2021 Master of Architecture Portfolio

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RIOR SPATIAL SEQUENCES

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9 T H F L O O R P R O D U C T I O N D I S P L AY +13.00

Rebecca Quesnel

I S P L AY

13TH FLOOR RESTIN

Selected Works

4TH FLOOR BAKERY

Florida International University Spring 2021

1 3 T H F L O O R R E S T I N G S PA C E +52.00

9 T H F L O O R F U L L C I R C U L AT I O N

ROO

9 T H F L O O R F U L L C I R C U L AT I O N

ROOF BAR



CONTENT

01.

CURRICULUM / VITAE

4-5

02.

COLLECTIVE URBANITY

6-13

03.

WOLFSONIAN EXTENSION

14-19

04.

INTEGRATION MACHINE

20-25

05.

BIO-BREWERY

26-35



Rebecca Quesnel

rques012@fiu.edu +1 (905)-(320)-(9986) Miami/Toronto

EDUCATION

EXPERIENCE

2018-2021

FLORIDA INTERNATIONAL UNIVERSITY MASTER OF ARCHITECTURE 3 Year Formative Masters Of Architecture. 3.95 GPA

2014-2018

FLORIDA INTERNATIONAL UNIVERSITY BACHELOR OF SCIENCE: CRIMINAL JUSTICE NCAA Athlete, graduated Magna Cum Laude

2020-2021

CLIMATE RESILENT URBAN NEXUS CHOICES Research Assistant. a multi-disciplinary project with an international consortium of project partners and cities addressing all three sectors of food, water and energy through the integrative FWE-Nexus approach. It aims to support local decision and policy makers, practitioners and civil society organizations by translating the key findings of a deep review of literature, knowledge and research evidence on the FWE-Nexus into the design of Urban Living Labs (ULL).

2019-2020

FIU DEPARTMENT OF ARCHITECTURE Graduate Teaching Assistant. Statics 1 & 2 Instructed labs, generated tests and quizzes, tutored students within the realm of structural design and statics math courses

2017 Apr-Aug

ACHIEVMENTS

SKILLS

KLOKWERKS DIGITAL INC Summer Internship. Klokwerks produces technology based sales environments/ programs, interactive marketing tools/mobile apps, virtual reality [VR], augmented reality [AR] as well as award winning 3D photo-realistic renderings, animation and film production for Real Estate. Aided in Research for a Miami based project, edited Iphone Apps, contacted and conversed with architecture firms, partners and clients.

2017

FIU ATHLETE OF THE YEAR

2017

NCAA ALL ACADEMIC ALL AMERICAN

2017

FIU DIVERSITY WEEK WOMAN OF INFLUENCE

2018

JIM CASTENDA POST GRADUATE SCHOLARSHIP

2021

FLORIDA CANADA LINKAGE SCHOLARSHIP

SOFTWARE Photoshop Illustrator Indesign Premier Pro After Effects Lightroom OTHER 3D Printing Laser Cutting

PUBLICATIONS Rhinoceros 3D Autocad Revit V-ray 3ds Max MS Office

2019 Infill Housing 7 2020 CROP 2021 CRUNCH Volume 3


Supervisor : Claudio Salazar

Location: Miami Beach

01. COLLECTIVE URBANITY Towards a village within a city Collective urbanity is an example for the future of community and daily life proposed in the current location of Miami Beach. As more inland Miami becomes more urbanized, South beach begins to find itself abandoned- both of new and innovative buisnesses but also of those who shop at and particapate in a communities local economy. What is the future for South Beach as sea levels continue to rise as a result of climate change and as people shift away from the once booming metropolitan. Collective urbanity serves as a space for artists and those full of innovation and ideas to gather. The building itself is preparred for the next 100 years of sea level rise and prosposes a new innovative way of residing in current day. Tenanents share communcal spaces, both as a method of providing more afforadable housing at a higher quality, but also as a way of bringing people together. Urban farming and food production prevail on all floors of the building. The ground floor serves as an open air market full of commercial vendors who rent and those who rotate in and out of the free space. Showcasing the art, and food production of the building as well. All floors as well hold gardens and green life, where nature can begin to work its way back into the city and the units are laid out as vertically stacked neighbourhoods. Perhaps the key to a more sustainable future lies not only in the construction, but also in the way the people who inhabit the building live.

