ENGLISH PAPER
SPRING 2018 | Course Offerings at OSU-Marion
IMPORTANT NOTE: Please consult with the Marion Academic Advisor for English Majors, S hellie Shirk (shirk.20@osu.edu), or the Marion English Faculty Coordinator, Stuart Lishan (lishan.1@osu.edu), concerning which English major concentration and/or other requirements are met by your choice of the following courses.
✪ ✪ ✪ ✪ ✪ English 2202 Selected Works of British Literature: 1800 to Present Nathan Wallace TR 4:30-5:50 / 3 Credit Hours In this survey of British and Irish literature since 1800, we will study major works of fiction, drama, and poetry from British Romanticism, the Victorian era, Modernism, and contemporary literature. In addition to discussing their literary qualities, we will also consider their meanings in historical and cultural contexts. Major themes of discussion will be: political revolution and reaction, women’s writing, postcolonialism, and Irish literature. We will read selections from William Blake, William and Dorothy Wordsworth, John Keats, Alfred Tennyson, Elizabeth Barrett Browning, Christina Rossetti, Virginia Woolf, W.B. Yeats, James Joyce, Samuel Beckett, Seamus Heaney, Nadine Gordimer, Salman Rushdie, Alice Munro, and Zadie Smith. In this class, you will be responsible for weekly study questions, two exams, and two mid-length essays. This course fulfills GEC Requirements for Arts and Humanities: Analysis of Texts and Works of Art & International Issues Western (non-US). It is also a requirement for the English Major.
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✪ ✪ ✪ ✪ ✪ English 2267 | Introduction to Creative Writing Mike Lohre T /R 1:30 - 2:50 / 3 Credit Hours There is no better way to learn to ride a bike than to ride a bike, and there is no better way to learn how to write creatively and express yourself in different styles than to write and explore in these styles. This class gets you up on two wheels and rolling down the road as a writer. We will cover the genres of poetry, fiction, and creative nonfiction, and we use the text Four Genres in Brief by David Starkey (1st Edition). We read samples of each genre, and work to learn the conventions and typical moves made by writers in these genres. Then we apply our learning and we write poems, stories, and essays. We discuss these essays in a workshop format that lets gives writers tons of feedback, encouragement, and constructive criticism and review for improvement. The enrollment is limited in this course as we seek to create a small writing community based on trust and open feedback. We seek to compile a portfolio of creative work by the end of the semester that is a testament to our best efforts in the class, and a tangible record of our talent and progress. Hope you will consider joining us!
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English 3304 | Business and Professional Writing Amy Tibbals T/R 9:30-10:50 / 3 Credit Hours Writing isn’t just for college papers, and having strong business writing skills will help you far beyond the classroom. In this course, you will learn the fundamentals of business writing, and you will apply those skills in real-world writing assignments. OSUM has partnered with The United Way of Marion County to offer a $5000 Pay It Forward grant available to non-profit organizations in Marion. As part of the OSUM Pay It Forward Project, you will work on some of the written pieces of the grant process, run a crowdfunding project and run a fundraising event to raise money for PIF. You will also create your own professional portfolio, including a resume, cover letter and LinkedIn page. If you’re looking for a writing course that will help you in the real world and make an impact on the community at the same time, sign up for English 3304 with Amy Tibbals.
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✪ ✪ ✪ ✪ ✪ English 3467S | Issues and Methods in Tutoring Writing Cynthia Lin T/R 11:00 - 12:20 / 3 Credit Hours You don’t have to be an English major to take this class. You just need to be interested in learning how to use strategies to help your peers learn. This English 3467S with the aim at preparing you to work with students from diverse backgrounds and disciplines provides a unique opportunity to learn about learning and writing center theories. The class also focuses on learning peer consulting techniques through on-site tutoring observation and participation, so that you will have the opportunity to put the theories into practice. This course is open to any undergraduates who are planning careers particularly as teachers or who are interested in working with others. This course is particularly helpful to those who are enrolling in the professional writing minor. It is also advised for anyone who is interested in working in the Academic Enrichment Center as a paid peer tutor in writing, math, science, and related fields. ✪ ✪ ✪ ✪ ✪ English 3597.03 | Environmental Citizenship (Animal Minds) Sara Crosby TR 9:30-10:50 / 3 Credit Hours Animals. We love them, fear them, eat them. They are cute, and they are horrifying. They are aliens, and they are us. Why can’t we make up our minds about them? And what about their minds? What are they really thinking? Animals mediate our connection to our environment and our own identities. How we understand and treat them shapes how we understand and treat ourselves. This class will investigate that contradictory relationship and track how we have conceptualized our fellow earthlings, as we explore texts from Aesop’s Fables and Edgar Allan Poe’s “The Black Cat” to the so-bad-it’s-good Birdemic and Youtube’s “Henri the Existential Cat.” In so doing, we will shed some light on animal minds—our own included.
