2011-2012
FROM NICKEL TO DOLLAR$ The first black female banker
YOUR PLACﾃ右窶ｦOR MINE
Fil m
They were not given a choice but they went from plaything to entrepreneurs
Theatr e Visual Arts
e r tu a r Lite
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In July 2011... Jamaica became the first and only country to have all 100m sprint titles, all ages, all levels, all males in their role call of honour.
They now have the gold medal in the World Youth Olympics (courtesy of Odeen Skeene)
The World Youth Championships (courtesy of Odail Todd)
The World Junior Championships (courtesy of Dexter Lee)
The Commonwealth Games (courtesy of Lerone Clarke)
They are the first and only country to ever achieve this. What a truly great people.
CONGRATULATIONS JAMAICA!
The World Championships and The Olympics (Usain Bolt )
Editor’s note
Let’s get together he Black Heritage Today magazine brings a wealth of knowledge and hidden history to the surface for the world to see and acknowledge. It’s also an opportunity to raise confidence and awareness of cultural heritage and to celebrate those who are not just standing on the side-lines watching life ‘happen’. In this issue I noticed a ‘theme’ that strongly speaks about collaboration, with people being called upon to work together for all the right reasons. For instance take young Jakobi Wilmott. You have to hand it to him. When this teenager asked Black Heritage Today if we could help him raise money for an expedition and a good cause we could not say no. We are making a donation. But Jakobi has shown a creative flair and entrepreneurial mind-set I am proud to encourage. As part of his fundraising efforts to get to Africa, Jakobi will be selling advertising space on his T-shirt. The tshirt will be split into sections and the spaces are available to companies for around £200… or what they are willing to pay. The incentive is that this is the only upper body clothing that Jakobi will be sporting throughout his expedition. He’ll be making several identical tshirts, so wherever he goes ‘your’ brand will be advertised. A lot of photos will be taken during the trip in August 2012 and a website will be created that will regularly display the photos taken throughout the day. He will be doing a Blog; his trip will be followed by Twitter and the press will also be following him, so all advertisers would get a great deal of exposure. When Vogue decided to ‘use only
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Black Heritage Today 2011-2012
black model’ in one of their issues it went viral amongst the community, and a ridiculous amount of people went out to ‘buy a piece of history’, not! Of what benefit was it? This lad is closer to home. Can we, as a community get behind this young man? Would you like to bid for… his chest, his sleeves, the back? Or simply make a donation. Read his story and find out what his adventure is all about on page 6. We are developing new sections in the magazine. In our business section we are encouraging businesses from the community to trade with one another in various ways, including use of the online Black Heritage Business Directory. Therefore we are keen to attract businesses that wish to trade globally. Visit: www.blackheritagetodayuk.co.uk Another new section brings together the BHM Cultural Practitioner and Performers we have in the community. Increasingly we receive calls or emails asking us to point people in the right direction as they want to find a performance poet, an African dancer, drummer, storyteller, folklorist , headwrapper, people to give cultural seminars- so we are creating a section called Cultural Gems. It will eventually become a hard-copy and online database of those providing these services. It will also help to foster a part of our heritage that runs the risk of being eroded (see the Gullah people on page 22) if we sit by and allow it to happen. It’s our young people who will eventually lose out.
Barbara Campbell Winner: International Woman of Excellence Award ( 2007) Winner: Gathering of Africa’s Best Award ( 2006) Winner: GWINN Award ( 2005) Winner: EFBWBO Award ( 2003)
"We have a powerful potential in our youth, and we must have the courage to change old ideas and practices so that we may direct their power toward good ends." Dr. Mary McLeod Bethune
I hope you enjoy Black Heritage Today 2012. It’s hard work but worth doing. Do visit our new-look site: www.blackheritagetodayUK.co.uk
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12 FEATURES Jakobi’s Challenge ............................................. 6 Divine Women ................................................... 8
BUSINESS PROFILE
Marc Hare (UK) ......................................40 81 Daymond John Us) .................................44
From Nickel to Dollar$ .................................... 10
16 Your Placée or Mine ..................................... 18 The Gullah People .......................................... 22 Finally an Equal ............................................
The Black History Bee ............................20
COMMUNITY Cultural Gems ........................................24
EDUCATION New Pioneers in School Interventions .............36
A Gem Working in the Community .........25
BUSINESS
UK CAMPAIGN
The Everyday Heroes ......................................32 Hair is an Opportunity ......................................42 Sista’s Make It Happen ....................................43 A Social Experiment .........................................50
£4 Where Sold
COLUMNIST
Published by Barb Wire Enterprises Ltd.
Front Cover Thank you to Arna Walts, a sensational Caribbean model blessed with a strong spirit and a unique sense of humor and who graces our BHM 2011 magazine this year. Look out for this potential super-model. Navigate around her site and visit her inspirational blog: www.arnawalts.blogspot.com
Editorial Office Keith Villa (house) 102 Mallinson Rd Battersea London SW11 1BN Tel: 0870 765 5503
Save the Africa Centre ...........................12
INTERNATIONAL CAMPAIGN Stand Up and Provide ...........................14
Email: info@blackheritagetodayUK.co.uk
Contributors
cbabsmag@aol.com
Folashade Bello Belinda Raye, Patrisha Arthurs, Marisa O’dell Terry a O’neal Monika Francisco-Ribeiro Marcia Hutchinson.
www.livelistingsmag.com
www.blackheritagetodayUK.co.uk
Editor: Barbara Campbell Sub Editors Kojo LC Proofreader
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INTERNATIONAL FOCUS Saving the Girl Child .................................. 26 From Gun to MIC ...................................... 28
HEALTH & WELLBEING A Derriere Called Alcatraz ..........................46 The Colour of Fruits ...................................48
SPECIAL SECTION Sports Heritage ...................................53-66
THE ARTS Visual Arts Listings .....................................68 Film Listings...............................................71 Literature Listings .....................................75 Theatre Listings ........................................ 80 Music Listings ...........................................22 Acknowledgement and Special Thanks: Advertisers, printers and supporters of this annual publication and the chap around the corner
Design Xandy Daehnhardt
Cover Design Lt Graphics
No material in this publication may be used without permission from the publisher – Tel: 0207 207 2734. Black Heritage Today is circulated in libraries, colleges business centres, fitness and leisure centres, townhalls, educational establishes and many other public and private outlets, in London and nationwide. It can also be subscribed to by emailing: all3mags@aol.com and requesting a subscription form.
Jakobi’s Challenge Young people have a lot of energy and at times expend it in negative ways, but adventure-seeking 16 year-old Jakobi Wilmott wants to travel the world to help people less privileged than himself.
he teenager, from Catford, London, will be taking part in the World Challenge project, a school expedition organisation that gives students the opportunity to travel to another part of the world visiting various countries and volunteering in local villages to help the community. He says, “Everyone that I’ve spoken to that has been on previous world challenge expeditions say that it’s a real eye-opening experience.” World Challenge provides educational expeditions to the developing world to teach young people life skills, expand minds outside the classroom, foster team spirit and sharpen up leadership skills. Last
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others. Something like building a well or renovating a school will greatly improve people lives in the long term and I would like to be a part of that.” But getting there is a challenge all by itself so the young man is looking for sponsors. “The trip was organised through school and the teachers have been really helpful and supportive,” observes Jakobi. “We had a quiz night to fundraise at school early this year and a few members of staff in particular put in a lot of effort to make it successful. To anyone reading this I’d say that I would appreciate any help offered, not only financial but also fundraising ideas, suggestions and advice. The 'Challenge' kicks off August 2012. If anyone in the community is interested in helping this young man in achieving his goals please make contact. E:jakobilloyd@gmail.com 07984 010 477 www.world-challenge.co.uk/home.asp
Remembering Cherry Groce Her name is etched on the mind and in the hearts of many, if not all those who remember the turbulent mid-eighties.
orothy “Cherry” Groce, better known as, the Jamaican Brixton resident whose accidental shooting by the police (in her own home) sparked the 1985 Brixton riots, was laid to rest recently in an emotional funeral service at in Lambeth in London. She was 63 years old. After the shooting doctors had told her that they would have to amputate her legs to save her life. She refused to allow it. They also predicted a life expectancy of 10 years, which she bettered by sixteen years. Cherry, originally from Portland, was left paralysed from the waist down by the bullet, but she went on to raise her eight children and many grandchildren, despite being confined to a wheelchair. Cherry became an inspiration to many and was actively the centre piece of her family. Earlier this year she passed away after a
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year they helped a community in the Kalahari Desert obtain their first water tap. A student at St. Olave’s Grammar School in Orpington studying math, economics, French and biology, Jakobi is particularly interested in learning languages and “learning about the way of life in an environment very different to London.” He cites this as one of his reasons for partaking in the adventure, along with seeing how the people live day-to-day and exploring amazing scenery, landscapes and also meeting and helping the community. The four week expedition will see Jakobi trekking from Botswana's Lobatse heartland to Namibia's Waterberg Plateau, and working with fellow challenge seekers to help the local people achieve their highest need. Jakobi wants to go not only because “it will give me the chance to make a substantial difference to the lives of
brief illness with her family by her bedside. A Tribute to the Life of Cherry Groce has being arranged by TruLee Entertainment, led by Cherry’s son Lee Lawrence. The BHM ceremony and showcase is to honour her memory. The event will include a short play called ‘HerStory’ written by Lorna Gayle featuring a variety of top actors from stage and TV, followed by dances, poets and singers. On the bill and looking forward to paying their tribute will be: Levi Roots, Starboy Nathan, Peter Hunningale, Lorna Gee, Geoff Shuman, Kwaku, Don-E, Floetic Lara, Roger Samuels, Amen Noir, True Identity and the Maat Dance Movement. The combination of performances aims to provide an informative, enjoyable and exciting evening at The Ritzy, Coldharbour Lane London SW2 1JG. 8pm sharpAdm: £25. Info & tickets: TruLee Entertainment: 07985814444 / 0871 704 2068. Black Heritage Today 2011-2012
Festival Jamaica 2012 here really IS no place like home. And whether they live in the UK, Canada, the US or the sundrenched island itself, Jamaican’s from all over the globe have two reasons to look forward to 2012: Collecting more Gold medals from Olympic 2012 and celebrating the 50th year of Jamaica’s independence. Festival Jamaica 2012 is an umbrella organisation set up to harness projects and events to celebrate the Anniversary, bang in the middle of the London Olympics. The integrated marketing, media, and communications organisation plans to develop, and reshape the global repositioning of Jamaica’s cultural and creative heritage. This is in recognition of Jamaica’s role in shaping world culture
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and to address the huge demand for ‘all things Jamaican’ in the global market place. Activity includes developing content and platforms to launch a range of projects, products and services. Under development is a website geared to incorporate the aforementioned countries. It will act as a hub for disseminating information, which will be presented in an inviting, and interesting manner, allowing for inclusion and involvement. Projects range from linking the present to the past, highlighting the powerful contribution made by Jamaica to Britain when it was the jewel in the crown; not forgetting the cultural aspect of the country and the music and films that comes out of it. The projects will take place
throughout Britain, with an emphasis on Birmingham and London in the build up to the Olympics and the anniversary, and move on through Britain and around the world. Ziggi Golding, Festival Director of Festival Jamaica- 2012. Info: www.festivaljamaica2012.com
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Winner of the
Divine Women Awards 2011 arline Ikoroha, in her 40s, has been officially named the first ever Divine Woman in the UK for demonstrating that she knows no bounds in her dedication to helping families. Carline has devoted her life to the local community and over the past 15 years has touched the lives of around 1,000 children. An Inclusion Mentor in a primary school in Enfield, North London, Carline is focused on supporting children and their parents, making a positive and lasting change to their lives. With unassuming humility she is quietly involved in a range of local voluntary activities that include starting a breakfast club, running a choir and campaigning to keep the mobile library open and improving the lives of all children. Carline was one of six shortlisted finalists in the Divine Women Awards. The Divine judging panel, led by Livia Firth, Creative Director of Eco Age and founder of The Green Carpet Challenge, then had the task of selecting the most Divine Woman. All finalists had amazing stories to tell. Livia Firth says, "I really admire all the women who were shortlisted for the Divine Women Awards. But Carline Ikoroha is the epitome of a Divine human being, with her selfless
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Sophie Trancell, Carline Ikoroha and Livia Firth
Leading farmer-owned Fairtrade company Divine Chocolate and ethical jewellers Ingle & Rhode are delighted to announce the winner of the inaugural Divine Women Awards. attitude and sheer dedication to children. She is a real change maker." As winner, Carline has been awarded a truly divine prize of a bespoke pendant worth over ÂŁ1,000. The West African Adinkra symbol called Mpatapo means peace and harmony. Made with Fairtrade and Fairmined 18 carat gold from ethical jewellers Ingle & Rhode. Fairtrade is a brand for goods designed to guarantee a better deal for producers and communities in the developing world. Firms that market Fairtrade products enter into longterm agreements with their suppliers, covering areas such as the environment, labour standards and a minimum price for the goods, which is usually well above the standard rate. Based in London's Mayfair, Ingle &
Rhode is a top destination for exquisite bespoke jewellery. They purchase all of its precious metals and gemstones under fair trade principles, meaning that its suppliers must pay fair wages, must maintain good health and safety standards, and must not use child labour. Divine Chocolate has always had a strong and heartfelt relationship with women! Behind Divine Chocolate is the cooperative of 45000 farmers in Ghana which owns the company, approximately a third of which are women who have been extraordinarily empowered by membership of this organisation and its special relationship with Divine. Congrats: It’s a Fair Trade. www.divinechocolate.com
Black Heritage Today 2011-2012
This brilliantly entertaining variety show unites music, dance and comedy, and guarantees a lively and fun-packed evening for all ages and audiences. See music section. Win pairs of tickets by naming three artists performing as part of the MetBPA’s Celebration of Life concert on Friday 14 October at the Royal Festival Hall, London. Send answers to: Cbabsmag@aol.com before Monday10 October.
IN MY SHOES It has an intimate sounding title but ‘name the hilarious West End show Angie appeared in with some other ladies’ and WIN TICKETS to Angie Le Mar’s lasted show In My Shoes at Soho Theatre, London. See theatre section.
JA STORY – THE MUSICAL A landmark musical that reflects on how Jamaica has influenced the world with its arts, culture, and entertainment. In a deal with major promoters Black Heritage Today has secured discounted tickets to runners ups (up to five pairs). Just email with your winning answer. Win pairs of tickets to see the show in the venue closest to you by answering this question: What is Jamaica’s famous Motto? The first five correct answers received by the editor wins.
WIN TICKETS TO OTHELLO See Belinda Owusu as Desdemona in Shakespeare at Greenwich Theatre, SE10. Win tickets to see the play by answering this question: What famous soap did Belinda Owusu appear in, what was the name of her character and how many years was she there for? The correct answer ensures at least five people a pair of tickets to the show.
STRIDE TOWARD FREEDOM It’s the Montgomery Story that‘s barely been told and we have 5 copies of this book to give to anyone who can answer this question: In what year was Martin Luther King awarded the Nobel Peace Prize?
THE SOFT VENGEANCE OF A FREEDOM WRITER What is it like to be a white man fighting for justice and equality in South Africa during Apartheid? Albie Sach’s is a living testimony that the human spirit can overcome all adversity. Win a copy of his amazing story by answering this question: What date was Apartheid was rendered illegal?
RUNNERS UP - AFTER THE WINNERS HAVE BEEN CHOSEN - WILL BE OFFERED DISCOUNTED TICKETS. Thank you for entering the Theatre competitions.Good luck. Send answers to Cbabsmag@aol.com with your full contact details. Just quote the special code sent via email in response to your answer. Black Heritage Today 2011-2012
WIN WIN COMPETITONS WIN WIN
CELEBRATION OF LIFE 2011 / REVIVAL
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Black Facts & Firsts In Sept 2011 Troy Davis, 42, became the 52nd man to be executed in Georgia since the same supreme court reinstated the death penalty in 1973. There had been serious doubts over Davis's guilt. In Ghana ‘Nana’ means ‘chief’ or ‘king,’ ‘Kofi’ means ‘male born on a Friday’ Rapper Jay-Z’s first album Reasonable Doubt was rejected by all the major albums. Jay-Z crated his own label, sold the album from the back of his car and it went Platinum. Rwandan Ndiho Sean Obedih invented YnotPlast, the first black plaster, that offer multi-ethnic first aid products which blend with a variety of skin tones. He currently lives in the UK. Félix Eboué - Politician, 1884-1944. Eboué became the first black man to be appointed governor in the French colonies, in Guadeloupe; as governor of Chad, he joined the Free French in their struggle against the Nazis and persuaded other French-African countries to follow. William Hoare’s sensitive portrait of Ayuba Suleiman Diallo is the earliest known British oil portrait of a freed slave and the first portrait to honour an African subject as an individual and an equal. Akyaaba Addai-Sebo was the person who introduced the UK to Black History Month Under his birth name Jay-Z, set up a the Shawn Carter Scholarship to help underprivileged kids. He’s also behind a project to improve water quality in Africa. Noel Wallace made British ballet history as the first black dancer to join the English National Ballet BBC1 TV: Rainbow City, sixpart drama series starring Errol John as John Steele, a Jamaican lawyer living and working in a multi-racial community in Birmingham was the first drama series to give a leading role to a black actor.
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From Nickel to Dollar$ Maggie Walker founded her own bank when she was refused banking opportunities in Virginia. It was the first bank founded by a black woman in the USA and still exists today, albeit under another name. he illegitimate daughter of a former slave and a white abolitionist, Maggie Lena Walker became America’s first black, female president of a financial institution, having founded one of the nation's oldest surviving, black-owned banks. Born in 1867 in Richmond, VA, Maggie started the St Luke Penny Savings Bank in 1903 with $9,430 in deposits gathered from members of the Independent Order of St Luke, an AfricanAmerican benevolent society. The order had been formed after the Civil War to take care of the sick and cover funeral expenses of members in exchange for small monthly dues. A teacher, who became the wife of Armstead Walker Jr, a building contractor, in 1886 and
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mother to three boys, one of whom died in infancy; Maggie had been active in the order since girlhood. At the turn of the century, she became its executive secretary and realised that its membership was dwindling. Through hard graft she reinvigorated the institution, building its national membership to 100,000 and even went on to found the St Luke Herald newspaper. Maggie found that in regard to finance and investments, white-owned banks did not want to take deposits from a black organisation. Vernard W Henley, chairman and chief executive officer of Consolidated Bank & Trust Co - the current name of the bank she started said, “White bankers' reluctance gave her the idea to start a bank, which would be the order's financial arm.” She said, “Let us put our money together; let us put our money out at usury among ourselves, and reap the benefit ourselves." Her speech to members of the Order in 1901 speech ended with, "Let us have a bank that will take the nickels and turn them into dollars." African-Americans realised that there was a necessity to accumulate wealth and the subsequent benefits of collective financial security particularly after the Civil War; which offered 180,000 African-Americans an opportunity to serve ‘their country’ and make a steady wage. It was an opportune time for learning thrift and so the first military bank - the Free Labor Bank - was organised to provide financial services to African-American soldiers; freed men, some who owned land and others who worked on government-seized plantations. The Free Labor Bank, the first military bank, was established in 1864 by General N P Banks in New Orleans. Its remit was to provide a secure Black Heritage Today 2011-2012
repository for those black, Civil War soldiers and formerly enslaved persons. Two other sites were opened in South Carolina and Virginia, where a large number of African-American soldiers were stationed. The soldiers deposited a portion of their pay, which was saved for a relative or for the soldier's use at a future date. Sad to say, many of the soldiers did not understand how banks worked and they left nearly $200,000 unclaimed in the bank at the end of the war. The government used those funds as seed money for the Freedman's Savings and Trust Company, which followed and laid the groundwork for black capitalism in America. This gave black people a vehicle in which to learn about and participate in the business of banking, and reached all classes of the community so that everyone could learn the valuable economic lessons of being industrious, seeking employment, saving their money and getting homes. In 1865, the Freedman's Savings and Trust Company - popularly known as the Freedman's Savings Bank - was created by the US government to encourage and guide the economic development of the newly-emancipated, AfricanAmerican communities in the post-Civil War
enabling the bank to exert a strong, positive economic impact on the community it served. Just four years after it opened, its deposits had grown to over $300,000 and, during the Panic of 1893, the bank rode out the tide and was able to honour every obligation on demand. Capital Savings Bank helped many African-American businesses and property owners until it closed in 1902. African-American churches and fraternal organisations built further on that foundation by serving as pooling places for the capital needed to open a bank that was sensitive to the needs of the African-American community. Between 1888 and 1934, over 100 black banks were established and the number of black businesses increased from 4,000 to 50,000. Two years after Maggie’s “nickel to dollars” comment, St Luke Penny Savings Bank was formed (1903) with Maggie as its president.. By 1913, assets had grown to over $300,000, and she presided over the flourishing black community of Jackson Ward in Richmond, sometimes called the Harlem of the South. It was home to five other black-owned banks and scores of other AfricanAmerican-owned businesses. "She made loans to black businesses, she made loans to students, she
"I think what she had in mind was that African-Americans ought to help themselves, and they ought to provide the opportunities for employment and development" period. It closed in 1874, but the company had achieved notable successes as a leading financial institution of African-Americans. For several years, the company remained stable and operated well but in 1870, the company's new management encouraged the US Congress to change the policy - requiring all deposits to be invested only in government securities. As a result, the bank management began to make more speculative and riskier investments in the stock market and real estate. Poor management, speculation, dubious investments and corruption soon overwhelmed the bank, substantially increasing its debt burden while its assets shrank. In 1874, the US Congress passed legislation authorising the trustees to close the bank - the company was formally terminated. It took fourteen years for African-Americans to rally behind another bank and Capital Savings Bank, organised and operated by AfricanAmericans, was birthed. Based in Washington DC, Capital Savings Bank provided the capital essential to the growth of black businesses, capital that white-owned banks were unwilling to lend. The community proudly deposited its money in Capital Savings Bank, Black Heritage Today 2011-2012
made loans to people to buy houses," says historian Muriel Branch, co-author of the biography Pennies to Dollars: The Story of Maggie Lena Walker. Maggie also set up a weekly newspaper - the St Luke Herald - which she edited, along with a department store that ultimately failed after the white community boycotted it and its suppliers. The name change of Maggie Walker’s bank, was due, in part, to a partnership with two smaller, black-owned banks in 1930. Being savvy, Maggie knew that the best way for St Luke’s to survive was by working together with other likeminded bankers, particularly because blackowned banks went under during the Great Depression. Maggie's bank was renamed Consolidated Bank & Trust. Today, Consolidated has assets of $116 million and the majority of its shareholders, who include two of Maggie's descendants, are African-Americans. "I think what she had in mind was that African-Americans ought to help themselves, and they ought to provide the opportunities for employment and development," says Vernard W Henley, who adds that, “her philosophy is one the bank still upholds.” By Marisa O’Dell
Black Facts & Firsts Many regard Henry E Baker, an assistant patent examine, as "the father of Black-inventor research," because prior to his work no organized body of information about Black inventors existed. Presently the names of seventeen African-Americans grace the National Inventors Hall of Fame. African inventors have received a number World Intellectual Property Organization (WIPO) Gold Medals for their inventions. African-Canadian and African-Caribbean inventors have also received thousands of patents for inventions ranging from agriculture to advanced computer equipment. Only two major companies Carrier and Thermo King manufacture refrigerated units used on trucks, planes, ships and railroad cars. A Black man, Frederick McKinley Jones, originally developed Thermo King's refrigerated devices. Michael Jordan, six time NBA champion, was the first athlete to generate over a billion dollars in advertising revenue through the use of his own image, voice and name. The second athlete to achieve similar status was Tiger Woods. Both athletes have trademarks associated with their names. Pele, Brazilian internationally acclaimed soccer champion, King of Football, winner of three World Cups, has seventeen trademarks associated to his name. Venus and Serena Williams, winners of all the coveted tennis championships, have earned tens of millions in prize money. The Williams sisters have a number of trademarks associated with their names. Adeola Florence Ojo, received patents for the removal of carbon dioxide from gas streams and for identifying zeolites and their use in the separation of nitrogen from other gases. Todd Quincy Jefferson, a video game producer employed by Activision, has facilitated the production of more than twenty video game titles. Christine Nare, received a patent for a formula that derives alcoholic drinks from cereals and fruit. Courtesy of Global Black Inventor Research Projects, Inc., publishers of Black Inventors, Crafting Over 200 Years of Success. www.globalblackinventor.com
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UK Campaign
Save
Campaign (STAC) A meeting place, a cultural beacon and an iconic landmark in the centre of London for more than 40 years, the Africa Centre came under threat in early 2011, but a collective of concerned supporters have come together to fight for its life. t was there that Archbishop Desmond Tutu and Thabo Mbeki hung out in the bar; where Wole Soyinka lectured on African literature; where Alice Walker read from her new novel The Color Purple; and where Jazzie B held Saturday club sessions that led to the formation of Soul II Soul. The Africa Centre (Covent Garden) has a long, and distinguished history, but not enough kudos it would appear to stop the powers that be trying to sell it off to retail development. Earlier this year, news leaked that trustees declared that it was too expensive to maintain. There was no consideration towards what it meant to people of African heritage, but since 1964 when it was opened by Kenneth Kaunda the Africa Centre has been a place for debate, in-depth research, discussion and dance. It is a building Tutu described as belonging "to all who are Africans, and all those who have a care for the interests of the continent and its people". Today the centre is a shadow of its former glory and stands at a crossroad. On the one hand is a proposal by the trustees to sell up and find a more suitable building; on the other is a £12m scheme to breathe new life into it. The campaign to ‘Save the Africa Centre’ has grown momentum since the news broke earlier this year. Hadeel Ibrahim, daughter of Sudan-born mobile phone billionaire Mo Ibrahim and who runs the philanthropic foundation of her father, spearheaded the campaign to save the centre. Recalling her visit to the centre two years ago, she said, "I was amazed that this wonderful building and asset for the community was nearly derelict. It was, to all intents and purposes, shut.” The centre has been at the heart of political and cultural activity in London. It is a building which reflects the history of the continent in perfect symmetry. A spokesperson for the Save The Africa Centre campaign said, “A strong statement
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has been made to both the trustees of the Africa Centre and Capital and Counties that they may want to collude in secret, and take decisions in dark places but the light of this community and the media is shining on them.” An emergency meeting proposed a motion co-signed by Tutu and Ghanaian architect David Adjaye for a stay of execution. The trustees gave Hadeel, who will not give up until all other avenues have been exhausted, six weeks to come up with a redevelopment scheme, a sustainable business plan and funding.
Hadeel said the building's proud past and future potential could not be underestimated. "As far as we can see it is the only post-independence, post-liberation African heritage building in the western world. I am astonished English Heritage and the National Trust have taken no interest in this building, which is pretty much all we, as an African community, have. It is a place imbued with incredible history and it just feels important, even when it's dusty and derelict." She recently uncovered Adjaye's plans for a £6m redesign of the building and a promised £3.6m of the £12m they want to
raise. He is proposing a complete restoration of the Grade II-listed building, including opening up unused space. "It really is a big building but most people only know the ground floor," he said. "There is a fantastic basement, which is under-utilised, and fantastic spaces up above, which need to be refurbished.” Adjaye’s proposals includes spaces for art exhibitions, club rooms and film screenings so that the building becomes a full centre, not just something on the ground floor for dances. “It’s the type of building that should have a blue plaque,” said Adjaye. "It has been very important to my generation and the generation before me. It’s an incredible heritage." STAC have also submitted a formal application to UNESCO for the protection and conservation of the Centre in central London’s Covent Garden district as a building which, during almost 50 years of freehold ownership by the charity, has been the destination hub for a definable community, making it a significant and irreplaceable cultural asset for all Africans and those interested in Africa globally. The campaign members have also recently conducted a survey of petition signatories ( http://www.surveymonkey.com/s/G2YX23J ) in an attempt to establish the most valuable benefits of this arts and cultural trust. More recent news is that the trustees have appointed an independent consultant to “review the alternative investors’ proposal submitted by the Ibrahim / Adjaye team on 12 August 2011,” says a spokesperson from the campaign. “We believe the consultant is to review the proposal against the trustees’ own stated aspirations to sell 38 King Street and move to an, as yet still unconfirmed, For more info email: savetheafricacentre@gmail.com or visit: http://savetheafricacentre.com/author/sa vetheafricacentre/ Black Heritage Today 2011-2012
58 – 60 Lewisham High Street, London, SE13 5JH Tel: 0208 297 7933 / 0203 384 1389 M: 078 107 16130 or 079 039 14320 E: info@simonbethel.co.uk www.simonbethel.co.uk
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YOUR JOURNEY IS OUR PASSION
International Campaign
African leaders: stand up and provide A British minister recently unveiled a £25m government package to help famine-hit East Africa, but there is a call for Africa to provide for Africans and to cease looking elsewhere for aid.
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p to twelve Pan African networks have added their signature to a call for African governments being made to provide at least US$50 million in emergency funds for the worsening food crisis in the Horn of Africa. The new report, by the “Africans Act 4 Africa” campaign, states that the response from African leaders has so far been much too little and much too late, the report said, and called for better African leadership on the crisis. The campaign brought together activists, celebrities, civil society and the general public from across the continent, pressure African governments to make sure this is “the last famine of our lifetimes.” Leading Kenyan singers and celebrities, including Sauti Sol, Nameless, Juliani and Sara Mitaru, have added their voice to the cause. However, the African Union has so far pledged only $500,000 for the aid effort, and most key governments have pledged even less or nothing at all. The aid response still faces an overall funding shortfall of $1.4 billion. The new report is the first time that there has been a breakdown of how much every African state could contribute, and it called on Algeria, Egypt, Nigeria and South Africa to lead the way. “African citizens have already rallied to the cause and made significant contributions. But now we need African governments to follow their lead. Most are yet to make a decent contribution and show the true meaning of ‘African solutions to African problems’,” said Irungu Houghton, Pan African Director of Oxfam International, one of the signatories to the report. “Every time an African citizen dies in this crisis, the ideals of the African Union are dealt a fatal blow.” Whilst the new report stressed the scale of the challenge facing Africa today it also highlighted that conflict and decades of marginalisation has made the crisis worse and that some of the worst affected areas have endured decades of economic under-development. Sara Mitaru, one of Kenya’s foremost artists rallying other African artists to the cause, said, “We need to ensure a food independent Africa. We cannot be truly independent until we are certain that no
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African citizen can starve to death again. This crisis was wholly preventable. It is symptomatic of a failure to address the root causes of food insecurity in the region. It is incomprehensible that in 2011 anyone should die of starvation. Drought may be inevitable in this region, but it is not inevitable that people starve to death.” Governments are being urged to provide emergency aid now and act to tackle the underlying causes of the crisis. The campaign called on African governments to keep their promises to guarantee basic services, infrastructure and economic opportunities in affected areas.
Irungu Houghton - Oxfam
The report called for measures such as supplying cash in many places rather than food aid; ensuring equal land rights for women; supplying seeds and tools for small-scale farmers; and ensuring pastoralists have access to grazing land. $50 million is the bare minimum our governments can provide for a crisis of this magnitude, the report said. African governments have given money in the past to support aid efforts after earthquakes in Haiti and Japan, but Africa has yet to act decisively on the current crisis in the Horn of Africa. Kenyan artists and celebrities have recorded video messages to get behind the campaign: http://www.youtube.com/user/Afric ansAct4Africa Black Heritage Today 2011-2012
Black Heritage Today 2011-2012
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Feature
Finally an arlier this year the painting of Ayuba Suleiman Diallo as a young man, by William Hare of Bath, was recently on display at The National Gallery in London. The slave trade was in full swing with most black people looked upon as nothing more than human commodity. Also known as Job Ben Solomon, Ayuba, was regarded as a key figure in standing up for the moral and human rights of black people during a time of great oppression. However, what was not known about Ayuba was that he himself used to sell slaves. Ayuba, raised in the eastern region of present-day Senegal, was a learned man from a prominent Muslim family in West Africa. His grandfather had founded the town of Bondu and his family was wealthy. An important fact about Ayuba’s life is that slavery was widely accepted in the mideighteenth century among both Europeans and Africans. For Ayuba handling slaves was a part of his lifestyle. The irony is that in 1730 Ayuba became a victim of the ever-growing slave exploitation of the Senegambia region; where he and his interpreter had ironically gone to trade slaves and paper. On their way back they were captured by invading Mandingoes. The invaders shaved their heads to make them appear as war captives because enslavement through captivity was legitimate; as opposed to the actual condition of people captured in a kidnapping raid, for the specific purpose of selling slaves for financial profit. Ayuba was sold to Europeans and taken to Maryland. In 1731 he was put
Equal...
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His portrait became the earliest known British oil painting of a freed slave that served to honour an African subject as an individual and an equal. But there was so much more to Ayuba Suleiman Diallo.
to work on a tobacco plantation where he was kept for almost a year. He shared the experiences of many enslaved Africans, and like many of them he attempted to run away. In 1733 he was purchased
by James Oglethorpe, of the Royal Africa Company (RAC). He proved himself such an asset that he was sent to London to work for the Company. Ayuba, by his own resourcefulness, and
complemented by a series of favorable circumstances, took the opportunity to make contact with Thomas Bluett, a lawyer whom he had met on route to London, who had been impressed by his ability to write in Arabic Thomas and other sympathizers who had met Ayuba collected money to purchase his freedom in the form of an official document made and sealed by the RAC. Now with his freedom having been bought Ayuba felt much more at ease. He worked for Hans Sloane using his newly acquired ability to translate Arabic into English and conducted himself in a way which attracted high society and intellectually minded people, who recognised his intelligence and high moral standards. In fraternising with London’s elite, including the royal family and the Duke and Duchess of Montague, he obtained many gifts and made new and prominent alliances. Ayuba finally managed to return to his homeland. By then his father had died and one of his wives, presuming that he had perished, had remarried. His homeland was ravaged by war, but being a prosperous individual, he was able to regain his old lifestyle. Ayuba died in 1773 at the age of around 72. The painting of him shows a man of intelligence, character and compassion. It provides a rare insight into the emergence of more tolerant values in Britain during the Enlightenment. Ayuba Suleiman Diallo’s memoirs were published by Thomas Bluett in both English and French in 1734. Their pages give readers an important, lasting insight and understanding of West African culture and black identity. By Patricia Arthurs Black Heritage Today 2011-2012
Who said we can’t keep a secret? Did you know 2011 was a Year Dedicated to People of African Descent? No? Neither did we! he theme in many London boroughs for Black History Month 2011 is 'Africa Calling', which has been chosen to mark the United Nations International Year for the People of African Descent, However, someone forgot to tell the nation. If bulletins went out, then they were not enough because not many people knew this year was their year and that the main objective of the year was to raise awareness of the challenges facing people of African descent. Officially launched on Human Rights Day in December 2010, the hope was that
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Black Heritage Today 2011-2012
the year would foster discussions that in turn generate proposals for solutions to tackle those challenges. Navi Pillay, UN High Commissioner for Human Rights, explained, “This International Year offers a unique opportunity to redouble our efforts to fight against racism, racial discrimination, xenophobia and related intolerance that affect people of African descent everywhere.” Citied, was the need to strengthen national actions and regional and international cooperation to ensure that people of African descent fully enjoy
Navi Pillay
economic, cultural, social, civil and political rights. A coalition of civil society organisations formed to promote the Year have apparently held memorials, seminars, cultural events and other activities around the world to mark this Year, and raise awareness of the contribution of African descendants to our world heritage. Unfortunately, many of them seemed have been the best kept secret.
By Patricia Arthurs
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Feature
Your Placée… or mine Co-habitation, whereby women of colour were ‘placed’ with foreign men to satisfy their needs was common practise during the colonial 18th century. Monika Francisco-Ribeiro explores how some women used it to their advantage and went on to become some of history’s first black female entrepreneurs.
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uring the reign of King Louis XIV when France and Spain sent their men overseas to plantations far from the cities, the women of their homeland were often unwilling to sacrifice their creature comforts and follow them into unknown territories, such as those in Louisiana. While the authorities of both countries needed the colonial population to grow, they were equally desperate to keep their men happy, so they turned a blind-eye to their countrymen fraternising with the local female population. Subsequently, it became normal practice for white French and Spanish men to pick the dark women of African, Asian, or Creole descent for their lovers. These women became known as placées, Of French origin and deriving from the term ‘plaçage’ and ‘placer’, which meant ‘to be placed with’, a ‘placée’ describes a female of colour who, during those times, was placed with a white French, Spanish or Creole male. In effect, a common law marriage. The system flourished throughout the French and Spanish colonial periods, apparently reaching its peak between 1769 and 1803; and drawing most of its fame and notoriety from its open application in New Orleans. By 1788 – 1,500 Creole placées were being maintained by white men. Placées were there to fulfil sexual duties, and to produce children. It was not uncommon that girls as young as twelve were taken as mistresses with or without their consent.
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Some of them were trained by their mothers for the purpose, while some were just chosen for their beautiful ebony bodies…and immature minds. Religious and social activists, instead of confronting the practice itself expressed their anger and opposition towards it by discriminating against placées and treating them as common prostitutes. When the services of their ‘coloured wives’ were no longer necessary; the men would often dispose of their placées and simply marry women of ‘their kind’. Marriage between the races was forbidden according to the Code Noir (Black Laws), which forbade black people from marrying and which has been described as "one of the most extensive official documents on race, slavery, and freedom ever drawn up in Europe”. However, some of the ‘husbands’ grew fond of their placées and would not put them or the mulatto children they produced together aside, even after they legally took ‘respectable’ white women as their wives. This resulted in them minding two families at the same time. One for the eye and the other, it would appear, for the soul. Some of the men even went to an extent of naming their placées and the children from this liaison as primary heirs over their white family members. Some white fathers chose to quietly and carefully “place” their mulatto daughters. One of those relationships was highly successful. Eulalie de Mandéville and Eugène de Macarty, who being fulfilled in their
Placee Yucca historic landmark Black Heritage Today 2011-2012
relationship, never married outside of it. Their union resulted in five children and lasted almost fifty years. Eulalie de Mandéville de Macarty, who died in 1848, ran a dairy and became a relatively successful merchant. Upon the death of a patron and lover placées could, at times justifiably and legally challenge and successfully win a claim for up to a third of their ‘husband’ property. But often placées, after being disposed of, or after losing their patrons without inheritance, or who did not challenge the system for it, had to quickly set aside their pain and focus on fending for themselves and their children. Such was the circumstances of Marie Thérèse dite Coincoin who has become an icon of black female entrepreneurship in colonial Louisiana. Despite being the daughter of African slaves, Marie born at the Louisiana French outpost of Natchitoches, had a good start as a child born into a stable family environment. She was trained in pharmacology and nursing from a child and gained valuable skills which assisted her in gaining financial independence in later life. Tragically, in 1758 both of Marie’s parents died as a result of an epidemic outburst and her life took a different path. Marie became the placée of Claude Thomas Pierre Métoyer, a French colonial merchant (turned planter). Already a mother of five children from a previous relationship which started when she was very young, over the years Marie bore another ten children to Métoyer. In 1778 he freed her after the parish priest filed charges against Coincoin as a "public concubine" and threatened to have her sold at New Orleans if they did not end their relationship. As a freed woman Marie remained with Métoyer for another ten years. There was no happy ending for their relationship though. Having become more wealthy and influential over the years and moving into a certain society Métoyer decided to exchange Marie Thérèse for a white woman - ironically also called Marie Thérèse. To cushion the blow Métoyer gave the mother of his children some unpatented land. Identifying the shortage of tobacco, a valuable commodity in the struggling colony, Marie planted tobacco on the land. With her children she also trapped bears and wild turkeys and sold the meat at the New Orleans market, alongside hide and oil. Drawing on her knowledge of pharmacy Marie also manufactured medicine in Natchitoches Parish, which is at the heart of the Cane River Louisiana Black Heritage Today 2011-2012
Creole community. Marie lived a frugal life in service to others and invested her income in purchasing the freedom for her preMétoyer children, her grandchildren and other youths in the neighbourhood. She also invested in three African-born slaves to provide the physical labour that was becoming more difficult as she aged. After securing a rare colonial patent on her homestead in 1794 Marie petitioned for and was given a land concession from the Spanish crown. There she set up a ranch (667 acres) and engaged a Spaniard to tend her cattle. Shortly before her death in 1816,
Placee with her Maid
“Some of them were trained by their mothers for the purpose, while some were just chosen for their beautiful ebony bodies…and immature minds” Coincoin sold her homestead and divided her remaining properties (including the African slaves, and their offspring) among her own progeny. Marie Thérèse’s daughter Marie Susanne also went on to become a shrewd
business woman. As often happened among the placées’ children, Marie Susanne had also become a placée. Her first union, with a young physician resulted in a son. After the relationship ended she became a placée of yet another – this time for life. Marie Susanne also became a secondgeneration entrepreneur. Even more successful than her mother, she left behind an estate worth $61,600 (equivalent of $1,500,000 in today’s currency) upon her death in 1838. Though no photos of her could be found, the name Marie Thérèse dite Coincoin undeniably brings to memory one of the greatest female entrepreneurship of that era. Similar influence had also been extended throughout the lives of a few of her children who are positively mentioned on the history pages of a variety of contributions especially aimed at the black society. Nicholas Augustin Métoyer, eldest of Marie’s children with Métyoer, founded St. Augustine Parish Church believed to be America’s first church founded by and for free people of colour and what is now the spiritual centre of Cane River’s large community of Creoles who trace their heritage to Coincon. As the 1970’s historical and archaeological investigations confirm conclusively, in 1796 Nicholas’s brother, Louis Métoyer, an educated and successful property owner, was granted the Cane River land, which over the years was believed to have been owned by Marie Thérèse. On this land Louise’s family built Melrose Plantation. Also known as Yucca Plantation the site contains what may be the oldest buildings of African design, built by and for, Blacks in the country. Melrose Plantation and its buildings have been recognized and documented by history. Those buildings include the main house, the Yucca House, the Ghana House, the African House and some outbuildings. The last house with all of its unique features is believed to be one of the eldest buildings of African origin. The Plantation, which currently has daily guided tours, was declared a National Historic Landmark in 1974 and in 2008 was included among the first 26 sites on the Louisiana African American Heritage Trail. The fact that Marie Thérèse’s life was fraught with persecution, rejection and enslavement makes her story even more compelling. The dark moments of her life failed to kill her spirit. Instead they helped to strengthen it, resulting in a birth of another and better story. 19
Columnist
The Black History Bee Terry a O'Neal
Empowering today’s youth through history was one of the reasons author and US correspondent Terry a O’neal started the National Black History Bee. It’s open to all races who wish to take part. For the past two years it’s not been won by black teens. So the question is: Do they care about their history?
he had been up studying during the midnight hours on the night before she would become the 2010 inaugural National Black History Bee champion, one step up from the secondplace title that junior Claire Scheffer of Stagg High School was awarded in 2009. “A week before the competition, I spent at least two hours everyday studying and memorizing black history material,” Scheffer recalled. “Some nights it felt like my head would explode from all the information going in.” For three grueling hours students at Stagg High School in Stockton, CA., battled toeto-toe for championship glory and to be awarded the most
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knowledgeable student of black history. Senior Jessica Sanchez,
role that African-Americans played in the shaping of America since the beginning of time. As I examine this lost generation, I’m alarmed at how our future is growing increasingly dim. There is a solemn shortage of hope and pride festering among today’s black youth. Time and again, the thought-provoking question has been raised: “Why haven’t any black students claimed the championship title of being the most knowledgeable student of their own history?” Black pride once signified the acknowledgment and appreciation of the struggle that our great ancestors
“As I examine this lost generation, I’m alarmed at how our future is growing increasingly dim”
Terry with the Black History Be winners.
who took victory over Scheffer in the 2009 competition, fell into second place in 2010, answering a 20
total of 50 black history questions correctly. Junior Sarinna Sao came in third. After being awarded first place, Scheffer’s peers were proud, yet envious. “They wished they had participated, and I just laughed at them,” she said. “They were all amazed at how much I knew about African-American history being one of the whitest girls on campus.” The program was founded in 2008, when I was astounded by the lack of knowledge and interest that many youth of today showed in black history and culture. The profound unconcern, particularly among black youth, was troubling.
