. Hence, a joyful feel with pastel greens were considered for the kids bedroom, while bright rustic, warm shades considered for the Master bedroom.
A keen reading of the plan reveals two specific concerns:
2. The Living room and family were completely open to each other,
1. The Guest room had a solid wall facing the Family. Since the
hence the cozyness of family space was lacking. Also, the location of
family is not used on an everyday basis.... The wall is hence removed
the TV in the living room was not apt for comfortable TV viewing.
and sliding panels are provided, thus making the family spacious for
A Semi - Open Wooden Screen was created, providing the optimum
everyday use !!
comfort levels and privacy for both Living and Family.
Guest Room 1
1 Family
2
2 Living
Existing
Proposed
10
B
SECTION-B
776
75MM OVERLAP BETWEEN THE TEAK WOOD BATTENS. 8MM DIA MS ROD INSERTED BETWEEN THESE BATTENS AT THE OVERLAP
FROSTED GLASS/ MILKY WHITE ACRYLIC SHEET [A1] AS A VERTICAL LIGHT COVE WITH NECESSARY PLY BOX INSIDE
WALL FINISHED IN WALLPAPER [W4] AS APPROVED BY ARCHITECT
6MM THK MIRROR UPTO 2400MM HEIGHT(EXCLUDING 100MM HIGH SKIRTING IN WHITE LAMINATE) FIXED TO WALL WITH PLY BACKING
25MM X 25MM TEAKWOOD BATTEN SCREEN WITH A 25MM SPACING, FIXED RIGIDLY TO FLOOR AND CEILING, AT THE OVERLAPS BY INSERTING AN MS ROD. REF DRG IN-016-B-R1
CHILDREN'S BEDROOM
100
1100
DINING TABLE OF SIZE 2400MM X 900MM MADE WITH 20MM THK CORIAN TOP. REF DRG IN-032
LEDGE 450 MMX 200 MM OF 19MM PLY AND FINISHED WITH 4MM THK VENEER [V1]. REF DRG IN-30.
BENCH BOUGHT OUT
4B IN-016 2A
FALSE CEILING IN GYPSUM @ 2875MM LVL
DETAIL 9B/IN-016
3MM THK '3FORM' [F2] SHEET GLUED ONTO PLY BACKING PAINTED WHITE
12MM MDF WITH NECESSARY WOODEN FRAMEWORK FINISHED IN WHITE PAINT
GYPSUM PELMET FOR MIRROR LIGHT
3MM THK '3FORM' [F2] SHEET GLUED ONTO 18MM THK MDF PAINTED WHITE
600
6MM THK MIRROR ON A 12MM THK PLY BACKING
19MM THK PLY WITH NECESSARY FRAMEWORK IN SAL WOOD FINISHED IN WHITE PAINT.
18MM THK MDF WITH NECESSARY FRAMEWORK IN SAL WOOD FINISHED IN WHITE PAINT.
600MM DEEP X1900MM WIDE X 2400MM HIGH WARDROBE FROM NOLTE WITH LACQUERED GLASS SHUTTERS.
18MM THK MDF WITH NECESSARY FRAMEWORK IN SAL WOOD FINISHED IN WHITE PAINT. 150
75
9B IN-016
DETAIL - 1000 X 150MM COLUMN
100MM HIGH SKIRTING IN WHITE LAMINATE
NOT TO SCALE
[F1] - 3 FORM FROM HUNTER DOUGLAS - ECO RESIN PANEL, VARIA METALLIC, 3MM THK REGENCY GOLD, F FINISH - SANDSTONE, B FINISH - SANDSTONE
100
DETAIL 9B/IN-016
3
REFER RCP DWG NO. IN -03-B RCP WALL FINISHED IN WALLPAPER [W4] AS APPROVED BY THE ARCHITECT
LED LIGHT IN COVE
2725
WOODEN SCREEN MADE OF 25MM X 25MM TEAKWOOD VERTICAL BATONS, WITH A CLEAR SPACING OF 25MM IN BETWEEN, AS PER DESIGN, AND GLUED TO THE 8MM THK MIRROR PANELING ON 12MM PLY FIXED TO WALL USING 25X25MM SAL WOODEN FRAME WORK. ALL EXPOSED SIDES OF WOOD TO BE POLISHED.
GYPSUM FALSE CEILING @ 2875MM LVL
950
75
75
WOODEN PELMET - ABOVE MIRROR PANELING / WOODEN SCREEN. 75MM HIGH PELMET WITH DOWN-LIGHTING AT THE CEILING LEVEL, MADE WITH 19MM PLYWOOD AND FINISHED WITH APPROVED 4MM THK VENEER [V1]
75
130
GYPSUM BOXING WITH 4MM GROOVE/SPACING
46MM THK LEDGE IN 19MM PLY FINISHED WITH 4MM THK VENEER , 1800MM X 400MM SIZE IN PLAN, WITH WOODEN SCREEN. REF DRG IN-016-B-R1
2300
ELEVATION- B [LIVING ROOM TV UNIT, CHILDRENS BEDROOM STUDY] IN-016 FEATURE WALL-1
75
2
GYPSUM WALL PANELING PELMET ABOVE WINDOW TILL THE FALSE CEILING HEIGHT FOR THE BLINDS
750
600
750
1337
DINING ROOM
2400
1
Brigade Exotica - Interiors of Show Flat
3E IN-016
75
1500
F
1800MM WIDE AND 2400MM HIGH WARDROBE FROM NOLTE
75MM HIGH WOODEN PELMET - ABOVE MIRROR PANELING / WOODEN SCREEN WITH DOWN-LIGHTING AT THE CEILING LEVEL, MADE WITH 19MM PLYWOOD AND FINISHED WITH APPROVED 4MM THK VENEER. VENEER TO BE FINISHED WITH POLISH AND SPRAY APPLIED MELAMINE AS PER APPROVED SHADE. REF DRG IN-016-B-R1
3A IN-016
3100 MM WITH MIRROR PANELING ON THE WALL BEHIND THE WOODEN SCREEN
E
500
SECTION-C
SECTION-D
D
500
IN-016
C WOODEN SCREEN MADE OF 25MM X 25MM TEAKWOOD VERTICAL BATONS.REF DRG IN-016-B-R1
2300
A
[F2] - 3 FORM FROM HUNTER DOUGLAS - ECO RESIN PANEL, VARIA METALLIC, 3MM THK PURE GOLD
600
4D SECTION-2 IN-016
100MM THK CEILING DROP @ 2600MM LVL MADE IN SAL WOOD FRAMEWORK FINISHED IN GYPSUM
5A IN-016
TILE [T1] WITH 4MM GROOVES AFTER EVERY TILES HORIZONTALLY. NO VERTICAL GROOVES. GROOVES TO MATCH LIVING WALL TILE GROOVES. 133
MIRROR PANELING OVER WALL / PARTITION, WITH 6MM THK MIRROR (EDGES POLISHED), OVER 12MM PLY FIXED TO FRAMEWORK OF 2"X2" SAL WOOD SECTIONS. THE MIRROR PANELING TO BE PROJECTED 100MM FROM THE WALL SURFACE, WITH COVE LIGHT BEHIND
2300
450
75
02. ANY DISCREPANCY IN THIS DRAWING OR ANY OTHER DRAWINGS RELATED TO THIS DRAWING SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECTS IMMEDIATELY. 03. DRAWING SHALL NOT BE MEASURED, WRITTEN DIMENSIONS TO BE FOLLOWED.
