Ego n friends are u alone?
In the heart of Denver's rising music scene, indie pop artist ego n friends has released his muchanticipated debut album, are u alone?. This 19-track odyssey is a vibrant fusion of nostalgic indie pop and alternative rap, masterfully blending acoustic and electronic elements. ego, a Denver transplant originally from the Bay Area, showcases his versatility and creative vision, delivering an album that is both deeply personal and universally relatable.
The album kicks off with none of your business, a confident and defiant track that sets the tone for the entire project. ego declares, "Imma stage dive on your small town," a prophetic line that signals his intent to make waves both locally and beyond. This track, devoid of drums yet full of dimension, introduces listeners to ego n friends' unique approach to music-making—one that relies on intricate flows and innovative arrangements to build power and rhythm.
One of the standout aspects of are u alone? is the way ego incorporates his network of collaborators, each adding a unique voice to the project while maintaining a cohesive overall sound. This collaborative spirit is evident in tracks like RUN BOBBY RUN! and LOVESTRUCK where guest artists elevate the songs with their distinct contributions. Yet, ego remains the driving force behind the album, overseeing the production, mixing, and mastering to ensure his artistic vision is fully realized.
ego n friends’ dedication to his craft is palpable throughout the album. His cinematic production style, characterized by unexpected samples and a harmonious blend of acoustic and electronic tones, creates a rich sonic landscape that keeps listeners engaged from start to finish. Tracks like BIG MISTAKE! and DEMON TIME highlight his ability to craft songs that are not only sonically diverse but also deeply resonant.
The album's release is monumental for Denver’s music scene, showcasing the city's ability to nurture and support diverse artistic talent. ego has created a work that speaks to the universal human experience
of loneliness and the search for connection, making are u alone? a powerful and relatable project for listeners both in Denver and beyond.
In are u alone? ego invites us into his world, sharing his journey of growth and self-discovery through a meticulously crafted and emotionally charged album. It’s an impressive debut that not only solidifies his place in Denver’s vibrant music scene but also sets the stage for his impact on a scale much larger. ego said it perfectly on track three: “D-town flow, now the city gon’ respect me.”
Listen to are u alone? the latest project from ego n friends wherever you get your music.
Landon Ungerman BandWagon Magazine
PHOTO: ANDREW HANSON
ALBUM ART: ERIK BRANOM & TOMAS MUELLING
BANDWAGON PHOTO OF THE MONTH | JASON ALFARO OF RIGHT EYE MEDIA CHARLES WESLEY GODWIN | LINCOLN THEATER - GREELEY, CO | 6/ 5 / 24
WORTH THE WAIT
BY LANDON UNGERMAN
In the heart of Northern Colorado, a band has been quietly, yet powerfully, redefining the boundaries of math rock and post-hardcore. Underseer, based in Greeley, Colorado, has emerged as an unmatched force within the local music scene, captivating audiences with their intricate guitar riffs, unique time signatures, and high-energy performances. After a long hiatus and a triumphant return, the Underseer story is a source of pride for the city, and all but a dream to the four overgrown kids slamming on guitars, banging on drums, and screaming into the mic every week at rehearsal.
The band, comprising Damon Tyson on drums and vocals, Austin Southern and Christian Nunez on guitars, and Carlos Gutierrez on bass, is set to release their long-awaited album, Procession, next month. This album, their first in seven years, signifies not just a musical evolution but also a personal and collective rebirth. The time between their last release and this new project has been transformative,
characterized by personal struggles and a renewed sense of purpose.
On stage, Underseer unleashes a passionate, raw side of their psyche, fueling an explosive on-stage energy that could surge through any crowd. In an interview with BandWagon Magazine, Damon explains, “I was just going through a lot of personal mental issues and struggling with depression. I didn't even want to play music for a long time. Once I finally started to get my head back on track, I hit up Austin about two years ago to start jamming again.” This period of introspection and healing was crucial for Damon and the band. His words capture the essence of their journey: a blend of growth, self-discovery, and the rekindling of their musical fire.
Austin Southern adds, “It was difficult to find the time with everyone's schedules to get together. We never wanted to find ourselves treating this like a job because it's not that to us. It's a release.” This sentiment underscores
the band's philosophy: music as a source of joy and expression rather than a mere obligation.
