HA Journal Volume VIII

Page 166

“Der Holzweg”: Heidegger’s Dead End Philippe Nonet

To what end should thinking be devoted? How and why did the question of being become a dead end for thought? What is to take its place as the key concern of thinking? What did Heidegger say regarding this matter? Such are the leading questions that will presently occupy us. The notes Heidegger wrote to himself while working on das Ereignis have now been published in the edition of his collected writings. There, Heidegger comments upon his earlier publication of Holzwege1 (Tracks in the Woods): Man hat diesen Titel nicht ernst genommen. Man hat nicht beachtet, daß die unter diesem Titel gesammelten Abhandlungen in die Entfaltung der Seinsfrage gehören. Man hat nicht gedacht, daß diese Entfaltung und die Seinsfrage selbst—der Holzweg des Denkens sind.2 (One has not taken this title seriously. One has not noticed that the essays gathered under this title belong in the unfolding of the question of being. One did not think that this unfolding and the question of being itself—are der Holzweg, the dead end, of thinking.) Often “tracks in the woods” lead nowhere: they are “dead ends,” so much so that in German “Holzweg” is understood as “Irrweg,” a “wrong track.” To Heidegger, the question of being had been the dead-end that prevented thinking from moving in proper direction. Recall now that die Seinsfrage (the question of being) had long been regarded by Heidegger as die Sache des Denkens (the matter for thought), namely, what called upon man to think, das Geheiß (the call), and what determined the task of thinking, die Aufgabe des Denkens. Since it had been a dead end, das Sein had to be abandoned as die Sache des Denkens. Thinking had now to devote itself to another task. This was to be das Ereignis, which was no longer to be understood in its ordinary sense as “event,” derived from “Er-äugnen,” but was instead constructed as a formation of “eignen,” to be translated as “appropriation.” The decision to elevate Ereignis to the position das Sein occupies as die Sache des Denkens is not publicly made until later in a difficult lecture, “Zeit und Sein” (“Time and Being,” 1962), to be published even later (in 1969) in a short collection under the title Zur Sache des Denkens3 (On the Matter for Thought).

“Der Holzweg”: Heidegger’s Dead End

Phillipe Nonet

165


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Contributors

5min
pages 188-192

Arendt on the Political by David Arndt Ellen M. Rigsby

8min
pages 183-187

Woman as Witness, Beginner, Philosopher

14min
pages 176-182

Twilight of the Gods: Walter Benjamin‘s Project of a Political Metaphysics in Secular Times—and Hannah Arendt‘s Answer

26min
pages 154-165

“Der Holzweg“: Heidegger’s Dead End

20min
pages 166-175

In the Archive with Hannah Arendt

12min
pages 148-153

Toward a Poetic Reading of Arendt and Baldwin on Love

19min
pages 140-147

Arendt, Hölderlin, and Their Perception of Schicksal Hölderlinian Elements in Arendt’s Thinking and the Messianic Notion of Revolution

35min
pages 123-139

Introduction to the Arendt-Gaus Interview

15min
pages 117-122

Geuss, Habermas, and the Rose of Unreason

11min
pages 111-116

“The Liberal Idea Has Become Obsolete” Putin, Geuss, and Habermas

13min
pages 101-106

Presuppositions: A Reply to Benhabib and Jay

8min
pages 107-110

Contra Geuss: A Second Rejoinder

5min
pages 98-100

Professor Benhabib and Jürgen Habermas

10min
pages 93-97

A Republic of Discussion: Habermas at 90

19min
pages 82-89

Jürgen Habermas’s 90th birthday

7min
pages 90-92

Discussion: The Great Replacement

40min
pages 46-61

Are “They” Us? The Intellectuals’ Role in Creating Division

16min
pages 67-73

Introduction: Racism and Antisemitism

15min
pages 11-17

Reflections on Hannah Arendt’s “Reflections on Little Rock”

15min
pages 74-81

Whiteshift: Immigration, Populism, and the Future of White Majorities

36min
pages 31-45

What Is Racism?

16min
pages 25-30

How Antisemitism Animates White Nationalism

16min
pages 18-24
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.