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✪ ✪ ✪ ✪ ✪ English 3662 | Introduction to Literary Publishing Ben McCorkle MW 9:30 - 10:50 / 3 Credit Hours This course is responsible for producing the Cornfield Review, the venerated annual literary journal of OSU-Marion. Students will study the history of literary editing, publishing, and design. They will put their newfound knowledge to practical use as staff members of the Cornfield Review. Texts TBA. Visiting speakers possible. Requirements include class presentations and a significant end-of-semester project. For more information, contact Ben McCorkle (m ccorkle.12@osu.edu). ✪ ✪ ✪ ✪ ✪ English 4189 | Professional Writing Minor: Capstone Internship Catherine Braun TR 3-4:20 / 3 Credit Hours This is the internship experience that is required for the professional writing minor. However, it is open to any student interested in a writing internship (with permission of the instructor). Prerequisites: A 2367 second level writing class (or equivalent) and an additional writing class beyond 1110; English 4150 (may be waived with written permission of the instructor.
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English 4400 l Literary Locations: London from Shakespeare to Sherlock Nathan Wallace & Sara Crosby TR 11:00-12:20 / 3 Credit Hours There have been many Londons. There are many Londons. Built side-by-side and often one atop the other, these Londons have never been fully erased by invading armies, rampaging flames, or even progress. It remains to us to cross the hidden boundaries between its teeming neighborhoods and to peel back their layers to find the ancient Roman citadel, the medieval Anglo-Saxon warren, the Elizabethan and Restoration stew of intrigue and riot, or the heaving imperial metropolis, still living, under the shiny glass and steel skin of the twenty-first-century city. “London from Shakespeare to Sherlock” will guide you through these Londons. We will tease out how they have fit together (or not) and how they have shaped one of the most vital literatures and cultures in the world. ✪ ✪ ✪ ✪ ✪ English 4520.01 | Shakespeare Nathan Wallace TR 6:00-7:20 / 3 Credit Hours This seminar on the work of William Shakespeare will concentrate on Shakespeare’s development as a playwright, and the interaction in his lifetime between actors, writers, audiences, printers, and patrons. We will also examine several major themes in Shakespeare’s work, including the relationship between theater and politics, and the role of performance in everyday life. We will examine the major Shakespearean genres of tragedy, comedy, history, and romance – taking as our examples such plays as Richard III, A Midsummer Night’s Dream, the Merchant of Venice, Julius Caesar, As You Like It, Macbeth, King Lear, Twelfth Night, Measure for Measure, Antony and Cleopatra, and the Winter’s Tale. Students will write semi-weekly study questions, a midterm, and one research essay at the end of the term. We will
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also perform scenes as part of our final projects. Critical examination of the works, life, theater, and contexts of Shakespeare. Prereq: 6 cr hrs in English at 2000-3000 level, or permission of instructor. 5 qtr cr hrs of 367 or 6 sem cr hrs of 2367 in any subject are acceptable towards the 6 cr hrs. Not open to students with credit for 520 or 520.01
. ✪ ✪ ✪ ✪ ✪ English 4547 | 20th-Century Poetry Stuart Lishan MW 11:00-12:20 / 3 Credit Hours English 4547 will be a reading and writing class centered around 20th-Century Poetry written in English (and some 21st Century Poetry, too). We’ll discover and investigate our way into this work through both the traditional academic sort of writing that you might expect in a literature class and through some weekly not-so-traditional, poetic sort of writing assignments, based on the “moves” and “grooves” of the poets we’ll be playing with. In the process we’ll get poemcrazy, drenched in words, wet with the primordial dew of discovery, as it were, and we’ll experience a whole bevy of poets from the outside-in as well as from the inside-out. Texts: The Norton Anthology of Modern and Contemporary Poetry, edited by Jahan Ramazani, Richard Ellmann, and Robert O’Clair, Vols. 1 & 2. Requirements, a 10-12 page research paper; a review of a literary journal that sports a good deal of contemporary poetry; a collection of weekly not-so-traditional writing, which you’ll keep in a portfolio and will be graded on a portfolio basis; a class presentation on a 20th Century poet of your choice; and a number of reading quizzes.