Design Studio: 9


Supervisor : Claudio Salazar

Location: Miami Beach

01. COLLECTIVE URBANITY Towards a village within a city Collective urbanity is an example for the future of community and daily life proposed in the current location of Miami Beach. As more inland Miami becomes more urbanized, South beach begins to find itself abandoned- both of new and innovative buisnesses but also of those who shop at and particapate in a communities local economy. What is the future for South Beach as sea levels continue to rise as a result of climate change and as people shift away from the once booming metropolitan. Collective urbanity serves as a space for artists and those full of innovation and ideas to gather. The building itself is preparred for the next 100 years of sea level rise and prosposes a new innovative way of residing in current day. Tenanents share communcal spaces, both as a method of providing more afforadable housing at a higher quality, but also as a way of bringing people together. Urban farming and food production prevail on all floors of the building. The ground floor serves as an open air market full of commercial vendors who rent and those who rotate in and out of the free space. Showcasing the art, and food production of the building as well. All floors as well hold gardens and green life, where nature can begin to work its way back into the city and the units are laid out as vertically stacked neighbourhoods. Perhaps the key to a more sustainable future lies not only in the construction, but also in the way the people who inhabit the building live.

Design Studio: 9


The building seeks to use as many passive systems the site affords to set a baseline for the building. The screen on the exterior building facade diffuses light on the elongated sides to passively light the units facing the north and south. The units and their gardens are placed strategically so all living room and kitchen spaces experience natural daylighting, allowing for residents to cultivate their own food and participate in the sustainable mindset of the building community. Open walkways face towards the beach, allowing passive cooling from the water to create breeze ways and passively cool the outdoor spaces. The ground floor operates simply as an open air market as a result of the microclimate created below due to the wetlands. This space holds no need for lighting or air conditioning, lowering the cost and carbon output of the overall building

TYPICAL UNIT - 6TH FLOOR 1. Shared Kitchen 2. Laundry 3. Typical Unit 4. Shared Patio Space

5. Communal living room 6. Reading room 7. Shared Patio Space 8. Social room

T h e p ro j e c t s t r i v e s t o i n c o r p o r a t e h a b i t a b l e s p a c e s f o r a l l s o c i o e c o n o m i c b a c k g ro u n d s t o c a t e r t o a l l w a l k s o f y o u n g a d u l t h o o d . I n d o i n g s o , i t c re a t e s diversity within the community but allows for comfortable living at all stages o f d e v e l o p m e n t a s a m i l l e n i a l . E a c h f l o o r t a k e s o n a d i f f e re n t u n i q u e f l o o r p l a n , t h e i d e a o f g ro w t h a n d t r a d i n g a m o n g s t t h e c o m m u n i t y t h ro u g h d i f f e re n t stages in life is a central theme within the habitation.

COMMUNAL SPACES TO ENHANCE AFFORDABILITY & SUSTANABILITY


The building seeks to use as many passive systems the site affords to set a baseline for the building. The screen on the exterior building facade diffuses light on the elongated sides to passively light the units facing the north and south. The units and their gardens are placed strategically so all living room and kitchen spaces experience natural daylighting, allowing for residents to cultivate their own food and participate in the sustainable mindset of the building community. Open walkways face towards the beach, allowing passive cooling from the water to create breeze ways and passively cool the outdoor spaces. The ground floor operates simply as an open air market as a result of the microclimate created below due to the wetlands. This space holds no need for lighting or air conditioning, lowering the cost and carbon output of the overall building

TYPICAL UNIT - 6TH FLOOR 1. Shared Kitchen 2. Laundry 3. Typical Unit 4. Shared Patio Space

5. Communal living room 6. Reading room 7. Shared Patio Space 8. Social room

T h e p ro j e c t s t r i v e s t o i n c o r p o r a t e h a b i t a b l e s p a c e s f o r a l l s o c i o e c o n o m i c b a c k g ro u n d s t o c a t e r t o a l l w a l k s o f y o u n g a d u l t h o o d . I n d o i n g s o , i t c re a t e s diversity within the community but allows for comfortable living at all stages o f d e v e l o p m e n t a s a m i l l e n i a l . E a c h f l o o r t a k e s o n a d i f f e re n t u n i q u e f l o o r p l a n , t h e i d e a o f g ro w t h a n d t r a d i n g a m o n g s t t h e c o m m u n i t y t h ro u g h d i f f e re n t stages in life is a central theme within the habitation.

