NIKITA BARGE Architecture design portfolio 2017-2020
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CONTENTS 1. Linking context and architecture 1.1 Milaap- The community centre. 1.2 Book a rest- Library. 1.3 Backpack home- Hostel for Working professionals.
Milaap: The community centre for the artisans in the village of Kumartoli. A village where goddess durga take birth.
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2. Covid-19 issue 2.1 The Hope- Covid 19 treatment centre
3. Literature and Documentation 3.1 Street character and analysis 3.2 Paper: Charles Correa. 3.3 A Tour to Orchha, Madhya Pradesh Book a rest- The Library -A rest station for people who want to catch a book or a cup of coffee in the busy context
4. Using the elements of design 4.1 Tessellation
5. Building Technology 5.1 Working Drawings
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6. Head to paper 6.1 Hands on paper Backpack home- A home away from home for people working far away from their house with a bliss full neighbourhood and a place to connect with people at different levels
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Facade Design- using tessellation: An integral piece of the overall design of a building. It provides an opportunity to create a personality and character to the building
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H o p e - C o v i d 1 9 t re a t m e n t h o s p i tal for people in Navi Mumbai cause of major contaminated zone and less medical centres available for Covid
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A college tour to Orchha, Madhya Pradesh- Learning the elements of Hindu temples and understanding history and architecture evolution at different era.
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Milaap
1.1 The Community centre for Artisans
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he smell of wet clay from ganga and other rivers, the dry crackling of straw beneath your feet, the criss cross patterns of bamboo spread out within the narrow confines of a ramshackle, eight by eight studio blend seamlessly to create the traditional homes of the artisans where goddess durga takes birth the place is called Kumartoli. History of Kumartoli - Bengal artists make durga idol in a place called Kumartoli. Kumartoli a neighbourhood in Kolkata, India holds an important place in history which has a long tradition of clay idol making along with a strong association with the most important festival ‘DURGA POOJA�. It is located in north kolkata along river of hooghly most of the artisans living in north kolkata neighbourhoods dwelled in no or even vanished, as they were pushed out of the area in late century by the invasion of Barra Bazaar
Project type: Architectural design (semester 4) Project name: Milaap- The community centre for artisans. Project location: Kumartoli, Kolkata.
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limate seen in kolkata is warm and Humid, due to which the precipitation goes high generally in excess of 200 am/year. Landscape and vegetation is relatively flat region with abundant vegetation. Considering the context of the site and the climate around the contextual architecture elements (used for construction) are Bamboo which is widely used in kumartoli for construction purpose and also widely available, the other material which is used is thatch-used to make idols and also for roofing for their houses, also locally available, for the walls Stone used is especially for construction purpose only and seen in many heritage building which are along the river hooghly
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Figure 01- Micro level context of Kumartoli
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he design principles taken into consideration are, decreasing surface area of building exposed to outside. Using that material which takes longer time to heat. Increasing (material) shading of the building. Using material that reflect heat. Appliances used are well ventilated. Humidity levels are reduced. The concept revolves around circulation and levels. The users , using the space have different thinking mentalities and background. The circulation space is how people move through the space. The interaction between every user visiting or working should be positive. The exhibition space and the workshop space are designed such as they have a visual connection between them without disturbing the space and also taking care of the interaction between the visitors and artisans How a user moves through a space comfortably and in a flow is thought of.
Figure 02- Macro level context of Kumartoli
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Level 1
Level 2
Level 3
Figure 03- diagram showing variation in plan levels and spaces
The drawing creates an understanding of structure through realistic representation that manifests the nature of the building, its structurality, the kind of spaces and the activities happening in the space. The fabric of the building plays an very important role and I have tried expressing the context through different drawings, displayed.