05. ALL WALLS / PARTITIONS TO HAVE 100MM HIGH SKIRTING FLUSHED TO PARTITION/WALL MATCHING THE MARBLE FLOOR AND WOODEN FLOOR AS APPROVED BY ARCHITECT.
NOTE: THESE DRAWINGS AND DETAILS ARE BASED ON AUTOCAD DRAWINGS PROVIDED TO US AND NOT ON 'AS BUILT' DRAWINGS.VARIATIONS IN ROOM SIZES,WALL THICKNESS, COLUMN SIZES SHOULD BE EXPECTED AND WORK EXECUTED AFTER CONTRACTOR VERIFIES DIMENSIONS ON SITE.DISCREPANCIES SHOULD BE BROUGHT TO ARCHITECTS NOTICE BEFORE PROCEEDING AND NECESSARY MODIFICATIONS SHOULD BE DONE TO ACHIEVE DESIGN INTENT.
BRIGADE EXOTICA - PROPOSED MOCKUP DRG TITLE : LIVING CUM CHILDREN ROOM ELEVATIONS
200
150 REF DRG IN-031
200
1250
700
825
scale : 1:50
900
150MM THK 1000MM WIDE PARTITION WALL MADE WITH 3MM THK 3-FORM [F2] SHEET FROM HUNTER DOUGLAS STUCK ON 18MM THK MDF WITH APPROPRIATE ADHESIVE.FIXED TO MS / GI / AL FRAMEWORK . TO HAVE LED LIGHTING IN THE COVE
[W4] - WALLPAPER AS CHOSEN BY ARCHITECT
01. UNLESS MENTIONED OTHERWISE ALL DIMENSIONS ARE IN MILLIMETERS
04. ALL FINISHES SHALL BE PROVIDED AS PER DETAILS AND ARCHITECTS' INSTRUCTIONS.
75 800
700
LED STRIP LIGHTING BEHIND ALL AROUND THE MIRROR PANEL
200
200MM THK,600MM DEEP DROP LIGHT BOX MADE IN SAL WOOD FRAMEWORK FINISHED IN GYPSUM. TO HAVE FROSTED GLASS/ACRYLIC SHEET WITH WOODEN BEADING TO THE EDGE.
[T1] - NIRO GRANITE TRACES GREY, 600MM X 600MM
architects :
4A
SECTIONAL ELEVATION-3
IN-016 FOYER
4B IN-016
SECTIONAL ELEVATION-1 FOYER
INTERIOR
200
450
75
300
100
SECTION-1
200 100
200 600 EQ
2100
EQ
LEDGE IN PLY FINISHED WITH APPROVED VENEER WITH A DRAWER
BOUGHT OUT SEAT
4B IN-016
1000
200
2310
600MM X 600MM WITH 4MM GROOVES AFTER EVERY TILE HORIZONTALLY. NO VERTICAL GROOVES
200
2310
200
MIRROR PANELING OVER WALL / PARTITION, WITH 6MM THK MIRROR (EDGES POLISHED), OVER 12MM PLY FIXED TO FRAMEWORK MADE OF 2"X2" SAL WOOD SECTIONS. THE MIRROR PANELING TO BE PROJECTED 100MM FROM THE WALL SURFACE, WITH COVE LIGHT BEHIND, ALONG THE EDGES
600
200MM THK,600MM DEEP DROP LIGHT BOX MADE IN SAL WOOD FRAMEWORK FINISHED IN GYPSUM. TO HAVE FROSTED GLASS/ACRYLIC SHEET WITH WOODEN BEADING FINISHED IN WHITE PAINT TO THE EDGE.
SECTION-3
4A IN-016
CEILING DROP @ 2600MM LVL MADE IN SAL WOOD FRAMEWORK FINISHED IN GYPSUM WITH APPROVED PAINT
40MM DIA SS PIPES BRUSHED FINISH
2100
4
IN-016
300
4D SECTION-2 IN-016
3D
SECTION - 1000 X 150MM COLUMN
2100
5A IN-016A
SECTION-C
300
3A IN-016
SECTION-B CHILDREN'S BED ROOM STUDY WALL
4D IN-016
SECTIONAL ELEVATION-2 FOYER
LEDGE ALONG CORNER WALL AT 900MM HT, MADE WITH 19MM PLY AND FINISHED WITH 4MM THK VENEER [V1] ON ALL SIDES.
A R U N
WORKING DRAWING drg.no : IN-016-A-R1
date : 09-06-10
rev. date : 21-07-2010
dealt : KARTHIK
checked :
N A L A P A T
A R C H I T E C T S
129 / 1, OLD VARTHUR ROAD, C.V.RAMAN NAGAR P.O. BANGALORE- 560 093 PH : 080 - 25247 326 / 25247 392. FAX : 080 - 25247 488 e mail : nalapat@vsnl.com
11
A
B
C
D
E
F
FALSE CEILING AT 2875MM HIGH FROM FFL START LAYING TILE -TRACES GREY -NIRO GRANITE 600MM X 600M WITH 4MM GROOVES AFTER EVERY TILE VERTICALLY AND AFTER EVERY TWO TILES HORIZONTALLY.STUCK ON GYPSUM PARTITION WITH APPROPRIATE ADHESIVE AS PER INDIA GYPSUM SPECS.
