MUTE Zine

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ISSUE01

MUTE Beth Anna

Four


there is black coffee on the table in front of the models,

two vintage style grey cups,

add to the minimalist nature of the film.

the coffee stands untouched.

a game of draughts is the clear focus

the game continues throughout four is key

f o u r

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beth peacock

styling & direction

živilè januškevi čiūtè

isabelle biggs

models

harrison france

photography


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4


Set in an old rustic, minimalist cafe somewhere in the north of England, although it could be anywhere in the world and there is a clear focus on black and white. Two female characters sit across from each other, differentiated by the colour of their hair. They do not talk, communication is off the table, they are mute.

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1 2 3 4

2


offee on the table

there is black co

the models,

in front of

tyle grey cups,

two vintage sty

t nature of the film.

add to the minimalist

ands untouched.

the coffee stan

are sealed.

the mouths

s on the table,

Instead it lies

t of the subjects.

lifeless in front

3


offee on the table the models,

tyle grey cups,

t nature of the film.

ands untouched. are sealed.

s on the table,

t of the subjects.

4


1


the clock is ticking

a simple, minimal clock. 4 clock ticks at 4 oclock

coffee stands untouched. instead lies on the table,

lifeless in front of the subjects. we get the sense they communicate

through a kind of telepathy, their mouths are sealed shut

by some makeshift means, rendering them silent

conforming to the ‘silent era’ style of film.

black and white is key.


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