The Black History Bee program is devised to bring a greater awareness of the contributions that people of African decent have given to society and to the world. The intent is to fill in the blanks left in history textbooks and school curriculums about the
endured, and those before us who paved the way for the new generation. What defines “black pride” in today’s young generation has drastically changed since it’s origin in the 1960’s during the Black Power Movement, that Black Heritage Today 2011-2012
encouraged self-esteem, racial pride and empowerment among black people. Derek Moland, 18, a recent graduate of Franklin High School in Elk Grove confessed that his generation lacks discipline and ambition. “We are trying to live our lives as simple and fun-loving as possible,” he explained. Even though Moland is one of the few black youth that was introduced to black history inside the home, he attributes the lack of interest in black heritage and culture to being inherited from the parents. “Asian parents are strict when it comes to education and culture, and they stick together,” he said. Moland admits that he wasn’t a member of organizations like the Black Student Union in high school because “it wasn’t important enough” to him. Like many black males in his age group, beyond academics, their
Black Heritage Today 2011-2012
“Since then I’ve learned that appreciation for the struggle comes with maturity” secondary interests revolved around sports, music and having fun. Black history has been segregated from American history since the first public school in America was established in Boston, MA., in 1635. Today, many students struggle to manage exceptionally heavy course loads and perceive black history education as marginal supplementary material. Moland believed that
participating in events like the Black History Bee in high school presented added pressure to study and put forth effort that he simply didn’t wish to exert. Regretfully, on reflection, Moland recognizes that if he had taken part in such cultural programs, he could have made a great leader. Could it be the method in which the information is being relayed to today’s youth? If it’s not displayed on
the big screen or in the form of hip-hop lyrics many fail to see the big picture. Their fascination with the “here and now” approach obstructs the influential connection between the past, present and future. It is evident in today’s society that racial separation still exists. The struggle that our ancestors fought and died for still remains acute. As painful as it may be to reflect back on the past suffering, unveiling untold truths that smolder behind the scenes of America is necessary to the healthy growth of society. Terry a O’Neal, born in California, is the author of 7 books and screenplays. She is bestselling author of the southern fiction novel Sweet Lavender, and has been named among the most popular African American female writers of our time.
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Feature
Gullah threatened by the 21st century
They managed to hold onto the ways of their forefathers, but now their cultural heritage seem to be slowly slipping away as their Island, untouched by massive development and one of only a few remnants of a by gone era, comes under threat from potential land ‘developers’. Meet the Gullah people. iving in a world where things are constantly changing at an alarming rate - from technology, fashion, attitudes and lifestyles - life seems continually on the move. However, on St Helena Island, in the low country region of South Carolina, for the Gullah-Geechees people time managed to stand still for more than a century. The Gullah are a distinctive group of black people who live in small farming and fishing communities along the Atlantic coastal plain and on the chain of Sea Islands which runs parallel to the coast. Descendants from slaves who worked on the rice plantations in South Carolina and who settled there after the Civil War, they have lived in isolation for generations, maintaining their African culture longer than any slave descendants in America. A proud people whose West African lineage also appears to be a mix of Senegal, Sierra Leone and Liberia, they speak an English-based Creole language that has links to the Jamaican Creole, Barbadian, Bahamian dialect whist retaining significant influences from African grammar and sentence structure. The language contain many African ‘loanwords’ that is strikingly similar to Sierra Leone Krio. Observing Gullah life is like looking through a time tunnel with families quietly living in clusters with women wearing head wraps and aprons, and being industrious they weave African-style handicrafts such as baskets from sea grass, which are then sold to tourists along with carved walking sticks. Maintaining a strong sense of history and tradition, they continue to tell African folktales, use masculine African names such as Sorie, Tamba, Sanie, Vandi, and Ndapi,
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and feminine names as Kadiatu, Fatimata, Hawa, and Isata – all very common in Sierra Leone. The population remains overwhelmingly Gullah in St. Helena and is one of only a handful of the Sea Islands still controlled by black people who own 90 percent of the land and is in control of what happens to it.
by the slaves in the 1700s. Having built some immunity in their homeland, Africans were more resistant to tropical fevers than the Europeans. Unable to cope with the climate and disease the plantation owners regularly left the Low-country during the rainy spring and summer months when fever ran rampant.
So, how did they come to practically dominate this coastline area? History shows that white plantation owners favoured slaves from the traditional rice-growing region of West Africa, also known as the ‘Rice Coast’. Mixed with the African’s ability to grow rice and the warm, semitropical climate of the coastline, which was ideal for cultivation and tidal irrigation, rice became one of the most successful industries in early America. Unfortunately, along with the African’s knowledge came diseases like malaria and yellow fever, unintentionally brought over
Others lived mostly in cities such as Charleston leaving their African ‘rice drivers’, or overseers, in charge of the plantations and slaves whose culture was quite different from that of slaves in states like Virginia and North Carolina, who lived in smaller settlements and had more sustained and frequent interactions with whites. Working on large plantations with hundreds of laborers, and with African traditions reinforced by new imports from the same regions, the Gullahs developed a culture in which elements of African languages, cultures, and community life Black Heritage Today 2011-2012
were preserved to a high degree. More and more enslaved Africans were brought as laborers onto the Sea Islands as the rice industry expanded. In addition, because planters devoted large areas of land to plantations for rice and indigo, the white population of the Low-country grew at a slower rate than the black population. By about 1708, South Carolina had a black majority. When the US Civil War began in 1861 white planters on the Sea Islands, fearing an invasion by the US naval forces abandoned their plantations and fled to the mainland. The Sea Islands were the first place in the South where slaves were freed. Eager to cement that freedom many Gullahs served with distinction in the Union Army’s First South Caroline Volunteers. After the war they returned ‘home’ to grow their families and livelihood. These factors combined almost three hundred years ago produced an atmosphere of geographical and social isolation among the Gullah which has lasted, to some extent, up until the present day. Over the years the Gullah’s have attracted attention from fascinated outsiders including historians, linguists, folklorists and anthropologists. This resulted in media coverage including documentary films, most recently by film-maker Julie Dash, whose film Daughters of the Dust told the story of three generations of Gullah women. Unfortunately the publicity may be to their detriment. During the 60s resort development on the Sea Islands threatened to push Gullahs off lands they have owned since emancipation. The Gullah’s used community action, political process and the courts to fight against uncontrolled development on the island and keep control of their traditional family lands. In the midst of their struggle to maintain their culture they reached out to West Africa during the 80s and 90s by making celebrated "homecomings" trips to Sierra Leone. By 2005 however, they found the tide could not be held back permanently even though they achieved another victory in 2006 when the U.S. Congress passed the "Gullah/Geechee Cultural Heritage Corridor Act" that provides $10 million over ten years for the preservation and interpretation of historic sites relating to Gullah culture. No longer able to live in isolation they find outside forces of modern life seeking to suck them into the mainstream where local traditions are in danger of being replaced in favor of a high-speed consumer driven ‘modern’ society. All along the coast, land that was passed down through generations is being sold and some times stolen as developers seek to create posh resorts like those found on other Islands. Once predominantly owned and occupied by black people, the Black Heritage Today 2011-2012
properties have become playgrounds for wealthy, mostly white vacationers. "This land is valuable to us because it symbolizes freedom,” says Emory Campbell, executive director of the Penn Centre, a cultural organisation on St. Helena Island. “We're the ones who stayed here and withstood the heat, the mosquitoes and the malaria. It hurts to see what happens when highways and streets are paved, access to waterways is privatized and we are blocked out.” Campbell continues, “Most of us don’t believe the land of milk and honey is outside St Helena. Those who bought into that
what role the government might play in saving the Gullahs from extinction. However, federal officials acknowledge it is almost impossible to protect them from intrusion. Some land could be set aside as a national park with crafts and linguistics documented in books and exhibits. "Some people call us land rich and cash poor," says Marquetta Goodwine, a lifelong resident and activist on St. Helena. “We were considered strange people with a strange language,” maintains Delo Washington, a retired professor at California State University at Stanislaus, whose family still owns land on an adjacent island.
"They lived in isolation for generations, maintaining their African culture longer than any slave descendants in America”
There is hope however of holding onto bits and pieces of the culture. Gullah traditions are still strong not only in the rural areas of the Lowcountry mainland and on the Sea Islands but also in urban areas like Charleston and Savannah. Second- and third-generation Gullahs who now live in New York maintain many of their traditional customs and sometimes still speak the Gullah language. They regularly send their children back to rural communities in South Carolina and Georgia during the summer months to be spend time with grandparents, uncles and aunts. Ironically, while outsiders have written much about the Gullah-Geechee people, those who know the culture best failed to write it down. But as in many cultures, oral history becomes distorted, and tragically, as the older storytellers die out, no one is left to furnish the young about their rich cultural heritage. However Beverly John, a sociologist and executive assistant to the president at Chicago State University states, "Culture is a dynamic phenomenon. There is no such thing as it remaining constant anywhere in the world. People often say, 'Show me the Gullah culture.' But culture comes from within. It isn't openly practiced. Therefore, the Gullah culture will survive."
notion, look where they are now. They have been pushed off their island.” Developers are not giving up easily. The Gullah’s farms, fishing holes and sea grass fields that fueled their artistry have fallen victim to bulldozers. Other traces of the culture, such as cooking, medicines and story telling are becoming progressively harder to find. Island historian Veronica Gerald says, "There was a time we owned all of this land. We helped to build this coastal area and we are fighting very hard to keep St. Helena as true to its natural state as possible.” Activists recently persuaded the Beaufort County government to approve a cultural protection overlay district that makes private developments with gated communities, golf courses and tennis courts illegal on the island. Soon the National Park Service will complete a three-year study to determine
By Patricia Arthurs 23
Some people are carrying on the work of the fore-fathers by striving to keep our culture and traditions going in the filed of folklore, arts, crafts and education. And here are just some of the people doing so. We expect this area to grow as more and more Cultural Gems come on board to be listed (presently and for the next year online). If you are a Cultural Gem and you wish to be listed contact: Cbabsmag@aol.com for more information.
Alex Pascall O.B.E
Dionne Ible
A Cultural Strategist who provides workshops, talks, lectures, Talks. He’s a Playwright, Composer, Performer and Cultural ‘Griot’ with extensive knowledge and experience of Black and Caribbean lifestyle in Britain. Email: gvrm@email.com Tel/Fax 02072632334 / 0870 240 4698. Website: www.goodvibes-online.co.uk
Dionne specialises in African Inspired Mosaics suitable for interior and exterior areas. Dionne enjoys using a variety of interesting tiles to give her pieces a unique and bespoke look. She also provides workshops for children and adults, works in schools, clubs and community groups. Dionne is happy to do commissions if you have a particular design in mind. Tel: 07973 717564 / E: qemamu@ymail.com www.qemamumosaics.com
Griot Chinyere
Lesnah Hall
Shanti-Chi Directors, Griot Chinyere and Facilitator of seminars as well as Sista Mena, offer Afrakan Storytelling Interactive Workshops/Presentations on and Spiritual Healing workshops. They African History, Heritage and Culture, to will host The First Afrakan Storytelling children and adults, , including our Festival in Britain during July 2012! treasured elders.. E: info@shanti-chi.com E: kemethealthyliving@rocketmail.com Tel: 07765070042 www.blackmakersofhistory.com www.shanti-chi.com
Amanda Wright Company: Bridge Arts & Culture. Storytelling Adventures (Drama workshops) based around Handa’s Surprise and Anansi Tales E: amanda@bridgeac.com www.bridgeac.com
Artisan Impressions Artisan Impressions is a community of artisans (skilled craftspeople who make things by hand) of African descent. It’s a One-Stop-Shop for African-inspired quality handmade gifts; greeting cards, prints, jewelry, natural skin/hair care products, mosaics, designer clothing Plus Much More! They host a Weekly Cultural Arts & Crafts Fair. www.artisanimpression.com
Neil Mayers Author, 'Old-School' Educator and mathematics consultant with a specific remit to work with underachieving Black students. In 15 years, Neil has only promoted African culture wearing traditional African attire to school. E: info@giftedatprimary.com / www.giftedatprimary.com 24
Kojo Jantuah Provides a storytelling program which highlights personal transformation is experiential and interactive. With a focus on fostering reconciliation, peace, and a positive environment. Tel: 07951 709 602 / E: Kojojantuah@gmail.com
Tayo Fatunla A cartoonist and storyteller who runs cultural workshops and contributes the historical Our Roots page annually for BHM. Tel: 07802 970 511 / Web: www.tayofatunla.com
Black Heritage Today 2011-2012
A Gem Working in the Community old Onyx is a committee-run, selffunded organisation which aims to raise the awareness of the importance of people of African descent, particularly to children. Originally set up in 1992, Gold Onyx sought to engage youngsters in a variety of ways. By using over fifty items focusing on the five senses - sight, sound, smell, taste and touch - she created an interactive package for three- to five-year-old children in nursery and reception classes. The woman behind the Gold Onyx ventures is Jan Edwards aka Lady Leo, who has twenty-seven years experience of working with black and disadvantaged communities in youth work, social work and education settings, and has been a foster carer for two local authorities. “Fostering gave me the opportunity to enable children to experience a warm, stable family environment so that they can have positive memories of their childhood,” says Lady Leo. “We naturally take these memories into our adult life when parenting our own children and I hope the children whom I’ve parented have positive memories of their time with me.” An attendee at many events related to her culture, Lady Leo was prompted to start exhibiting the ‘Island in the Sun Display’ in 2007, with a collection of over 400 items associated with more than 38 countries (African and Caribbean). “We went to three schools based in Enfield,
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Black Heritage Today 2011-2012
With a company name like Gold Onyx you would expect the person at the helm to be dealing in something precious! Well, actually she is… you see what is special to her are the children that pass through her doors. Hackney and Islington. We were able to use their feedback as marketing material that enabled us to gain eleven bookings for 2008 and it has grown from there.” The display is available all year round and focuses on the historical, social and
cultural aspects of home life and items produced by the countries in the display. “Youngsters gain an understanding of items used in the past, whilst elders particularly benefit as it rekindles memories,” says Lady Leo. Even with hobbies and interests that consist of African-Caribbean history, poetry, music, writing, promoting young talent and working to encourage young people to achieve, the energetic community worker and mother of two began organising family outings to places of historical interest relating to African heritage. She also organises the Children’s Cultural Film Club, a monthly forum for children to watch a culturally based film and have a discussion. Lady Leo says
attendees are “welcome to share their achievements, entertain us and inform of their social enterprise. Our sessions are undertaken in a family environment”. In July 2010, Lady Leo was chosen to be part of Black 100+, an exhibition of black achievers in modern Britain. However, the most intriguing question is why is she called Lady Leo? “I tell people that it stands for ‘Let’s Educate Ourselves’, ‘Let’s Elevate Ourselves’, ‘Let’s Empower Ourselves’.” Based in North London Gold Onyx runs seven Community Engagement Projects ‘Island In The Sun Display’, Family Outings, Annual ‘EMANCIPATION DAY’(Aug 1st) Brochure, ‘Island In The Sun Display’ 3 - 5 Years Package, Children’s Cultural Film Club, Interactive Film Workshop, Sing ~Along~ Jamboree. To find out more about the projects and how you can participate and/or give support, call 07946 670 949
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International Focus
Saving the Girl Child Having experienced physical assault of the worst kind for a female, Betty Makoni set up an International Girl Child Network to protect young girls around the world. Black Heritage Today reports
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t seems to be of worldwide knowledge that in many war torn and economic and political turmoil situations, girls are used as weapons of war and in many situations are forced to be commodities of exchange for food. Deprivation exists from the time a girl is born up until she reaches womanhood with cycles of poverty and violence recycled from grandmother to mother to daughter. Whilst they should depend very much on family members and other social systems for protection,
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incidents of abuse, neglect and violence against vulnerable girls is rampant in their home, school and community. Betty Makoni witnessed and endured some of the horrors affecting girls whilst growing up in Zimbabwe in the poor neighbourhood of Chitungwiza. The founder of Girl Child Network (GCN) - established in 1998 and born out of the helplessness and hopelessness of the girl child in Zimbabwe, Betty Makoni has made it her mission to give young women hope via the GCN organisation. The objective is to assist girls in their quest for emancipation. The GCN supports and promotes girls’ rights, empowerment and education by reaching out to and advancing the circumstances of girls wherever they are economically deprived, at risk of abuse. “I witnessed domestic violence in every home around us. It was almost like a war zone,” she recalls. “I became very withdrawn and angry. I wanted to liberate other females in the neighbourhood and joined other girls vending on the streets to help my mother get an income.” Gender discrimination due to attitudes, beliefs and practices is also something Betty regularly challenges, including female genital mutilation and forced sanctioned religious and cultural marriages. Although there has been general verbal condemnation of such gross Black Heritage Today 2011-2012
violations of girls’ rights, there is a lack of concrete and well-coordinated global action at grassroots level to bring acts to a complete stop. Another appalling statistic is the annual estimation of 23 million girls worldwide being raped. In Zimbabwe alone, 70,000 girls were victims of rape during 1998 to 2009. This figure is a very conservative estimate because many girls do not escape to report it. Betty herself is no stranger to abuse. “One night I was raped by a neighbour, but it was not possible for my mother to open up and talk about it. She treated me with warm salt water inflicting more physical and psychological wounds.” On top of the general abuse an estimated 60 million girls in the world are regularly absent from daily schooling as many get married before reaching fifteen years of age. These events, although painful led Betty and 10 other high school girls to establish a girls club to combat the kind of terrible sexual abuse that Betty herself had undergone and that many girls were enduring from teachers, relatives, and even, officials. They marched across the country; organised campaigns to teach girls their rights and built empowerment villages to enable abused girls to heal and support each other. Since its inception it has grown an army of 300,000 empowered girls based in over 700 ‘Girls Clubs’ across the country. They explore topics like leadership, health, abuse and most importantly, rights through story-telling, poetry, drama and singing. “The real impact of my work has been changing the mindset of people. A girl child in Zimbabwe used to be nonexistent, but now she exists,” says Betty. Feeling passionate about the cause Betty relied on her salary as a teacher to set up the GCN along with her husband’s financial input. Giving credit where credit is due Betty adds, “I worked with a team of volunteers like Leah Hodzongi who set up the first girls shelters and worked for free for many years up until now.. One of my student’s parent Mrs Mudzongo helped out with donations whenever I wanted to have a workshop with girls and Violet Kaitano helped with fundraising events. I thank all of them.” Betty also received help from poor villagers who helped construct Girls Empowerment villages for little or no Black Heritage Today 2011-2012
money. “I had Global Fund for women donating along with Firelight Foundation, IDEX. Other donors also came to help. Recently our organisation in Zimbabwe gets help from the Stephen Lewis Foundation. New Field Foundation gave my charity funds whilst in Zimbabwe and they have continued to support even up to now.” Many theoretical papers have been published throughout the world on the issues affecting girls but still, there is a lack of practical measures that ensure there is a complete restoration of dignity in the home, school and community. “There is clearly a lack of political, social and economic will to ensure laws and policies protecting girls are implemented and perpetrators brought to justice,” stresses Betty. The GCN is now a worldwide
girls, knowing that not funding them carries a far greater risk. Now a full time volunteer CEO, giving herself wholly to the Girl Child Network Worldwide and affiliates, Betty also does short term contracts for other women who need training in empowerment. Income though is often a challenge. “I depend very much on the consultancy work I do whenever someone gives me the chance,” she says. Betty left Zimbabwe in 2008. “I got involved in a high profile rape case with an ‘untouchable abuser’ which had serious repercussions,” she explains. “A financial supporter of Mugabe raped a 17 year old girl at knife point. I was accused of being a liar working against Zanu PF. The government infiltrated my organisation through one staff member who caused havoc. They came to my meetings and ransacked our office. A
“The real impact of my work has been changing the mindset of people. A girl child in Zimbabwe used to be nonexistent, but now she exists” acclaimed organisation, that is anchored in many parts of the world, including Swaziland, South Africa, the UK, Canada, the USA, Uganda and Sierra Leone. With sheer tenacity, determination and the will to make a difference, she forged ahead and also created the Girls Empowerment and Education Fund (GEEF), the first ever fund to give financial resources directly to girls rather than adults on girls' behalf. This allows girls in crisis situations, where their futures are at risk, to help themselves. GEEF also provides small grants to affiliates organisations to build aspiring girls empowerment clubs and self-help projects. GEEF exists to meet the needs of these girls. GEEF provides seed grants so girls can initiate projects that have no other source of funding. Any new endeavour involves risk, and GEEF is proud to take the risk of funding these
sympathiser within the government tipped me off to leave.” She now lives in England with her husband and three sons. It hurts her that she is unable to travel to Zimbabwe for fear of persecution, as a result of daily threats received, even through Facebook. GCN Zimbabwe has been left in the capable hands of her trusted team. To sum up she says, “From our lived experiences, we have so many practical ways to support the empowerment of girls in the home, school, and community. We want a new breed of girls who will walk in the fullness of her potential.” To find out more about the GCN visit www.girlchildnetworkworldwide.or g / www.muzvarebettymakoni.org Anyone wishing to donate (just £1) can do so through: Vodafone GCNW22 £1 By Folashade Bello 27
international Focus
From
Gun to MIC e’s not your run-of-the mill rapper. Not for him was the route of being on the streets or hanging with a ‘crew’ who simply loved to ‘spit’. No, Emmanuel Jal came via a war zone, and he was just eight years old when he picked up his first gun. In his own words he poignantly reveals: "I didn't have a life as a child. In five years as a fighting boy, what was in my heart was to kill as many Muslims and Arabs as possible." Even though Emmanuel does not know when he was born (in the village of Tonj in Southern Sudan), many “opportunities to die” have come his way. He was a little boy aged around seven when civil war broke out and his father
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“The training wasn’t easy, but I wanted revenge for my family and for my village. That was the driving force.” 28
Over the years many people in a variety of countries have, from the comfort of their settees, shaken their heads and gasped in horror at the plight of boy soldiers. Black Heritage Today speaks of one who traded his AK-47 for a mic and a pen. joined the Sudan People's Liberation Army (SPLA), becoming a commander. Emmanuel survived his village burning down, seeing his aunt being raped, his brothers and sisters scattered and his mother killed by Sudanese soldiers. Believing he could get a much desired
education in Ethiopia, he joined thousands of children travelling there. However, the destination turned out to be a prison. The children were led to an Ethiopian bush, recruited by the SPLA and consequently placed in military training camps. Disguised as a school in front of international aid agencies and UN representatives, the camps were an invisible academy where they were taught to kill. “Instead of learning how to read and write, I was learning how to fight. The training wasn’t easy, but I wanted revenge for my family and for my village. That was the driving force.” Having spent several years fighting in the Ethiopian war, the child soldiers were forced back into Sudan where they were to join the SPLA in the town of Juba in their fight against the government. But no longer able to bear the suffering of being a child soldier, Emmanuel and about four hundred other children decided to escape. Only sixteen “lost boys” as they came to be known later survived the Black Heritage Today 2011-2012
Life is for living, come and discover how you can live a victorious life at Victory to Victory Church. We meet every Sunday at 11.00am and every Wednesday at 7.30pm at Oakington Manor Oakington Manor Drive Wembley HA9 6NF
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journey. Some shot themselves, some starved to death, and others were killed by disease or wild animals. Dead bodies were at first used as prey to attract animals so that the children could eat. When the animals stopped coming, cannibalism ruled in the camp. It was their only means of survival. The lowest point in Emmanuel’s life was when he announced to a dying friend that he was going to eat him the next day. “His (the friend’s) eyes were just cold and I was waiting for him to die, then I’d eat him,” says Emmanuel. When he grasped his dead friend’s hand with saliva coming out of his mouth, the young boy found the strength to take a moment to pray and furthermore, give God time to respond as he struggled with what he knew to be his only means of food. Out of nowhere “a crow came flying in very low “as if sacrificing itself to be eaten” and the starving boy pounced on it. “God made that crow lose its mind,” states Emmanuel. From that day on more animals made their way to the camp saving the boys from starvation. After three months of walking, the children who remained alive finally reached the headquarters of a small group, which had separated from the main SPLA. It was there, in a small town called Watt where Emmanuel met Emma McCune, a British aid worker who insisted that the 11 year old boy should not be a soldier. Adopted by Emma, he was smuggled into Kenya where he began attending a school in Nairobi. Sadly, Mrs. McCune died in a road accident soon after, but, with the help of her friends (Madeliene Bunting and Anna Ledgard), Emmanuel was able to continue his studies. "When I was first rescued, I still wanted to kill,” recalls Emmanuel. “Things changed when I discovered the truth. What was actually killing us wasn’t about the Muslims or the Arabs, it was somebody sitting somewhere, manipulating the system and using religion to get what they wanted, to get things from us which was the oil, the diamonds, the gold, the land.” Determined to equip himself with knowledge Emmanuel started reading the Koran and the Bible. He also joined the church and sang in the choir. “Singing helped me heal when I turned to God. It washed away bitterness, the anger in my heart... I changed.” Singing helped him deal with the pain of his troubled past. "In Kenya I got into rap. I didn't understand the history, but I enjoyed listening to rap because it was shocking,” says Emmanuel. Emmanuel’s lyrics at times were equally harsh, but rather to raise 30
awareness, than contention. Believing music to be “the only thing that can speak to your mind, your heart and your soul without permission” he used his music as a vehicle to express his story, unite fellow citizens to overcome ethnic and religious division, motivate the youth in Sudan and to lobby for political change. Eventually his music, which also incorporated hip-hop, made its way to England and to the rest of the world. His first single ‘All We Need Is Jesus’, was a hit in Kenya and also in the UK. Strongly African in sound, Emmanuel’s first album was ‘Gua’. A mix of rap in Arabic, English, Swahili, Dinka and Nuer, it illustrated the desires of the Sudanese people to return to a peaceful, independent homeland. ‘Ceasefire’, his second album seemed to be symbolic of two parts of a divided nation learning to trust each other again. It included a re-recording of Gua in
collaboration with the well-known Sudanese Muslim musician Abdel Gadir Salim, who had also endured unimaginable adversity. Encompassing four different languages, it brought together different music traditions, opposing sides of the conflict and established a common ground in their wish for peace in Sudan. Ceasefire represented a vision for the future, as two Sudanese men, a Christian and a Muslim, unified and paved the way to overcome differences peacefully. Emmanuel’s third album ‘War Child’, with its dance hall overtones, powerful English lyrics, and painful emotion, mixed rap with soul to produce a world music vibe. It was released by Sonic360 Records
in the UK in 2008. "I'm a war child,” asserts Emmanuel. “I believe I've survived for a reason… to tell my story, to touch lives.” Emmanuel’s unique brand of hip hop, layered with African beats led him to be considered one of the rising stars in the world music scene. In 2005, he was awarded the American Gospel Music Award for best international artist, on par with the likes of Coldplay, Gorillaz, and Radiohead. His music was used in three episodes of ER, the National Geographic documentary ‘God Grew Tired of Us’. His tracks were also be heard in ‘Blood Diamond’ starring Leonardo DiCaprio, and plays a part in The Amnesty International Campaign to Save Darfur’ alongside U2, REM and Lenny Kravitz. Raised by violence and cheated out of a childhood, Emmanuel wants to help protect other children. He founded “Gua Africa”, a charity whose objectives are to build schools, provide scholarships and sponsor education for Sudanese refugees, and the neediest children in Nairobi. Whilst he welcomes help from other nations Emmanuel says, “Education enlightens your brain and gives you a chance to survive” and insists that an entire generation is being eroded “if you only give them aid.” He says, “If anybody wants to help us this is what we need: give us tools.” One of the building projects, a school in Leer (Southern Sudan) is in honour of Emma McCune whose life Emmanuel celebrates regularly. He also actively raises money for local street children and refugees and is a spokesman for the campaign “Make Poverty History”, the Coalition to Stop the Use of Child Soldiers and the Control Arms campaign; Emmanuel spreads awareness about current slavery and human trafficking. Often described as a gentle mannered, friendly young man, Emmanuel’s voice rises from hellish origins as a beacon of hope for those caught in seemingly endless cycles of war and despair. His is a difficult story set amidst rebellion, famine and global apathy that reflects the suffering of the people whose blood is shed mercilessly - in the name of freedom. This voice demands attention. Fuelled by pain mixed with hope and passion, it cuts through to the soul. “I still think like a soldier,” he admits. “We won some battles, some battles we are still fighting.” Emmanuel Jal’s latest LP, 'See Me Mama' is out now. www.we-wantpeace.com
By Monika Francisco-Ribeiro
Black Heritage Today 2011-2012
Black Heritage Today 2011-2012
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Education
The Everyday Heroes The social unrest seen in the UK during the summer of 2011 brought to the fore the need for positive role models with whom young people can identify. There is clearly a need to learn lessons from the careers of successful black professionals. uring Black History Month (BHM), as schools look for ways to celebrate black success, there is an urgent need to showcase role models that today’s young people can identify with and to highlight careers that are realistic and achievable, according to Frances Mensah Williams, CEO of HR and Training consultancy Interims for Development Ltd. and editor of online careers publication, ReConnect Africa.com “While the arguments rage on about the causes of the summer riots, some things are self-evident,” says Frances who has a successful track record of guiding black professionals into achieving their career aspirations. “We have to reach out to young people who see no future for themselves. Instead of just telling them what they are doing wrong, we need to also be showing them what they can do right.” Her book, Everyday Heroes: Learning from the Careers of Successful Black Professionals came about because young people are often unaware of the kind of careers they can aspire to. “Black youngsters, in particular, can feel intimidated about joining professions and, as a result, can end up setting their sights very low. Yet the truth is that we have so many successful black professionals in Britain who are a great resource from which young people can learn,” says Frances. Famous names are often cited when the question of black role models arises and, according to Williams, this is part of the problem. “When it comes to black role models, there seems to be a limited range of names and occupations that crop up,” she says. “But the fact is that relatively few young black people are going to end up as premier league footballers, famous singers or successful athletes.” Focusing on famous black people as role models can prove counter-effective, agrees Henry Bonsu, a former BBC
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“We have to reach out to young people who see no future for themselves. Instead of just telling them what they are doing wrong, we need to also be showing them what they can do right.” journalist and now a presenter and broadcaster with Colourful Radio and Vox Africa. “This is not the first book aimed at raising the aspirations of African/Caribbean children, but where it differs from most is that it takes "success" away from the
realms of celebrity, and grounds it in the reality of those unsung heroes all around you. So let's stop expecting Trevor Macdonald, Diane Abbott or Rio Ferdinand or Lewis Hamilton to inspire our children, and point out some everyday heroes closer to home; because in my experience, they usually bring more sustainable results.” Everyday Heroes is a collection of interviews with professionals from different careers including law, accountancy, music, publishing, medicine, banking and architecture. In a practical, easy-to-read format, the ‘everyday heroes’ talk about what it takes to succeed in their careers, their own influences and the life lessons they have learned along the way. The book also includes a number of projects and exercises to help readers assess their own skills and identify potential career routes. By shining the spotlight on what she calls “the quietly successful” professionals, Frances aims to redefine the meaning of success for today’s youth who are bombarded with messages that focus on money and fame. “I think it is important to stress that achieving success involves working hard and being committed to doing something you really like and what suits your skills and personality.” “Young people really need guidance to understand that they can be successful simply by understanding their own skills and talents and applying them with integrity to whatever career they choose to undertake. My aim is for today’s generation of black youngsters to not only feel inspired but to aspire to professions that will give them better and more sustainable opportunities in life.” Everyday Heroes: Learning from the Careers of Successful Black Professionals (ISBN: 978-0-9569175-08) By Frances Mensah Williams, is available through www.everydayheroes.co.uk and Amazon. Black Heritage Today 2011-2012
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Black Heritage Today 2011-2012
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We at Imperial College London think studying for a degree at the College is something special. But don't just take our word for it - we've asked members of Imperial College's African Caribbean Society to tell us what it's like to learn from world class experts, access cutting edge facilities and have London's opportunities on their doorstep. THE FACTS Imperial College London is a science-based university with an international reputation for excellence in education and research. We are consistently rated one of the best universities in the world. We attract over 2,000 new undergraduates each year from more than 130 countries. The impact of our undergraduates is global, from building the cars of the future to helping with health reforms in Africa and researching microgravity at the European Space Agency.
In the 2010-11 Times Higher Education world university rankings, Imperial received the top score of 100 points which put it amongst the most popular institutions in the world for employers to recruit from. ENTERPRISE CULTURE Imperial College Business School is one of Europe's top business schools for innovation and is underpinned by a dynamic enterprise culture (89 established equity holdings in spin-out companies). Together, Imperial College London and its Business School provide a world-famous academic platform, a living entrepreneurship lab and an invaluable network of proven expertise and experience. APPLICANTS PER PLACE The university receives around six applicants per place each year.
TOBI ISAAC OBISANYA APPLYING TO IMPERIAL All departments attach considerable importance to the report of the academic referee. This can play a major part in deciding whether a candidate is called for interview and in determining the level at which a conditional offer is made. BURSARY Imperial is pleased to offer Study Support Bursaries of up to £3,500 to new undergraduate students. Bursaries are available for each year of your course up to a maximum of four years. Bursaries do not need to be repaid. Imperial also has a number of scholarships open to students ranging from £1,000 – 5,000 per academic year. EMPLOYABILITY Imperial is one of the five universities most often targeted by Britain’s top graduate employers, according to the High Fliers Survey 2011. It’s graduates are some of the most employable graduates around. The average starting salary with a Imperial undergraduate degree is around £26,914
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3rd Year Medical Student. Studying at Imperial has been life-changing. There’s this whole clout that accompanies studying here which goes something like: “You will not have a social life & you’ll be stuck in a research job in some dark lab somewhere for the rest of your life…” As a direct result of me being at Imperial, I have performed in and help to organize the UK’s biggest ACS cultural show, AFROGALA. I’ve also performed on big stages with Imperial’s Gospel Choir and I’m now music director. I have learnt a bit of Spanish, I’m taught everyday by world leading medical researchers and can follow my passion of contributing to the field of global health. London is simply the place to be, with different live events happening every day, tons of places to see, eat at and socialize in that are all so close and accessible. But most importantly all the diverse and very talented people from all around the world that you meet and study with make living and studying in London the life changing experience it is!!
Black Heritage Today 2011-2012
OSAMUDIAMEN (OSAS) OMOIGIADE 3rd Year Materials Student Why did you choose to apply to Imperial? The funny thing is I hadn’t planned to apply to any universities in London. I wanted to get out of the ‘London bubble’ and really experience independent life. However, my older brother implored me to apply to at least one in London. When I was in year nine I was involved in an engineering workshop at Imperial that I had really enjoyed and so when considering London universities it had a friendly familiarity reminiscent of good memories I had. After doing some research into what structure they offered on my course, I was sold and Imperial quickly became my number one preference. It’s been amazing ever since. Moral of story – don’t limit yourself – seriously you might regret it. How hard was it to make the transition from school to university? My degree is fairly maths based, and so it was at first overwhelming to get my head around the nomenclature and syntax, however after making a few more friends it got a lot more do-able. I took advice from friends in years above and worked closely with my mates in my year which made the transition smoother and enjoyable.
NATALIE ANSUHAMPONSAH 2nd Year Medical Student I chose Imperial because I wanted to go to a world class Uni. At first, I was a bit apprehensive about being around people, with what some might say, come from a more ‘privileged’ background. However, I had nothing to worry about. The Medical School in particular is very warm and supportive and the older years and tutors really look after the freshers. I have definitely enjoyed myself by joining societies such as the ACS, where I mingle with people from my own background whilst eating Jollof rice! I also participated in Afrogala, the annual ACS performance and the highlight of my year. My advice for Year 13s would be if you have the grades and the talent, then GO FOR IT! Nothing should stop you from applying to a place such as Imperial.
Black Heritage Today 2011-2012
EMMA AMOAFO 3rd Year Medical Student Moving to London from a small town in Hampshire was daunting but to study at one of the best universities in the world made the move absolutely terrifying. London's no-nonsense pace, its polluted air and its hectic underground took getting used to, but I think studying in London is amazing. Living in such a diverse city provides many opportunities to get away from university and appreciate life outside of your degree. Early on, lectures feel unbearable, assignments seem impossible and everyone in your year appears far more intelligent than you. But these apprehensions fade with time, as you embrace the challenges and excelling means so much more. The Imperial experience; it's a special one. It teaches you to be confident in yourself and to strive for the best.
SIAN MITCHELL 3rd Year Medical Student Why did you choose imperial? I was certain that I would be receiving one of the best educations possible. Being taught by world renowned lecturers, combined with the opportunity to live in the plushest area in London and the very generous and helpful grant system that imperial has established confirmed my choice. Initially the transition from school to university was very difficult. Adjusting to the different style of teaching was indeed one of the greatest challenges. However, I also found being surrounded by so many “intelligent” people rather daunting and at first, a major knock to my confidence. Having said this, as we progressed through the year, I really began to enjoy my time at imperial and would not have chosen anywhere else. Joining so many societies and making an effort to get involved with university life helped along with the well knitted tutoring system and the willingness of other students to help in your times of need.
INFORMATION For information about visiting applying to and studying at Imperial College London, go to http://www3.imperial.ac.uk/ugprospectus
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Education
New Pioneers in School Interventions Neil Mayers and Tony Warner are two leading educational consultants with contrasting methods for raising pupil achievement. Black Heritage Today sent Floella Watson to meet them. Now that can’t be normal! I remember clearly, that was my first thought the first time I saw Neil Mayers three years ago. My sister had to work and asked me to attend a parents evening in her place. When I walked into the hall, I saw this teacher hugging the parent of a Year 8 student. I thought at first it was a one-off but during the course of the evening it happened repeatedly and not just with the women. Even the fathers were happy to give one of those manly hugs, you know, that started with a handshake but ended with some strong slaps on the back whilst keeping a safe distance between the pelvic regions. Whilst many parents had an ‘us-and-them’ relationship with their child’s teachers, this individual had figured out how to be treated as one of the family. Definitely not your average maths teacher!
student behaviour, with manageable tasks that could be implemented immediately by parents. We sat enthralled but increasingly empowered with every ‘obvious’ but sublime morsel of advice. It was true, “Common sense was not that common!” When he stopped speaking, he had on his jacket, cap, and his laptop placed in its case and thrown over his shoulder. “So are the books for sale?” No, really, Neil had forgotten that he had brought copies of his book Gifted At Primary, Failing By Secondary to sell. Frustrated at not being able to give enough parents advice at a parents evening, Neil had written a book for parents with hints and tips on how to help their child succeed in secondary school. Neil confessed absent-mindedly at
“You’ll be shocked at how a child can achieve almost anything once they succeed at something they thought they couldn’t do. You just need somebody they trust to prove it”. I caught up with Neil at an event where again, he had parents eating out of his hand as he shared some pearls of wisdom regarding academic achievement. Nothing radical or miraculous, he just spoke of the mistakes he made himself when in school, the defining moments in his life, and his old-school views on new teaching strategies. He spoke a seemingly endless stream of acute observations of parent and 36
being a poor salesperson as he opened a flip-top box to pull out his book. In almost child-like fashion he openly demonstrated this fact, distracted by the ‘discovery’ of the Black History Flash Cards also in his box. He sat back down and seemed to reflect on how he came about his ‘invention’. “You can use these to teach infants significant figures in Black History, plus they’re great for revision for
older students because you can do memory exercises with them – great for GCSEs. You have to remember all the things your teachers told you over the previous two years, but schools don’t spend any time developing your memory skills!?” It was another sublime common sense moment. We later saw Neil’s eyes light up as he told us about his Black History Calendars and the ‘Drop Squad,’ what he called ‘the gift of self-determination’. Students get to support a local charity, learn Black History; develop their interpersonal skills thus, improving their employability and all whilst making hundreds of pounds for themselves! As Neil stood with an air of supreme satisfaction at the ingenuity of this latest project, I mulled over something he’d said earlier, “You’ll be shocked at how a child can achieve almost anything once they succeed at something they thought they couldn’t do. You just need somebody they trust to prove it”. At that moment it seemed that the best way to get every child in the UK to achieve would be to get Neil Mayers to run a workshop in every school and speak to every parent and make them a believer too. But maybe that’s just common sense talking! To find out exactly how Drop Squad works visit: www.dropsquad.org For info of workshops: www.giftedatprimary.com To contact Neil Mayers: info@giftedatprimary.com Black Heritage Today 2011-2012
Whereas Neil’s presentations feel like a comfortable chat with a family friend, Tony Warner’s Black History Walks presentations are high-precision demonstrations of media engineering! And guess what ‘I had no idea!’ f you have the courage to ask a five year-old “How was school?” knowing that they will show you, describe for you, re-enact for you, even imitate the teacher’s voice just to answer your question as fully as possible, then you might be ready to handle a Tony Warner presentation. Because after he’s asked you to “watch this documentary footage, listen to this music clip, analyse this YouTube video, study this image for a moment…now, how does it make you feel?” you’ll be physically, emotionally and mentally drained. You’ll look at your watch and realize that you’ve been completely engaged for the past two hours. Tony might ask if rather than taking a ten-minute break you would like him to continue and much like Neo after his first injection of martial arts training in the Matrix, you’ll respond, “Hell Yeah!” After catching my breath (and cursing my lack of notes) at the close of his presentation, I was blown away by the 20th Century Fox-style trailer Tony had put together to showcase his other presentations: Black Heroes of World War 2; Medical Apartheid, Black Women and Breast Cancer, Fibroids, African Superheroes; How to Brainwash the Youth and Make Them Act like Fools!; and 400 Years of Black British Civil Rights. The next sets of trailers were to advertise films that Tony screens in and around London. Again, I was aware of the stark contrast between Neil and Tony’s presentation in the experience as an audience member. Rather than, “Oh yeah, I never thought of it like that”, I was repeatedly thinking, “I had no idea!” Black Orpheus, The Story of Lovers Rock, Black Power Mixtape, The Great Debaters, Jumping the Broom, The James Baldwin Story; even an African martial arts movie? The only film I had heard of was Denzel Washington’s The Great Debaters, Big Mommas House 2, Rio and Attack The Block - some of the films I had seen this year. Unfortunately, Tony used these as prime examples of the myriad of films that portray Black people as gangsters, rapists or cross-dressers. Worse still, we encourage more of these films to be
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produced by paying cinemas to watch them and taking our children too! What can I say? I’m sorry…I had no idea! Tony uses these presentations to deliver one-off, 12 and 24 week interventions to raise self esteem and academic performance in primary and secondary schools. Ironically, these powerful presentations are not how Tony
“Imagine if today the British ‘pound’ wasn’t called a ‘pound’ but was called a ‘Nigeria’!”
established his formidable reputation for uncovering the truth. It was when he established the Black History Walks. “A lot of Black people think that we arrived here in 1948 with the Empire Windrush, end of story. I participated in several ‘official’ walking tours of London only to learn that apparently, no contribution has been made by Black people at all. I thought it was out of order and felt driven to research and deliver a London walk from an African perspective.” Now, he runs guided walks, talks all year long. “The fact is there’s 3,500 years worth of African architecture on display in plain sight. 2000 years ago an African Roman emperor lived and died here and in 1820 a Jamaican revolutionary planned to kill the entire British government and take over the country!” says Tony. “In fact, Africa was so vital to the British economy they even named a British coin after an African country! Imagine if today the British ‘pound’ wasn’t called a ‘pound’ but was called a ‘Nigeria’! That’s how much African history is out there!” For more information or to join the mailing list, visit www.blackhistorywalks.co.uk Or email Tony at info@blackhistorywalks.co.uk 37
Future
Designing the
etro Design have always and will remain true to their motto; “Good design and service is still good business.� Braving the worst of the economic downturn, Metro has come through fighting.