The drawing gives and understanding about the context at micro level, it not only highlight the fabric of the structure but also one gets an brief idea about the existing fabricv
Street character of the adjacent streets | MILAAP | Linking architecture and context |
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Figure 04- elevated plan showing the spaces, immediate context and the fabric of the structure, also how it fits in the context
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Exhibition space (for jewellery exhibits)
Figure 05- Section in perspective showing exhibition and workshop spaces with open spaces needed
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Mezzanine space (for jewellery exhibits)
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Workshop space (drying area for idols)
Workshop space (claying and wet area)
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Book a Rest
1.2 The Library
Project type: Architectural design (semester 6) Project name: Book a Rest- Library. Project location: Prabhadevi, Dadar.
1 4 | BOOK A REST | Linking architecture and context |
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Figure 06- Front view of the building
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he aim was to respond to a built architectural language according to the surrounding urban context. The selected site is at Gokhale Road, Dadar is a very busy and active urban space. The site is 40 meters wide and 60 meters long. And along the site there is a jakhadevi temple where accessibility of senior citizens can be seen prominently in the morning, as the two temples act as a strong feature. In the afternoon time the crowd is mostly full time with the teenagers due to the school and college. In the evening as the office crowds is taken into the consideration, the footpath is witnessed to be partially covered with the two wheelers as the eateries in the evening act as a major source of attraction. The surrounding has many commercial buildings and hence changes in vehicular traffic can be observed throughout day. The challenge was to create a public space and digital convenience centre, a public space within the city which can be an attraction for people and good alternative for them to spend time, to offer a new and comfortable environment for reading and learning. The space is supposed to provide the user public facilities.
Interlocking blocks
Decreasing footprint of the building
Increasing circulation area
Connecting visually
Giving punctures for proper ventilation Figure 06- Concept and form development
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Figure 07- Axometric View
Images of context and activities around the neighbourhood
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The drawings explain the design with the needed details and shadows. It also explains context at micro level through only lines and with minimal colour. Hence making the drawing very simple yet very easily explanatory and distinct. The concept revolves around interlocking portion of the two volumes can be shared equally by each space. When two spaces interlock each retains its identity and definition as space. The interlocking portion can develop its own common interactive space without disturbing the function. The building mass is given punctures for better air and light ventilation. Creating a Barrier free environment- A space which can be accessed by all types of user groups without any obstacles and proper privacy.
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Figure 08- showcase of urban context and user analysis
Figure 08- Sectional Perspective
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Figure 09- Plan with micro level context | MILAAP | Linking architecture and context |
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Figure 10- Entrance and Amphitheatre view
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Backpack Home
1.3 Hostel for Working Professionals
Project type: Architectural design (semester 5) Project name: Backpack home- Hostel for working professionals Project location: Khandeshwar, Navi Mumbai.
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Figure 11- Site location and accessibility
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he site is situated near Khandeshwar station. It has a playground on the south side and is surrounded by the two main roads on two adjacent sides and residential buildings on the north side. The concept and form development revolves around trying to get maximum amount of wind play through the site and the main motive is to spread maximum amount of wind on site and have a beautiful waterfront development. Since the site is located at an area with easy public transport and a residential area around and also a number of people from the surroundings are involved in jobs and travel far off distances for work purposes. Hence, the Hostel for working professionals is proposed in the locality. The aim is to create an environment for the people coming for jobs, education or business in the growing city like Khandeshwar, Navi Mumbai. The additional requirement of the neighbourhood was a place to showcase their work or art so the additional small scale project proposed was art gallery. Here, the main challenge was to create a space for different category of users, for example user visiting the art gallery and user using the hostel. The hostel and art gallery has to be user friendly also. | BACKPACK HOME | Linking architecture and context |2 3
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Figure 12- Elevation- illustration
I’ll be attending the Art exhibition
I love playing my music to the greens Let’s grab a coffee downstairs
I love this view for my paintings
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What a day to do Workout!
The main motive is to do waterfront development suitable for the users in the neighbourhood and the users living in the hostel travelling far away from there home.