COMMUNAL SPACES TO ENHANCE AFFORDABILITY & SUSTANABILITY


GROUND FLOOR

1. EXHIBITION SPACE 2. PARKING & ELEVATOR LOBBY 3. RENTABLE SMALL RETAIL SPACE 4. MECHANICAL & JANITOR 5. SOCIAL SPACE 6. RETAILER

7. SALON 8. INFORMATION DESK/ SECURITY 9. CAFE 1O.GARAGE 11. FARMERS MARKET SPACE

The key step in activating the ground floor was creating an open space for the pedestrian. Vendors and markets operate within the open air market and the parking finds itself tucked underground, mimicking its next door neighbour the W hotel, in doing so the space now belongs to the human and not the automobile. The outdoor features a walkable constructed wetland to engage the community and allow for a space for recreation and exploraiton.

LONGITUDINAL BUIILDING SECTION


GROUND FLOOR

1. EXHIBITION SPACE 2. PARKING & ELEVATOR LOBBY 3. RENTABLE SMALL RETAIL SPACE 4. MECHANICAL & JANITOR 5. SOCIAL SPACE 6. RETAILER

7. SALON 8. INFORMATION DESK/ SECURITY 9. CAFE 1O.GARAGE 11. FARMERS MARKET SPACE

The key step in activating the ground floor was creating an open space for the pedestrian. Vendors and markets operate within the open air market and the parking finds itself tucked underground, mimicking its next door neighbour the W hotel, in doing so the space now belongs to the human and not the automobile. The outdoor features a walkable constructed wetland to engage the community and allow for a space for recreation and exploraiton.

LONGITUDINAL BUIILDING SECTION


SUSTAINABLE INTERVENTIONS Constructed wetlands mimic the already present wetland ecosystem of the everglades that is site specific to South Florida. The Everglades are impossible to recreate but the importance of this biological community can be understood on an urban scale if a smaller version of this complicated ecosystem can be showcased locally. It is also not enough to justify the precense of this landscape move while a more intriguing natural ecosystem exists so near, therefore this space is comprised of a unique circulation system with which to experience the wetlands in a new light.

Providing spaces for activity, relaxation and exploration. As well as the potentional for the space to flood during South Florida’s wetter months it will use plants to filter chemicals such as phosphate, suspended soils and pollutants so that water quality is improved before entering a rainwater cistern. Building green roofs and green balconies slow the flow of rainwater to the constructed wetland below. The constructed wetland will not only serve the community but the building in it’s aquatic functions.

ALGAE BIO REACTIVE FACADE

The building proposes a welcoming solution to the threat of rising sea levels in Miami.The ground floor sits above the BFE elevation and at the height of 6’0, the hope being that the day the water reaches said height, all the ramps and stairs will remove so that the ground floor market becomes a floating platform for boats. The current constructed wetlands and bioretention ponds on the site act to filter and clean storm water for the next 50 years until the sea level rise and becomes overwhelming for the current ground manipulation. The dunes in front of the building will be built up, creating multiple buffer zones for ocean rise before reaching the building. The bridge will serve as a clear path to the beach as it is now obstructred by the sea level interventions. Hopefully in 100 years it will provide as a new way to still have acess to what once was South Beach.


SUSTAINABLE INTERVENTIONS Constructed wetlands mimic the already present wetland ecosystem of the everglades that is site specific to South Florida. The Everglades are impossible to recreate but the importance of this biological community can be understood on an urban scale if a smaller version of this complicated ecosystem can be showcased locally. It is also not enough to justify the precense of this landscape move while a more intriguing natural ecosystem exists so near, therefore this space is comprised of a unique circulation system with which to experience the wetlands in a new light.

Providing spaces for activity, relaxation and exploration. As well as the potentional for the space to flood during South Florida’s wetter months it will use plants to filter chemicals such as phosphate, suspended soils and pollutants so that water quality is improved before entering a rainwater cistern. Building green roofs and green balconies slow the flow of rainwater to the constructed wetland below. The constructed wetland will not only serve the community but the building in it’s aquatic functions.

ALGAE BIO REACTIVE FACADE

The building proposes a welcoming solution to the threat of rising sea levels in Miami.The ground floor sits above the BFE elevation and at the height of 6’0, the hope being that the day the water reaches said height, all the ramps and stairs will remove so that the ground floor market becomes a floating platform for boats. The current constructed wetlands and bioretention ponds on the site act to filter and clean storm water for the next 50 years until the sea level rise and becomes overwhelming for the current ground manipulation. The dunes in front of the building will be built up, creating multiple buffer zones for ocean rise before reaching the building. The bridge will serve as a clear path to the beach as it is now obstructred by the sea level interventions. Hopefully in 100 years it will provide as a new way to still have acess to what once was South Beach.


