CV & PORTFOLIO 2021 I YELAY BAYRAKTAROGLU

Ye l a y B a y r a k t a r o ğ l u Architecture Portfolio CV & Selected Works

CONTENT

1/ CV 2/ Master Degree Projects Elastic Choreography Collabrative Design

3/ Undergraduate Degree Projects Fab_Istanbul & Art Center Design and Research Institute

4/ Other Projects Construction Design Tashkent Congress Centre and Hilton Hotel Jasmine Residences An Attempt to Design A Universe Photography Lesson

Classification: Distinction

MASTER DEGREE Bartlett School of Architecture

ELASTIC CHOEGRAPHY

To watch the presentation of the project, please read the barcode

For the project video: https://vimeo.com/617121674

To watch the Bpro Show, please read the barcode

https://bpro2021.bartlettarchucl.com/rc2-human-material-machine-systems/elastic-choreography

ELASTIC CHOREOGRAPHY Tutors: Valentina Soana, Georgia Kolokoudia Students: Yelay Bayraktaroglu, Cephas Bhaskar, Shahram M. Sabery

Elastic Choreography explores the performative potential of elastic robotic structures at architectural scale. Large shape changes are achieved through the integration of modular robotic-material-systems with elastic structure: Bending Active Tensile Hybrid (BATH). Inspired by body movement of dancers, the project investigates how to design and control architectural robots to generate spatial performances. The robotic system comprises of BATH structures interacting with robotic actuators. Robotic components are employed to manipulate the position and to induce a controlled deformation of the BATH modules. The synergy between rigid body spatial assemblies and elastic structures generates a hybrid system that combines high precision and intricate forms in a compliant system. The project envisions the emergence of dancing structures, providing a new paradigm for Human-, Material-, Machine- and Space- architectures.

Human - Machine Interaction

The research inspires from human kinesthetics and on the dynamic state of being in a human society. The project builds on the complex and elegant choreography of the human movement. While robots are thought to be designed to achieve certain specific outcomes, the product of this research is a process – an architectural performance in itself.The performances are enacted by a bending active textile hybrid structure, which, is able to kinetically morph its shape and create volumes that are direct derivatives of spatial, environmental or programmatic factors. The simplest movements of certain points in three dimensional space can cause the

Hearing System

largest and most complex global shape deformations.

Auditory Sensor Robotic Vision

A robot -human choreography was attempted by making the project prototype. The robot’s motor positions were pre-determined and programmed to play in a loop and the human dancer would in-turn choreograph their dance based on the movement of the structure. Snippets from this “Dance of the bot” are displayed here. The human-like topology of the system is able to be paralleled with the human movements effectively, thus enabling state changes that are similar to human kinesthetic movements.

HUMAN-MACHINE-MATERIAL

INTERACTION

System Design and Components

The Elastic Choreographies system attempts to combine the versitality of bending Active Structure with ease of actuation of a rigid frame structure. To achieve flexible and adaptable structural form, three components are involved in the system. They are the Bending active textile hybrid (BATH) system, the substructure module and the robotic arm (among other type of actuators).

Bending Active Textile Hybrid (BATH)

Rigid Assembly Structure

Large Span Deformation

Accurate Position-based Matrix

Bending Active Textile Hybrid (BATH) work togethe with Rigid Assembly Structure. By manipulating anchor points, self-assembly and self-reconfiguring Archtectural system is created.

Self-assembly and Self-reconfiguring Architectural System: Rigid Assembly Structure and Bending Active Textile Hybrid (BATH) working together.

An underlying coordinate system forms the base for a network of anchor points populated with substructure modules. The ends of the BATH system’s rods are attached to few of the modules. The robotic arm is then actuated to traverse through the substructure aggretation and selectively modulate the position and location of a suitable substructure module to create global shape change in the BATH system’s topology.

Movement of Robotic Arm

Achieving varied global shapes states by manipulating anchor points.