WALL FINISHED IN WALLPAPER - [WP1]
FALSE CEILING AT 2900MM HIGH FROM FFL
3A IN-014
LED STRIP LIGHTING
4MM GROOVE TO BE FLUSHED IN LINE WITH THE PARTITION AS SHOWN
1
700
SPOT LIGHT
REFER CHILDREN'S BEDROOM AND POWDER ROOM DRAWING -IN-08C /08D FOR DOOR DETAILS
775
FALSE CEILING AT 2850MM HIGH FROM FFL
50
50
WALL FINISHED IN WALLPAPER - [WP1]
1070 2D
GYPSUM BAND WITH NECESSARY FRAME WORK AS PROVIDED ON SITE
DETAIL - 4
IN-014
70MM THK HEADBOARD MADE WITH 19MM THK PLY FINISHED IN 4MM THK VENEER AS APPROVED BY THE ARCHITECT WITH NECESSARY FRAME WORK AND WITH LED LIGHT CONCEALED WITH ACRYLIC SHEET
2100
200 MM THK,1950MM HIGH PARTITION MADE WITH 12MMTHK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
70MM THK HEADBOARD MADE WITH 19MM THK PLY FINISHED IN 4MM THK VENEER AS APPROVED BY THE ARCHITECT WITH NECESSARY FRAME WORK AND WITH LED LIGHT CONCEALED WITH ACRYLIC SHEET
700
DETAIL 2
500
1950
25
100
DETAIL 3
100MM THK, 1070MM WIDE AND 2100MM HIGH FROM FFL GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
100
TILE DADO -TRACES GREY -NIRO GRANITE 600MM X 600MM WITH 4MM GROOVES VERTICALLY AND AFTER EVERY TWO TILES HORIZONTALLY,STUCK ON GYPSUM PARTITION WITH APPROPRIATE ADHESIVE 100MM THK, 1070MM WIDE AND 2200MM HIGH FROM FFL AS PER INDIA GYPSUM SPECS. GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
100
TILE DADO -TRACES GREY -NIRO GRANITE 600MM X 600MM WITH 4MM GROOVES VERTICALLY AND AFTER EVERY TWO TILES HORIZONTALLY,STUCK ON GYPSUM PARTITION WITH APPROPRIATE ADHESIVE AS PER INDIA GYPSUM SPECS.
100MM THK, 1070MM WIDE AND 2200MM HIGH FROM FFL GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT 2200
FALSE CEILING AT 3025MM HIGH FROM FFL TILE DADO -TRACES GREY -NIRO GRANITE 600MM X 600MM WITH 4MM GROOVES VERTICALLY AND AFTER EVERY TWO TILES HORIZONTALLY,STUCK ON GYPSUM PARTITION WITH APPROPRIATE ADHESIVE AS PER INDIA GYPSUM SPECS. LED STRIP LIGHTING
FALSE CEILING AT 2875MM HIGH FROM FFL
LED STRIP LIGHTING BEHIND THE 3 FORM SHEET PANELING
100MM THK, 1070MM WIDE AND 2200MM HIGH FROM FFL GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
2200
150
100
25
1950
565
300
95
300
FALSE CEILING AT 2875MM HIGH FROM FFL LED STRIP LIGHTING
100
400
50MM THK HEADBOARD MADE WITH 19MM THK PLY FINISHED IN 4MM THK VENEER AS APPROVED BY THE ARCHITECT WITH NECESSARY FRAME WORK AND WITH LED LIGHT CONCEALED WITH ACRYLIC SHEET
ELEVATION- A [ LIVING ROOM CUM CHILDRENS BEDROOM ]
50
KITCHEN
100
250
IN-014 FEATURE WALL-1
FALSE CEILING AT 3025MM HIGH FROM FFL
LIVING ROOM
200
380
100
500
450
900
2
3D IN-014
2200
2100
SECTION-4
GLOWING WALL - [F1] MADE WITH 4MM THK 3-FORM SHEET- REGENCY GOLD - SANDSTONE FROM HUNTER DOUGLAS STUCK ON 4MM THK ACRYLIC SHEET WITH APPROPIATE ADHESIVE AND FIXED TO MS / GI / AL FRAMEWORK .
POWDER ROOM DOOR IN ELEVATION
2100
1200
CHILDREN'S BED ROOM
COT MADE OF 19MM THK PLY WITH SALWOOD FRAME WORK AND FINISHED IN 4MM THK VENEER AS APPROVED BY THE ARCHITECT WITH 150MM THK MATTRESS 2A
END TILE TO CONTINUE WITH HORIZONTAL GROOVES AND WITHOUT VERTICAL GROOVES
150
100
FALSE CEILING AT 2850MM HIGH FROM FFL
Brigade Exotica - Interiors of Show Flat
SECTION-1
3
300
DETAIL 1
3C
SECTION-1
FLOATING SIDE TABLE FIXED TO THE WALL OF 450MM X 400MM @ 380MM HIGH FROM FFL OF 30MMTHK FINISHED IN 4MM THK VENEER AS APPROVED BY THE ARCHITECT
SECTION-2
IN-014
3A IN-014 SECTION-1
3C IN-014
3D
SECTION-2
IN-014
SECTION-4
75
03. DRAWING SHALL NOT BE MEASURED, WRITTEN DIMENSIONS TO BE FOLLOWED.
05. ALL WALLS / PARTITIONS TO HAVE 100MM HIGH SKIRTING FLUSHED TO PARTITION/WALL MATCHING THE MARBLE FLOOR AND WOODEN FLOOR AS APPROVED BY ARCHITECT.