Supervisor : Juan Alayo

Location: Miami Beach

Comprehensive Design Studio

02. WOLFSONIAN EXTENSION Comprehensive Design Studio: The development of an architectural project with an emphasis on comprehensive building design:advanced site analysis and development, spatial relationships between interior and exterior, landscape integration, zoning and code analysis, programming, and fully integrated building systems. Design Studio focuses on passive and active systems integration with environmental concerns and repercussions in building design. Studio work includes a comprehensive set of architectural documents, articulated models, and architectural details representative of the building’s concepts and construction methods. The Wolfsonian Extension requested a program that combined both an auditorium space, an extension of Florida International Universities’ Miami Beach Urban Studios for students and an art gallery. Other program requirements included commercial spaces, offices, and parking for 40 cars indoor within the city. The building layout urges the passerby to enter through the historical façade to a commercial space and open slender courtyard hidden within the bustle of Miami Beach. The same proportions of the courtyard on the exterior hint at a similar promenade within the art gallery walkways. A huge staircase marks the exterior bringing the museum goer over the parking and offices and into a space of creativity, production, and exposition. The same monolithic staircase marks the interior core of the building as well. An atrium space meant to filter daylight through a porous stone roof, highlights the space and galleries run to the left and right, looping the museum goer in an immersive gallery space. The atrium is a break from the hot, humid climate of Miami, while still celebrating the sunny weather in the common space of extension project. The large underneath spaces of the monolithic staircase work to hide most services of the gallery, and circulation is pushed to the two shimmering copper cores that break the rationalist façade and glimmer in the Miami sun outside once again.


Supervisor : Juan Alayo

Location: Miami Beach

Comprehensive Design Studio

02. WOLFSONIAN EXTENSION Comprehensive Design Studio: The development of an architectural project with an emphasis on comprehensive building design:advanced site analysis and development, spatial relationships between interior and exterior, landscape integration, zoning and code analysis, programming, and fully integrated building systems. Design Studio focuses on passive and active systems integration with environmental concerns and repercussions in building design. Studio work includes a comprehensive set of architectural documents, articulated models, and architectural details representative of the building’s concepts and construction methods. The Wolfsonian Extension requested a program that combined both an auditorium space, an extension of Florida International Universities’ Miami Beach Urban Studios for students and an art gallery. Other program requirements included commercial spaces, offices, and parking for 40 cars indoor within the city. The building layout urges the passerby to enter through the historical façade to a commercial space and open slender courtyard hidden within the bustle of Miami Beach. The same proportions of the courtyard on the exterior hint at a similar promenade within the art gallery walkways. A huge staircase marks the exterior bringing the museum goer over the parking and offices and into a space of creativity, production, and exposition. The same monolithic staircase marks the interior core of the building as well. An atrium space meant to filter daylight through a porous stone roof, highlights the space and galleries run to the left and right, looping the museum goer in an immersive gallery space. The atrium is a break from the hot, humid climate of Miami, while still celebrating the sunny weather in the common space of extension project. The large underneath spaces of the monolithic staircase work to hide most services of the gallery, and circulation is pushed to the two shimmering copper cores that break the rationalist façade and glimmer in the Miami sun outside once again.


Gallery First Floor LOT SIZE: 4,000 SF

LOT SIZE: 4,000 SF

LOT SIZE: 2,500 SF

LOT SIZE: 2,500 SF

ARC 5483-U01 ARC 5483-U01 Integrated Building Systems / Fall

Integrated Building 2019Systems Fall 2019

Project Name

ARCHITECTURAL 1001 Washington Codes

9' - 2"

8' - 6"

- Setbacks - Height Restrictions - Survey

8' - 0"

Architecture

SITE 130 x 200

CROWN OF ROAD

9' - 2"

8' - 6"

- Representation - Materials

8' - 0"

SITE 130 x 200

CROWN OF ROAD

Structure - Grid Lines - Grid Dimensions

WASHINGTON AVENUE

8' - 0"

PRODUCED BY AN AUTODESK STUDENT VERSION

LOT SIZE: 19,500 SF

01. Lobby 02. Curators & Stacks 03. Electrical 04. AHU 05. Storage & MEP 06. Digital Collections

Technical Drawings - Line Weight - Layout - Scale - Sheet Number LOT SIZE: 19,500 SF

Grade 07. Mechanical & HVAC 08. Men’s Bathroom 09. Women’s Bathroom 10. Main Gallery 11. Mechanical & Janitor 12. FIU Back Entrance

