Bashment Sessions Magazine ft. Magazeen by Bashment Sessions Magazine

Futuristic Flow

Tessanne page 25

oots ock eggae

and lots of

Soul

Cherine Anderson page 28 Reigning Queen of Dancehall

Soul

Romain Virgo page 32 Reggae Music’s Rising Star Dancehall Artist Magazeen - Maybach Music

“Straight work, no sleep, no lunch line.” pg 22 Bashment Sessions Magazine

Bashment Sessions Magazine 3

Etana

Free Expressions Available Now

Amazon.com F.Y.E Itunes.com VPreggae.com

Turn It Up ~ Selectors Choice

page 8

Artists ~

Mercury Rising page 18

Street Art

page 45

Feature ~ The Deadly Seduction of HIV/AIDS page 55 Buju Banton ~ Menace or Martyr page 45 Gyptian ~ Performs at Best of the Best 2010 - Miami, Fl 2010 Soul Train Award Winner 2010 MOBI Award Winner Bashment Sessions Magazine

EDITOR’S SESSIONS

A great movie uses vivid images and clever dialogue to seduce our imaginations. Music has the same mezmorizing affect on our psyche. The sweet melodies reverberate far beyond our mp3 players and home entertainment systems to penetrate the cores of our eager souls. The lyrics of a great song have the power to heal wounded hearts, cultivate relationships, and inspire us to move mountains.

For this issue of Bashment Sessions Magazine I chose to feature artists with very unique styles and who, early in their music careers, are mastering the art of articulating the “feel good” messages in their music to empower dedicated listeners world-wide. They epitomize the future of Dancehall/Reggae music. Enjoy!

Bashment Sessions Magazine

Yolanda Turner

Chief Editor

Coutney Allen

Contributing Editor Jeremy Burnett

Hip-Hop Entertainment & Sports Editor

Graphics/Art Department Alakeisha Philyor

Chief Graphic Designer Raoul Turner

Contributing Graphic Designer Media Dreams Graphics Andi Fleming

Contributing Graphic Designer Wayne Newman

Design Consultant Rude Bwoy Graphics

Photography Edward “EJ” Jordon III

{

Bashment Sessions Magazine Team

Edward Jordon Photography Lenor Vance

Cherri Productions Greg Bryon

Eight20Eight Photography

Contributing Writers Asha Cottrell Jameshia Jefferson

Publishing Yolanda Turner

Selectors Choice DJ JUICE

Selector and King of the Modern Remix Poisondart Sound, Inc

Evolution Began his professional career in 1998

Ratings

Has the versatility to vibe alongside Jamaica’s Stone Love, Renaissance Disco, and Bodyguard sounds. He also spins for hardcore hip-hop and rap fans with Dj Shotgunn, DJ Ekin and Spinatik from 95.7 The Beat, and Terror Squads’ DJ Christion. Juice (adj) - used to describe energy, vibes, power, and electricity. It’s also the moniker of one the most talented selectors in the business.

Often dubbed as the King of the Modern Remix, DJ Juice has been ripping up local and international music scenes remixing Hip-Hop, R&B and Pop tunes with pounding dancehall and Reggae riddims. The “Don” Parish native (Clarendon, Jamaica) adopted his name after watching the DJ battle in Tupac’s critically acclaimed film Juice. He went on to become a popular DJ for Jamaica’s renowned radio station FAME FM and since then he’s been making a name for himself crafting some of the hottest remixes to hit the airwaves. There’s no doubt that whenever and wherever DJ Juice is spinning the crowd will be live! He keeps the dance floors packed to capacity.

Selector’s Choice

Jah Cure – “Call Me” Beres Hammond – “One Dance” Beres Hammond – “Tempted to Touch” Sanchez – “I Can’t Wait” Buju Banton – “Wanna Be Loved” Buju Banton – “Murderer” Gyptian – “Hold Yuh” Kartel – “Clarks” Serani – “No Games” Buju Banton – “Champion” Dj Juices’ mix series including Luvan Musiq, Invasion, Clean Sweep, and Hip-Hop Meets Dancehall are in demand among Caribbean music lovers and American fans as well.

Log on to

www.myspace.com/djjuicepoisondartsound for more about Dj Juice..

Bashment Sessions Magazine

Hype Alert

20 Benz

Bashment Sessions Magazine

Dancer’s Exclusive 20 Benz ‘20’ is the lead dancer of Florida’s talented Dance Fraternity Syndicate Family. Like many of his cohorts in the business, he was inspired by the legendary dancer/entertainer Bogle aka Mr.Wacky. In contrast, where others’ dance careers have fizzled, he’s formulated a way to harness the energy of his muse, and reach heights he often dreamt of as a youth in St. Mary, Jamaica West Indies. Why did you you chose dance as a career? As a youth in Jamaica my options were limited. Dancing was a means to an end for me. It was how I ate. Basically, it was how I survived. To be regarded as one of the best in the business, with nuff respect to Ding Dong, Boise, and a couple others from the Bogle camp, requires a considerable amount of practice. Am I correct to assume so? Dancing always came natural for me. I’ve never had to practice, practice, but I realized to take it to a higher level I had to hone my craft. I needed to understand the opportunities it presented for me. Now that I’ve become a steward of my craft, so many doors have opened. I’ve traveled world-wide performing in front of large crowds... And it’s obvious after watching you perform that Bogle’s had a major impact on your life as a dancer.What was it about his career that affected you most? His creativity and sense of dance. Mr Wacky had a incomparable passion for dancing. I also own that natural love for dance. It’s not about the money (anymore) or the fame, it’s about expression. I allow the music to inspire me just like Mr. Wacky! (Jah know) What are future plans for you and Syndicate Family? Will you be dancing in the next 5 years? We will always dance; however, we are putting our creative minds together and developing as entertainers. We’re spreading our wings. It’s a work in progress yuh know... Jah helps those who help themselves! Big up mi family, Jiggy Queen, Mico Fabulous, and Dice Syndicate - Don’t say a word! Will you still dance at functions like those back - a - yard? Yuh dun know... That’s where mi grow! Zeen

Bashment Sessions Magazine

Treat Yourself Your Ultimate Source for Dancehall No other magazine will keep you on the cutting edge quite like Bashment Sessions Magazine. Itâ&#x20AC;&#x2122;s packed to the max with celebrity interviews, reviews of the latest dancehall and reggae tracks, listings of the hottest spots to hear the Caribbean music, and much, much more! TM

NOW!