CONCEALED LED UPLIGHTING WITH 4MM THK MILKY WHITE ACRYLIC SHEET
LED DOWN LIGHTING 70 50
70
30MM THK FLOATING SIDE TABLE FIXED TO THE WALL WITH NECESSARY SUPPORTS
4MM THK VENEER AS APPROVED BY THE ARCHITECT
20
scale : 1:50
SAL WOOD FRAME WORK
19MM THK PLYWOOD
2A
ELEVATION-B
200 MM THK,1950MM HIGH PARTITION MADE WITH 12MMTHK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
4D IN-014
DETAIL 1 SCALE: 1:10
4MM THK VENEER AS APPROVED BY THE ARCHITECT
architects :
4E IN-014
DETAIL 2 HEADBOARD OF 70MM THK DETAIL SCALE: 1:10
INTERIOR
INTERIOR WORKING DRAWING DRG TITLE : LIVING CUM CHILDREN'S ROOM ELEVATIONS
SAL WOOD FRAME WORK
IN-014
NOTE: THESE DRAWINGS AND DETAILS ARE BASED ON AUTOCAD DRAWINGS PROVIDED TO US AND NOT ON 'AS BUILT' DRAWINGS.VARIATIONS IN ROOM SIZES,WALL THICKNESS, COLUMN SIZES SHOULD BE EXPECTED AND WORK EXECUTED AFTER CONTRACTOR VERIFIES DIMENSIONS ON SITE.DISCREPANCIES SHOULD BE BROUGHT TO ARCHITECTS NOTICE BEFORE PROCEEDING AND NECESSARY MODIFICATIONS SHOULD BE DONE TO ACHIEVE DESIGN INTENT.
BRIGADE EXOTICA - PROPOSED MOCKUP 19MM THK PLYWOOD
95
1950
ISLAND KITCHEN COUNTER
2100
STORAGE AS PER KITCHEN VENDORS SPECS
30
100MM THK, 1070MM WIDE AND 2100MM HIGH FROM FFL GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
HOB
01. UNLESS MENTIONED OTHERWISE ALL DIMENSIONS ARE IN MILLIMETERS 02. ANY DISCREPANCY IN THIS DRAWING OR ANY OTHER DRAWINGS RELATED TO THIS DRAWING SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECTS IMMEDIATELY.
04. ALL FINISHES SHALL BE PROVIDED AS PER DETAILS AND ARCHITECTS' INSTRUCTIONS.
19MM THK PLYWOOD
GYPSUM BOXING FOR THE EXHAUST PIPE FINISHED IN PAINT AS APPROVED BY ARCHITECT
150
75MM THK SUPPORT LEGS MADE IN SALWOOD WRAPPED IN PLY FINISHED IN VENEER MATCHING THE FLOOR. RECESSED BY 200 FROM BOTH ENDS OF THE BED
4MM THK VENEER AS APPROVED BY THE ARCHITECT
600
4
SECTION-3
SCALE: 1:2
WALL FINISHED IN PAINT - [P1] AS APPROVED BY THE ARCHITECT KITCHEN STORAGE
3E IN-014
30
3A IN-014
450
1
3C IN-014
SECTION-2 100MM THK, 1070MM WIDE AND 2200MM HIGH FROM FFL GYPSUM BAND MADE OF 12MM THK GYPSUM FINISHED IN PAINT AS APPROVED BY THE ARCHITECT
4MM GROOVE
3E
SECTION-3 IN-014 LED LIGHT IN COVE REFER RCP DRAWING IN-03B
A R U N
WORKING DRAWING drg.no : IN-014
date : 12-06-10
rev. date :
dealt : Manjula/Karthik
checked : Karthik/Vyas
N A L A P A T
A R C H I T E C T S
129 / 1, OLD VARTHUR ROAD, C.V.RAMAN NAGAR P.O. BANGALORE- 560 093 PH : 080 - 25247 326 / 25247 392. FAX : 080 - 25247 488 e mail : nalapat@vsnl.com
12
A
B
C
D
E
F
DETAIL 4
TOP PANEL FIXED EDGE
3D IN-08A
eq
eq 2100
eq
DOOR HANDLE AS APPROVED BY THE ARCHITECT
eq
30MM THK FLUSH DOOR SHUTTER BOTH SIDES FINISHED IN 4MM THK VENEER OF COLOUR & POLISH AS APPROVED BY ARCHITECT
eq
2900
eq
OUTSIDE
INSIDE
FFL
3E OUTSIDE ELEVATION IN-08A MASTER BEDROOM DOOR
12MM THK FOAM FIXING
19 X 112 MM THK ARCHITRAVE MADE OF TEAK WOOD & POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
FLUSH DOOR SHUTTER FINISHED IN 4MMTHK VENEER ON BOTH SIDES OF COLOUR/POLISH AS APPROVED BY THE ARCHITECT
55X 12MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT FLUSH DOOR SHUTTER FINISHED IN 4MMTHK VENEER ON BOTH SIDES OF COLOUR/POLISH AS APPROVED BY THE ARCHITECT
12
12MM THK FOAM FOR FIXING THE DOOR FRAME 30MM THK FLUSH DOOR
26
3MM GROOVE
4A DETAIL 1 IN-08A SCALE 1:5
6MM REBATE
4MM THK VENEER OF COLOUR /POLISH AS APPROVED BY THE ARCHITECT
4
19 55
30
40X 12MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
4MM THK VENEER OF COLOUR /POLISH TO MATCH THE VENEER SHUTTER
4
30
112
25MM REBATE
12 X 40 MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
130
19 X 112 MM THK ARCHITRAVE MADE OF TEAK WOOD & POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
2100MM HIGH FROM FFL
40
40 X 130 MM THK TEAK WOOD FRAME WITH 12MM REBATE AND POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
3MM GROOVE
112 38 12
FLUSH DOOR SHUTTER FINISHED IN 4MMTHK VENEER ON BOTH SIDES OF COLOUR/POLISH AS APPROVED BY THE ARCHITECT
40
30MM THK FLUSH DOOR SHUTTER WITH TEAK WOOD LIPPING AS SHOWN
12 230
3F DETAIL 5 IN-08A SCALE 1:10
30MM THK FIXED TOP PANEL - FIXED ON 3 SIDES TO DOOR FRAME AND WITH 6MM REBATE ON BOTTOM EDGE TO RECEIVE DOOR SHUTTER AS SHOWN
FALSE CEILING @ 2900MM FROM FFL
19
