B I N
X U
ARCHITECTURE DESIGN STUDIO 3
“AIR” DESIGN JOURNAL 2012
Hello everyone, my name is Bin, but you can call me Ben! I am from China and I am a mad fly fisher! I really enjoy the moment when I am standing on the bank of creek in forest as I personally feel that I become part of the nature. and I am interested at applying or strengthening the dynamic aspect of a building while maintaining the building to be considered as part of the back ground context. I have used CAD to establish my design plans and then use Sketchup for modelling since couple of years ago. I really like the way CAD presents tidy precise and clear plans. This is my first time engaging with Rhino3D, everything is new.
The intension of the design of the Boathouse is to simulate a jet boat which relates to the Yarra River next to it. The 3 stores are made from large concrete slabs which emphasis the size of the building and make the building look more magnificent in terms of its size. On the other hand, a jet boat shape is not only giving dynamic feeling to the building but also reflecting to the flowing water next to it. Moreover, those long span bridges connecting to the road on the uphill and car park utilize the technique from Mies’ Bricks Country House. It creates the endless feeling and visually enrages the building. A big building is always more eye-catching than a small building. Apart from that, those bridges also simulate the Yarra River next to it. Overall, this design strongly reflects to the background Conclusion: context and utilizes the geographi- Any architecture must be analyzed with the background context or as a whole. Anything that standcal aspect of the site. This design is suitable for the mo- ing there without showing respect to the surroundtorway Project as the project sites ings will be no senses. An individual building is are long but relatively narrow lands not architecture however it is just part of the archiwhich can be utilized to place any tecture. To this end, architecture must be seen as a long span wall/objects to create the whole. Utilizing the background environments is endless feeling so that the project very important. The background environment will be beneficial to the object only if the object shows becomes more eye-catching. As the design intension is to make the some respect to it. Especially for the Motorway building become coherent within project, people are most likely to have a glance of the background context, it creates the project when they are driving on the highway. Therefore if the background contexts emphasize smooth and logical connection and support the project, it will be more like a landbetween the highway and inland mark instead of a “boring project”. roads.
“Both in architecture and in an object, there should be a similar level of coherence and mutual reinforcement as there is between the detail and the whole.” -Jean Nouvel, Ateliers As Barcelona is a port city, the design of Agbar tower simulates a jet of water with stable pressure to create a feeling of geyser surging from the earth to the sky in order to reflect the nearby blue water. Therefore the Agbar tower reveals the geographical traits of the city. On the other hand, the tower is also in relation to the background context which includes the legacy of the Guadi’s famous Sagrada Familia (Alex Sanchez Vidiella, 2007). The tower is served as the main tower of Sagrada Familia. It reveals the importance of how building integrates within the background context (Alex Sanchez Vidiella, 2007). This building design can be utilized for the Motorway project as it has strongly internal relationship with the background context as it reflects to the nearby blue water and Sagrada Familia. It will impress drivers by showing the traits of the background context and make them become interested at exploring the surrounding environment.
Agbar Tower Bercelona Spain Ateliers Jean Nouvel, Fermin Vazquez/b720 Arquitectos, 2004
Falling Water PA, USA, Frank Lloyd Wright 1935
“Architecture is part of the natural” -Frank Lloyd Wright As Wright’s theory of architecture “Architecture is part of the natural” (Hoffmann Donald, 1993), he provided and examined his ideology by making the unique architecture “Falling Water” as part of the natural. This building is built right on top of the existing falling water. Instead of modifying the natural to become suitable for the building, Wright actually decided to let the water go through/under the building. This design maximally maintains the background environments. The materials also reveal the design intension. Stone, brick and timber are all natural materials which can be seen within the background context. How to make the Motorway Project become coherent with the background context is very important. A sudden change of style of upset the background context by creating some incoherent and inconsistent feeling and view. The Motorway project is producing a sign or a landmark and therefore it must contain the traits of the surrounding environment. Those unique traits will then attract and impress people/ drivers by drawing their curiosity.
Extension to the Denver Art Museum, Denver, Co,
The design of extension to Denver art museum is showing how architecture reflects background context by showing the progress of a growing city (Alex Sanchez Vidiella, 2007). The pitched roof blocks represent the Rocky Mountains rock crystals as well show the development of the surrounding city by forming relatively abstract objects projecting all different directions. This also shows the dynamic aspect of a growing city. Moreover, in order to get more connection with the background context. Studio Daniel Libeskind utilized varied materials to emphasis the differences between tradition and modernity so that there is a strong contrast between the “old city” and the “new city”, which on the other hand also relates to the background context by emphasizing the process of development. On the other hand, as a modern design of this century, utilizing of computer software is essential to develop the design and construct the object. This design is suitable for the Motorway project not only because of eye-catching facade, but also showing the dynamic development of the background context.