I am going to relax here for a bit | BACKPACK HOME | Linking architecture and context |2 5
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Figure 13- Ground floor plan
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Figure 14- Abstract site sections to understand the site surroundings
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Figure 15- 2d section through hostel rooms
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Figure 16- waterfront development of hostel
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Figure 17- Waterfront development and landscape view
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HOPE 2.1 COVID-19 TREATMENT CENTRE
Project type: Architectural design (Competition 2020) Project name: Hope: Covid-19 Treatment Centre Project location: Pavel, Navi Mumbai.
3 4 | HOPE | Covid-19 issues |
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Figure 18- newspaper article explaining number of covid cases and treatment centres
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Figure 19- Axo of isolated treatment centre
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odular Solution for a temporary health care facility for the COVID19 patients . In these difficult times the quarantine facility can Relief the patient from the deadly disease or some unfortunate cases may rest in eternal Peace. SUSTAIN and SURVIVE Art of sustainable design “A Holistic Approach” Holistic Architecture, consists of the organic whole and mechanic whole. On the other hand sustainable refers to,
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“A feeling of relaxation enabled by the arrangement of courtyards. The idea of this module is to allow sanitization and hygiene and also leads to social distancing. It intends to help, heal a patient in an environment rooted to nature and also give an architectural expression,” The site selected is located at a distance of 20 minutes from Panvel city, away from the residential area. Surrounded by Kalundri river on one side and mainroad connecting Navi Mumbai and Morbe on another side. Studying the overall quarantine facilities available in Mumbai, Panvel Municipal Corporation is still facing lack of quarantine cells and Isolation wards due to the rapid increase in COVID- 19. It is analysis that entire Navi Mumbai has onl one Covid Hospital (MGM) at Kamothe. AIM- “ISOLATED YET EASY TO REACH” Away from the residential zones, yet easy to access during emergency. CONNECTED YET DIFFERENTEach and every space is connected to each other yet the activities are divided as per the functions.
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Figure 20- User and circulation analysis
Figure 21- 2d plan of the centre (movable, removable, adaptable) | HOPE | Covid-19 issues | 3 7
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Figure 22- Isolation ward axo and top view
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Figure 23- courtyard viewing to nurse station and isolation wards on the left
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TEMPORARY PVC FABRIC ROOF -Easy to maintain -Economical -Can be Installed in a day -Double skin/ layered roof for better temperature control, creating comfortable inner space. -Perfect for outdoors
Transom or Putlog
Standard
Double coupler
Putlog coupler
Transom or Putlog
Standard Baseplate with locating spigot Timber sole plate VERTICAL FRAMING FIXING DETAIL OF TUBULAR SCAFFOLDING (components)
Figure 24- All the construction details
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Transom or Putlog HORIZONTAL FRAMING
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TEMPORARY PVC FABRIC ROOF -Easy to maintain -Economical -Can be Installed in a day -Double skin/ layered roof for better temperature control, creating comfortable inner space. -Perfect for outdoors REUSED SCAFFOLDING TUBES -Sturdy and firm standing -Longer durability due to steel -Can bear wind load and pressure -Easy to assemble and dismantle TEMPORARY PVC WALL PANELS -Lightweight:requires two people to assemble -Easy to assemble and dismantle -Recyclable -Low maintenance and waterproof -Easy to clean surface and smooth and finish (hygienic)-Strong, Durable, Long lasting
STRUCTURAL FRAMEWORK Galvanized scaffolding tube = 45 rs./Kg No. Of tubes per ward = 9 Weight of 1 tube = 4 Kg i.e. Total weight for 9 tubes : 9 x 4= 36 kg We need 9 pieces per ward i.e. 45 x 36 = 1620 rs. Coupler at joint
WALLS
Ledger
Temporary PVC wall Panels = 20 rs./ i.e. 45 x 36 = 1620 rs. 1 isolation ward = 8 sq.m = 86 sqft i.e. 20 x 86 = 1720