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✪ ✪ ✪ ✪ ✪ English 4564 | The Inescapable Orbits of Walt Whitman Peter C. Dully, Jr. T/R 4:30-5:50 So here's the deal: English 4564 is a class centered on the greatest American poet, Walt Whitman. The operative thesis is that Whitman essentially creates what we now know as American literature--his fingerprints can be seen on just about everything that's happened in our literature since about 1850. To this end, we will be looking at the majority of Whitman’s published work and showing how it is related to a broad cross-section of literature in the intervening century and change since his death. So while we'll get a healthy dose of Whitman, we'll also be looking at things like Langston Hughes, Allen Ginsberg, T.S. Eliot and Emily Dickinson. Since it's a 4000-level class, you'll have a good deal of autonomy in shaping some of the other things we look at, too--I could see side-trips into things like The Wire or Eminem or Ken Burns documentaries. Student research and collaboration is essential to the enterprise; you will be called upon to present a significant portion of original research in the furtherance of our collective understanding. Whitman’s work is designed to show us what it means to be embodied, what it means to be human and what it means to be part of society. To demonstrate this, the class will culminate in a live reading of Song of Myself, to which friends, family and passersby are all invited. What’s more, this class is entered into in the spirit of Whitman himself: capacious, rollicking, passionate and generous. These will be our watchwords as we go. It should be fun. ✪ ✪ ✪ ✪ ✪ English 4578 | Special Topics in Film Catherine Braun TR 1:30-2:50 / 3 Credit Hours This will be a seminar that combines analysis and production of films. We will watch a series of movies with a "film noir" aesthetic in order to understand how movies make meaning and tell stories visually. Then, you will use what you have learned to make your own short films. No prior film-making experience is required; you will learn all you need to know in this class.
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✪ ✪ ✪ ✪ ✪ English 4591.01H | Special Topics in the Study of Creative Writing (Honors) Stuart Lishan MW 1:30-2:50 / 3 Credit Hours In English 4591.01H fulfills one of the requirements for the Creative-Writing concentration, and it meets the English major Elective requirements at the 3000 + level for the WRL and Literature concentrations). Focusing on the theme of small towns, we will read and write poetry, fiction, creative non-fiction (memoir), and drama (a one-act play). You’ll be introduced to and learn from some of the greats in these lyric and narrative arts. And of course you’ll nurture and sustain your own creativity through engaging in some fun, creative-writing activities. What happens when we explore-in-words in this way is often fantastic and exciting, and we'll go on this journey together as a small community of readers and writers, as fellow voyagers of the sweet words. Part of the course will be consist of one-week residency in which a theater luminary and a visiting playwright/director will come to our class and work with us to create one-act plays centered around our common course theme. Basically, if you love to write, this is the class for you!
PALS | Pride And Life Skills Mentoring Program
The Pride And Life Skills mentoring program (PALS) is a cooperative venture between The Ohio State University at Marion, the Boys & Girls Club of Marion County, and Marion Public Schools to develop a mentoring program that is a win-win situation for both elementary, middle school students, and college students. PALS, connects college students from the Marion campus with grade school children in the Marion area to provide one-on-one mentoring opportunities for kids. The Boys & Girls Club matches program volunteers with school age children and provides each a useful handbook to direct them through the mentoring process. Students earn 1-credit per term of independent study by attending mentoring sessions regularly, coming to a few meetings, and writing a two-page report about their mentoring activities at the end of each term. OSUMARION.OSU.EDU/ACADEMICS/PALS.HTML For further information contact: Ben McCorkle • mccorkle.12@osu.edu Nikole Patson • patson.3@osu.edu
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