Architecture Portofolio 2020 by Benyamin Kevin

holy ptfl #BenDsgnSthMatters

Hello, My Name is Benyamin Kevin Hariono. I am an architect living in Surabaya, Indonesia. My interest move between wide range of design and art. I recently graduated from bachelor degree of architecture and my interest lies in the ambiquity of this framed world. I am seek for the contingency and peri feri area of things. Either it from architecture that interfere to other subject, or other subject that try to interfere architecture itself. For me myself, i am more interested with the people behind the design beyond the design itself. Because i believe language,expression and feels in design itself matter. I am also love to wander around the world to see various things in the range of small to big scale of architecture and design. At the end, i play a lot with the language and vocabulary in design itself and try to perseve, provoke, and tell a story within architecture itself. And the most important thing of it all is the joy of making things, so the design itself should be fun!

WORK EXPERIENCE

NOTABLE ACHIEVMENT

NOTABLE EXPERIENCE

Part-time Architectural Designer

top 15 best undergraduate project petra christian university superjury top 10 most experimental design at second year design studio 2018 competition entry of world architecture festival 2019 student charette top 10 xplosion national housing competition at ciputra university 2016 semi-finalist of lixil design competition 2018 “rest-area for arterial road top 20 of ancol floating mosque competition top 25 of architecture festival 2019 post disaster space for children top 25 of architecture festival 2020 mindfullness stage two of indonesia architecture seminar call for paper competition entry of caaj 2019 international competition competition entry of medan merdeka masterplan competition by jakarta goverment 2019 competition entry of holcim lafarge 2020 international competition competition entry of oslo museum of design 2020 international competition

selected participant of Non School international workshop 2020 Animali Domestici participant of the paau international student workshop 2019-penang student speaker of the paau international student workshop 2019 penang participant of critical context 2019 workshop unit 1 student speaker at dua titik discussion forum architecture education 2019 main speaker of arch effect “ architecture prisoners”, Petra Christian University 2019 editorial team of search magazine edition 2018-2019 & 2019-2020 editorial team of dua titik discussion forum architecture education nowdays 2019

Jarak Village Masterplan Project June 2019-Feb 2020 Surabaya.East Java.Indonesia

Part-time Architectural Designer F Silaban Monument Competition Sep 2019-Oct 2019 Surabaya.East Java.Indonesia

Architectural Intern Various Architectural Project Dec 2018-Feb 2019 Surabaya.East Java.Indonesia

BENYAMIN KEVIN HARIONO 27 . 02 .1998 benyaminkevn@gmail.com +6281230860015

education

about

petra christian university 2016-2020

i am a motivated and passionate learner. Always curious to do different things within a huge range of discourse within design and architecture and other subject, try to put a marks to the world within given time in the world.

tools

Concept & Design Development Imagination, Intuition, Feeling, Research, Analysis, and Strategy Design Process Hand Drawing, Digital Drawing, Model Making

Screenplay writer for indonesia film festival competition 2018 “perspektif”

software

creative team of architecture expo 2018

proficient in sketchup, basic rhinoceros, adobe photoshop. adobe indesign, lumion, vray

leader of student committe Petra Christian highschool 2014-2015 leader of wall magazine team Petra Christian highschool 2014-2015 school representatives for Nusantara Student Congress 2014 pilgrim holyland 2020

basic knowledge in revit, autocad, adobe illustrator, basic grasshopper, blender, Agisoft metascape

interests My interest lies in the ambiquity of this framed world. I am seek for the contingency and peri feri area of things. Either it from architecture that interfere to other subject, or other subject that try to interfere architecture itself. For me myself, i am more interested with the people behind the design beyond the design itself. Because i believe language,expression and feels in design itself matter. I am also love to wander around the world to see various things in the range of small to big scale of architecture and design. At the end, i play a lot with the language and vocabulary in design itself and try to perseve, provoke, and tell a story within architecture itself. And the most important thing of it all is the joy of making things, so the design itself should be fun!

narative film

miss

indonesia film festival competition

architecture and journalism architecture and journalism class

book

urban stereotomic kembang jepun final year design studio final research course

lets play kids!