Name

Rebecca Timothy Quesnel Cobo Drawing

8' - 0"

THIRD FLOOR CONTEXT SITEPLAN PLAN Date

12/12/2019 09/10/19 Scale

N LOT SIZE: 4,000 SF

Perspectival Section Highlighting Major Public Circulation

LOT SIZE: 2,500 SF

01. Small Gallery 02. HVAC/Electrical 03. Men’s Washroom 04. Women’s Washroom 05. Crit & Study Rooms ARC 5483-U01 ARC 5483-U01 06. Janitor Integrated Building Systems / Fall 07. FIU Library Integrated Building 2019Systems

Sheet No.

CONTEXT SITE PLAN 1/64" = 1'-0"

8' - 6"

FLOOD ZONE: AE ELEVATION: 8'-0"

Codes

9' - 2"

CROWN OF ROAD

CONTEXT SITE PLAN

1 ARCHITECTURAL 1001 1/64" = 1'-0" G101 A103 Washington

FLOOD ZONE: AE ELEVATION: 8'-0"

Typical Floor Plan

Fall 2019

Project Name

1

08. FIU Faculty 09. Main Courtyard Gallery 10. Auditorium 11. Light & Sound Booth 12. Storage 13. Housekeeping 14. Electrical

1/32” = 1/64" = 1’ 1' -- 0” 0"

8' - 0"

SITE 130 x 200

- Setbacks - Height Restrictions - Survey

LOT SIZE: 4,000 SF

Architecture

LOT SIZE: 2,500 SF

- Representation - Materials

Structure - Grid Lines - Grid Dimensions

Technical Drawings - Line Weight - Layout - Scale - Sheet Number

LOT SIZE: 19,500 SF

Grade

9' - 2"

8' - 0"

Name

Rebecca Timothy Quesnel Cobo Drawing

8' - 6"

PERSPECTIVAL CROSSPLAN SECTION CONTEXT SITE

8' - 0"

Date

12/12/2019 09/10/19 Scale

1/20” = 1/64" = 1’ 1' -- 0” 0"

CROWN OF ROAD

SITE 130 x 200


Gallery First Floor LOT SIZE: 4,000 SF

LOT SIZE: 4,000 SF

LOT SIZE: 2,500 SF

LOT SIZE: 2,500 SF

ARC 5483-U01 ARC 5483-U01 Integrated Building Systems / Fall

Integrated Building 2019Systems Fall 2019

Project Name

ARCHITECTURAL 1001 Washington Codes

9' - 2"

8' - 6"

- Setbacks - Height Restrictions - Survey

8' - 0"

Architecture

SITE 130 x 200

CROWN OF ROAD

9' - 2"

8' - 6"

- Representation - Materials

8' - 0"

SITE 130 x 200

CROWN OF ROAD

Structure - Grid Lines - Grid Dimensions

WASHINGTON AVENUE

8' - 0"

PRODUCED BY AN AUTODESK STUDENT VERSION

LOT SIZE: 19,500 SF

01. Lobby 02. Curators & Stacks 03. Electrical 04. AHU 05. Storage & MEP 06. Digital Collections

Technical Drawings - Line Weight - Layout - Scale - Sheet Number LOT SIZE: 19,500 SF

Grade 07. Mechanical & HVAC 08. Men’s Bathroom 09. Women’s Bathroom 10. Main Gallery 11. Mechanical & Janitor 12. FIU Back Entrance

Name

Rebecca Timothy Quesnel Cobo Drawing

8' - 0"

THIRD FLOOR CONTEXT SITEPLAN PLAN Date

12/12/2019 09/10/19 Scale

N LOT SIZE: 4,000 SF

Perspectival Section Highlighting Major Public Circulation

LOT SIZE: 2,500 SF

01. Small Gallery 02. HVAC/Electrical 03. Men’s Washroom 04. Women’s Washroom 05. Crit & Study Rooms ARC 5483-U01 ARC 5483-U01 06. Janitor Integrated Building Systems / Fall 07. FIU Library Integrated Building 2019Systems

Sheet No.