200MM THK PARTITION WALL
30MMTHK FLUSH DOOR SHUTTER
4MM SPACING BETWEEN THE VENEER AT REGULAR INTERVALS AS SHOWN IN THE ELEVATIONS ON THE INSIDE AND OUTSIDE
3D SECTION IN-08A MASTER BEDROOM DOOR
3B INSIDE ELEVATION IN-08A MASTER BEDROOM DOOR
4MM SPACING BETWEEN THE VENEER
eq
FFL
3
40
4MM GROOVE
4MM GROOVE
12 X 40 MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
70
DOOR HANDLE AS APPROVED BY THE ARCHITECT
DETAIL 5
FLUSH DOOR SHUTTER COLOUR AND POLISH AS APPROVED BY THE ARCHITECT
40
4
30MM THK FLUSH DOOR SHUTTER BOTH SIDES FINISHED IN 4MM THK VENEER OF COLOUR & POLISH AS APPROVED BY ARCHITECT
eq
40
3MM GROOVE
PART OF DOOR FRAME SEEN IN ELEVATION
3A DETAIL 4 IN-08A SCALE 1:5
TOP PANEL FIXED EDGE
eq
40 X 130 MM THK TEAK WOOD FRAME WITH 12MM REBATE AND POLISHED TO MATCH THE VENEER SHUTTER
70 X 12MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER
3MM GROOVE
2100MM SHUTTER HEIGHT FROM FFL
70 X 12MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER
FALSE CEILING @ 2900MM FROM FFL
70
40X 12MM THK TEAK WOOD ARCHITRAVE POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
DETAIL 3 19 X 112 MM THK ARCHITRAVE MADE OF TEAK WOOD & POLISHED TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
2
30MM THK FIXED TOP PANEL - FIXED ON 3 SIDES TO DOOR FRAME AND WITH 6MM REBATE ON BOTTOM EDGE TO RECEIVE DOOR SHUTTER (REFER DETAIL 3) AND WITH BOTH SIDES FINISHED IN 4MM THK VENEER OF COLOUR & POLISH AS APPROVED BY ARCHITECT
eq
500
TOP PANEL FIXED EDGE
1A PLAN - DOOR D2A IN-08A MASTER BEDROOM DOOR
30MM THK FIXED TOP PANEL - FIXED ON 3 SIDES TO DOOR FRAME AND WITH 6MM REBATE ON BOTTOM EDGE TO RECEIVE DOOR SHUTTER (REFER DETAIL 3) AND WITH BOTH SIDES FINISHED IN 4MM THK VENEER OF COLOUR & POLISH AS APPROVED BY ARCHITECT
300
OUTSIDE
TOP PANEL FIXED EDGE
1000
500
TOP PANEL FIXED EDGE
300
DETAIL 2
200
1
TOP PANEL FIXED EDGE
INSIDE
Brigade Exotica - Interiors of Show Flat
FALSE CEILING AT 2900MM FROM FFL
750
DETAIL 1
30MM THK FLUSH DOOR SHUTTER
PROPOSED BRIGADE EXOTICA - PROPOSED MOCKUP INTERIOR
FFL
DRG TITLE : MASTER BEDROOM DOOR DETAILS
north
12 X 70 MM THK TEAK WOOD ARCHITRAVE TO MATCH THE VENEER AS APPROVED BY THE ARCHITECT
4C DETAIL 2 IN-08A SCALE 1:5
4E DETAIL 3 IN-08A SCALE 1:10
architects :
A R U N
scale : 1:25
WORKING DRAWINGS drg.no : IN-08A
date : 08-06-10
rev. date :
dealt : Karthik/Manjula
checked : Karthik/Vyas
N A L A P A T
A R C H I T E C T S
129 / 1, OLD VARTHUR ROAD, C.V.RAMAN NAGAR P.O. BANGALORE- 560 093 PH : 080 - 25247 326 / 25247 392. FAX : 080 - 25247 488 e mail : nalapat@vsnl.com
13
Brigade Exotica - Interiors of Show Flat
14
3c Hospital planning & Interiors 04.2011 - 10.2011 Professional Project: Arun Nalapat Architects Kattameya Cairo, Aster - Oman, Dubai & Sharjah My Role: Part of Teams
Hospitals are places where people go when they are not in the best of health. As an architect our role is to create spaces that are comfortable, friendly & open. Basically Spaces that make people Cheerful ! Role: Active in planning of hospitals and interiors. Planning, with focus on defined functional spaces - The OT Complex with its soiled n clean corridors, air pressures in zones, ICU regions etc. ease of circulation of staff, doctors, visitor n patients. The focus on form refinement and visual appeal and the interior finishes. Stages of involvement: Formulation of presentations.Tender packages, working drawings. Discussion with the contractor and checking of shop drawings. @ ASTER Hospital, Sohar - Stationed at site, acting as a project manager.
15
3d Care Foundation, Calicut 09.2011 - 06.2012 Professional Project: Arun Nalapat Architects Calicut, Kerala, India My Role: Part of Teams
16
Care Foundation, Calicut A Health Care facility, focussed on the treatment of Cancer was to be designed. But before that we aksed ourselves ... How are hospitals today ? Are those places happy, comfortable, nurturing ? As a user i am always at a scare when i visit, firstly because i lack the understanding of my illness. That unfamiliarity creates the fear. So now we had the purpose, to design spaces that create familiarity, comfort and ease !!! We looked through things around us... houses, buildings, spaces etc. We were trying to decipher n learn through the search !!!