sidoardjo development plan

indonesian architecture seminar

urban stereotomic kembang jepun

international conference on chinese indo heritage

inclusivity in re-adaptive usage

collaborative community design work

international conference on chinese indo heritage

inclusivity conservation

paau international workshop class penang

essay ambiguity in object

indonesia equity 2050

critical context workshop essay

world architecture festival student charette

stop design, start thinking! dua titik sub discussion forum essay

tropical saturated landscape

nudity in material

non school international workshop

critical context workshop essay

experiment

soil x wood?

school at soe-ntt

critical context workshop experimental project

reciprocal bamboo pavilion

crafting wood structure

The Investment of Life and Death Non-architecture reviving Mining

bamboo architecture class workshop

second year design studio workshop

tutur welang downhill

yo-yo chair

service learning design class

inside furniture design competition

hanged

mental vaccine

satu ruang UPH design competition

product

collaborative community design work

mental escapism

architecture festival pcu

ayo ngising!

Parent-child Cafe

wex contextual toilet competition

play-station

architecture festival pcu

building

lp house

where is the king?

architecture festival pcu

tkimai 34 design competition

sensing architecture

back to vIllage

second year design studio part 1

paradesc design competition

urban

aksara

hdii dulux design competition

first year design studio

xplosion national housing competition

lixil rest area for arterial road competition

universal housing

butterfly

Design internship test

under the auspices of ulos

kaseribuan gate

propan information center competition

asian rookie award

aksara

third year design studio part 2

protection paradox

bale rempug

ancol floating mosque competition

flashback to future

sendang kerep ambarawa

tkimai 35 design competition gmka design competition

CAAJ design competition protection paradox silaban wall monument lafarge holcim design award competition silaban monument design competition data center for transhumanism era final year design studio final project in between jarak village masterplan third year design studio part 1 collaborative community design work museum of oslo museum of design oslo design competition monas silang delapan connect-restore-grow

freeing architecture

second year design studio part 2

physic

2016

rchtctrlWrksFlwchrtHstry architecture competition professional project school project experimental competition

2017

2018

medan merdeka masterplan competition

2019

sukabumi goverment masterplan competition

2020

1 DESIGN*TUARY 2 INVESTMENT OF DEATH AND LIFE 3 CABARET 4 GARDEN OF EDEN 5 TROPICAL SATURATED LANDSCAPE 6 PROTECTION PARADOX 7 AKSARA 8 BANAL-HYBRIDIFICATION 9 FVCK UNESCO 10 MENTAL ESCAPSIM

ATLAS OF MY ARCHITECTURAL WORKS

59.913602, 10.691675

56.081333, 9.486472

30.533145, 114.350559 36.805789, 118.088904

TRACKLIST

31.153976, 121.432196

5.416371, 100.332044 -0.946547, 100.407494 -7.344087, 112.734415 -6.109051, 106.738096 -4.561429, 137.018616