CONTEXT SITE PLAN 1/64" = 1'-0"

8' - 6"

FLOOD ZONE: AE ELEVATION: 8'-0"

Codes

9' - 2"

CROWN OF ROAD

CONTEXT SITE PLAN

1 ARCHITECTURAL 1001 1/64" = 1'-0" G101 A103 Washington

FLOOD ZONE: AE ELEVATION: 8'-0"

Typical Floor Plan

Fall 2019

Project Name

1

08. FIU Faculty 09. Main Courtyard Gallery 10. Auditorium 11. Light & Sound Booth 12. Storage 13. Housekeeping 14. Electrical

1/32” = 1/64" = 1’ 1' -- 0” 0"

8' - 0"

SITE 130 x 200

- Setbacks - Height Restrictions - Survey

LOT SIZE: 4,000 SF

Architecture

LOT SIZE: 2,500 SF

- Representation - Materials

Structure - Grid Lines - Grid Dimensions

Technical Drawings - Line Weight - Layout - Scale - Sheet Number

LOT SIZE: 19,500 SF

Grade

9' - 2"

8' - 0"

Name

Rebecca Timothy Quesnel Cobo Drawing

8' - 6"

PERSPECTIVAL CROSSPLAN SECTION CONTEXT SITE

8' - 0"

Date

12/12/2019 09/10/19 Scale

1/20” = 1/64" = 1’ 1' -- 0” 0"

CROWN OF ROAD

SITE 130 x 200


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Copper Clad Concrete Wall Rigid Insulation llaW etercnoC dalC reppoC noitalusnI digiR

2’ high concrete parapet Metal tFlashing eparap etercnoc hgih ’2

"6 - '8

gnihsalF lateM Roof construction: Plastic Sealing :noLayer itcurtsnoc fooR Thermal insulation reyaL gnilaeS citsalP Vapour retarding noitalayer lusni lamrehT Reinforced roof reyconcrete al gnidra ter ruopaV foor etercnoc decrofnieR

"2 - '9

FO N WORC DAOR

Philips SmartBalance, suspended LED

deluminaire dnepsus ,ecnalaBtramS spilihP erianimul DEL Ceiling Construction Ceiling Panel noGypsum itcurtsnoC gnilieC Rigid Insulation muspyG lenaP gnilieC

West Elevation

noitalusnI digiR

East Elevation

EA :ENOZ DOOLF "0-'8 :NOITAVELE

Thyssenkrupp Velino Escalator 40" Tempered rota lacsE onSafety ileV ppGlass, urkneStainless ssyhT Steel,,sMirror salG ytor efaPowder S dereCoating pmeT "04 redwoP ro rorriM ,leetS sselniatS gnBrass itaoC Stainless Steel Re-Clad with

"0 - '8

:EZIS TOL FS 005,91

:EZIS TOL FS 005,2

ETIS 002 x 031

:EZIS TOL FS 000,4

3” Marble Panel Brass Mullions lenaP elbraM ”3 snoilluM ssarB

ssarB htiw dalC-eR leetS sselniatS

Reinforced Concrete etercConstruction noC decrofnieR Waffle Slab noitcurtsnoC balS elffaW Philips Hue LED Panel Light lenwhite, aP DEWhite L euH spilihP Aurelle, etihW ,etRecessed ihw ,ellerwithin uA thgiL Ambiance, n ihtiw d esseceR ,ecnaibmA Waffle Slab balS elffaW

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"0 - '8

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Supervisor : Jason Chandler

Location: North Miami Beach

02.

Design Studio: Formative 3

INTEGRATION MACHINE The library extension to the Ancient Spanish Monastery is a frame nestled within the landscape. The addition is meant to serve as a catalyst as it embraces the different space and generates a scenario of a new public area, forever altering the previous religious space into a space for community. The buildings placed side by side, with an open crack for the earth to pour in as it forms a threshold between the new, the old, and the environment. The building rises and falls, peeling away from the earth, as well as cantilevering to allow the original landscape to roll through. The length and form of the new building is derived from the module of the cloisters of the monastery and is meant to mimic the promenade of the preexisting building. Yet it also serves to be read as a wall running with the natural topography from the gardens to the water. Upon entering three paths are presented, all containing stacks of books- yet the central path rises through light wells highlighting the special collections held within the massive columns of the library. Today the building, clad entirely in copper stands as a juxtaposition between the masonry of the former building, and the shimmering metallic object in the sunlight. Yet over time, the building will purposefully oxidize, assimilating back into the landscape. No longer a frame but a building that ages in it’s environment, becoming one with the surrounding foliage in it’s colour.

ENCLOSE

OPEN

DIVIDE

FRAME

ASSIMILATE


Supervisor : Jason Chandler

Location: North Miami Beach

02.