Standard Putlog Plinth
Baseplate Timber sole plate
ROOF PVC Roofing sheet = Rs.20 / square ft Roofing cost for one Isolation ward : 86 x 20 = 1720 Therefore, 2 x 1720 + 1620 = 5060 Total cost for one Isolation ward is Rs. 5060 FLOORINGReused wooden scaffoldings/ planks from construction sites are used for Flooring Rs. 5060 /Isolation ward (Including the flooring, walls, roofing)
Considering the construction time of every material we used, the total estimated time is 40 to 48 hours for constructing the whole structure Figure 24- All the construction details | HOPE | Covid-19 issues | 4 1
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Figure 25 - Front view of the structure viewing all the entry points
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Street Documentation
3.1 Street character and analysis in Kharghar
Project type: Humanities Documentation (semester 6) Project name: Understanding street character Project location: Kharghar, Navi Mumbai
Figure 26 -Kharghar street collage
4 4 | STREET DOCUMENTATION | Literature and Documentation |
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Figure 27 - 2d section cutting from the street having the most active spot and explaining soft and hard edges
Figure 28- Street axo explaining the users analysis and the active-inactive spaces throughout the street
4 6 | STREET DOCUMENTATION | Literature and Documentation |
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The street has a diversified character wherein there are residential buildings, offices, cafes, public spaces, schools, gardens, commercial spaces, shops, eateries. These all facilities or needs are spreaded throughout the street and adjacent to each other The street has many functions forming many soft edges and hard edges. At the rear end of the street it experiences lack of social intervention, abandoned buildings, the street gradually starts giving rise to vandalism and criminal activity especially low peak hours
Although the street have a interesting feature of the skywalk which connects the opposite sides of the street to ensure pedestrian safety, but there’s also a con of this skywalk, which is the openings or ends of this skywalk happens where there is barren land and hence zero social intervention
Figure 29- Plan and user accessibility considering the time zone and explaining the diversity character of the street | STREET DOCUMENTATION | Literature and Documentation |
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Literature
3.2 Paper: Charles Correa
Project type: Architectural theory (semester 5)
4 8 | PAPER: CHARLES CORREA | Literature and Documentation |
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CHARLES CORREA
HYDERABAD | INDIA
Architect, Urban Planner, Activist and Theoretician
1930-2015 DESIGN PHILOSOPHY
ARCHITECTURAL PRACTICE/ INFLUENTIAL
Born in Secundrabad, India on 1st September, 1930 then moved to Mumbai and received early education at St. Xavier College, Mumbai then went to study at the University of Michigan (1949-1953) and then at the Massachusetts Institute of Technology, Cambridge (1953- 1955). He started practicing in Mumbai after gaining valuable knowledge from these esteemed institutions. Charles Correa, principles of designing include prevailing resources, energy and climatic aspects to create and determine order of space. He always insisted on creating spaces filled with natural air and light. He swore that he would never design a glass building, and believed in “open-to-sky” space. His ideas describe the different ways of attaining wonderful designs within the vernacular range and climatic conditions. Correa worked in a wide range of areas throughout his life.
Charles Correa, widely known for his works in contemporary architecture, played an important and vital role in the development of architecture in India after independence. Water recycling, energy renewal, habitat friendly systems, topographical extents with some twist of light and air are the principles behind his eye. He established a private practice in Bombay in 1958. His works include the Champalimaud Foundation Centre in Lisbon, also famous by the name “Project to the Unknown”, the Sabarmati Ashram in Ahmedabad and the Madhya Pradesh Legislative assembly in Bhopal. Craft museum in New Delhi, Bharat Bhavan in Bhopal, Jawahar Kala Kendra in Jaipur and also the British Council in New Delhi are some other examples of his intellectual knowledge.
‘Correa’s work in India shows a careful development, understanding and adaptation of Modernism to a non-western culture.’