DESIGN*TUARY

TITLE

COMPOSED BY Benyamin Kevin Kevin Ardisa

TITLE

PROTECTION PARADOX

COMPOSED BY Benyamin Kevin Jonathan Charly Andrew Laksmana

INVESTMENT ODAL

TITLE

COMPOSED BY Benyamin Kevin Jonathan Charly

TITLE

AKSARA

COMPOSED BY Benyamin Kevin

CABARET

TITLE

COMPOSED BY Benyamin Kevin

TITLE

BANALHYBRIDIFICATION

COMPOSED BY Benyamin Kevin Diah Ayu Sentani Aurel

TITLE

GARDEN OF EDEN

COMPOSED BY Benyamin Kevin

9 TITLE

FVCK UNESCO

COMPOSED BY Benyamin Kevin William Alfred Lewi

TROPICAL SATURATED LANDSCAPE

TITLE

COMPOSED BY Benyamin Kevin Jun Min Carlos Pastor Yeshodan

TITLE

MENTAL ESCAPISM

COMPOSED BY Benyamin Kevin Jonathan Charly Andrew Laksmana

RK LAY LI S T W SP O

PLAY LI ST W O

PL AY LI ST W O

S RK

LAYLI S T SP W O

History is always been part of cronological events that not defined. As the design itself seem not defined by it space or time but usually defined by the creator. Contingency within design and history have become a potential collaboration to tell the history of design yet by cronological view but also seem try to elaborate the definition of the design and designer itself. We propose and idea that try to become a catalyst of the control of the time and yet still control the space. So we provide to axis that conclude our definition of control. The first one is the Verticality axis that control chronos or time itself as the subject that try to interfere with the embodied object itself. So represent the verticality it become the place where the history of design is narrated within the cronological time of well being. Upward, it tell how new is the design made, and downward, tell how old have the design is create. And use the contingency of the gap within the sky and underground, it become infinite boundary to create the cronological story within design. Opposite of the verticality, come the horizontality that subdivided into two parts, the public space and secondary purpose area. The horizontal subject of the design become the creator of the space and try to blend and not seperate the verticality with the nature itself. So with the supportive function, the horizontal area become the balancer within the relation within the verticality with the nature itself. After we try to summarize the corelation within the history and the design with the control of time and space. Now we try to ‘decomposing’ what design really are. As the history, design have become a transedental value that always connect the people within certain era and flourish their own language. Then we think and hipotizing that if a design have to put in the museum, then the design itself is died. And we try to propose that the design that curated within these museum is decomposed into new elements become parts of the whole story of the museum itself as the compilation history of design without interfere one and each other. So it become a cemetery to a design to become rest in peace and becomin part of the story that we try to lift that the architecture itself is an iconic things that try to become somehow like a sculpture that try to tell and represent history of design at Oslo itself.

DESIGN*TUARY Museum Of Design Oslo International Competition Group(2)- Lead designer

This project strives the imaginative possibility of the relation within contingency of time and space with the design itself to become a compilation of history. The idea behind is to compose design without the boundary of time and space, a new design and the old ones. To achieve the chronological story of design we made the vertical axis and the horizontal axis. And to connect people and local artists to join the community within. Keyword : History, Design, Vertical, Horizontal, Decomposing.

2020 Perspective of Design*tuary Benyamin Kevin Digital Collage 297mm x 420mm

设计避难所

Non Architecture Competition 2020:Reviving Mines Group(2)- Lead designer

We connect with our ancestor through prayers dan ceremony. How to increase bon between human and ancestor, using nature. Nature as representation of ancestor soul by planting graves with tree, and bonding human with nature. Reusing mines site as memorial with sustainable approach. Graves area are designed as landscaping, with the tree planted as a headstone. The body will be wrapped using biodegradable material, so that the dead body becomes the initial nutrition for plants to grow. Thus, becoming “the tree”. Keyword : Mines, Death, Investment, Tourism, Memorial

The whole area is divided into 3 main areas, based on land and tree size and price: 1. Common person, Not identified: small tree (Wheat, Pears, Bamboo,etc) 2. Moderate person: Major tree (Cherry, Sour gum, Apple, etc) 3. Rich, High ranking person: High value tree (Ginkgo, Peony, Bonsai, etc) Landscaping arrange the layer beautifully, so the landscape can be “branded” as tourism sites. Generating income for landscape operator to maintain and cultivate/harvest the landscape and generate micro/small commercial. Tree owner (family) also able to cultivate/harvest they tree.

2020 Perspective of Xibo Benyamin Kevin Digital Painting (Mirrored) 297mm x 420mm

The Intention of the design for the parent-child restaurant i design is as one form of catalyst within playful space imposed with glimpse of elegancy of the space to create elaborated new spatial performance of a place. Then as a designer i try to implemented it from, highlight ing curvature as the essential and main substance of the design parameter in the spaceitself and let it become more rhytmic and repetitive to give sensation and memory to the user of the spaceitself. The arch-shape create yet majestic feel to the kids due the proportion but also give dreamy feel by the pattern i try to create with the fairy-like and pastel color palette that become symbolization of the playful side of the space and imposed with some more sharp and elegant color like gold, yelow stripes and black matter color give the impression of the how masjetic the quality of the space is for both users. After that i try to tweak the space with juxtapoxing the object, with some more thematic things like the statue and some more abstracts-shape object that intended to create more stimulation of imagination within the space itself. Take some pattern like fireworks and layered pattern also give and unique yet satisfiying visually.The radial programming that create the children space surrounded by the eating space create borderless security within the children space. Also create the flexibility of surveillance distance because the space merged into one subtation of space. Overall, the space i try to create is again to preserve the need of the playfulness of the child but also please the parents as the child collaborator so the activities there can integrated well functionally and the most important thing intergrated well visually as a whole place of parent-child restaurant itself.

