Ar. NIKITA BARGE Architecture design portfolio 2017-2022
| Architecture Portfolio | 2017-2022|
Hello!
ABOUT ME I Nikita Barge, studying a degree in Architecture allowed me to develop my passion for design and technical skills required to work in architectural practices. By proposing several architectural concepts as a part of the course, I have learnt how to creatively solve problem in an innovative way, which I have illustrated in my drawings, models, technical drawings and rendered visuals. My interests are inclined towards sustainable and vernacular architecture and modern design methodologies but I also want to explore as much as new sides of architecture.
CONTACT Phone- 9004642908 Mail id- nbarge27@gmail.com Work page- @thebluesunflower_ (instagram)
LANGUAGES English, Hindi, Marathi
EDUCATION 2017-2022: Bachelor of Architecture from Pillai College of Architecture
EXPERIENCE Internship at Sameep Padora and Associates
2
| Architecture Portfolio | 2017-2022|
SOFTWARE AND SKILLS Photoshop Indesign Illustrator
Microsoft softwares Corel draw
AutoCad Revit
Hand drafting Model making Painting
Lumion Sketchup
WORKSHOPS May 2018: Completed Natural Design Workshop at Architecture Autonomous under Ar. Gerard Da cunha. Jan 2019: Parametric workshop by Elephant Creations May 2020: Certified course at ACEDGE Computational course for environmental skills and a studio for architecture theory in collaboration with Ethos India. Sept 2020: Eco-Niwas Samhita workshop- Awarness programme and design studio
ACHEIVEMENTS 2018: Participated in Kinesthesia “Place making” workshop under Ar. Kanishk Suthar organized by college 2019: Participated in Kinesthesia “Pop- Art installation” workshop organized by college 2019: Participated in Archdais “The Lunch Box Competition” 2020: Participated in Kaarwan National Competition- “Quarantine Health Care Facility for Temporary Healthcare.” 2020: Eco-Niwas samhita Competition
EXHIBITIONS 2018- Orchha Tour documentation in COA annual exhibition 2018- Panvel street documentation in COA annual exhibition 2019- Kolkata Tour documentation in COA annual exhibition 2019- Semester 4 Architectural Design in COA annual exhibition
VOLUNTERED 2018: Member of publicity team for ALEGRIA. 2018/ 2019: Member of MINDSCAPE Festival
INTERESTS Painting with different mediums, Travelling, Reading, Digital rendering, 3
| Architecture Portfolio | 2017-2022|
CONTENTS 1. Design Dissertation 1.1 Bhukamp Prabodhan Karyashaala
2. Linking context and architecture 2.1 Milaap- The community centre.
Milaap: The community centre for the artisans in the village of Kumartoli. A village where goddess durga take birth.
2.2 Book a rest- Library.
24
2.3 Backpack home- Hostel for Working professionals. 2.4 Matrix Housing. (mixed-used house)
3. Literature and Documentation 3.1 Street character and analysis 3.2 Paper: Charles Correa. Book a rest- The Library -A rest station for people who want to catch a book or a cup of coffee in the busy context
4. Using the elements of design 4.1 Tessellation
5. Building Technology 5.1 Working Drawings
28
6. Freelancing 6.1 Interior Design - 2BHK apartment
7. Head to paper 7.1 Hands on paper
4
Backpack home- A home away from home for people working far away from their house with a bliss full neighbourhood and a place to connect with people at different levels
44
| Architecture Portfolio | 2017-2022|
Facade Design- using tessellation: An integral piece of the overall design of a building. It provides an opportunity to create a personality and character to the building
81
BHUKAMP PRABODHAN KARYASHAALA-
A skill development centre in the city of Latur at a 1km distance for the people in need, unemployed, illiterates, making them more aware of the seismicity zones and taking precautions for it.
16
67 @LVL 9900
@LVL 5400
15
56
@LVL 900
@GL
5
| Architecture Portfolio | 2017-2022|
Bhukamp Prabodhan Karyashaala 1.1 A skill development centre
Project type: Design Dissertation (semester 10) Project name: Bhukamp Prabodhan Karyashaala. Project location: Latur, Maharashtra.