The decision to release Procession now feels organic, stemming from a renewed chemistry within the band. “Chemistry, baby,” Austin emphasizes, explaining how the current lineup, including Christian’s “secret sauce” on guitar and Carlos fitting in seamlessly on bass, has created an ideal environment for creativity and growth. The lineup change has brought a fresh dynamic to their music, enriching their sound and performance.
Consistency in rehearsals and performances has been a cornerstone of Underseer's approach. Damon explains, “If you want to be good at something and you want results, you kind of have to put the time in.” This disciplined approach has honed their skills without overshadowing their camaraderie. At their core, Underseer is simply four friends jamming, and developing the album, weekly rehearsals and runs of shows, haven’t changed that.
“WE’RE JUST A BUNCH OF SILLY DUDES, MAKING ANGRY, WEIRD MUSIC WITH A LITTLE BIT OF HEART UNDERNEATH IT ALL.” - DAMON, VOCALS/DRUMS
Their upcoming album promises to be a rich tapestry of sound, weaving together the complex elements of math rock with the raw intensity of post-hardcore. As Carlos puts it, “Every song is different from the next. We have a crazy style, and many people can’t put their finger on it, but it works for us.” The band’s ability to blend intricate, technical musicianship with accessible, emotionally charged melodies sets them apart in the genre. Austin highlights the trust and synergy within the band, noting, “We all really didn’t hear Damon just singing until we were in the studio. We just kind of felt it and trusted each other, and we couldn’t be happier with the end result.”
The band's dedication to creating a memorable live experience is evident in their performances. Damon notes, “When we get on stage, our adrenaline kicks in, and we just put on a good show. I become a whole different person with the mic.” This energy translates into a powerful, immersive experience for their fans, many of whom have followed the band through thick and thin.
Underseer’s recent win at the BandWagon Battle of the Bands, a competition featuring hundreds of applicants and sixteen contestants, was a pivotal moment for the band. “It meant the world to us. Knowing that the community believed in us was the ultimate feeling.” Chris explains This victory not only validated their efforts but also set in motion the processes leading to their new album and tour. Damon adds, “Winning made us realize we should record this new music and push it out because it’s worth listening to.”
The behind-the-scenes efforts for Procession involved a collaborative effort with notable contributions from the local music community. The album was recorded at The Blasting Room, a renowned studio in Fort Collins, with Andrew Berlin engineering the project. This collaboration added a professional polish to their sound, enhancing the album’s production quality. Austin mentions, “The whole city contributed to helping us grow and has been really supportive. We’ve had friends come out of the woodwork just to do us a favor, and then they start creating again. It’s been beautiful to help inspire fellow creatives.”
Underseer’s roots in Greeley have been integral to their identity and success. The local community has been a constant source of support, turning out for shows, engaging with the band, and contributing to their creative process. This symbiotic relationship between the band and their hometown has fostered a loyal following, ensuring that every performance is a shared celebration of music and community.
The band's upcoming performance at The Greeley Block Party on September 6, 2024, marks the band’s first showcase after the release of the album. This show promises to be a high-energy showcase of their new material, bringing their intricate compositions and intense performances to a wider audience. For Underseer, it’s not just about playing music; it’s about creating a safe space where attendees can laugh, cry, mosh, and dance.
In the end, Underseer’s story is one of patience, friendship, and a deep-seated love for music. As they prepare to release Procession and embark on new adventures, their journey stands as a testament to the power of perseverance and the unbreakable bond of a band of friends making music together. Greeley, with its unwavering support, has been and continues to be, a crucial part of this journey, reflecting the symbiotic relationship between Underseer and the community that has embraced them.
As Damon aptly sums it up, “Thank you for continuing to listen and giving us the motivation to keep going. We’re not slowing down anytime soon.” With their new album on the horizon and a community behind them, Underseer is poised to reach new heights, bringing their unique sound and infectious energy to audiences far and wide.
PROCESSION, THE ALL-NEW EP BY UNDERSEER IS SET TO RELEASE ON JULY 5TH. GIVE IT A LISTEN, AND CATCH THE RELEASE SHOW AT MOXI THEATER ON SATURDAY, AUGUST 10TH.