Personal design project Individual - Lead designer

The proposal for parent-child restaurant based on the fairy-like and imaginative space, imposed and combined well with the elegancy of the high-end restaurant create higher value into the design itself. Playful space within the place to eat and place to play mixed and reconfigurate within design parameter and more careful decision to reconciliate. Keyword : Parent, Child, Restaurant, Fairy, Imaginative

2020 Perspective of Cabaret Benyamin Kevin Rendered Image 1920x1080 pixel

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FRAMEWORK In the history of human civilization has always pursued background

project title design problem

design approach design method design focus

eternity so that this technological world should be accommodated in its development Transhumanism Era Data Center in North Jakarta This data center has 2 main functions, namely numerical and physical data, where numeric data tend to need a dry place but does not need to be sterile, whereas physical data tends to be wet and must be absolutely sterile so that the division of zones of these two types of data to be processed becomes important Eternity can be achieved by making a design that must be able to describe an object to achieve eternity in the 21st century Symbolic mimesis approach Biomimicry Worms facade detailing

Undergraduate Thesis Individual - Lead designer

2020 Perspective of Eden Benyamin Kevin Rendered Image 1920x1080 pixel

2020 thesis collage representation Benyamin Kevin A3 Drawing Paper 420mm x 297mm

benyamin 1:1

And then Hum create a place to create Transhuman that have similiar imagery with him and get them life extended and their body improved.AMEN.

2020 early thesis analysis diagram Benyamin Kevin A3 Drawing Paper 420mm x 297mm

2020 Compilation of Undergraduate Thesis Sketch Benyamin Kevin A3 Drawing Paper 420mm x 297mm

What can we learn

Transformation

Zoning and Function

single organism

new typology of data centre

create data centre

Knowing worms as a single organism.

The desire to design a data center in the era of transhumanism.

The need to design a data center in the era of transhumanism.

both side usage

steril-unsteril

Know how to live worms that live on both sides of nature.

Use upperground for more non-sterile facilities to underground for more sterile facilities.

Placement of facilities is based on sterile and non-sterile design requirements.

segment study

facilities segmenting

facilities need

Know that worm characteristics have 3 important variables to reach formation.

filling facilities in mass form program segments in mass using the parameters x, y, z for the needs of each facility for height and area control.

The need for facilities is in accordance with the existing space program with sterile parameters.

segmental object

segmental placement

section iterating

Know that worms have rounded character segments and formations.

Layering of facilities is based on sterile considerations and level of privacy.

Make iteration pieces to divide the segmentation of each existing facility as a requirement for sterility and privacy.

voluming and form-finding

plan iterating

Know the pattern of worms forming volume and reaching formation.

The mass given the volume in the form of facilities that follow the iteration to undergo the final formation search process.

Plan iterations based on the space requirements of each facility in the data center building.

segmented and nervous system

facade implementation

symbolic interpretation

Know the geometric characteristics of segments and the ability of worms to form new layers after splitting.

Take on the geometric character of the segment and the ability to form a new layer to represent the search symbol for eternity in the 21st century.

the need to answer design problems to make a simobilation of the eternity search process of the 21st Century.

2020 Plan and Section Rationalization Benyamin Kevin A3 Drawing Paper 420mm x 297mm

landscape as symbolization the design of the landscape itself represent the curvature, linearity and the ungeomtrical pattern that support the biomimicing the character tha eartworm itself and make the landscape more playful, complex, and dynamic.

facade details

structural and elevation rationalization

the detail of the facade from the rusted chopper layered within the holder and create linear expression that taken from the bimomimicing the characteristic of the curvature and linearity of the body pattern from the eartworm.

structure is being seperated into 2 layer, outer and inner layer. Inner layer use mega core and cantilevered beam until rooted below land. Outer layer separated into 3 layer. the first layer is for interior and use the advantage of the light weight that use carbon fibre. Second layer is the main outer structure, use space frame that try to follow the shape of the volume itself and connect with some steel beam to the cantilevered beam. Last layer is the facade itself become secondary structure that make the building more rigid with linear composition. the elevation iterated and composed to express the symbolization of the biomimicing the expression of eartworm that represent the immortality