Figure 01- Entrance view of the retail and admission area
6
| Architecture Portfolio | 2017-2022|
7
| Architecture Portfolio | 2017-2022|
8
| Architecture Portfolio | 2017-2022|
9
| Architecture Portfolio | 2017-2022|
10
| Architecture Portfolio | 2017-2022|
11
| Architecture Portfolio | 2017-2022|
Recharge wells
Recharge or inject subsurface groundw techniques used to di water into deep water Recharge pit
A recharge pit allows replenish groundwate the underground aquif
Institute Building
Dormitory
Cafeteria
Figure 02- Axonometric view of the institution
12
Figure 03- Master
tion wells are water recharge irectly discharge r-bearing zones.
the rainwater to er by recharging fers.
| Architecture Portfolio | 2017-2022|
Solar Kitchen Using steam to cook in kitchens.Steam cooking requires relatively low pressure and low temperature steam, which is normally produced by a conventional boiler. Depending on their type, these boilers are fired with wood, LPG, kerosene or diesel oil. Vermi- composting pot tunnels Vermi- compost benefits the environment by reducing the need for chemical fertilizers and decreasing the amount of waste going to landfills.
r Plan
13
| Architecture Portfolio | 2017-2022| Reducing Heat gain effect Trees and other plants help cool the environment, making vegetation a simple and effective way to reduce urban heat islands.
Figure 04- 3D View
Ribbed Slab
@LVL 9900
Classrooms
@LVL 5400
Classrooms
@LVL 900
Cavity Walls
Pargolas
Training space
Figure 06- Perspective section 1
14
@GL
| Architecture Portfolio | 2017-2022|
Figure 05- Classroom areas
Ribbed Slab
@LVL 9900
Cafeteria Classrooms
@LVL 5400
Mezzanine
Classrooms
@LVL 900
Cavity Walls
@GL
Permeable Pavement Blocks Conventional block paving collects water on its surface and allows run-off onto public highways, permeable block paving is designed to allow rainfall to pass directly into a sub-base.
Figure 07- Perspective section 2
15
| Architecture Portfolio | 2017-2022|
Figure 08- View from corridors area
16
| Architecture Portfolio | 2017-2022|
17
| Architecture Portfolio | 2017-2022|
Milaap
1.1 The Community centre for Artisans
T
he smell of wet clay from ganga and other rivers, the dry crackling of straw beneath your feet, the criss cross patterns of bamboo spread out within the narrow confines of a ramshackle, eight by eight studio blend seamlessly to create the traditional homes of the artisans where goddess durga takes birth the place is called Kumartoli. History of Kumartoli - Bengal artists make durga idol in a place called Kumartoli. Kumartoli a neighbourhood in Kolkata, India holds an important place in history which has a long tradition of clay idol making along with a strong association with the most important festival ‘DURGA POOJA”. It is located in north kolkata along river of hooghly most of the artisans living in north kolkata neighbourhoods dwelled in no or even vanished, as they were pushed out of the area in late century by the invasion of Barra Bazaar
Project type: Architectural design (semester 4) Project name: Milaap- The community centre for artisans. Project location: Kumartoli, Kolkata.
1 8 | MILAAP | Linking architecture and context |
C
limate seen in kolkata is warm and Humid, due to which the precipitation goes high generally in excess of 200 am/year. Landscape and vegetation is relatively flat region with abundant vegetation. Considering the context of the site and the climate around the contextual architecture elements (used for construction) are Bamboo which is widely used in kumartoli for construction purpose and also widely available, the other material which is used is thatch-used to make idols and also for roofing for their houses, also locally available, for the walls Stone used is especially for construction purpose only and seen in many heritage building which are along the river hooghly
| Architecture Portfolio | 2017-2022|
Figure 09- Micro level context of Kumartoli
| MILAAP | Linking architecture and context |
19
| Architecture Portfolio | 2017-2022|
T
he design principles taken into consideration are, decreasing surface area of building exposed to outside. Using that material which takes longer time to heat. Increasing (material) shading of the building. Using material that reflect heat. Appliances used are well ventilated. Humidity levels are reduced. The concept revolves around circulation and levels. The users , using the space have different thinking mentalities and background. The circulation space is how people move through the space. The interaction between every user visiting or working should be positive. The exhibition space and the workshop space are designed such as they have a visual connection between them without disturbing the space and also taking care of the interaction between the visitors and artisans How a user moves through a space comfortably and in a flow is thought of.