Design Studio: Formative 3

INTEGRATION MACHINE The library extension to the Ancient Spanish Monastery is a frame nestled within the landscape. The addition is meant to serve as a catalyst as it embraces the different space and generates a scenario of a new public area, forever altering the previous religious space into a space for community. The buildings placed side by side, with an open crack for the earth to pour in as it forms a threshold between the new, the old, and the environment. The building rises and falls, peeling away from the earth, as well as cantilevering to allow the original landscape to roll through. The length and form of the new building is derived from the module of the cloisters of the monastery and is meant to mimic the promenade of the preexisting building. Yet it also serves to be read as a wall running with the natural topography from the gardens to the water. Upon entering three paths are presented, all containing stacks of books- yet the central path rises through light wells highlighting the special collections held within the massive columns of the library. Today the building, clad entirely in copper stands as a juxtaposition between the masonry of the former building, and the shimmering metallic object in the sunlight. Yet over time, the building will purposefully oxidize, assimilating back into the landscape. No longer a frame but a building that ages in it’s environment, becoming one with the surrounding foliage in it’s colour.

ENCLOSE

OPEN

DIVIDE

FRAME

ASSIMILATE


1 8

7

6 3

2 5

4

GROUND FLOOR

LIBRARY VIEW 01. Ancient Spanish Monastery

05. Study Rooms

02. Garden Connection

06. Auditorium Space

03. Library Entrance

07. Common Apartment Space

04. Special Collections

08. Unit 1

SECTION A-A’

SECTION C-C’

The library project serves as an extension to the Ancient Spanish Monastery that lies in Miami Beach. In addition to the typical program of the library incorperating bathrooms, study rooms, offices, general and special collections, the program called for an auditorium space and 3 apartment units for writers and creatives that live on site. Ideally a major concern for the program was creating a space for community as well, thus the spanish monastery pours out into 2 new suggestive courtyards with intentions of providing space for community activities and gathering.

SECTION B-B’

COMMUNITY SPACE VIEW


1 8

7

6 3

2 5

4

GROUND FLOOR

LIBRARY VIEW 01. Ancient Spanish Monastery

05. Study Rooms

02. Garden Connection

06. Auditorium Space

03. Library Entrance

07. Common Apartment Space

04. Special Collections

08. Unit 1

SECTION A-A’

SECTION C-C’

The library project serves as an extension to the Ancient Spanish Monastery that lies in Miami Beach. In addition to the typical program of the library incorperating bathrooms, study rooms, offices, general and special collections, the program called for an auditorium space and 3 apartment units for writers and creatives that live on site. Ideally a major concern for the program was creating a space for community as well, thus the spanish monastery pours out into 2 new suggestive courtyards with intentions of providing space for community activities and gathering.

SECTION B-B’

COMMUNITY SPACE VIEW


Walking the halls of the monastery generates feelings of thoughtfulness. contemplativeness, and pensiveness. The feeling of that promenaded was pur-posely carried into the library to further generate similar emotions when passing through the spaces of the bookshelves. The crack or the subtle breaking between the library promenade and the monastery promenade illuminates with outdoor light and air, shifting the mindset of the person who navi-gates the building, pulling their senses back to the real world. The open spaces drastically contrasts the darkness of both interior spaces, before pulling the building navigator back into their pensive mood when shifting between spaces.

BUILDING AXO & WORMS EYE AXO

SECOND FLOOR

THIRD FLOOR

LONGITUDINAL ELEVATION


Walking the halls of the monastery generates feelings of thoughtfulness. contemplativeness, and pensiveness. The feeling of that promenaded was pur-posely carried into the library to further generate similar emotions when passing through the spaces of the bookshelves. The crack or the subtle breaking between the library promenade and the monastery promenade illuminates with outdoor light and air, shifting the mindset of the person who navi-gates the building, pulling their senses back to the real world. The open spaces drastically contrasts the darkness of both interior spaces, before pulling the building navigator back into their pensive mood when shifting between spaces.

BUILDING AXO & WORMS EYE AXO

SECOND FLOOR

THIRD FLOOR

LONGITUDINAL ELEVATION


Supervisor : Marcelo Ertorteguy

04.