Possible Other States

Digital Design

A1 (7,9,3)

A3 (5,4,6) A3 (10,6,7)

A1 (7,8,2)

A2 (12,3,0)

A2 (8,2,2)

STATE 1

STATE 2

A3 (9,5,3)

A3 (5,4,6)

A1 (7,9,3)

A1 (7,9,7) A2 (4,2,2)

A2 (12,4,2)

STATE 3

STATE 4

The bending active structure is designed in the Rhino-grasshopper environment. Thus, in the digital environment, the shapes that can be obtained by bringing the anchor points to different coordinate points are determined in advance.

Digital Workflow

A robotically actuated prototype needs a control system that allows communication and data exchange between the operator and end effectors. A cyber-physical platform is created and employed to allow for this communication to take place. A user controls the system behaviour based on a user control panel within the User interface. This UI which is developed within Unity 3D, is connected to Robotic Operating System (ROS) through ROSBRIDGE/ ROSSHARP via a web-socket.

User Interface (UI) - Real-Time Decision Making

User Interface (UI)

Architectural Scale - Aggregation of Choreographies

In order for the Elastic Choreography architectural robotic system to be useful as architecture for the masses, the system must be scalable in order o cover more physical ground or cater to aa larger programatic requirement. This section illustrates how this is achieved. The following image illustrates the multiplication of a single unit to multiple units which can then be choreographed to perfrom in synergy or together. In the following pages, 3d images, time-lapse plans and present the combined actuation and thus choreography of the aggregated units.

From a single unit to an aggregated form

Time-lapse Plan

State

e 1 Plan

State 2 Elevation

State 1 Elevation

State 3 Elevation

Finally, an architectural choreography was created that integrates with the city. In order to create the choreograph, every component of the system has been integrated with each other.

COLLABRATIVE DESIGN WORKSHOP Supervisor: Alexandra Parger, Alexander Grasser Students: Saee, Zikun, Huiyin,Yelay

The workshop was organized by the Bartlett School of Architecture and run by Alexandra Parger and Alexander Grasser. Basically, the workshop aims to make a collaborative design by utilizing today’s technologies. At the beginning of the workshop, Rhino, Grasshopper, Enscape and Unity Tutorials was given to students for the production. At first, each student created their own spatial modules, then in the Unity environment, these modules were combined in real time with the modules of different students. This workshop aggregates individual design decisions, resulting in highly differentiated open architectures of multiple design intentions and objectives.

Step1: Each student created their own spatial modules

Step 2: Each student created larger modules by combining the small modules they have created.

Step 3: In the Unity environment, these modules were combined in real time with the modules of different students.

Render of combined modules and living environment

Render of combined modules and living environment

UNDERGRADUATE DEGREE Istanbul Technical University

FAB_ISTANBUL & ART CENTER -Graduation ProjectLocation: Persembe Pazarı, Istanbul Year 4, Fall 2018 Supervisor: Arch. Kerem Piker, Assoc. Prof. İpek Akpınar, Assoc. Prof. Dilek Yıldız, Prof. Aslıhan Tavil, Prof.Yegan Kahya, Prof. Hülya Turgut, Prof.Zuhal Ulusoy.

Done by Individual

The idea behind Fab Istanbul is bringing benefits of Fabcity global network to Istanbul by becoming one of the cities which have joined Fab City Global Initiative.

A Fab City is a new urban model for locally productive and globally connected self sufficient cities that shifts how cities source and use materials by bring back production to distrubuted and smaller scales. More production occurs inside the city, neighbourhoods and citiziens’ homes along with recycling materials and meeting local needs through local inventiness.This model is being constructed through an evergrowing web leader, makerspaced and citizens.

The fact that this project is used in a large construction market such as “Persembe Pazari” , supports Fabcity strategy of minimizing procurement of products.Fab Istanbul aims to develop these production methods, inform and educate people about this innovation. Since it works as an academy, it is made up of places which is convenient for building workshop areas, makerspaces for production, classrooms for education and training, and conference halls for organizations.