TROPICAL SATURATED LANDSCAPE nonschool international workshop 2020

Group(4)- Mentor: Animali Domestici - researcher,designer

Tropical Saturated Landscapes is a workshop aimed to collectively reflect about new forms of multi-species coexistence, engaging with urban natural/artificial spaces, through fiction and storytelling techniques. Participants will work together with the leader to transform a series of selected urban environments, augmenting the possibilities of coexistence within them, by densifying and & saturating; relevant conditions and (architectural) elements. Animali Domestici, is a design practice based in Bangkok, co-founded by Antonio Bernacchi and Alicia Lazzaroni, with an active interest in ecology in its wider sense, that has been investigating alternative inclusive assemblages of users and materialities, proposing multi-species explorations with an empirical and hands-on approach.

A 2020 Virtual World on Samsar Benyamin Kevin Blender Modeling 420mm x 297mm

2020 Monarch Sanctuary Benyamin Kevin Blender Modeling 420mm x 297mm

pollen little environment design approach the behavior of monarch butterfly that have characteristic of basking, rooting and pollening into natural habitat. So the design itself intended to recreate the natural habitat by recomposing unsual and un-natural stuff like cable, cotton and needle. By composing those objects, we try to imitate the living enviroment from the modifier section like the texture, colors, and scents also.

RA SARA AKSARA AKSARA AKSARA AKSA AK

AK AKSA AKSARA AKSARA AKSARA SARA RA

acculturation between religious belief

design studio 6 unit 4 Individual - Lead designer

AKSARA AKSARA AKSARA AKSARA AKSARA

buddhism is a religion that come from needs from the seekers that seek for englightment in life. Buddism come to Indonesia brought by a chinese nomads in Syailendra era. That cause, aculturation between indonesian culture with the buddism itself. But from the process itself, buddism architecture is resonansed to much that sometimes try to colonialize javanese architecture. My project is proposed to question and redefine the definition of acculturation within buddhism architecture that mostly shaped like a chinese architecture and javanese architecture as the root of the culture itself.

Juxtaposing history through materiality the design itself designed to try recreate spatial experience of the Javanese architecture ambience that converted into contemporary state juxtaposing with the symbolizing buddhist culture that create an asimilation between both culture. The materiality also being juxtaposed as the older material use mansory and the new material using steel. The tendency between this material create a complex value between history and the future of the buddhist and javanese architecture and become blend within the pancer(sunyata) or the void in the centre that become the ambigous space that connect the architecture, peoples and the nature itself with the contingency range.

2019 Main Perspective of AKSARA Benyamin Kevin Digital Rendering 420mm x 297mm

4 core-pole The 4 pillars in the main mass function as structural elements of the column that support the main mass to be able to stand firmly and are a symbol of the four paths of truth in Buddhist teachings and by providing a stupa-shaped guide, they provide a vertical relationship with the One.

main mass vista The monumental impression of the monastery is obtained from the vista which is formed from the landscape which is designed into a linear line which directly leads to the main mass of the monastery so that it is hoped that this landscape design will give that monumental impression.

Imposition of pancer and sunyata Javanese culture that carries the Pancer as the center turns out to have coherence with Buddhism regarding emptiness, or often called absence. Namely, a center for attaining enlightenment, so that an open area that becomes an ambiguous space also becomes a symbol of solitude.

waisak expansion space The waisak event requires much more space for a place of worship for Buddhists so that the open area of the pancer can be an additional space that is directed towards the statue along with the main place of worship which is already on the second floor.

meditation-circulation crossprogramming The meditation room, which is usually a quiet place, is questionable because at first the meditation was held in an insulting place, so the idea emerged that it was combining the meditation venue program with pedestrian circulation.

statue and dhammasala relation From the design idea, it is hoped that people who worship in the main place of worship feel that the Buddha statue has the same body size as them, this is obtained by providing a visibility between the statue and the worshipers.

cardinal orientation The division of north, west, east and south orientations is the main benchmark in Javanese architectural culture. In the middle there is a pancer which is the center of the four cardinal orientations. The mass division design is divided into four masses in each cardinal direction and the open area in the pancer area.

giving the essence of distance

in Javanese custom, distance is the main essence in spatial planning design, because distance forms space, so that the mass design strategy is made without sticking it but only connected by the hallway.

horizontal relation

the front to the back is a relationship that is more private or solitary, while the right to left relationship is more in the public sphere or objection, so that the zoning of private space is directed front to back while right to left is made a more public area.