Claustrophobic, Oppressive, lack of natural light & Ventilation, monotonous circulation spaces, Complex way finding & an unfriendly environment
Open & Relaxed spaces, Green & Semi covered transition spaces, lots of natural light & Ventilation, Ease of circulation, friendly caring & optimistic environment
17
large open feel with natural light &
Main Entry
ventilation
Semi Transpar-
Care Foundation, Calicut
ent roof
Staff Accomodation
Air Movement
Relative/ Out Station Patient accommodation Hospital Block
Section Palliative Care
The Site
The Ideation
The Contours of our Site & Basic Zoning
Hospital block G+6; 2 lower floors
Parking
Doctors
Nurses
Technicians
Accomodation
Accomodation
Accomodation
Community Centre
road phase 1 buildings future exp
Relative/ Out station Accomodation Palliative Care
Future Expansion
The program Sun Path n Shading study
1. A hospital block = 230000 sft; 2. Staff accomodation = 60000 sft; 3. Relative /Out Station patient accom. = 50000 sft; 4.Community Centre = 9000 sft; 5. Palliative Care = 16000 sft 18
Care Foundation, Calicut
Reception
Rampway
Cafe/ Court
OPD’s
View of the court and OPD from the reception
Semi roofed Court
Green Court
OPD’s
Air Movement
Natural light
Entry Floor - Ground level Study of Court and its interaction with the other functions
Main Entry
Service Entry
First floor level
Bridgeway
Staff
Patient
Vertical Core
Vertical Core
Vertical Core
OPD’s Rooms floors
Longitudanal section along the court
Section along the ramps, Court, Spillover Cafe, OPD’s
Cafe
Staff
Longitudanal section along the court
Rampway
Semi open roof over Court
Second floor level
Roof Level 19
Care Foundation, Calicut
20
3e Med Care - Clinic Interiors 04.2011 - 10.2011 Professional Project: Arun Nalapat Architects Mirdiff Center, Dubai My Role: Part of the Team
An exclusive clinic with premium clientele inside a mall in Dubai consisting of two centers, One A Wellness center offering cosmetic care etc. and the other an Illness center catering to eye care, X-ray treatment etc. A warm feel comforting the clientele was considered. A common lobby and waiting with a row of clinic and a pharmacy with an eclusive entry was created.
21
3f Notions of a Nation 2007 Competition: Arun Nalapat Architects A symbol for India My Role: Part of a Team
22
3g Indian Music Experience A house of music at Brigade Millenium campus, Bangalore, a first of its kind in India.
ply leaving the ground floor free of conventional museum like rooms. This helped us
Music is free, it flows, it has no boundaries, it cannot be limited.....It draws you in.
create a scale of vastness and inexhaustible nature of the Indian music experience.
So too does our design for the IME which engages the street, the trees, by sim-
Hence a space where people could just go, hang out, interact and experience music.
2011 A Competition: Arun Nalapat Architects My Role: Part of a Team
23
4 Thotti Mane - Court house 04.2014 - 10.2014 Professional Project: Free Lance Project, Bangalore, INDIA My Role: Project Architect
Traditional Court house -
Contemporary Rooms -
Intrinsic Family space
Extrinsic
Eye Line & Perception -
Use of Sunken Spaces - study
Sunken Space - Privacy and humane
or work or a small kitchennete
feel
counter
24
Thotti Mane - Court house
7
9 8 11
+
5
6
10
12 4
+
8
3
1
2
+
7
This project is a symbol of today’s societal life8
8
style. Here, the client was looking at a Thotti Mane, or simply a Courtyard House, but with a modern outlook. Hence this project mediates
7
8
between the Yesterday, Today and Tomorrow. 8
The project focuses on relaxation and rejuvenation for the client. It proposes a Connect to nature through the use of sunken courts for the fameye line & perception
Green Court - desired privacy & engagement
1 entrance porch 2 staff & store 3 verandah 4 living space 5 dining 6 kitchen & store 7 verandah adjacent bedroom 8 bedroom 9 outdoor deck 10 court 11 Driveway 12 Security
ily as well as individual courts at the bedrooms.
25
Thotti Mane - Court house
26
5 Institute of Business Studies - Raichur 03.2012 - 07.2012 Competition Project: Free lance, Bangalore, INDIA My Role: Project Architect
What is the Nature of “The spaces of Teaching & Learning” ?
27
Institute of Business Studies - Raichur The Campus, currently a non-descript coming together of buildings.The proposed site and buildings have to mediate and work with two specific characteristics. 1. To engage with the existing buildings and make them an active part of the campus. 2.Although it should connect to the main highway on the south, it should provide the desired levels of privacy and segregation to the spaces of learning.
Initial Sketches - evolution of the design thought
Existing Buildings
Campus focus point -
Built mass for Class-
OAT, Audi, Canteen
room & Admin
Canteen
OAT, Audi
Massing to allow for
Massing blocks to
Massing reacting to the
courts focusing to OAT
engage with campus
service street
The Design thought evolved through a sensitive understanding of the exisitng campus. What does this campus actually need? .... Well the quantifiable data and requirements are always there .... It was asking what could make this campus more humane friendly ? 1. Integration & Unity of Buildings, within themselves, with nature or simply the way in which people come together. The campus, currently a haphazard unit, is looked at with a delicate insertion. A focal point is created for the campus with the Open Air Theatre, a Canteen, an Auditorium to serve the college and the city’s growing demand for a space for gathering. 2. Working with the Climate: A Hot & Dry context.... The need - Shaded Spaces, Use of trees, Tap the SW winds. 3. What is the Nature of “The spaces of Teaching & Learning” ? “So when and where does a student community thrive” “Do students like surprises or chance encounters” “Do students like spaces where they could be a part of a larger whole or do they want spaces where they would like to sit as loners” ... Perhaps both !!! , here is a certain Duality in the Nature of people & students. People go where people are ..... The answer - Courts or Recesses or Common spaces Different types of courts are created, one along the facade facing the campus, second a hierarchy of courts along the centre of the buildinig, increasing in size as we get closer to the OAT, the third kinds in front of
Canteen / Audi
Auditorium
Existing Temple
OAT Lobby
Building Court
the Formal classrooms and the fourth kind being at the service road.
Entrance Court
Entryway
Retained, A Temple
merging with the
growing bigger
Court created
Building Court
towards the OAT
Rear Court
Entry 2
Formal
Classroom
Classroom Court
Informal
Service Street
Classroom
or Fire Road
Entry 1
28
Institute of Business Studies - Raichur The
Classroom
Block:
Starting of with thinking how students would walk along, enter n exit classrooms was the staritng point. Considering how students could engage within and 5
outside of class wa also given a thought. This whole
3
system made way to evolving the nature of classrooms and the courts or lobbies that serve them.