The design of the structure is inspired by the physical environment of Persembe Pazari which makes it conducive to strong communication. For this reason, the building is designed to be suitable for common areas and strong social networks.

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栀攀 倀攀爀猀攀洀戀攀 倀愀稀愀爀㄁Ⰰ 椀琀 椀猀 愀椀洀攀搀 琀漀 挀爀攀愀琀攀 挀漀洀洀漀渀 攀渀琀攀搀 猀琀爀甀挀琀甀爀攀 椀渀猀琀攀愀搀 漀昀 愀 眀栀漀氀攀 洀愀猀猀⸀ 吀栀攀 搀椀猀ⴀ 猀 渀漀琀 猀栀愀爀瀀⸀ 䤀琀 挀愀渀 戀攀 攀愀猀椀氀礀 愀挀挀攀猀猀攀搀 昀爀漀洀 洀愀渀礀 洀攀⸀

唀猀攀爀猀 眀攀爀攀 琀愀欀攀渀 椀渀琀漀 挀漀渀猀椀搀攀爀愀琀椀漀渀 眀栀攀渀 洀愀欀椀渀最 昀甀渀挀琀椀漀渀愀氀 搀攀挀椀猀椀漀渀猀 椀渀 琀栀攀 洀愀猀猀⸀ 吀栀攀 瀀爀漀搀甀挀琀椀漀渀 愀爀攀愀猀 眀攀爀攀 瀀氀愀挀攀搀 椀渀 琀栀攀 爀攀愀爀 洀愀猀猀Ⰰ 愀猀 琀栀攀礀 眀椀氀氀 愀瀀瀀攀愀氀 琀漀 琀栀攀 猀琀甀搀攀渀琀 愀琀 琀栀攀 愀挀愀搀攀洀礀⸀ 䴀愀猀猀攀猀 琀栀愀琀 愀瀀瀀攀愀氀 琀漀 愀 眀椀搀攀 愀甀搀椀攀渀挀攀 猀甀挀栀 愀猀 愀 挀愀昀攀Ⰰ 爀攀猀琀愀甀爀愀渀琀 愀爀攀 氀漀挀愀琀攀搀 渀攀愀爀 琀栀攀 猀攀愀⸀ 䔀猀瀀攀挀椀愀氀氀礀 琀栀攀 挀漀渀昀攀爀攀渀挀攀 栀愀氀氀 椀猀 瀀漀猀椀琀椀漀渀攀搀 挀氀漀猀攀 琀漀 吀攀爀猀愀渀攀 匀琀爀攀攀琀 愀渀搀 愀 瀀愀爀欀椀渀最 愀爀攀愀 椀猀 戀甀椀氀琀 椀渀 琀栀攀 戀愀猀攀洀攀渀琀⸀ 吀栀攀 最爀攀攀渀栀漀甀猀攀 愀爀攀愀 椀猀 瀀漀猀椀琀椀漀渀攀搀 椀渀 愀 挀攀渀琀爀愀氀 氀漀挀愀琀椀漀渀Ⰰ 渀攀砀琀 琀漀 挀愀昀攀猀 愀渀搀 爀攀猀琀愀甀爀愀渀琀猀Ⰰ 愀椀洀攀搀 愀琀 戀攀椀渀最 愀渀 攀愀猀椀氀礀 甀琀椀氀椀稀攀搀 氀漀挀愀琀椀漀渀 眀栀椀挀栀 瀀攀漀瀀氀攀 挀愀渀 猀攀攀 愀渀搀 愀挀挀攀猀猀⸀