2019 Perspectives of AKSARA Benyamin Kevin Digital Rendering 420mm x 297mm

CAAJ International Competition group(3) - Lead designer

the design intended to create correlation between police and papuan to become a solid culture and become one.So the design must be a catalyst of culture interve the behavior of papuan life and also have same function as a police station. Keyword : Catalyst, papuan, culture, behavior, police

2019 Compilation of research Benyamin Kevin Digital collage 420mm x 297mm

Public space act as a cover for the police station. Inviting local community to build together to incrase connection. Using wood as a public area mark and ambiance builder.

Drag common programs in Police Station to connect with public as an local issues and potential response. Spatial experience of compound and distance with vegetation as represent of architecture in Nusantara.

Arched element as spatial form maker in the police station itself to symbolize Papua culture is part of archipelago of Indonesia varies culture.

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Benyamin Kevin handmade 420mm x 297mm

2019 crafting with fun

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Critical Context Workshop group(3) - Researcher-Lead designer

the workshop task is to question and define what the attribute that placed in material, elements, and parts between space that create tectonics interspace. My group try to investigate the banal material of woods and clay. We try to observe the basic nature of both material and tweak those material to become new elements that create a attractive spatial space.

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The object that our team observe is wood and clay. it based on the most banal and atributed objects that we can found in our observation perimeter. Firstly we try to scrap all the atribute and define the true meaning of both material through it shape, verb also real value of the material itself. After that we trying to tweaking the object to put in the context on the observation perimeter with playing with tectonic and crafting style, that we found what become advatage character in clay can improve what lack on the wood and also both side, the wood advantage can support the clay disadvantage.Thats why in the end, we try to use crafting and tectonic to put this material to become and new elements that can connect and create some spatial experience posibility.

The workshop investigate the ambiguity of the attribute that given into parts, elements, and material. Stereotype that come from the culture that stick with the material usually become and temporary identification of an object, rather it become an cheap-like, or old-like also expensive object. In this course, our team try to seperated the atribute into the most banal meaning of the object itself.

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CONTACT AND ELABORATE DIAGRAM we analyze the behavior of parts, elements and material through calculated diagram about contact and elaborate parameter that we found very ambigous and intangiible and many contingensy within the parameter.

MATERIAL AS A VERB We try to investigate the meaning between the material, elements, and part through model making and try to figure out what is the function and the meaning between all those object that banal and get a lot atributed.

MATERIAL MANIPULATION We create a table from our experiment with the material testing and found some variable that can we manipulate as the hybridation of the material to become new elements,

2019 Process Diagram Benyamin Kevin digital painting 630mm x 297mm

IC TECTONIC TECT ON ONI TEC T IC CT TON ON EC T T C E IC T CTONIC CTONIC TE E

1 PHASE 1 : ITERATION OF THE CONNECTION AND ELABORATION OF BOTH MATERIAL

PHASE 3 : REPEAT THE PHASE 1 OF THE CONNECTION TO CREATE A NEW ELEMENT

PHASE 5 : DETAIL OF JOINT BETWEEN THE CONNECTOR OF WOOD AND CLAY

2 PHASE 2 : CREATE 1:1 MOKE UP MODEL TO DEFINE THE CONNECTION BETWEEN BOTH MATERIAL

PHASE 4 : CRAFTING JOINT TO BECOME MORE RIGID AND ARCHITECTURAL

PHASE 6 : MOCK UP OF FINAL ITERATION OF THE DESIGN IN SEPERATED PARTS

ECTONIC N NIC T ECTO IC TECTO TE T O T CT NIC IC TEC ONI TON E C T C TECTONIC 2019 banal hybridification Benyamin Kevin handmade 200mm x 200mm