Figure 11- Macro level context of Kumartoli
2 0 | MILAAP | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
Level 1
Level 2
Level 3
Figure 10- diagram showing variation in plan levels and spaces
The drawing creates an understanding of structure through realistic representation that manifests the nature of the building, its structurality, the kind of spaces and the activities happening in the space. The fabric of the building plays an very important role and I have tried expressing the context through different drawings, displayed.
The drawing gives and understanding about the context at micro level, it not only highlight the fabric of the structure but also one gets an brief idea about the existing fabricv
Street character of the adjacent streets | MILAAP | Linking architecture and context |
21
| Architecture Portfolio | 2017-2022|
Figure 12- elevated plan showing the spaces, immediate context and the fabric of the structure, also how it fits in the context
2 2 | MILAAP | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
| MILAAP | Linking architecture and context |
23
| Architecture Portfolio | 2017-2022|
Exhibition space (for jewellery exhibits)
Figure 13- Section in perspective showing exhibition and workshop spaces with open spaces between
2 4 | MILAAP | Linking architecture and context |
Mezzanine space (for jewellery exhibits)
| Architecture Portfolio | 2017-2022|
Workshop space (drying area for idols)
Workshop space (claying and wet area)
| MILAAP | Linking architecture and context |
25
| Architecture Portfolio | 2017-2022|
Book a Rest
1.2 The Library
Project type: Architectural design (semester 6) Project name: Book a Rest- Library. Project location: Prabhadevi, Dadar.
2 6 | BOOK A REST | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
Figure 14- Front view of the building
T
he aim was to respond to a built architectural language according to the surrounding urban context. The selected site is at Gokhale Road, Dadar is a very busy and active urban space. The site is 40 meters wide and 60 meters long. And along the site there is a jakhadevi temple where accessibility of senior citizens can be seen prominently in the morning, as the two temples act as a strong feature. In the afternoon time the crowd is mostly full time with the teenagers due to the school and college. In the evening as the office crowds is taken into the consideration, the footpath is witnessed to be partially covered with the two wheelers as the eateries in the evening act as a major source of attraction. The surrounding has many commercial buildings and hence changes in vehicular traffic can be observed throughout day. The challenge was to create a public space and digital convenience centre, a public space within the city which can be an attraction for people and good alternative for them to spend time, to offer a new and comfortable environment for reading and learning. The space is supposed to provide the user public facilities.
Interlocking blocks
Decreasing footprint of the building
Increasing circulation area
Connecting visually
Giving punctures for proper ventilation Figure 15- Concept and form development
| BOOK A REST | Linking architecture and context |
27
| Architecture Portfolio | 2017-2022|
Figure 16- Axometric View
Images of context and activities around the neighbourhood
2 8 | BOOK A REST | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
The drawings explain the design with the needed details and shadows. It also explains context at micro level through only lines and with minimal colour. Hence making the drawing very simple yet very easily explanatory and distinct. The concept revolves around interlocking portion of the two volumes can be shared equally by each space. When two spaces interlock each retains its identity and definition as space. The interlocking portion can develop its own common interactive space without disturbing the function. The building mass is given punctures for better air and light ventilation. Creating a Barrier free environment- A space which can be accessed by all types of user groups without any obstacles and proper privacy.
| BOOK A REST | Linking architecture and context |
29
| Architecture Portfolio | 2017-2022|
Figure 17- showcase of urban context and user analysis
Figure 18- Sectional Perspective
3 0 | BOOK A REST | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
Figure 19- Plan with micro level context | BOOK A REST | Linking architecture and context |
31
| Architecture Portfolio | 2017-2022|
Figure 20- Entrance and Amphitheatre view
3 2 | BOOK A REST | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
| BOOK A REST | Linking architecture and context |
33
| Architecture Portfolio | 2017-2022|
Backpack Home
1.3 Hostel for Working Professionals
Project type: Architectural design (semester 5) Project name: Backpack home- Hostel for working professionals Project location: Khandeshwar, Navi Mumbai.