USA, Studio Daniel Libeskind, 2006
Reference: 1.Hoffmann Donald(1993), “Frank Lloyd Wright’s Falling Water: The house and history” (USA, Dover Publications) 2.Alex Sanchez Vidiella(2007), “The Sourcebook of Contemporary Architecture” (Spain, An Imprint of HarperCollins Publishers) 3. Daniel Libeskind(2001), “The Space of Encounter”(USA, Universe Publishers)
ŽŵƉƵƚĂƟŽŶ ŝŶ ƌĐŚŝƚĞĐƚƵƌĞ
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tŚĂƚ ŝƐ ƚŚĞ ŵŽƐƚ ŝŵƉŽƌƚĂŶƚ ƉŝĞĐĞ ŽĨ ĂƌĐŚŝƚĞĐƚƵƌĞ ďƵŝůƚ ƐŝŶĐĞ ϭϵϴϬ͍ sĂŶŝƚLJ &Ăŝƌ͛Ɛ ƐƵƌǀĞLJ ŽĨ ϱϮ ĞdžƉĞƌƚƐ͕ ŝŶĐůƵĚŝŶŐ ϭϭ WƌŝƚnjŬĞƌ WƌŝnjĞ ǁŝŶŶĞƌƐ͕ ŚĂƐ ƉƌŽǀŝĚĞĚ Ă ĐůĞĂƌ ĂŶƐǁĞƌ͗ &ƌĂŶŬ 'ĞŚƌLJ͛Ɛ 'ƵŐŐĞŶŚĞŝŵ DƵƐĞƵŵ ŝŶ ŝůďĂŽ͘ ͞dŚĞ ďƵŝůĚŝŶŐ ďůĂnjĞĚ ŶĞǁ ƚƌĂŝůƐ ĂŶĚ ďĞĐĂŵĞ ĂŶ ĞdžƚƌĂŽƌĚŝŶĂƌLJ ƉŚĞŶŽŵĞŶŽŶ͘ /ƚ ǁĂƐ ŽŶĞ ŽĨ ƚŚŽƐĞ ƌĂƌĞ ŵŽŵĞŶƚƐ ǁŚĞŶ ĐƌŝƟĐƐ͕ ĂĐĂĚĞŵŝĐƐ͕ ĂŶĚ ƚŚĞ ŐĞŶĞƌĂů ƉƵďůŝĐ ǁĞƌĞ Ăůů ĐŽŵƉůĞƚĞůLJ ƵŶŝƚĞĚ ĂďŽƵƚ ƐŽŵĞƚŚŝŶŐ͘͟ ^ĂLJƐ WĂƵů 'ŽůĚďĞƌŐĞƌ
tŚĂƚ ŵĂŬĞƐ 'ĞŚƌLJ͛Ɛ 'ƵŐŐĞŶŚĞŝŵ DƵƐĞƵŵ ƐƵĐŚ Ă ƐƵĐĐĞƐƐ ŝƐ ƚŚĞ ĂĚŽƉƟŽŶ ŽĨ ĐŽŵƉƵƚĂƟŽŶĂů ĚĞƐŝŐŶ ŝŶ ƚŚŝƐ ŵĂƐƚĞƌƉŝĞĐĞ͘ /Ŷ ŽƚŚĞƌ ǁŽƌĚƐ͕ 'ƵŐŐĞŶŚĞŝŵ DƵƐĞƵŵ ǁŽŶ͛ƚ ƐƚĂŶĚ ƚŚĞƌĞ ǁŝƚŚŽƵƚ ƚŚĞ ĐŽŵƉƵƚĂƟŽŶ ŝŶŶŽǀĂƟŽŶ ŝŶ ĂƌĐŚŝƚĞĐƚƵƌĂů ĚĞƐŝŐŶ͕ ŶŽƚ ƚŽ ŵĞŶƟŽŶ ŐĞŶĞƌĂƟŶŐ Ă ŶĞǁ ĞƌĂ ĨŽƌ ƌĐŚŝƚĞĐƚƵƌĞ͘ :ƵƐƚ ůŝŬĞ <ŽůĂƌĞǀŝĐ ƐƵŐŐĞƐƚĞĚ ŝŶ ƚŚĞ ƌĞĂĚŝŶŐ ͞ ŝŐŝƚĂů ƚĞĐŚŶŽůŽŐŝĞƐ ĂƌĞ ĐŚĂŶŐŝŶŐ ĂƌĐŚŝƚĞĐƚƵƌĂů ƉƌĂĐƟĐĞƐ ŝŶ ǁĂLJƐ ƚŚĂƚ ĨĞǁ ĂďůĞ ƚŽ ĂŶƟĐŝƉĂƚĞ ũƵƐƚ Ă ĚĞĐĂĚĞ ĂŐŽ͘ /Ŷ ƚŚĞ ĐŽŶĐĞƉƚƵĂů ƌĞĂůŵ͕ ĐŽŵƉƵƚĂƟŽŶĂů͕ ĚŝŐŝƚĂů ĂƌĐŚŝƚĞĐƚƵƌĞƐ ŽĨ ƚŽƉŽůŽŐŝĐĂů͕ ŶŽŶͲ ƵĐůŝĚĞĂŶ ŐĞŽŵĞƚƌŝĐ ƐƉĂĐĞ͕ ŬŝŶĞƟĐ ĂŶĚ ĚLJŶĂŵŝĐ ƐLJƐƚĞŵƐ͕ ĂŶĚ ŐĞŶĞƟĐ ĂůŐŽƌŝƚŚŵƐ͕ ĂƌĞ ƐƵƉƉůĂŶƟŶŐ ƚĞĐŚŶŽůŽŐŝĐĂů ĂƌĐŚŝƚĞĐƚƵƌĞƐ͘͟ EŽǁĂĚĂLJƐ͕ ŽŵƉƵƚĂƟŶŐ ŝƐ ƉůĂLJŝŶŐ Ă ŚƵŐĞ ƌŽůĞ ŝŶ ƌĐŚŝƚĞĐƚƵƌĞ ĚĞƐŝŐŶ͘ ŽŵƉƵƚĂƟŽŶĂů ĚĞƐŝŐŶ ďĞĐŽŵĞ ŵŽƌĞ ĂŶĚ ŵŽƌĞ ŝŵƉŽƌƚĂŶƚ ĨŽƌ ĂƌĐŚŝƚĞĐƚƵƌĂů ĚĞƐŝŐŶ ďĞĐĂƵƐĞ ŝƚ͛Ɛ ŵŽĚĞůŝŶŐ ŐĞŶĞƌĂƟŶŐ ĐĂŶ ĂĐĐƵƌĂƚĞůLJ ŐĞŶĞƌĂƚĞ ǀŝƚƵƌĂů ŵŽĚĞůƐ ŽĨ ĚĞƐŝŐŶ ĂŶĚ ƐƵƌƌŽƵŶĚŝŶŐ ĞŶǀŝƌŽŶŵĞŶƚ͘ ^Ž ƚŚĂƚ ƌĐŚŝƚĞĐƚƐ ĐĂŶ ĞĂƐŝůLJ ƐƚƵĚLJ͕ ĂŶĂůLJƐŝƐ ĂŶĚ ƌĞǀŝĞǁ ƚŚĞ ĐůŽƐĞ ƌĞĂůŝƚLJ ƌĞƐƵůƚ͕ ĞīĞĐƚ ĂŶĚ ŝŵƉĂĐƚ ŽĨ ƚŚĞŝƌ ĚĞƐŝŐŶ͘ &ƵƌƚŚĞƌŵŽƌĞ͕ ĐŽŵƉƵƚĂƟŽŶ ďĂƐĞĚ ĚĞƐŝŐŶ ĐĂŶ ďƌŝŶŐ ĂƌĐŚŝƚĞĐƚ ŵŽƌĞ ƉŽǁĞƌ ƚŽ ŵĂŬĞ ƚŚĞŝƌ ĚĞƐŝŐŶ ĂĐŚŝĞǀĞ ƚŽĚĂLJ͛Ɛ ĨŽƌĐƵƐŝŶŐ ƐƵĐŚ ĂƐ ƐƵƐƚĂŝŶŝďŝůŝƚLJ͕ ƐĂĨĞƚLJ͕ ĞĂƌƚŚƋƵĂŬĞ ƌĞƐŝƐƚĂŶĐĞ ĂŶĚ ƐŽ ŽŶ͘ tĞ ĐĂŶ ŵĂŬĞ ĐŚĂŶŐĞ ŽŶ ƚŚĞ ĚŝŐŝƚĂů ĚƌĂǁŝŶŐƐ ƌĂƚŚĞƌ ƚŚĂŶ ĚŽ Ă ǁŚŽůĞ ŶĞǁ ƐĞƚ ŽĨ ŚĂŶĚ ĚƌĂǁŝŶŐ ďĞĐĂƵƐĞ ŽĨ Ă ǁŝŶĚŽǁ ŝƐ ƚŽŽ ƐŵĂůů͘ /Ŷ ĂŶŽƚŚĞƌ ǁŽƌĚƐ͕ ŝƚ ŵĂŬĞƐ ĂƌĐŚŝƚĞĐƚ ŵŽƌĞ ĞĸĐŝĞŶƚ͘ ƚ ůĂƐƚ͕ ĐŽŵƉƵƚĂƟŽŶĂů ĚĞƐŝŐŶ ǁŝůů ŚĞůƉ ĂƌĐŚŝƚĞĐƚ ĐŽƌƉŽƌĂƚĞ ǁŝƚŚ ŽƚŚĞƌ ƌĞůĂƚĞĚ ƉƌŽĨĞƐƐŝŽŶƐ ŵƵĐŚ ďĞƩĞƌ ƚŚĂŶ ĞǀĞƌ͕ ƐƵĐŚ ĂƐ ĞŶŐŝŶŝĞƌƐ͘ tŝƚŚ ĐŽŵƉƵƚĞƌ ďĂƐĞĚ ŵŽĚĞůŝŶŐ ǁĞ ĐĂŶ ŶŽǁ ƐƚƵĚLJ ŽĨ ƚŚĞ ĐŽŶƐƚƌƵĐƚĂďŝůƚLJ ŽĨ ƚŚĞ ĚĞƐŝŐŶ ĂŶĚ ŚĞůƉ ĞŶŐŝŶŝĞƌƐ ƚŽ ǁŽƌŬ ŽƵƚ ƚŚĞ ůŽĂĚ ĂŶĚ ƐƵƉƉŽƌƚ ĞĂƐŝůLJ͘ EŽƚ ƚŽ ŵĞŶƟŽŶ ƚŚĂƚ ďƵŝůĚŝŶŐ ŵĂŶĂŐĞŵĞŶƚ ƌĞĂůĂƚĞĚ ŝƐƐƵĞƐ ƐƵĐŚ ĂƐ ĂŵŽŶƚ ŽĨ ŵĂƚĞƌŝĂůƐ ĂŶĚ ĐŽŶƐƚƌƵĐƟŽŶ ƟŵĞ ůĞŶŐƚŚƐ͘