A
B 3
5
1
2
4
C
A - Main Court, B - Internal Corridor, C - Service Street, 1 - Formal Classroom, 2 - Informal Classroom, 3 - Class Court, 4 - Backyard, 5 - Stair Court
Shading & Interaction between spaces
Spaces & Congregation of students
29
Institute of Business Studies - Raichur
A
study
on
Courts
&
Facades:
This facade of the building reacts to the existing buildings on the campus. It considers the psychic of the people and what makes them pause or rest. This circular court, positioned at the center of the external wall acts as a buffer and uses trees to provide the desired engagement and privacy. The adjacent drawings to the left depict the study carried out in understanding human beahviour and their ways of movement.
Glass Facade
Canteen / Audi
Auditorium
Existing Temple
OAT Lobby
Building Court
Rear Court
Entrance Court
Lobby
Retained, A Temple
merging with the
growing bigger
Or Backyard
Court created
Building Court
towards the OAT
Inner court
Stair Court
Entry 2
Court at facade edge
Classroom
Formal
Informal
Service Street
Court
Classroom
Classroom
or Fire Road
Entry 1
30
Institute of Business Studies - Raichur
View from the OAT Lobby into the Main Courts of the building
View showing the Entry 1. i.e. the administration entry and the facade overlooking the campus
Free flowing, Interactive Spaces are created between the service road, Canteen, Walkway and the Auditorium Entrance
8 9 7 A
B
1
2
3
4
6
C
5
A - Main Road or Highway B - Service street, C - Internal Main Street, 1 - Canteen Spillover, 2 - Canteen, 3 - Main Internal Walkway, 4 - Auditorium lobby, 5 - Audi stage, 6 - OAT stage, 7 - Open Air Theatre, 8 - OAT Terrace, 9 Other Buildings
31
6 The City Of Rickshaws 04.2014 - 10.2014 Professional Project: Free Lance Project, Bangalore, INDIA My Role: Project Architect
32
The City Of Rickshaws The Rickshaw, a Modest Means of Mobility presents a way of dealing with our built environment.
The project investigates Dhaka, Rickshaw capital of the world with over 500,000 rickshaws serving a population of over 16 million and interestingly also among the most densely populated megacities today, to project the implication The Rickshaw has to the built environment. The project uses the Rickshaw, the 3 wheeled human powered vehicle, not only as a means of mobility but as an architectural artefact to study the city. It question the way we live, interface with the activities & streets in our Cities. Dhaka the
is eyes
investigated of
the
considering
Rickshaw,
reading
following
it
the
through
steps
below:
1.The Rickshaw, as an artifact, its physicality, characteristics and behavior of the users 2.Study the scale of the street, a footprint of 5,000 sq.m, reading the nuances of the rickshaw and the activities, the sthop fronts and the pedestrian pathway and the street. 3.Study an area of about 1,00,000 sq. m, for change in built density, vehicular density. 4. and
Study its
5.Study
area
of
about
relationship
an
to
the
the
scale
of
the
10,00,000
rickshaw city,
in
sq.m
to
read
the
and
the
kind
of
flows
terms
of
dependency
of
Land it the
use
makes. peo-
ple on the rickshaw to help them connect to the Public transport nodes. 33
The City Of Rickshaws Here we study the inter-relationship of the variuos strret hierarchies and the activites along the
street
with
the
flows
of
the
rickshaw.
The rickshaw has predominantly two types of flows. 1. Deep Interior to main road: Connect the deep interior to the main road or node of public transport 2.Within the interiors: Trips are made from starting point to destination by Rickshaw. For eg. From home to school or home to shopping street etc. The
visual
perception
tends
to
influ-
ence the spillover onto the street and thestreet although narrow tends to feel broader.
Activities along the street & the Rickshaw
Rickshaw, its relation to the hierarchy of Streets and the activities on them
Visual perception (height and depth of view) from the Rickshaw
34
Road widths, Vehicles & Built mass density
Vehicular study - Area per person, turning radius, no. of commuters
8.73 % trips
53.90 % trips
singular activity zone
singular activity zone
singular activity zone
singular activity zone
28.03 % trips 70% of trips in City 5.5 km
singular activity zone
Relationship of street front and locomotive
singular activity zone
singular activity zone
singular activity zone
Modal Transportation Data
35
The City Of Rickshaws At the scale of the streets, this draw-
At the level of City, this drawing
ing helps understand the inter-re-
helps understand the inherent
lationship of shop front and the
zones or hubs, which are quite
rickshaw. There exists a deep
self sufficient that funciton-
interaction with shop fronts
al well within the radius of
coming as close to the roads,
movement
hawkers and vendors along
(5 kms). The dotted cir-
of
the pedestrian pathway and
cles, radius of 1.2 km of
at times on the road, reveals
transport
a pull towards the road... A
has to be travelled in or-
of
rickshaws
rickshaws.
large portion of walkers and
der to reach the public
quite a large group of rick-
service bus transport sys-
shaw commuters is the reason
tem. Also, since space is a
for this.. Hence concluding rick-
constraint, we notice many linear urban spaces along the
shaw is an Activator of the Street
pedestrian
pathway
etc,
made
lively through the rickshaw. Hence the rickshaw is the lifeline of the city
The Rickshaw helps in densification of existing footprints. As seen in the example, in most places the density has almost doubled in the decade from 2001 to 2011. Its important to
CITY OF RICKSHAWS, DHAKA 2001
note that in most cases the road widths have remained. Also, interesting is the fact
124,740.00 sq.m
that a good percentage of
223,686.94 sq.m
ground floors have been converted to shops. Hence footprints have increased the percentage of mixed use buildings in these 10 years. The rickshaw is here the key to Social, rich dense, and eco friendly communities. mixed use
healthcare
commercial
education
124,740.00 sq.m
housing <= 4 floors
mosque
404,078.37 sq.m
housing > 5 floors
bus stop
2013
36
The City Of Rickshaws
The most or if not One of the most influencung factors that keeps a city ticking is it s infrastructure. Well, at first place people got together so that they could share a certain infrastructure at a cost that could benefit all. Just as how the urban pattern of growth in the US is based out of the model of a Car, similar co-relations can be drawn with the Rickshaw in Dhaka. Yes, Dhaka has not developed in comparison to the European and western world, but there is a significant much to understand in the whole system at play here in Dhaka. There is a symbiotic relationship between the activities along the street and the slow movement of the rickshaw. We notice the Rickshaw being an activator of the street. It presents a physical connection to the environment, a relationship or interface that reduces the rigidity or harsh levels of difference between the built mass and the exterior that makes a rich environment around presenting a humane way in which we perceive things. In our
the
future,
urban
We
spaces,
hence cities.
need All
to
adding
rethink up
to
the
way
we
approach
what
we
call
today
& as
design Liveability.