3 4 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
Figure 21- Site location and accessibility
T
he site is situated near Khandeshwar station. It has a playground on the south side and is surrounded by the two main roads on two adjacent sides and residential buildings on the north side. The concept and form development revolves around trying to get maximum amount of wind play through the site and the main motive is to spread maximum amount of wind on site and have a beautiful waterfront development. Since the site is located at an area with easy public transport and a residential area around and also a number of people from the surroundings are involved in jobs and travel far off distances for work purposes. Hence, the Hostel for working professionals is proposed in the locality. The aim is to create an environment for the people coming for jobs, education or business in the growing city like Khandeshwar, Navi Mumbai. The additional requirement of the neighbourhood was a place to showcase their work or art so the additional small scale project proposed was art gallery. Here, the main challenge was to create a space for different category of users, for example user visiting the art gallery and user using the hostel. The hostel and art gallery has to be user friendly also. | BACKPACK HOME | Linking architecture and context |3 5
| Architecture Portfolio | 2017-2022|
Figure 22- Elevation- illustration
I’ll be attending the Art exhibition
I love playing my music to the greens Let’s grab a coffee downstairs
I love this view for my paintings
3 6 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
What a day to do Workout!
The main motive is to do waterfront development suitable for the users in the neighbourhood and the users living in the hostel travelling far away from there home.
I am going to relax here for a bit | BACKPACK HOME | Linking architecture and context |3 7
| Architecture Portfolio | 2017-2022|
Figure 23- Ground floor plan
3 8 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
Figure 24- Abstract site sections to understand the site surroundings
| BACKPACK HOME | Linking architecture and context |3 9
| Architecture Portfolio | 2017-2022|
Figure 25- 2d section through hostel rooms
4 0 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
| BACKPACK HOME | Linking architecture and context |4 1
| Architecture Portfolio | 2017-2022|
Figure 26- waterfront development of hostel
4 2 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
| BACKPACK HOME | Linking architecture and context |4 3
| Architecture Portfolio | 2017-2022|
Figure 27- Waterfront development and landscape view
4 4 | BACKPACK HOME | Linking architecture and context |
| Architecture Portfolio | 2017-2022|
| BACKPACK HOME | Linking architecture and context |4 5
| Architecture Portfolio | 2017-2022|
Matrix Housing
1.2 A Mixed-use Hosing Project
Project type: Architectural design (semester 7) Project name: Matrix House. Project location: MBPT, Mumbai
4 6 | MATRIX HOUSING | A mixed used housing |
| Architecture Portfolio | 2017-2022|
The large scale worker migration in the lockdown from big cities to their home towns has shown some light on the importance of housing from two aspects. One-affordable housing in urban areas that one can call their home, and two-a well-designed housing where a community can maintain social distance and can thrive without the fear of contagious diseases due to close proximity. Having enough open space between houses is an important aspect that is generally ignored in low income housing.
NEED OF THE PROJECT-
OBJECTIVES-
1. This project is a modular housing that can be located anywhere, it is expected a good public transportation network close to the housing project that encourage people to use public transportation.
+Housing for different sociodemographic and economic profile.
2. The construction methods are applied in such a way that each unit or entire housing community buildings can be easily moved from one location to another so that within days of time the resident shall be able to live in the same unit after relocation of the building.
+Walkability, non-motorised transportation.
2. Integrated
3. Easy assembly and dismantling
+As many commercial activities as possible within reach.
+Connection between Work and shelter. +Community Development with Social Distancing in mind.
DESIGN PRINCIPLES 1. Structural movability for Relocation. Cost effective.
Cohesive Community
Time saving
Mixed use Housing
Time Saving
Figure 28- Macro site context.