攀渀 猀漀甀爀挀攀 瀀爀漀搀甀挀琀椀漀渀 洀攀琀栀漀搀猀Ⰰ 愀挀挀攀猀猀 琀漀 椀渀昀漀爀洀愀ⴀ 椀渀挀爀攀愀猀攀 琀栀攀 猀栀愀爀椀渀最 漀昀 椀渀昀漀爀洀愀琀椀漀渀 眀椀琀栀 氀愀爀最攀 愀甀ⴀ 琀栀攀 䌀漀渀昀攀爀攀渀挀攀 䠀愀氀氀 愀渀搀 琀栀攀 䰀椀戀爀愀爀礀 愀爀攀 氀漀挀愀琀攀搀⸀ 甀椀氀搀椀渀最 漀爀 瘀愀爀椀漀甀猀 挀漀渀瘀攀爀猀愀琀椀漀渀猀 昀爀漀洀 愀爀漀甀渀搀 琀栀攀

吀栀攀 最爀攀攀渀栀漀甀猀攀 栀愀猀 戀攀攀渀 愀搀搀攀搀 琀漀 琀栀攀 瀀爀漀最爀愀洀 琀漀 猀甀瀀瀀漀爀琀 攀挀漀氀漀最椀挀愀氀 昀漀爀洀愀琀椀漀渀 愀渀搀 琀漀 攀砀瀀氀漀爀攀 愀渀搀 搀攀瘀攀氀漀瀀 爀攀渀攀眀愀戀氀攀 攀渀攀爀最礀 猀漀甀爀挀攀猀⸀吀栀攀 最爀攀攀渀栀漀甀猀攀 愀爀攀愀 椀猀 瀀漀猀椀琀椀漀渀攀搀 椀渀 愀 挀攀渀琀爀愀氀 氀漀挀愀琀椀漀渀Ⰰ 渀攀砀琀 琀漀 挀愀昀攀猀 愀渀搀 爀攀猀琀愀甀爀愀渀琀猀Ⰰ 愀椀洀攀搀 愀琀 戀攀椀渀最 愀渀 攀愀猀椀氀礀 甀琀椀氀椀稀攀搀 氀漀挀愀琀椀漀渀 眀栀椀挀栀 瀀攀漀瀀氀攀 挀愀渀 猀攀攀 愀渀搀 愀挀挀攀猀猀⸀