Figure 30 – Craft museum in Delhi (Courtesy- https://www.blogspot.com/)
Figure 31– Jawahar Kala Kendra
Figure 32 – Sabarmati ashram in Ahmedabad
(Courtesy- https://www.flickr.com/)
(Courtesy- https://www.flickr.com/)
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Figure 33 – Bharat Bhavan in Bhopal (Courtesy- https;//www.mavenitsolutions.com/)
PROJECT DESCRIPTION The British Council, is located in New Delhi. Project Work Status: Completed Project Duration: 1987 - 1992 Charles Correa-designed British Council building in New Delhi sports a banyan tree mural by the late artist. The British Council building in New Delhi is a design collaboration of three grandmasters — architect Charles Correa, Mahindra Raj (father of modern building engineering) and artist Howard Hodgkin. This new building for the British Council houses a number of diverse functions, including a Library, an Auditorium, an Art gallery and the Headquarters of their offices in India. .These elements are arranged in a series of layers, recalling the historic interfaces that have existed between India and Britain over the last several centuries. At the farthest end is the axis mundi of Hinduism, a spiral symbolizing Bindu - the energy center of the Cosmos. The next nodal point, located in the main courtyard, is centered around another mythic image: the traditional Islamic Char Bagh, i.e. Garden of Paradise. The third nodal point along this axis is a European icon, inlaid in marble and granite, used to represent the Age of Reason, including the mythic values of Science and Progress. P re s i d i n g ove r a l l t h i s i s I n d i a h e r s e l f , s y m b o l ized by the Shadows of a giant tree, executed in an exquisite inlay of white makrana marble and black Kadapa stone. - The work of the British Painter Howard Hodgkin.
Figure 34– British Council, architectural drawings. (Courtesy- https://www.pinterest.com/)
Figure 35– British Council, architectural drawings. (Courtesy- https://www.pinterest.com/)
References- https://ebuild.in/british-council-charles-correa-associates.
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Figure 36– (spiral ) British Council, New Delhi. (Courtesy- https;// ebuild.in/british-council-charles-correa/)
Figure 37- Drawn by author
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Documentation
3.3 Orchha, Madhya Pradesh
Project type: Tour Documentation (semester 2) Project name: Orchha, Madhya Pradesh
Figure 38- Clicked by author
5 2 | TOUR TO ORCHHA | Literature and Documentation |
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TOUR TO ORCHHA MADHYA LAXMI NARAYAN TEMPLE The Laxmi Narayan temple, one of the most important temples in the town of Orchha in Madhya Pradesh, is beautifully designed and preserved. It displays a perfect and unique blend of temple and fort architecture. The walls as well as ceilings are beautifully adorned with frescos. These frescos are a blend of Moghul and Bundela art. Carvings above the brackets are displayed in a geometrical pattern. Thought the temple is dedicated to the goddess Laxmi, there is no idol of the goddess kept inside the temple, the temple is built in brick masonry with lime plaster. The Laxminarayan temple was initially on a rectangular plan by Vir Singh Deo in 1622 and was renovated in 1793 by Prithvi Singh. As we head towards the temple a frontal gate precedes the secondary five storied temple structure. When one stands near the vault, the temple seems to be octagonal in appearance and the octagonal pillar shafts are erected right up to the shikhara. Evolution of Pilars- The lotus petal pillars trace back to the asoka pillar built in 250 b. c which is consistently seen in the following structures 1) Bedse cave 7-1st century b.c, 2) Sanchi- 425 a.d, 3) Mehrangarh fort, Jodhpur-1460, 4) Hardol vatika- 1531, 5) Karan mahal, junagarh fort, rajasthan- 1589, 6) Amer palace-1592
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Figure 39- Clicked by author
Pillars of Laxmi Narayan- Arches used in the structure are fascinating and follow the Bundelkhand architectural style. They are elliptical in shape overlapping each other, crowned by three lotus petals and three finials which are common features throughout, the arches can be seen in six phases, sometimes following a logical order or sometimes occurring in the same period. The first is early Hindu trebeate arch (Raja Mahal), with two up straights and one horizontal. Next we have the Tudor arches (jahangir mahal, raja mahal) in which two segments are reserved, to form concave curvatures at the apex, and at the uprights are curved cylindrically to form middle. Then we have the true pointed arch. The multifoil arch (more than five folds) with five segments on either side. Red flagstone flooring has been used in all the Orchha palaces. The pillars in Orchha are plain, devoid of ornaments. As one walks up the stairs of Laxmi narayan temple. While supporting the arches, these pillars also become a visual composition for a small pavilion behind. In the Laxmi Narayan temple, the lotus is of great importance in the Hindu religion is used significantly in the structure and dominantly in the pillars. The pedestal and capital of most of the pillar embark the significance of the divine lotus flower. The shaft look polygon like. The set of pillars at the very centre of every side of the quadrangle around the Laxmi Narayan temple makes the place look like an ancient structure with a pathway to divinity 5 4 | TOUR TO ORCHHA | Literature and Documentation |
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A college tour to Orchha, Madhya Pradesh- Learning the elements of hindu temples and understanding history and architecture evolution at diferent era.