PHOTOS: TYLER SMITH
FROM BRIGHT BLUES TO RED ROCKS
BY JASON ALFARO
Ripe, the American alt-pop quartet from Boston, MA, has been making waves in the music scene since their formation in 2011. With a steady rise in popularity and an ever-evolving sound, the band has captured the hearts of fans across the country. Bandwagon Magazine had the pleasure of sitting down with Robbie (lead singer) and Sampson (drummer) before their big night at Denver’s Gothic Theatre to discuss their recent experiences and the journey of their latest album, Bright Blues.
A SURREAL EXPERIENCE AT RED ROCKS
When asked about their recent performance at Red Rocks, Robbie described it as a "surreal moment, a 1 of 1 in the whole country." The excitement hit the band as soon as they received the news, but the full impact didn’t resonate until they arrived at the iconic venue. Both Robbie and Sampson felt a "positive high intensity" that made the performance truly unforgettable. This venue, with its unique energy and breathtaking setting, offers an experience unlike any other, and for Ripe, it symbolizes a significant milestone in their musical journey.
THE IMPACT OF BRIGHT BLUES
Reflecting on Bright Blues , which celebrated its first anniversary, Sampson shared that the album has propelled the band to new heights. They’ve played on bigger stages, including the legendary Red Rocks, and for the first time, their music has reached radio airwaves. The album has undeniably shifted the band's trajectory, marking their transition to tour buses and larger audiences. Each record, Sampson noted, moves the dial in a positive direction, and Bright Blues has been no exception.
SONGS CLOSE TO THE HEART
Both Robbie and Sampson have deep connections to specific tracks on Bright Blues . Sampson's favorite is Good Intentions a song that evokes cherished memories of past days and significant people in his life. For Robbie, the song Brendan holds a special place. It represents a crucial period during the making of Bright Blues , a time when the album felt like a necessary creation to affirm their identity as a band. The song captures the heartfelt essence of their journey, embodying a pivotal "oh shit, it's happening" moment for Robbie.
DEFINING THE ALBUM
When asked to describe Bright Blues in a single word, Robbie chose “transitional,” reflecting the album’s role in their ongoing evolution. Sampson, however, described it as “resilience.” The creation of the album coincided with the height of the COVID-19 pandemic, making it a testament to their perseverance. The track “Get Over” epitomizes this resilience, symbolizing the challenges and determination that defined the album’s production.
A SPECIAL CONNECTION WITH COLORADO
Colorado holds a unique significance for Ripe. Despite none of the band members being from the state, they’ve found a second home in its welcoming music scene. Robbie expressed a deep appreciation for Denver’s enthusiastic and loyal fan base, describing it as a "wonderful outlier" that continually supports the band. He fondly recalled a previous show at the Bluebird Theater where the crowd's energy was so intense that the floor rattled. This connection, he believes, is a testament to Denver's commitment to the music it believes in, a commitment that Ripe is honored to be a part of.
LOOKING AHEAD
While specifics on new music remain under wraps, Robbie hinted at exciting releases on the horizon. The band is eagerly preparing to share their latest creations with the world, urging fans to “indefinitely keep your eyes open” for upcoming announcements. Robbie also expressed his gratitude towards Bandwagon Magazine for their support and their role in fostering a vibrant music scene in Denver. He acknowledged the importance of such platforms in connecting artists with fans and creating a thriving community for music lovers.
A NIGHT TO REMEMBER AT THE GOTHIC THEATRE
Ripe’s performance at the Gothic Theatre was nothing short of spectacular. The show, which nearly sold out, recreated the magic of their previous performances, with fans who had attended their Red Rocks concert coming out in full force. The enthusiasm and energy of the audience made for an unforgettable night. Watching Ripe grow as a band has been a thrilling journey, and their live shows continue to captivate audiences. As they evolve and reach new milestones, fans eagerly await what’s next. Be sure to stay tuned for new music and future shows—you won’t want to miss a moment of what Ripe has in store.
HUNTER JAMES & THE TITANIC THE GHOST INSIDE SEARCHING FOR SOLACE
BY LANDON UNGERMAN
“What a lovely surprise to discover how unlonely being alone can be.” With these words, American treasure Ellen Burstyn sums up a lesson many of us spend a lifetime learning. It is the same principle that guided the most recent work from Hunter James & The Titanic (a Colorado treasure in the making); a three-track, genre-fusing folk-rock EP titled Why You Always Thinking You’ll End Up Alone?