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Winning jobs with EC Harris, Close brothers and Hitachi, the London based design firm believe they have been through the worst and now look forward to the bright and successful future that awaits them. With a revamp to the old way of doing things, Metro introduces a fresh new team of designers and management staff and is ready to take the company into the highs of victory they once boasted. The 38
Black Heritage Today 2011-2012
Metro Design Consultants ltd LaGare Studios 49 Surrey Row London SE1 0BY Tel: 0207 928 9000 Contact: Michelle Beckford Email: enquiry@metrodesign.co.uk www.metrodesign.co.uk Shortlisted: By industry watchdogs Mixed Interiors Magazine's Mix Awards in 2009. Winner: FBHO Awards 2007.
Founder Daniel Taylor has welcomed on board Les Bayliss (ex Unite Union) and Michelle Beckford, who specialism is in customer service and HR, as directors of the company, each brining with them exciting, fresh ideas on where Metro should be heading to ensure growth and longevity. The company have always boasted an impressive array of talent, priding itself as the most culturally diverse firm in its sector, from admin to design to construction the team promotes a workplace truly representational of Britain today. Daniel Taylor recognised that the office is, for most people, where they spend the majority of their day. By creating open spaces, break out areas for pure relaxation of the mind and efficient ways of working, employees can enjoy an environment where they are able to maximise their potential every day. This also has a positive knock-on effect on the client. A heavy focus for Metro going forward is the upkeep of their engagement with the young people, having run various school competitions and currently running a university rebranding competition. Metro rely on giving back to society to generate innovative thinkers that could one day be designing the “state of the art office of the future�, and encourage creative young people to run their own Metro’s one day. As a design and build consultancy firm Metro, more than anyone appreciates that the world as we know it is rapidly changing and technological advances mean that there is no
room for error or falling behind competitors. That is why every effort has been made in the building of their new offices, located in central London, to promote the free flow of communication and exchange of ideas. With ice-white walls, glass partitions, dramatic black carpets and the odd splash of colour through art on the walls, Metro are setting an example of what makes the office of the future work. As leaders in their field and with the backing of a clientele list to rival all other design and build firms within their sector, Metro embrace all that has been put their way and that yet to come; from the good, the bad and the ugly. Moving forward, they remain strong, resilient and say to all:
Good Design and Service is Very Much still Good Business. Black Heritage Today 2011-2012
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Business Profile
Walk Shoes in my
Genet
He had no formal training yet in a very short space of time, footwear designer Marc Hare and his eponymous label Mr. Hare has made huge inroads in the world of quality, gleaming Italianmade shoes. He capped it all with a deal with high street brand Topman. Black Heritage Today finds out how.
e lost his job. Two days later he dislocated his left knee, and a couple of months afterwards his marriage crumbled. When you’re that down the only way is UP! Marc Hare realised he had a clean slate on which to draw himself the future he really wanted, and it was not working for someone else. It was time to walk on the ‘shiny’ side. “I was in a very fortunate position,” says Hare. “I had carte blanche to do whatever I wanted. I decided it was going to be men’s shoes.” Obsessed with shoes since the age of 10, Hare had always felt that a good pair of shoes could make a very cheap outfit look spectacular. “It only took me another 30 years to realise there was a business in that childhood wisdom.” He called the lapse “arrested prodigy”. Born in Croydon, Hare recalls spending his early years in South Norwood until the family which consisted of his Jamaican father, English mother and one sibling at that time, were evicted and had to move to the Waddon Estate. One of only two black boys in a school of 270 children, Hare was glad when the family moved again. “To this day the
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happiest day of my life came in 1982, when we got a council house exchange with an old couple from Stockwell,” says Hare. Brixton was his local high street and to top it all there was a skate park at the end of his road. For Hare, it was “like winning the lottery and moving abroad”. “I am very proud to say I attended Tulse Hill Boys School. It was a seven
“You should cherish every setback because it is only when you make a mistake or a real curveball hits you that you actually learn something. If you get through those setbacks, you make damn sure it won’t happen again.”
storey tower block with no sports field but we had black teachers who had published books. We could count Smiley Culture and Ken Livingstone as alumni. An “analytical juvenile” who was also inquisitive, independent, happy, proud and ambitious as a child, Hare had no specific ambition. “But I always intended to retire at 25,” he laughingly recalls. “I figured nine years out of school was plenty of time to make my fortune. I felt some pangs of failure when I turned 26, but I got over it.” His career path began with a work placement at leading consumer PR company Lynne Franks in the late 80s whilst doing a BTEC in business studies. “After seven days they offered me a job. I’d like to think it was because of my work ethic and good ideas, but I think it may have had as much to do with my baby dreadlocks - Soul II Soul were massive at the time. Regardless I rinsed it. I was office junior so I worked on any account that needed me.” Hare worked with a variety of brands including Junior Gaultier, Katharine Hamnett, Next Directory, The Brixton Academy and Brylcreem. “A lot of my peers who were on placements at other PRs and magazine companies are now editors, publishers and PR Directors so I owe Lynne Black Heritage Today 2011-2012
Franks a lot really.” Hare went on to become a design consultant for Karrimor and a marketing consultant for Adidas, Caterpillar, Dr. Martens, O’Neill, Reebok and Levi’s. A man of exquisite taste, Hare later opened a ground breaking fashion boutique in Notting Hill called Something stocking Balenciaga, Dior, Margiela, Raf Simons and several more high-end brands. Incredibly, he also at one point owned a shop selling surfboards. “Both were financed with overdrafts. The surf shop called Low Pressure,” reveals Hare. “We built ourselves and started trading with hardly any stock. That worked fine.” The other shop ‘Something’ was much more ambitious in scale and cost. Hare took out a bank loan and overdraft. With a rueful expression he says, “Now, here is the lesson kids. After a year, my bank manager
when you make a mistake or a real curveball hits you that you actually learn something. If you get through those setbacks, you make damn sure it won’t happen again.” Working in all those environments honed Hare’s eye for detail. Of all the creative materials he worked with he was most impressed by the surfboard. He says, “A surfboard is all about the shape and the tiny details. Every one of them was handcrafted and unique. I have always been fascinated by micro details and always obsessed by how shoes complete an outfit.” That eye for detail, good taste and dress sense led to Hare deciding to go into the field of shoe and boots design. Although he had no formal training in shoe design or any other form of design his passion and experience in the fashion
All are part of Topman's rock'n'roll AAA range - hence the alligator print on the boots, the tiger-stripe cut-out on the Derbys and the patent, croc and suede on the sneakers, which were sold out in just two days. The Genet utilises fine Italian Vitello Lucida, soft suede and the swagger of a hundred Latin Lovers, whilst the ‘Jopling’ is in perfect calf patent leather. But it would take a brave man to wear the Bazin, which is designed in eye-catching Italian suede, as a man in heels would have to have the confidence of 100 men. But who cares, it looks great and giving the current generation’s openness to fashion and the ability to transcend numerous sub-groups, the once restrictive barriers offer great opportunity for those looking to walk a little on the wild side. Italy has a long tradition of fine
Fagan London
London
Basin
Eel Fitzgerald Geronimo
of four years left Lloyds TSB and I was given a new manager who knew nothing of my business and decided that based on our bad figures during the 9/11 period to withdraw our overdraft facility and leave us with no working capital. We had to close the store with £60K of personally guaranteed debt. It took me five years of s**t jobs to pay that off. So remember, bank managers work for the bank - not you!” It’s plain that Hare has had his share of let-downs and having to start over again. It’s made him discerning and filled with a fair amount of wisdom. “You just have to deal with it,” he shrugs. “You should also cherish every setback because it is only
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industry served him well and the concept for Mr Hare’s ‘black shoe’ brand was born in July 2008. The brand, which focuses on design, quality, style and exceptional craftsmanship, took only a year to go from idea conception to shop floor at Dover Street Market. His relationship with Topman was wholly and wonderfully incidental when two people met at a dinner party. Following in the reasonably priced footsteps of Oliver Spencer, Hare has collaborated with Topman on a shoe collection - and GQ.com had an exclusive first look. The ten styles became available online and at Topman's Oxford Circus, New York and Chicago stores in August (2011).
shoemaking, but when asked why he chose to produce his shoes abroad rather than on his own shores, Hare was wonderfully down to earth. He cited his two biggest considerations as being “climate and food’. “I have to spend a lot of time on factory visits so a good Fiorentina or Spaghetti Scoglio followed by a Branzino al Forno under a Tuscan sunset had me swayed.” The hare is here to stay, move over Mr Choo! Mr Hare can be ordered via: www.mrporter.com or from Harvey Nichols, Liberty's, Harrods, and Selfridges. Info:www.mrhare.co.uk
By Takin Liberty
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Business
Hair Opportunity is an
Many people when diagnosed with cancer think of it as a death sentence, for one woman it was an opportunity to start a brand new business. hen an opportunity comes along not everyone actually recognises it. Aged just 27 years old Kewcha Ambrose discovered a lump in the crease of her nose, she dismissed it as an allergic reaction. She never imagined it could be cancer. After being diagnosed with NonHodgkin's Lymphoma, two harrowing courses of chemotherapy treatment subsequently caused a loss of hair. The alternatives of wigs automatically offered to her via the NHS were unsuitable for a woman of colour and this opened Kewcha up to the realisation that there was a gap in the market. Despite having no formal training she created her own wig using her previous hairstyle. It looked so natural that it didn’t receive a second glance. She began making personalised wigs for others also undergoing chemotherapy and radiography treatment and later on people dealing with alopecia. Couture Hair Therapy was formally launched in September 2009. “The company was created, for the purpose of helping all women who are going through the frustrations of finding a way to hold onto that part of them that chemotherapy often strips away,” says Kewcha. Although challenging, she triumphantly proved to herself and those around her that she could do it. Spurred on by initial funding from Unltd and Black Business Initiative her business now consults with the NHS, her first port of call when she needed a wig. “There is a lot of protocol regarding businesses promoting within the NHS,” reveals Kewcha. “It is not as simple as people may think, but with perseverance we have over come those challenges and learnt ways of how to deal with them.”
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“Our clients can be assured that their wig will last for the period of hair loss and beyond, such is our commitment to quality and value for money” Couture Hair Therapy is specialised and targeted to a particular ethnic group and is therefore not a business that is considered to cater for all. Kewcha says approaching cancer nurses or consultants and other organisations whose patients required her services helped immensely as they had a better understanding of what their patients required. “They hear the woes from a Black woman regarding not being able to find a wig and in turn are more accepting of what we are doing at Couture Hair Therapy,” she remarks. Having gained the support of organisations such as Royal Free Hospital and North Middlesex University Trust,
Couture Hair Therapy now works quite closely with, and supports the fundraising events of a cancer orientated organisation, dedicated to improving the lives of people affected by cancer. The services offered include creating and making bespoke wigs that are naturally thick and lustrous. “All our wigs are made with materials that allow your scalp to breathe and for new hair growth to begin, so our clients can be assured that their wig will last for the period of hair loss and beyond, such is our commitment to quality and value for money,” says Kewcha. They involve the client in every step of the wig making process, from design to styling. Privacy is maintained at all times and consultations are always in person within the London area - the venue determined by the client. Now 31, Kewcha has accomplished a great deal; besides launching her business, she has also obtained a degree in Media, Management and Production from West Herts College and a subsequent degree in New Media Writing and Black History from Middlesex University. The business will continue onwards, providing not only a hair piece, but the invaluable support needed to those who require Kewcha’s services, at this phase of their journey. Whilst many would have thought their world was ending, instead of focusing on the negativity, Kewcha dared to look beyond and has carved out for herself a whole new beginning. Note: The wig featured is not from couture Hair Therapy.. To see their wigs visit: www.couturehairtherapy.co.uk or call: 07960 374 114 By Folashade Bello Black Heritage Today 2011-2012
Sista’s Make It Happen… Having designed, implemented and facilitated a number of very successful meetings via her ‘Let’s Talk Business’ platform, Sonia Brown MBE reveals how to successfully navigate to the top. ove them or hate them when it comes to social networking sites everyone will probably have an opinion. “If used correctly, social media platforms helps to get your message out to different communities in a way that is appropriate and relevant to the target market involved” explains Sonia. “More importantly where we are time strapped, this provides the most resourceful way to connect to wider and broader markets.” No stranger to networking, Sonia is the founder and director of the National Black Women’s Network (NBWN), launched in 1999 on behalf of professional ethnic minority women in business to bring them together with leading FTSE and corporate companies. The Network has worked with ITN, the Inland Revenue, BBC, Lloyds TSB Plc, Birmingham City Council and the Department of Business Innovation and Skills, to name a few. The NBWN was formed out of Sonia’s frustration in the corporate world where she describes the experience as being on the ‘fast track to nowhere!’ It was a chance meeting with Baroness Howells of St David that changed her professional life. She advised Sonia to create her ideal job and make it happen. “I have not looked back since” says Sonia. “Far too many women were given poor and inadequate career advice at school and as a consequence spent too many years trying to figure out what they needed to do in order to find an ideal path. I wanted the NBWN to create opportunities for women who were looking to take their career to the next level but didn’t necessarily know how to make it happen.” Recognising the power of social mediums
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Sonia created SistaTalk, an online portal designed to open up the possibilities for international, dynamic and talented business women to connect and discuss issues where face to face meetings were not an option. SistaTalk also provides members with a
“It’s all about who you know and SistaTalk gives you access to the most talked about professionals and entrepreneurs who are at the cutting edge of industry” forum where they can share information, build social capital, network and do business. “It’s all about who you know and SistaTalk gives you access to the most talked about professionals and entrepreneurs who are at the cutting edge of industry,” asserts Sonia. “It’s never been easier to connect and keep ahead of your game!” “You get to find out what’s happening in your particular sector, market yourself to people of influence and understand the etiquette and culture of getting ahead successfully” Sonia says of SistaTalk, which now has members from twenty-seven countries. In January 2011 Sonia, who has an MA in Marketing Communications, BA in
Business & Communication; is a certified NLP Practitioner; and presenter of the ‘Let’s Talk with Sonia Brown’ show on www.playvybz.com, was honoured with an MBE in the Queen’s New Year’s list for services to Black and Minority Ethnic Women. Through mentoring, Sonia still continues to support other people in their own pursuits of ‘Success’. “I am passionate about seeing girls become much more creative and bold about their career choices” she says. “I cannot begin to hide my deep displeasure that even today many young women are still being given the same lousy, demoralising career advice as I was.” Her words convey excitement about the many different career opportunities, which are often overlooked by parents, and overshadowed by culture and its ability to force irrelevant options when allowed to do so. For someone who was told to go and work in an old people’s home (school) and was not a team player (last boss), Sonia has shown that with a vision greater than your environment, support from inspirational and talented people and the commitment to do the work, all things are possible. “Too many people are quick to tell you why you cannot do something but learn early and quickly to trust your own vision for self,” says Sonia. ”I have created a lifestyle based on passion and purpose which sees me taking advantage of all the possibilities and opportunities that life throws my way because of the network. Follow your dreams and see where they will lead you.” Visit SistaTalk via: http://www.sistatalk.co.uk www.nbwn.org 43
Business Profile
FOR US BY US For four young black guys, the American dream’s promise of prosperity and success came packaged in fabric, $40 and a four letter word…. FUBU.
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young entrepreneur, an industry pioneer, a highly regarded marketing expert, Daymond John’s creative vision and strong knowledge of the marketplace helped him create one of the most iconic fashion brands in recent years. The FUBU clothing collection stands proudly alongside the likes of Nike, Addidas, and Gucci. Their clothes include casual wear, baseball -caps, shoes, denim jeans and suits all embroidered with the now famous logo. The FUBU name itself is seen as being an acronym for ‘For Us By Us’ in reference to the product being aimed for the most part at the African American market. However, the original meaning was ‘Five Urban Brothers United’ but the For Us By Us line has become firmly established as the business expanded. The company’s humble beginning in 1992 was sparked into life by founder Daymond John when he made a line of hats in his house in Hollis, Queens, New York. “I was watching a show on TV and saw a hat I wanted to buy,” recalls
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John. “Some rappers were wearing it. I went to Up-town Manhattan and drove all over and finally found it selling for $20.” During a light-bulb moment John realized he could make the same item much cheaper himself. He brought $40 worth of materials and made his own version of the hats and sold them for $10 each. “I sold $800 worth of hats.” FUBU was unofficially birthed and went on to become a multidollar dollar company. Raised an only child by his mother, John attended Bayside High School. There he participated in a coop program that allowed him to work a full-time job and attend school on an alternating weekly basis, which he credits for installing in him an entrepreneurial spirit. Young John drove a van during the day, worked at night shoveling snow and raking weeds whilst waiting for that one big idea. The hat he saw on television and the fact that they’d made so much money in such a short apace of time convinced John that there was a Black Heritage Today 2011-2012
market for supplying young fashionminded people with quality garments that said and meant something to them. He mortgaged the family home for $100,000 and with that money he and his three friends Carl Brown, J. Alexander Martin, and Keith Perrin, turned half of the house into a factory. From the onset their intention was to give the likes of Nike a run for their money and compete with their sportswear range. They felt strongly that “Nike was profiting from the authenticity of New York street fashion without giving enough back to the African American community”, although FUBU insisted that their clothing range targets all people and that there was something for everyone. John particularly used the growing genre of rapping to highlight FUBU’s designs “I was dressing a market that was being serviced but not acknowledged,” says John. “I didn’t have much money but I knew that the rap video was our version of CNN.” He refers to the fact that when a rapper wears a garment in a music video, an advert or is seen in public wearing certain attire it is not only free advertising, but after a while other fans wanted to wear the same fashionable item. “It was a running commercial and now we call it product placement.” John recalls his first trade show and how shrewd he had to be just to get a foot in. The show was in Los Vegas, thousands were expected to attend intent on walking away with great deals and contracts. John however, couldn’t even afford a booth or rooms for him and his partners. They all shared one
room, some sleeping on the floor. Prior to the show he’d sent out flyers of the well-known rappers wearing their garments to as many potential ‘buyers’ as possible informing them that he and his ‘products’ would be there. They made $300,000 worth of orders that week and gained nation-wide exposure. Consistent financial success did not happen overnight. The irony was that whilst FUBU was attracting initial interest John was holding down a job at a diner. He started his day at 7am working on creating the garments, labeling them and personally delivering them to clients and then he went to work at Red Lobster serving shrimp and biscuits until midnight. He did this for about two years straight, then, around 1995 made the decision to take out a $100,000 loan, leave his ‘day’ job and concentrate on FUBU. Entrepreneurs decide to give up their day job at the point where either the hobby/new business is at least making some form of ends meet, or they feel that they need to dedicate themselves to giving the business their best shot. ‘Like most entrepreneurs, the initial
“Things happen when desire and fate meets opportunity. Every time I saw an opportunity I jumped on it struggle was to go past the point of imagination and make it a point of conception, where I was actually putting together a product and producing it,” says John. “Everyone has an idea, but it’s taking those first steps toward turning that idea into a reality that are always the toughest”. Their first big break involved visiting Virginia to meet up with Ralph McDaniels, who had a video show like MTV and VH1. McDaniels loved the FUBU products. At the time, Ralph was throwing a big weekend event for Teddy Riley, a producer and musician that really shaped Hip-Hop and R&B. “He came back to New York and decided to put us on a local video channel for an interview about FUBU. We all knew the FUBU brand was closely associated with music, but this hit
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created some immediate buzz and showed us the way to market our product unlike any fashion company out there.” The company concentrated on getting their product into more music videos. It helped that Busta Rhymes wore it on one of his videos, and LL Cool J decided to wear FUBU on the “Hey Lover” video with Boyz II Men. “Our product was front and center on the biggest and most influential personalities for our core consumers,” says John. FUBU has continued growing, signing contracts with Macy’s, J.C. Penney's, and the National Basketball Association. They negotiated a distribution deal with South Korean company Samsung Electronics who invested in the New York-based clothing company. In 1998, FUBU returned $350 million in revenues. Currently, FUBU has amassed over six billion dollars in global sales. Today the FUBU brand is a well established name in the clothing industry. Looking back on his success story John is steadfast in his view that luck had nothing to do with it, “Things happen when desire and fate meets opportunity. Every time I saw an opportunity I jumped on it,” he explains. The charismatic CEO has other strings to his bow. In 2009 he joined the cast of Shark Tank, (the American version ofDragons Den), about entrepreneurship screened on ABC. John and four other business executives listened to business pitches from the public, and decide whether or not to invest money in the project. He invested substantially in Shark Tank projects. A much sought after motivational speaker, John leans heavily on the importance of reading and learning from other people’s experiences. He has written several books himself including ‘Display of Power’ his autobiography detailing his rise from Queens to a fashion empire. For John coming from the streets, it wasn’t always a smooth path and there were many hurdles he had to jump along the way “I made a lot of mistakes,” he acknowledges, but adds that he has “also learned from them”. “A lot of the time you have nothing so you only have rewards coming to you. You see a lot of the people around you falling by the wayside. You also become creative and you have to find a way to get out of those streets. And you have to do it with a lot of common sense.” By Patricia Arthurs 45
Health & Wellbeing
A Derriere called
Alcatraz This year quite a few women died in their quest for a bigger derriere. Black Heritage Today uncovers a popular woman in history whose derriere was her Alcatraz and led to a most undignified lifestyle.
Claudia Aderotimi
arlier this year (2011) headlines across the globe highlighted the death of Claudia Aderotimi, a Nigerian girl who died after trying to inflate the size of her buttocks. The London-based wannabe hip-hop dancer had already visited the US for silicone injections to plump her behind after being dropped from one shoot because directors discovered she had been wearing padded trousers to help enlarge her bottom. Some months after the injection she returned for a top-up and this time it went awfully wrong. The substance was injected into the 20-year-old’s blood vessel, travelled to her lungs and led to a massive heart attack within hours. Silicone implants are used in breast enhancement and is contained in a bag, whilst silicone injection, banned across the world due to more major risks, has no such protection. But in the United States, liquid silicone is not permitted for cosmetic injections. Dr John Di Saia, a California plastic surgeon described such procedures as "scary", and Dr Alex Karidis, a renowned London surgeon said silicone never breaks down in the body.
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“If injected into the buttock incorrectly it has to be removed, which means cutting way the tissue it is attached to,” adds Karidis. “It is also a foreign body, which could cause an infection and seeping and weeping as the body tries to reject it.” Claudia’s friends claimed the aspiring dancer gave in to social pressure to have
a larger bottom, such as that of Nicki a singer who performs with Dj and hip-hop duo Massive Attack from Bristol, so that she too could become famous in the hiphop world. A week or two after Claudia’s death, despite the wide publicity another woman, aged 26, went off to the US to have silicone bathroom sealant, which can be purchased from a DIY store, injected into her body, declaring that the death of the 20-year-old did not put her off and that she would do anything for a big booty. It was not her first time. Both budding dancers, these two young women obviously and wrongly felt the inflation was needed to get the attention that would propel them into fame and fortune. However, for Sarah ‘Saartjie’ Baartman (b4 1779-1816) her unusual and naturally-shaped figure propelled her into the realm of freak. Saartjie, pronounced "Sahr-kee’, born to a Khosian family near the Gamtoos River in what is now known as the Eastern Cape of South Africa wasorphaned during a commando raid on her village and whose birth name is unknown, became a slave of Dutch farmers near Cape Town. She became the most famous of at least two Khoikhoi women who were exhibited in 19th century Europe as freak show attractions. Hendrick Cezar, the brother of her slave owner, took her to England for an exhibition promising her that she would become wealthy. Lord Caledon, governor of the Cape, gave permission for the trip and Saartjie left for London in 1810. Caledon later regretted it when he fully learned of its purpose. Now called Sarah, she was exhibited around Britain, used as an attraction for those who liked to stare and gawp. She was made to entertain them under the name The Hottentot Venus, by gyrating her nude buttocks and showing to Europeans what was thought of as highly unusual bodily features. Black Heritage Today 2011-2012
The exhibitions in London, which began just a few years after the passing of the Slave Trade Act of 1807, created a scandal and prompted an abolitionist benevolent society to petition for her release. In November 1810 at the Court of King's Bench the Attorney-general gave her liberty to say whether she was exhibited by her own consent'. In support he produced two affidavits. The first, from a Mr Bullock of Liverpool Museum, was intended to show Saartjie had been brought to Britain by persons who referred to her as if she were property. The second described the degrading conditions under which she was exhibited and also gave evidence of coercion.
“Silicone never breaks down in the body. It is also a foreign body, which could cause an infection and seeping and weeping as the body tries to reject it ” Saartjie was questioned before a court in Dutch, which she spoke fluently, and stated that she was not under restraint and understood perfectly what she was doing and that she was guaranteed half of the profits. However, the conditions under which she made these statements are suspect, because it directly contradicted accounts of her exhibitions made by Zachary Macaulay of the African Institute and other eyewitnesses who saw her reluctance to cater to the crowd. Despite the pending total abolition of slavery Saartjie was then sold to a Frenchman, who took her to his country and, for the next fifteen months she was forced by the animal trainer to continue being exhibited. The recipient of much curiosity, she was regularly sketched, becoming the subject of several scientific paintings at the Jardin du Roi, the main botanical garden in France. Eventually the novelty died down and Saartjie, now free, began to drink heavily and with no other avenue available began supporting herself through prostitution. She died on 29 December 1815 of an indetermined inflammatory ailment. But even in death she had no peace as her skeleton, brain and other parts of her body was preserved and kept on display in Paris' Musée de l’Homme (Museum of Black Heritage Today 2011-2012
Man). During the 1940s there were sporadic calls for her remains to be returned to her place of birth, yet even though they were removed from public view in 1974 they were stored out of sight and a molded casting was still shown for the following two years. Sarah ‘Saartjie’ Baartman’s name came to prominence again in the 1980s, after Stephen Jay Gould, an American paleontologist, evolutionary biologist and historian of science, who was also one of the most influential and widely read writers of his generation, wrote a story entitled The Hottentot Venus. The victory of the African National Congress in the South African general election in 1994 placed Nelson Mandela in a position to formally request that France return Saartjie’s remains. After much legal wrangling and debates in the French National Assembly, France acceded to the request on 6 March 2002. Saartjie’s body was finally returned to her homeland and was buried on a hill overlooking the town of Hankey in the Gamtoos River Valley, over 200 years after her birth. Much has been said and written about Saartjie as historians, activists and artistes attempt to comprehend the lifestyle she’d been forced to live. Poet Elizabeth Alexander explored her story in a book entitled The Venus Hottentot in1990, while Diana Ferrus, a South African poet of Khoisan descent, wrote "A Poem for Sarah Baartman". It includes the desire "to wrench (her) away from the poking eyes". In fact, the spoken word and drama has been liberally used to explore the continued fascination with the black female form, to create dialogue, and to promote healing across communities. In his 2005 book Beautiful. And Ugly Too poet MK. Asante, wrote ‘Ghetto Booty: The Hottentot Remix’, a poem that tells Saartjie’s story and warns the hip hop generation not to repeat racist cycles of black female exploitation. In 2006, a feminist artist and filmmaker adopted the name Venus Hottentot to direct an independent film called Afrodite Superstar with the intention of reclaiming the strength and voice of Sarah Baartman as a sexuallyexploited woman of colour. In Cape Town her name lives on in through The Saartjie Baartman Centre for Women and Children, a refuge and onestop centre for women and children who are survivors of domestic violence and abuse. By Marisa O’dell
Dying for a
big
“Booty” uttock enhancement surgery is becoming popular in the US., among women who aspire to the shapely curves of Jennifer Lopez and Beyonce. Claudia Aderotimi is just the latest woman to die after undergoing cosmetic surgery of this kind on the black market, although in the US such procedures are more normally associated with members of the Latin American community. In December 2009 Solange Magnano, a former Miss Argentina, died of a pulmonary embolism following a supposedly routine buttock enhancement procedure In April 2009, a Dominican woman living in New York died of a pulmonary embolism after a silicone injection into her buttocks and legs. Her death was ruled as homicide. In March 2006, a 24-year-old Brazilian woman died of a pulmonary embolism following a liposuction procedure in Massachusetts. Luiz Carlos Ribeiro, a Brazilian doctor who was not licensed to practice in the United States, was later sentenced to up to three years in prison for involuntary manslaughter. Plastic and Cosmetic Surgeon John Pereira is a member of Safer Cosmetic Surgery and a founder member of Liberate, an organisation launched in March 2011 to fully inform young women of the risk of cosmetic surgery. He said, “Claudia's death is yet another tragic example of the desperate lengths young people will go to in the pursuit of the perfect body. The media is partially responsible for trivialising the risk and potential dangers of cosmetic procedures with trends such as ‘Lunch-Time Fixes’. Cosmetic surgery is a medical surgical procedure and it should be treated as such. Research into the background and qualifications of the surgeon is critical for patient’s safety.”
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Health & Wellbeing
The Colour of Fruits e told them that they can eat every fruit in the garden, except from the tree of life and knowledge which was in the centre of the garden. They did eat from the tree of knowledge and was sent out of the garden. The body is a temple, without solid foundation, a temple cannot be sustainable, that is why nutrition is imperative as the foundation for success. There is no substitute for fruits; it provides nourishment which is vital for a healthy body. They contain 80% water like the human body; it’s an ultimate brain fuel, with positive effect. It helps the brain to recall information faster and more easily. So students preparing for exams eat more fruits. Fruits should be a part of your everyday meals, and your first choice in snacks. Aim for your five a day. They provide minerals, protein, zinc, copper, calcium, potassium, enzymes, magnesium, iron, beta-carotene, phosphorus, antioxidants and many other nutritional properties. Research studies have shown that nutritional properties in fruits are critical to promoting good health They recommend that people need to increase the amount of fruits they currently eat every day. Because fruits are 100% cholesterol free and low in calories, they enhance your immune system, heals wounds quickly, lower cholesterol, lower blood pressure, reduce the risk of strokes and heart attacks, detox the body,a good laxative, kills cancer cells, help with breathing problems, asthma, bad colds, weight loss, protects DNA, slow down the process of aging and muscular degeneration problems and reduce the chance of developing type 2 diabetes. Rainbow fruits are filed with extra special nutritional properties that heal the body. The brighter the colour
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Did you know that fruits were the first food God created in this world, in the beautiful Garden of Eden? Every fruit you can think of were grown there. He then created Adam and Eve in his own image and placed them in the garden to cultivate and guard it. the better they are. If you fill your diet with variety of bright colourful fruits, it will protect your body from diseases. These are a few examples: Orange colour fruits; will enhance your immune system, protect retinas, and repair damaged DNA. Blue And Purple fruits; protects the heart from blood clots formations and delay aging process. Yellow fruits; reduce the risk of cataracts and age related muscular degeneration. Green fruits protects the eyes and retinas and reduce the risk of cancer tumours. Deep red to pink fruits; reduces the risk of prostate cancer and protects the lungs and heart from chronic diseases. Healthy fruits and juices: Fruits must be washed well if you are going to eat them raw and with the skin. You should either drink fruit juice or eat a fruit before each meal. These are some breakfast juices that heal: Sour sop juice Apples juice Grape juice, Mango juice Pineapple juice Cranberry juice Strawberries juice
Pomegranate juice Simple fruit recipes you can try: Banana smoothie. Mango smoothie Papaya smoothie Chopped melon with natural yoghurt topping Sliced apple with natural yoghurt with topping Sliced banana, pineapple and straw berries with natural yoghurt Avocado and nuts fruit salad: almond nuts, walnuts, hazel nuts and natural yoghurt topping. Mad passion fruit salad: passion fruit, mango, apricot chopped up with yoghurt topping Sliced papaya and banana , sprinkled with cinnamon. Enjoy this fruit experience and put it into practice in your life. Remember! “Health is Wealth” Hope Roberts September 2011 © is a nurse who is passionate about healthy eating and sexual health.
Reference: Fruit Expert 2000-2011 The natural path botanicals/Herbal remedies/ Natural healing/2007 www.the fruiterpages.com
Black Heritage Today 2011-2012
A Social Experiment Buy Black:
Business Directory
In 2009-2010 Black Heritage Today uncovered the story of The Black Wall Street. That same year, a young couple in the US decided to buy black for an entire year. This is their story... orged out of necessity when retailers discriminated against newly-freed slaves who tried to engage with them in business, The Black Wall Street began to take root in the early 1900s when ex-slaves decided to create their own merchandising outlets. In order to survive, the black communities mobalised, organised and created their own economic structure. It made many of them millionaires. Their success however had repercussions. It led to their community being burnt to the ground by ‘others’ envious of their accomplishment. Just over a hundred years later, in 2009, John and Margarita (Maggie) Anderson a young couple from Illinois, US embarked on what became a nationally followed experiment. Their pledge was to purchase everything they needed as a family from black-owned companies. This included food, gas, vacation, all services and products and even medical care. The couple even switched their bank account to Covenant Bank a black-owned institution. Dubbed The Empowerment Experiment [EE], Maggie and her husband John, a Harvard graduate with an MBA from Northwestern University, found it was not a straight-forward feat. They lived in Illinois in an area where even mainstream grocery stores were absent or distant. Maggie had to travel far to find a grocery store that sold fresh food and then
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travel 14 miles into Chicago’s inner city to Farmers Best Market - because it was black-owned. Even when their 2-year-old pulled the gold stud from her left earlobe, and the piercing was threatening to close as her mother Maggie Anderson still hunted for a replacement from a black jeweller. “It's not that the earring was all that rare,” Maggie said at
“Why is it so hard for Black people to support their own? All we wanted to do is start getting black people to believe in a different reality for themselves” Black Heritage Today 2011-2012
the time, “but finding the right store had become a quest of quixotic proportions,” The EE, of which Maggie was CEO, was the reason John had to suffer for hours with a stomach ache and why Maggie no longer used the brandname lather she’d patronized to wash her hair. Maggie soon realized she was seriously going without things. Simple grocery trips became an odyssey. “My people have been here 400 years and we don't even have a Walgreens to show for it,” she
lamented, having had trouble finding a mortgage lender home security system vendor or toy store. According to the National Black Chamber of Commerce there were 1 million black businesses in the United States accounting for more than $100 billion in annual sales. The latest Census numbers reported that blacks have more than $800 billion in expendable income each year. The EE's goal was to place the issues facing Black businesses and the resultant lack of economic power and role models in Black Black Heritage Today 2011-2012
neighborhoods into the national dialogue. "We have the real power to do something, to use the money we spend every day to solve our problems,” said Maggie. The EE brought the issues of black business owners and their support or lack of support to the forefront of black and white America. As the months went by, everyone began talking about the EE. It went viral and major media began covering the Andersons and what they labeled the ‘new economic empowerment movement’. The couple were interviewed on CNN, MSNBC, and Fox Business and stood resilient in their quest even though some people tried to twist their quest into a ‘racist one’ forcing Maggie to defend their motives behind the EE. “We had a lot of folks asking "can you do that?" "Is this racist?" "Will it make a difference?" "Why buy Black?” she exclaimed. “Why is it so hard for Black people to support their own? All we wanted to do is start getting black people to believe in a different reality for themselves. This had NOTHING to do with hurting, punishing, or excluding white people. But our own people don't even believe that things could be better. One of the businesses who commented on the EE was Brenda Brown's Atlanta wine boutique, a shop with a growing black clientele. The proprietor made this observation, "When we were a community of black folks who could not go into the white stores, our community of black stores flourished. When we were given the opportunity to go into the white store, it was like nothing else mattered anymore and we wanted to go to the white store, regardless of what the black store provided. We could have the same or better products if we supported black businesses in the same way." Lewis Peeples in his mid 40s who lived in a black neighborhood in southwest Atlanta didn't even think to spend his money with black businesses until a friend told him about the EE. "So often, we make purchases and decisions and aren't even mindful that there is a need to support our own businesses," said Peeples. "Now, I'm reaching out and making sure I know that I have an option when I look to make a purchase." Peeples committed himself to patronising black businesses and
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found a black dry cleaner just 10 minutes from home, and when he was dissatisfied with his black doctor, he was able to find a new one. Real Estate owner Dallas Smith, from Atlanta, said mainstream retailers have undervalued black consumers. "We've still got that 'the white man's water is colder' mentality," he said. "We can't take us for granted. When we go to our establishments, it's almost like we're doing a favor. That ought to be a given for us." Neither John nor Maggie dreamt that their pledge to give back to their community by using the money they spent everyday would make it to the front page of the Chicago Tribune, or that others would want to follow suit. But it happened. “Together, we can prove why everyone needs to support Black businesses. Together, we can show the world that Black businesses, products and talent are just as
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good as everyone else's.” The couple began thinking about the possibility of a new America and more and more Black people believing in the possibility that some of the big American brands that have come to symbolize the American Dream in action... just maybe one or two of those can be Black one day. “We've been here just as long as everyone else (except for the Native Americans), so why can't one of those stories start with a Black family? The Sears story, The McDonald's miracle, The Hilton legacy, The Ford phenomenon, The Walmart success story. These are all entrepreneurs or families, wonderful American institutions that became awesome businesses, pillars of strength and hope for the American economy and workforce.”
Maggie Anderson, engaged hundreds of top-quality entrepreneurs at a 2011 Black Enterprise Entrepreneur's Conference. When others began reaching out and asking the couple where they could find quality Black business, the couple began to build what they realized was becoming a national black business directory. The data is critical to the EE Foundation's research in self-help economics. Launching the Black Heritage Business Directory is a way of encouraging blackowned businesses to do business with each other, companies and individuals. It is about supporting one another, helping each and everyone to build, grow, unify and prosper. The EE’s book "Our Black Year" will be available February 2012.
Black Heritage Today 2011-2012
EXCLUSIVE
SHELLY-ANN FRASER-PRYCE
Roll
WHO WAS THE 1ST BLACK FORMULA 1 DRIVER?
on... 2012
Editor’s Note
The Hidden Face of Sports
Michael Johnson
Welcome to Sports Heritage magazine. It gives me great pleasure to be involved with a publication of this kind as it is one that has been needed for a number of years and plans to give fair column inches to all sports people, whatever their background or place of birth. “I know for sure that as a player when we to away games I would love to read a magazine that appeals to me sports-wise especially people of heritage who I can relate to and find out about their backgrounds. Sports Heritage is a great idea! Darren Moore, ex PFA Chairman and captain of Derby County currently with Burton Albion
I’m delighted with e the idea of the magazine. Hopefully it will be a success. There is a gap in the market for this niche title. Cyrille Regis MBE
“It’s long over due that we have proper representation in a main stream magazine within sports. I for one can’t wait to read the magazine.” Ian Taylor Ambassador for Aston Villa and ex player for Villa “I love the idea of what your doing, it’s gonna be big. It’s what the sporting world has been crying out for - a magazine that is for the people… all people.” Deon Burton Jamaica 1998 world cup Star
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et me introduce myself. Born and raised in Nottingham I was fourteen years old when I began my football career. I got picked for academy team for Notts County and signed professionally aged 17. One week later I played for the 1st team against one of my heroes Ian Wright, who was playing for Arsenal. Aged 21, I moved to Birmingham City FC and stayed there for nine years under Barry Fry, Trevor Francis and Steve Bruce. During my stay we got promoted to the Premier league and I played in the Worthington Cup Final in 2002 against Liverpool. I also got selected for my country of my parents birth Jamaica in 1998. Over the next nine years I travelled all over the world and play against some of the best players and teams including Brazil, Mexico, South Africa - it was amazing. At thirty, I moved to Derby County where I again got promoted to the Premier league .Four years later I went to Sheffield for six months and after representing the Reggae Boyz. After playing for another two years for Notts County I finally retired from international play. Could I stay away from football? No, I managed a youth team for two years and also got to manage the club as 1st Team Manager for a spell. During all these years I always felt the urge to
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get involved in the creation of a sports magazine. You see, many times I and the ‘lads’, would visit the shops before away games to buy magazines. We’d laugh about The Real Mckoy, No Problem etc., and it was during these conversations that the lack of representation for footballers and indeed sportspeople on a whole from overseas - and sadly home - were not being properly and fairly represented. The status quo was 90/10% in terms of how many people of colour were headlining the features in the magazines. There was a gap and something needed to be done. That something is Sports Heritage, of which I am proud to be editor. This is a magazine with a difference, it’s not all about boyz being boyz, it’s about revealing a deeper side to sportspeople in the mix today; it’s looking into the past and sourcing those who paved the way; it’s about celebrating those who opened doors and did great feats; it’s about showing young, interested minds that there’s more to us than kicking a ball or jumping a hurdle, and therefore there can be more to them. It’s about being ethical, ambitious, driven and conscientious. But more than anything its about allowing them to see an image of themselves when they proudly go into a shop and flick through a sports magazine.
Black Heritage Today 2011-2012
Triumph over legend of English football and one of the so-called “The Three Degrees”, Cyrille Regis MBE, and his West Bromwich Albion (WBA) teammates Laurie Cunningham and Brendon Batson were among the first black British players to play at the top level of English football in the 70s. Although Ron Atkinson was not at WBA when either Cyrille or Laurie were signed, it was Big Ron who brought Brendon to the club and he selected them together, making the Albion unique in having three black players as first-choices. Together, they were trailblazers who made a massive impact on English football, and whose mere presence challenged terrace bigots in an era of hooliganism and racial hatred. Ignoring the boos, nauseating racist chants and bananas hurled onto the pitch, “The Three Degrees” turned on the style Laurie as a silky-skilled winger, coolheaded Brendon at the back with Cyrille as a powerful, goal-hungry centre forward. English football in the 1970s was far from integrated, overseas internationals were little more than a curiosity and black players were a rarity, however “The Three Degrees” who thrilled crowds, changed the attitude towards black players in English football with their successes both individually and collectively, and inspired subsequent generations of future black footballers. Cyrille Regis’s life story is a compelling and inspirational tale of triumph over adversity. Starting with his migration (aged just five) from a small village in French Guiana and settling in the bustling, racially divided west London of the 1960s, to the battles he faced as child and teenager while being separated from his family by circumstance. Cyrille’s football career after he was spotted playing Sunday morning
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football in the park. He was playing for Hayes in the Isthmian League and training to be an electrician when West Bromwich Albion paid £5,000 for him in May 1977. Regis’s career took off immediately. He became a top flight player within two years and not only won international honours, but helped to change attitudes, which he has continued to do since retiring as a player. His clubs included West Bromwich Albion, Coventry City, Aston Villa, Wolves, Wycombe Wanderers and Chester City. He returned to WBA as a coach before becoming a players’ agent. A constant scorer of spectacular
goals, he was an FA Cup winner with Coventry City in 1987 and enjoyed a late career renaissance after becoming a Christian footballer following the untimely death of his great friend Laurie Cunningham. When Cyrille received his MBE at Buckingham Palace at 2008 as recognition for his services to football
“Together, they were trailblazers who made a massive impact on English football” and the community, it was the spur for him to tell his remarkable life story. In his book, he explores the impact that he and his black team-mates had on football fans and future players and the emotional turmoil that led to him choosing to become a born-again Christian. Today, Cyrille continues to fight racism as a spokesman for the Kick It Out campaign, and is a respected football agent and charity worker. Cyrille Regis –My Story is published by Andre Deutsch. Hard copy £18.99.
spor tS
adversity
SPORTING FACTS The first modern Olympic Games were held in Athens, Greece in 1896. There were 311 male but no female competitors. The first Jamaican to compete in the international BMW openwheel racing series was driver Joel Jackson. Judo, meaning "gentle way" is a combat sport created in Japan in 1882 by Jigoro Kano. Did you know that Shaquille oneal wears size 22 training shoes of which he had a new pair for every game. The very first motor car land speed record was set by Ferdinand Verbiest who worked in China from 1659 until his death in 1688. Fishing is the most participated sport in the world, Football is the most attended and watched sport. In 1989 actor Bill Cosby and his wife Camille stepped in and funded the Raynor-Cosby Motorsports team with Ribbs as the top driver when corporate companies decline to sponsor him. The youngest ever Olympian was a 10 year old boy a gymnast from Greece his name was Diditrios Loundras who competed in the 1896 Olympics. The longest drive ever in golf is 515 yards. Ethiopia, an African country, is the birthplace of one of the best runners in the 20th century:Abebe Bikila, who won consecutive olympic marathon gold medals in 1960 and 1964. Boxing became a legal sport in 1901. The first heavy weight black boxing champion was Jack Johnson. Pele has the record for the most goals as a professional football player 1201 goals. When Lovie Smith’s Chicago Bears made it to the super bowl in 2007, it was the first time in the NFLs 41-year championship games history, that a club was led by a black coach, having reached the big finale.