The Rickshaw due to its characteristics of mobility performs best within certain distances. In Dhaka we notice that when in neighbourhoods, we are about 1.5 to 2.5 kms away from the point of public transport. Although you could walk this distance, the ability of the rickshaw to make quick trips back and forth within the neighbourhood and to the main roads presents its significance. This indirectly induces mixed patterns of building and living within compact neighbourhoods. Rickshaws have an ability to allow for densification within existing footprints. The rickshaw system although informal in nature and is random in terms of movement, there exists an inherent pattern and self-maintained balance to its movement commuting people from the interiors to the main arteries of public transport system. Here, In Dhaka, the rickshaw is a mass transport system in a private scale. The project broadly finds a niche in todayâ&#x20AC;&#x2122;s contexts. If we look at the western world, cars have dominated cities and the way cities are planned, largely for the past 40 years. Large parts of the western world also possess good systems of public transport. Here the rickshaw could play a role to connect you from your doorstep to the node. On the other hand developing economies with cities like Lagos, Jakarta etc. looking to improve their systems of public transportation could use the rickshaw not only as a means of mobility but as a tool to provide employment for the growing migratory population. Culturally, todayâ&#x20AC;&#x2122;s
post-industrial
society
looks
more
into
flexibility
to
make
their
travels. In
Cities
like
Amsterdam, the no. of travel trips has increased largely due to flexible systems of working. Also, society is moving from models of owning to sharing. Be it in music, subscribing it online to car - pooling it is already here. The
Rickshaw
interactive,
is
here
considered
compact
and
dense
as built
a
model
environments
could which
help are
build
socially
ecologically
rich, sensitive.
37
7 The Nile Metropolitan Delta 03.2013 - 6.2013 Masters Studio II @ The Berlage Institute, Tu Delft Team work, Nile Delta, EGYPT Tutors: Pier Paolo Tamburelli (IT), Oliver Thill (DE) Diederik de Koning (NL)
38
1
2
3
Background
The Study
The Proposal
Egypt being one of the developing countries and having a
The Nile Delta has distinguishable geographical features of desert, the green and
The chosen strip is studied for its settlement type, the topography, topology,
geographically advantageous position has a great potential for
the river. For the purpose of study, we take a strip perpendicular to the highway,
density and population changes, literacy and existing infrastructure.
economic growth. Supplemented by the high population growth,
that can be adapted as a model along the highway.
faced with decreasing cultivable land, housing demand and equipped
This chosen strip has the desert[Wadi Al Natroum village] and highway (zone 1
Pro-Active(zone 1 &2) & Re-Active(zone 3,4&5) stratergies.
with a large workforce, industrialization presents a promising future
&2), inner delta(zone 3,4), touching the valley, City Damanhour(zone 5) . This
The proactive strategies are used by proposing a new SEZ with the intension
for the country.
section considers all the ground realities seen in the delta and has the potential to
of promoting of large-scale industries on the western desert and to create a live
present all the inter-relationships.
and work scenario. This works towards economic growth on the desert edge of
The Nile Metropolitan Delta the delta and relieves inner Delta from increasing pressures. And the reactive strategies (Inner Delta) reflects both existing as well as new developments considering preservation of cultivable land by densification of existing settlements, creating awareness of agricultural modernization, education and health.
ZONE 1: Unused
ZONE 2: Dispersed Settlement
ZONE 3: Linear Settlement
ZONE 4: Polycentric Settlement
ZONE 5: Concentric City
This area - desert land is currently sparsely populated and
Situated on the east of the Cairo - Alexandria desert high-
This area is densely populated more in a linear pattern
This area is even more densely populated with organic
Damanhour a large city, densely populated with a popula-
the only settlement type with considerable growth (in past
way, this area is also currently sparsely populated, partly
along with infrastructure such as roads and canals. An
polycentric settlements attributed to bottom up planning,
tion of over 250,000. This area also have some industries
20 years) is due to the large scale industries. This part of
deserted, partly farms, but concentrated to form blocks of
organic growth, attributed to bottom up planning sprawls
sprawling into small pieces of agricultural lands which
which are eating up on productive agricultural land.
the Cairo - Alexandria desert highway is industralizing,
housing along infrastructure lines. This area
into the already small chunks of agricultural lands result-
area usually unproductive, even for families.
but needs a direction and boost. Wadi Al-Natroun is a
has large scale mechanized agriculture and much bigger
ing from inheritance and sub division.
village in the region.
chunks of farm lands compared to inner Delta.
STRATEGY A
Multinodal hub to attract development
REACTIVE STRATEGIES
SEZ - Industry growth encouraged
Multi Nodal Transport Hub: A railway station located facilitating our large
STRATEGY D
STRATEGY E
Land Subsidized: Desert land is subsidized to Industries. In return,
scale intervention of the railway line Cairo-Alexandria-Ismailia.
Feeder bus service for connectivity to inner Delta settlements
Densification of existing settlements and upgradiation of services in
industries are to build residential housing for their workers.
Bus Stand: An inter-city and intra-city bus stand which provides connection
Connections: Settlements on the inner Delta will be connected to the new
inner delta. fresh buildings on agricultural lands curbed.
Special Economic Zone: Treated as an industrial belt with subsidies
into the Delta.
special economic zone across the desert-highway by feeder bus systems in the
Regional development center: A center that includes agriculture
on taxes, export processing, customs/excise duties, free trade zone
STRATEGY C
inner Delta.
development services, schools, youth organizations and health care
etc.
Tax advantages to attract commercial investment
Note: New roads are avoided within the Delta so as to reduce the percentage
facilities to provide a balanced and sustained growth.
STRATEGY B
Whole sale market: A duty free market to attract traders and mixed market
of growth.
dynamics.
39
The Nile Metropolitan Delta Guided growth, 2050 This development stratergy considers a holistic approach to the Delta region. With this would emerge more opportunities for industrial development in the desert lands and sustained agricultural production.
40
The Nile Metropolitan Delta Guided growth, 2050
41