Location: Downtown Miami

BIO-BREWERY Can sustainability and consumerism coexist simultaneously? Can the Industrial landscape find its place within the city, and with transparency in production and manufacturing can we alter the ways in which we decide to consume? The project strives to redefine the connotation many hold of factory architecture and is done so through the repurposing of a brutalist federal building. A transparent brewery in the government core of downtown Miami Florida. The goal? To produce beer in a controlled environment where all products are grown, manufactured and harvested within the space. As beer often produces 10 gallons of wastewater for each gallon of beer produced, what better place than rainy south Florida to erect a building with the goal of creating a sustainable, water centered project. Crop growth, water collection & treatment, yeast fermentation and beer brewing all present in the machine elements of the program. With the potential of harvesting biofuel through beer and yeast production, along with rainwater catchment, can the building then become a self-sustaining cycle? Can the output of the building also operate as the generator? Where does the human element begin to find itself amongst a machine-driven program? Exterior horizontal moving walkways and inner vertical circulation allows for the consumer to navigate all spaces of the factory. Each floor showcasing different moments of rest. Pop up galleries, bakeries, and bar spaces acts as nodes that invite the community into the project, and showcase Miami culture in a site-specific brewery. A versatile program that can appeal to a diverse crowd, beyond the demographic of the brewery. From both the exterior and through all interior spaces the systems and processes of the building are showcased. By altering the way, a factory presents itself with complete transparency- there becomes a direct connection between the product and the buyer. A greener future relies on sustainable and locally sourced products, but perhaps the ability to participate and view all operations an industry undertakes, then society can begin to demand more ethically produced products.

Design Studio: 10


Supervisor : Marcelo Ertorteguy

04.

Location: Downtown Miami

BIO-BREWERY Can sustainability and consumerism coexist simultaneously? Can the Industrial landscape find its place within the city, and with transparency in production and manufacturing can we alter the ways in which we decide to consume? The project strives to redefine the connotation many hold of factory architecture and is done so through the repurposing of a brutalist federal building. A transparent brewery in the government core of downtown Miami Florida. The goal? To produce beer in a controlled environment where all products are grown, manufactured and harvested within the space. As beer often produces 10 gallons of wastewater for each gallon of beer produced, what better place than rainy south Florida to erect a building with the goal of creating a sustainable, water centered project. Crop growth, water collection & treatment, yeast fermentation and beer brewing all present in the machine elements of the program. With the potential of harvesting biofuel through beer and yeast production, along with rainwater catchment, can the building then become a self-sustaining cycle? Can the output of the building also operate as the generator? Where does the human element begin to find itself amongst a machine-driven program? Exterior horizontal moving walkways and inner vertical circulation allows for the consumer to navigate all spaces of the factory. Each floor showcasing different moments of rest. Pop up galleries, bakeries, and bar spaces acts as nodes that invite the community into the project, and showcase Miami culture in a site-specific brewery. A versatile program that can appeal to a diverse crowd, beyond the demographic of the brewery. From both the exterior and through all interior spaces the systems and processes of the building are showcased. By altering the way, a factory presents itself with complete transparency- there becomes a direct connection between the product and the buyer. A greener future relies on sustainable and locally sourced products, but perhaps the ability to participate and view all operations an industry undertakes, then society can begin to demand more ethically produced products.

Design Studio: 10


Program

Water Catchment

Roof Bar

Barley & Hops Growth Beer Fermentation

GROUND FLOOR PLAN

Production Display 1 . Bottling & Distributon 2 . Storage 3 .Shop 4 . Bathrooms 5 . Showroom Brewery 6 . Milling 7 . Watertreatment

8 . Plumbing Chase 9 . Loading Zone 10 . Mec 11 . Mec 12 . Office 13 . Lobby 14 . Main Watertank

Pop Up Gallery

Cafe & Bakery

Public Plaza

SPATIAL SEQUENCES

Brewing Water Treatment Bottling & Distribution Lobby


Program

Water Catchment

Roof Bar

Barley & Hops Growth Beer Fermentation

GROUND FLOOR PLAN

Production Display 1 . Bottling & Distributon 2 . Storage 3 .Shop 4 . Bathrooms 5 . Showroom Brewery 6 . Milling 7 . Watertreatment

8 . Plumbing Chase 9 . Loading Zone 10 . Mec 11 . Mec 12 . Office 13 . Lobby 14 . Main Watertank

Pop Up Gallery

Cafe & Bakery

Public Plaza

SPATIAL SEQUENCES

Brewing Water Treatment Bottling & Distribution Lobby


HOPS GROWTH RENDER

EAST ELEVATION

WEST ELEVATION


HOPS GROWTH RENDER

EAST ELEVATION

WEST ELEVATION


SECTION A-A’

SOUTH ELEVATION


SECTION A-A’

SOUTH ELEVATION


LONGITUDINAL SECTION


LONGITUDINAL SECTION


Thank-you.


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