| MATRIX HOUSING | A mixed used housing | 4 7
| Architecture Portfolio | 2017-2022|
Commercial housing unit 50 Sq.m
Ground Floorplan
Mezzanine plan
Ground Floorplan
Mezzanine plan
Mezzanine Toilet
Toilet shop platform
House entrance
Figure 29- Commercial housing plan and modular furniture
4 8 | MATRIX HOUSING | A mixed used housing |
| Architecture Portfolio | 2017-2022|
Exclusive housing unit 35 Sq.m
Figure 30- Exclusive housing plan and modular furniture | MATRIX HOUSING | A mixed used housing | 4 9
| Architecture Portfolio | 2017-2022|
Workstudio housing unit 25 Sq.m
Lower level
Mezzanine level
Axonometric View
Figure 31- Workstudio housing perspective plan and axnometric view
5 0 | MATRIX HOUSING | A mixed used housing |
| Architecture Portfolio | 2017-2022|
Public Toilet 30 Sq.m
View
Axo View Plan in perspective
Section
Figure 31- Public toilet perspective plan, axnometric view and section | MATRIX HOUSING | A mixed used housing | 5 1
| Architecture Portfolio | 2017-2022|
TEMPORARY PVC FABRIC ROOF -Easy to maintain -Economical -Can be Installed in a day -Double skin/ layered roof for better temperature control, creating comfortable inner space. -Perfect for outdoors
Transom or Putlog
Standard
Double coupler Ledger Standard
Ledger Putlog coupler
Transom or Putlog
Standard Baseplate with locating spigot
Timber sole plate VERTICAL FRAMING FIXING DETAIL OF TUBULAR SCAFFOLDING (components)
Figure 32- All the construction details
5 2 | MATRIX HOUSING | A mixed used housing |
Ledger
Transom or Putlog HORIZONTAL FRAMING
| Architecture Portfolio | 2017-2022|
TEMPORARY PVC FABRIC ROOF -Easy to maintain -Economical -Can be Installed in a day -Double skin/ layered roof for better temperature control, creating comfortable inner space. -Perfect for outdoors REUSED SCAFFOLDING TUBES -Sturdy and firm standing -Longer durability due to steel -Can bear wind load and pressure -Easy to assemble and dismantle TEMPORARY PVC WALL PANELS -Lightweight:requires two people to assemble -Easy to assemble and dismantle -Recyclable -Low maintenance and waterproof -Easy to clean surface and smooth and finish (hygienic)-Strong, Durable, Long lasting
Coupler at joint Ledger
Standard Plinth
Putlog Baseplate Timber sole plate
Figure 33- All the construction details | MATRIX HOUSING | A mixed used housing | 5 3
| Architecture Portfolio | 2017-2022|
Figure 34- Centre Circle
5 4 | MATRIX HOUSING | A mixed used housing |
| Architecture Portfolio | 2017-2022|
0024
.
.
.
0024
Figure 35- Site plan
| MATRIX HOUSING | A mixed used housing | 5 5
| Architecture Portfolio | 2017-2022|
Figure 36- Open space view
5 6 | MATRIX HOUSING | A mixed used housing |
| Architecture Portfolio | 2017-2022|
Figure 37- Corridor spaces
| MATRIX HOUSING | A mixed used housing | 5 7
| Architecture Portfolio | 2017-2022|
Street Documentation
3.1 Street character and analysis in Kharghar
Project type: Humanities Documentation (semester 6) Project name: Understanding street character Project location: Kharghar, Navi Mumbai
Figure 38- Kharghar street collage
5 8 | STREET DOCUMENTATION | Literature and Documentation |
| Architecture Portfolio | 2017-2022|
| STREET DOCUMENTATION | Literature and Documentation |
59
| Architecture Portfolio | 2017-2022|
Figure 39- 2d section cutting from the street having the most active spot and explaining soft and hard edges
Figure 40- Street axo explaining the users analysis and the active-inactive spaces throughout the street
6 0 | STREET DOCUMENTATION | Literature and Documentation |
| Architecture Portfolio | 2017-2022|
The street has a diversified character wherein there are residential buildings, offices, cafes, public spaces, schools, gardens, commercial spaces, shops, eateries. These all facilities or needs are spreaded throughout the street and adjacent to each other The street has many functions forming many soft edges and hard edges. At the rear end of the street it experiences lack of social intervention, abandoned buildings, the street gradually starts giving rise to vandalism and criminal activity especially low peak hours
Although the street have a interesting feature of the skywalk which connects the opposite sides of the street to ensure pedestrian safety, but there’s also a con of this skywalk, which is the openings or ends of this skywalk happens where there is barren land and hence zero social intervention
Figure 41- Plan and user accessibility considering the time zone and explaining the diversity character of the street | STREET DOCUMENTATION | Literature and Documentation |
61
| Architecture Portfolio | 2017-2022|
Literature
3.2 Paper: Charles Correa
Project type: Architectural theory (semester 5)
6 2 | PAPER: CHARLES CORREA | Literature and Documentation |
| Architecture Portfolio | 2017-2022|
CHARLES CORREA
HYDERABAD | INDIA
Architect, Urban Planner, Activist and Theoretician
1930-2015 DESIGN PHILOSOPHY
ARCHITECTURAL PRACTICE/ INFLUENTIAL
Born in Secundrabad, India on 1st September, 1930 then moved to Mumbai and received early education at St. Xavier College, Mumbai then went to study at the University of Michigan (1949-1953) and then at the Massachusetts Institute of Technology, Cambridge (1953- 1955). He started practicing in Mumbai after gaining valuable knowledge from these esteemed institutions. Charles Correa, principles of designing include prevailing resources, energy and climatic aspects to create and determine order of space. He always insisted on creating spaces filled with natural air and light. He swore that he would never design a glass building, and believed in “open-to-sky” space. His ideas describe the different ways of attaining wonderful designs within the vernacular range and climatic conditions. Correa worked in a wide range of areas throughout his life.