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The
1st black
Formula 1 driver
They were the first in their home countries to drive a Formula One racing car and they all started their career before they even went to secondary / high school. Black Heritage Today looks at the racing game and who set the standard. ormula One, also known as Formula 1 or F1 are considered to be the fastest circuitracing cars in the world, and referred to officially as the FIA Formula One World Championship. The vehicle is the highest class of single seater auto racings sanctioned by the Fédération Internationale de l’Automobile (FIA). Ask the question of who was the first black
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Lewis Hamilton
person to drive in a F1 and inevitably Lewis Hamilton’s name comes to mind. Wrong. He wasn’t. That unique place in F1 history belongs to William Theodore Ribbs Jr, whose first venture into motor sports saw him driving Formula One Ford cars in Europe soon after his high school graduation in 1975, ten years before Hamilton was born. Hamilton was ten when he approached McLaren team Principal Ron Dennis at the Autosport Awards ceremony in 1995 and reportedly told him, "I want to race for you one day. I want to race for McLaren." Less than three years later McLaren and Mercedes-Benz signed him to their Young Driver Support Programme. Hamilton drove for McLaren in 2007, making his Formula One debut. Also, before Hamilton’s debut came 25 year-old Joel Jackson, one of Jamaica's leading young racing car drivers who became the first Jamaican driver to race a Formula One when he competed in the Formula Black Heritage Today 2011-2012
US Willy Tribbs 1st black formula one driver
BMW series in May 2006. The rest, they say, is history, but let’s look at the person who really made history by being the first. Ribbs, Jr. was born on January 3 1956 in San Jose, California, to Geraldine and William T. Ribbs, Sr. Rather than managing the successful family plumbing business founded by his grandfather he decided to pursue his love of cars and racing which began at the age of four. As a child he worked as a ranch hand on his grandfather's ranch, but he make his debut on the race tracks after graduating from school in 1975. He won the Dunlop Championship in his first year of competition, then returned to the US and raced Formula Atlantic cars. Ribbs won the pole
In 1989 actor Bill Cosby and his wife Camille stepped in and funded the RaynorCosby Motorsports team with Ribbs as the top driver. Black Heritage Today 2011-2012
in the Long Beach Formula Atlantic race in 1982, outpacing veteran drivers before his engine failed. Another five wins occurred during 1983 in the SCCA Trans-Am, after which he was honoured as Pro Rookie of the Year. He entered the Formula One history books in January 1986 by becoming the first black person to drive a Formula One car, when he tested for the Brabham team at the Autodromo do Estoril, Portugal. Unfortunately it did not lead to being fulltime as black drivers were an unusual and unprecedented factor for the country to grasp during that era. Notwithstanding several years later Ribbs became the first African Joel Jackson American to compete in the Indianapolis 500 and one of the only African American NASCAR racers. There was still a distinct lack of corporate sponsorships of black drivers and financial difficulties kept Ribbs’ team from finishing the season. In 1989 actor Bill Cosby and his wife Camille stepped in and funded the Raynor-Cosby Motorsports team with Ribbs as the top driver. Ribbs won two top-ten events in his 1990 Championship Auto Racing Team (CART) Indianapolis debut. He also raced in the Indy Racing League (IRL), and one year later (1991) signed with Victoria Motorsports SCCA Trans-Am team and finished second at Long Beach, third at Detroit and fourth at Las Vegas. He was awarded the Johnson Triple Crown. In 2001, Ribbs joined the NASCAR Craftsman Truck Series with the support of Dodge, which initiated a motorsports diversity program to provide opportunities for minorities to race. This made Ribbs the first African American in the modern era to compete full time in a major NASCAR division. Ribbs successfully raised his two children, Sasha and William Theodore Ribbs III, as a single parent. He retired from the race tracks about the time that Jamaican-born Joel Jackson was finding his feet as a professional car racing driver. Jamaican-born Andrew Joel Jackson’s racing career started when his father showed him his first car engine when he was just a baby. “My dad (Andrew Snr) has supported me 100 percent. If it weren’t for him taking me to my first meet I wouldn’t be a motor-racing driver today,” he said of his father. Jackson’s career kicked off when he started kart racing in 1999. He won several races and broke a number of track records. Following his baptism into the sport, he placed second in 2002 and third in 2003 in Jamaica's Light Class Championship and was voted the Most Improved Driver. He was also the Light Class champion for 2004 and the Rotax Max Challenge champion for 2005. He competed in the Formula BMW USA in 2006. He is still pursuing his passion.
The tennis term love is derived from l`oeuf, the French word for egg, symbolizing zero. The quickest ever premier league goal was scored by Ledley king. The first ever footballer to win 100 caps for England was the Wolves defender Billy Wright. The only other players to have emulated this feat are Bobby Moore, Bobby Charlton and Peter Shilton. Brian Lara as the highest test score ever he scored 400 runs against England in the season 2003-04 In 1975 Junko Tabei of Japan became the first woman to reach the top of Mount Everest. The tallest athlete ever stood at an amazing 8ft 5 inches a basket ball player by the name of suleiman Al Nashnusch William Theodore Ribbs Jnr the first African American to compete in the Indianapolis 500 and one of the only African American NASCAR racers. The longest tennis match everwent on for 11 hrs and 5 mins in 2010 at Wimbledon John Isner beat Nicolas Mahut 6-4, 3-6, 6-7, 7-6,7068 In 1877 British player Spencer Gore was the first ever winner of the Wimbledon trophy beating fellow British player William Marshall 6-1, 6-2, 6-4. Tennis was an Olympic event from 1896 to 1924 and was reintroduced into the games in 1988. Tiger Woods snagged his first ace at the tender age of eight years old. The first English Footbal League team to install an artificial pitch was Queens Park Rangers in 1981. Golf was banned in Scotland from 1457 to 1502 to ensure citizens wouldn't waste time when preparing for an English invasion.
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TECHY Boys And Their Toys NEW TICK TOCK DOCK Start The Day With This Alarm Clock Docking Station With FM Radio And Apple iPod And iPhone Input Edifier® International, prominent designer and manufacturer of high-end consumer audio electronics for both the lifestyle and multimedia market has unveiled the Tick Tock Dock. Dock and set your alarm on your iPod/iPhone for a great start to your day with the retro-styled alarm clock speaker system. The two 360° degree omni-directional full range speakers allow for multi-directional rich sound that can be easily controlled using your docked iPod/iPhone for both playlist navigation, FM tuning and volume control. A pivoting iPod/iPhone dock allows users to hide the dock and use the clock, FM radio independently or other audio sources by connecting to the auxiliary input.
PORTABLE AND VOCAL HANDS-FREE KIT Parrot, leader in wireless peripherals for mobile phones, reveals Parrot MINIKIT+, a brand new portable hands-free kit, which manages two mobile phones simultaneously and is controlled vocally. Simultaneous management of two mobile phones Parrot MINIKIT+ is a portable handsfree kit capable of simultaneously managing two Bluetooth-enabled mobile phones, due to Parrot "Dual Mode" multipoint technology. The driver chooses one main telephone out of the two connected and the Parrot MINIKIT+ associates different ring tones to each. Attractions Hands-free management of calls For incoming calls, the 58
driver just has to say the words "accept" or "reject" to take or reject a call, without touching the mobile phone or the Parrot MINIKIT+. Vocal Service for text messages and email management Reading and sending emails and text messages whilst driving have man countries that have legislation against it. TextFriendlyTM service*, accessible from the Parrot MINIKIT+, allows users to vocally manage emails and SMS while keeping their hands on the steering wheel.
Great ease of use The Parrot MINIKIT+ is equipped with a vibration sensor which will turn the unit on and automatically reconnect it to the mobile phone(s) as soon as the vehicle's door opens. And much more…. Price and availability The Parrot MINIKIT+ will be available from November 2011 at £64. 99 MSRP Technical information available at www.parrot.com
Black Heritage Today 2011-2012
Ambassador Dan Rooney
The Rooney Rule paved the way
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fter many years of covert discrimination, football clubs in the UK could be forced to deliberately shortlist black candidates for vacant manager jobs The call from The Professional Footballers Association is for them to use ‘positive discrimination’ to increase the tiny number of non-whites in charge of top teams. Out of 92 English League clubs Birmingham’s Chris Hughton is one of only two black bosses on English football. The other is Chris Powell at Charlton. Discussions with the men who brought about the implementation of the ‘Rooney Rule’ in the US - credited with getting the NFL to a unique position were two black coaches faced each other in the Super Bowl – began at Wembley in September when Cyrus Mehri, the man who drafted that law met members of the PFA, League Managers’ Association, the Football Association, Football league and Premier League. Cyrus Mehri was invited to the talks by PFA CEO Gordon Taylor who pointed out that for a cosmopolitan country that spends a great deal of money training players for the future, one of the most obvious areas of interest is coaching and management and not having those posts available to all was Black Heritage Today 2011-2012
a gross oversight. “For some reason the number of black people who actually get a chance in this area is very small”, said Cyrus. The Rule was established by US Ambassador to Ireland Daniel Milton "Dan" Rooney, whose father founded the NFL, to ensure that minority coaches, especially African American were considered for high-level coaching positions. Until 1979, Fritz Pollard was the only minority head coach in NFL history (which was during the league's early years in the 1920s) and by the time the Rule was implemented, only six people of colour had ever held head coaching jobs. Since the Rooney Rule was established, several NFL franchises have hired African American head coaches and Gordon Taylor feels a
Chris Hughton
similar situation in England would be beneficial for all concerned. Gordon also remarked that “twenty years ago Cyrille Regis and Luther Blissett did not try to pursue management as they did not feel they would get a proper chance”. He added that it was now 2011 and in no one’s interest for potential managers to be put off for similar reasons, emphasising, “we will not be taking this off the agenda”. Pointing out the risk of being considered when deliberately running interviews with what could be seen as an agenda, the Equality and Human Rights Commission warned, “You couldn’t only shortlist people because they were black. You should only be employing the best person for the job.”
Since the Rooney Rule was established, several NFL franchises have hired African American head coaches.
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In 2003 National Football League (NFL) teams fell into line with the Rooney Rule when the Detroit Lions were fined £125,000 for not interviewing an African American for a vacancy in the sport. Could this happen in the UK?
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Hands off –
AFEWEE! hey were simply communityminded people who wanted to do something in their neighbourhood, something that would keep young people on the straight and narrow, bring them together and what’s more create something that would be theirs. Afewee was born. Meaning ‘It’s Ours‘ in Jamaican patois, Afewee has been filling the gap in provisions for youngsters in Brixton and surrounding areas since 1998. What started off as a crime prevention programme grew into something for everyone. Sports coach and personal trainer Steadman Scott founded Afewee Urban FC and football academy alongside Tony Goldring, an FA certified coach. Helping them is Sharon Thompson, club secretary and project manager. They and eight other volunteers do it out of love for each and every one of the 75 youngster who wander into their radar and end up growing up there. The initial observation was that many youngsters in the community had sporting talents and wanted to access activities or training. Unable to afford
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Afewee Football Academy Under 11’s aged 4-11 (school year Reception to Year 6)
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Afewee Football Academy 11-16 year olds (School year 7 to year 11)
Now in their 13th year and with over 500 children having gone through their programme, a south London organisation that kicked-started the careers of several current premier football players fear they will lose their playing field.
monthly or even weekly subscription to private facilities, some of them turned to street crime or fell into other bad habits. It was something to do, somewhere to release pent up energies and frustrations. The founders of Afewee decided to create a programme of football and related activities and training, successfully using sport as an intervention to crime. “We understand young people, particularly those from deprived backgrounds,” says Sharon, a qualified teacher with a BSc in Psychology, and lectures in Education and child development. “We have great mentors that play a vital part in giving young people the mental attitude, discipline and drive they need to be successful professional athletes and valued members of the community.” They receive no government funding and for a good while existed on donations from the community but in the late 90s they won sponsorship from Arsenal, then Chelsea stepped in with sponsorship. One of Sharon’s particular joys is volunteer, committee member and coach, Keshana Kelly, a football coach and personal trainer. Keshana
joined Afewee FC in 2001 as a player. “She’s a level 3 FA coach and is about to start a Degree in Sports Science and professional; coaching,” grins Sharon. Keshana, who worked at the David Beckham Academy for five years, was noted as one of Afewee’s best female players so the organisation kept her on and taught her how to coach at professional level She went on to play professional football for Charlton Athletic women’s team. Despite Afewee’s achievements of producing some outstanding players, several of whom have become professional footballers in premiership teams such as, Arsenal, Crystal Palace, Tottenham, Brentford, Charton and Barnett to name a few, things are still challenging. The group use whatever field they can find, from Ruskin Park to Streatham Common, but their main activities are run at Brixton Recreation Centre (Rec), which had been granted to them by the Greenwich Leisure LTD for free. Earlier this year they were told that things had to change. For a club that has to take public transport to get to their matches or hire mini-buses paid for out of the founder’s pocket, its devastating news and added Black Heritage Today 2011-2012
pressure. “The people at the Rec have been patient and quite frankly great and we would love to stay there and eventually be able to pay our way because it’s an ideal environment and location… and we’re there already,” says Sharon. “We have started asking the kids to bring £1 per session but many do not have it. And we can’t turn them away.” Sharon is not sure how long the current reprieve will last and is desperately trying to find an alternative location where they can train the youngsters whose age range from eight to 16 years.
Black Heritage Today 2011-2012
. Left to right Tony Goldring, Sharon Thompson Keshana Kelly, Steadman Scott.
“We have been offered some office gear and football stuff, we have equipment but nowhere to put them.” She reveals that despite their situation they’re in the process of expanding their services. The new arm, Elite Youth Sports in conjunction with Afewee urban FC, will offer a wider range of sporting activities and run accredited sports courses for young people, develop a summer sports camp, outdoor pursuits, martial arts, gym, exercise to music and more. “Our long – term plan is to build
the organisation so that all the volunteers are paid a salary and offer trainers who are not academically minded, but have a gift for mentoring and training talented youngsters, extra training and a secure job.” Sounding decidedly determined she adds, “We have so many kids who want to use the project and we don’t want to let them down. We have a young man who is in the Amateur Boxing Association, he’s so talented, so hopeful. We cannot give up on him as he may then give up on himself and we can’t sit back and allow that to happen.”
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“We have been offered some office gear and football stuff, we have equipment but nowhere to put them”
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Jamaica Birmingham SPOR TS LEGACY Exchange Programme t is a covenant like no other. Attached to that historic signing is the long lasting legacy between Birmingham and Jamaica which really has no boundaries and has produced opportunities for exchanges of trade, sports and culture. A legacy by which through approved consent with the Ministry of Sport, Youth and Culture led by minister Olivia Grange, Jamaica High Commission, initially led by Honourable Burchell Whiteman and currently Honourable Anthony Johnson. Instrumental too was Mike Fennell, President of the Jamaica Olympic Association who gave his backing to Jamaica coming to train in Birmingham. Visits to Jamaica by Councillor Whitby and officials of Birmingham City Council, ensued, with Marcia Bulgin, consultant responsible for co-ordinating and facilitating relationships between all parties in Jamaica and Birmingham. Return visits and what is now a first name relationship has been achieved with Jamaica sport officials, ministers of government and private sector businesses visiting Birmingham on a regular basis. The Birmingham Jamaica Legacy Programme started being seen in context of the bigger picture. Birmingham City Council Leader Mike Whitby recognised that it would highlight the growing sporting links between Birmingham and Jamaica ahead of next year’s Olympic Games. The trip, part of the Jamaican Training Camp Legacy Exchange Programme, initiated by Cllr Whitby, aimed to increase participation in adult and school
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One of the lucky girls who went to Jamaica
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Marcia Bulgin
In February 2010 the governing body for Jamaica Track & Field, Jamaica Administrative Athletic Association (JAAA), led by its president Howard Aris, University of Birmingham and Birmingham City Council signed an historic agreement for Jamaica athletes to use the University of Birmingham as their base prior to London Olympics 2012. It led to a bonding that cannot easily be foiled. sports, building lasting sporting links between Jamaica and Birmingham. The initial part of the Legacy Programme started in March 2011 when Ms Bulgin, Birmingham Jamaica Sports Exchange Legacy Liaison, along with the head of Birmingham schools, and the representative of the Jamaica High Commission spoke of taking a team of 24 Birmingham youngsters to compete at Jamaica’s newly refurbished National Stadium in Kingston in March to experience Jamaica’s highly acclaimed Gibson Relays. The Birmingham athletes, aged 13-18, competed in the 100m and 200m as around 4,000 athletes from 298 teams went headto-head in the biggest ever Gibson Relays. In addition to athletics, the Legacy
Exchange Programme incorporates: a Netball team of 16 athletics led by Marcia Bulgin, Birmingham Jamaica Sports Exchange Legacy Liaison, along with Sue Bell Head of Netball at Birmingham City Council. Cricket and football is also a part of the Birmingham Jamaica Legacy Programme, which toured and competed in teams in Jamaica, April 2011. The British athletes played the National under 16 squad who fought for every ball on court. Of course both sides were fiercely competitive with their evident love for the sport; “but”, according to Sophie Masterson one of the lucky ones chosen for the trip, “the minute the final whistle went, we were best friends.” Expanding with bubbling excitement Black Heritage Today 2011-2012
‘…we need a league of exceptional people to inspire and motivate our children… Michael Johnson (former professional footballer) wanted to make a difference to the lives of the many young people he came into contact with. After meeting with a team industry professionals who work within education, it sparked an idea.
some of our most elite professionals. The commitment will allow the successful applicants to gain the expertise, career guidance and financial support that many young people do not have in order to reach their true potential.
This idea has now come to fruition in the most remarkable way. Sparks’ belief stems from the ‘each one - teach one’ philosophy. The aim is to create a League of High Profile Professionals who pledge to help to save a London Child.
We aim to create up to 40 scholarships and invite you to join our league of exceptional professionals and hope that you will pledge your time, your skills and your investment to help to change the life of a London child.
Through a select scholarship programme young people across London will be able to gain the academic and pastoral support from
Contact David Coker by e-mail for further information: 07960 438 249 or dcoker@ethosltd.org
she continues, “The Jamaicans are so passionate about their sport, and it’s a real family affair. We attended their Friday night league where you have Super League teams playing alongside lower division teams. There were four floodlit courts and over 500 spectators. There was food stalls and music playing, the atmosphere was electric.” With over 55 athletes and officials coming to Jamaica, it was important that everything ran smoothly. This was achieved with the assistance of Ministry of Foreign Affairs who has responsibility for the safety and movement of foreign nationals visiting Jamaica and Ministry of Youth, Sport and Culture who has responsibility for the Birmingham Jamaica Sport Exchange & Legacy Programme. All necessary clearance and checks meant the teams enjoyed VIP status to and from Jamaica. Olivia Grange, Minister of Youth, Sports and Culture gave the Birmingham athletes centre stage at the official opening of the Jamaica National Stadium’s new track with the athletes being the first to walk on track in front of all Jamaica’s media. Favourite moments for UK-based Ms Bulgin were training for track and field at Spot Valley High School in Montego Bay. She also particularly Black Heritage Today 2011-2012
Sophie 1st bottom right
noticed the wonderful welcome and Jamaica’s high level of school discipline and behaviour. “The Jamaicans were very warm and friendly and gave us a fantastic welcome,” agrees Sophie. “Looking at all the young persons who was given the opportunity made it worthwhile and gives me the will to continue what was started,” observes Ms Bulgin, “and to ensure Jamaica and Jamaicans in Birmingham can benefit from more than just lip service.” The programme created supportive links with a number of sponsors including, AMP Scaffolding, Speedone Sports, PUMA, Spot Valley High, Montego Bay; Ocho Rios High,St.Ann; Just Swagga, Grace
Foods, Advantage West Midlands as well as the Jamaican hotels that supported the trip with excellent rates: The Wyndham and The Pegasus, as well as Riu. Additionally, links were strengthened between Birmingham City council and a number of partners including, Birchfield Harriers, Birmingham Row Heath Athletics Club, Sparkhill Harriers Athletics Club, Birmingham Netball and the University of Birmingham. To find out what’s ahead for 2012 and the 2nd part of the exchange log on to: www.birmingham.gov.uk or www.marmarmarketing.com
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Michael Johnson’
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EXCLUSIVE
Running with Grace Loving, family minded and determined to break records, this nearly sums up Shelly-Ann Fraser-Pryce, but not quite.
hen it comes to the Olympics 2012 the entire island of Jamaica will be cheering on the Jamaican squad but in the 100m and 200m all hope of gold rests firmly on her slender shoulders. No Pressure then! The fastest Jamaican woman ever with the Jamaican National Record of 10.73 seconds handles the pressure by remarking on how much she loves her sleep. Shelly-Ann, who attended Wolmer’s High School for Girls, choose to study at the University of Technology Kingston and train with the MVP Track and Field Club when many other athletes were being lured abroad. In 2007 she earned her first global medal in athletics by running in the qualifying round of the 4X100m at the IAAF World Championships, where
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Jamaica earned the silver medal in the final. A year later she took the world by storm, running 10.78 seconds in the Olympic 100m final, thereby winning the Gold Medal and running the fastest time in the world. In October of that year the Government of Jamaica appointed Shelly Ann an Officer of the Order of Distinction. She also received the 2008 Prime Minister's Youth Award for excellence in Sports. In January 2010 she was appointed to UNICEF as Jamaica’s first Goodwill Ambassador. January seems to be a good month for Mrs Pryce because she married Jason exactly one year later in 2011. Black Heritage Today caught up with Shelly-Ann during a short visit to the UK to meet with her sponsors, multinational Jamaican company Grace
Foods. Why did you want to be an athlete and what is the fastest time you think you can run? I was blessed with a talent for athletics so I’m trying to make the most of that talent. I realised that I was good at athletics at an early age, 4 -5 years old, and have been running ever since. I’m currently running 10.7, but I know that if I work hard on my technique and remain focused I will be able to beat that time. Jamaicans have been very successful in athletics, especially over the last five years or since Asafa Powell broke the 100 metres world record. What would you say is the main cause for their success? We have a rich heritage in sprinting and have done so for a long time now. Black Heritage Today 2011-2012
As Olympic and World Champion, what advice you would give youngsters wanting to become an athlete? Really love what you do, don’t just judge it as an escape route, as without a genuine passion you may well lose interest in time. Work hard, have perseverance and, determination, while surrounding yourself with positive influences, focusing on your achievements and looking to God for support to help you reach your goals. What are some of the challenges you faced in your earlier life and how have they helped you when dealing with some of the challenges you have faced as a champion? I lived with my mother and brothers in a house with only one room, one bed etc. It was difficult for my mother to send my brothers and I to school as she was self employed, and the community where I grew up was quite tough too. It was the support of my mother and my school that helped me get through. For example, my school always made sure that I received a good breakfast and lunch to help me grow strong, and helped with my school fees and books etc. My coaches and managers at school were also a great support. If you were not an athlete what are some of things you would have done and what profession would you have gone towards? An actress – my friends will tell you that I’m a comedian and I always loved drama classes at school. Athletics has taken you all over the world, what has been your favourite or best experience whilst travelling around the world. Black Heritage Today 2011-2012
“We have a rich heritage in sprinting and have done so for a long time now. As a result, track and field is a big focus at every stage of school. Coaches really look out for and nurture talent from an early age” I love the training camp in Italy where we stay for two months every year. The atmosphere is amazing and there is a wonderful park and beach; it’s very exotic. How do you relax outside of athletics and what are some of the things you enjoy doing? I love to go and see movies with friends and I enjoy going to Port
Royal and buying some roasted or seared fish. I also enjoy chilling out at home. What are your plans and goals for the future? The Olympics in London in 2012 is the big goal. I’m hoping to do the double in the 100 and 200m. By Barbara Campbell
Shelley being interviewed
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As a result, track and field is a big focus at every stage of school and it’s really popular. Coaches at our schools really look out for and nurture talent from an early age. Also, Jamaica is pretty hilly, so we walk, run and play games a lot as children and therefore get quite fit from a young age. And genetics help too.
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OLYMPIC 2016:
One to look out for n the field of Judo Jamal Petgrave has competed nationally and internationally. To date, his achievements read like that of a seasoned ‘long in the tooth professional’ and his medals and cups include: Gold in the British National Championships in 2007; Gold in the British Schools Championships in 2008, and an individual gold medal in the London Youth Games 2009. The teenager, who attends Harris Academy in Merton, was awarded the accolade of ‘Merton Borough Junior Sportsperson of the year’ award in 2009 and more recently he picked up Gold in the Belgian international Open Championships 2011 in his own age category, in addition to winning Gold in the under 17s. Last, but not least he walked away with Gold in the 2011 Kent International Championships. Phew!! Jamal was just three and a half when he made his debut in the sport. His mum, who has recently completed both the London bike marathon (26 miles) and London to Oxford 60 mile ride events in the summer, had been visiting
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The Petgrave family has a distinct competitive streak and it’s a good thing. Dad Eric is a black belt in both Karate and Judo, whilst mum Barbara is into cycling; and their two sons are catching up fast, with all eyes on Jamal aged 14 at present. the local leisure centre where she saw children participating in judo and “thought my sons would enjoy that”, especially as dad was already into martial arts. Jamal and his younger brother Sam now eleven and building up a cache of medals himself, including being the 2010 British National Judo Champion for his age and weight category - took to Judo like ducks to water. A member of Westcroft Judo club based in Carshalton, Surrey, Jamal was eight when he started competing. He was selected to the England Judo Squad in 2009 and is currently on the England pre-cadet squad. “My dad, who’s also assistant coach at my judo club, started taking me regularly. I ended up enjoying it and being quite good at it,” says Jamal. Both parents are highly supportive of their children and it shows in the many times mum is armed with her video recorder wherever her sons participate, not to mention the financial costs of travel, accommodation and the correct attire. Jamal proves touchingly conscious of all the support. “I love it when my family comes to support me, it really does give me a boost,” says Jamal. “But I do competitions all over the place, in England and abroad. All of these trips cost quite a lot so it puts financial
pressure on my parents, but they still pay for me to go,” he observes. Being a dedicated athlete who trains up to four times a week can be hard to stick to when there are so many distractions, but for Jamal his biggest challenge is balancing his education and his sporting ambitions. “At the moment I am coping with it, but I am hoping to go to university, which I am hoping will not conflict with my sport.” At the time of going to print Jamal’s ardent goal is to win medals in the forthcoming ‘England Identified’ judo competitions this year in order to be selected for the England cadet squad team. He would then be eligible for selection by the England squad to represent England in international competitions. He wants to compete in the 2013 European Youth Olympics and then in the 2016 Olympics. His family are right behind him. As the saying goes, a family that prays or plays together will stay together. While the Petgraves may not be playing there is no doubt they have built a secure family unit by instilling a healthy competitive spirit in their three children. As for baby sister Olivia, aged just two, we have another year and a half before she makes her mark…. but you never know! Black Heritage Today 2011-2012
Visual Arts EXHIBITIONS Visual Arts / Displays Throughout Oct AFRICAN CARIBBEAN SPORTING HEROES A look at the African Caribbean contribution to sport. Venue: Stoke Newington Library, Stoke Newington Church Street, N16 0JS. Adm: Free. Info: 0208 356 3000. Throughout Oct THE ROOT TO THE FRUIT An intergenerational oral history project established to document and celebrate the lives of elders from the black Caribbean and African communities who have made outstanding lifetime achievements. Venue: Ealing Central Library, Ealing Broadway Centre, Ealing, W5 5JY. Adm: Free. Info: 0208 825 9278. Throughout Oct PEOPLE THAT MADE BLACK HISTORY From the athletes to the scientists, the activists to the adventurers – delve into the lives and careers of the people who made Black History. Venue: Idea Store Whitechapel, 321 Whitechapel Road, Whitechapel, E1 1BU. All day. Adm: Free. Info: 0207 364 4332. Throughout Oct DREAM TIME Dream Time–exhibition, exploring history, art and culture of Australian Aborigines. Venue: Idea Store Bow, 1 Gladstone Place, Roman Road, Bow, E3 5ES. Check venue for opening times. Adm: Free. Info: 0207 364 4332. Throughout Oct AFRICAN CULTURE AND TRADITION A look at some aspects of African culture and tradition. Venue: Woodberry Down Community Library, Community Centre, Kayani Avenue, N4 2HF. Adm: Free. Info: 0208 356 3000. Throughout Oct INFLUENTIAL BLACK PEOPLE A new display in honour of Black History Month, celebrating the achievements and success of key figures in the world. (Available to borrow). Venue: Idea Store Whitechapel, 321 Whitechapel Road, Whitechapel, E1 1BU. All day. Info: 0207 364 1738. From Oct – Mar 2012 BROADWATER FARM: THE STORY OF A COMMUNITY 1967 – 2010 Built between 1967 and 1971, 'the Farm' is home to 4,000 people. It has a chequered history but today after many improvements, the estate has often been referred to as a model of social housing. Venue: Bruce Castle Museum, Lordship Lane, London N17 8NU. Adm: Free. Sat 1 - 31 Oct BLACK AND WRITE A literary installation on the subject of black British icons at Camberwell library for the month featuring work led by spoken word artist Mark Thompson. Venue: at Camberwell Library, 17-21 Camberwell Church Street, SE5 8TR. Adm: Free. Info: 0207 525 2000.
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A master class in
Mosaic Dionne Ible’s decision to attend a course leads to not only a new business venture but into the world of education through the art of creating mosaics. ike buried treasure and through one woman’s determination the little known art of creating mosaic has been re-kindled, polished off and given a new lease of life. Attending a mosaic making course at the Working Men’s College in London in 2002 set Dionne Ible off on a roller coaster love affair with this ancient art form. It inspired her to create African influenced designs that are not only unique but will also captivate the viewer. Several of her mosaics have names such as ‘Island Girl’ ‘Head wrap Tie Dye’ and ‘Ebony Lady’ that portrays s a woman in
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mustard coloured garbs and wearing a head wrap. All of which to the viewer has elegance about it. “My favourite mosaic piece is probably Nubian Goddess. The female form is a significant feature in my work because historically we are the nurturers,” says Dionne. “We also offer the channels of life so I celebrate 'woman' in my work and all she has to offer.” Her enthusiasm for creating mosaics knows no bounds and motivated Dionne to set up her own company Qemamu Mosaics in 2006. “The Name means creator or creation,” explains Dionne. “My love of African culture provides the inspiration for all of my bespoke mosaic pieces.” In her work Dionne is able to capture the naturalness and beauty found in African culture by using earthy tones along with vibrant colour and an array of textured mosaic tiles. She generally works with glass tiles and smalti, but is keen to experiment with more natural tesserae such as marble, stone and semi-precious Black Heritage Today 2011-2012
children actually sit still and stay focused for more than an hour and when adults attend my workshops they usually comment on the therapeutic aspects of mosaic and that they could sit and do it all day. There is also a great sense of achievement from both adults and children when they finish their artwork which in turn makes me happy.” She is currently in the process of designing an Olmec head which will hopefully be displayed in an exhibition towards the end of the year.
stones. When asked of her influences she gladly shares, “Menossi Guilio for me is one of the top masters when it comes to 3D work. Using the traditional method of mosaic making, Menossi’s use of smalti and marble is exquisite. His attention to detail is amazing and I would love the opportunity to learn from his expertise.” As well as creating her own designs Dionne, who is a member of the British Association for Modern Mosaic (BAMM), holds workshops for adults, schools, clubs, community projects and amazingly children’s mosaic parties. “At a party the emphasis is for the children to have fun as well as being creative and to assure them that there are no wrong pieces, just happy accidents,” smiles Dionne. The feedback she receives has been positive. “Adults are amazed that their
Now –14 Oct WALK IN MY SHOES An exhibition by CASA and SAFE studios artists that depicts the life of a black person they have chosen to celebrate. Venue: Spitalfields Gallery, Business Development Centre, 7–15 Greatorex St, Whitechapel, E1 5NF. 10am–5pm. Adm: Free. Info: 0207 375 3933 / 0207 247 1892. Now - 19 Nov NETWORK BY SONIA BOYCE Network is a specially commissioned film by artist Sonia Boyce. Venue: Peckham Space, 89 Peckham High St, SE15 5RS. Adm: Free. Info: 0207 358 9645. Sat 1 Oct– 30 Nov INTERNATIONAL PHOTOGRAPHY FESTIVAL Over 200 exhibitions and events in galleries and venues all over East London including the photofair, photo-lounge, photo-open, portfolio reviews, talks, walks and workshops. Venue: Various venues. Adm: Free. Info: 0207 375 0441. Mon 3– 29 Oct PHOTOS OF SHADWELL Photos of the Shadwell area that reflects the theme of BHM. Venue: Watney Market Library, 30–32 Watney Market, Shadwell, E1 2PR. 10am– 6pm, Sat 9am–5pm. Adm: Free. Info: 0207 790 4039. Mon 3 - 31 Oct PETER KYTE: LONDON PHOTO WALL Peter Kyte is a practising urban and arts photographer. Venue: Town Hall Library, Brent Town Hall, King's Drive Entrance, Forty Lane, Wembley Middlesex HA9 9HU. Adm: Free. Info: 0208 937 3500.
“The Olmecs are the oldest known civilisations to first cross the plains of South America,” elaborates Dionne. “They are distinct colossal heads made of stone with negroid features. I want to do this particular mosaic not only as an interesting piece to mosaic but to also educate people on ancient history and what is not taught in schools particularly on black history.” While Dionne would love to attend the mosaic master classes in Italy, for the future she is embarking on setting up her own studio where she can “spread out and be as messy as I want”. More information on Dionne’s work can be found at www.qemamumosaics.com By Patricia Arthurs
Black Heritage Today 2011-2012
Now – 14 Oct I AM BY POUKA The title ‘I AM’ comes from the invisible, something who is and hasn’t been made and has always existed. The main body of the painting is our planet with it’s transformation through time. Adm: Free. Info: www.poukart.com
Mon 3 – 31 Oct MY FAVOURITE BOOK Brent Mind. Art display inspired by the favourite books of group members. Brent Mind is a local mental health charity that promotes recovery and wellbeing. Venue: Willesden Green Library, 95 High Rd, Willesden, London NW10 2SF. Adm: Free. Info: 020 8937 3400 Thurs 6 Oct–Spring 2012 UNCOVERING INTER-WAR BLACK HISTORIES Findings in the Library’s collections relating to black history. It explores the ways in which black individuals and histories either appear or are absent in the records of various women’s rights organisations and individual campaigners. Venue: The Women’s Library, London Metropolitan University, 25 Old Castle St, Aldgate, E1 7NT. Adm: Free. Info: 0207 320 2222. For more extensive listings covering the UK visit: www.blackheritagetodayuk.co.uk
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Those who paved the way in ...
Film
Throughout the century film has been used to capture many emotions. Thankfully it was also used to record those who broke through the glass-ceiling in the gigantic industry. pon hearing household names like Tyler Perry, whose films had grossed over $500 million worldwide since the release of his first film Diary Of A Mad Black Woman in 2005; one might falsely assume the black community had always had the freedom to express itself through film. Yet, less than a century ago, Africa and her children were represented exclusively by Western filmmakers. With well known titles like ‘Tarzan’, The African Queen, and others, their films pictured an exotic land and its people falsely suggesting they had no history and no culture. Back in the fifties, when a legal ban called the "Laval Decree" restricted Africans living in French colonies from making films of their own, Paulin Soumanou Vieyra shot ‘Afrique Sur Seine’ (1955). Benin born, Senegal educated, and trained in one of the France’s prestigious Film Institutes Vieyra, along with a few of his colleagues from Le Group Africain du Cinema was granted permission to make a film in France, in spite of the
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Afrique Sur Seine
ban. Not like any other film Afrique Sur Seine explored social issues and the challenges Africans living in France faced at the time. Picturing Paris of 1950s from the cinematic perspective of a group of African immigrants, it is widely regarded as the first film made by a black African. After Afrique Sur Seine, the film 70
director and historian Vieyra reportedly made over a dozen films and wrote a number of books. Also, as a founder of the “Fédération panafricaine des cineastes” (1969), he was recognized as a huge contributor to the emerging field of African filmmaking and African film theory.
Ousmane Sembène
Eleven years later (1966); showing the despair of an African woman forced by circumstance to work as a maid in France “La Noire de...”, also known as “Black Girl” was released. This motion picture was the first African film to gain recognition on an international scale. Directed by Ousmane Sembène – a Senegalese acclaimed writer (turned into a film maker) “La Noire de...” was his attempt to reach his own people, mostly illiterate at the time. Apart from birthing individual directors like Sembène, who in some circles continues to be considered the 'father' of African Cinema; the sixties ‘released’ The Panafrican Film and Television Festival of Ouagadougou, otherwise known as FESPACO (1969). Considered the largest African film festival and the biggest regular cultural event on the African
continent it is held every two years in Burkina Faso, and focuses mainly on the African film and African filmmakers. Institutionalized by governmental decree in 1972 and hugely successful FESPACO continues to take place in the 21st century. It attracts visitors from across the continent and beyond providing African film industry professionals with opportunities to establish working relationships, exchange ideas and to promote their work. Another trailblazer by the name of Safi Faye debuted as a film maker in 1972. Born in Senegal Safi migrated to France and based upon her own experience of being a foreign woman in Paris she created –“La Passante” (The Passerby). Another one of Safi’s films Kaddu Beykat (The Voice of the Peasant) internationally known as “Letter from My Village”, or “News from My Village” was released in 1975. With the financial backing from the French Ministry of Cooperation it was the first feature film to be made by a Sub-Saharan African woman distributed on a commercial scale. Ironically, it gained Faye substantial recognition internationally, but was banned in Senegal upon its release. Generally, her films are much better known to the European viewer and rarely shown in Africa. Most African filmmakers of those times saw making films as a tool of political change. Many used that ability to fight against the false image of Africans propagated by the Western film-makers whose motion pictures were hugely racist by nature. Another film-maker recognized by the British film industry would be Horace Ové. Trinidad born Horace apart from being a successful painter and writer is considered to be one of the leading black independent filmmakers to emerge in Britain since the post-war period. Ove holds The Black Heritage Today 2011-2012
FILM Screening / Documentaries Throughout Oct BHM LIBRARY SCREENINGS A feature film celebrating Black interest cinema. Venue: Downham Library, 7-9 Moorside Rd, Downham, Bromley BR1 5EP, Forest Hill Library, 82 Dartmouth Rd, Forest Hill, London SE23 3HZ, Manor House Library, 34 Old Road, London SE13 5SY. Adm: Free. Info: 0208 314 7794. Tues 4 & 5 Oct COMING TO ENGLAND Floella Benjamin is a major figure in Britain’s television history. Coming to England is a stunning film, charting her journey from Trinidad to Britain in the 1960s. It is an inspiring story of how she adjusted to her new life and surroundings. Includes a discussion. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 10.30am–12.30pm and 1pm–3pm. Adm: Sch perf only, adv £5 per pupil, £1 per accompanying adult. Info: 0207 613 7498. Wed 5 Oct - Sat 22 Dec THE FORGOTTEN GANG A photo documentary combating the media's negative representation of African and Caribbean youth. The faces and views of young black people who are not in violent / negative gangs. Photographs by Elaine Bandele. Venue: Bruce Castle Museum, Bruce Castle Museum, Lordship Lane, London N17 8NU. Adm: Free. Thurs 6 Oct FOR COLOURED GIRLS A film directed by Tyler Perry (Cert 15). A poetic exploration of what it is to be of colour and a female in this world. Venue: Wood Green Library, 187-197A High Road, Wood Green, London N22 6XD. 7pm. Adm: Free. Info: 0208 489 2700. Sun 9 Oct FILM: BAMAKO Melé is a bar singer, her husband Chaka is out of work and the couple are on the verge of breaking up. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JT. Adm: Free. Info: 0207 358 9645. Mon 10 Oct BLACK BRITAIN ON SCREEN Tony Warner with David will present a selection of excerpts from key titles as well as introducing the groundbreaking and ongoing African Odysseys programme at the BFI Southbank. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Mon 10 Oct DEACONS FOR DEFENSE Screening of a film, which explores a little known, but true aspect of the American civil rights movement. Starring Forest Whittaker and Ossie Davis. Venue: Goldsmiths Students Union, 8 Lewisham Way, London SE14 6NW, 6.30pm. Adm: Free. Info: 0208 692 1406. Mon 10 Oct MICHAEL JACKSON: A VISUAL DOCUMENTARY Adrian Grant author of Michael Jackson: A Visual Documentary is renowned for his close affiliation with Jackson and is a pioneer of many Jackson related projects, including the stage musical Thriller. His Black Heritage Today 2011-2012
Ready For Her Close-Up Author of The Black British Filmmaker’s Guide to Success and film curator Nadia Denton, speaks of why support for film makers is so important to her. he started out working in community development, which she enjoyed, but London-born Nadia Denton “wanted to do something different” so when bfm (black filmmaker) invited her to coordinate their monthly film club, she jumped at the chance. Nadia, who grew up in a Jamaican household, studied History at Oxford and worked briefly in Ghana after graduating, ran the bfm Film Club at the Institute of Contemporary Arts from 2004, showcasing Black World Cinema. She also directed the 10th and 11th bfm International Film Festivals. Since leaving bfm in 2010 she’s been approached regularly for her experience of marketing film content to African and Caribbean audiences. Lately though, she’s been working with Islington BME forum to produce the film strand of their BHM programme. "Whilst it’s great working with established film venues, such as the Institute of Contemporary Arts and the BFI Southbank, there’s a definite need for screenings at community level,” she says passionately. This means that the work of independent filmmakers will reach audiences who may not be so familiar with the film industry. Islington BHM Film Festival opens with the film Traces of the Trade which looks at how a wealthy New England American family deal with the discovery that their forefathers owned one of the biggest slave trading estates in the US. This will be shown alongside two short films, one about the Jamaica born sculptor George ‘Fowokan’ Kelly and
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Maggie Walker, the first African American woman to open a bank. Also screened will be multi-award winning Congolese film, Viva Riva! “I realised how important it was to ensure that the independent black content films that I was screening had visibility,” says Nadia. “The
”I was keen to profile a number of important black British filmmakers who have not yet had the exposure they deserve” majority of the films, from popular US titles to acclaimed titles from Africa, had no UK distribution. I also started working more closely with UKbased filmmakers. Screening events were crucial to their profile.” Nadia has collated all her experience into her first
book, The Black British Filmmaker’s Guide to Success: Finance, Market and Distribute Your Work, which will be launched during BHM. It features 42 interviews with filmmakers and industry professionals who have reams of expertise to share; it’s actually the first book of its kind.” She put pen to paper after recognizing the film industry’s bias towards what is regarded as ‘mainstream’ and that therefore most of the filmmakers she worked with tend to be sidelined, even though the content they are making is central to contemporary UK life and directly relevant. ”I was also keen to profile a number of important black British filmmakers who have not yet had the exposure they deserve.” She is also promoting Film Africa 2011, a major festival being organised by the Royal African Society and SOAS. Film Africa will feature the best of contemporary African Cinema. “We really are going to raise the profile of African film and boost public awareness about the range of terrific content being produced by African filmmakers. Many people associate African filmmaking with Nollywood, but a huge amount of vibrant work is being produced outside of this genre.” Future plans for Nadia includes writing an international version of her book, exploring the opportunities for black filmmakers across the globe. Nadia Denton’s book The Black British Filmmaker’s Guide to Success is available as a free download from: www.blackfilmmakersguide.co m / www.filmafrica.org.uk / ww w.islington.gov.uk/bhm
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Guinness World Record holder as the first Black British film-maker to direct a feature-length film. His film Pressure tells the story of a London teenager who joins the Black Power movement in the 1970s. Today, merited for being the UK’s ‘first black feature’ the film had been banned for two years before its final release in 1976. After the ban got lifted and the film was released, the British Film Institute (BFI) declared: "Horace Ové is undoubtedly a pioneer in Black British history and his work provides a perspective on the Black experience in Britain”. Ové’s acclaim as a filmmaker continues to this day. As one of five winners he was awarded £30,000 by the Paul Hamlyn Foundation Award for Visual Arts in 2006; and a CBE (Commander of the British Empire) for his contributions to the UK film in 2007. Among the growing number of black names, which seem to help carry the film industry as opposed to being carried by it would be that of Spike Lee. Spike was born in 1957 in Atlanta (Georgia), and since 1983 his production company has produced over 35 films.