ŝŐŝƚĂů DŽƌƉŚŽŐĞŶĞƐŝƐ 'ĞŶĞƌĂƟǀĞ ĚĞƐŝŐŶ ŵĞƚŚŽĚ ŝƐ ƚŚĞ ŽŶĞ ŽĨ ƵŶŝƋƵĞ ŝŶŶŽǀĂƟŽŶ ŽĨ ŽŵƉƵƚĂƟŽŶĂů ďĂƐĞĚ ĚĞƐŝŐŶ ŵĞƚŚŽĚ͘ <ŽůĂƌĞǀŝĐ ŐĂǀĞ Ă ĚĞĮŶŝƟŽŶ ŽĨ ƚŚŝƐ ŵĞƚŚŽĚ ͞/Ŷ Ă ƌĂĚŝĐĂů ĚĞƉĂƌƚƵƌĞ ĨƌŽŵ ĐĞŶƚƵƌŝĞƐͲŽůĚ ƚƌĂĚŝƟŽŶƐ ĂŶĚ ŶŽƌŵƐ ŽĨ ĂƌĐŚŝƚĞĐƚƵƌĂů ĚĞƐŝŐŶ͕ ĚŝŐŝƚĂůůLJͲŐĞŶĞƌĂƚĞĚ ĨŽƌŵƐ ĂƌĞ ŶŽƚ ĚĞƐŝŐŶĞĚ Žƌ ĚƌĂǁŶ ĂƐ ƚŚĞ ĐŽŶǀĞŶƟŽŶĂů ƵŶĚĞƌƐƚĂŶĚŝŶŐ ŽĨ ƚŚĞƐĞ ƚĞƌŵƐ ǁŽƵůĚ ŚĂǀĞ ŝƚ͕ ďƵƚ ƚŚĞLJ ĂƌĞ ĐĂůĐƵůĂƚĞĚ ďLJ ƚŚĞ ĐŚŽƐĞŶ ŐĞŶĞƌĂƟǀĞ ĐŽŵƉƵƚĂƟŽŶĂů ŵĞƚŚŽĚ͘ /ŶƐƚĞĂĚ ŽĨ ŵŽĚĞůŝŶŐ ĂŶ ĞdžƚĞƌŶĂů ĨŽƌŵ͕ ĚĞƐŝŐŶĞƌ ĂƌƟĐƵůĂƚĞ ĂŶ ŝŶƚĞƌŶĂů ŐĞŶĞƌĂƟǀĞ ůŽŐŝĐ͕ ǁŚŝĐŚ ƚŚĞŶ ƉƌŽĚƵĐĞƐ͕ ŝŶ ĂŶ ĂƵƚŽŵĂƟĐ ĨĂƐŚŝŽŶ͕ Ă ƌĂŶŐĞ ŽĨ ƉŽƐƐŝďŝůŝƟĞƐ ĨƌŽŵ ǁŚŝĐŚ ƚŚĞ ĚĞƐŝŐŶĞƌ ĐŽƵůĚ ĐŚŽŽƐĞ ĂŶ ĂƉƉƌŽƉƌŝĂƚĞ ĨŽƌŵĂů ƉƌŽƉŽƐŝƟŽŶ ĨŽƌ ĨƵƌƚŚĞƌ ĚĞǀĞůŽƉŵĞŶƚ͘͟ dŚĞƌĞĨŽƌĞ͕ ŝŶƐƚĞĂĚ ŽĨ ƵƐŝŶŐ h >/ E ' KD dZ/ ^͕ ǁĞ ĐĂŶ ƚƌĞĂƚ ƚŚĞŵ ǁŝƚŚ ŐĞŶĞƌĂƟǀĞ ůŽŐŝĐ ŽŶ ĐŽŵƉƵƚĞƌ ƐƵĐŚ ĂƐ ƐƚƌĞƚĐŚŝŶŐ Žƌ ƚǁŝƐƟŶŐ ƚŽ ĚĞǀĞůŽƉ ŵŽƌĞ ŝŶƚĞƌĞƐƟŶŐ ĨŽƌŵƐ ĂŶĚ ƐƉĂĐĞƐ͘ EhZ ^ /Ŷ ƚŚĞ ĐŽŵƉƵƚĂƟŽŶĂů ďĂƐĞĚ ŐĞŶĞƌĂƟǀĞ ĚĞƐŝŐŶ ŵĞƚŚŽĚ͕ ƚŚĞƌĞ ŝƐ ͞Ă ĚĞƉĂƌƚƵƌĞ ĨƌŽŵ ƚŚĞ ƵĐůŝĚĞĂŶ ŐĞŽŵĞƚƌLJ ŽĨ ĚŝƐĐƌĞƚĞ ǀŽůƵŵĞƐ ƌĞƉƌĞƐĞŶƚĞĚ ŝŶ ĂƌƚĞƐŝĂŶ ƐƉĂĐĞ ĂŶĚ ŵĂĚĞ ƉŽƐƐŝďůĞ ƚŚĞ ƉƌĞƐĞŶƚ ƵƐĞ ŽĨ ͞ƚŽƉŽůŽŐŝĐĂů͕͟ ͞ƌƵďďĞƌͲƐŚĞĞƚ͟ ŐĞŽŵĞƚƌLJ ŽĨ ĐŽŶƟŶƵŽƵƐ ĐƵƌǀĞƐ ĂŶĚ ƐƵƌĨĂĐĞƐ͟ ŚĂƐ ďĞĞŶ ŝŶƚƌŽĚƵĐĞĚ ĂŶĚ ͞ĨĞĂƚƵƌĞ ƉƌŽŵŝŶĞŶƚůLJ ŝŶ ĐŽŶƚĞŵƉŽƌĂƌLJ ĂƌĐŚŝƚĞĐƚƵƌĞ͘͟ EhZ ^ ŝƐ ĂŶ ĂĐƌŽŶLJŵ ƚŚĂƚ ƐƚĂŶĚƐ ĨŽƌ EŽŶͲhŶŝĨŽƌŵ ZĂƟŽŶĂů Ͳ^ƉůŝŶĞƐ͕ ƚŚĞ ŵĂŝŶ ƌĞĂƐŽŶ ĨŽƌ EhZ ^ ƐƚĂŶĚƐ ŽƵƚ ŝŶ ƚŚĞ ŝŐŝƚĂů ŐĞ ĨŽƌ ĚĞƐŝŐŶ ĂŶĚ ǁŝĚĞůLJ ƐƉƌĞĂĚ ŝƐ ͞ƚŚĞ ĂďŝůŝƚLJ ŽĨ EhZ ^ ƚŽ ĐŽŶƐƚƌƵĐƚ Ă ďƌŽĂĚ ƌĂŶŐĞ ŽĨ ŐĞŽŵĞƚƌŝĐ ĨŽƌŵƐ͕ ĨƌŽŵ ƐƚƌĂŝŐŚƚ ůŝŶĞƐ ĂŶĚ WůĂƚŽŶŝĐ ƐŽůŝĚƐ ƚŽ ŚŝŐŚůLJ ĐŽŵƉůĞdž͕ ƐĐƵůƉƚĞĚ ƐƵƌĨĂĐĞ͘͟
WĂƌĂŵĞƚƌŝĐƐ ƉĂƌƟĐƵůĂƌ ŝŵƉŽƌƚĂŶƚ ƉƌŽƉĞƌƚLJ ŽĨ EhZ ^ ŽďũĞĐƚƐ ŝƐ ƚŚĂƚ ͞ƚŚĞLJ ĂƌĞ ĚĞĮŶĞĚ ǁŝƚŚŝŶ Ă ͚ůŽĐĂů͛ ƉĂƌĂŵĞƚƌŝĐ ƐƉĂĐĞ͕ ƐŝƚƵĂƚĞĚ ŝŶ ƚŚĞ ƚŚƌĞĞͲĚŝŵĞŶƐŝŽŶĂů ĂƌƚĞƐŝĂŶ ŐĞŽŵĞƚƌŝĐ ƐƉĂĐĞ ǁŝƚŚŝŶ ǁŚŝĐŚ ƚŚĞ ŽďũĞĐƚƐ ĂƌĞ ƌĞƉƌĞƐĞŶƚĞĚ͘͟ /Ŷ ƉĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ͕ ŝƚ ŝƐ ƚŚĞ ƉĂƌĂŵĞƚĞƌƐ ŽĨ Ă ƉĂƌƟĐƵůĂƌ ĚĞƐŝŐŶ ƚŚĂƚ ĂƌĞ ĚĞĐůĂƌĞĚ͕ ŶŽƚ ŝƚƐ ƐŚĂƉĞ͘ LJ ĂƐƐŝŐŶŝŶŐ ĚŝīĞƌĞŶƚ ǀĂůƵĞƐ ƚŽ ƚŚĞ ƉĂƌĂŵĞƚĞƌƐ͕ ĚŝīĞƌĞŶƚ ŽďũĞĐƚƐ Žƌ ĐŽŶĮŐƵƌĂƟŽŶƐ ĐĂŶ ďĞ ĐƌĞĂƚĞĚ͘ WĂƌĂŵĞƚĞƌƐ ĂƌĞ ƚŚĞ ĚŝƌĞĐƟŽŶ ĂŶĚ ĐŽŶƐƚƌĂŝŶƚƐ ƚŚĂƚ ǁĞ ƐĞƚ ƚŽ ĐƌĞĂƚĞ ƚŚĞ ŐĞŽŵĞƚƌŝĞƐ ƐƵŝƚ ƚŽ ŽƵƌ ŶĞĞĚ ĂŶĚ ĚĞƐŝŐŶ ĐŽŶĐĞƉƚ͘
WĂƌĂŵĞƚƌŝĐ DŽĚĞůŝŶŐ /ŶƚĞƌŶĂƟŽŶĂů ƚĞƌŵŝŶĂů ŽĨ tĂƚĞƌůŽŽ ^ƚĂƟŽŶ͕ >ŽŶĚŽŶ͕ h< ƌĐŚŝƚĞĐƚ͗ EŝĐŚŽůĂƐ 'ƌŝŵƐŚĂǁ ĂŶĚ WĂƌƚŶĞƌƐ