Bashment Sessions Magazine TM

www.myspace.com/bashmentsessions www.twitter.com/Bashmentsessmag bashmentsessionsmagazine@gmail.com

Delly Ranx is arguably one of the most talented artists/producers in the Dancehall/Reggae industry. During his career, which spans over nearly 2 decades, he’s produced chart-topping hits including Mavado’s Weh Dem A Do” and “Ganja Breed” which is featured on Sean Paul’s platinumselling CD Dutty Rock. He’s catalogued close to 300 successful hit songs, many under the tutelage of production heavyweights Steely and Clevie, Sly and Robbie, and the Kelly brothers (Dave and Tony), and is currently ranked amongst the top 20 esteemed dancehall toasters (djs). Delly’s sound, largely influenced by greats such as Shabba Ranks, Major Worries, and Cutty Ranks, helped define the dancehall music of the 90’s and beyond. Despite his absence from the public eye, Delly Ranx remains relevant in the music industry continuously producing hit after hit and recording music of his own. “I have dedicated my life to music,” he says. He offers this advice to new and experienced artists. “Leave your egos out of the equation, be humble, but most importantly be original. Originality is key!” As for his own success and longevity in the industry he adds, “my grannie tell me from a lickle bwoy a grow up, hard work brings forth success so me jus a go an put in the hard work.” Log on to www.myPPK.com/get/dellyranx and more.

Bashment Sessions Magazine

Stone Love 2010 Legends Tampa, FL

Bashment Sessions Magazine

Shaggy - Carnival 2010 St. Pete, FL

ccess

South Florida Dancehall Awards 2010 Ft. Lauderdale, FL

SF- Dancehall Awards Ft. Lauderdale, FL

Bashment Sessions Magazine

Parade Carnival 2010 St. Pete, FL

Mr. Vegas Best of the Best 2010 Miami, FL

Red Rat - SF Dancehall Awards 2010 Ft. Lauderdale, FL

Romain Virgo Best of the Best 2010 Miami, FL

SF Dancehall Awards 2010 Ft. Lauderdale, FL

Bashment Sessions Magazine

Souvenirs - Carnival 2010 St. Pete, FL

Dancers Carnival 2010 ST. Pete, FL.

Daddy Yankee Carnival 2010 St. Pete, FL

Carnival 2010 St. Pete, FL

Alison Hinds Carnival 2010 - St. Pete, FL Dancers - South Florida Dancehall Awards 2010 Ft. Lauderdale, FL

Anthony B Best of the Best Miami, FL 2010

Bashment Sessions Magazine

Diamond - Cosby Stone Love 2010 Legends - Tampa, FL

Lady Saw Best of the Best 2010 Miami, FL

Gyptian Best of the Best 2010 Miami, FL

Gramps Morgan SF Dancehall Awards 2010 Ft. Lauderdale, FL Models Timbaland - Roushine Stone Love 2010 Legends - Tampa, FL

Mr. Lexx SF Danchall Awards 2010 Ft. Lauderdale, FL

Bashment Sessions Magazine

Rising

Mercury

Who: Dwinell Fenton aka Supa Show Birthplace: Haiti

Haitian Kompa, Zouk, and other Caribbean genres such as reggae, calypso and salsa were among the first sounds to condition Supa Show’s ears. Another of his inspirations to make music was his uncle, an accomplished Haitian musician and studio owner who passed away in 1997 due to HIV. Show gave his promise to continue his uncle’s legacy and has not looked back since. New York was the birthplace of Supa Show’s lifelong love for hip hop music. He began writing lyrics and making beats, and took on the name “Showtyme.” Among many artists of the time, Wyclef Jean, of The Fugees, struck a chord with Show. Jean was living proof

that coming from the bottom wasn’t an excuse to stay there and that a Haitian American could be a major trendsetter in the mainstream music scene. Currently operating out of Florida, Supa Show manages his time between creating and running his indie label, Romeo Entertainment with business partner and fellow Artist, Squabble. Until now, Supa Show has been making a quiet transition from producer to artist and will make a higher profile debut in 2010 with singles such as “Long Day” and “Voodoo.” The tracks have set the climate for bolder upcoming projects. His album, “Voodoo,” will feature collaborations with Grammy award winning production trio, J.U.S.T.I.C.E. League and Beats by The Pound Legend KLC. Supa Show refers to his talents as being”… gifts from the highest power in the universe [and intends to] use his abilities to give blessings back to the world.

Bashment Sessions Magazine

Mercury Rising

Who: Duane Savage aka Sean Ryte Birthplace: Jamaica Dancehall artist Sean Ryte was born in Kingston and grew up in Buff Bay, Portland where he would chant music for friends as entertainment to and from Football (Soccer) Games on a regular basis. He was also known as one of the best dancers on the scene. Sean Ryte migrated to Florida in the year 2000 and continued performing dance routines at numerous venues and competitions across the state. Sean graduated from Palm Bay High School in 2003 and began refocusing on

Bashment Sessions Magazine

his music. By 2008, he had recorded several dancehall tunes, but got his big break in April 2009 when he took center stage at a Reggae Concert in Tampa FL. The audience erupted when he started to deliver his unique style of music and at that moment a young dancehall star was born.

After graduating With a Bachelors in Communication From the University of South Florida, Sean Ryte recorded singles including “In the Mood For”, “Gal Come Ova” (his break out single), and more recently his 2010 single “Badmind” on the Basik Instink Riddim, made popular by international dancehall artists including Delly Ranx and Mr. Lexx. With this hot single circulating on the airwaves, Sean Ryte is well on his way to being labeled as one of the hottest new dancehall artist.

Mercury Rising

Who: Denroy and Devano Mclean aka Deh Deh Birthplace: Jamaica

Deh Deh, in Jamaica patois, signifies being present in the here and now. Truckback Records recording duo Deh Deh is right here and right now with the release of “Would A Know.” Denroy and Devano Mclean, two blood brothers with music, vibez, and culture running through their veins, announced their presence quite clearly at the 2007 Digicel Rising Stars competition in which they finished among the top 10 finalist. ”Would A Know”, recorded & produced by Steve Locke with contributions from Keyboard maestro, Nigel “Sleepy Splu” Staff and Adrian Locke and engineering talents by the accomplished Phillip ‘Junior Arrows’ Linton of Arrows Productions, showcases the writing ability of the two young brothers, along with lyrical mentoring from “the freedom fighter” Anthony B. Without a doubt, Deh Deh is sure to show there versatility in meaningful message music and infectious dancehall melodies. 20

Bashment Sessions Magazine

Futuristic Flow: 4 Artists changing the game of Reggae and Dancehall music

Bashment Sessions Magazine

Magazeen The Future of Dancehall

He’s protégé to southern rap phenom Rick Ross, and member of Ross’s powerhouse Maybach Music label that boasts a line up of the game’s most promising artists including Wale, Meek Mill, and Masspike Miles. Though his name may be fresh on the tongues of dancehall fans world-wide, he’s not a novice in the business; logging time with appearances on The David Letterman show alongside Rick Ross and features on Ross’s Deeper Than Rap and Bobby V’s (Valentino) What’s Your Name. Coincidently, at the time of the interview, Magazeen was awaiting the release of his much anticipated mixtape “Anthology” which lists the street banger Black Panamera and the catchy hip-hop collaboration Keep Running Back featuring label mate Wale. (Anthology released on March 30, 2011). Maga! - Maybach Music/Warner Bros - that’s major! You’re clocking some serious hours and still going, “straight work, no sleep, no lunch line” - and yet you make the hustle look so easy… It’s easy when you’re born to do something, but at the same time, to someone on the outside looking in, it’s hard to them. I’m constantly working hard. I’m writing, performing, making business deals. I’m not one dimensional.