One complete listen through the dreamy, rootsy soundscape of the Denver band’s latest masterpiece is not only an opportunity to appreciate an intricately crafted record, but also an invitation for the listener to ponder loneliness and the fear of it in their life (12 minutes of existentialism never hurt anybody, right?).
The title track, Why You Always Thinking
ing the listener into their psyche, as the subtle voices of a harmonica and electric guitar seemingly converse with the track's lyrics. The hazy edges of every sound establish the project’s style and create a comforting sonic experience that is artfully contradicted by the pointed songwriting of Hunter James. Twice, he poses the impossible question about his loneliness, but it is his shockingly simple response that catapults the track into its musical climax: “Oh no.”
It’s not an answer, and it doesn’t have to be. Perhaps the chorus is meant to cry out empathetically to those struggling with isolation or, conversely, to minimize a universal experience that we overinflate with our egocentric worldviews. “The universality of the concept of thinking we’ll end up alone, whether that’s in love, in death, or in an esoteric way is what makes this track meaningful,” James explains.
“MORE THAN ANYTHING, I FEEL LIKE MY PURPOSE IS TO WRITE SONGS AND MAKE RECORDS. I CAN’T ESCAPE IT, AND I DON’T WANT TO.”
While writing Why You Always Thinking You’ll End Up Alone?, Hunter James was largely inspired by Don DeLillo’s novels Underworld and Mao II, in which DeLillo illustrates mass media’s deterioration of individualism and the value of artistic, countercultural resistance. James’s exploration of loneliness through the lens of cultural homogeneity bridges personal depth to an ever-present state of being. When derivative, all-too-familiar lifestyles are promoted as progress, our understanding of self perishes, leaving less of ourselves to be alone
One of the standout features of this EP is its production. Recorded to tape at James’s home studio, it exudes a nostalgic warmth that is both comforting and evocative. Hunter James describes this decision as a way to capture a "days-gone-by feeling," an artistic choice that aligns perfectly with the themes of the work. James continues, “As crazy as it sounds, when I make records on tape, I can hear the part that comes next in the overtones.” Yes, Hunter James lets the music make the music, and that is craftsmanship. This analog approach, juxtaposed with Grammy-winning engineer Chris Beeble’s modern mixing techniques, bring about a sound that is timeless yet in-thenow, a perfect reflection of the band's unique identity. James’s process is countercultural; his process is his message.
And it’s evident… Why You Always Thinking You’ll End Up Alone? is the folk-rockers’ fourth project release in five years. Hunter James & The Titanic took a bold step forward on this EP, pushing the boundaries of folk-rock into blues, indie rock, and even electronic music. James’s relationship-rooted approach to growth brought core band members Jason Brazzel, Lizzy Gogolowski, Taylor Marvin, Gavin Allen-Dunn and rotating studio musicians/ band members Forrest Raup, Eric Luba, John Grigsby, Ben Waligoske, Connor Terrones, George Horn and Kevin Johnson together to collaborate freely. Their artistic development is genuine, spurred by “the desire to create and a deepened understanding of each other.”
Aside from the gifted array of musical voices that combined to produce this EP, the project’s artwork, created by Joe Murray of Auberon Design, works in conjunction with its message. It depicts a UFO projecting the title, “Why You Always Thinking You’ll End Up Alone?” indicative of the concept that our fear of loneliness is engrained in the human way of knowing, and detaching from that fear is absurdly foreign to us. The grainy, pastel art-style of the cover visually compliments James’s recording process, with the same saturation and grain characterizing the sonic mix. As incredibly focused as the theme of this album is, it was extraordinarily created by a plethora of creatives who shared James’s vision for a consequential, intricate body of work.
Why Do You Always Thinking You’ll End Up Alone? by Hunter James & The Titanic is a product of artists uniting to broadcast solitude. The irony of this project’s existence exemplifies the surprisingly connected nature of isolation that began the article you are reading now. Perhaps Hunter James fears loneliness and made a record about it. Maybe he embraces loneliness, and encourages the listener to do the same. But if there was one thing this EP says about being alone, it’s that if loneliness is universal, then are we ever really alone?
LISTEN TO WHYYOUALWAYSTHINKINGYOU’LLENDUP ALONE? THE LATEST EP BY HUNTER JAMES & THE TITANIC WHEREVER YOU GET YOUR MUSIC, AND CATCH THEM LIVE AT THE VELVET ELK IN BOULDER, COLORADO AUGUST 9TH