dŚĞ ƌŽŽĨ ƐƚƌƵĐƚƵƌĞ ĐŽŶƐŝƐƚƐ ŽĨ Ă ƐĞƌŝĞƐ ŽĨ ϯϲ ĚŝŵĞŶƐŝŽŶĂůůLJ ĚŝīĞƌĞŶƚ ďƵƚ ŝĚĞŶƟĐĂůůLJ ĐŽŶĮŐƵƌĞĚ ƚŚƌĞĞͲƉŝŶ ďŽǁƐƚƌŝŶŐ ĂƌĐŚĞƐ͕ ďĞĐĂƵƐĞ ŽĨ ƚŚĞ ĂƐLJŵŵĞƚƌŝĐĂů ŐĞŽŵĞƚƌLJ ŽĨ ƚŚĞ ƉůĂƞŽƌŵƐ͘ /ŶƐƚĞĂĚ ŽĨ ŵŽĚĞůŝŶŐ ĞĂĐŚ ĂƌĐŚ ƐĞƉĂƌĂƚĞůLJ͕ Ă ŐĞŶĞƌŝĐ ƉĂƌĂŵĞƚƌŝĐ ŵŽĚĞů ǁĂƐ ĐƌĞĂƚĞĚ ďĂƐĞĚ ŽŶ ƚŚĞ ƐŝnjĞ ŽĨ ƚŚĞ ƐƉĂŶ ĂŶĚ ĐƵƌǀĂƚƵƌĞƐ ŽĨ ŝŶĚŝǀŝĚƵĂů ĂƌĐŚĞƐ ǁĞƌĞ ƌĞůĂƚĞĚ͘ dŚŝƐ ŝƐ ĂŶ ŝŶŶŽǀĂƟǀĞ ŝŵƉƌŽǀĞŵĞŶƚ ĨŽƌ ĚĞƐŝŐŶ͘ WĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ ŚŝŐŚůLJ ƵƉŐƌĂĚĞĚ ƚŚĞ ĚŝŐŝƚĂů ŵŽĚĞůŝŶŐ ƐƉĞĞĚ ĨŽƌ ĐŽŵƉůĞdž EKEͲ h >/ E ŐĞŽŵĞƚƌLJ͘ /ƚ ĂůƐŽ ƚƌĂŶƐĨŽƌŵĞĚ ƌŽůĞ ŽĨ ƌĐŚŝƚĞĐƚƐ ŝŶ ƚŚĞ ĚĞƐŝŐŶ ƉƌŽĐĞƐƐĞƐ ŽĨ ďƵŝůĚŝŶŐƐ͘ ͞&Žƌ ƚŚĞ ĮƌƐƚ ƟŵĞ͕ ƌĐŚŝƚĞĐƚƐ ĂƌĞ ĚĞƐŝŐŶŝŶŐ ŶŽƚ ƚŚĞ ƐƉĞĐŝĮĐ ƐŚĂƉĞ ďƵƚ Ă ƐĞƚ ŽĨ ƉƌŝŶĐŝƉůĞƐ ĞŶĐŽĚĞĚ ĂƐ Ă ƐĞƋƵĞŶĐĞ ŽĨ WĂƌĂŵĞƚƌŝĐ ĞƋƵĂƟŽŶƐ ďLJ ǁŚŝĐŚ ƐƉĞĐŝĮĐ ŝŶƐƚĂŶĐĞƐ ŽĨ ƚŚĞ ĚĞƐŝŐŶ ĐĂŶ ďĞ ŐĞŶĞƌĂƚĞĚ ĂŶĚ ǀĂƌŝĞĚ ŝŶ ƟŵĞ ĂƐ ŶĞĞĚĞĚ͘͟ ǁƌŽƚĞ <ŽůĂƌĞǀŝĐ ŝŶ ƚŚĞ ƌĞĂĚŝŶŐ͘ ƌĐŚŝƚĞĐƚƐ ĂƌĞ ĞdžƉůŽƌŝŶŐ ƚŚĞ ŝŶĮŶŝƚĞůLJ ǀĂƌŝĂďůĞ ƉŽƚĞŶƟĂůƐ ƌĂƚŚĞƌ ƚŚĂŶ Ă ĮdžĞĚ ƐŽůƵƟŽŶ͘
ĚǀĂŶƚĂŐĞƐ ŽĨ ^ĐƌŝƉƟŶŐ /ƚ ĂīŽƌĚƐ ͞Ă ƐŝŐŶŝĮĐĂŶƚůLJ ĚĞĞƉĞƌ ĞŶŐĂŐĞŵĞŶƚ ďĞƚǁĞĞŶ ƚŚĞ ĐŽŵƉƵƚĞƌ ĂŶĚ ƵƐĞƌ ďLJ ĂƵƚŽŵĂƟŶŐ ƌŽƵƟŶĞ ĂƐƉĞĐƚƐ ĂŶĚ ƌĞƉĞƟƟǀĞ ĂĐƟǀŝƟĞƐ͕ ƚŚƵƐ ĨĂĐŝůŝƚĂƟŶŐ Ă ĨĂƌ ŐƌĞĂƚĞƌ ƌĂŶŐĞ ŽĨ ƉŽƚĞŶƟĂů ŽƵƚĐŽŵĞƐ ĨŽƌ ƚŚĞ ƐĂŵĞ ŝŶǀĞƐƚŵĞŶƚ ŝŶ ƟŵĞ͘͟ ʹ ƵƌƌLJ͕ ^ĐƌŝƉƟŶŐ ĐƵůƚƵƌĞƐ ůŽŶŐ ǁŝƚŚ ĞdžƚĞŶĚŝŶŐ ĚĞƐŝŐŶ ĞdžƉĞƌŝŵĞŶƚĂƟŽŶ͕ ƐĐƌŝƉƟŶŐ ĐĂŶ ĂůƐŽ ďĞ ͞ ƚŚĞ ĂŶƟĚŽƚĞ ƚŽ ƐƚĂŶĚĂƌĚŝnjĂƟŽŶ ĨŽƌĐĞĚ ďLJ ĂŶ ĂŵďŝƟŽŶ ƚŽ ůŽǁĞƌ ƉƌŽĚƵĐƟŽŶ ĐŽƐƚƐ͕ ƌĂƚŚĞƌ ƚŚĂŶ ĂŶLJ ŵŽƌĞ ƐŽƉŚŝƐƟĐĂƚĞĚ ŵŽƟǀĂƟŽŶ͗ ƚŚĞ ƉƌĞǀŝŽƵƐůLJ ĞůƵƐŝǀĞ ŽƉƉŽƌƚƵŶŝƟĞƐ ĨŽƌ ŵƵůƟƉůĞ ǀĞƌƐŝŽŶŝŶŐ ĂŶĚ ďĞƐƉŽŬĞ ƉƌŽĚƵĐƟŽŶ ĐĂŶ ŶŽǁ ďĞ ĐŽŶƐŝĚĞƌĞĚ ŵŽƌĞ ƐĞƌŝŽƵƐůLJ ƚŚƌŽƵŐŚ ƚŚĞ ƵƐĞ ŽĨ ƐĐƌŝƉƟŶŐ͘͟ ʹ ƵƌƌLJ͕ ^ĐƌŝƉƟŶŐ ĐƵůƚƵƌĞƐ /ƚ ͞ĂīŽƌĚƐ ƚŚĞ ĚĞƐŝŐŶĞƌ ŽƉƉŽƌƚƵŶŝƟĞƐ ƚŽ ĞƐĐĂƉĞ ƚŚĞ ƐƚƌŝĐƚƵƌĞƐ ŝŶŚĞƌĞŶƚ ŝŶ ĂŶLJ ƐŽŌǁĂƌĞ͟ ʹ ƵƌƌLJ͕ ^ĐƌŝƉƟŶŐ ĐƵůƚƵƌĞƐ
/ ͕ /d< ƌĞƐĞĂƌĐŚ ƉĂǀŝůŝŽŶ͕ ^ƚƵƩŐĂƌƚ͕ 'ĞƌŵĂŶLJ ƌĐŚŝƚĞĐƚƐ͗ / ͕ /d< hŶŝǀĞƌƐŝƚLJ ŽĨ ^ƚƵƩŐĂƌƚ
dŚĞ /ŶƐƟƚƵƚĞ ĨŽƌ ŽŵƉƵƚĂƟŽŶĂů ĞƐŝŐŶ ;/ Ϳ ĂŶĚ ƚŚĞ /ŶƐƟƚƵƚĞ ŽĨ ƵŝůĚŝŶŐ ^ƚƌƵĐƚƵƌĞƐ ĂŶĚ ^ƚƌƵĐƚƵƌĂů ĞƐŝŐŶ ;/d< Ϳ͕ ƚŽŐĞƚŚĞƌ ǁŝƚŚ ƐƚƵĚĞŶƚƐ Ăƚ ƚŚĞ hŶŝǀĞƌƐŝƚLJ ŽĨ ^ƚƵƩŐĂƌƚ ŚĂǀĞ ŵĂĚĞ ƚŚŝƐ ƚĞŵƉŽƌĂƌLJ ƉĂǀŝůŝŽŶ͘ dŚĞ ƉƌŽũĞĐƚ ĂŝŵƐ Ăƚ ŝŶƚĞŐƌĂƟŶŐ ƚŚĞ ƉĞƌĨŽƌŵĂƟǀĞ ĐĂƉĂĐŝƚLJ ŽĨ ďŝŽůŽŐŝĐĂů ƐƚƌƵĐƚƵƌĞƐ ŝŶƚŽ ĂƌĐŚŝƚĞĐƚƵƌĂů ĚĞƐŝŐŶ ĂŶĚ Ăƚ ƚĞƐƟŶŐ ƚŚĞ ƌĞƐƵůƟŶŐ ƐƉĂƟĂů ĂŶĚ ƐƚƌƵĐƚƵƌĂů ŵĂƚĞƌŝĂůͲƐLJƐƚĞŵƐ ŝŶ ĨƵůů ƐĐĂůĞ͘ dŚĞ ĨŽĐƵƐ ǁĂƐ ƐĞƚ ŽŶ ƚŚĞ ĚĞǀĞůŽƉŵĞŶƚ ŽĨ Ă ŵŽĚƵůĂƌ ƐLJƐƚĞŵ ǁŚŝĐŚ ĂůůŽǁƐ Ă ŚŝŐŚ ĚĞŐƌĞĞ ŽĨ ĂĚĂƉƚĂďŝůŝƚLJ ĂŶĚ ƉĞƌĨŽƌŵĂŶĐĞ ĚƵĞ ƚŽ ƚŚĞ ŐĞŽŵĞƚƌŝĐ ĚŝīĞƌĞŶƟĂƟŽŶ ŽĨ ŝƚƐ ƉůĂƚĞ ĐŽŵƉŽŶĞŶƚƐ ĂŶĚ ƌŽďŽƟĐĂůůLJ ĨĂďƌŝĐĂƚĞĚ ĮŶŐĞƌ ũŽŝŶƚƐ͘ ŽŵƉƵƚĞƌ ďĂƐĞĚ ƉĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ ŝƐ Ă ĚĞƐŝŐŶ ĂŐĞŶƚ ƚŚĂƚ ƵƐĞĚ ďLJ ĂƌĐŚŝƚĞĐƚƐ ;EĞǁ ^ŽŌǁĂƌĞ ĞŶŐŝŶĞĞƌͿ ƚŽ ƐĐƌŝƉƚ Ăůů ƉŽƐƐŝďůĞ ƉŽƚĞŶƟĂůƐ ĂŶĚ ĐŚŽŽƐĞ ƚŚĞ ŵŽƐƚ ƌĞůĞǀĂŶƚ ŽŶĞ ƚŽ ĚĞǀĞůŽƉ ĨƵƌƚŚĞƌ͘