References- https://timesofindia.indiatimes.com
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Using the elements of design
4.1 Tessellation
Project type: Allied Design (semester 2) Project name: Visualising Facade Design- Tessellation
5 6 | TESSELLATION | Using the elements of design |
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Figure 40- Facade illustration
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What is Facade design ? A faรงade refers to one side, usually the front, of a building. It is an integral piece to the overall design of a building. It provides the opportunity to create a personality and character to a building. Facades can come in many shapes and sizes, and it is really a chance for the architect to showcase their talent by bringing a building to life. Facade pattern hides the complexities of the system and provides an interface to the client using which the client can access the system. This type of design pattern comes under structural pattern as this pattern adds an interface to existing system to hide its complexities. This pattern involves a single class which provides simplified methods required by client and delegates calls to methods of existing system classes. The designed concept plays with tessellation, experimenting with pulls and push and trying to make it aesthetically appealing
Figure 41- Hand done model
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Figure 42- All the process drawings illustrated in a interface
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Building Technology
4.1 Working Drawings
Project type: Working drawings (semester 6) Project name: Semester 5- Hostel Project Project location: Panvel, Navi Mumbai.
6 0 | WORKING DRAWINGS | Building technology |
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Plinth Beam and Foundation layout
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Ground floor layout
Staircase details
6 2 | WORKING DRAWINGS | Building technology |
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Section through staircase
Cantilevered canopy details
6 4 | WORKING DRAWINGS | Building technology |
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Section through Lift shaft
Curtain wall details | WORKING DRAWING | Building Technology |6 5
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Head to Paper
6.1 Hands on paper
6 6 | HEAD TO PAPER | Hands on work |
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Gwalior fort- clicked by author
Nagar Palace, manali
Nagar Palace, manali | HEAD TO PAPER | Hands on work |
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Cherry blossom- Knife Painting (acrylic colors on canvas)
IMPRESSIONISM- Recreated Battle of USS by Edward manet (poster colors on !80 GSMpaper)
IMPASTO KNIFE PAINTING-(acrylic on canvas) Still life sketch- (pencil colors on 180GSM paper)
Landscape painting (acrylic on canvas)
British Council, New Delhi- by Charles Correa (pen and ink on 300 GSM paper) Gwalior fort, Madhya Pradesh (pen and ink on 300 GSM paper)
Concrete void illustration (concrete void by Ar. Sameep Padora and assoc.)
6 8 | HEAD TO PAPER | Hands on work |
Allied Design project- Understanding shadow of material
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Housing project sectional model- Modular shop design (shop- boutique and tailoring
Construction detail models- Community centre in Kumartuli (AD sem 4)
Kumartuli idol photograph
Tour Documentation models in Kumartoli
AD Model Community centre in Kumartoli (sem 4)
Ad Model- Hostel for working professionals in khandeshwar, Navi mumbai sem 5
Light design for bar-
Landscape detail of hostel - AD sem 5 | HEAD TO PAPER | Hands on work |
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NIKITA BARGE id- barge.nikita27@gmail.com Contact- 9004642908 youtube- https://www.youtube.com/channel/UCuRLZcNfX0ruPS5KZkfGBAw