Bashment Sessions Magazine

I’m an entrepreneur - you have to have a strong mind to be me. It’s obvious you have God-given talent and that you’re not the average, mundane rapper whose waiting for something to happen, you have a solid work ethic. You’re making things happen. Not many artists nowadays can claim that. I’m serious about the work. I believe you’ve just got one shot at everything. No wasting time - wasting time is money. Plus I’m surrounded by successful people who want to win. Like Khalid says (Dj Khalid), “all I do is win” and if you aren’t a winner, you’re a loser and I don’t have no time for losing, zeen… You mentioned Khalid as a motivator - who, by the way, intros your hit single The Movie; in addition, you have your mentor Ross as inspiration. These are two musical trendsetters. They’ve changed the game and found success under their own terms. How has their influence changed your mindset? Being around successful people widens your vision Rozay (Rick Ross) told me “Maga, think big!” I don’t think apartments and condos anymore, I think mansions. I don’t think Beamers and Benzes, I think Bugatti, I think Lambos, and I think Phantoms.” I know there’s a really interesting back story – Give me some insight into Magazeen’s journey to becoming the first Caribbean (Jamaican) artist on the Maybach Music/Warner Bros label? (Harmonizing) I used to wash the Maybach now mi drive the Maybach – It’s taken a lot of livi-cation, time, effort, setbacks, and disappointments, but I’ve remained focused. Hard work pays off you just have to keep grinding, the main thing is to believe in what your doing, cause if you don’t, I don’t know who’s gonna believe. It’s hard, but when you succeed, it’s a movie!

Magazeen’s final words about success in the industry… You gotta look at yourself as a product. Market yourself – make yourself presentable so that people will mess with you – Maga Dat! Download Anthology here: http://bit.ly/dL557q Follow Magazeen on Twitter: http://www.twitter.com/Maga2DaZeen Fan Magazeen on Facebook: facebook.com/MAGA2DAZEEN

“ I believe

you’ve just got one shot at everything. No wasting time - wasting time is money.

“

Bashment Sessions Magazine

oots ock eggae

Soul

and lots of

Tessanne Chin Okay, let’s take it back to the beginning. Both your parents are musicians. Was there an expectation for you to become a musician as well? No there was never any pressure to do music it was just in our blood, (‘Our’ referring to My sister Tami Chynn and I ) and we are very blessed to have parents who understand and support us in every way. What types music were you exposed to as a child? (laugh) I don’t think I could fit it all on this page but everything from Reggae to Rock to Opera to Classical to Hip Hop, Pop, Blues, Soul, RnB, Ska, Dancehall, Everything!!!! How old were you when you begin singing back –up for Jimmy Cliff? Describe the experience for me.

I know that your music is doing very well on the Jamaican music charts. How are you promoting Tessanne in the American market? Well we’re tackling the live scene head on. I think there is something undoubtedly magical about LIVE music that yah just can’t deny. So the plan is to start out just touring and getting out there and building a following then we will se what happens from there :) What do you perceive to be the highs and lows of the music industry?

I think as artists we should be free to explore new and different things so we can grow and help the evolution of music.

I think I was about 18, and it was a priceless experience, I always tell people that it was my version of college and university (laugh). I was very blessed that I got to tour with and artiste such as Sir Jimmy Cliff because he is definitely a great person to look up to both as and artiste and as a person :) He is amazing!!! and man what a fun time it was for me, everyone became like family and I was the only girl so had a lot of should we say Bro’s looking out for me :) Your sound is an eclectic blend of rock, reggae, soul and “a little bit of dancehall.” Is the diversity of your music helping you to reach a wider audience? For sure!!! I absolutely hate the idea of being put in a box especially where music is concerned, I think as artistes we should be free to explore new and different thing so

we can grow and help the evolution of music, and right now I think my goal is just to make Good music, and so far people from all different walks of life or of all different nationalities and tastes can relate so yes I guess it does help cause we can reach the reggae fans but there’s something there for the rock fans too etc etc..

The highs are many because it is a blessing to be able to do what it is that you love and also the opportunity to have a voice and an influence in a musical way :) the lows? hahahah those are many too but I cannot complain because I’m living my dream and with every thing comes a sacrifice :)

Tessanne, the Internet has become a vital promotional tool for independent artists. Sites such as Myspace, Facebook, and YouTube have made it possible for virtual unknowns to market their music to major record labels. How has the Internet helped you fast track your music career? It has definitely helped in a major way!!! Like I said it’s free and it puts the power back into the hands of musicians and artistes!!! This is a gift let’s use it!!! What separates Tessanne Chin from other female reggae artists in the industry? The same thing that separates them from me:) We are all unique :) and Nobody can do Tessanne Like Me because I am Me, nobody can do Celine Dion better than she can (laugh)

Bashment Sessions Magazine

Think what I’m trying to say is that we should all embrace the things that make us different because you’re the only YOU in the world :) You’ve credited a diverse list of musicians from Pat Benatar to Bob Marley with influencing the Tessanne Chin sound. As you know, much of their lyrical content was controversial albeit thoughtprovoking. What message are you trying to convey through your lyrics? Whatever is real and true to me and also I want to be a voice for people who may not feel they have one.... not in a self righteous kind of way but like Bob and Aretha you know?? to have my music and my words live on even when I’m am no longer here :). What would be the dream collaboration for Tessanne? Celine Dion, Tina Turner and Aretha Franklin.....:) Yeah I know... I dream big (laugh) but hey dreams come true :) Tessanne you were quoted as saying, “It is very important to me that my songs can sound amazing with a big band or orchestra, but just as powerful and touching with just me and my guitar.” What are the advantages of performing with live accompaniment as opposed to pre-recorded soundtracks?

“

What’s the future for Tessanne Chin? There is No limit not even the Sky !!! :) I can guarantee that whatever it is, whether it be music, producing, writing or even acting it will be me :)

Listen to Tessanne’s music www.myspace.com/tessannechin Follow Tessanne on twitter www.twitter.com/Tessanne

Bashment Sessions Magazine

I want to be a voice for people who may not feel they have one.... not in a self righteous kind of way but like Bob and Aretha.