Some sketch studies in the early stages of the design

Model 1:500

Some textures from Persembe Pazarı

䜀爀漀甀渀搀 䘀氀漀漀爀 倀氀愀渀

䘀椀爀猀琀 䘀氀漀漀爀 倀氀愀渀

匀攀挀琀椀漀渀 䄀ⴀ䄀

匀攀挀琀椀漀渀 䈀ⴀ䈀

Done by Individual

䰀漀挀愀琀椀漀渀

吀甀爀欀攀礀

䤀猀琀愀渀戀甀氀

䬀愀ἁ㄁琀栀愀渀攀

倀栀礀猀椀挀愀氀 䔀渀瘀椀爀漀渀洀攀渀琀 䄀渀愀氀礀猀椀猀

㄀㤀㄀㄀

㄀㤀㘀 ⴀ㄀㤀㜀

䬀愀ἁ㄁琀栀愀渀攀 䬀愀ἁ㄁琀栀愀渀攀 Ⰰ 眀栀椀挀栀 眀愀猀 甀猀攀搀 愀猀 瀀愀爀琀 漀昀 琀栀攀 挀椀琀礀 椀渀 瀀攀爀椀漀搀猀 猀甀挀栀 愀猀 䄀渀挀椀攀渀琀 吀椀洀攀猀Ⰰ 刀漀洀攀Ⰰ 䈀礀ⴀ 稀愀渀琀椀甀洀 愀渀搀 伀琀琀漀洀愀渀Ⰰ 眀愀猀 愀 爀攀最椀漀渀 眀椀琀栀 椀琀猀 最爀攀攀渀 昀椀攀氀搀猀 愀渀搀 猀琀爀攀愀洀猀 眀栀攀爀攀 眀攀猀琀攀爀渀椀稀愀琀椀漀渀 愀挀琀椀瘀椀琀椀攀猀 漀昀 琀栀攀 伀琀琀漀洀愀渀 䔀洀瀀椀爀攀 戀攀最愀渀 椀渀 琀栀攀 栀椀猀琀漀爀椀挀愀氀 瀀攀爀椀漀搀 愀渀搀 猀漀挀椀愀氀 愀挀琀椀瘀椀琀椀攀猀 眀攀爀攀 挀愀爀爀椀攀搀 漀甀琀 愀琀 挀攀爀琀愀椀渀 琀椀洀攀猀 漀昀 琀栀攀 礀攀愀爀⸀䤀渀㄀㤀㔀㐀Ⰰ 䬀愀ἁ㄁琀栀愀渀攀 眀愀猀 搀椀爀攀挀琀攀搀 琀漀 昀椀爀猀琀ⴀ挀氀愀猀猀 椀渀搀甀猀琀ⴀ 爀椀愀氀椀稀愀琀椀漀渀⸀ 圀椀琀栀 琀栀攀 甀渀瀀氀愀渀渀攀搀 挀漀渀猀琀爀甀挀琀椀漀渀 愀渀搀 椀渀搀甀猀琀爀椀愀氀 搀攀瘀攀氀漀瀀洀攀渀琀 漀昀 䬀愀ἁ㄁琀栀愀渀攀 匀琀爀攀愀洀 愀渀搀 椀琀猀 猀甀爀爀漀甀渀搀椀渀最猀Ⰰ 椀琀 栀愀猀 挀愀甀猀攀搀 琀栀攀 搀攀琀攀爀椀漀爀愀琀椀漀渀 漀昀 琀栀攀 爀攀最椀漀渀 眀栀椀挀栀 椀猀 愀渀 椀洀ⴀ 瀀漀爀琀愀渀琀 攀挀漀氀漀最椀挀愀氀 最爀攀攀渀 愀爀攀愀 昀漀爀 䤀猀琀愀渀戀甀氀

㈀ ㄀㜀

䄀 挀漀渀琀椀渀甀漀甀猀 挀椀爀挀甀氀愀琀椀漀渀 昀氀漀眀 眀愀猀 搀攀猀椀最渀攀搀 戀攀琀眀攀攀渀 䌀攀渀搀攀爀攀 匀琀爀攀攀琀 愀渀搀 琀栀攀 猀琀爀攀愀洀 漀渀 戀漀琀栀 琀栀攀 最爀漀甀渀搀 昀氀漀漀爀 愀渀搀 琀栀攀 甀瀀瀀攀爀 昀氀漀漀爀猀⸀ 吀栀甀猀Ⰰ 琀栀攀 愀挀挀攀猀猀椀戀椀氀椀琀礀 漀昀 琀栀攀 戀甀椀氀搀椀渀最 眀愀猀 椀渀挀爀攀愀猀攀搀⸀ 䈀礀 挀爀攀ⴀ 愀琀椀渀最 愀 最愀瀀 椀渀 琀栀攀 最爀漀甀渀搀 昀氀漀漀爀Ⰰ 椀渀 琀栀攀 洀椀搀搀氀攀 漀昀 琀栀攀 猀琀爀甀挀琀甀爀攀Ⰰ 戀甀椀氀搀椀渀最 攀渀琀爀愀渀挀攀猀 眀攀爀攀 漀爀最愀渀椀稀攀搀 愀渀搀 愀氀猀漀 愀 搀椀爀攀挀琀 挀漀渀渀攀挀琀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 洀愀椀渀 猀琀爀攀攀琀 愀渀搀 琀栀攀 猀琀爀攀愀洀 眀愀猀 瀀爀漀瘀椀搀攀搀⸀

唀渀椀琀猀 漀瀀攀渀 琀漀 琀栀攀 瀀甀戀氀椀挀 眀攀爀攀 瀀氀愀挀攀搀 漀渀 琀栀攀 最爀漀甀渀搀 昀氀漀漀爀 昀漀爀 攀愀猀礀 愀挀挀攀猀猀⸀ 唀渀椀琀猀 猀攀爀瘀椀渀最 琀栀攀 椀渀猀琀椀琀甀琀攀㬀 挀氀愀猀猀爀漀漀洀猀Ⰰ 氀愀戀漀爀愀琀漀爀椀攀猀Ⰰ 漀昀昀椀挀攀猀Ⰰ 眀漀爀欀 愀爀攀愀猀 眀攀爀攀 瀀氀愀挀攀搀 漀渀 琀栀攀 甀瀀瀀攀爀 昀氀漀漀爀猀⸀