film-making talent. Soon after, in 1985 Lee began work on his first feature film titled “She’s Gotta Have It”. Shot in two weeks, supported by the budget of $175,000 it was released in 1986 and grossed more than $7,000,000 at the U.S. box office. Among many others Lee has collected an Emmy Award, also received two Academy Award nominations. In the UK, doors were also opening to a female film director, producer, model, and lecturer Ngozi Onwurah. When the civil war broke out in
Julie Dash
Spike Lee
Joe's Bed-Stuy Barbershop: We Cut Heads was an independent picture, which in 1983 Spike submitted as his master's degree thesis at the New York University's Tisch School of the Arts. As the first student film to be showcased in Lincoln Center's New Directors New Films Festival it was a clear and early indication of Lee’s
Nigeria Ngozi fled to the UK with her white British mother and brother. Having spent most of her life in the UK, the British-Nigerian studied Film at St. Martin's School of Art, The National Film (UK), and The Television School (UK) and used the racial discrimination Julie Dash she and her brother endured during their childhood in many of her films. Her films, described as “per formative, autobiographical, experimental, and ethnographic” often use the stereotype of the ‘Tragic Mulatto’. Many titles followed the release of one of Ngozi’s first films “The Body Beautiful” (1991). Featuring herself and her mother Madge Onwurah, the film discusses their life experiences, their hopes and fears. Amongst others, the film explores the feelings of Ngozi being raised by a white British mother, and of being a model in a predominantly white industry. “The Body Beautiful” also challenges one’s idea of beauty as the mother
Julie Dash
comes to an acceptance of her breast cancer which led to a mastectomy. Another female film-maker worth mentioning is the Big Appleborn Julie Dash. Having studied film production at the Studio Museum of Harlem she debuted in January 1992 with a feature film under a rather exotic title ‘Daughters of the Dust’. Consequently, Julie is now reported to be the first African-American woman director to have a fulllength, general theatrical release. The first full-length film by a female film-maker, ‘Daughters of The Dust’, written and directed by Dash tells the story of three generations of Gullah women at the beginning of the 20th century. Narrated by an unborn child, the film focuses on the family's migration from the Sea Islands to the American mainland. Initially rejected by Hollywood executives “Daughters of the dust” is reported to have gained critical appraisal – mainly for its rich language, use of song, and imagery. Filmed on St. Helena Island in South Carolina it was spoken of by the Library of Congress as being "culturally, historically, and aesthetically significant" and selected (by the same) for preservation in the United States National Film Registry in 2004. Breaking through any glass ceiling is not easy; but once done what seemed impossible to all becomes a possibility to many. The black filmmakers mentioned above broke through their own limitations and those introduced by the environment. They paved the way for what has now become an easier, if somewhat still rather expensive industry; albeit one worth pursuing. By Monika Francisco-Ribeiro
presentation that combines real-life footage, digital camera work and scripted sequences. (Egypt, 2011, 120 mins. Venue: Leighton House Museum, 12 Holland Park Road, W14 8LZ. 7.00pm (Doors open 6.30pm). Adm: £8, concs £6. Info: 0207 471 9153.
film offer detaila insider knowledge of Michael. Facts about Michael's life and death as never before. Venue: Harlesden Library Plus, Craven Park Road, Harlesden, London NW10 8SE. 7 – 8.30pm. Adm: Free. Info: 0208 937 3570. Tues 11 Oct BRENT’S REEL HISTORY To complement the BBC’s ‘Reel History of Britain’ season, join Brent Archives for a screening of ‘These Can Be Yours’, a surprising local film from the archives’ own collections, alongside footage from the British Film Institute, followed by a discussion session. Venue: The Cinema, Willesden Green Library Centre, 95 High Road, Willesden, London NW10 2SF. 11am-1pm. Adm: Free. Info: 0208 937 3400. Tues 11 Oct TO KILL A MOCKING BIRD Directed by Robert Mulligan (Cert 12). Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s who agrees to defend a young black man accused of raping a white woman. Venue: Alexandra Park, Alexandra Park Road, Wood Green, London N22 7UJ. 7pm. Adm: Free. Info: 0208 489 8770. Thurs 13 Oct BRAZIL, AN INCONVENIENT HISTORY Directed by Phil Grabsky (Cert exempt). This film considers the estimated 4 million people with whose blood, sweat and tears Brazil was built. Venue: Marcus Garvey Library, Tottenham Green Centre, 1 Phillip Lane N15 4JA. 7pm. Adm: Free. Info: 0208 489 5309. Thurs 13 Oct THE PIRATE TAPES Venue: Tricycle Cinema, 269 Kilburn High Road, London NW6 7JR. 8.30pm. Adm: £9 conc £7. Tel: 0207 328 1000. Fri 14 Oct MOTHERLAND Screening of ‘Motherland’, plus discussion after screening. Venue: Leytonstone Library, 6 Church Lane Leytonstone E11 1HG. 6pm – 9pm. Adm: £5 at the door. Info: 0208 496 1190. Sat 15 Oct THE STORY OF MAGGIE WALKER In spite of humble beginnings in post-Civil War Richmond, Virginia, Maggie Lena Walker was the first woman in the United States to found a bank. As a leader her successes and vision offered tangible improvements in the way of life women. (Dir: Various Legacy Media Institute (Tim Reid), 2011, USA / 23 min). Venue: King’s Place, 90 York Way, London, N1 9AG. 2pm. Adm: £6.50/£4.50 in advance. Info: 0207 520 1490. Sat 15 Oct FILM: WHITE MATERIAL Isabelle Huppert (The Piano Teacher) gives an extraordinary performance as Maria Vial, the formidable owner of a coffee plantation in a former French African colony. Venue: Dulwich Library, 386 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Sat 15 Oct TRACES OF THE TRADE (PG cert.) In Traces of the Trade, Producer/Director Katrina Browne tells the story of her forefathers, the largest slave-trading family in U.S. history. A remarkable journey which brings them face-to-face with the history and legacy of New England’s hidden enterprise. (Dir: Katherina Browne, 2008, USA / 86 min). Venue: King’s Place, 90 York Way,
For Colored Girls lot of people in the film community, whether they’re critics, or bloggers, or filmmakers themselves, are afraid to tell the truth about Tyler Perry. Read the comments section on anyone who does tell the truth about his films, and you’ll know why they’re afraid. But the truth is this: He’s yet to do anything worth watching. Until now that is. For Colored Girls, Perry’s new movie, is based on the half-dozen or so other Tyler Perry movies which came before it, but seems to have an honest to god, visual style all its own. An incredible all star cast unite for Tyler Perry’s adaptation of a landmark 1970’s choropoem and awardwinning Broadway smash. For Colored Girls stars Thandie Newton, Janet Jackson, Whoopi Goldberg, Macy Gray, Kerry Washington, Kimberley Elise and Phylicia Rashad. Ntozake Shange’s celebrated choreopoem ‘For Colored Girls Who Have Considered Suicide When The
Rainbow Is Enuf’ became a Tony Award-winning hit on Broadway in the 1970’s. This complex piece draws 20 different but complimentary stories together all on the theme of being a woman of colour in today’s world. For Colored Girls is a powerful story, weaving together the lives and issues of many different women as they move in and out of each other’s existences. Some are known to each other, some are strangers but heartbreak, crisis, crime and love will ultimately bring them together. For those of you who aren't already part of the Perry devoted, what did you think? Is there promise here? I’d love for this to be the place where Perry finally lives up to his box office totals. Besides, this is a cast which deserved to be in a good movie.
London, N1 9AG. 2pm. Adm: £6.50/£4.50 in advance. Info: 0207 520 1490.
Leytonstone E11 1HG. 7pm – 9pm. Age: 5+. Adm: Free. Info: 0208 496 1190.
Sat 15 Oct ANCESTRAL WANDERINGS A series of four of Jamaican born artist Fowokan's wanderings or word resonance as he calls his poems. The poems were selected to capture his journey, influences and awakening as an artist and him encountering the Benin bronzes on a trip to Nigeria. (Dir: George ‘Fowokan’ Kelly)Venue: King’s Place, 90 York Way, London, N1 9AG. Adm: £6.50 / £4.50. Info: 0207 520 1490.
Mon 17 Oct THE BLACK BRITISH FILMMAKER’S GUIDE TO SUCCESS Seasoned black Film commentator Nadia Denton discusses her book The Black British Filmmaker's Guide to Success: Finance, Market and Distribute Your Film. Chaired by Kunle Olulode (The New Black). Venue: Islington Museum, 245 St. John’s Street EC1V 4NB. Adm: Free (booking essential). Info: aisha.forbes@vai.org.uk
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Mon 17 Oct IDA B. WELLS: A PASSION FOR JUSTICE’ Screening of Ida B. Wells: ‘A Passion for Justice’ plus discussion after screening. £5 on the door. Venue: Leytonstone Library?, 6 Church Lane,
For Colored Girls isl be available to own on DVD and is full of extra special features, (RRP £15.99).
Mon 17 Oct 18 DAYS A series of ten short films that tell the varied stories of the recent Egyptian uprising that led to the overthrow of President Hosni Mubarak. The narratives cover different perspectives and are contained within an original
Wed 19 Oct THE TREE OF SPIRITS (PG) The Tree of Spirits blends West African and North American storytelling, and touches on universal themes such as the environment and the quest for water. Friendship is a central theme as two young children come together to prevent the felling of the sacred baobab tree. (50 mins). Venue: Tricycle Cinema, The Tricycle Theatre, 269 Kilburn High Rd, London NW6 7JR. 10.30am. Info: 0207 292 7300. Wed 19 Oct MOGADISHU DREAMING Ahmed Hagi left Somalia for Australia as Somalia fell into civil war. His landscape paintings allow him the space to try and interpret his identity, incorporating his cherished memories from childhood within his adopted home of Australia. (9 min). Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50 / £4.50 in advance. Info: 0207 520 1490. Wed 19 Oct MOSA Mosa explores a young woman’s internal struggle after being the victim of a hate crime rape in South Africa. Now in London, Mosa takes advantage of new opportunities to start a new life, but after feeling objectified once again, she breaks through and finally decides to live on her own terms. (Dir: Ana Moreno, UK/2010, 15min). Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50 / £4.50 in advance. Info: 0207 520 1490 Wed 19 Oct SOULJAH On a South London estate the local youths see themselves as being in a war against the police, gangs, the world. They think nothing of bullying an effeminate young African asylum-seeker and his mother. (Dir: Rikki Beadle-Blair, 2009/UK, 11min). Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50 / £4.50 in advance. Info: 0207 520 1490. Wed 19 Oct BLACK AND GAY Poet Dean Atta on coming out and his experience as a black gay man living in London. (Dir: Kathy Sheppard, UK 2008, 3min). Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50 / £4.50 in advance. Info: 0207 520 1490. Wed 19 Oct BLOOD Danny is a champion amateur boxer about to compete in his first professional fight. Years of coaching by his father Isaac and trainer Geoff are about to pay off. All Danny has to do is win. But sometimes you have to lose to win. (Dir: Kolton Lee, 2005/UK, 16min).Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50 / £4.50 in advance. Info: 0207 520 1490. Wed 19 Oct B.D. WOMEN Lively interviews feature Black women talking candidly about their sexual and racial identities. These contemporary views are cleverly interwoven with a dramatized love story, set in the 1920s. (Dir: Inge Blackman aka Campbell X, UK 1994, 20 min). Venue: King’s Place, 90 York Way, London, N1
Vasili. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 9pm. Adm: Free. Info: 0208 937 3400.
9AG. 7pm. Adm: £6.50 door, £4.50 adv. Info: 0207 520 1490. Wed 19 Oct THE TREE OF SPIRITS (PG) The Tree of Spirits blends West African and North American story telling, and touches on universal themes such as the environment and the quest for water, two young children and a sacred baobab tree. 50 mins, Venue: Tricycle Cinema, 269 Kilburn High Road, London NW6 7JR. 10.30am Tickets booked through National Schools. Info: 0207 292 7300. Thurs 20 Oct ANCESTRAL VOICES Screening and Q&A of a documentary that examines significant correlations mainstream religions and African spiritual practices widely stigmatised as Juju, Obeah, Voodoo or witchcraft. Venue: Forest Hill Library, 82 Dartmouth Rd, Forest Hill, London SE23 3HZ, 5.30pm (73 min. screening, 30 min Q&A). Adm: Free. Info: 0208 314 7653. Fri 21 Oct AFRICA UNITED (12A) The extraordinary story of three Rwandan kids who walk 3000 miles to the Soccer World Cup in South Africa. 88 mins, Venue: Tricycle Cinema, 269 Kilburn High Road, London NW6 7JR. 10.30am Tickets booked through National Schools. Info: 0207 292 7300. Fri 21 Oct AFRICA UNITED (12A) The extraordinary story of three Rwandan kids who walk 3000 miles to the Soccer World Cup in South Africa.(88 mins). Venue: Tricycle Cinema, The Tricycle Theatre, 269 Kilburn High Rd, London NW6 7JR. 10.30am. Info: 0207 292 7300. Thurs 20 Oct DOCHOUSE PRESENTS... DocHouse has joined forces with Rich Mix, Tricycle and the Riverside to bring the very best in award-winning international documentary to your doorstep. There’s a new season every month. October’s films are in association with Black History month, and feature a special screening at Rich Mix on October 20th. DocHouse. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 8pm. Adm: £9, concs £7. Info: 0207 613 7498. Sat 22 Oct FILM: KIRIKOU Tiny but brave Kirikou outwits a powerful sorceress; this enchanting adventure was inspired by the folk stories of Senegal. Venue: at Bird in Bush Centre, 616 Old Kent Road, SE15 1JB. Adm: Free. Info: 0207 639 3030. Sat 22 Oct CARNIVAL CHILD The Carnival Child’s magical powers are needed when she sees in her crystal mirror the beautiful rainforest being destroyed. A colourful show with puppets, masks and music from South America and the Caribbean. 5-11 yrs, 45 mins. Venue: Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR. 11.30am & 2pm. Adm: £6/£5. Info: Tel: 0207 328 1000. Sun 23 Oct THE LEGEND OF BELLA ROSA Romantic comedy set against the upheavals of Jamaica in the 1950s on the cusp of independence. Venue: Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR. 2pm £6/£5 under 16’s, 7.30pm £10, £12. Info: 0207 328 1000. Mon 24 Oct
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Film Africa 2011 Celebrating African Cinema here has never been greater interest in African film. A halfcentury after Africans started making their own films, supplanting the patronising iconographies evident in colonial cinema set in Africa, African Cinema is finally being recognised across the globe. It has been helped by the likes of Nollywood, Nigeria’s thriving video film industry, which has revolutionised film production and distribution throughout Africa as well as in Asia, the US, the Caribbean, and Europe. In 2010, UNESCO formally recognised Nollywood, with its output of about 2,000 films a year, as the second largest film industry in the world, after Bollywood. And yet, there is still much work to be done to ensure that African films of all kinds are made visible and available to audiences globally. Taste is something that is acquired and part of a process of socialisation, not inherent. And if people simply do not have a chance to see and enjoy African films, they will not be aware of what they are missing out on. Commissioned by the Royal African Society and the School of Oriental and African Studies,
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MOVIE MADNESS: MADAGASCAR Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar. All day. Venue: Idea Store Whitechapel, 321 Whitechapel Road, Whitechapel, E1 1BU. Adm: Free. Info: 0207 364 1738. Mon 24 Oct THE BLACK CANDLE ‘The Black Candle’ will have a discussion after screening. Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 7pm – 9pm. Adm: £5 on the door Mon 24 Oct BIG CITY STORIES A collection of film extracts from Black London Film Heritage,
Film Africa 2011 - a ten-day, annual celebration of African Cinema at venues across London - seeks to redress this gap between African films and audiences. “We have hand-picked the best contemporary African feature, documentary, short, and experimental films for London audiences to sample,” says Lindiwe Dovey, Film Africa 2011 co-director and programming director, “and have complemented the screenings with a line-up of exciting Q&As with filmmakers and actors, panel discussions with experts to help contextualise the issues presented in the films, music events to celebrate Africa’s diverse artistic talents, and educational workshops for young people.” Hosted by the brand new Hackney Picturehouse, more than fifty films will be screened at Film Africa 2011, from 3-13 November at the Hackney Picturehouse, The Ritzy in Brixton, The Rich Mix in Shoreditch, Screen on the Green in Islington, and The Frontline Club in Paddington. Visit www.filmafrica.org.uk for the full programme.
depicting black Londoners in the twentieth century. Bring your lunch. Venue: Bruce Castle Museum, Lordship Lane, London N17 8NU. 12.15pm. Doors open at noon. Adm: Free. Info: 0208 808 8772. Tues 25 Oct AFRICA UNITED (Cert 12) The extraordinary story of three Rwandan children, who walk 3000 miles to the World Cup in South Africa. Venue: Highgate Library, 1 Shepherds Hill, Highgate, London N6 5QJ. 7pm. Adm: Free. Info: 0208 489 8772. Tues 25 Oct BLACK FLASH The History Of Black Footballers In Britain. Screening of the Black Flash documentary about the History of Black Footballers in Britain followed by a Q&A by the author Phil
Wed 26 Oct BLACK FLASH A century of black footballers film screening. Author Phil Vasili presents a screening of the BBC4 documentary Black Flash: A Century of Black Footballers. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Wed 26 Oct SPECIAL SCREENING OF THE MOVIE ‘THE LION KING’ Family event-bring a packed lunch!! Tickets for the movie available at Leytonstone Library from Monday 12th October 2011. Venue: Leytonstone Library, 6 Church Lane, Leytonstone E11 1HG. 11.15am – 1.00pm. Age: 5+. Adm: Free. Info: 0208 496 1190. Wed 26 Oct VIVA RIVA! (15) For charismatic criminal, Riva, a sudden burst of stolen wealth ignites an exhilarating, hedonistic and perilous journey through one of the most intriguing cities in Africa – Kinshasa’s. multi-award winning film. (Djo Tunda Wa Munga, 2010, Congo/96min, Lingala w/English Subtitles). Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £6.50, £4.50 adv. Info: 0207 520 1490. Fri 28 Oct AFRICAN HISTORY BEFORE THE SLAVE TRADE’ Presentation on ‘African History before the Slave Trade’ Plus discussion after screening. Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 7pm – 8pm. Adm: £5 on the door. Info: 0208 496 3189. Thurs 27 Oct FUSION NIGHT This evening will be a mixer of film documentary screening and poetry and ‘share your talent’ sessions by young people. Kayd Somali Arts and Culture. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–8pm. Adm: £5. Venue: 07903 712 949. Sun 30 Oct BLACK HAIR-ITAGE MONTH Screening of short films, discussion and Hair & Make Up Workshops in the International Black Womens’ Film Festival. Venue: Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR. 2.30pm – 7.45p. Info: 0207 328 1000. Sun 30 Oct BLACK HAIR-ITAGE MONTH Screening of short films, discussion and Hair & Make Up Workshops during the International Black Womens’ Film Festival. Venue: Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR. 2.30pm – 7.45p. Adm: £5 & £7.Info: 0207 328 1000. DECEMBER Thurs 1 Dec THE DOORS OF PERCEPTION: Film Documentary and Q&A. A Part Of The U.N.’S International Year Of People Of African Descent 2011 Be some of the first people to see this insightful documentary on the history and legacy of Carved Doors, Cultural Tourism and Indian Ocean slave trade in East Africa and Oman. Led by Patrick Vernon. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 6 - 7.30pm. Adm: Free. Info: 0208 356 3000 /0208 356 2509. Black Heritage Today 2011-2012
Anansi & The Dutchy Pot urn the pages of this exciting Caribbean folklore tale, and find yourself drawn into a world of magic, mischief and adventure in the first of many escapades headed up by Anansi the Spider. One of the most important characters of West African and Caribbean folklore, naughty Anansi, also known as Ananse, Kwaku Ananse, Anansi regularly gets into trouble. Whilst Anansi is a loveable character, who really, could just be viewed as doing his own thing”, he’s also clever, lazy and cunning – not to mention greedy! The consequences are always paid for and many an adventure is had when Anansi is at the centre of things. Our little hero is a true survivor and plays an important part in connecting children with their own ancestry through folklore. Author Elayne Ogbeta remembers very fondly many a bedtime story told about this loveable little rogue and wanted to give her children and others the same
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LITERATURE
Poetry/ Readings / Workshops Throughout Oct CHILDREN’S AUTHORS OF THE MONTH We’re proud to have a whole host of wonderful authors for children. We’ll be bringing you more information on our authors. Available to borrow. Venue: Idea Store Whitechapel | All day. Adm: Free. Info: 0207 364 1738. Throughout Oct CROYDON CELEBRATES BHM Choose a book to borrow from the special library display. All Day. Venue: Ashburton Library Shirley Rd, Addiscombe CR9 7AL. Age: adults and children. Adm: drop-in. Info: 0208 726 6900. Now 3 – 9 Oct NO USE CRYING Author Zannah Kearns takes students on a voyage of discovery as she discusses the inspiration for her story focusing on character-driven plots and highlighting the importance of the voice in bringing a story alive. Plus Q&A and time permitting a writing workshop. Suitable for secondary school students. Venue: Various Borough Libraries. For Brent Schs only. Adm: Free. Info: 0208 937 5619. Tues 4 & 18 Oct THE AFRICAN EXPERIENCE IN WARTIME EUROPE When Hitler’s Nazi Party came to power in March 1933, there were an estimated 24,000 citizens of African descent in Germany. Freelance writer Akin Shenbanjo Jr tells their story. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 11am – 1pm. Adm: Free. Info: 0208 937 3400. Tues 4 Oct MAGGIE HARRIS AND ROSEMARIE HUDSON MsHarris introduces Kiskadee Girl, ‘a memoir that reads like a novel.’ The Black Heritage Today 2011-2012
An inspiring, beautifully illustrated, Caribbean folklore tale re-told for the younger generation.
setting is Guyana, the land of many waters, and the time one of great change in Maggie’s life. Followed by Q&A. Venue: Lewisham Library, 199-201 Lewisham High Street, Hither Green, London SE13 6LG. 8pm -9.30pm. Adm: Free. Info: 0208 314 8501. Fri 7 Oct CONSTANCE BRISCOE Her book, The Accused is the debut crime novel by the bestselling author of “Ugly and Beyond Ugly”. Constance Briscoe is a practicing barrister and one of the first black women to sit as a judge in the UK. Venue: Wanstead Library, 7.15pm - 9pm. Adm: £5, Info: 0208 708 7400. Fri 7 Oct PRECIOUS WILLIAMS Precious Williams has written for Elle, The Mail on Sunday and Cosmopolitan, and is now the author of “Precious: A True Story”. Venue: Enfield Town Library, 7pm - 8.45pm, Adm: Free (adv bking), Info: 0208 379 8341. Sat 8 Oct SATURDAY READING GROUP All are welcome to join this month’s reading group to discuss black writing. Venue: Manor House Library, 34 Old Rd, London SE13 5SY. 11am–12noon. Adm: Free. Info: 0203 14 7779. Wed 5 Oct AFRICAN CULTURAL MEMORY IN THE CARIBBEAN Dr Morgan Dalphinis will examine African cultural memory in the Caribbean and amongst the Diaspora in England, the Creole Languages and use of European languages, as well as in Caribbean oral literature and writing. Venue: Hackney Central Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 6.15 – 7.45pm. Info: 0208 356 3000. Thurs 6 Oct LONDON WRITING BOOK GROUP Pigeon English by Stephen Kelman.
smile she has every time she thought of Anansi. “Anansi brings Black Culture into the mainstream and encourages cultural diversity through fun and learning,” says Elayne, who has re-told Anansi and The Dutchy Pot in a lively and interesting way, using rhyme and rhythm whilst reflecting on the emotions she remembers from her childhood. The book was illustrated by Kristinna Counsell who simply used Elayne’s imaginative descriptions and her creative flair to reflect a very Caribbean traditional and original feel.The book also features teacher discussion points and many fun activities to try at home. And an interactive App for IPhone, IPad and ITouch will be available to millions of users worldwide soon. Read, Listen and Paint the images to create your own unique and personal book. Anansi & The Dutchy Pot is an introduction to the Anansi series. Published by Authorhouse.
Discuss this powerful, Man Booker prize long listed, novel at our monthly book group. Venue: Bethnal Green Library, Cambridge Heath Road, Bethnal Green, E2 0HL. 6.30pm. Info: 0208 980 3902. Mon 17 Oct PREDICTION - A SCIENCE, A CRAFT, OR AN ART? Speakers from a wide range of disciplines present and discuss what it takes to makpredictions. Chaired by journalist and broadcaster Samira Ahmed with speakers Jon Turney and Ian Harwood. Curated by Sebastian Scotney. Venue: King’s Place Hall One, 90 York Way, London, N1 9AG. 7pm. Adm: £9.50. Info: 0191 443 4661 Fri 7 Oct COME AND MEET AUTHOR & WRITER Karlene Rickard gives a brief summary of her life and how she came to develop her writing skills and got published. Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 7 – 8pm. Adm: Free. Info: 0208 496 3189. Sat 8 Oct BLACK INTEREST READING GROUP STARTS TODAY This new monthly reading group starts today with a discussion about the books everyone would like to read. Venue: Thornton Heath, Brigstock Rd, CR7 7JE. 11am – noon. Age: Adults. Adm: Session. Info: 0208 726 6900. Sat 8 Oct RHYME AND REASON POETRY FESTIVAL: POETRY SLAM Anyone can enter and the panel of judges will vote for the prize winner of the slam. Venue: Peckham Library, 122 Peckham Hill St, SE15 5JR. Adm: Free. Info: 0207 358 9645. Thurs 11 Oct A CUPBOARD FULL OF COATS Local author Yvette Edwards will be reading from her recently published
book. Venue: Wood Street Library, Forest Road, Walthamstow E17 4AA. 7pm – 8pm. Adm: Free. Info: 0208 496 1156 Tues 11 Oct LOUISE LEVENE Journalist and ballet critic Louise Levene discusses the inspiration behind her second novel, Ghastly Business. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 8.30pm. Adm: Free. Info: 0208 937 3400. Tues 11 – 14 Oct ALEX WHEATLE: UPRISING Marking the 30th anniversary of the Brixton riots, award-winning author Alex Wheatle presents his autobiographical story of how he became a writer. A moving journey through 1980s Britain. Venue: The Albany, Douglas Way, Deptford, London SE8 4AG. 7.30pm. Adm: £10, conc £7. Info: 0208 692 4446. Wed 12 Oct PATIENCE AGBABI Part of the rhyme and reason poetry festival: Patience Agbabi, acclaimed poet and performer. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645 Wed 12 Oct SOUTH AFRICAN WOMEN’S WRITIN Gillian Slovo will talk about her books including ‘Red Dust’, giving insights into her childhood and June Bam-Hutchison will read from her book ‘Peeping Through the Reeds’, a novel about growing up in apartheid era South Africa. Venue: The Women’s Library, 25 Old Castle St, Aldgate, E1 7NT. 7-8.30pm. Adm: £8, concs £6. Info: 0207 320 2222. Thurs 13 Oct TILT’S LONDON LIMING Tilt’s London Liming is a spoken word
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Harlem is Nowhere As gentrification encroaches on Harlem, a brilliant new voice Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem’s legacy. For a century, Harlem has been celebrated as the capital of black America, a thriving centre of cultural achievement and political action. Harlem is Nowhere: A Journey to the Mecca of Black America is an impressionistic history of Harlem which seeks to capture the essential spirit at a time when it is changing fast. It examines the epic Harlem of official history, and the personal Harlem that begins at her front door. Sharifa introduces readers to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America’s democracy. Harlem is Nowhere is published by Granta. ISBN 978-1-84708-457-6. Price: £14.99.
Beloved African Beloved African tells the story of the life and career over four decades of John Hammond, one of Rhodesia’s foremost educators of the black population,of his heartbreak at the political turmoil of the country he loved, and throws light on the current plight of Zimbabwe. His decision to go into black education following his MA at Cambridge University is the vital core of this book. The book is also the story of the great love between John and his wife Nancy. Told by Jill Baker, the daughter of John Hammond, the story is written as very personal narrative in the voice of her mother Nancy. Beloved African by Jill Baker is published by Roperpenberthy Publishing. UK Retail Price: £11.99. ISBN: 978 1 903905 35 7.
The Slave Trade As a great overview of what could be regarded as one of the world’s greatest racial injustices, The Slave Trade is a book not easily put aside once one begins reading. The book tells of how 16th-century Spanish and Portuguese explorers who went to Africa in search of gold discovered an even more lucrative cargo: slaves. Although the transatlantic trade in human lives was an exceptionally cruel and brutal system, few contemporaries viewed it either as inhumane of immoral. The Slave Trade, by James Walvin, is published by Thames & Hudson. ISBN: 978-0-500-28917-4. Reviews by Folashade Bello Read the full version of these reviews by visiting Books of Black Interest online at:www.blackheritgetodayUK.co.uk
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mash up where people can mix, drink, dance and experience the best performers interspersed with intoxicating Brazilian, soca tunes played by DJ Cliffy www.ontilt.org. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 7.30pm. Adm: £7, concs £5. Info: 0207 613 7498.
Tues 18 Oct SHARING SPACE WITH INSPIRED WORD Local creative writing collective with recent work. You can join in with Open Mic or sit back and enjoy. Venue: Torridon Rd Library, 103 Torridon Rd, London SE6 1RQ. 7-8.30pm. Adm: Free. Info: 0208 314 3712.
Thurs 13 Oct STEPHEN BOURNE Mother Country Britain's Black Community On The Home Front 1939-45. An illustrated talk unearthing a ‘hidden history’ of Britain and the Second World War. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 9pm. Adm: Free. Info: 0208 937 3400.
Tues 18 Oct A CUPBOARD FULL OF COATS Out of nowhere, Lemon arrives on her doorstep. An old friend of her mother's, he wants to revisit the events leading to that terrible night, and Jinx sees the opportunity to confess. Meet the author Yvette Edwards and buy a signed copy of her debut novel nominated for 2011 Man Booker Prize. Venue: Marcus Garvey Library, Tottenham Green Centre, 1 Phillip Lane N15 4JA. 7pm – 8.30pm. Adm: Free. Info: 0208 489 5309.
Fri 14 Oct BANNED BOOKS Banned Books is an annual campaign first established in the US. It seeks to celebrate the freedom to read while drawing attention to the harms of censorship. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 8.30pm. Adm: Free. Info: 0208 937 3400. Fri 14 –15 Oct BHM PROGRAMME Join Rhema Publication & Teens4choice for fun, friendly, family festival that will celebrate Brent’s multicultural neighbourhood. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 11am - 6.30pm. Sat 15 Oct MOTHER COUNTRY Stephen’s illustrated talk will highlight some of the forgotten Britons he features in the book including the community leaders Dr Harold Moody and Learie Constantine. Venue: Imperial War Museum London, Lambeth Road, SE1 6HZ. Adm: Free. Info: 0207 416 5320. Sat 15 Oct MULTI-CULTURAL WRITERS GROUP A time and space for those interested in writing to meet and discuss their work. Each person reads their own work aloud to the group and members give constructive feedback. Venue: Lewisham Library, 199-201 Lewisham High Street, Hither Green London SE13 6LG. 2pm3.30pm. Adm: Free. Info: 0208 314 9800. Sat 15 Oct MULTI-CULTURAL WRITERS GROUP A time and space for those interested in writing to meet and discuss their work. Each person reads their own work aloud to the group and members give constructive feedback to assist in development. Venue: Lewisham Library, 199-201 Lewisham High Street, Hither Green London SE13 6LG, 2-3.30pm. Adm: Free. Info: 0208 314 9800. Mon 17 Oct HENRY OLONGA: BLOOD, SWEAT & TREASON Join Henry Olonga gives a riveting talk on his nominated British Sports Book of the Year described as sports book meets real-life thriller. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 8.30pm. Adm: free. Info: 0208 937 3400. Mon 17 Oct THE POETRY OF EDWARD KAMAU BRATHWAITE An introduction to the poetry of one of the major voices of Caribbean literature. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Adm: Free. Info: 0207 525 2000.
Tues 18 Oct POETRY GROUP: FAMOUS BLACK POETS Reading poems from Maya Angelou to Tupac Shakur, to celebrate Black History Month. Venue: Grove Vale Library, 25-27 Grove Vale, SE22 8EQ. Adm: Free. Info: 0207 525 2000. Thurs 20 Oct AN EVENING OF POETRY AND PROSE Come along and hear this broad spectrum of human experience as John Prince reads from his latest work, expressed in his masterful and insightful style. Refreshments will be provided. Venue: Hackney Central Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 6 7.45pm. Adm: Free. Info: 0208 356 3000. Fri 21 Oct THE STREETS ARE PAVED WITH GOLD A fantastic drama, poetry session/workshop delivered by Victor Richards delivering run for approx one and half hours. Venue: Fulham Library, 598 Fulham Road, London SW6. 2pm. Sat 22 Oct LAUNCH, POETRY & DISCUSSION The theme for this year’s Somali festival will be introduced by Sarah Maguire, director of the Poetry Translation Centre, then followed by Mahamed Haashi Dhama ‘Gaariye’ who will launch SWF 2011. The evening will be close with a performance by Abdinasir Ma’alin Aydid who will play the lute. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–10pm. Adm: £10. Info: 07903 712 949. Sat 22 Oct CONSTANCE BRISCOE AT PECKHAM LIBRARY Briscoe will be talking about her life and discussing her new. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Sun 23 Oct COMMEMORATION OF MUSE GALAAL Martin Orwin highlights the significance of Muse Haaji Ismail, know as Muse Galaal, who was a writer and one of the founding fathers of written Somali. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–10pm. Adm: £5. Info: 07903 712 949. Sun 23 Oct SOMALI WISDOM STORIES: Dr Georgi Kapchits discuss the importance of both translating Somali work into other languages and of Black Heritage Today 2011-2012
expanding the availability of Somali literature in world literature. He will read from his book ‘Hikmada Somalida’ (Somali Wisdom). Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 2–6pm. Adm: £5. Info: 07903 712 949. Mon 24 Oct ANGLO-SOMALI SOCIETY EVENT The British Museum in London holds about 1,300 Somali artefacts almost all of which are not on public display. Osman Abshir Egal will talk about the RAAD Somali-British Heritage Project. The Anglo-Somali Society has launched an appeal to help the Alfardus Relief Organisation. A representative of the organisation will give a talk about their achievements and plans. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–7.30pm. Adm: £2 (food not included in price). Info: 07903 712 949. Mon 24 Oct CONVERSATION WITH AMIN AMIR Amin Amir, a famous Somali painter, political cartoonist and visual artist from Mogadishu, currently based in Canada, presents his new satirical cartoon book and participate in a Q&A session. He is famous for his satirical socio-political cartoons. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 8–10pm. Adm: £5. Info: 07903 712 949. Wed 26 Oct WOMEN’S EVENING Conversation with Saado Abdi Amarre who will share some of her emotionally charged work and Sarah Maguire will provide translation into English. Saado‘s work include a marsterpiece called ‘Haddaba deeqaay, dagaalkani muxuu ahaa?’ (roughly translated as ‘O Deeqa! What is the meaning for this war? Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–10pm. Info: 07903 712 949. Thurs 27 Oct ALEXANDER D GREAT Alexander D Great is a Calypsonian performance poet, writer and musician. 60 places for children at each event. Children under 8 must be accompanied by an adult. Venue: North Library, Manor Gardens, N7 6JX. 2pm – 3pm. Adm: Free Tickets. Age: 4 – 7. Info: 0207 527 7840. Sun 30 Oct ALEXANDER D GREAT Alexander D Great is a Calypsonian performance poet, writer and musician. 60 places for children at each event. Children under 8 must be accompanied by an adult. Venue: Central Library, 2 Fieldway Crescent, N5 1PF. 3pm – 4pm. Adm: Free Tickets Info: 0207 527 6900. Thurs 27 Oct ROOTS AND RHYMES With the Cool Learning Team. Celebrate where you come from and what makes you unique. Give your ideas wings and set them free through poetry and song in this family activity. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 2 4pm. Adm: Free. Info: 0208 356 3000. Fri 28 Oct OPEN MIC/POETRY SLAM Word play! An ancient art - come along and drop rhymes or poetry, it’s all good. Express your roots ‘n’ culture, creativity and style. Venue: Hackney Central Black Heritage Today 2011-2012
Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 6.30 – 8pm. Adm: Free. Info: 0208 356 3000. Thurs 27 Oct CHATTERBOOKS Book a chat about favourite Black writing. Venue: Manor House Library, 34 Old Rd, London SE13 5SY. 4-5pm. Adm: Free. Info: 0208314 7794. Sat 29 Oct PARIAH With author Thomas Emson Thomas Emson author of best selling Maneater and Skarlet discusses his new book, Pariah. ‘In the nineteenth century a sinister killer ripped four souls from this world. But he needs a fifth and he’s back to find it... Jack the Ripper’s back and hell’s coming with him’. (session for grown ups). Venue: Willesden Green Library, London NW10. 8 – 9pm. Info: 0208 937 3400. Sat 29 Oct LITERATURE DAY - REDSEA BOOK FAIR You will be able to purchase books which are only available via Redseaonline, such as, ‘Shufbeel’ by Saed Jama which is a collection of essays and short stories touching on modern and traditional themes of Somali wisdom and entertainment (murti iyo madaddaalo), and ‘Baqaya-Rogad’ (Somersault) by Abdirahman Yusuf Arten, which is a short volume including three plays by the same author. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–10pm. Adm: Free. Info: 07903 712 949. NOVEMBER Tues 1 Nov IN CONVERSATION WITH THE BROTHERS Literature and discussion & Music.Be inspired by award-winning Jazz Pianist Emmanuel Waldron and Young self-published local author Abiodun Balogun discuss and read from his anthology London’s Invisible Tears. Venue: Manor House Library, 34 Old Road, London SE13 5SY, 7-8.30pm. Adm: Free. Info: 0208 314 7779. Thurs 3 Nov COURTTIA NEWLAND: A BOOK OF BLUES The blues speak of many things, love most of all. Courttia uses the short story format to compose vivid contemporary songs of self-discovery, tenderness and hope. Celebrated local saxophonist Jimmy Beckley provides the mood music. Venue: Lewisham Library, 199-201 Lewisham High Street, Hither Green London SE13 6LG, 8-9.30pm. Adm: Free, Info: 0208 314 9800. Tues 15 Nov INSPIRED WORD Performance and Open Mic with thisBlack History themed performance of poetry, prose and monologue. Venue: Lewisham Library, 199-201 Lewisham High Street, Hither Green London SE13 6LG, 8-9.30pm. Adm: Free. Info: 0208 314 9800. Thurs 17 Nov JACOB SAM-LA ROSE: BREAKING SILENCE Described as a “one man literary industry”, Jacob’s newly published poetry anthology is a stand-out reflection upon contemporary Britain. Venue: Lewisham Library, 199-201 Lewisham High St, Hither Green London SE13 6LG, 89pmAdm: Free: Info: 0208 314 9800.
Black Like Me What is it like to be the other? What is it like to experience discrimination based on skin colour, something over which one has no control? If a white man became a Negro in the Deep South, what adjustments would he have to make? In October 1959, prior to the Civil Rights Movements that took place across America, white Texan novelist and photographer John Howard Griffin, thought the unthinkable and did the undoable: he became a black man. How else could a white man hope to learn the truth?’ Black Like Me is published by Souvenir Press Ltd. ISBN 9780-28563-857-0. Price £12.00
African and Caribbean Celebrations Here is a wonderful showcase for the vibrant culture and customs of the African and Caribbean world. The history and traditions of Jonkunnu, Kwanzaa, Crop Over and other key events in the festival calendar are all beautifully illustrated and brought to life with personal anecdotes. Look out for a compilation of black history, recipes, tunes, songs, folk stories, crafts, games folk stories and a sensitive guide to the ‘Bride price’.. Your teaching will be enriched. Written by Gail Johnson,published by Hawthorn Press. ISBN: 978-1-903458-00-6. Price: £14.99.
Fela This Bitch Of A Life African superstar, composer, singer, and musician, as well as mystic and political activist, Nigerian Fela Kuti, born in 1938, was controversy personified. An incredible pioneer, his rhythms and influence have been absorbed into so much of the music around today. Indeed, the musical world owes him a debt of gratitude. But what was this amazing musical genius really like, this man who could as easily arouse violent hostility as he could unswerving loyalty? Fela’s biography sounds like he is speaking to us from the world beyond. Published by: Omnibus Press. ISBN: 978-1-84938-673-9. Price: £9.95. Reviews by Folashade Bello Read the full version of these reviews by visiting Books of Black Interest online at:www.blackheritgetodayUK.co.uk 77
Literature
The Soft Vengeance of a Freedom Fighter He was born into a family heavily involved in human rights activism, so perhaps Albie Sachs was destined to fight for the rights of others. nlike many white South Africans of his generation, Albie Sachs grew up seeing black and white adults interact as equals, thus learned to regard all men and women as individuals. His family’s radical politics, abstention from traditional religion and close association with black Africans marked Sachs as different from his peers. Raised in a South African Jewish family of Lithuanian background at a time when citizens were forced to live under the horrific conditions of apartheid, Sachs began speaking out aged just 17. As a second year law student at the University of Cape Town, he took part in the Defiance of Unjust Laws Campaign. Three years later, in 1955; he attended the Congress of the People at Kliptown where the Freedom Charter was adopted. At 21, now a lawyer, he became an advocate at the Cape Town Bar, defending people charged under racial statues and security laws under South African Apartheid. He was arrested more than once for his work in the freedom movement. Subjected to relentless interrogation and deprived of sleep for days on end when not placed in solitary confinement, he describes the experience as, “worse than I had imagined. I still feel a deep sadness.” Eventually released, he was then exiled and found refuge in London before moving to Mozambique. The persecution followed him. In Mozambique upon unlocking his parked car, a bomb allegedly planted by the South African security services exploded. A passer- by was killed and was left gravely wounded. He lost his right arm and sight in one eye. Despite this he has no regrets in regards to being an anti apartheid activist.