“

Everything !!! it’s the team work and all the different emotions that each Band member brings to the song and the spontaneity it’s amazing. Will there come a day in your career when you say “Ok, I’m going to drop the reggae element from my music and sing strictly rock music?” Who knows??? Reggae is in my blood so even if I was doing straight rock there would still probably be an undertone of reggae, but I am open to always trying new things :)

Reigning Queen of Dancehall Soul

Bashment Sessions Magazine

Cherine Anderson When we listen to a Cherine Anderson track what musical influences will we hear? You’ll hear a lot of things. You will definitely hear the dancehall, reggae and soul influences. My music is also music you can feel. From a writing perspective I try to be very diverse in my subject matters. I try to write about things from a worldly perspective as well as things I’ve been through or things I’ve observed about other people’s situations. You were quoted as saying “The world needs to hear more reggae and dancehall from a female’s perspective…I want to be a part of the female movement out of Jamaica that makes a similar or even greater impression on the world.” How is Cherine Anderson going to solidify her position in the halls of reggae music?

great opportunities in the year. I’ve toured with artists from different genres and had the opportunity to collaborate on the projects of a number of established and iconic artists including Madonna, Paul McCartney, Britney Spears, and Michael Franti & Spearhead. I think with each collaboration it pushes me to further define dancehall soul and also potentially puts me in a position where I have non-reggae/dancehall fans checking out my music because I am on a record with people they love. I think a lot of it comes down to doing live shows and getting in front of any and all audiences which is my opportunity to share my music live. The reality is the music is too big for one nation or one station. Shabba Ranks, Lady Patra, Beenie Man, & Shaggy (to name of few) have had hit records in the US. Why do you think they’ve experienced such massive crossover success? See I think a lot has to do with timing, having the right song and the right team behind you and your willingness as an artist to go out and spread your music.

With the help of my team, we plan to find new and exciting ways to further market the music and establish Dancehall soul in more markets. I am committed to making good music and I plan on continuing to hone not just my recoding skills but to grow and experiment as a performer. I think live shows are where it’s at and on stage is where I feel most at home. It’s not just a perJamaica is a small formance it’s an experience as well as my opportunity to concountry and we have nect with my audience. My posicreated one of the most tion in the halls of reggae music will truly be determined by the powerful genres of music people. I will just continue working hard everyday to give them (reggae/dancehall) in good songs and good performances. You’re conquering the Jamaican market and other international markets. What do you find to be the biggest difference when marketing yourself to an American audience? America is a very, very diverse market and I’ve had several

Bashment Sessions Magazine

the world. The music is truly bigger that any of

us individually, no matter what success we achieve, we owe it all to the music.

I think it comes down the all the factors you outlined, a HIT record, right timing, STRONG team. I think the longevity has to do with the willingness to stay on the grind and keep producing songs that are relevant to the masses. Like many before me I’ve had a lot of challenges in this business. I’ve been overlooked many times either because I didn’t fit a physical prototype or wasn’t in someone’s inner circle, etc, but I’ve always remained willing and ready to work to promote my music no matter how big or small the venue was. I stay committed to establishing dancehall soul, I’ve made inroads but I have a LONG way to go. Your sound is a fusion of reggae, dancehall, soul, R&B and lover’s rock.

What pressure is there for you to transition from the “dancehall soul” sound to a more mainstream/commercial sound to expand your listening audience? Well I think “dancehall soul” is an eclectic sound with all the potential to be mainstream. I’ve done shows in the US and have gotten great responses in markets that aren’t urban nor dancehall/reggae. I’ve also toured Australia, several European countries, and Israel, having the opportunity to expose even more audiences to my sound. So I think niche music becomes mainstream once people find something in it that they can identify with. Everything takes time, but I am ready and will-

The aim is to continue to write songs that people can relate to, music that represents the voice of the voiceless and the aspirations of my generation. ing to put in the work necessary to take this as far as it could possibly go. I think the world is always ready for new flavors. It just comes down to presentation and timing. Cherine, you have the support of some heavy weights in the music business. You’ve toured with Super producers Sly and Robbie, Stone Love (Kingston, Jamaica’s most popular sound) hosted your mix cd Street Anthems (which sounds great BTW), and you’ve collaborated with superstars including Britney Spears, Paul McCartney, Madonna, and Wyclef Jean. You know there’s an expectation for you to become #1. How do you respond to the expectation? I make a list of goals and then I set out to achieve then. I don’t approach my career like, “Oh Cherine, you have to be at the top of the charts or win all the awards”, because those things are truly out of my control. I work very hard to reach as many people as I can in as many countries and places (especially where my kind of music

isn’t regularly played) that are open to hearing something different, something fresh, something new. My plan is to stay focused and work even harder to produce really good songs. I enjoy the music I make and LOVE performing it. It’s the people’s music. The aim is to continue to write songs that people can relate to, music that represents the voice of the voiceless and the aspirations of my generation. Super-stardom can be very overwhelming for young artists? What’s your coping strategy? Who’s your listening ear? I don’t consider myself a superstar, being Cherine Anderson is worth more to me. I am Barbara and Oliver’s last daughter, someone’s sister, someone’s aunt someone’s friend. My life is quite normal (well, outside of the travel schedules). I have a manager who very real. He is a friend first then a business partner after and he regularly imparts knowledge. But for the most part I’m the type of girl who rolls out of bed and turns the kitchen upside-down to find food. I like watching TV, going to the beach, walking the streets in the community where I grew up and reading. I’ll walk around the house in my pajamas all day if there is no scheduled work to be done. I surround myself with regular things, regular people, no hype, no fluff, just everyday things. I spend time hanging out with people who really know me as opposed to hanging with “yes” people. What do you perceive to be the highs and lows of the music industry? I’m not sure of the highs and lows, that’s really all up to one’s perception, but I do know the music industry is posing a challenge to artist’s today because huge shifts in recent years. I really think the industry has changed and ‘big’ record deals aren’t where it’s at anymore. Ten years ago it was CDs, now its downloaded singles and ringtones. There is no real way to get to the top ‘fast’ and ‘last’ anymore. You have to do the work. Get your music out to internet radio, commercial radio, community radio anyone who will play it and who has an audience. And after all is said and done there is that “luck factor” because some things you have absolutely no control over. In which role do you feel more comfortable? Cherine Anderson the DJ or the singer? Both. They both express a different side of me. There

Bashment Sessions Magazine

are things I can DJ that has a level of intensity that would be hard to achieve if I were to sing them. But there are ways that I know I can move and audience soulfully that’s harder to achieve when I DJ. So I love them both. I let the song dictate what level of intensity it needs, be it DJ or singer. New artists dedicate so much time and energy to their debut album often leaving little material for a sophomore effort. What’s your plan for longevity? I have enough songs recorded for many albums and I continue to write. I keep creating; ideas keep coming that just how I am. Right now we have the “The Introduction-dubstyle” EP on the market and then my debut full - length album “Kingston State of Mind” is scheduled for release. There are more tours being planned to support the album and we are in talks for various shows. My songs have been used in films and featured on Grammy-winning albums. So like Bob Marley says, “unuh a guh tired fi see mi face” cause I am here to stay! You said this about dancehall “I think the music has all the elements to make it amazing but people have to be willing to work together more and capitalize on the legacy that’s already been set.” Are you ready to lead the pack in the resurgence of dancehall music? I most certainly am, but what is more important is for our artists, males and females, to work together to build up our music. Remember, Jamaica is a small country and we have created one of the most powerful genres of music (reggae/dancehall) in the world. The music is truly bigger that any of us individually, no matter what success we achieve, we owe it all to the music. Log on to www.CherineAnderson.com for more information Follow Cherine on Twitter – www.twitter.com/CherineAnderson Fan Cherine on Facebook – www.facebook.com/Cherinemusic

Bashment Sessions Magazine

Reggae Music’s Rising Star

“

Mi just try fi put out positive music and give the people something to uplift them.