Charles Correa, widely known for his works in contemporary architecture, played an important and vital role in the development of architecture in India after independence. Water recycling, energy renewal, habitat friendly systems, topographical extents with some twist of light and air are the principles behind his eye. He established a private practice in Bombay in 1958. His works include the Champalimaud Foundation Centre in Lisbon, also famous by the name “Project to the Unknown”, the Sabarmati Ashram in Ahmedabad and the Madhya Pradesh Legislative assembly in Bhopal. Craft museum in New Delhi, Bharat Bhavan in Bhopal, Jawahar Kala Kendra in Jaipur and also the British Council in New Delhi are some other examples of his intellectual knowledge.
‘Correa’s work in India shows a careful development, understanding and adaptation of Modernism to a non-western culture.’
Figure 42 – Craft museum in Delhi (Courtesy- https://www.blogspot.com/)
Figure 43– Jawahar Kala Kendra
Figure 44 – Sabarmati ashram in Ahmedabad
(Courtesy- https://www.flickr.com/)
(Courtesy- https://www.flickr.com/)
| PAPER: CHARLES CORREA | Literature and Documentation | 6 3
| Architecture Portfolio | 2017-2022|
Figure 45 – Bharat Bhavan in Bhopal (Courtesy- https;//www.mavenitsolutions.com/)
PROJECT DESCRIPTION The British Council, is located in New Delhi. Project Work Status: Completed Project Duration: 1987 - 1992 Charles Correa-designed British Council building in New Delhi sports a banyan tree mural by the late artist. The British Council building in New Delhi is a design collaboration of three grandmasters — architect Charles Correa, Mahindra Raj (father of modern building engineering) and artist Howard Hodgkin. This new building for the British Council houses a number of diverse functions, including a Library, an Auditorium, an Art gallery and the Headquarters of their offices in India. .These elements are arranged in a series of layers, recalling the historic interfaces that have existed between India and Britain over the last several centuries. At the farthest end is the axis mundi of Hinduism, a spiral symbolizing Bindu - the energy center of the Cosmos. The next nodal point, located in the main courtyard, is centered around another mythic image: the traditional Islamic Char Bagh, i.e. Garden of Paradise. The third nodal point along this axis is a European icon, inlaid in marble and granite, used to represent the Age of Reason, including the mythic values of Science and Progress. P re s i d i n g ove r a l l t h i s i s I n d i a h e r s e l f , s y m b o l ized by the Shadows of a giant tree, executed in an exquisite inlay of white makrana marble and black Kadapa stone. - The work of the British Painter Howard Hodgkin.
Figure 46– British Council, architectural drawings. (Courtesy- https://www.pinterest.com/)
Figure 47– British Council, architectural drawings. (Courtesy- https://www.pinterest.com/)
References- https://ebuild.in/british-council-charles-correa-associates.