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“I’ve lost an arm and we’ve gained our freedom,” he declares philosophically. “It’s been a marvellous life.” While recovering at the London Hospital, he received a note saying “Don’t worry, comrade Albie, we will avenge you”. What kind of country, Sachs wondered, would it be if we cut off the arms and partially blinded the people responsible for the cruelties of apartheid? If South Africa achieved democracy and the rule of law, he thought, roses and lilies
“I speak non-stop all over South Africa and the world on how we achieved democracy in SA when everybody predicted a racial bloodbath’ would grow out of his arm – that would be his soft vengeance. In 1990, as the slow dismantling of apartheid was beginning, Sachs returned to South Africa from his 24 year exile. “I never doubted we would return” says Sachs. “I studied, taught and campaigned, soaking up as much as I could to take back to a liberated SA.” Sachs, appointed in 1994 by Nelson Mandela to South Africa’s Constitutional Court, became one of the architects of the South African constitution a few years after his return. He says values derived from a mixture of socialist internationalism, British radicalism and fair play, Gandhian soul force and African humanism [Ubuntu], underpinned his contributions. Having led such an eventful life it was inevitable that Sachs would document his experiences. The Soft Vengeance of a Freedom Fighter, written by Sachs himself and with a foreword by Archbishop Desmond
Tutu details the account of his journey, and his country;from living under apartheid to the emergence of a South Africa that is leading the world in equal rights legislation. It offers an inside account of the major events of South Africa’s transformation, drafting the country’s new constitution, Nelson Mandela’s election, the impact of the Truth and Reconciliation Commission and the process of creating a society where humanity and justice triumphs over cruelty and racist division. This classic memoir is now revised and updated with an introduction by Professor Njabulo S Ndebele (former Principal of the University of Cape Town, novelist and former President of the Congress of South African Writers) and includes an intimate, moving chapter where Sachs explains to his young son how he lost his arm. The ‘soft vengeance’ Sachs has achieved is not to inflict pain and injustice on those who attacked him but to help in the creation of a society where humanity and justice triumph over cruelty and racist division. His term in the Constitutional Court ended in 2009, but he continues to make a difference. “I speak non-stop all over South Africa and the world on how we achieved democracy in SA when everybody predicted a racial bloodbath. And I’m very involved in cultural activities.” Albie Sachs is a living testimony to the strength of the human spirit and our capacity to transform negativity into positivity. The Soft Vengeance of a Freedom Fighter is published by Souvenir Press. By Folasade Bello Black Heritage Today 2011-2012
Hues of Blackness he names in our bloodline have taught me that women are not to be oppressed, for there is pride and belonging in a remembered name, and it has the power to call home a traveller who may have forgotten her way.” With these powerful words from one of the characters Rosemary Palmer launches her book Hues of Blackness. The text thoroughly illustrates the strengths of her characters which readers can follow
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in a spirit of oneness with those who shaped its history. As each person in her life searches for the needed evidence, the threads of the past – of Amy’s foremothers – Taino, Spanish, Maroon and slave – are wondrously revealed. Rosemary Palmer has written plays and poetry for thirty-three years. Her current novel was born from discussions with well-known archivist and beloved friend Eva Jones, and from Palmer’s exploration of island history. When Rosemary is not in her
“The culture and the character of the women in Jamaica was what I needed to achieve what I wanted to achieve in my life. This book is a tribute to them” through the generation of women whose voices are heard throughout the book. Set against a rich canvas of history and myth, comes a story of one woman’s determination to reclaim her beloved land. The generational saga sourced and researched in Jamaica celebrates the resilience of forebears who overcame adversity to establish the independence and prosperity associated with women of the Diaspora today. The story is told through the mind of Amy who, though robbed of speech by a massive stroke, is determined to pass on a piece of culturally significant land to her daughter and grand-daughter Black Heritage Today 2011-2012
native England, she calls Jamaica home. For her it is, “a magical island where I have spent the happiest times in the most challenging situations”. Asked why she wrote the book she says, “The culture and the character of the women in Jamaica was what I needed to achieve what I wanted to achieve in my life. This book is a tribute to them.” Currently she is working on a set of sequels to Hues of Blackness, which will highlight the male experience through island history. Hues of Blackness is published by Strategic Book Group. Price $15.95. ISBN 9781-60911-886-0. 79
Theatre Belinda Owusu
OTHELLO Ex-Eastender makes stage debut in groundbreaking Caribbean Shakespeare play.
his autumn Belinda Owusu, best known to many as super smart teenager Libby Fox in Eastenders, is set to make her professional stage debut in a unique new adaptation of Shakespeare’s Othello. Cast in the role of Desdemona, one of the most challenging roles in theatre, Belinda will take centre stage in reimagining Shakespeare’s text. For this production, Desdemona is the black heroine who falls in love with the powerful, rugged, romantic Othello – a man who, to the disgust of her father, is white. After winning a scholarship and studying at the Anna Fiorentini Theatre and Film
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School, Belinda was spotted by producers and secured the role of Libby when she was just seventeen. Four years later, having won the 2010 GUBA Rising Star Award, she is now making the leap into live theatre. “It’s very nerve–wracking in any job you do” she said, “because you want to make everybody proud. But this is different from anything that I’m used to.” The performance history of Othello is a dramatic one and has been marked by racism. To see a real black man and a white woman kiss onstage was seen as so unacceptable to many viewers that even in early twentieth century America, Othello had to be played by a white man in blackface. When Paul Robeson, a black American and the son of a slave, played Othello on Broadway in the 1940s, the performances electrified a still segregated nation. Joining Belinda in the production, which
focuses on the doomed relationship between Othello, Desdemona and the scheming Iago, will be Bahamian actor Craig Pinder as Othello and Moses Hardwick as Iago. While Moses, like Belinda, is still at an early stage in his career having recently graduated from RADA, Craig brings huge experience to the production having appeared in the original cast of Les Miserables in the West End as well as a host of other stage and screen credits. Belinda is clearly excited to be part of the production, taking her away from television and onto the London stage. “To start off doing something like Shakespeare is amazing” she said. “If all stage is like this, I think I’ll definitely do more in the future.” Catch the production on Mon 10-Wed 12 October at Greenwich Theatre, Crooms Hill, London SE10 8ES. 7.30pm. Adm: £15, £12.50, £10; concs £5 off top price Info: 0208 858 7755
Black Heritage Today 2011-2012
PERFORMANCES Throughout Oct, Nov & Dec THRILLER LIVE! A musical celebration featuring the hit songs of Michael Jackson and The Jackson 5. Thriller is a stage and video spectacular celebrating the wonderful music of one of the greatest entertainers of modern times. Venue: Lyric Theatre, Shaftesbury Avenue, Greater London, W1D 7ES. Tue-Fri 19:30. Sat 16:00, 20:00. Sun 15:30, 19:30. Adm: £23.50 - £50.50. Info: 0844 579 1972. Now - 8 Oct THE RAIN THAT WASHES An epic journey through Zimbabwe's turbulent history. A true story that is poignant, political and personal, this beautifully realised one-man show brings to life the human drama behind the history and the headlines. Venue: Chickenshed Theatre - Studio Theatre, Chase Side, Southgate, London, N14 4PE. 7:30 pm. Info: 0844 871 7622. Tues 4 – 8 Oct ONE MONKEY DON’T STOP NO SHOW The Harrisons are the most respectable Black family in Philadelphia until the arrival of their niece turns life on its head. Starring Jocelyn Jee Esien. Venue: The Albany, Douglas Way, Deptford, London SE8 4AG, 7.30pm. Adm: £12 -£14, conc £8-£10. Info: 0208 692 4446. Sat 8 Oct DONS OF COMEDY 2011 An amazing, awesome, pumping powerhouse of a stand-up comedy show, Featuring Curtis Walker, Felix Dexter, Felicity Ethnic and Slim. Venue: Broadway theatre, Catford Broadway EN SE6 4RU. 8pm. Info: 0208 690 0002 Tues 11 – 14 Oct Uprising Marking the 30th anniversary of the Brixton riots, award winning author Alex Wheatle MBE presents his moving autobiographical story of how he became a writer. Alex takes audiences on a journey through Britain in the 1980s; Venue: The Albany. Douglas Way. Deptford. London SE8 4AG. 7.30pm. Adm: £10, £7 concs. Info: 0208 692 4446. Thurs 13 Oct - 21 Jan 2012 DEATH AND THE MAIDEN Thandie Newton is set to perform this autumn in a revival of Ariel Dorfman's play, an explosive moral thriller. Years have passed since political prisoner, Paulina suffered at the hands of her captor: A man whose face she never saw, but can still recall with terrifying clarity. Venue: Comedy Theatre, Panton Street, London, SW1Y 4DN, Adm: Book tickets from 13 October to 22 October and save £10 per ticket at £45.50, £25 and £20 and £18 including booking fees. Info: 0844 871 7627. Fri 14 Oct THE POMEDY SHOW A wonderful opportunity to see Jamaica’s legendary “edutainer,” Yasus AfarI, provide his Black Heritage Today 2011-2012
In My Shoes
Pic credit: Stefan Baisden
Dance / Theatre / Comedy
Acclaimed stand-up comedian, writer and broadcaster Angie Le Mar returns to the London stage with an adventurous new comedy drama, In My Shoes. harp, funny and above all stylish, there’s no doubt that Angie Le Mar is one of Britain's top comediennes. Whether on TV, Radio or in her dynamic live shows which regularly sell out 1,000-seater theatres, Angie is a proven hit with male and female international audiences and is equally at home with quick-fire comedy, acutely observed character sketches and solid acting performance. Her latest one-woman production finds Angie stepping comfortably into new territory performing as six apparently dissimilar individuals whose lives are intricately interwoven. The diverse range of characters include a spiritual lifestyle guru; a jaded actress holding on to the past; a teenager battling OCD and his best friend’s tortured soul; a wannabe model on the verge of unforeseen riches; a city executive coming to terms with daily solitude; and the reintroduction of Funny Black Women star Falushilah Falashilay. The challenge is for Angie to get the audience to look beyond the colour of her skin and the smiling face they are familiar with and tap into the character she is portraying. It takes someone with a lot of skill to be that believable, but there’s no doubt Angie will deliver. Without conceit she says she’s feeling “pretty confident about it”. “This is the one production I really need to do and it’s a test for me because it’s something I’ve always wanted, but previously
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shied away from,” says Angie, who is known as Britain's First Lady of Black Comedy, with a legion of awards to prove it. Audiences totalling over 100,000 have enjoyed Angie's live work and shared her journey, through countless sold out stand-up shows and major box office successes including: Funny Black Women on the Edge, Brothers, Forty, Do You Know Where Your Daughter Is?, and The Vagina Monologues in the West End. She has also broken box office records at the Edinburgh Festival. She has written, produced and directed three sell-out plays in the past five years, nevertheless, Angie regards In My Shoes as a personal milestone and the first play to truly explore and expand the boundaries of her theatrical aptitude. “This production gives me a platform to dig further into my abilities as an artiste. It's just a woman delivering voices, in script and performance.” In My Shoes is co-devised and directed by Femi ElufowojuJr whose production Iya-Ile for Tiata Fahodzi was nominated for an Olivier Award for Outstanding Achievement. Angie adds, “I approached Femi Elufowoju Jr to join me on this new journey. As a director, his work is well respected and I’ve always wanted to collaborate with him.” See Angie Le Mar as you've never seen her before on 15 Oct – 5 Nov 2011 at Soho Theatre 21 Dean Street London W1D 3NE. Info: Info: 0207 478 0100. 81
Theatre special blend of poetry and comedy which will excite and inspire, while educating and entertaining. Venue: Broadway Theatre, Catford Broadway, London SE6 4RU, 8-10pm. Adm: £17.50£20.Info: 0208 690 0002. Fri 14 Oct IGNITE – ATONGA ZIMBA Born in the savannahs of northern Ghana, from a very young age Atonga was taught by his grandfather to play the molo, a two stringed calabash lute. From originally composing songs whilst minding his family's herd, Atonga has since seen his third European release, Barefoot in the Sand, nominated as 'Best African Album of the Year' by Mokum TV in Holland. Venue: Royal Albert Hall, Kensington Gore, London SW7 2AP. 12:00pm. Info: 0845 401 5045, 0207 589 8212. Sat 15 Oct LOOK TO THE SKY In an abandoned warehouse, a search along dark corridors and winding stairs, will lead to a discovery, which will change lives.. A group of young people are forced to confront the very thing that scares them most. Themselves. A gripping new play. Age: 13+. Venue: Tara Theatre, 356 Garratt Lane, Earlsfield, London SW18 4ES. Info: 0208 333 4457. Wed 19 Oct CLASSICALLY BRITISH 2011 Celebrate British classically trained ballet dancers and choreographers of diverse origin with live performance - featuring Layton Williams (Billy Elliott), and a documentary film showcasing the historical account of the rise of Black & Asian Classical ballet dancers in the UK. Plus Q &A session, with Portobello Dance artistic director and choreographer Mark Elie and guest dancer. Venue: The Tabernacle, Powis Square, London W11. 12.30pm. Adm: £5. Info: 07947 484 021. Thurs 20 Oct - 19 Nov SHALOM BABY A brand new play from award-winning writer and director Rikki Beadle-Blai. In 1930s Berlin - an intriguing city of Jazz and underground cabaret overpowered by the rise of Hitler and World War II - the daughter of a Jewish family falls in love with their black shabbesgoy (servant), mirrored by a modern tale of a mixed-race couple in seemingly unprejudiced contemporary Brooklyn. Venue: Theatre Royal Stratford East, Theatre Square, London E15 1BN. 7.30pm. Adm: £10 - £22. Info: 0208 534 0310. Fri 21 Oct BHM GALA NIGHT Live music, poetry, dance and comedy featuring live show by Yolanda Brown Saxophonist and winner of Mobo, Poetry by Floetic Lara and Jason Nwansi, plus Robbie Gee and Slim, two of our best comedians. PA by Vivian Jones in London. A night for all the family. Venue: Walthamstow Assembly Hall, Forest Road, Walthamstow E17 4JA. 7.30pm – 12pm. Adm: Adults £8
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50 years independence: JA Story Life is not a song and dance unless of course you are part of the JA Story. The musical not only celebrates Jamaica’s 50 years of independence, but will top up your history knowledge at the same time. 'll never forget no way they turned their backs on Paul Bogle, so don't you forget no youth, who you are and where you stand in the struggle". The famous lyric, sung by Bob Marley speaks of Bogle (1820 – 1865), a Baptist deacon who led the Morant Bay Protest (1865). Bogle rose up against injustice and unfair treatment under British rule in Jamaica and was hung on 24th October. Equally, who was James William Gordon? Why was he awarded the Victoria Cross back in 1892 and what were the circumstances that made him the first Jamaican to receive that Cross. Created to Commemorate the Golden Jubilee and inspired by Jamaica's history, JA Story – The Musical is dated around the arrival of Christopher Columbus on the shores of Jamaica in 1494 through to independence in 1962. It's part of the island psyche to rise above great adversity and the musical’s passionate story is told throughout with the situations and circumstances surrounding characters such as folk hero Cudjoe, female slave warrior Nanny, Marcus Garvey, Norman Manley, Alexander Bustamante and Sam Sharp. These are all people who have helped shaped the remarkable island known as Jamaica. This 50 years milestone is significant for many reasons.
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Since her Independence Jamaica has had the privilege, the honour and the responsibility of charting her own path to development in this dynamic global community. Some may remember the pride felt in 1962 when the Union Jack was lowered and the Black, Green and Gold hoisted, and teaching their children the Jamaica National Anthem. The landmark musical reflects on how Jamaica has influenced the world with its arts, culture, and entertainment, celebrating the many different musical styles in Jamaica; from Ska, Mento, Rock steady, Reggae, R n B, Classical to pop and the diversity of dances, from African, the Quadrille, Latin, Street, Dance Hall Modern and Contemporary. Not forgetting the many customs and rituals brought to the island by the people of India, Africa, Britain, Africa, Syria and China to name a few, but which decades down the line gave true meaning to Jamaica’s motto of…. “Out of many - One People”. JA Story – The Musical will be staged on Sunday 2 October at Colston Hall, Bristol (0117 922 3686); Fri 7 – 9 Oct at Stratford Circus, London (0208 279 1015); Sun 16 at Fairfield Halls, Croydon (0208 688 9291) and Sun 30 Oct at Alexander Theatre, Birmingham (0844 357 2626).
under 16s £4.50 Family ticket £22.00. Info: 0208 496 3587 / 0208 496-3585 Sat 22 Oct CARNIVAL CHILD The Carnival Child’s magical powers are needed when she sees in her crystal mirror the beautiful rainforest being destroyed. Can the magic of carnival reawaken the barren forest? A colourful show with puppets, masks and music from South America and the Caribbean. Age 5-11 years. (45 mins). Venue: The Tricycle Theatre, 269 Kilburn High Rd, London NW6 7JR. 11.30am and 2pm. Adm: £5-£6. Info: 0207 292 7300. Sat 22 - 23 Oct QUINCY’S COMEDY LOUNGE Old Skool versus New Skool, come and witness two generations of comics battling it out for bragging rights. Age 18 yrs plus. Venue: Stratford Circus, Theatre Square, Stratford, London E15 1BX, 7.45pm. Adm: £15, conc £12.50. Info: 0844 357 2625. Wed 26 - 19 Nov SPEECHLESS An extraordinary story of two girls struggle to be heard. Refusing to speak to adults, the twins communicate in their own private language, their only relationship being an intense and turbulent bond with each other. Speechless is a powerful portrayal of the twins secret world and their struggle to find a voice against all odds. Venue: Arcola theatre, 24 Ashwin Street, Dalston, London E8 3DL. 7.30pm, mat 2.30pm). Info: 0207 503 1646. Fri 28 Oct - 20 Nov ROADKILL A world away for you, but a world right on your doorstep. Roadkill takes you on a journey by minibus to a house somewhere in east London to tell the powerful story of the terrifying complexities of sex trafficking today, based on real experiences. Harrowing details of a young woman trapped in a living nightmare. Venue: Theatre Royal Stratford East, Gerry Raffles Square, Stratford, London, E15 1BN. Varied Times. Adm: £18. Info: 0208 534 0310. Fri 28 Oct CLASSICAL BUT MODERN – Performance by classical singer Carmen Rodney – performing Negro Spiritual. There will be an opportunity to have a go at singing in the Operatic style! Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 7pm – 8pm. Adm: Free Info: 0208 496 3189. NOVEMBER Tues 1 Nov IROKO INTERACTIVE THEATRE Interactive performance for schools. Traditional African theatre using live music, dance, songs and games to bring traditional fables myths and legends to life. Venue: Brady Arts Centre, 192–196 Hanbury St, Whitechapel, E1 5HU. 10.30am & 1.30pm. Adm: adv £5, schools performances only. Info: 0207 364 0952. Black Heritage Today 2011-2012
Music
A European musician Celebrating 24 years of N award winning music and o one better embodies the dramatic transformation in the British Jazz scene over the past twenty years than Courtney Pine CBE. He arrived on the British music scene in 1987, with one plan: to take jazz music to a wider audience. His self-determination, drive and research took him beyond British shores and deep into the European continent where the seeds of his latest project began to take root. Son of Jamaican immigrants, Pine molds a wide variety of influences, such as reggae, electronica, hip-hop, funk and Eastern sounds into his boundary-defying music. As a child he played the recorder, followed by other instruments, including the clarinet, flute, keyboards and tenor, soprano and baritone sax. Courtney began performing professionally as a teenager, playing reggae and funk then joining the hard-bop outfit Dwarf Steps. He reflects however on an early exposure to renegade saxophonist Sonny Rollins. "If I'd heard Charlie Parker first, I might have felt alienated," he said. "But Sonny Rollins was playing something I could understand: calypso! He was like my uncle! That sucked me into the music completely!" Whilst he led his own small outfits, including the World's First Saxophone Posse, Courtney set out to promote the work of black British jazz musicians, and formed Abibi Jazz Arts in 1986 and formed the big band the Jazz Warriors. His latest recording and live show incorporates life travelling experiences of this relentless road warrior. Going back in
making his first all Bass Clarinet set, presents the latest chapter in the fascinating evolution of one of this country's most original musicians. time to Gregorian Chant, Scandinavian, Celtic, Spanish, Hungarian, Mediterranean melodies and rhythms shows like a geographical map the scope, width and growth of a Continent. The 12th solo studio album EUROPA is released on Destin-E Records and features a powerful multi cultural cast that reflects their own European stories. “The album is actually about how Europe was started and formed,” says Courtney, who heads a new generation of exciting and innovative musicians who have chosen to turn their talents to the demanding requirements of jazz music, in all its shapes and forms. “As a European musician, it’s important to talk about your locality, your surroundings, your upbringing and this is what I’m hoping to do with this album.” The collective of internationally renowned musicians who contributed to the project was more than enough to
MUSIC
London Rd, Forest Hill, London SE23 3PQ, 2.30pm – 3.15pm. Info: 0208 699 1872.
Throughout Oct JAZZ LEGENDS MUSIC CDS Bringing together a rich archive of music from of the most greatest and talented musicians. Available to borrow. Venue: Idea Store Whitechapel, 321 Whitechapel Road, Whitechapel, E1 1BU. All day. Adm: Free. Info: 0207 364 1738.
Sun 9 Oct 606 GOSPEL GROUP With special guest Yolanda Antonio. The 10 piece Gospel ensemble, the “606 Gospel Group works under the direction of the brilliant Gospel singer Tracey Campbell. Yolanda Antonio. Venue: 606 Club, AD, LONDON, SW10 0QD. 1pm-4:pm, Info: 0207 352 5953.
Fri 7 Oct LIVE AT ST JOHN ON BETHNAL GREEN An evening of live music to celebrate the heritage, influence and joy of African and Caribbean music. St John’s bar will be serving food and drink to tie in with the theme of the evening. Venue: St. John on Bethnal Green, 200 Cambridge Heath Road, Bethnal Green, E2 9PA. 7– 11pm. Adm: Free. Info: 0208 980 1742.
Wed 12 Oct TOMORROW’S WARRIORS A very special group of young musicians who have been selected to perform at this year's Primary Proms at the Royal Albert Hall. Venue: Royal Albert Hall, Kensington Gore SW7 2AP. 10.35am. Adm: Free.
Sun 9 Oct SING OUT! This is the final performance by enthusiastic singers who have been brought together to celebrate BHM, coached by renowned vocalist Brenda Rattray. Venue: Horniman Museum, 100 Black Heritage Today 2011-2012
Thurs 13 Oct SILVER SOUNDS AT THE AYLESBURY ESTATE Silver sounds, the famous event for mature clubbers. Venue: Thurlow Lodge, 1a Thurlow Street, SE17 2US. Z. Adm: Free. Info: 0207 703 1691. Thurs 13 Oct SONGS FROM THE TOWNSHIP
make a unique record that has been (in Courtney's words) “over 45 years in the making”. On listening to this album it becomes clear why one reviewer describes it as “Splendid” and another states that “Pine produces music that is vivid, rooted and totally absorbing”, and that “He’s taking Jazz to another level”. See Courtney Pine on Friday 21st October 2011 at Islington Assembly Hall, Islington Town Hall, Upper Street, London N1 2UD Doors 7pm. Info: https://agmp.ticketabc.com/events/cour tney-pine/ and http://www.courtneypine.com, By Folashade Bello
Thabani Nyoni presents Songs from the Township, a lively and interactive session of storytelling inspired by African song, harmony and call-and-response, together with songs from the townships of South Africa. Light refreshments will be served. Venue: Stamford Hill Library, Portland Avenue, N16 6SB. 5.30 – 7pm. Adm: Free. Info: 0208 356 3000. Fri 14 Oct EXPLORING ARABIC HIP-HOP As a musical genre, hip-hop is renowned for its political agenda and hard-hitting lyrics. More familiar through its association with the struggle for African- American rights, it now plays an important role in contemporary developments across the Middle East. Venue: Leighton House Museum, 12 Holland Park Road, W14 8LZ. 7pm – 8pm (Doors open 6.30pm). Adm: Free. Info: 0207 471 9153. Sun 16 Oct QUEEN ROCKS GOSPEL A spectacular night of Queen with The Bohemians and The ACM Gospel Choir from Last Choir Standing. Venue: Broadway Theatre, Catford Broadway,
London SE6 4RU, 7.30pm. Adm: £17.50. Adm: Free. Info: 0208 690 0002. Thurs 20 Oct FROM ELLINGTON TO REGGAETON Marcus and Jessica perform a mix of black pop. It could be a Duke Ellington toe tapper or a Prince Buster tip. Come along and find out. Suitable for adults. Venue: Brandon Library, Maddock Way, Cooks Road, SE17 3NH. Adm: Free. Info: 0207 525 2000. Thurs 27 Oct EC1 MUSIC PROJECT – THE ROOTS OF CONTEMPORARY BLACK MUSIC 13-19s will have the chance to produce music using sampling techniques and explore the roots of the music out today. Just turn up on the day. Venue: Finsbury Library, 245 St. John St, EC1V 4NB. 2pm – 4.30pm. Ages: 13 – 19. Adm: Free. Info: 0207 527 7960. Fri 28 Oct THE SHRINE Acclaimed afro-soul diva & songwriter ESKA kicks off The Shrine’s new bimonthly session at Rich Mix. Plus
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Music
Like Father Like Son Keeping with the grace, energy and strength of his father Fela, Seun Kuti performs with legendary Afrobeat group, Egypt 80’s.
oungest son of legendary Nigerian afro-beat musician Fela Kuti, leads his father's former band Egypt 80 and effortlessly makes live again the most original incarnation of Afro beat : using the phrases, the solid brass section, the incomparable groove of African percussion and voices. With an astonishing maturity, Seun leads with tremendous energy his band on stage, playing his father’s repertory
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support and DJ’s Rita Ray & Max Reinhardt. Viva Rebel Music!!! Venue: Rich Mix/The Shrine, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 8pm. Adm: £8 door, adv £6. Info: 0207 613 7498. Fri 28 Oct ANTONIO FORCIONE and GUESTS With Seckou Keita and Adriano Trio.Multiaward winning guitarist Forcione shares the stage with two phenomenal, dynamic musicians at this launch of a dynamic, new TRIO. He recently released his new album 'Sketches of Africa'. A one-off musical sensation. Venue: King’s Place, 90 York Way, London, N1 9AG. 7pm. Adm: £9.50 -£13.50. Info: 0191 443 4661. Fri 28 Oct CLASSICAL BUT MODERN Performance by classical singer Carmen Rodney – performing Negro Spiritual. There will be an opportunity to have a go at singing in the Operatic style! Venue: Walthamstow Library, High Street,
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as well as his own productions. His latest album “From Africa With Fury” which came out this April was produced by Brian Eno, John Reynolds, and Kuti, with additional production by Godwin Logie, and mixed by John Reynolds and Tim Oliver. The Critically acclaimed album captures Seun and Egypt 80’s extraordinary power, fraught with the scorching rhythms and kinetic funk energy that has earned the band – as ever, under the leadership of alto saxophonist Lekan Animashaun – worldwide acclaim as one of today’s most incendiary live acts. Seun began playing saxophone at age 8 and started as a backup singer for his father in Egypt 80 at age 9. He took over the band at age 15 after his father’s death. Since then, Seun has continued his father’s political and social message while adding his own perspective. "I want to make Afrobeat for my
generation,” he says. “Instead of 'get up and fight,' it's going to be ‘get up and think.’” Kuti absorbed more than lessons in funk from sharing the stage with his father; he adopted his father’s fiery political spirit and unreserved fight on corruption. “In Africa today, most people are struggling in silence,” Kuti says. “The systematic oppression of the people has made them blinded to their reality. Everybody’s just thinking about survival. Nobody wants to stand up for anything, everybody just wants to tow the line. So I’m trying to make people think about these things that they are forgetting. I want to inspire people to want things to change.” Seun Kuti & Egypt 80 will be performing on Fruday 4 November at At Koko 1A Camden High Street, London, NW1 7JE. 7pm. Adm: £22.50 – Doors 7pm.
Walthamstow E17 7JN. 7pm – 8pm. Adm: Free Info: 0208 496 3189.
www.kayd.org
Sat 29 Oct MISTY IN ROOTS With a career spanning four decades, Misty in Roots are one of England’s finest reggae groups. Misty in Roots is one of the most powerful live reggae acts to have come out of London and are noted for their powerful roots reggae sound and uncompromising lyrical vibrations. 8pm. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 8pm. Adm: £15 door, adv £12. Info: 0207 613 7498.
NOVEMBER
Sun 30 Oct LIVE MUSIC EVENING This evening will conclude Somali Week Festival. 2011 with live music and songs performed by Abdurahman Ma’alin Aydid, a renowned musician who will play live with London based vocalists. Kayd Somali Arts and Culture. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 6–10pm. Adm: £10 Info:
Thurs 17 Nov ROBERT GLASPER Smashing the boundaries between jazz, hip-hop, funk and drum and bass, pianist extraordinaire Glasper is re-shaping jazz by drawing on influences from J Dilla’s deconstructed dance floor beats, retaining an innate sense of melody and swing. Venue: King’s Place Hall One, 90 York Way, London, N1 9AG. 8pm. Adm: £9.50£34.50. Info: 0191 443 4661.
DECEMBER Fri 11 Nov BLACKHEATH GOES GOSPEL PERFORMANCE Performance led by the London Community Gospel Choir with the ‘community chorus’ of workshop participants and pupils from local schools. Venue: Blackheath Halls, 23 Lee Rd, Blackheath, London, SE3 9RQ. 7.30pm. Adm: Free. Info: 0208 463 0100.
Sat 10 Dec SHABAKA HUTCHINGS Barbados-born clarinettist and saxophonist Shabaka Hutchings is a member of experimental contemporary jazz group Zed U. Venue: King’s Place Hall One, 90 York Way, London, N1 9AG. 8pm. Adm: £9.50 - £12.50. Info: 0191 443 4661. Sat 17 Dec ABRAM WILSON: A NEW ORLEANS STYLE CHRISTMAS STORY Abram Wilson offers a fresh take on Christmas with original New Orleans musical flavours. Joining him are Jamaica’s own Myrna Hague on vocals and fellow New Orleans star drummer Jason Marsalis. Sure to be the ‘hottest Christmas’ ever! Venue: King’s Place Hall One, 90 York Way, London, N1 9AG. 7.30pm. Adm: 19.50- £34.50.. Info: 0191 443 4661 Black Heritage Today 2011-2012
Newington Library, 155 Walworth Road, SE17 1RS.
EDUTAINMENT Seminars / Talks / Lectures Mon 3, Mon 10, Mon 17, Mon 24 & Mon 31 Oct (Afternoons) 5 HISTORY SEMINARS By black history author Robin Walker. Venue: Marcus Garvey Library, Tottenham Green Centre, 1 Phillip Lane N15 4JA. Adm: Free. Info: http://www.haringey.gov.uk/findalibrary. htm.
Uprising
Mon 3 - 31 Oct BHM AT THE BIRD IN BUSH CENTRE The Bird in Bush Children’s Centre is hosting a series of events to celebrate black history month, the journey: past, present, future. Venue: Bird in Bush Centre, 616 Old Kent Road, SE15 1JB. Adm: Free. Info: 0207 639 3030. Mon 3 - 31 Oct PRAYER 4 HAITI EXHIBITION Oladije Kareem’s work explores the role of the prayer as a form of psychological relief for an individual during times of crisis. Venue: Corridor leading to Walworth One Stop Shop, The Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Tues 4 Oct MEET LEROY LOGAN Superintendent Leroy Logan will meet and talk to secondary school students on the theme of “Inspiration and Enterprise”. He will discuss his childhood, career and the challenges he has successfully overcome. For Islington secondary schools only. Venue: Assembly Hall, Town Hall, Upper St, N1. 10.30am – 11.30am. Adm: Free. Info: 0207 527 8900. Wed 5 Oct BLACK BRITAIN ON SCREEN: Tony Warner with David Somerset present a selection of excerpts from key titles as well as introducing the groundbreaking and ongoing African Odysseys programme at the BFI Southbank. Venue: Dulwich Library, 368 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Wed 5 Oct IMRAN JAMAL Jamal explores the hidden story of the East India Company (2010). Imran graduated in Politics and Economics from Goldsmiths University. Currently he is studying anthropology. Venue: Idea Store Chrisp Street, 1 Vesey Path, East India Dock Road. 7–9pm. Adm: Free. Info: www.bricklanecircle.org Wed 5 Oct IT’S NOT OUT OF REACH Haringey U3A’s guest life-coach and author Christiana de Sammy talks about her book, ‘It’s Not Out Of Reach’. This interactive session is designed to help you discover the third way to success; to improved health and well being without losing your sanity. Venue: Wood Green Central Library, 187-197A High Road, Wood Green, London N22 6XD. 12.30 2.30pm. Adm: Free. Info: 0208 489 2700. Thurs 6 Oct YOUNG BLACK AND MUSLIM IN BRITAIN Author, Richard Reddie, of Black Muslims in Britain, discusses this phenomenon that is rapidly changing the religious and cultural landscape of the UK. Venue: Dulwich Library, 368 Lordship Lane, SE22 8NB. Adm: Free. nfo: 0207 525 2000. Thurs 6 Oct GENEALOGY AND FAMILY HISTORY Research your African and Caribbean Black Heritage Today 2011-2012
arking the 30th anniversary of the Brixton riots, author Alex Wheatle MBE presents a moving autobiographical account of his own eventful life and times. With lyrical dexterity and an authentic, hard-hitting story, Uprising Alex takes audiences on a journey through Britain in the 1980s. “There were many aspects about my young life I was ashamed of and didn't want to admit to but now, as a respected author in my forties, I feel I can share my experiences so others can learn from them,” says Alex. “It was liberating for me to write the piece and sometimes frightening to face the ghosts of the past.” Uprising showcases the narrative flair that led to
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ancestry. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Mon 10 Oct BOB MARLEY EVENING A celebration of Bob Marley in talk and performance.A must-do date for all Bob Marley fans. Venue: Dulwich Library, 368 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Tues 11 Oct JAZZ ROYALTY Talk By Bernie Victor, Come on a journey that starts in New Orleans at the start of the 20th century and explore some of the world’s best loved Jazz music with Bernie Victor. Venue: Dulwich Library, 368 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Tues 11 Oct BONNIE GREER In conversation with Sonia Boyce who commissioned artist for Peckham Space’s fifth exhibition, Network. Venue: Peckham Space, 89 Peckham High Street, SE15 5RS. Adm: Free. Info: 0207 358 9645. Tues 11 Oct BLACK HISTORY TALK Author Phil
Alex’s successful career as an award-winning writer whose best-selling novels include Brixton Rock and East of Acre Lane, whilst creating absorbing and powerful theatre. Uprising is on Tues 4 & Wed 5 Oct at Tara Theatre, south London (020 8333 4457); Fri 7 Oct at Ilkley Literature Festival, Yorkshire; Tues 11 –14 Oct at The Albany, Douglas Way, Deptford, London SE8 4AG. 7.30pm. ( 0208 692 4446); Tues 18 Oct at St Marks Academy, Mitcham Wimbledon Book Fest; Wed 19 Oct at Raynes Park High School, London Wimbledon Book Fest; Fri 21 Oct at Oxford Playhouse Oxford (01865 305305); then Thurs 10 Nov at Marlowe Theatre, Canterbury. Info: 01227 787787. Vasili will speak about Walter Tull, one of the first Black British professional footballers, he also served as an officer in the First World War, which at the time was extremely unusual. Venue: Ealing Central Library, Ealing Broadway Centre, Ealing, W5 5JY. 6.15pm. Adm: Adv £4, £2 for under 18’s. Info: 0208 825 9278. Sat 11 Oct THE COLORED MUSEUM How do you decide which aspect of your experience and identity to preserve? A one off talk will accompany performances of The Colored Museum to engage museum-goers and audiences in a wider conversation about two and a half decades of Black British identity. Speakers include Doctor Robert Beckford and Bonnie Greer. Venue: The Lydia and Manfred Gorvy Lecture Theatre, Victoria and Albert Museum, Cromwell Road, London, SW7 2RL. 3pm. Adm: £8, conc £4. Info: www.vam.ac.uk Tues 11 Oct THE LIFE AND TIMES OF AUDRE LORDE An illustrated talk by Sandra Agard on this great American poet Audre Lorde who was a self described "black lesbian, mother, warrior, poet". Venue:
Tues 11 Oct BONNIE GREER ON LANGSTON HUGHES Bonnie Greer’s discusess her biography of the poet, novelist, campaigner and playwright with Cyril Nri. (45 mins). Venue: Cottesloe, The Royal National Theatre, Upper Ground, London SE1 9PX. 6pm £4, conc £3. Info: 0207 452 3000 / www.nationaltheatre.org.uk Fri 14 Oct TRANSCENDING THE LEGACIES OF SLAVERY A Psychoanalytic View. Barbara Fletchman Smith explores the circularity of the trauma of slavery and how even today black people, and black men in particular, struggle with its after effects through successive generations. Venue: Marcus Garvey Library, Tottenham Green Centre, 1 Phillip Lane N15 4JA. 7pm 8pm. Adm: Free. Info: 0208 489 5309. Fri 14 Oct OUR ROOTS Talk and presentation by cartoonist Tayo Fatunla. He talks about his work and book Our Roots, which celebrates a range of black heroes throughout history. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Sun 16 Oct S.I. MARTIN Eminent historian S.I. Martin shares from his recent research into UK black history with a particular focus upon South-East London. Venue: Manor House Library, 34 Old Road, London SE13 5SY. 2.15om-3.15pm. Adm: Free. Info: 0208 314 7779. Sun 16 Oct BHM WALKING TOUR OF NEW CROSS AND DEPTFORD Historian S.I. Martin leads a walking tour revealing the hidden histories of black people. Meet outside 439 New Cross Road for 10.30am start (11.45pm finish). Adm: £5. under 16s free. Bookings through Lewisam in adv. Info: 0208 314 9800. Sun 16 Oct AFRICAN BRITISH CIVIL RIGHTS HISTORY Discover and learn more about Dr Harold Moody, the civil rights movement in Britain and beyond. Venue: Dulwich Library, 386 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Mon 17 Oct BLACK VOICES Paterson Joseph is joined by Simon Manyonda and Ellen Thomas, to examine the identity of the modern black voice in British Theatre today. (45 mins). Venue: Lyttelton, The Royal National Theatre, Upper Ground, London SE1 9PX. 6pm. £4, conc £3. Info: 0207 452 3000. Tues 18 Oct ALEX PASCALL Delivering a family history session/workshop the theme of which is 'We all have stories to tell', which takes a look at family history, using songs, stories, photographs. Runs approx one hour.Venue: Fulham Library, 598 Fulham Road, London SW6. 2pm. Tues 18 Oct MODERN SLAVERY IN BRITAIN Join experts DCS Richard Martin, from the Metropolitan Police Human Exploitation Unit, and Aidan McQuade, director of AntiSlavery International, to discuss how modern slavery affects London and what initiatives can combat it. Followed by a screening of the documentary Britain’s
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Celebration of Life he MetBPA’s ‘Revival’ initiative works directly with London communities to address and reduce violent crime, particularly amongst young people. A brilliantly entertaining and varied event that unites music, performance and comedy, it guarantees a lively and fun-packed evening for all ages and audiences. Headlining this year’s event is the spectacular Muyiwa & Riversongz, whose uplifting and inspiring music combines gospel with the vibrant rhythms of AfroBeat as well as modern grooves from the worlds of soul, R&B and pop, as showcased on his new album, Declaring His Name All Around The World. Widely respected as one of the international gospel scene’s true heavyweights, Muyiwa’s thrilling fusion of global sounds has attracted a massive mainstream following. Reprising their hugely popular role from previous years, The Lifeforce Band promise a sensational opening-half with special guests Sharlene Hector and Sandra Cross, both wonderful vocalists with an enviable pedigree behind them: Sandra is the queen of lover’s rock, having been voted “Britain’s Best Female Reggae Singer” for six consecutive years between 1986 -1991 by BBC listeners, while Sharlene is one of the UK's top soul, gospel and blues singers, who many may recognise from the worldwide Coca-Cola commercial singing I Wish (I Knew How It Would Feel To Be Free). Also performing will be east London youth choir Solid Harmony. At their full strength they boast more than 30 members ranging in age
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from 10 to 25, and represent the cream of young London talent as well as a shining example of the positive, creative output being generated by the city’s youth. As well as the musical feast on offer, this year’s Celebration of Life features a special performance from Ballet Black, the country’s foremost ballet company for black and Asian dancers, which celebrates its 10th anniversary this year. Comedian Felix Dexter, widely known for his hilarious contributions to BBC 2’s The Fast Show, provides the laughs. He recently appeared on stage alongside Christian Slater in the West End production of One Flew Over The Cuckoo’s Nest. Celebration of Life concert is on Fri 14 Oct at the Royal Festival Hall, Southbank, London SE1. 7.30pm. Adm: £10, £15, £20, plus bkg fee. Info: 0844 847 9910 / www.southbankcentre.co.uk
Celebration of Life gets better and bigger and better still. In aid of their anti-violence campaign, Revival, the Metropolitan Black Police Association once again brings an amazing array of music and entertainment to the Royal Festival Hall in the form of Muyiwa & Riversongz, Felix Dexter, Ballet Black and much more. Secret Slaves. Venue: Museum of London Docklands, No.1 Warehouse, West India Quay, Isle of Dogs, E14 4AL. 7–8.45pm. Adm: Free, adv bking required. Info: 0207 001 9844. Wed 19 Oct YASMIN ALIBHAI-BROWN
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Join Ugandan born British journalist and author Yasmin Alibhai-Brown for a fascinating talk on why she wrote her family’s story, The Settler’s Cookbook, and how the stories evoked memories of food which were then brought to life by the recipes. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10
this exciting project and to explore one of our fascinating collections, the Ansel Wong papers. Venue: Ealing Central Library, Ealing Broadway Centre, Ealing, W5 5JY. 6.15pm. Adm: Adv £4, £2 for under 18’s. Info: 0208 825 9278. Wed 19 Oct SIGNIFICANT VOICES A series of talks with leading cultural and creative figures includes an 'in conversation' between Ekow Eshun and Yinka Shonibare MBE, known primarily for his figurative sculptures inspired by literature and art history, rendered in recognisably African fabrics. Venue: The Human Rights Action Centre, 7-25 New Inn Yard, EC2A 3EA (close to Rivington Place), Adm: £7, concs. £5. Info: 0207 749 1240. Wed 19 Oct CAN BLACK PEOPLE HAVE IT ALL? Talk by inspirational speaker Esther Austin author, Healer and Life Coach. Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 6.30pm – 8.30pm. Adm: Free. Info: 0208 496 3189. Thurs 20 Oct FASHION SHOW Waltham Forest College fashion students along with a selection of the freshest new Black British fashion designers will be representing both Black History in the UK and the future of fashion with an African influence.In association with ‘The I Feel the Experience’ project. Venue: Walthamstow Library, High Street, Walthamstow E17 7JN. 6pm – 9pm. Adm: Free. Info: 0208 496 3189. Wed 26 Oct Thurs 20 Oct AN AUDIENCE WITH CLASFORD STIRLING Clasford Stirling was awarded an MBE for services to sport in North London in the Queen's Birthday Honours List 2007. A Youth and Sports Development Officer on the Broadwater Farm Estate, Clasford discusses the history of the estate, essentially from a community development point of view, and officially launches the exhibition. Broadwater Farm: the story of a community 1967 – 2010.Venue: Bruce Castle Museum, Lordship Lane, London N17 8NU. 7.30pm. Adm: Free. Info: 0208 808 8772. Thurs 20 Oct JOURNEYS THROUGH PECKHAM Join Sandra Agard in celebrating the personal stories and memories of the journeys local people have taken to be able to live in Peckham today. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645.
Muyiwa & Riversongz
2SF. 7 – 9pm. Adm: Free. nfo: 0208 937 3400. Wed 19 Oct BLACK HISTORY TALK Speaker: Anne-Marie Sandos subject is the UK's first dedicated Black heritage centre. Join them to find out more about
Thurs 20 Oct ERROL CHRISTIE No Place To Hide: How I Put Black In The Union Jack .Join former professional British boxer and currently boxing trainer Errol Christie for an illuminating talk about racism in both the boxing game and seventies & eighties Britain. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 9pm. Adm: Free. Info: 0208 937 3400. Fri 21 Oct DAYDREAM BELIEVER Martin Luther King Jnr, A Radical Legacy. With the Arab uprising spreading and Greece rebelling, author Richard Reddie explores how Martin Luther King Jnr remains an inspiration to human rights movements today. Venue: Dulwich Library, 368 Lordship Lane, SE22 8NB. Black Heritage Today 2011-2012
Adm: Free. Info: 0207 525 2000. Sat 22 Oct THROUGH SOUTHWARK’S EYES The phenomenon called Empire Windrush. Explore their life journey through film, photography, literature and the spoken word from the mouths of high profile personalities, academics and the passengers themselves. Venue: Dulwich Library, 386 Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000.
He’s too Kriss
Sat 22 Oct IN CONVERSATION WITH GARY YOUNGE The latest book by Gary Younge 'Who Are We - and Should It Matter in the 21st Century?' explores identity, solidarity and our affiliations in changing times. This talk explores these themes and is followed by an open discussion. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 6-8pm. 12-5pm. Adm: £5. I nfo: 0207 613 7498.