Romain

How does it feel to have the adoration and fame and everything that comes with being a big time artist?

The Cd Romain Virgo was released on June 8th. Who’s featured on the CD and are there any videos released as yet?

It good. I’m enjoying it. Mi just try fi put out positive music and give the people something to uplift them.

Alton Ellis is featured on it. It has This Love, which is my first song. We have a video for it and Who Feels It Knows It, which we also have a video for. There will be more videos and singles to come.

What’s been going on between the time you won the Digicel contest and now? School keeps me busy. I’ve been attending Edna Manley College. Bachelor’s Degree majoring in Voice and a minor in Keyboard and I’m learning to play other musical instruments probably I can make riddims. I’ve also been touring promoting my music. Very busy schedule…

What studio are you recording in? Who’s producing the music? Penthouse Music. Donovan Germain a very, very good producer. He’s like a father. My manager is also a producer, Dawin Brown, of Vikings Productions What inspires you?

Tell me about you. When did you discover your love of music?

I love the music so much. I’m all about positivity. Mi jus a gwaan do some music everybody can love.

When I was around age 8, we lived in a one-bedroom. We deh on top of the table recording on a tape recorder and then we play it back every Sunday morning on the bigger radio for everyone to stop and hear. And me love sing at the church and then in the choir and concerts. Every performance and every lickle thing I do, it kinda open a door for me you see it.

Romain has a great team supporting him including VP Records, who has a great reputation in the industry. They are fortunate to have Romain as an artist! Fan Romain Virgo on Facebook – www.facebook.com/RomainVirgo Follow Romain on Twitter – www.twitter.com/RealRomainVirgo

the music so much. “II’mlove all about positivity. Mi

jus a gwaan do some music everybody can love.

“

Bashment Sessions Magazine

Urban

Fashionâ&#x20AC;&#x2122;s No Limit Soldiers Their hair, Their clothes, and The shoes they wear -

make you say uuh! UUH!

Bashment Sessions Magazine

“

From ghetto to fame, got the world screamin’ my name

“

Chuck Taylor Allstar Leather Black Mek Denim Rotterdam Straight (clothing model’s own)

Bashment Sessions Magazine

“

I’m bustin my locs. Dark, but extra see through

”

Battle Cry Red Graphic Military Shirt (clothing model’s own)

Bashment Sessions Magazine

“

Jesus Christ had dreads, so I’m gonna shake mine

”

Claiborne for Men White Linen Blazer Hair by Lorraine Majengwa (clothing model’s own) Bashment Sessions Magazine Bashment Sessions Magazine

“

I’m the colonel. Mr. N-O-L-I-M-I to the T. Let it be known

”

Express Men Fitted Short-sleeved khaki military shirt. 80’s Hardy Amies Vintage Cream Necktie (clothing model’s own) Bashment Sessions Magazine

Best of The Best

Buju Banton: Menace or Martyr? Buju Banton, the Grammy Award winning International Reggae/Dancehall phenom, many view as a successor to the throne of the legendary Bob Marley, was convicted of 3 counts of felony cocaine charges in a Florida courtroom on February 22, 2011. Banton, who’s real name is Mark Myrie, has elevated the popularity of reggae music to a level rivaling that of his predecessors. Over a decade ago Buju Banton was described by Billboard Magazine as “the sole contemporary artist capable of bridging Reggae’s dancehall & prayer grounds and satisfying both urban music heads yearn for hard sounds and roots-reggae fans desire for inspiration.” Rolling Stone Magazine also branded the talented artist as “a ghetto messenger of peace and social justice.” Banton has been under the scrutiny of the public eye more now than in the span of his recording career (to date), his conflict with LGBT organizations over a previously recorded track titled “Boom Bye Bye” and his December 2010 arrest. There are those who’ve feel that the stiff hand of justice was served (the guilty verdict). In contrast, staunch Banton supporters rebutted the latter opting instead to believe that the verdict was motivated by anger, In addition, they feel specified laws target and are harsher towards immigrants, particularly Jamaicans. Was Mark Myrie made an example for his peers and constituents? It’s been speculated that political powers

Bashment Sessions Magazine

pressured the judicial system to restrain “The Voice of Jamaica.” Throughout the ruckus Buju Banton has maintained his innocence. He has and continues to present himself as a man of principle. In doing so, he garnered the support of prominent reggae artists Stephen Marley, son of legendary Bob Marley, and Gramps Morgan; both vouching for Banton’s credibility. He also has the support and adoration of music lovers worldwide. Undoubtedly Banton’s contribution to the art will live well beyond his existence, but what impact will his arrest and conviction have on the Caribbean music industry and the United States’ acceptance and/or promotion of the genre? As the public, Buju Banton, and his family, friends, and supporters await his sentencing, he’s facing 15 years to life imprisonment, there will be many excuses, conspiracy theories, and opinions that surface as to why he was convicted. There will also be questions plaguing our minds. Thoughts we may be skeptical to express. Was Buju Banton living a double life singing about restoration and uplift all the while degrading the lives of others? Could the man that uttered “only Rasta can liberate the people, over hills and valleys too” be a hypocrite violating the sanctity of the Rastafarian religion? Is he drug dealer or was he just dealt a cruel hand? “We could go on and on, the full has never been told.”

2010 was definitely the year for new artists, selectors turned/DJs, superproducers, and the resurgence of dancehall music (minus the gunplay). To commemorate the successful year in Reggae and dancehall, Bashment Sessions Magazine™ has compiled a list of the Top 10 Riddims that congested all the social networks, online radio stations, and live broadcasts around the country and abroad. Kudos to you! It was a tough task; but we think we’ve done justice -

#10 - Bank In a Pocket Riddim (Romeich) - http://bit.ly/g0DmOm #9 - Boops Riddim (Juke Boxx) - http://bit.ly/e6I0kv #8 - Ital Stew Riddim (Jah Snowcone) - http://bit.ly/g4Bn0M #7 - DNA Riddim (TJ Records) - http://bit.ly/fcy8K9 #6 - Bad People Riddim (Big Ship) - http://bit.ly/ePyo27 #5 - Split Personality Riddim (Seanizzle) - http://bit.ly/h3I8Fh #4 - One Day Riddim (Seanizzle) - http://bit.ly/eFHKYz #3 - Smokin Riddim (ZJ Chrome) - http://bit.ly/h7KHWQ #2 - Basik Instink (Madd Spider) - http://bit.ly/gF8uaJ #1 - Saudi Arabia (Delly Ranx) - http://bit.ly/eFLhtU *Data courtesy of www.Mediaz-Empire.com

Bashment Sessions Magazine

art

Gospel-R

art

p o H iH p

art

Danceha

art

e a g Reg

art

art t art ar

R&B

llG

d r o W n e k o p S

art

angsta-R

art

Street Art What makes music fresh? The The beat, the lyrics, the swagâ&#x20AC;Ś In true hip-hop culture, street poets create elaborate works of art using their backstories and life experiences as the muse for their lyrics and the rhythms and beats as the canvas. In Street Art Iâ&#x20AC;&#x2122;ll be introducing you to artists from different walks of life, with different musical perspectives, but with one common goal, creating genuine music. 44

Bashment Sessions Magazine

Sidney Street Art: Gospel Rap Base: Tampa, FL

“

I could easily be more disrespectful in my music, promote a lifestyle that I don’t live, and use the talent that the Lord has given me to glorify myself; I dare not.

