The woman moves through the city, her city, on her own. She moves along its bright pavements; she passes over its bridges, through its shops and pools and bars. She slows her pace to watch a couple fighting, to take in the sight of an old woman in a waiting room; pauses to drink her coffee in a shaded square. Sometimes her steps take her to her grieving mother, sealed off in her own solitude. Sometimes they take her to the station, where the trains can spirit her away for a short while. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change forever. A rare work of fiction, Whereabouts – first written in Italian and then translated by the author herself – brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement. A dazzling evocation of a city, its captures a woman standing on one of life's thresholds, reflecting on what has been lost and facing, with equal hope and rage, what may lie ahead.
The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history. Along the way, in his signature style, Rutherfurd provides a deeply researched portrait of Chinese history and society, its ancient traditions and great upheavals, and China's emergence as a rising global power. As always, we are treated to romance and adventure, heroines and scoundrels, grinding struggle and incredible fortunes. China: The Novel brings to life the rich terrain of this vast and constantly evolving country. From Shanghai to Nanking to the Great Wall, Rutherfurd chronicles the turbulent rise and fall of empires as the colonial West meets the opulent and complex East in a dramatic struggle between cultures and people.
A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds. With its examination of the possibility that art can both save and destroy us, Second Place is deeply affirming of the human soul, while grappling with its darkest demons.
In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn't a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.
When an Antarctic research expedition goes wrong, the consequences are far-reaching – for the men involved and for their families back home. Robert "Doc" Wright, a veteran of Antarctic field work, holds the clues to what happened, but he is no longer able to communicate them. While Anna, his wife, navigates the sharp contours of her new life as a carer, Robert is forced to learn a whole new way to be in the world. Award-winning novelist Jon McGregor returns with a stunning novel that mesmerizingly and tenderly unpicks the notion of heroism and explores the indomitable human impulse to tell our stories – even when words fail us. A meditation on the line between sacrifice and selfishness this is a story of the undervalued, unrecognised courage it can take just to get through the day.
In the coastal resort of Margate, hotels lie empty and sun-faded ‘For Sale’ signs line the streets. The sea is higher – it’s higher everywhere – and those who can are moving inland. A young girl called Chance, however, is just arriving. Chance’s family is one of many offered a cash grant to move out of London - and so she, her mother Jas and brother JD relocate to the seaside, just as the country edges towards vertiginous change. In their new home, they find space and wide skies, a world away from the cramped bedsits they’ve lived in up until now. But challenges swiftly mount. JD’s business partner, Kole, has a violent, charismatic energy that whirlpools around him and threatens to draw in the whole family. And when Chance comes across Franky, a girl her age she has never seen before – well-spoken and wearing sunscreen – something catches in the air between them. Their fates are bound: a connection that is immediate, unshakeable, and, in a time when social divides have never cut sharper, dangerous. Set in a future unsettlingly close to home, against a backdrop of soaring inequality and creeping political extremism, Rankin-Gee demonstrates, with cinematic pace and deep humanity, the enduring power of love and hope in a world spinning out of control.
I WAS BORN TO BE A WANDERER From the night she is rescued as a baby out of the flames of a sinking ship; to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on the great circle flight, circumnavigating the globe. It is Marian's life dream and her final journey, before she disappears without a trace. Half a century later, Hadley Baxter, a brilliant, troubled Hollywood starlet is irresistibly drawn to play Marian Graves, a role that will lead her to probe the deepest mysteries of the vanished pilot's life.
Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself. In the breathtaking, “precise, elliptical prose” that Chang-rae Lee is known for (The New York Times), the narrative alternates between Tiller’s outlandish, mind-boggling year with Pong and the strange, riveting, emotionally complex domestic life that follows it, as Tiller processes what happened to him abroad and what it means for his future. Rich with commentary on Western attitudes, Eastern stereotypes, capitalism, global trade, mental health, parenthood, mentorship, and more, My Year Abroad is also an exploration of the surprising effects of cultural immersion—on a young American in Asia, on a Chinese man in America, and on an unlikely couple hiding out in the suburbs. Tinged at once with humor and darkness, electric with its accumulating surprises and suspense, My Year Abroad is a novel that only Chang-rae Lee could have written, and one that will be read and discussed for years to come.
REUNIONS. RECRIMINATIONS. RECKONINGS. Ireland. Great nationalists, bad mothers and a whole lot of secrets. Ryan Cusack is ready to deliver its soundtrack. Former sex-worker Georgie wants the truth about Ryan's past out there but the journalist has her own agenda. Mel returns from Brexit Britain, ill-equipped to deal with the resurgence of a family scandal. Karine has always been sure of herself, till a terrible secret tugs the rug from under her. Maureen has got wind that things are changing, and if anyone's telling the story she wants to make sure it's her. A riotous blast of sex, scandal, obsession, love, feminism, gender, music, class and transgression from an author with tremendous, singular talent.
Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. Married to three brothers in a single ceremony, she and her nowsisters spend their days hard at work in the family’s “china room,” sequestered from contact with the men —except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn’t want her to know. From beneath her veil, she studies the sounds of the men’s voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality—and danger—of her situation. Spiraling around Mehar’s story is that of a young man who arrives at his uncle’s house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family’s ancestral home—an abandoned farmstead, its china room mysteriously locked and barred—he begins to knit himself back together, gathering strength for the journey home.
In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.” This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.
‘It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route.’ Here is rehab, where Ben – the only son of a rich South Dublin banker – is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether. Then Ben runs into an old school friend who wants to cut him in on a scam: a shady property deal in the Balkans. The deal will make Ben rich and, at one fell swoop, will deliver him from all his troubles: his addictions, his father’s very public disgrace, and his own self-loathing and regret. Problems solved. But something is amiss. For one thing, the Serbian partners don’t exactly look like fools. (In fact they look like gangsters.) And, for another, Ben is being followed everywhere he goes. Someone is being taken for a ride. But who?
The suburbs of Par Mars. Two shopping centres, rows of estates and thematically designed neighbourhoods. Twenty-four-year-old Leen is going to open an earcleaning and massage studio in the Topic Heights Shopping Centre, taking her mother's Chinese ritual to the West to bring people back to their bodies. But something is not quite right in Par Mars. Managers are being attacked, and when Leen befriends Jean Paul, a pharmacist who is obsessed with a cryptic online forum, she finds herself involved in a community that is intent on disrupting the routines of capitalism in increasingly troubling ways. With a fierce intellect and masterful storytelling, Jamie Marina Lau brings to life a world that is devastatingly close to our own. Taking aim at consumerism and class, orientalism and the Zen movement, violence and middle-class boredom, GUNK BABY is inventive, unforgettable and from a voice younger, newer and more critical than most.
Uganda 1972 A devastating decree is issued: all Ugandan Asians must leave the country in ninety days. They must take only what they can carry, give up their money and never return. For Asha and Pran, married a matter of months, it means abandoning the family business that Pran has worked so hard to save. For his mother, Jaya, it means saying goodbye to the house that has been her home for decades. But violence is escalating in Kampala, and people are disappearing. Will they all make it to safety in Britain and will they be given refuge if they do? And all the while, a terrible secret about the expulsion hangs over them, threatening to tear the family apart. From the green hilltops of Kampala, to the terraced houses of London, Neema Shah’s extraordinarily moving debut Kololo Hill explores what it means to leave your home behind, what it takes to start again, and the lengths some will go to protect their loved ones.
In those first moments, that admission felt precious to me: it was something that I alone had been deemed worthy enough to carry and I was grateful. I was grateful to finally know, but I still couldn't speak. Something was wrong, she knew it, but she was entirely unprepared for what he would tell her. Viewed through the lens of a relationship breakdown after one partner discloses to the other that they are transgender, this autofiction spans eighteen months: from the moments of first discovery, through the eventual disintegration of their partnership, to the new beginnings of independence. In diaries and letters, Now That I See You unfolds a love story that, while often messy and uncomfortable, is a poignant and personal exploration of identity, gender, love and grief.
Every 179 days Robbie forgets everything. He knows this because last time it happened he wrote himself a letter explaining it. The disorientation. The fear. The bizarre circumstances imposed by the rare neurological condition he lives with. To survive the forgetting-to cope with his recurring loss of identity-Robbie leads a solitary, regimented life. Lives alone. Speaks to no one if he can avoid it. Works to complete a strange herculean task set for him by his former self. And then, with twelve days left before his next forgetting, Julie invades his life. Young, beautiful-the only woman he can ever remember meeting. As the hour draws near, Robbie is forced to confront the fact that his past is very different from how he had imagined it. And when Julie reveals her own terrible secret, he must find a way to come to terms with the truth about himself.
'If I could go back to being sixteen again, I'd do things differently.' 'Everyone over the age of forty feels like that, you total gom,' says my best friend Lizzie Magee. When she was young Mary Rattigan wanted to fly. She was going to take off like an angel from heaven and leave the muck and madness of troubled Northern Ireland behind. Nothing but the Land of Happy Ever After would do for her. But as a Catholic girl with a B.I.T.C.H. for a Mammy and a silent Daddy, things did not go as she and Lizzie Magee had planned. Now, five children, twenty-five years, an end to the bombs and bullets, enough whiskey to sink a ship and endless wakes and sandwich teas later, Mary's alone. She's learned plenty of hard lessons and missed a hundred steps towards the life she'd always hoped for. Will she finally find the courage to ask for the love she deserves? Or is it too late?