吀栀攀 氀椀戀爀愀爀礀 眀愀猀 瀀氀愀挀攀搀 漀渀 琀栀攀 氀愀欀攀 猀椀搀攀Ⰰ 愀椀洀椀渀最 琀漀 洀愀欀攀 甀猀攀 漀昀 琀栀攀 猀挀攀渀攀爀礀 愀猀 眀攀氀氀 愀猀 愀 焀甀椀攀琀 攀渀瘀椀ⴀ 爀漀渀洀攀渀琀⸀ 吀栀攀 最爀攀攀渀栀漀甀猀攀 眀愀猀 瀀氀愀挀攀搀 漀渀 琀栀攀 猀漀甀琀栀 愀渀搀 猀漀甀琀栀 攀愀猀琀 昀爀漀渀琀Ⰰ 挀漀渀猀椀搀攀爀椀渀最 猀漀氀愀爀 攀昀昀椀挀椀攀渀挀礀⸀

䜀爀漀甀渀搀 䘀氀漀漀爀 倀氀愀渀

⬀㠀⸀ 䰀攀瘀攀氀 倀氀愀渀

⬀㄀㈀⸀ 䰀攀瘀攀氀 倀氀愀渀

匀攀挀琀椀漀渀 䌀ⴀ䌀

匀攀挀琀椀漀渀 䈀ⴀ䈀

匀攀挀琀椀漀渀 䄀ⴀ䄀

OTHER PROJECTS

Done by Individual

刀攀渀搀攀爀 䤀洀愀最攀ⴀ

䜀爀漀甀渀搀 䘀氀漀漀爀 倀氀愀渀ⴀ 䌀 吀礀瀀攀 䠀漀甀猀攀

刀攀渀搀攀爀 䤀洀愀最攀ⴀ䌀 吀礀瀀攀 䠀漀甀

ⴀ匀椀琀攀 倀氀愀渀

甀猀攀ⴀ䘀爀漀渀琀 䔀氀攀瘀愀琀椀漀渀 嘀椀攀眀

刀攀渀搀攀爀 䤀洀愀最攀ⴀ 匀椀琀攀 倀攀爀猀瀀攀挀琀椀瘀攀 嘀椀攀眀

䌀 吀礀瀀攀 䠀漀甀猀攀ⴀ 倀氀愀猀琀攀爀 匀琀愀最攀

䜀爀漀甀渀搀 䘀氀漀漀爀 倀氀愀渀ⴀ 匀 吀礀瀀攀 䠀漀甀猀攀

匀 吀礀瀀攀 䠀漀甀猀攀ⴀ䰀攀瘀攀氀椀渀最 䘀漀爀 倀氀愀猀琀攀爀 匀琀愀最攀

刀攀渀搀攀爀 䤀洀愀最攀ⴀ匀 吀礀瀀攀 䠀漀甀猀

匀 吀礀瀀攀 䠀漀甀猀攀ⴀ䤀渀琀攀爀椀漀爀

猀攀ⴀ䘀爀漀渀琀 䔀氀攀瘀愀琀椀漀渀 嘀椀攀眀

爀 倀氀愀猀琀攀爀 匀琀愀最攀

匀 吀礀瀀攀 䠀漀甀猀攀ⴀ 倀氀愀猀琀攀爀 愀渀搀 䈀爀椀挀欀 匀琀愀最攀

匀 吀礀瀀攀ⴀ 䌀漀渀挀爀攀琀攀 匀挀爀攀攀搀 匀琀愀最攀

bayraktarogluyelay@gmail.com