“

Sidney When you mention rap music to someone on the streets, the first thing that probably comes to mind is threadbare women, drug-dealing, and many more undesirable images. Fortunately, not all Rap artists portray these images. There are still artists that create bona fide music. Sidney or Bro Moore is a truly talented artist with swag of his own and a powerful message to go with it. As I listened to his music, I instantly recognized the passion in Sidney’s voice. He was vocalizing words that meant something to him and he was doing so without the profanity and verbal aggression perpetrated in mainstream rap music. As I listened closer, I realized Sidney was a Gospel rapper which, honestly, was a surprise to me. I thought “man I need to call this guy and see what he really has to say.” When I told him that I wanted to interview him he responded by saying , “You know I’m a gospel rapper right?” I quickly replied with “man I don’t care, you’re special.” He said “Praise God!” BSM: What makes Sidney a sought-after artist? I would hope what makes me an appealing artist is authenticity. Given the nature of my upbringing, I could easily be more disrespectful in my music, promote a lifestyle that I don’t live, and use the talent that the Lord has given me to glorify myself; I dare not. Truth is, I’m a Christian. My goal is simply, to creatively edify/entertain the listener, and above all glorify God in what I do. Given the task, I have to be original! The challenge is to write & perform at a high level, and keep your integrity. I have accepted the challenge. Hopefully, the music is bold, brilliant, and truthfully thought provoking. BSM: When did you realize you had an interest in music? Honestly, I don’t think I had any true interest in music growing up – I was in love with sports. My mother forced us to listen to Luther Vandross, Betty Wright, Keith Sweat and artist like that – I really despised that music growing up (laughs)! I was about 13 when I finally got a chance to hear rap music unrestricted. BSM: What artist inspired you when you began writing rhymes and rapping? Most definitely Bone Thugs & Harmony and Tupac. During my early teens you couldn’t say a thing bad about them around me – I would defend them to the end, even if it lead to a fight! Me and my brother would often fall out because of disagreements about Biggie vs. Tupac. These two inspired me early on, later it was The Roots and Outkast. 46

BSM: About what time in your life did you realize you had a musical gift? In high school I used to freestyle a lot during lunch period, and battle with some kids who swore they were from NY, but I didn’t think much of it. I performed in a school talent show, and got some really good feedback from my classmates, but my main focus was still athletics. It wasn’t until my junior year in college that I realized that I can actually do this! By my senior year in college I had lost the passion to play college ball. It was difficult, because my dream of becoming a professional ball player was basically destroyed, but I realized that I had an ability to connect with people on a deeper emotionally level through music. So I lost one passion, and found another one. BSM: What genre of music were you creating before Gospel Rap? Before Gospel, I didn’t really have a genre of music; I was just talking crazy. My first mixed tape was written from a very strong, aggressive, Pro-Black standpoint. (Laughs) My major study had a lot to do with that. But I couldn’t keep that perspective because my faith restricted me - plus I never wanted to become a demagogue. The other stuff I was making sounded good, but it had no purpose. So if there was a genre, it was No Purpose. BSM: Who or what introduced you to Gospel Rap? No one introduced it to me. I just finally recognized that I was going against the grain of true self. No matter how hard I tried or how many shows I performed, I never felt comfortable and I was never satisfied with what I was doing. It wasn’t really me! Reality introduced me to Gospel; Bashment Sessions Magazine

it was where I belonged. And that’s the feeling I get when I write and perform Gospel. This is what God wanted me to do. BSM: Was there inspiration from any specific gospel artist? Truthfully, no. I had heard of the big - named gospel artists, but I didn’t listen to Gospel music before I started making it. BSM: When did you find out that gospel rap was your calling? When I was writing “CHURCH MUSIC.” It was very hard for me to write it because I had never done a Gospel project. I would start, then begin to doubt, then I would stop. Then I would Pray, and start again. There was sincerely a war going on inside of me the whole time I was writing the CD. But I Prayed through the whole project. When it was done and I begin to let people hear it, their faces, joy, and feelings about it confirmed what I felt all along. Gospel music is my calling. BSM: Were there any trying times going on in your life that helped you decide the gospel route? Me getting married, and having my third son had to be the wakeup call for me. As a father you want to leave a respectable legacy behind for your children. When I finally understood that my decisions will affect their future, and I would have to give an account to God for “everything,” That was it! I said to myself, “I’m going to make music that pleases the Lord, and that my children could listen to.” That’ll be one less thing I have to worry about when I stand before him. BSM: Why is Gospel Rap relevant in the industry? Gospel rap is important because it is a great alternative to Hip Hop music. Hip Hop is appealing, and many of the artists are extremely talented. But the Truth has to

“

be told. Many of our young people have been deceived by Hip Hop music; the lifestyle being promoted is false. My goal is to speak the Truth, and be excellent while I do it. Ultimately, it is up to the listener to decide what they hear; but I have to provide the alternative. BSM: How did you chose your stage name? (laughs) Well, that’s my first name, even though people have always made fun of it. Not to mention I got tired of switching my stage name. So I came to the conclusion, “go by the name that you were given.” But I definitely don’t mind if people call me Bro. Moore. BSM: Since Sidney is quickly becoming a mainstay, Whats next? Lord’s will, the album is next. The single, “Make Your Mind Up,” is on the way, and the album is scheduled for release this summer! BSM: Do you plan on anymore shows in the near future? Because Bashment Sessions will be there. I’m in the writing process right now, so I’m not scheduling shows but listeners can find me: Norm11@myspace.com or bro.moore@myspace.com BSM: Some people might not give Gospel Rap a chance. How can you assure the fans will like your music? I can’t assure anything, but I will say that I pride myself on being authentic, delivering a powerful message, and writing excellent music. PS I welcome feedback.

Listen to Sidney’s music http://www.myspace.com/norm11

I never felt comfortable and I was never satisfied with what I was doing. It wasn’t really me!