As a composer, listeners often nod and even sing along to compositions they hear on radio and TV ads. Black Heritage Today speaks to a young man, an all round UKborn talent, that we predict is set for big things. here’s talented and then there’s multitalented and anyone who knows Julian 2kriss Alexander would also know where to slot him: Everywhere! The actor, music composer/producer, pianist plays four instruments, guitar, piano, drums and violin, he has composed speculative film scores for mega production, including Lord of the Rings, Harry Potter and The Matrix – all fantasy genres, and also creates TV and game scores that at times relate heavily to Neo-romanticism. His most recent work was on Peter Andre's forthcoming album Accelerate where Julian produced and composed the track XLR8, a catchy melody with strong electro-pop elements. He has also created music for corporate presentations and commercials. Born and raised in London in1985, it wasn’t until he was 13 years old that Julian began exploring his keen interest in music by playing the piano by ear. His mother however, made him take music theory lessons. The modern-day composer was not pleased. “I wasn't very interested in theory lessons, they were boring and I felt that it would put a cap on my creativity as it taught you that there is a set way of doing things as opposed to expressing yourself through trial and error,” he explains. At 16 years old Julian, fascinated by the idea of making big scores for films inspired and influenced by music heard on Television from big composer such as John Williams, started composing music with orchestral instrumentation. He says, “There is something about film music scores, as a majority of the time there are no vocals; you are left to interpret the music as you feel it, not just as you hear it. The whole idea is to portray what you’re seeing in the film; the music really knows how to capture emotion. It has depth.”
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Spanish music joined his appetite for a variety of genres including hip-hop and R&B, not to mention pop, country, rock and classical. During his nine-year career Julian has clearly been positioning himself to compete with heavyweights like Timbaland, Ryan Leslie and Dr Dre, John Williams and even Quincy Jones. But is the world ready for him? “Yes,” he smiles engagingly. “Nobody has really blended these genres or blended both urban and epic film scores. It may have been slightly dabbled in but nothing with real depth so far. Also here in the UK you don’t really hear much about producers, and most people think that the UK is not ‘the place’ for the entertainment industry. This makes some industry professionals look down on us, so like most of these heavyweights I will be coming strong as a producer/artist/Icon.” Julian, who often work with bands and solo singers under the alias of 2kriss even has acting under his belt, having worked under the direction of Hollywood great George Lucas and alongside some of the biggest names in show-biz, including Cuba Gooding Jr, Terrance Howard, Dustin Hoffman and Ne-Yo In his spare time (he has that?) Julian learnt Japanese simply because he loves the culture. Asked about future ambitions he states, “I aim to be one of the biggest if not the biggest composer/actors to come out of the UK and to get stuck into a load of international and major projects.” Frequently sought after and arguably one of the UK’s best young producer/composers Julian ‘2Kriss’ Alexander is a name to look out for. The album UK Dance Off, is scheduled for release in December. He will also be showcasing his compositions for the Birmingham Dance show in Dec 2011 and releasing a collection of scores in 2012 for major UK dance event Move It.
Mon 24 Oct ALEX PASCALL Join journalist and broadcaster Alex Pascall OBE for a fascinating and revealing interview with acting legend Earl Cameron CBE, one of the first black actors to break the colour bar in Britain. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 9pm. Adm: Free. Info: 0208 937 3400. Mon 24 Oct EXODUS AND ARRIVAL Beverly Ramsay explores and celebrates the journeys made by Caribbean people from the 1950s onwards; followed by a creative session to help children and their parent explore and research their own family journeys. Venue: Thornton Heath, Brigstock Rd CR7 7JE. 10am - 12noon. Then at South Norwood, Lawrence Rd, London SE25 5AA. 2 - 4pm. Age: 8-11. Adm: Ticketed. Info: 0208 726 6900. Tues 25 Oct EXODUS AND ARRIVAL Beverly Ramsay as she explores and celebrates the journeys made by Caribbean people from the 1950s onwards; and research their own family journeys. Venue: Broad Green, 89 Canterbury Rd, Croydon CR0 3HH. 10am - 12noon. Then at Norbury, Beatrice Avenue SW16 4UW. 2 -4pm. Age 8-11 yrs. Adm: Ticketed. Info: 0208 726 6900. Tues 25 Oct ORIGINS OF BHM IN THE UK A Black cultural Archives Talk.An evening talk on the history of black history month and Ansel Wong, one of the founders of black history month in the UK. Venue: The Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Info: 0207 525 2332. Wed 26 Oct WALTER RODNEY GARVEY AND RASTAFARI An opportunity to learn more about the history of Caribbean activists and politics. Speaker from Black History Studies. Places limited. Venue: Ealing Central Library, Ealing Broadway Centre, Ealing, W5 5JY. 6.15pm. Adm: Adv £4, £2 for under 18’s. Info: 0208 825 9278. Thurs 27 Oct FASHION’S BEST KEPT SECRET Black People, Culture and The Fashion Industry: whenever fashion is discussed, the views featured - whether about textiles, couture, stylists and designers are very rarely from Black experts. Yet the influence of Black cultures and history
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BIRMINGHAM BLACK HISTORY MONTH 2011
Africa Calling! With the theme of Africa Calling! expect the best that the continent has to offer. A unique collaboration between Birmingham City Council and The Drum the BHM theme this year represents a gesture of solidarity to mark the United Nations International Year for people of African Descent. We’ll be working alongside other organisations to host a jam-packed month of events on and off site throughout October. It’s an opportunity for everyone to get involved by gaining knowledge about the history and heritage of British, Asian, African and Caribbean communities and their struggles, achievements and contributions.
is never far away from the catwalk or the latest trends such as ‘street wear’, ‘ethnic prints’ or ‘tribal styles’.Let’s discuss these important themes. Age 15 yrs plus. Venue: Dalston CLR James Library, 1 - 7 Beechwood Road, E8 3DG. 6.15 7.45pm. Adm: Free. Info: 0208 356 3000. Thurs 27 Oct PIERRE VANNONI Linked To Mother Africa Exhibition, be a part of history and the mapping of African cultures in Hackney join photographer Pierre Vannoni as he explores African culture in Hackney through identity, migration and roots. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 5 - 7.30pm. Adm: Free. Info: 0208 356 3000 / 0208 356 2658. Fri 28 Oct ALEX PASCALL IN CONVERSATION WITH… Michael De Souza and Genevieve Webster, authors of Rastamouse picture books. Includes a fun adult drama workshop and Q&A. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 7 – 9pm. Adm: Free. Info: 0208 937 3400. NOVEMBER
HIGHLIGHTS INCLUDE: Othello (Fri 14-Sat 15 Oct, 7.30pm) With a Caribbean setting and reverse-race casting, Bahamian blood runs high in this radical and feisty reworking of Shakespeare's classic. In this world of opposites, black is white, freedom is imprisonment, and love, through the distorting prism of jealousy, remains as unpredictable as the ocean.
Eric Roberson (Sat 15 Oct, 9pm) America’s leading independent urban artist Eric Roberson who will be delving into his eighth solo album. Nominated for a Grammy Award for the past two years for his prior album “Music Fan First” Roberson pays a welcomed return visit to The Drum, he last appeared there with his band in 2009 in a sell-out show.
In Conversation with Gary Younge (Thu 20 Oct, 7.30pm) Younge’s latest book 'Who Are We - and Should It Matter in the 21st Century?' explores identity, solidarity and our affiliations in changing times. As a columnist for the Guardian, Younge won the prestigious James Cameron award for his coverage of the Obama election and the "combined moral vision and professional integrity" of his work. This specially commissioned talk is followed by an open discussion.
Banjul to Brum – Charity Gala Dinner (Sat 22 Oct, 7pm) The evening consist of a three- course West African meal interspersed with musical contributions and cultural acts followed by live band Yaaba Funk and local DJs. Charities to benefit will include: The Meningitis Trust, Uffculme School, Resources for Autism, and OSCAR Birmingham. Enjoy Birmingham Black History Month 2011 at The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU Box Office: 0121 333 2444 www.the-drum.org.uk
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Thurs 3 Nov CONTEMPORARY AFRICAN ISSUES A cultural Perspective by Zagba Oyortey. An insightful discussion on issues affecting Africa today focusing on Ghana and the current political climate, culture and finance. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 6 7.30pm. Adm: Free. I nfo: 0208 356 3000 / 0208 356 2509. Wed 16 Nov THE POLITICS OF RECOVERY Panel discussion researching Black and Asian histories and women’s history in modern Britain. Historians Caroline Bressey and Rozina Visram join Archival Tales curator Gemma Romain to explore their experiences of researching in archives their findings on Black Britain in the early twentieth century. Venue: The Women’s Library, 25 Old Castle Street, Aldgate, E1 7NT. 7–8.30pm. Adm: £8, conc £6. Info: 0207 320 2222.
STORY TELLING Throughout Oct UNDER THE BANYAN TREE Share your traditional family stories by placing a leaf on the Banyan Tree display. All Day. Venue: Ashburton Library, Shirley Road, Addiscombe CR9 7AL. Age: adults and children. Adm: drop-in. Info: 0208 726 6900.
workshop. Age primary school. For Brent Schs only. Venue: Various Borough Libraries. Adm: Free. Info: 0208 937 5619. Now 3 – 9 Oct MY NAME WAS JOE Keren David talks about the topical themes of her young adult novels When I was Joe and Almost True - about a boy in witness protection and Lia's Guide to Winning the Lottery, which tells the story of a 16-year-old girl who wins an £8 million jackpot. These include knife crime, identity, justice, post traumatic stress disorder, sex, shopping and economics. Suitable for secondary school students. For Brent Schs only. Venue: Various Borough Libraries. Adm: Free. Info: 0208 937 5619. Now 3 – 9 Oct MYTHICAL BEASTS Award winning illustrator and author Jane Ray delivers a magical workshop on mythical creatures. Suitable for primary school students in years three to five. Venue: Various Borough Libraries. For Brent Schs only. Adm: Free. Info: 0208 937 5619. Mon 3 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venues: Harlesden Library Plus, Craven Park Road, Harlesden, London NW10 8SE. 10.30 – 11.15am and Preston Library, Carlton Avenue East, Wembley, Middlesex HA9 8PL. 2.15 – 3pm. Adm: Free. Info: www.bookstart.org.uk. Tues 4 Oct AFRICAN CARIBBEAN STORYTELLING Join in an interactive session using African and Caribbean nursery rhymes, stories and music. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Tues 4 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venue: Neasden Library Plus, 277 Neasden Lane, Neasden, London NW10 1QJ. 11.30am – 12.15pm. Adm: Free. Info: www.bookstart.org.uk Weds 5 Oct, WE ALL WENT ON SAFARI Story time and colouring in sessions. Age 5-7 yrs. Venue: Catford Library, Laurence House, 1 Catford Rd, London SE6 4RU, 11-11.45am. Adm: Free. Info: 020 8314 9113.
Throughout Oct LIBRARY STORYTIMES Listen to some wonderful stories from cultures and writers around the world. All libraries will theme many of their weekly story times throughout October. Venues: all libraries in the borough. Adm: Free.
Sat 8 Oct ANANSI STORIES AND CRAFT Classic trickster tales and craft activity. Venue: Torridon Road Library, 103 Torridon Road, London SE6 1RQ, 2.30 – 3.30pm. Adm: Free. Age: 8-11 yrs. Info: 0208 314 3712.
Now 3 – 9 Oct RASTAMOUSE AND THE EASY CREW Michael De Souza, one half of the writing duo with Genevieve Webster delights children with the adventures of Rastamouse and the Easy Crew in an enjoyable storytelling and drama
Thurs 6 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venue: Ealing Road Library, Coronet Parade, Ealing Road, Wembley, Middlesex HA0 4BA. 11.15am - 12noon. Adm: Free. Black Heritage Today 2011-2012
Info: www.bookstart.org.uk
FAMILY LEARNING FESTIVAL, WHERE’S MY CAT? Story and craft activities. Venue: Kilburn Library, 42 Salusbury Road, Kilburn, London NW6 6NN. 10.30am – 12.30pm. Info: 0208 937 3530.
Fri 7 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venue: Kilburn Library, 42 Salusbury Road, Kilburn, London NW6 6NN. 10.30 – 11.15am. Adm: Free. Info: 0208 937 3530, www.bookstart.org.uk
Sat 15 Oct MASAI AND I Story and craft activities. Venue: Kingsbury Library Plus, 522 - 524 Kingsbury Road, Kingsbury NW9 9HE. 2 – 4pm. Adm: free. Info: 0208 937 3520.
Sat 8 Oct STORYTELLING EVENT Come and listen to West African drumming and storytelling with George Fiawoo. Venue; Ashburton, Shirley Rd, Addiscombe CR9 7AL. 11am-12noon. Info: 0208 726 6900. Sat 8 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venue: Barham Park Library, Harrow Road, Wembley, Middlesex HA0 2HB. 11 – 11.45am. Adm: Free. Info: www.bookstart.org.uk Sat 9 Oct BOOKSTART BEAR CLUB Story and rhyme times for under fives during children’s book week. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 3.15 – 4pm. Adm: Free. Info: www.bookstart.org.uk Tues 11 Oct RASTAMOUSE: WITH MICHAEL DE SOUZA. Come and meet the author and creator of ‘Rastamouse and da Easy Crew’. For families with children aged 4 plus. Venue: Ashburton, Shirley Rd, Addiscombe CR9 7AL. 4-5pm. Paid. Info: 0208 726 6900. Tues 11 Oct JAN BLAKE AND INNO SORSY A storytelling feast from Jan Blake’s exhilarating storytelling abilities. She’s partnered by Inno who also collects and performs stories from across the globe. Venue: Manor House Library, 34 Old Road, London SE13 5SY, 7-8.30pm. Adm: Free. Info: 0208 314 7779. Wed 12 Oct HANDA’S SURPRISE Our rendition of the classic picture-book story, followed by cartoon time. Venue: Downham Library, 7-9 Moorside Rd, Downham, Bromley BR1 5EP. Under 5s. 10-11am. Adm: Free, Info: 0208 314 9702. Thurs 13 Oct HANDA’S SURPRISE Our rendition of the classic picture-book story. Venue: Torridon Rd Library, 103 Torridon Rd, London SE6 1RQ, 10-11am. Adm: Free. Under 5s. Info: 0208 314 3712. Sat 15 Oct POETRY AND MUSIC EVENT WITH LOCAL WRITER PETE GODISMO. Venue: Central, Croydon Clocktower, Katharine Street, Croydon CR9 1ET. 2.30 - 3.30pm. Age: Adults. Adm: Ticketed. Info: 0208 726 6900. Sat 15 Oct ANANSI STORIES AND CRAFT Classic trickster tales and craft activity. Black Heritage Today 2011-2012
Many - Rivers to Cross
magine the likes of Shakespearian actor, Chevalier Ira Aldridge; classical composer, Samuel Coleridge-Taylor; army officer and professional footballer, Walter Tull; singer and actor, Paul Robeson; playwright Obi Egbuna of the Black Panthers and President Barack Obama all in the same room at the same time. How interesting that conversation would be, as they mull over the last 100 or so years. Rivers to Cross comes pretty close. The multi-media play journeys through time and black history taking audiences on a journey through Imperialism, Segregation, the Civil Rights Movement, the ‘Windrush’ era and the Black Consciousness Movement, as we tell the true stories of an array of inspiring, powerful and talented individuals who have made great achievements in the face of adversity over a 173 year period. The play, starring former East Enders actor, Sylvester Williams and Live and Unsigned 2011 finalist, actor, musician, singer and dancer, Oraine Johnson AKA Rainboy, has been well researched and features original footage courtesy of British Pathe films and a fantastic original
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Venue: Catford Library, Laurence House, 1 Catford Rd, London SE6 4RU, 2.153.15pm. Adm: Free. Age: 5-7. Info: 0208 314 9113 Sat 15 Oct ANANSI STORIES AND CRAFT
soundtrack. Described as ‘thrilling and full of emotion’ and ‘a very powerful and affecting piece’ this show will move, shock and challenge. Gazebo Theatre Company’s Rivers To Cross will be staged 6 October at Michael Croft Theatre, Alleyn’s School, Townley Road, London SE22 8SU. 7.30pm. Adm: £14, conc £8. Info: www.michaelcrofttheatre.org .uk The show is touring nationally. Tues 11 Oct at Bridgwater Arts Centre, Somerset. 8pm (01278 422700); Wed 12 Oct The Plough Arts Centre, Devon.1.30pm (01805 624624); Thurs 13 Oct, UHArts, Herts. 7.30pm 01707 281127; Fri 14 Oct, Pegasus, Oxfordshire, 8pm (01865 812150); Sat 15 Oct 8pm, Alnwick Playhouse Arts Centre; Wed 19 Oct at Northumberland. 7.30pm (01665 510785); Thurs 20 Oct, Artrix, Bromsgrove. 8pm (01527 577330); Tues 1 Nov Theatre Severn, Shrewsbury. 7.30pm (01743 281281); Thurs 3 Nov Arena Theatre, Wolverhampton. 1.30pm & 7.30pm (01902 321321); Wed 9 Nov Rhodes Arts Complex, Bishop’s Stortford. 7.30pm. Info: 01279 651746.
Classic trickster tales and craft activity. Venue: Catford Library, Laurence House, 1 Catford Rd, London SE6. 2.15pm3.15pm. Ages: 5-7. Adm: Free. Info: 0208 314 9113. Sat 15 Oct
Mon 17 Oct RASTAMOUSE: WITH MICHAEL DE SOUZA Come and meet the author and creator of ‘Rastamouse and da Easy Crew.. Venue: Central, Croydon Clocktower, Katharine Street, Croydon CR9 1ET. 4pm - 5pm. Age: 4+. Adm: Ticketed. Info: 0208 726 6900. Tues 18 Oct CHATTERBOOKS Learn about Fon story picture clothes. The Fon people of Benin tell their legends and stories with brightly coloured cloth pictures. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Adm: Free. Info: 0207 525 2000 Tues 18 Oct KEEPING IT IN THE FAMILY Storytelling And Oral Traditions. Creating and telling stories that engage people of all ages, is a wonder to behold. The magical worlds created by acclaimed children’s author Malorie Blackman show how enchanted families can be by a well written story. What about helping yourself and your children create stories based on your family history and experiences? What are the key elements of storytelling and keeping your children engaged? Venue: Clapton Library, Northwold Road, E5 8RA. 5 - 6.45pm. Adm: Free. Info: 0208 356 3000. Tues 18 Oct ANANSI STORIES AND CRAFT Classic trickster tales and craft activity. Venue: Downham Library (Family event), 7-9 Moorside Rd, Downham, Bromley BR1 5EP, 2.30pm-3.30pm. Adm: Free. Info: 0208 314 9705. Tues 18 Oct ANANSI STORIES AND CRAFT Classic trickster tales and craft activity. Venue: Downham Library (Family event), 7-9 Moorside Rd, Downham, Bromley BR1 5EP, 2.30pm-3.30pm. Adm: Free. Info: 0208 314 9705. Wed 19 Oct STORIES FROM AFRICA A special under 5s story time with stories, songs & colouring in fun! Venue: Manor House Library, 34 Old Rd, London SE13 5SY, 2.30pm-3.15pm . Age: Under 5. Adm: Free. Info: 0208 314 7794. Wed 19 Oct STORYTELLING AND COLLAGE MAKING African Patterns. Families will enjoy a storytelling session inspired by vivid African patterns and fabrics and get the chance to take part in creating a collage inspired by African designs. Age 3 -12, with parents/carers. Venue: Stoke Newington Library, Stoke Newington
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London SE6 4RU, 2.15-3.15. Age: 811yrs. Info: 0208 314 9113.
Freedom and Justice for all he Ida B. Wells Memorial Foundation was established in 1988 in Chicago, Illinois by five of her grandchildren. Ida B. Wells-Barnett was a fearless antilynching crusader, suffragist, women's rights advocate, journalist, and speaker. Born in Holly Springs, Mississippi in 1862, Ida Bell Wells-Barnett was a black journalist and newspaper editor who, with her husband, newspaper owner Ferdinand L. Barnett, became an early leader in the civil rights movement. She gradually gained a reputation for writing about the race issue in the United States, documenting many of the lynching that happened in the country. She was also active in the women rights movement as well as the suffrage movement. In 1889, she became co-owner and editor of Free Speech and Headlight, an antisegregationist newspaper based at the Beale Street Baptist Church in Memphis that published articles about racial injustice.
Sat 29 Oct STORYTIME AND MUSIC Stories from Africa and the Caribbean come along and enjoy the fun! All ages but under 5’s accompanied by an adult. Venue: Hackney Central Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 2 3pm Adm: Free. Info: 0208 356 3000.
WORKSHOPS: CHILDREN / FAMILY
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Church Street, N16 0JS. 4 - 5pm. Adm: Free. Info: 0208 356 3000. Fri 21 Oct RASTAMOUSE: WITH MICHAEL DE SOUZA Come and meet the author and creator of ‘Rastamouse and da Easy Crew’. Venue: South Norwood, Lawrence Road, London SE25 5AA. 4 - 5pm. Age: 4+. Adm: Ticketed. Info: 0208 726 6900. Sat 22 Oct RASTAMOUSE: WITH MICHAEL DE SOUZA Come and meet the author and creator of ‘Rastamouse and da Easy Crew’. Venue: New Addington, Central Parade CR0 0JB. 2.30 - 3.30pm. Age: 4+. Adm: Ticketed. Info: 0208 726 6900. Mon 24 Oct IN THE LAND OF THE SHAK SHAK TREE Come and discover fun and fantastic stories and get involved with storytelling. Suitable for families. Venue: Camberwell Library, 17-21 Camberwell Church St, SE5 8TR. Adm: Free. Info: 0207 525 2000. Wed 26 Oct STORIES FROM AFRICA A special under 5s story-time with stories, songs & colouring in fun! Venue: Catford Library (Under 5), Laurence House, 1 Catford Road, London SE6, 11-11.45am, Adm: Free. Info: 0208 314 9113. Thurs 27 Oct
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Throughout Oct CARNIVAL FUN Make a carnival mask to take home. All Day. Venue: Ashburton Library, Shirley Road, Addiscombe CR9 7AL. Age: Families. Adm: Drop-in. Info: 0208 726 6900.
Since her death interest in her life and her legacy has grown over the years with her paving the way for others in journalism to follow. Ms Wells’ life is the subject of a widely performed musical drama, which debuted in 2006. See the screening of Ida b. Wells: A Passion For Justice’ on Mon 17 Oct at Leytonstone Library, 6 Church Lane, Leytonstone E11 1HG. 7pm – 9pm. Age: 5+. Adm: Free. Info: 0208 496 1190.
THE WALTER TULL STORY Walter Tull was Britain’s first black infantry officer and was also a professional footballer.. Venue: Bethnal Green Library, Cambridge Heath Road, Bethnal Green, E2 0HL. 2pm. Adm: Free. Info: 0208 980 3902 Thurs 27 Oct AFRICAN STORYTELLING Join us for a session of Ananse stories from Ghana and find out what tricks Ananse is playing on his friends and enemies. Venue: Nunhead Library, Gordon Road, SE15 3RW. Adm: Free. Info: 0207 525 2000 Wed 28 Sept BABY AND TODDLER SESSION Listen to stories about African animals, make animal masks and sing animal songs. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Adm: Free. Info: 0207 525 2000. Fri 28 Oct STORYTIME Listen to stories about African animals and make animal masks. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Adm: Free. Info: 0207 525 2000. Fri 28 Oct MURAFO’S BEAUTIFUL DAUGHTERS Listen to the story and make a beaded
necklace. Venue: Manor House Library, 34 Old Rd, London SE13 5SY, 2pm – 3pm, Age: 8-11 years.. Adm: Free. Info: 0208 314 7794. Fri 28 Oct CARIBBEAN TALES An animated day with "catchy" songs, calypso rhythms, dance and live drumming. Join the Trinidad and Tobago born storyteller Debora Alleyne De Gazon and enjoy Caribbean stories. Venue: Thornton Heath, Brigstock Road, CR7 7JE. 11am - 12noon. Info: Then: Selsdon, Addington Rd, CR2 8LA. 2.303.30pm. Adm: Ticketed. Info: 0208 726 6900. Sat 29 Oct AUNTIE ANIKA’S ANANCY STORYTIME AND SING-ALONG Join Anancy the trickster on his exciting, interactive journey from Africa to the Caribbean. Auntie Anika will bring these tales to life through drama, song and movement. Venue: Broad Green 89 Canterbury Rd, Croydon, CR0 3HH. 11.00am - 12 noon. Age: 4+. Adm: Ticketed. Info: 0208 726 6900. Sat 29 Oct INSPIRATION OF A NATION Nelson Mandela themed activity with puzzles colouring and information on the Father of Africa. Venue: Catford Library, Laurence House, 1 Catford Road,
Sat 1 - 29 Oct AFRICAN CRAFTS An afternoon session of making your favourite African instrument, scariest African animal and listening to stories on Anansi. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Sat 8 Oct AFRICAN MASK MAKING Create your own vibrant African themed mask using collage and mixed materials. All ages welcome but children aged 5 years and under must be accompanied by an adult. Venue: Hackney Central Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 2 - 4pm. Adm: Free. Info: 0208 356 3000. Sat 8 Oct SAFARI ANIMAL MASKS Come and join our fun mask making session where you can choose to make an elephant, giraffe or lion mask. Venue: Nunhead Library, Gordon Road, SE15 3RW. Adm: Free. Info: 0207 525 2000. Mon 10 Oct TRADITIONAL GHANAIAN MUSIC AND DANCE Abass Dodoo will deliver a cultural workshop containing a colourful display of authentic traditional Ghanaian music and dance - audience participation will be encouraged! Venue: Homerton Library, Homerton High St, E9 6AS. Adm: Free. Info: 0208 356 3000. Tues 11 Oct MASK MAKING Come along and try out a traditional African craft. Venue: Newington Library, 155 Walworth Rd, SE17 1RS. Adm: Free. Info: 0207 525 2000. Tues 11 Oct BABY AND TODDLERS GROUP Come along and make your Caribbean hats. Venue: Grove Vale Library, 25-27 Grove Vale, SE22 8EQ. Adm: Free. Info: 0207 525 2000. Tues 11 Oct MARTIN LUTHER KING Martin Luther King – craft event. Venue: Higham Hill Library, North Countess Black Heritage Today 2011-2012
Road, Walthamstow E17 5HS. 10.45am 11.45am. Age: Under 5. Adm: Free. Info: 0208 496 1173. Thurs 13 Oct ANIMALS FROM AFRICA Make animals (zany zebra, radical rhino or incredible impala) from the African continent, using recycled materials. Suitable for children. Venue: Brandon Library, Maddock Way, Cooks Road, SE17 3NH. Adm: Free. Info: 0207 525 2000. Fri 14 Oct AFRICAN MASK MAKING Make African masks, with a competition for the most unusual masks made. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Fri 14 Oct MASK MAKING Make a mask of your favourite black hero or an African style mask. Venue: Forest Hill Library, 82 Dartmouth Road, Forest Hill, London SE23 3HZ. 4-5pm. Adm Free: Age 8-11yrs. Info: 0208 314 7653. Sat 15 Oct AFRICAN KUFI HAT CRAFT Learn about African culture & make your own paper Kufi hat. Venue: Manor House Library, 34 Old Rd, London SE13 5SY, 10.30am-11.30am. All ages. Adm: Free. Info: 0208 314 7794. Mon 15 Aug ANIMALS FROM AFRICA Learn about, and make, animals from the African continent using recycled materials. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Sat 15 Oct BHM ARTS AND CRAFTS SESSION Kids, get creative and celebrate black history month at this arts and crafts session. Venue: Grove Vale Library, 2527 Grove Vale, SE22 8EQ. Adm: Free. Info: 0207 525 2000. Sat 15 Oct COCO PALMS INTERACTIVE CARD MAKING Come and learn how to make your own greeting cards using craft material from Africa and the Caribbean. All ages but under 11 years accompanied by an adult. Venue: Shoreditch Library, 80 Hoxton St, N1 6LP. 2 - 3.30pm. Adm: Free. Info: 0208 356 3000. Sat 15 Oct JUNGLE ANIMAL GIFT BAG MAKING Children’s Jungle Animal Gift Bag Making sessions. Held in the Children’s library. Caribbean refreshments offered. Venue: Idea Store Chrisp Street, 1 Vesey Path, East India Dock Rd. 2–3pm. Adm: Free. Info: 0207 364 1506. Sat 15 & 29 Oct ARTS AND CRAFTS SESSION African Arts and Crafts making session for children. Limited number of tickets available from the library counter from 12 Noon onwards. Venue: Watney Market Library, 30–32 Watney Market, Shadwell, Black Heritage Today 2011-2012
Lordship Lane, SE22 8NB. Adm: Free. Info: 0207 525 2000. Tues 18 Oct ANANSI STORIES AND CRAFT Classic trickster tales and craft activity. Venue: Downham Library (Family event), 7-9 Moorside Road, Downham, Bromley BR1 5EP. 2.30pm-3.30pm. Adm: Free. Info: 0208 314 9705.
This is Lovers Rock t was an era and a music that defined a generation in the late 70s and 80s; a unique British sound developed against a backdrop of racial tension, riots and sound systems. It launched the careers of many who became legends. Lovers Rock developed from a small UK scene to become a global phenomenon through artists like Janet Kay and Maxi Priest. Despite its international success it has largely been ignored as a genre within the British music mainstream. Yet still this music was influential to a number of successful British bands in the 80s including, Police, UB40, Culture Club and Sade. Lovers Rock - tells the story of how Lovers Rock music defined a generation in the late 70s and 80s hugely impacting on British Pop Culture. The feature length film contains interviews, comedy sketches, dance, live performances and archive footage which are used to shed light on the music and the generation that embraced it. “The film connects the music with the children of that era, a generation whose story has rarely been told,” states Shabazz. “Lovers Rock was significant because it provided the space for
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London E1 2PR. 2–4pm. Adm: Free. Info: 0207 790 4039. Sat 16 Oct POSTCARDS FROM AROUND THE WORLD Help decorate our world map with postcards from around the world as we celebrate BHM. Drop in for all ages. No bking necessary, but children
young people to share intimate feelings through dance which is absent with today's generation.” Best known for his award winning feature film Burning An Illusion Shabazz, is one of the pioneers of black British cinema. The Story of Lovers Rock marks his return after a 30 years absence from cinema. The film, shot digitally brings him into a new age of filmmaking, and social media. Janet Kay features in the documentary alongside other artists who contributed to the success of the genre. The list of contributors include Maxi Priest, Linton Kwesi Johnson, comedians Angie Le Mar, Robbie G and Eddie Nestor. Today the music is being embraced by young talent like Ava Leigh and Lovella Ellis, daughter of the legendary reggae artist Alton Ellis. “Lovers rock is the first genre of reggae I heard; we come from a small town called Chester, up North, where there is no reggae scene, or any music scene,” says Ava. So the first time I heard that genre was from my mum; my mum really loved Lovers Rock.” Out now, the film is distributed in conjunction with Verve Pictures and Sun Ra.
Thurs 20 Oct CRAZY CROCODILES Make a crazy crocodile out of a range of creative craft materials and listen to an exciting crocodile story. Venue: Nunhead Library, Gordon Road, SE15 3RW. Adm: Free. Info: 0207 525 2000. Sat 22 Oct FAMILY LEARNING WORKSHOPS An informal discussion on why many young men and women left the Caribbean to settle in the UK between1940-70 and upon the Caribbean contribution to UK culture. Led by teacher and author Lesnah Hall, this interactive workshop is suitable for children aged 8 and over with a guardian. Venue: Manor House Library, 34 Old Rd, London SE13 5SY, 2-4pm.Adm: Free. Info: 0208 314 7779. Sat 22 Oct UNITY WREATH AND DOVE Unity Wreath and Dove – craft event. Venue: Higham Hill Library, North Countess Road, Walthamstow E17 5HS. 2.30pm – 3.30pm. Age: 4+. Adm: Free. Info: 0208 496 1173. Sat 22 Oct FAMILY FUN DAY A fun day out for all the family with Somali / Arabic book exhibition from Zaylai Books including books for sale, Somali folktales for children, an adult author talk, Family Learning workshop, poetry by Brent Somali Association, face painting and craft activities. Venue: Harlesden Library, Craven Park Road, Harlesden, London NW10 8SE. 12 noon – 6pm. I nfo: 0208 937 3570. Sat 22 Oct FAMILY FUN DAY An exciting family day with popular cookery author Vicky Bhogal discussing flavoursome recipes from her new book Flavour: A World of Beautiful Food and giving a demonstration, plus pottery workshop, story and craft activities for children, Family Learning workshop, face painting and stalls. Venue: Town Hall Library, Brent Town Hall, King's Drive Entrance, Forty Lane, Wembley Middlesex HA9 9HU. 12noon – 6pm. Adm: Free. Info: 0208 937 3500.
accompanied by an adult. Venue: Vestry House Museum, Vestry Road, Walthamstow E17 9NH. 1pm – 4.30pm. Adm: Free. Info: 0208 496 4391.
Mon 24 Oct MAKE AFRICAN MUSICAL INSTRUMENTS Make musical instruments such as a Djembe drum. Brandon Library, Maddock Way, Cooks Rd, SE17 3NH. Adm: Free. Info: 0207 525 2000.
Sun 16 Oct DRUMHEAD African drumming workshop for the entire family, and all levels. Venue: at Dulwich Library, 386
Mon 24 Oct MAKE AFRICAN INSTRUMENTS Make African instruments and sing. Venue: John Harvard Library, 211
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All events require advance booking. Venue: Chalkhill Community Centre, 113 Chalkhil Rd, Wembley HA9 9FX. Info: 0208 385 1836.
Mende
hild trafficking is a growing ‘industry’ that continues to be a major international problem today. An estimated 5,000 people are trafficked to the UK at any one time, many of them children. In the remote Nuba Mountains of Sudan in the 1990s life was still a good fire around which stories were told, until the men on horseback came. They burnt villages, murdered, raped and abducted the children to be sold into slavery. Twelve year old Mende Nazer was one of those children. She was sold to a slave trader and eventually shipped to Khartoum along with other children then resold to a vicious Arab woman who treated her like a dog, feeding her the family’s leftovers which were
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Borough High Street, SE1 1JA. Age: 5 10 years Adm: Free. Info: 0207 525 2000. Tues 25 Oct ANIMALS FROM AFRICA Choose your favourite animals and draw them. Suitable for children aged five to 10 years. Venue: John Harvard Library, 211 Borough High St, SE1 1JA. Adm: Free. Info: 0207 525 2000. Tues 25 Oct MASK MAKING Make a mask of your favourite black hero or an African style mask. Venue: Torridon Rd Library, 103 Torridon Rd, London SE6 1RQ, 2.303.30pm . Age: 5-7. Adm: Free. Info: 0208 314 3712. Tues 25 Oct FAMILY LEARNING WORKSHOPS With Lesnah Hall, teacher and author of titles in the Black Makers of History series (see Sat 22 Oct). Venue: Lewisham Library, 199-201 Lewisham High St, Hither Green London SE13 6LG. 10am12 noon. Adm: Free. Tues 25 Oct FAMILY LEARNING WORKSHOPS
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Slave: A Question of Freedom
collected and scraped into a bowl on the floor. In 2000, after seven years serving a family in Sudan, Mende was trafficked to the UK and sold on to a Sudanese diplomat’s family in London where she worked as an unpaid housemaid. Whilst the wife of the diplomat was kinder than her predecessor, she was made to suffer psychologically. She finally broke free and claimed asylum. Her application was rejected on the grounds that ‘slavery did not constitute persecution’. Slave - A Question of Freedom, a true story adapted by Kevin Fegan and Caroline Clegg, tells the story in such a moving, touching way that during some scenes you could hear a pin drop. In fact one man collapsed with what was a suspected heart-attack and
had to be ferried out of the theatre. There is no intimation that these two things were connected, but there were some extremely sombre moments during the production. The design and delivery of the story was second to none and the actors brilliant. Mende herself attended the performance and I urge everyone to go and see it. Having had a run in London Slave - A Question of Freedom can now be seen from 4 – 8 Oct at Unity Theatre, Liverpool. 7.30pm, mat 2am. Adm: £10-£15. Info:www.unitytheatreliverpo ol.co.uk and Oct 18 – 22 at Guildhall Theatre, Derby. 7.30pm, mat 2.30pm. Adm: £10-£17. Info: www.derbylive.co.uk
This afternoon session examines the origins of the 13 month Ethiopian calendar and its links to Ancient Egypt. The session also looks more widely at the impact of Ancient Ethiopian culture. Venue: Lewisham Library, Hither Green London SE13 6LG, 2-4pm. Adm: Free. Info: 0208 314 9800.
11. Adm: All Free. Info: 0208 937 3400.
Tues 25 Oct MAKE AFRICAN MUSICAL INSTRUMENTS Using recycled materials, make a variety of traditional African instruments, such as drums, shakers, and rain sticks. Learn about them and decorate one to take home. Venue: Peckham Library, 122 Peckham Hill St, SE15 5JR. Mon 24 Oct CREATE YOUR OWN HERITAGE COLLAGE Venues: Harlesden Library Plus, Harlesden Library, Craven Park Road, Harlesden, London NW10 8SE. 2 – 4pm. Info: 0208 937 3570, and Tokyngton Library, Monks Parks, Wembley, Middlesex HA9 6JE. 2 – 4pm. Info: 0208 937 3590, plus Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 2.30 – 4pm. Age: 5 –
Mon 24 Oct CREATE A 3D FIREWORK PICTURE Venue: Kingsbury Library Plus, 522 - 524 Kingsbury Road, Kingsbury NW9 9HE. 2.30 – 3.30pm. Age: 5 – 11. Adm: Free. Info: 0208 937 3520. Mon 24 - 28 Oct DRAMA WORKSHOPS With Scruffbag Production. Due to the public performance we would prefer the young people commit to the full week, therefore only those who have attended the full 5 day workshop will be cast in Saturday's perf. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 10am – 12noon: 4 - 7yrs; 12.30 – 3pm: 8 - 12yrs; 3.30 - 6.30pm: 13 - 18yrs. Adm: £17 for the week or £3 per class. Info: 0208 937 3400. Mon 24 – 28 Oct BHM PROGRAMME OF EVENTS Family friendly programme of events and activities including storytelling and craft workshops, African dance and Caribbean cookery classes, creative youth workshop with dub poet Lennox Carty and a theatre performance of Streets Paved with Gold.
Tues 25 Oct BELONGINGS TEXTILE WORKSHOP With Emamoke Ukeleghe. Create your own prints, using simple printing techniques. Participants are asked to bring along objects or belongings that tells a story about who you are. This could be an object of sentimental value, such as a childhood doll, a picture of your family or a piece of cloth. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 2 - 4pm Adm: Free. Info: 0208 356 3000. Tues 25 Oct DRAWING LOUIS WAIN Brent Museum Big Draw family event inspired by local Brent artist Louis Wain and an opportunity for all the family to try out some exciting drawing techniques. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 1 – 4pm. Adm: Free. Info: 0208 937 3400. Tues 25 Oct EVERY NAME UNDER THE SUN WORKSHOP Create your own name plaque. Venue: Ealing Road Library. Coronet Parade, Ealing Road, Wembley Middlesex HA0 4BA. 2.30 – 4pm. Info: 0208 937 3560. Harlesden Library Plus, Craven Park Road, Harlesden, London NW10 8SE. 11am – 12.30pm. Adm: Free. Age: 5 – 11. Info: 0208 937 3570. Tues 25 Oct HANDA’S SURPRISE Create Your Own Basket Of Fun. Venues: Kensal Rise Library, Bathurst Gardens, Kensal Rise ,London NW10 5JA. Info: 0208 937 3660,11.30am – 12.30pm. Kilburn Library, 42 Salusbury Road, Kilburn, London, NW6 6NN. 2.30 – 3.30pm. Age: 5 – 11. Adm: Free. Info: 0208 937 3530. Tues 25 & 27 Oct CREATIVE WORKSHOPS Creative workshops for children exploring Aboriginal art and its role in storytelling. Venue: Idea Store Bow, 1 Gladstone Place, Roman Road, Bow, E3 5ES. 2pm– 4pm. Adm: Free. Info: 0207 364 4332. Tues 25 & 27 Oct CRAFTS AND ACTIVITY SESSIONS Enjoy some fun crafts and activities to celebrate Black history. Venue: Idea Store Whitechapel, 321 Whitechapel Road, Whitechapel, E1 1BU. 2.15– 3.45pm. Adm: Free. Info: 0207 364 1738. Wed 26 Oct CREATE A 3D FIREWORK PICTURE For children aged 5 – 11. Venue: Kingsbury Library Plus, 522 - 524 Kingsbury Road, Kingsbury NW9 9HE. 11am – 12noon. Adm: Free. Info: 0208 937 3520 Wed 26 Oct ROOTS AND RHYMES WITH ADISA Celebrate where you come from and what makes you unique. Give your ideas wings and set them free through poetry Black Heritage Today 2011-2012
and song in this family activity. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 2 - 4pm. Info: 0208 356 3000.
Fri 28 Oct RASTAMOUSE DAY! Create your own Rastamouse. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 4 – 5.30pm. Age: 5 – 11. Adm: Free. Info: 0208 937 3400.
Wed 26 Oct BINGO AND QUIZ ON POPULAR AUTHORS Join the fun and learn about popular authors. Venue: Leyton Library, Lea Bridge Road, Leyton E10 7HU.10.00am–11.00am. Age: 7 – 13. Adm: Free. Info: 0208 496 1152.
Fri 28 Oct RASTAMOUSE DAY! Rastamouse film screening. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF 5.45 –6.45pm. For children. Adm: Free. Info: 0208 937 3400.
Wed 26 Oct MASK MAKING WITH THE LION KING Make stunning animal masks from the Lion King. Venue: Leytonstone Library, 6 Church Lane, Leytonstone E11 1HG. 10.00am–11.00am. Age: 6+. Adm: Free. Info: 0208 496 1190. Wed 26 Oct WORDS 'R' US An Interactive Creative Writing And Storytelling Workshop designed to discover the poet/performer within. With creative writing and world storytelling using words, books, drama, movement and vocal expression. Venue: Hackney Central Library, Hackney Technology and Learning Centre, 1 Reading Lane, E8 1GQ. 2 - 3.30pm. Age: 7 – 11. Adm: Free. Info: 0208 356 3000. Wed 26 Oct MUSICAL CRAFT Come along and create your own instruments such as an African drum or rainmaker using recycled materials. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Wed 26 Oct AFRICAN MASK MAKING Make African masks, with a competition for the most unusual masks made. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Age: 5 – 10. Adm: Free. Info: 0207 525 2000. Thurs 27 Oct MAKING AFRICAN PATTERNS An art workshop of African patterns, using a choice of varied African materials. Suitable for children aged five to 10 years. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Wed 26 Oct CRAFT AFRICAN ANIMALS Craft event and stories and colour and paint your own African animals. Venue: Wood Street Library, Forest Road, Walthamstow, E17 4AA. 10.30am11.30am. Age: Under 5’s. Adm: Free. Info: 0208 496 1156. Thurs 27 Oct CRAFT EVENT Creative lively characters using a mix of colours. Venue: Higham Hill Library, North Countess Road, Walthamstow E17 5HS. 2.30pm – 3.30pm. Age: 5+. Adm: Free. Info: 0208 496 1173. Thurs 27 Oct ARTS AND CRAFTS Colouring & Designs. Venue: Leyton Library, Lea Bridge Road, Leyton E10 7HU. 2.30pm – 3.30pm. Age: Under 5”s . Adm: Free. Info: 0208 496 1152. Black Heritage Today 2011-2012
Fri 28 Oct CREATE A 3D FIREWORK PICTURE For children aged 5 – 11. Venue: Preston Library, Carlton Avenue East, Wembley, Middlesex, HA9 8PL, 11am – 12noon. Adm: Free. Info: 0208 937 3510.
Ancestral Voices Screening and Q&A This Longbelly Productions documentary examines significant correlations between tenets in mainstream religions and African spiritual practices widely stigmatised as Juju, Obeah, Voodoo or witchcraft. The film-makers (who will take questions after the screening) question why African belief systems are viewed negatively in comparison to modern religions. This event takes place on Thurs 20 Oct at Forest Hill Library, 82 Dartmouth Road, Forest Hill, London SE23 3HZ, 5.30pm (73 min. screening, 30 min Q&A). Adm: Free. Info: 0208 314 7653.