Group research and argument + Case Study 1.0
LJ ĨĂƌ ƚŚĞ ƉĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ ŝŵƉƌĞƐƐĞƐ ŵĞ ďLJ ƚŚĞ ǁĂLJ ŽĨ ĐŽŶŶĞĐƟŶŐ ĚŝīĞƌĞŶƚ ĐŽŵƉŽŶĞŶƚƐ ĂŶĚ ŚŽǁ ŝƚ ĐĂŶ ďĞ ĞĂƐŝůLJ ǀĂƌŝĞĚ ŝŶ ŽƌĚĞƌ ƚŽ ĐŽƵŶƚĞƌ ĂŶLJ ĐŽŶƐƚƌĂŝŶƐ͘ WĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ ŵĞƚŚŽĚƐ ǁŚŝĐŚ ŝŶĐůƵĚĞƐ ƉĂŶĂůŝƐĂƟŽŶ͕ ŐĞŽŵĞƚƌLJ͕ ƐƚƌƵĐƚƵƌĂů͕ ŬŝŶĞƟĐ͕ ƉĂƩĞƌŶ͕ ďŝŽŵŝŵŝĐƌLJ͕ ĂƩƌĂĐƚŽƌƐ ĂŶĚ ƌĞƐƉŽŶƐŝǀĞ ĐĂŶ ďĞ ƵƟůŝƐĞĚ ƚŽ ĂĐŚŝĞǀĞ ĚŝīĞƌĞŶƚ ĚĞƐŝŐŶ ŝŶƚĞŶƟŽŶƐ͘ dŚĞ ĚŝĸĐƵůƟĞƐ ŝŶ ƉƌŽĚƵĐŝŶŐ ƚŚĞ ƉĂƌĂŵĞƚƌŝĐ ĐŽŵƉŽŶĞŶƚ͕ ĐŽŵƉŽŶĞŶƚ ĂƐƐĞŵďůLJ ĂŶĚ EhZ ^ ĨĂĐĂĚĞƐͬƐƚƌƵĐƚƵƌĞ ŚĂǀĞ Ă ƐŝŐŶŝĮĐĂŶƚ ŝŵƉĂĐƚ ŽŶ ƉĞŽƉůĞ ƚŚĞLJ ĞŶŐĂŐĞĚ ǁŝƚŚ͘ WĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ ǁŝůů ďĞĐŽŵĞ ƚŚĞ ƐƚLJůĞ ŽĨ ƚŚĞ ŝŶĨŽƌŵĂƟŽŶ ĂŐĞ͘ Ɛ ǁĞ ŚĂǀĞ ďĞĞŶ ĂƐƐŝŐŶĞĚ ŝŶƚŽ ŐƌŽƵƉ ƚŽ ŝŶǀĞƐƟŐĂƚĞ ŚŽǁ ƉĂƩĞƌŶ ǁŽƌŬƐ ŝŶ ƉĂƌĂŵĞƚƌŝĐ ĚĞƐŝŐŶ͕ ǁĞ ĨŽƵŶĚ ƚŚĂƚ ƉĂƩĞƌŶ ŝƐ ƐƵŝƚĂďůĞ ĨŽƌ ĐƌĞĂƟŶŐ ƐLJŵďŽůƐ͕ ƐŚĂĚŽǁƐ͕ ĚĂƚĂ ǀĂƌŝĂƟŽŶƐ ĂŶĚ ŽƉƟĐĂů ŝůůƵƐŝŽŶƐ͘ /Ŷ ŽƌĚĞƌ ƚŽ ŝŵƉƌĞƐƐ ƚŚĞ ĐŝƚLJ ĐŽƵŶĐŝů͕ ƚŚĞ ĚĞƐŝŐŶ ŽĨ ŝŶƐƚĂůŵĞŶƚ ŶĞĞĚƐ ďĞ ĞLJĞͲĐĂƚĐŚŝŶŐ͕ ƐƚŽƌLJƚĞůůŝŶŐ ĂŶĚ ŚĂǀĞ ƚŚĞ ĐĂƉĂĐŝƚLJ ŽĨ >ĂŶĚŵĂƌŬ͘
KD ĐĂƐĞ ƐƚƵĚLJ ƌĞŵĂŬĞ
KD ĐĂƐĞ ƐƚƵĚLJ ǀĂƌŝĂƟŽŶ͕ ƵƐŝŶŐ ĞdžƚƌƵĚĞĚ ĐŝƌĐůĞƐ ĂƐ ŽƵƚƉƵƚ͘ dŚĞ ŚĞŝŐŚƚƐ ŽĨ ĐŝƌĐůĞƐ ĚĞƉĞŶĚƐ ŽŶ ƚŚĞ ďƌŝŐŚƚŶĞƐƐ ŽĨ ƚŚĞ ŝŵĂŐĞ ƐĂŵƉůĞƌ