Bashment Sessions Magazine

“

Digital

Dancehall & Reggae Radio

World Music

www.DaFlavaradio.com www.LoveUltra.com www.radionobabylon.com www.wnjr-newark.com www.theladiesofreggae.com

www.Logoshanghai.net www.Butumbaba.com www.HouseofReggae.de www.dancehallvibes.it www.culturalwarriors.ch

Retail www.1twoclothing.com www.reggaetopsite.com www.jammyland.com/ www.ebreggae.com/ www.tantyrecordshop.com/

Music, Videos, & Downloads

www.youtube.com/Jamaicanfemalevideos www.serengetimusic.com www.paydaymusicgroup.com www.jamplified.com www.jamaicanmusic.com www.honeydippedpromo.com www.urbanislandz.com www.thebuzzconnect.com www.myrebelmusic.com www.theheatwave.co.uk/blog/

News, Blogs, & More

Bushman Sings The Bush Doctor Available at www.amazon.com and other digital retailers 48

Bashment Sessions Magazine

Top50

Love Songs

Who can’t appreciate a great love song? Sweet melodies. Bittersweet lyrics. The team at Bashment Sessions Magazine has searched through CDs, Vinyl, MP3s, and even Cassettes (yes cassettes) compiling a list of our top 50 “love” songs. We think we’ve been successful in selecting songs that express every range of human emotion. These songs evoke feelings of joy, pain, and everything in between. After one listen we either drop everything to slow dance in the middle of our living rooms or sob uncontrollably in our private places. Oh yes, these songs have the power to make us forget all about our lovers’ quarrels and skip right to the make-up sex! There’s no denying; whatever our temperament, they serve as a testament of our feelings for that ever illusive perfect love. Bashment Sessions Magazine

Top 50 Love Songs 1. Stir It Up – Bob Marley 2. I’m Still in Love – Alton Ellis 3. Night Nurse – Gregory Isaacs 4. Lover’s Rock – Sugar Minott 5. Oh Girl – Dennis Brown 6. The Tide is High – The Paragons 7. Rock Steady – Alton Ellis 8. Have You Ever Been in Love – Dennis Brown 9. Red, Red, Wine – UB40 10. A Love I Can Feel – John Holt 11.Loving Pauper – Dobby Dobson 12. Love Sponge – Buju Banton 13. Don’t Stay Away – Phyllis Dillon 14. Rock Away – Beres Hammond 15. Angel – Shaggy ft. Rayvon 16. Turn Your Lights Down Low – Bob Marley 17. Hey Baby – Cherine Anderson 18. Hide Away – Tessanne Chin 19. Worker Man – Patra 20. Rock and Groove – Bunny Wailer 21. Slow and Sexy – Shabba Ranks 22. Members Only – Tyrone Taylor 23. Boombastic – Shaggy 24. Sweet Talkin – The Heptones 25. Just One Dance – Beres Hammond 26. Beautiful – Damian Marley 27. Stop Loving You – Freddy Mcgregor 28. Here I Am – Wayne Wonder 29. Pretty Darling – Sanchez 30. Give Me a Try – Sizzla Kalonji 31. Tempted to Touch – Beres Hammond 32. Longing For – Jah Cure 33. Superman – Tarrus Riley 34. Brown Skin – Richie Spice 35. Love Crazy – Jamelody 36. Love and Affection – Pressure 37. Comin Over – Chuck Fender ft. Cherine Anderson 38. I’m Still in Love – Sean Paul ft. Sasha 39. Flex – Mad Cobra 40. Action – Terror Fabulous 41. When I Fall in Love – Ken Boothe 42. Telephone Love – JC Lodge 43. Always on My Mind – Da’ville 44. Be My Lady – Peter Hunningale 45. She’s Still Loving Me – Morgan Heritage 46. Love – Maxi Priest 47. Heavenly – Alaine 48. Automatic – Marcia Griffiths ft. Busy Signal 49. Beenie Man and Lady Saw – Healing 50. Alaine and Chino Mcgregor – Me and You (Secret Lovers)

for

Love

The Deadly Seduction of HIV/AIDS

Love for

He said he would lay down his life for me And I know he believes it to be true But I wonder how he’ll feel when he sees The rows of pills I take daily And realize his declaration was truer than he knew? See, I tried to tell him from Day 1, But like so many men before him, He refused to use protection. I warned him that it’s never who you think, Dude told me he trusted me, Looked directly in my face, Didn’t even blink. I begged him not to trust me… We’d only been together a week He had no time to get to know me Or to see my nasty streak. But how do you tell a virtual stranger That you are living on the edge, Just biding your time, Coz you’ve been given a death sentence?

How I fix this mess of my own creation I love him, can’t let him go So I can’t let him know That I know how much he must love me. He stands on the frontline Looking straight in the face at HIV Every single time he lies with me. You say he’s dying for love, I say he just wants to be with me. And even if you were right, And he is dying for love, That’s romantic, not stupid. Can’t you see? I can’t let him go And I can’t tell him. I love him, and he loves me. We are together, And we’ll do anything for each other. Dying for love. ©Shawna 8/10/10

So I kept my little secret Held it close inside Now it’s been six months And taking lotsa pills Is getting harder to hide. He’s talkin bout moving forward He loves me, there’s no doubt But there’s no way in hell I’ll be able to go much further with him Without him finding out. We cannot live together, Because he’ll see the pills. We cannot have children, Because our babies may be born ill. We cannot get married My conscience won’t allow it I love him, wish I could tell him But it may be too late to get on the honesty tip I know I seem heartless, But really I’m clueless.

Bashment Sessions Magazine

Education

Jamaica has the largest increase in HIV/AIDS of any country in the Caribbean since 1997 HIV/AIDS epidemic has the greatest impact on urban areas in Jamaica National Health System Establishment of HIV/AIDS Control Program funding has improved for HIV/AIDS control and prevention.

The WHAT

Laws

Since there is a pre-conceived notion that HIV is the “gay disease,” the government has passed laws in attempt to minimize the gay population, or at least keep the “Don’t ask, Don’t tell” policy in full effect. Buggery and Gross Indecency laws are implicitly anti-gay and include maximum sentences for ten years imprisonment with hard labor for anal sex. Lesbians are not specifically targeted by these laws - Ruth C. White and Robert Carr. Treatment in Jamaica Treatment takes a direct “hit” of delays in testing and of initiation from the stigma. According to Jamaica’s National AIDS Committee, 67% of all of the newly diagnosed Jamaican AIDS cases were late in the progression of their illness, of which 34% of the new cases were reported as death. This makes treatment nearly implausible.

Biases

PLWHA (people living with HIV/AIDS) suffer verbal and physical abuse. Many endure homelessness when they are driven from their communities by angry neighbors. Men with HIV/AIDS are much more accepted by friends, family, colleagues and employers because males are linked to the portrayal of a strong heterosexual identity that includes multiple partners and fathering children. In contrast, women often face ostracism, are viewed as being promiscuous, and report higher rates psychological and physical violence. Classicism also impedes PLWHA access to much needed resources. Wealth provides an ability to “opt out” of public services and health services, which creates a “mask of invisibility.” There is also a sense of invincibility within the middle class, where the social stigma “it won’t happen to me” is most prevalent.

Misconceptions

Masses believe, especially youth, feel that “it’s (HIV/AIDS) only within the gay community and I have nothing to worry about.” What they choose not to see is that most of the men sleeping with men are also sleeping with women. This “free-spirited,” bisexual behavior allows the disease to go nearly undetected as it spreads from person to person due to pre-determined thoughts of “it won’t happen to me.”

Resources

www.Livehopelove.com

Bashment Sessions Magazine

MY FRIEND DIED! My friend is dead. Itâ&#x20AC;&#x2122;s not because he didnâ&#x20AC;&#x2122;t try to take care of himself and maintain his health. My friend is dead because of ignorance! My friend is dead because of the lack of compassion! My friend is dead because of hatred. There are thousands dying of HIV/AIDS related complications in Jamaica. My friend was one in that number. Please Get Educated!