Thurs 27 Oct CRAFT EVENT Make your own african necklace. Venue: Hale End Library, Castle Avenue, Highams Park E4 9QD. 10am – 11am. Age: 6–10 years. Adm: Free. Info: 0208 496 1050 Thurs 27 Oct BABA’S GIFT Family Learning Festival. Story And Craft Activities. Venue: Ealing Road Library, Coronet Parade, Ealing Road, Wembley, Middlesex HA0 4BA. 10.30am – 12.30pm. Adm: Free. Info: 0208 937 3560. Thurs 27 Oct WHERE’S MY CAT! Story and craft activities delivered by Brent Adult and Community Education Service (BACES). Venue: Harlesden Library Plus, Craven Park Road, Harlesden, London, NW10 8SE. 2 – 4pm. Adm: Free. Info: 0208 937 3570. Thurs 27 Oct EVERY NAME UNDER THE SUN Create Your Own Name Plaque. Venues: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 11am – 12.30pm. Adm: free. Info: 0208 937 3400, Kingsbury Library Plus, 522 - 524 Kingsbury Road, Kingsbury NW9 9HE. 2.30 – 4pm. Age: 5 – 11. Adm: Free. Info: 0208 937 3520.
Thurs 27 Oct THE 13 MONTH ETHIOPIAN CALENDAR Participants will learn about the origin of this calendar and its links to ancient Egypt. We will also look at some of the cultural landmarks in Ethiopia. There will also be a display poster of the 13 Month calendar on sale. Venues: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 2–4pm. For children and adults. Adm: Free. Info: 0208 937 3400. Thurs 27 Oct CARTON ELEPHANTS Have fun making elephants out of cartons and other materials. years and families.. Venue: Grove Vale Library, 25-27 Grove Vale, SE22 8EQ. Age: 9 – 14. Adm: Free. Info: 0207 525 2000. Fri 28 Oct RASTAMOUSE DAY! Celebrate the hip mouse sensation Rastamouse and his cool friends the Easy Crew with a range of events plus live African music. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 10.15 – 11am. Adm: Free. Info: 0208 937 3400. Fri 28 Oct RASTAMOUSE DAY! Family learning: Fastamouse story and craft activity. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 2 – 4pm. Adm: Free. Info: 0208 937 3400.
Sat 29 Oct AFRICAN ANIMAL CRAFTS Come along and create your own African animals such as a freestanding elephant or lion mask, using recycled materials. Venue: Newington Library, 155 Walworth Road, SE17 1RS. Adm: Free. Info: 0207 525 2000. Sat 29 Oct AFRICAN MASK MAKING Children, use your imagination to make a variety of African masks that show different moods. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Sat 29 Oct MASAI AND I Family Learning Festival. Story and craft activities. Venue: Ealing Road Library, Coronet Parade, Ealing Road, Wembley, Middlesex HA0 4BA. 10.30am – 12.30pm. Adm: Free. Info: 0208 937 3560 Sat 29 Oct AFRICAN DRUMMING WORKSHOP A great opportunity for everyone to learn about the rich heritage and music of Africa, through drums and percussion. Venue: Idea Store Whitechapel, 321 Whitechapel Road Whitechapel, E1 1BU. 2.30–3.30pm. Adm Free. Info: 020 7364 1738. Sat 29 Oct FAMILY FUN DAY Come along and celebrate Black History with African mask face painting, henna, bead bracelet/necklace and keyring making sessions. Caribbean refreshments offered. Venue: Idea Store Chrisp Street, 1 Vesey Path East India Dock Road, Poplar, E14 6BT. 2–4pm. Adm: Free. Info: 0207 364 1506. Sat 29 Oct BABA’S GIFT Family Learning - Story and craft activities. Venue: Town Hall Library, Town Hall Library, Brent Town Hall, King's Drive Entrance, Forty Lane, Wembley Middlesex HA9 9HU. 2 – 4pm, Adm: Free. Info: 0208 937 3500 Sat 29 Oct CREATIVE POTTERY WORKSHOPS Artist Chris Bramble delivers pottery workshops that combine his interest in the European sculptural tradition, and the love of African craftsmanship, shape and
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form. Venue: Kilburn Library, Kilburn Library, 42 Salusbury Road, Kilburn, London NW6 6NN. 11am – 1pm. Info: 0208 937 3530; then Kingsbury Library Plus, 522 - 524 Kingsbury Road, Kingsbury NW9 9HE. 2.30 – 4.30pm. Age: 5 – 11. Adm: Free. Info: 0208 937 3520. Sun 30 - 30 Oct UMBELA ARTS WORKSHOPS Brazil - Carnival Vibes – Roots Culture. Two Carnival Groups based in London, Maracatu Estrela do Norte and BlocoAfro ERI OKAN in this Drumming and Dance Workshop. Venue: Rich Mix, 35– 47 Bethnal Green Road, Bethnal Green, E1 6LA. 8pm. 12-5pm. Adm: £6 for one class, or £10 for two. Info: 0207 613 7498. Now – 10 Dec RAW TALENT WORKSHOPS Raw Talent is ’A’ Team Arts’ annual event celebrating Music of Black Origin. Workshops in dance, rap and singing take place during Black History Month and will culminate in a showcase on December 10th. Venue: Brady Arts Centre, 192–196 Hanbury Street, Whitechapel, E1 5HU. 6.30–9pm Thurs. Adm: Free. Info: 0207 364 7911. Now – 10 Dec RAW TALENT WORKSHOPS Brady Arts Centre | 6.30–9pm Thursdays Raw Talent is ’A’ Team Arts’ annual event celebrating Music of Black Origin. Workshops in dance, rap and singing take place during BHM and will culminate in a showcase on December 10th. Venue: Brady Arts Centre, A’ Team Arts, 192–196 Hanbury Street, Whitechapel, E1 5HU. Adm: Free. Info: 0207 364 7911.
WORKSHOPS Sat 5 & 9 Nov BLACK HISTORY CREATIVE YOUTH PROJECT A creative writing and performance workshop for young people who will interpret and respond to these sources to create poems, stories and other art forms to document and showcase through performance how Black/African shaped or are continuing to shape British history and culture. Age: teens. Venue: Ealing Central Library, Ealing Broadway Centre, Ealing, W5 5JY. 12.30pm-3.30pm. Adm: Adv £4 for both sessions- both should be attended; siblings £3. Adv bking essential. Info: 0208 825 9278. Fri 7 Oct BEAUTIFUL SOUTHWARK Celebrating life stories of black elders at the southwark pensioners centre. Look back with the reminiscence workshops at the Southwark Pensioners Centre, celebrating the life stories of elders from the black and minority ethnic community. Venue: Southwark Pensioners Centre, 305-307 Camberwell Road, SE5 0HQ. Adm: Free Info: 0207 708 4556.
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CONVERSATION WITH THE BROTHERS: Music, Literature and Discussion ome, hear and be inspired by awardwinning Jazz Pianist Emmanuel Waldron who recently played for Her Majesty The Queen & HRH Duke Of Edinburgh, HRH The Prince Of Wales (who personally commended Emmanuel) & the Duchess Of Cornwall, and the Mayor of London. He also played for the Pope on his UK state visit last year. Emmanuel’s musical journey began at the age of just 6 when, through private tuition, he was introduced to classical music. Over the next 8 years, he developed a range of techniques from Classical to Gospel to Jazz & Blues, R'n'B and Soul to Folk, discovered he had perfect
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Fri 7 – 28 Oct I LOVE BHM Celebrate cultural heritage with a range of exciting workshops for young people. From African textiles, Drama, African and Caribbean cuisine to Gospel singing, African dance and a BBC presentation on why black history is relevant. Venue: Southwark Salvation Army, 1 Princess St, SE1 6HH. 4pm - 5.3pm. Adm: Free. Info: 0207 928 7136. Sat 8 Oct POWER GAMES A day of activities celebrating the 2012 Olympic and Paralympic Games through screenings, debates, exhibition, fashion & music showcase inspired by the Black Power Salute. Enjoy workshops and create art, fashion and music. Submissions models and volunteers welcome to take part, with Annointed Productions. Venue: Brady Arts Centre, 192–196 Hanbury St, Whitechapel, E1 5HU. 2–10pm. Adm: £5 per pupil, £4 per pupil for Tower Hamlets Schools, £1 per accompanying adult. Info: 0208 709 8343. Sat 8 Oct SO WHO DO YOU REALLY THINK YOU ARE? Come and share your experiences of researching your genealogy and participate in a discussion, facilitated by
pitch, and with frequent opportunities in his local church and other venues, developed in his ability to play the keyboard and piano (solo) in public. He will be sharing a stage with young selfpublished local author Abiodun Balogun, who will be discussing and reading from his anthology London’s Invisible Tears. Join them on Tues 1 Nov at Manor House Library, 34 Old Road, London SE13 5SY. 7-8.30pm. Adm: Free. Info: 0208 314 7779.
Cllr Pauline Gibson. Cllr Gibson will share her experience of researching her own family history in the Caribbean. Venue: Marcus Garvey Library, Tottenham Green Centre, 1 Phillip Lane N15 4JA. 5pm 6.30pm. Adm: Free. Info: 0208 489 5309. Sat 8 Oct BLACK HISTORY MONTH TILES Your chance to design a tile inspired the theme of black history and culture, journeys, past, present and future. Venue: Peckham Library, 122 Peckham Hill St, SE15 5JR. Adm: Free. nfo: 0207 358 9645. Sat 8 Oct DRUMHEAD African drumming workshops for all the family, and every level and ability. Venue: Peckham Space, 89 Peckham High Street, London SE15 5RS. Adm: Free. Tues 11 Oct MARTIN LUTHER KING Martin Luther King – Craft Event. Venue: Higham Hill Library, North Countess Road, Walthamstow E17 5HS. 10.45am 11.45am. Age: Under 5. Adm: Free. Info: 0208 496 1173. Wed 12 Oct TONY HARRISON Delivering an exciting seminar looking at how to create and maintain successful relationships; business, personal,
professional, casual, spiritual. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: Free. Info: 0208 937 3400 / Tharrison@lstc.eu. Wed 12 Oct DIG OUT DEM ROOTS Caribbean Family History Workshop With Sharon Tomlin. A practical genealogical workshop from a founder of the Carib Geneaology and Family Research Service. Venue: Downham Library, 7-9 Moorside Rd, Downham, Bromley BR1 5EP. 6-30pm-8.30pm. Adm: Free. Info: 0208 314 9705. Fri 14 Oct BEAUTIFUL SOUTHWARK Celebrating life stories of black elders at the southwark pensioners centre. Look back with the reminiscence workshops at the Southwark Pensioners Centre, celebrating the life stories of elders from the black and minority ethnic community. Venue: Southwark Pensioners Centre, 305-307 Camberwell Road, SE5 0HQ. Adm: Free Info: 0207 708 4556. Sun 16 Oct GIFTED AT PRIMARYFAILING BY SECONDARY Neil Mayer shows you how to guarantee your child’s academic success. Q&A session included. Copies of the book will be available. Caribbean refreshments offered. Venue: Idea Store Chrisp Street, 1 Vesey Path, East India Dock Road. 12 noon–2.30pm. Adm Free. Info: 0207 364 1506. Tues 18 Oct HANGING OUT WORKSHOP Elders share their experiences of growing up and hanging out during the 50s and 1960s in Brent. An invited school class will join elders for this lively intergenerational event which is open to all people. The session is filmed and included in the documentary to be premiered at the V&A 2012. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 10.30am – 12noon. Adm: Free. Info: 0208 937 3400 / www.hangingout.org.uk. Wed 19 Oct RATTLING YOUR FAMILY CLOSET Who do you think you are? Digging deep for your family tree. For ages. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Age: 18 and over. Adm: Free. Info: 0207 525 2000. Thurs 20 Oct JEWELLERY MAKING Jackie will demonstrate beginners’ jewellery making, with the chance to make your own necklaces and bracelets. Suitable for adults. Venue: Adm: Free. Info: 0207 525 2000. Thurs 20 Oct EXPERIENCES OF NIGERIAN MIGRATION Adult/Young People Event Olu Ubadike will lead on a workshop for adults and young people, discussing experiences of Nigerian migration. Incorporating Black Heritage Today 2011-2012
storytelling, this promises to be a creative and inspiring session. Venue: Stoke Newington Library, Stoke Newington Church Street, N16 0JS. 6 - 7.30pm. Adm: Free. Info: 0208 356 3000. Sat 22 Oct PIONEERS FROM THE COMMONWEALTH An interactive workshop looking at the contributions made by the invited guests from the Caribbean and Africa after the Second World War. Venue: Manor House Library, Room 4 Old Road, Lee, London SE13 5SY. 2pm to 4pm. Adm: FREE. Fri 21 Oct BEAUTIFUL SOUTHWARK Look back with the reminiscence workshops at the Southwark Pensioners Centre, celebrating the life stories of elders from the black and minority ethnic community. Venue: Southwark Pensioners Centre, 305-307 Camberwell Road, SE5 0HQ. Adm: Free Info: 0207 708 4556.
Sat 22 Oct CREATIVE POTTERY WORKSHOPS Artist Chris Bramble delivers pottery workshops that combine his interest in the European sculptural tradition, and the love of African craftsmanship, shape and form. Venue: Ealing Road Library, Coronet Parade, Ealing Road, Wembley, Middlesex HA0 4BA. 11am – 1pm. Age: 5 – 11.Info: 0208 937 3560. Then at Town Hall Library, Brent Town Hall, King's Drive Entrance, Forty Lane, Wembley Middlesex HA9 9HU. 2.30 – 4.30pm. Adm: Free. Info: 0208 937 3500. Sat 22 Oct UNITY WREATH AND DOVE – CRAFT EVENT Unity Wreath and Dove – craft event. Venue: Higham Hill Library, North Countess Road, Walthamstow E17 5HS. 2.30pm – 3.30pm. Age: 4+. Adm: Free. Info: 0208 496 1173. Sat 22 Oct GIFTED AT PRIMARY Neil Mayer gives invaluable advice to help parents support their child through school. Primary and secondary school parents are welcome. Books, calendars and flash cards on sale. Venue: Rich Mix, 35–47 Bethnal Green Road, Bethnal Green, E1 6LA. 12 noon–6pm. Adm: Free. Info: 020 7364 1506. Sat 22 - 27 Oct EXPLORE YOUR CARIBBEAN ANCESTRY Who do you think you are? Unlock the treasures of the archive and search your family history. Venue: John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Info: 0207 525 2000. Tues 25 Oct KENTE PAPER WEAVING Come along and try out a traditional African craft. Venue: Newington Library, 155 Walworth Rd, SE17 1RS. Adm: Free. Info: 0207 525 2000. Wed 26 Oct Black Heritage Today 2011-2012
Fashion’s Best Kept Secret lack People, Culture and The Fashion Industry: Whenever fashion is discussed, the views featured - whether about textiles, couture, stylists and designers - are very rarely from Black experts. Yet the influence of Black cultures and history is never far away from the catwalk or the latest trends such as ‘street-wear’, ‘ethnic prints’ or ‘tribal styles’. The ideas and style references used are often recycled from Black Britain, the African continent and the Commonwealth. So why is the Black presence still fashion’s best kept secret? To discuss these important themes, Words of Colour Productions Executive Director Joy Francis will chair a debate with an
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exciting panel including Brenda Emmanus (TBC), Arts, Culture and Entertainment Correspondent for BBC London News, Zoe Whitley, Curator of Contemporary Programmes, Victoria and Albert Museum and 30-year fashion veteran Sharon Franklin who runs her own bespoke fashion company Henrietta Franklin. Age: 15 yrs plus. Be enlightened on Thurs 27 Oct at Dalston CLR James Library, 1 - 7 Beechwood Road, E8 3DG. 6.15 7.45pm. Adm: Free. Info: 0208 356 3000.
BLACK PEOPLE IN THE SECOND WORLD WAR An exciting and interactive workshop looking at the Black contribution during WW2. Learn about those who fought bravely and gain a better understanding of British history. A Black History Month event for 11+. Places must be booked in advance. Venue: Vestry House Museum, Vestry Road, Walthamstow E17 9NH. 1pm – 4.30pm. Adm: Free. Info: 0208 496 4391.
Cuming Museum, 151 Walworth Road, London SE17 1RY. Adm: Free. Info: 0207 525 2332.
Wed 26 Oct EXPLORING PATTERNS A Big Draw workshop, designed by young people, for young people. Venue: The Cuming Museum, 151 Walworth Rd, SE17 1RY. Adm: Free. Info: 0207 525 2332.
Thurs 27 Oct NEIL MAYER Gifted at Primary, Failing at Secondary Seminar and workshop. Neil Mayer’s book deals with the often challenging transition between primary and secondary education, GCSE success and raising self-esteem. The workshop is based on his experiences or working in some of the toughest inner city schools in the UK and US. Venue: Harlesden Library Plus, Craven Park Road, London NW10 8SE. 4 – 5.30. Info: 0208 937 3570.
Wed 26 Oct THE 13 MONTH ETHIOPIAN CALENDAR An interactive workshop looking at various aspects of Ethiopian culture and its location in Africa. 10am- 12noon. Venue: Mitcham Library, 157 London Rd, Mitcham, CR4 2YR. Adm: Free. Info: 0208 274 5750. Thurs 27 Oct CUMING EXPLORERS At this weekly under fives session explore music from Africa with Paul. Venue: The
Thurs 27 Oct HIDDEN MESSAGES WITHIN Join artist Gloria F Y Ojulari Sule to create artworks inspired by Sudanese charm bracelets from the Cuming Museum’s collection. Venue: The Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Info: 0207 525 2332.
Fri 28 Oct FOLLOW THE BAND Discover the Calypso sound of the Caribbean and make your own mini steel pan drums. Venue: Catford Library, Laurence House, 1 Catford Road,
London SE6 4RU, 2.15-3.15. Age: 8-11 years. Adm: Free. Info: 0208 314 9113. Fri 28 Oct BEAUTIFUL SOUTHWARK Celebrating life stories of black elders at the southwark pensioners centre. Look back with the reminiscence workshops at the Southwark Pensioners Centre, celebrating the life stories of elders from the black and minority ethnic community. Venue: Southwark Pensioners Centre, 305-307 Camberwell Road, SE5 0HQ. Adm: Free. Info: 0207 708 4556. Sat 29 Oct DRUMHEAD Free African drumming workshops for the entire family, and all levels. Venue: The Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Info: 0207 525 2332 Sat 29 Oct HIDDEN MESSAGES WITHIN Join artist Gloria F Y Ojulari Sule to create artworks inspired by Sudanese charm bracelets from the Cuming Museum’s collection. Venue: The Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Info: 0207 525 2332. November Thurs 17 Nov PATRICK VERNON African Diaspora Approach To Family History. A workshop exploring the African Diaspora approach to family history and genealogy and provides useful ways of people reclaiming and defining their identity. Discuss issues around this type of research and the importance of DNA mapping. Venue: Hackney Museum, Ground Floor, Technology and Learning Centre,1 Reading Lane, E8 1GQ. 6 7.30pm. Adm: Free. Info: 0208 356 3000 /0208 356 2509 / hmuseum@hackney.gov.uk.
MIXED EVENTS Throughout Oct – Wed 30 Nov NOUR FESTIVAL OF ARTS 2011 The Nour Festival of Arts is the unique opportunity to become immersed in the rich and often surprising world of contemporary arts and culture from across the Middle East and North Africa, through mediums as diverse as fashion, literature, film, cookery, poetry, photography and hip hop. Visitors will have a rare chance to meet leading artists.. Venue: Leighton House Museum, 12 Holland Park Road, W14 8LZ. Info: 0207 471 9153. Fri 7 & 8 Oct PAPERBOY PRODUCTIONS FASHION XTRAVAGANZA A fun evening showcasing the work of local designers, plus entertainment. Venue: Manor House Library, 34 Old Rd, London SE13 5SY. 6pm-9pm. Adm: £5. The same event is on the next day, but at 1pm-4pm.
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Info: 0208 314 77 / 07506 702 525. Sat 22 Oct AFRICAN, CARIBBEAN & CULTURAL FAMILY FUN DAY The event is an opportunity for the community to come together, to learn and celebrate black history, enjoy a variety of fun activities, products, raffle prizes and cultural cuisine with live entertainment from cultural and unsigned artists such as: singers and dancers. Venue: Westbury Avenue Baptist Church, Westbury Avenue, London N22 6SA, 2pm – 8pm, Adm: Free. Sun 30 Oct FAMILY FUN DAY Somali week festival: A day with a mixture of story telling, poetry and clown entertainment for the whole family, which will be enjoyed specially by the little ones. Venue: Oxford House, Derbyshire Street, Bethnal Green, E2 6HG. 2–6pm Ad: Free. Info: 07903 712 949. Thurs 27 Oct GATEWAY HOUSING CELEBRATES BHM Gateway Housing is hosting a lunchtime celebration for residents and others. There will be entertainment, food and Black History inspired art. Venue: Gateway Housing Association Head Office, 409–413 Mile End Road, London, E3 4PB. 12 noon–3pm. I nfo: 0208 709 4381.
BUSINESS Sun 23 Oct The HIDDEN CREATIVE ECONOMY (HiCrEc) Awards, Concert & After Party, recognising creative industry achievements outside the mainstream. Performances by Sandra Cross, Peter Hunnigale, Rick Clarke, Don E, Vivian Jones, Nerious Joseph, Don Campbell, Sylvia Tella & more. Venue: The Tabernacle, Powis Square, Ladbroke Grove, W11 2AY. 5pm. Awards Starts 6pm Sharp. Adm: £15 in adv (includes After Party at The Blag Club, Canalot Studios, 222 Kensal Road, W10 5BN. 10pm – 1am. Info: 0208 776 6776. Sat 29 Oct 8th BB AWARDS 2011 Mingle with celebrities, dignitaries and successful local and international entrepreneurs. Enjoy a champagne reception, delicious ethnic cuisine, live band, comedy, diverse music, exhibition, fashion show and ball, with a DJ and music to round off the night. Venue: Hilton London Tower Bridge, 5 More London Place, Tooley Street, London SE1 2BY. 7pm – 2pm. Info: 0207 277 7333.
HEALTH AND WELLBEING Thurs 6 Oct LOUIS WAIN IN THE 21st CENTURY Exhibition panel event to celebrate World Mental Health Day. Venue: Willesden Green Library Centre, 95 High Road, Willesden, London NW10 2SF. 6.30 –
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RDB takes Ludacris to Bollywood ollowing in the footsteps of hip hop legend Snoop Dogg, Grammy award winning artist Ludacris is now making his first foray into Bollywood by collaborating with the Brit-Asian version of The Black Eyed Peas, RDB for the song “Shera Di Kaum”, the promotional cross-urban music track for the forthcoming film ‘Speedy Singhs’. RDB are recognised as one of UK’s leading international urban-Asian music artists, and comprise of three brothers Manj, Kuly and Surj who wrote and produced the track “Shera Di Kaum” in their Toronto studio and combined Ludacris’ vocals to give it a hip hop edge. The latest collaboration amalgamates eclectic western musical beats with the infamous drum and dhol of South Asian music and brings Bollywood music into the mainstream. Having also worked with the likes of Public Enemy and Elephant Man, RDB are
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8.30pm. Adm: Free. Info: 0208 937 3400. Thurs 6 Oct AFRICAN AND CARIBBEAN RECIPE SWAP Come along to Peckham Library with your favourite African and Caribbean recipes and swap them with other local culinary experts. Venue: Peckham Library, 122 Peckham Hill Street, SE15 5JR. Adm: Free. Info: 0207 358 9645. Wed 12 Oct CHILL OUT A soothing, relaxing, calming and therapeutic health programme providing information, guidance, advice and workshops that provide tools to improve your health. Guest speaker, Life Coach Tony Harrison. Plus stalls and pampering. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400. Wed 12 Oct DR LALIT SODHA Workshops on chiropractic techniques,
recognised as one of UK’s leading international urbanAsian music artists, and comprise of three brothers Manj, Kuly and Surj who wrote and produced the track “Shera Di Kaum” in their Toronto studio and combined Ludacris’ vocals to give it a hip hop edge. The latest collaboration amalgamates eclectic western musical beats with the infamous drum and dhol of South Asian music and brings Bollywood music into the mainstream. Shera Di Kaum is available to download from Itunes. how they effect the nervous system and how to treat problems with joints, bones and muscles. Enjoy a demo and free money-off voucher for attendees against future appointments. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: Free. Info: 0208 937 3400 / www.healthyspine.co.uk Wed 12 Oct MIRA BEATTIE Do workshops on the use of homeopathy for first aid. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400 / www.mirabeattie.com Wed 12 Oct ART THERAPIST NICKY ROLAND Art for wellbeing workshop focusing on African art designed to foster selfexpression, creativity and self-exploration. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400.
Wed 12 Oct DERIN BEPO A specialist in natural healing secrets, deep detox, raw food nutrition and anti ageing and the developer and creator of the HealthRestore Programme, a powerful natural healing system. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400. Wed 12 Oct ELAINE ILJON FOREMAN Consultant Chartered Clinical Psychologist specialising in the treatment of fear of flying and other anxiety related problems will run an interactive presentation and discussion on “From Stress to Strength”. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400. Wed 12 Oct BRENT MIND A Human Living Library where the person is the living book and attendees gain an insight into other people’s life experiences. Brent Mind is a local mental health charity that promotes recovery and wellbeing. Venue: Willesden Green Library, 95 High Road, Willesden, London NW10 2SF. 6 – 9pm. Adm: free. Info: 0208 937 3400. Thurs 13 Oct YOUNG WOMEN’S DEVELOPMENT WORK A youth and inspirational women networking event showcasing inspirational women who have transcended gender, ethnic, cultural & religious stereotyping and gained recognition as positive role models. Venue: Tarling Centre, 63 Martha Street, Shadwell, E1 2PA with The Rooted Forum & Tower Hamlets Community Housing. 4.30–7.30pm. Adm: Free. Info: 07939 543 900. Sat 29 Oct HEALTH FAIR DAY! Experience a day of Health, Diet & Exercise. Venue: Lea Bridge Library, Lea Bridge Road, Leyton E10 7HU. 12pm – 4pm. Adm: Free. Info: 0208 496 1152.
WALKS / TRAILS / QUIZ Sat 8 Oct SOUTHWARK BLACK HISTORY WALK Join us for a guided black history walk through nearly 300 years of the black presence in Southwark and meet those that changed history, as well as those whose lives were unsung. Venue: Meeting outside John Harvard Library, 211 Borough High Street, SE1 1JA. Adm: Free. Sun 9 Oct SOUTHWARK BLACK HISTORY WALK Join us for a guided black history walk through nearly 300 years of the black presence in Southwark. Venue: Metropolitan Tabernacle, Elephant and Castle, SE1 6SD. Adm: Free. Info: 0207 735 7076. Sun 9 Oct SOUTHWARK BLACK HISTORY WALK Join us for a guided black history walk through nearly 300 years of the black Black Heritage Today 2011-2012
presence in Southwark. Venue: Metropolitan Tabernacle, Elephant and Castle, London SE1 6SD. Adm: Free. Info: 0207 735 7076. Thurs 13 Oct BLACK HISTORY MONTH QUIZ Test your knowledge of black history and culture in our fun and informative quiz. Venue: Nunhead Library, Gordon Road, SE15 3RW. Adm: Free. Info: 0207 525 2000. Sat 15 Oct THE CLAY DREAMING In a park in Bethnal Green a plaque and eucalyptus tree mark the final resting place of an Aborigine who came to England on a cricket tour in May 1868 and died here whilst here. Join author Ed Hillyer on a walking tour to hear this fascinating and moving story. Venue: Idea Store Bow, 1 Gladstone Place, Roman Road, Bow, E3 5ES. Meet at 2pm. Adm: Free. Info: 0208 980 3902. Tues 18 Oct FOR THOSE ABOUT TO ROCK WE SALUTE YOU From Chuck Berry to Lenny Kravitz, think you know your music? Come and test your knowledge. Suitable for ages 18 years and over. Venue: Camberwell Library, 17-21 Camberwell Church Street, SE5 8TR. Adm: Free. Info: 0207 525 2000. Tues 18 Oct DO YOU KNOW YOUR MOTOWN? Focus On Black Music, a display, quiz & Caribbean refreshments. Venue: North Chingford Library, The Green, Chingford E4 7EN. 2pm – 3.30pm. Adm: Free. Info: 0208 496 1070. Sat 22 Oct SOUTHWARK BLACK HISTORY WALK Join us for a guided black history walk through nearly 300 years of the black presence in Southwark and meet those that changed history, as well as those whose lives were unsung. Venue: Meeting outside the Bird in Bush Centre, 616 Old Kent Road, SE15 1JB. Adm: Free. Tues 25 Oct FAMILY BIG DRAW FOR BHM An artist led, family workshop exploring traditional, decorative and pattern making techniques inspired by African objects from the Cuming Museum’s collection. Venue: The Cuming Museum, 151 Walworth Road, London SE17 1RY. Adm: Free. Info: 0207 525 2332. Tues 25 Oct BLACK HISTORY MONTH QUIZ Win prizes in our brain-teasing quiz. Venue: Grove Vale Library, 25-27 Grove Vale, SE22 8EQ. Adm: Free. Info: 0207 525 2000. Tues 25 Oct CAMBERWELL’S GOT TALENT Come and show us your talent, whether it’s singing or dancing. Get involved with charades or our mega music quiz. Suitable for ages six to 16 years and families. Venue: Camberwell Library, 17-21 Camberwell Church Street, SE5 8TR. Adm: Free. Info: 0207 525 2000. Wed 26 Oct Black Heritage Today 2011-2012
Meet Desmond Proposed Mayoral Candidate for Birmingham Birmingham is a city and metropolitan borough in the West Midlands county of England. It is the most populous British city outside London, yet it has never had a mayor. Time for change? hat may change in May 2012 when the people of Birmingham will be asked if they want to have a locally elected Mayor. If they say yes it would lead to an election in the following year Desmond Jaddoo from Birmingham is not only supporting the campaign for the city to have a Mayor but will also be going forward to stand for this office as an independent candidate. Of Jamaican parents, Desmond, who was born and educated in Birmingham, is 45 years old and a former Local Government Officer and entrepreneur. The married father of four, who works voluntarily with young people from his local church, sees the importance of giving the people of Birmingham the voice they need in order to participate in the running of a local services and economy.
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He says, “We must reduce disenfranchisement.” He is encouraging the people of Birmingham to register to vote and support the campaign for a locally elected Mayor. Being of Jamaican Indian heritage, Desmond believes he is representative of the typical diversity of the city and demonstrates an ability to appreciate and live with all cultures, whilst recognising their individual needs. ‘I am committed to building a better and brighter future for our children and more importantly developing a unified approach to tackling local issues and promoting the involvement of all the people of Birmingham, especially the young new voters, in the political process so that their voices are heard.”
To follow Desmond progress visit the website of Birmingham Empowerment Forum www.b-e-f.org.uk or email birminghamef@gmail.com BINGO AND QUIZ ON POPULAR AUTHORS Join the fun and learn about popular authors. Venue: Leyton Library, Lea Bridge Road, Leyton E10 7HU.10.00am–11.00am. Age: 7 – 13. Adm: Free. Info: 0208 496 1152. Sat 29 Oct SOUTHWARK BLACK HISTORY WALK A guided black history walk through nearly 300 years of the black presence in
Southwark. Venue: Meeting at the entrance to the Cuming Museum, 151 Walworth Road, SE17 1RY. Adm: Free. Thurs 8 Dec BLACK HISTORY MUSIC QUIZ Test your knowledge on the categories of music, Reggae, Dub, Afro beat and much more with our interactive quiz. Can you answer the following questions? Do you know the name of the 2011 MOBO award winner for Best African Act? What is the
name of the group who won the first Grammy Award for Best Reggae Album? If so, then this is the quiz for you. Facilitated by Shaun Spencer. 6 - 7.30pm. Adm: Free. Info: 0208 356 3000 / 0208356 2509 / hmuseum@hackney.gov.uk
BIRMINGHAM Throughout Oct GHOSTING THE ARCHIVE An exhibition showing a small selection of previously unseen work by the Birmingham born, and internationally famous, artist, Keith. Venue: Library of Birmingham site, Centenary Square, Info: 0121 464 6333. Throughout Oct BRITAIN’S BLACK ATHLETES A display celebrating Black History Month connecting with the forthcoming Olympics. Call Marian Wolff. Venues: Local Libraries West Midlands, UK, B30 2JT, Yardley Wood Library, Highfield Road, Birmingham, West Midlands, UK B14 4DU. Adm: Free. Info: 0121 464 2110. Throughout Oct CONSCIOUS RAPPERS Exhibition of prominent rappers form around the world. Venue: Small Heath Library, Muntz Street, Birmingham, West Midlands, B10 9RX . Info: 0121 464 6155. Throughout Oct AFRICAN AUTHORS CALLING Display of books by African authors. Venue: Castle Vale Library, Spitfire House, 10 High Street, Castle Vale, Birmingham, West Midlands B35 7PR. Adm: Free. Info: 0121 464 7335. Throughout Oct BLACK BRITISH EXPERIENCE A colourful display of books on people of African Descent. Call Deep Hunjan. Venue: Spring Hill Library, Spring Hill, Birmingham B18, 7BH, West Midlands. B18 7BH. Info: 0121 464 7422. Throughout Oct I SAID STAND UP! A display with books and CDs featuring black stand up comedians, such as Richard Pryor, Whoopi Goldberg, Eddie Murphy & Lenny Henry. Venue: Weoley Castle Library, 76 Beckbury Road, Birmingham, West Midlands. B29 5HR. Info: 0121 464 1664. Throughout Oct BLACK HISTORY MONTH QUIZ Family quiz that promises to test your wits and skill on your Historical knowledge of black culture and history, from this country to the next. A family fun filled challenge. Venue: Glebe Farm Library, Glebe Farm Rd , Birmingham, West Midlands B33 9NA. Adm: Free. Info: 0121 464 4210. Thurs 6 Oct DRUMMING, LANGUAGE AND MUSIC, Join Rocky for a practical workshop for families using traditional African instruments including drums. Learn African songs, take your place to play as part of a group and lots more. Venue: Frankley Library, Frankley Community High School, New Street, Birmingham, West Midlands UK B45 0EU. 1.30pm. Adm: Free. Info: 0121 464 7676
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Sat 8 Oct FRIENDS OF THE LIBRARY BHM QUIZ NIGHT Bring your own drinks & snacks and join this fund-raising event for the local library. Venue: Sheldon Library, Brays Road, Birmingham, West Midlands, B26 2RJ. 6.30pm – 8.30pm. Adm: £3. Info: 0121 464 3512. Mon 10 Oct HISTORY DETECTIVES: BLACK HISTORY IN THE WEST MIDLAND, 1650-1918. This talk will look at some of the findings of the project and the impact Black People have had on this region during this period. Venue: Northfield Library, 77 Church Road, Birmingham, West Midlands UK, B31 2LB. 11am t-12noon. Adm: Free. Info: 0121 464 1007. Wed 12 Oct THE COLONY Controversial at the time of its original broadcast, this is a powerful film which explores the lives of Caribbean migrant communities living in Birmingham and the Midlands. Venue: The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU. 7.30pm. Adm: £3, conc £1. Info: 0121 333 2444. Fri 14 -15 Oct OTHELLO With a Caribbean setting and reverse-race casting, Bahamian blood runs high in this radical and feisty reworking of Shakespeare's classic. In this world of opposites, black is white, freedom is imprisonment, and love, through the distorting prism of jealousy, remains as unpredictable as the ocean. Venue: The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU. 7.30pm. Adm: Free. Info: 0121 333 2444. Sat 15 Oct ERIC ROBERSON America’s leading independent urban artist Eric Roberson will be delving into his eighth solo album. Venue: The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU. 9pm. Adm: Free. Info: 0121 333 2444. Sat 15 Oct A DAY CALLED BLAQUE MY STORY A day of fun and entertainment for the whole family with an array of stalls featuring the best lox and natural hair styles on show, fashion, weaveable art, books, music, health & well-being and Caribbean food and drink. Venue: The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU. 10am. Adm: £5, under 14s free. Info: 0121 333 2444. Tues 18 Oct REV PETER STANFORD Birmingham’ First Black Minister Blue Plaque is unveiled. Stanford was an African American ex-slave who spent about 12 years in Britain and was a significant person in Birmingham's civic life. Venue: Highgate Baptist Church, Coneybere Street, B12 0YL. All day. Adm: Free. Info: 0121 440 3471 Thurs 20 Oct IN CONVERSATION WITH GARY
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YOUNGE Younge’s latest book 'Who Are We - and Should It Matter in the 21st Century?' explores identity, solidarity and our affiliations in changing times. Venue: The Drum, 144 Potters Lane, Aston, Birmingham B6 4UU. 7.30pm. Adm: Free. Info: 0121 333 2444. Thurs 20 Oct KENTS MOAT LIBRARY TODDLER TIME Stories and craft activity, Aboriginal dot painting session, Refreshments provided. 50p per family. Venue: Kents Moat Library, 55-57 Pool Way, Birmingham, West Midlands, UK B33 8NF. 9:30 10:30am. Adm: Free. Info: 0121 464 5755. Mon 24 Oct EXOTIC FRUIT TASTING Prepare your taste-buds to be treated. 15 exciting and unusual fruits.. Venue: Glebe Farm Library, Glebe Farm Rd , Birmingham, West Midlands B33 9NA. 10.30 – 11.30am. Adm: Free. Info: 0121 464 4210. Tues 25 Oct MUSICAL WORKSHOP Steel drums workshop for families. Venue: Kents Moat Library, 55-57 Pool Way, Birmingham, West Midlands, UK, B33 8NF. 10.30am – 12.00noon. Adm: Free. Info: 0121 464 5755. Tues 25 Oct LUNCHTIME LECTURE BY DAVID CALLAGHAN FROM SCAWDI Lecture about the early Black presence in the West Midlands plus a Trail Guide to the diverse histories of the region. Venue: Library Theatre, Paradise Place, Birmingham, B3 3HQ. 1pm. Adm: Free. Info: 0121 464 1619 Tues 25 Oct LIVE COOKING AND A HISTORY LESSON, WITH JAMAICAN MUSIC Involving the audience in putting together one special JAMAICAN recipe. Learn about the ingredients, the method and the occasions for the dish of choice. Venue: Sheldon Library, Brays Road, Birmingham, West Midlands, B26 2RJ. 2 – 3.30pm. Adm: Free. Info: 0121 464 3512 . Sun 30 Oct THE ANDY HAMILTON SESSIONS John Andy for cool jazz and hot Caribbean lunch. Venue: The Frontiers Care Bar, Birmingham. £21 for 2 Adults
LIVERPOOL Tues 25, Sun 30 Oct AFRICAN MASK MAKING Design West African Masks to take home! Venue: Anthony Walker Education Centre, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 1-4pm. Adm: Free. Info: 0151 478 4499. Wed 5 Oct EVOLUTION: THE RETURN. SCREENING: A WAY OF LIFE A selection of films focusing on Black film and Black film makers. No need to prebook. Venue: International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 11-12.30 talk, 1.30pm screening. Adm:
Free. Info: 0151 478 4788. Fri 7 & Fri 28 Oct LIVERPOOL AND SLAVERY View original documents relating to Liverpool merchants involved in the slave trade. Venue: Maritime Archives, Merseyside Maritime Museum, Albert Dock, Liverpool, L3 4AQ. 11am. Info: 0151 478 4788.
events it depicts and the role of African sailors in the Royal Navy. Venue: Walker Art Gallery, William Brown Street, Liverpool, L3 8EL. 1-1.30pm. Adm: Free Ticket. Info: 0151 478 4199.
Sat 8 Oct AMAZING AFRICA Drop in and enjoy a fun arts and crafts session celebrating African craft techniques. Venue: Lady Lever Art Gallery, Port Sunlight Village, Wirral, CH62 5EQ, England. 1pm – 4pm. Adm: Free. Info: 0151 478 4136.
Mon 18 Oct ANTI-SLAVERY DAY PANEL DISCUSSION Join special guest speaker, Cherie Blair, artist Nicola Green, anti-slavery international director Aidan McQcQuade, and the Head of ISM Richard Benjamin. Venue: International Slavery Museum, Albert Dock, Liverpool, L3 4AX. 12pm – 4pm. Age: 16+. Adm: Free. Info: 0151 478 4543.
Sun 9 Oct QUILT PATTERN WORKSHOP Discover the meanings behind the patterns on African American Quilts. Venue: Anthony Walker Education Centre, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 1-4pm. Adm: Free. Info: 0151 478 4499.
Tues 18 Oct GARY YOUNGE PRESENTS... From Civil Rights To The ‘Indignados’ The Politics Of Youth And Student Protest. With BSL interpreter. Venue: Lecture theatre, Merseyside Maritime Museum, Albert Dock, Liverpool, L3 4AQ. 5.30pm – 7.30pm. Adm: Free. Info: 0151 794 1199.
Wed 12 Oct LIVERPOOL AND WEST AFRICA Learn about Lord Lever and the palm oil collection. Venue: Lady Lever Art Gallery, Port Sunlight Village, Wirral, CH62 5EQ, England. 2pm. Adm: Free. Info: 0151 478 4136.
Wed 19 Oct SELIM AGA Hear about the amazing life of Selim Aga; enslaved in Darfur, a servant on the Dayspring and a contributor to our collections. Venue: Antony Walker Education Centre, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 2pm. Age: 16+. Info: 0151 478 4788.
Thurs 13 Oct A LECTURE Venue: Walker Art Gallery, William Brown Street, Liverpool, L3 8EL, England. 1-2pm. Age: 16+. Adm: Free. Info: 0151 794 6900. Fri 14 Oct IN THE LAND OF THE FREE Imagine been held in solitary confinement for almost 4 decades for attempting to speak out against inhumane treatment and racial segregation in Angola. Followed by Q&A session. Venue: 4th floor conference suite, Merseyside Maritime Museum, Albert Dock, Liverpool, L3 4AQ. 6pm -7.30pm, screening. Age: 15+. Adm: Free. Info: 0151 478 4543. Sat 15 Oct WHO YOU BE? DO YOU KNOW YOUR FAMILY TREE? Learn the basics of genealogy and trace your ancestry. Venue: International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 11-4.30pm. Adm: Free. Info: 0151 478 4788. Sun 16 & 24 Oct WORKSHOP: LIFE IN WEST AFRICA Meet a demonstrator and learn about traditional life in West Africa through the museum’s objects. Venue: Anthony Walker Education Centre, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 1-4pm. Info: 0151 478 4499. Mon 17 Oct TALK: THE DEATH OF NELSON IN FOCUS Join Curator Charlotte Keenan for an examination of this painting, the historical
Fri 21 Oct BLACK SALT Early Black Sailors And Nelson’s Navy. Venue: Lecture theatre, Merseyside Maritime Museum, Albert Dock, Liverpool, L3 4AQ. 1pm. Adm: Free. Info: 0151 478 4499. Wed 26 Oct TOUR: HIDDEN HISTORIES uncover the Hidden Histories of the museum’s objects and collections. Venue: International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 2pm. Adm: Free. Info: 0151 478 4499. Wed 26 Oct BLACK THREADS, BLACK PRESENCE Collector Leslie Braine Ikomi talks about the experiences of Black people in 18th and 19th century in Britain using his collection of rare images. Venue: Anthony Walker Education Centre, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 2pm. Adm: Free. Info: 0151 478 4499. Thurs 27 & 28 Oct AFRICAN BEATS! Find your rhythm in our African drumming Workshop. Venue: Igbo Village, International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 1-4pm. Adm: Free. Info: 0151 478 4499. Fri 28 Oct JANE AUSTEN Slavery and the search for salvation through the moral economy of abolitionism Venue: International Slavery Museum, Albert Dock, Liverpool, L3 4AQ. 3.30pm – 5.00pm. Age: 16+. Adm: Free. Info: 0151 478 4543.
For more extensive listings covering the UK visit:
www.blackheritagetodayuk.co.uk Black Heritage Today 2011-2012