6 4 | PAPER: CHARLES CORREA | Literature and Documentation |
| Architecture Portfolio | 2017-2022|
Figure 48– (spiral ) British Council, New Delhi. (Courtesy- https;// ebuild.in/british-council-charles-correa/)
Figure 49- Drawn by author
| PAPER: CHARLES CORREA | Literature and Documentation | 6 5
| Architecture Portfolio | 2017-2022|
Using the elements of design
4.1 Tessellation
Project type: Allied Design (semester 2) Project name: Visualising Facade Design- Tessellation
6 6 | TESSELLATION | Using the elements of design |
| Architecture Portfolio | 2017-2022|
Figure 50- Facade illustration
| TESSELLATION | Using the elements of design |6 7
| Architecture Portfolio | 2017-2022|
What is Facade design ? A façade refers to one side, usually the front, of a building. It is an integral piece to the overall design of a building. It provides the opportunity to create a personality and character to a building. Facades can come in many shapes and sizes, and it is really a chance for the architect to showcase their talent by bringing a building to life. Facade pattern hides the complexities of the system and provides an interface to the client using which the client can access the system. This type of design pattern comes under structural pattern as this pattern adds an interface to existing system to hide its complexities. This pattern involves a single class which provides simplified methods required by client and delegates calls to methods of existing system classes. The designed concept plays with tessellation, experimenting with pulls and push and trying to make it aesthetically appealing
Figure 51- Hand done model
6 8 | TESSELLATION | Using the elements of design |
Figure 52- All the process drawings illustrated in a interface
| Architecture Portfolio | 2017-2022|
| TESSELLATION | Using the elements of design |6 9
| Architecture Portfolio | 2017-2022|
Building Technology
4.1 Working Drawings
Project type: Working drawings (semester 6) Project name: Semester 5- Hostel Project Project location: Panvel, Navi Mumbai.
7 0 | WORKING DRAWINGS | Building technology |
| Architecture Portfolio | 2017-2022|
Plinth Beam and Foundation layout
| WORKING DRAWING | Building Technology |7 1
| Architecture Portfolio | 2017-2022|
Ground floor layout
Staircase details
7 2 | WORKING DRAWINGS | Building technology |
| Architecture Portfolio | 2017-2022|
| WORKING DRAWING | Building Technology |7 3
| Architecture Portfolio | 2017-2022|
Section through staircase
Cantilevered canopy details
7 4 | WORKING DRAWINGS | Building technology |
| Architecture Portfolio | 2017-2022|
Section through Lift shaft
Curtain wall details | WORKING DRAWING | Building Technology |7 5
| Architecture Portfolio | 2017-2022|
Freelancing project 7.1 Interior Design KITCHEN Before
After
7 6 | WORKING DRAWINGS | Building technology |
| Architecture Portfolio | 2017-2022|
LIVING AND DINING AREA Before
After
| WORKING DRAWING | Building Technology |7 7
| Architecture Portfolio | 2017-2022|
MASTER BEDROOM Before
After
7 8 | WORKING DRAWINGS | Building technology |
| Architecture Portfolio | 2017-2022|
LOBBY & WASH AREA Before
After
| INTERIOR DESIGN | 2BHK flat |
79
| Architecture Portfolio | 2017-2022|
SECOND BEDROOM Before
After
8 0 | INTERIOR DESIGN | 2BHK flat |
| Architecture Portfolio | 2017-2022|
MASTER BEDROOM
DINING AREA
A corner bit of the living area
LIVING AREA
counter top design near the laundry area
PUJA AREA
| INTERIOR DESIGN | 2BHK flat |
81
| Architecture Portfolio | 2017-2022|
Head to Paper
7.1 Hands on paper
8 2 | HEAD TO PAPER | Hands on work |
| Architecture Portfolio | 2017-2022|
Gwalior fort- clicked by author
Nagar Palace, manali
Nagar Palace, manali | HEAD TO PAPER | Hands on work |
83
| Architecture Portfolio | 2017-2022|
Cherry blossom- Knife Painting (acrylic colors on canvas)
IMPRESSIONISM- Recreated Battle of USS by Edward manet (poster colors on !80 GSMpaper)
IMPASTO KNIFE PAINTING-(acrylic on canvas) Still life sketch- (pencil colors on 180GSM paper)
Landscape painting (acrylic on canvas)
British Council, New Delhi- by Charles Correa (pen and ink on 300 GSM paper) Gwalior fort, Madhya Pradesh (pen and ink on 300 GSM paper)
Concrete void illustration (concrete void by Ar. Sameep Padora and assoc.)
8 4 | HEAD TO PAPER | Hands on work |
Allied Design project- Understanding shadow of material
| Architecture Portfolio | 2017-2022|
Housing project sectional model- Modular shop design (shop- boutique and tailoring
Construction detail models- Community centre in Kumartuli (AD sem 4)
Tour Documentation models in Kumartoli
AD Model Community centre in Kumartoli (sem 4)
Kumartuli idol photograph
Light design for bar-
Design Disseratation model- Bhukamp rabodhan Karyashaala | HEAD TO PAPER | Hands on work |
85
Ar. NIKITA BARGE nbarge27@gmail.com
+91-9004642908