Bashment Sessions Magazine

Billboard (Top 10 Reggae Albums) LW (Last Week) W (Weeks on Chart) P (Peak) 1. Live Forever: September 23 – Bob Marley and the Wailers 2. Distant Relatives – Nas & Damian Marley 3. Live at Stubbs Vol. II – Matisyahu 4. Legend: The Best of Bob Marley – Bob Marley & The Wailers 5. Best of Reggae: Various Artists 6. Reggae Gold 2010: Various Artists 7. Time Bomb – Iration 8. Riddimentary: Diplo Selectors – Various Artists 9. Hold Yuh – Gyptian 10. The Green – The Green Band

1 2 3 4 5 6 11 7 9 8

7 44 6 45 18 38 45 3 34 58

1 1 2 1 5 2 2 5 2 3

Hot 102 FM (Top 10 Dancehall Singles) TW LW WOC Play Song - Artist - Label 1 2 20 Nuh Love Inna Dem (1 wk @ #1) - I-Octane - Cashflow 2 1 14 Cake Soap (2 wks @ #1) – Vybz Kartel – Adidjaheim/Notnice 3 4 16 Party Like It’s Your Birthday - Richie Loop, Busy Signal & D’Major Scikron Entertainment 4 3 20 Dumper Truck (2 wks @ #1) - Vybz Kartel - CR203 5 5 14 Stronger – Cham feat. Bounty Killer & Mykal Rose – Mad House 6 8 10 Caan Get Brown – Kiprich – Birch Hill Records 7 10 12 Jack Hammer – Aidonia – Equinoxx Production 8 9 14 True Blessings - Toya – Downsound Records 9 7 17 Puff It (2 wks @ #1) – I-Octane – Cashflow 10 6 16 Hot Grabba - Vybz Kartel feat. Popcaan - Adidjaheim/Notnice

Hot 102 FM (Top 10 Reggae Singles) TW LW WOC Play 1 3 18 2 1 13 3 2 23 4 5 24 5 6 14 6 8 13 7 9 9 8 10 9 9 4 11 10 7 19

Song - Artist - Label Hard Way (1 wk @ #1) – Ikaya – Outa Road Records You Are Me (2 wks @ #1) – Alaine – 1Thirty1 Records A Nuh So Mi Waan Live (2 wks @ #1) - Nesbeth - Jan Biggs Production Love How You Touch Me - Elvis D - Listen Up Records Come Back Home – Tom Laing – Top Tier Records Bad News – Tony Anthony feat. Exco Levi – D’Maestro Productions Times Like These - Queen Ifrica - 2 Hard Music Thank You For Loving Me - Stevie Face - Penthouse Records Innocent – Buju Banton – Gargamel Music Rescue Me (3 wks @ #1) - Duane Stephenson feat. Gramps Morgan - VP Records

Singles and album chart information reported for week of March 26, 2011. For more information please visit www.billboard.com and www.reggae-vibes.com

Bashment Sessions Magazine

Music Money Magnums Mixtape: Travis Porter - http://bit.ly/hRcdLE Culinary Arts School 2: OJ Da Juice Man - http://bit.ly/gI9ySA Kings of Kingz: Sean Kingston - http://bit.ly/h6J2x6 Red Bull: Gudda Gudda - http://bit.ly/dEEMal Inglorious Bastard: Gun Play - http://bit.ly/etMGPl Puff Puff Pass Tuesdays: Snoop Dogg - http://bit.ly/hwnScm Cant Catch The Lambo: Roscoe Dash & DJ Kutt Throat - http://bit.ly/geOseD Lex-I-Con: Mr. Lexx - http://bit.ly/hRlw97 The Realist Mix Mixtape: Konshens - http://bit.ly/hUqHQH Assassin is Agent Sasco: Assassin - http://bit.ly/fNel31

Bashment Sessions Magazine

Coast 2 Coast Mixtape Vol. 151: Hosted By Wiz Khalifa - http://bit.ly/fXA6ZP Clean Sweep Dancehall Mix Vol. 2.0: DJ Juice - http://bit.ly/gVjd43 Street Runnaz 52: DJ Spinatik - http://bit.ly/f4dNrB

Supply and Demand Vol 43: Dj Headbussa - http://bit.ly/gfbfkN

Bashment Sessions Magazine

Credits Photography

Table of Contents Jameshia Jefferson

Greg Bryon for Eight20Eight Photography

Editor’s Session

Azana Kamilli for Cherri Productions

Selector’s Choice Greg Bryon for Eight20Eight Photography

Hype Alert

Azana Kamilli for Cherri Productions

Back To the Future Brian Kavanagh

Interviews MagaZeen – courtesy of Maybach Music group/Warner Bros. Records Cherine - courtesy of Zlink Entertainment, Inc Tessanne – courtesy of Tessanne Music Romain Virgo – courtesy of VP Records

Charts

Hot 102 FM - Richie B – Reggae-Vibes.com Billboard Top 10 Reggae Albums – Billboard.com

Additional Credits

Buju Banton – Menace or Martyr Words: Yolanda Turner - Jameshia Jefferson Street Art Words: Jeremy Burnett Dying for Love: The Deadly Seduction of HIV/AIDS Words: Yolanda Turner – Asha Cottrell (Article) Words: Shawna (Poem) VPRecords.com

Mercury Rising

Greg Bryon for Eight20Eight Photography (Sean Ryte)

Futuristic Flow

Jameshia Jefferson (Magazeen) Rico Kinnard (Cherine Anderson)

Urban Fashion’s No Limit Soldiers

Greg Bryon for Eight20EightPhotography Edward “EJ” Jordon III for Edward Jordon Photography

Features Urban Fashion’s No Limit Soldiers Timothy: (page 35) Denim, Mek Denim, visit mekdenim.com Shoe, Chuck Taylor, visit converse.com Roots: (Page 37) Blazer, Claiborne, visit macys.com Stevie: (Page 38) Military shirt, Express Men, visit express.com Tie, Hardy Amies, call 020-7734-2436

Bashment Sessions Magazine

Basslinemusik.com University City Walk™ Orlando Deh Deh appears courtesy of TruckBack Records Supa appears courtesy of Squabble Music

Contact Info Bashment Sessions™ is a trademark of Prinicpal Ent. Forward all inquiries to Bashment Sessions™ Magazine 4807 Bristol Bay Way #103, Tampa, Fl 33619 Phone: 813-965-2356 Fax:813-902-6613 Email – bashmentsessionsmagazine@gmail.com Twitter – www.twitter.com/Bashmentsessmag Music Space – www.myspace.com/BashmentSessions

BOB MARLEY TRIBUTE TO FREEDOM SM

Weâ&#x20AC;&#x2122;re Jamming! Bob Marley: A Tribute to Freedom, Universal City Walk Orlando. Open 7 days weekly. Log on to www.universalorlando.com/citywalk for more on menu items, hours of operation, and special entertainment.