Sometimes it's easy to fall between the cracks... At 3.04 p.m. on a hot, sticky day in June, Bess finds out she's pregnant. She could tell her social worker Henry, but he's useless. She should tell her foster mother, Lisa, but she won't understand. She really ought to tell Boy, but she hasn't spoken to him in weeks. Bess knows more than anyone that love doesn't come without conditions. But this isn't a love story...
Can a wedding dress save a bunch of hardened crims? The Full Monty meets Orange is the New Black in a poignantly comic story about a men's prison sewing circle. Derek's daughter Debbie is getting married. He's desperate to be there, but he's banged up in Yarrandarrah Correctional Centre for embezzling funds from the golf club, and, thanks to his ex-wife, Lorraine, he hasn't spoken to Debbie in years. He wants to make a grand gesture - to show her how much he loves her. But what? Inspiration strikes while he's embroidering a cushion at his weekly prison sewing circle - he'll make her a wedding dress. His fellow stitchers rally around and soon this motley gang of crims is immersed in a joyous whirl of silks, satins and covered buttons. But as time runs out and tensions rise both inside and outside the prison, the wedding dress project takes on greater significance. With lives at stake, Derek feels his chance to reconcile with Debbie is slipping through his fingers ... A funny, dark and moving novel about finding humanity, friendship and redemption in unexpected places.
Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache? Set on timeless Wiradyuri country, where the lifegiving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.
1942. Sadie Gault is eighteen and living with her parents in the Kraków Ghetto during World War II. When the Nazis liquidate the ghetto, Sadie and her pregnant mother are forced to seek refuge in the perilous tunnels beneath the city. One day Sadie looks up through a grate and sees a girl about her own age buying flowers. Ella Stepanek is an affluent Polish girl living a life of relative ease with her stepmother, who has developed close alliances with the occupying Germans. While on an errand in the market, she catches a glimpse of something moving beneath a grate in the street. Upon closer inspection, she realizes it’s a girl hiding. Ella begins to aid Sadie and the two become close, but as the dangers of the war worsen, their lives are set on a collision course that will test them in the face of overwhelming odds. Inspired by incredible true stories, The Woman with the Blue Star is an unforgettable testament to the power of friendship and the extraordinary strength of the human will to survive.
A bighearted debut with technicolor characters, plenty of Texas swagger, and a powder keg of a plot in which marriages struggle, rivalries flare, and secrets explode, all with a clever wink toward classical mythology. The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down. An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?
For the past twenty years, Bronson Powers, former Hollywood stuntman and converted Mormon, has been homesteading deep in the uninhabited desert outside Joshua Tree with his three wives and ten children. Bronson and his wives, Yalulah, Mary, and Jackie, have been raising their family away from the corruption and evil of the modern world. Their insular existence—controversial, difficult, but Edenic—is upended when the ambitious young developer Maya Abbadessa stumbles upon their land. Hoping to make a profit, she crafts a wager with the family that sets in motion a deadly chain of events. Maya, threatening to report the family to social services, convinces them to enter three of their children into a nearby public school. Bronson and his wives agree that if Maya can prove that the kids do better in town than in their desert oasis, they will sell her a chunk of their priceless plot of land. Suddenly confronted with all the complications of the twenty-first century that they tried to keep out of their lives, the Powerses must reckon with their lifestyle as they try to save it. Truly Like Lightning is a heartbreaking meditation on family, religion, sex, greed, human nature, and the vanishing environment of an ancient desert.
Daisy is the night security guard at the Manchester Museum of Social History. She takes her job very seriously, protecting the museum from teenage troublemakers. Nate works the day shift, though he'd be more suited as a museum guide the way he chats with the visitors. Daisy doesn't approve: how does he find it so easy to talk to strangers? For five minutes each day their shifts overlap at handover. He passes the torch over to Daisy - always with a smile on his face, and she asks him for a full report of the day, which he gives reluctantly. It's the only interaction they have... until mysterious things begin to happen at the museum. They soon discover they have a lot more in common than they realised... and their investigations uncover more than just the truth. Could they have feelings for one another?
Daisy Shoemaker can’t sleep. With a thriving cooking business, full schedule of volunteer work, and a beautiful home in the Philadelphia suburbs, she should be content. But her teenage daughter can be a handful, her husband can be distant, her work can feel trivial, and she has lots of acquaintances, but no real friends. Still, Daisy knows she’s got it good. So why is she up all night? While Daisy tries to identify the root of her dissatisfaction, she’s also receiving misdirected emails meant for a woman named Diana Starling, whose email address is just one punctuation mark away from her own. While Daisy’s driving carpools, Diana is chairing meetings. While Daisy’s making dinner, Diana’s making plans to reorganize corporations. Diana’s glamorous, sophisticated, single-lady life is miles away from Daisy’s simpler existence. When an apology leads to an invitation, the two women meet and become friends. But, as they get closer, we learn that their connection was not completely accidental. Who IS this other woman, and what does she want with Daisy?