PAAU International Workshop group(3) - Researcher-Lead designer we down to the community to do some analysis about the Georgetown itself. How Georgetown is define, even it by local, tourisr, old people, young peiple, the building and the structure and also the culture itself. And afterthat we discuss and points out some critical points about georgetown that we found interesting, there are young generatiion, architecture and the local it self. The tendency between the inclusivity and the esclusivity between them make problems in Georgetown itself. \We also track that unesco itself cause the main problems because UNESCO try to stop the rotation and the flluctuation of the culture in Georgetown by label the city by world heritagae site. The city rather become static and boring because there are no something fresh and can become dead city Georgetown, Penang is known for its largest collections of well preserved pre-war buildings in the Southeast Asia region, dating as early as the late 1700s’. In 2008, Georgetown has earned itself the recognition as the UNESCO World Heritage Site. The aging structures stood over 300 years passing down from generation to generation. Today, the heritage buildings in Georgetown became the iconic architectural identity for the locals with its majority the heritage buildings being the Chinese Shophouse typology. The presence of its significant architectural features gradually became part of the Penangites’ pride and the represented image of Georgetown. Eventually, changes of any sort in Georgetown might seem like a threat degrading the authenticity of its heritage.

the diagram tell us how complicated the problems from the aspect A, B, and C and it more and more complicated because the value of the variable keep growing, either it from the tourist, local, disable, youngster, seller, businessman, politicans and etc. If we try to solve one aspect, the other aspect problem gonna pops up. We try to search what is the core that cause its all chaotic problems and it down to one reason. Because we always thinks that everyoone and everything must be inclusive, but it not supposed to be like that. Inclusive and esclusive is must be balanced. There is no such things at too inclusive or too exclusive itself.

And after we critize the problem is about the rule itself so actually as architecture student, our role just not about design a solution by architectural design but also from how can we advocate and have critical thinking about what make the problems itself before jump into the conclusion itself.The drawing in the right side is actually the act that how we actually try to diss other group that try to create solutions so fastly within 3 day of observation, that everyone can think of that and nothing wrong with it but, eventually that not the solution and not very fundamental itself because it just the problem of choice.

So our lays proposal just about how we speculate and predict the timeline if we can intergue with the rule of UNESCO itself and try to make movement to the city itself. We also predict if the label is gone of course it gonna be the downfall of the heritage city but also the born of the adaptive and livable city and of course it gonna be fluctuacted because there are will always tendency between the person who agree and disagree with it. We conclude with that we discuss and ciritique the Georgetown that have thel label of world heritage itself make us one step further to an adaptive Georgetown we believe

what can we do just say

’FVCK UNESCO’ 2019 hot discussion Benyamin Kevin live event 2000mm x 500mm

MENTAL ESCAPISM architecture festival PCU 2020

Group(3)- designer (research-concept-technical)

otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks

2020 floral pattern

2020 human form

2020 floral mock up

Benyamin Kevin digital painting 100mmx100mm

Benyamin Kevin digital painting 420mmx297mm

Benyamin Kevin digital modeling 100mmx100mm

otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks

otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks

otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks otherartworks

Hanged 2017 Satu Ruang UPH Design Competition

Lets Poop! 2018 WEX Tourism Toilet Competition

flashback to future 2019 TKMAI 35 Design Competition

Mental Vaccine 2019 Architecture Festival PCU

Freeing Architecture 2017 Second Year Design Studio Part 2

In Between 2018 Third Year Design Studio Part 1

Indonesia Equity 2050 2019 World Architecture Festival Charette

flashback to future 2019 Service Learning Design Class

Swipe Left Swipe Right 2018 HDII Dulux Design Competition

Bale Rempug 2019 Ancol Floating Mosque Competition

Under the Auspices of Ulos 2019 Lixil Rest Area Arterial Road Competition

Sendang Kerep Ambarawa 2020 Marian Center Design Competition

Where is the King? 2018 TKIMAI 34 Design Competition

Connect-Restore-Grow 2019 SKBM Goverment Masterplan

Silaban Wall Monument 2019 Silaban Monument Design Competition

Jarak Masterplan 2020 Jarak Village Masterplan Collaboration

Ambiguity in Object 2018 Critical Context Workshop Essay

reciprocal bamboo pavilion 2019 Bamboo Architecture Class Workshop

Eight Crossed Monas 2019 Medan Merdeka Masterplan Competition

Urban Stereotomic Kembang Jepun 2020 Final Year Design Studio Research

Play-Station 2018 Architecture Festival PCU

Cafe in Sorong Mini Mall 2019 Internship Interior Project

Kaseribuan Gate 2019 Propan Information Center Competition

Your Project :) 20XX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

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