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Yeah. whatever. cute. players shirt meaning: Acting at the Yeah. whatever. cute. players shirt in addition I really love this edge, in the margins—for and with youth—has always been the grounding of his brand. These gritty, dystopian times feel a lot like Raf Simons’s underground beginnings in the 1990s—it took him back to his memories as a kid of jostling with friends, faking tickets to get into fashion shows. “So I thought, let’s not do that. Let’s just invite everybody instead. I didn’t want a show for 300 people sitting in rows. This is a show that’s pure democracy. No hierarchy. A
London explosion of youth, life, dancing, and being together. So,” he added, “I was thinking a lot about the body, in relation to dressing up and going out and performing.” Simons took that prospect as a challenge not to fall back into any comfort-zone of predictable youth-cult signifiers. “I started with the opposite of going out from my own past. It was about dancing, going out together, but I also didn’t really want to fall in the trick of Blitz Kids, or the clichés. So I wanted to explore something I never did before, which was the body. To have the body liberated, to see and feel the body to expose it; also to allow the body to be in movement.” As a brutal note-to-self, he embedded prints of scrawled works by the late Ghent artist Philippe Vandenberg on t-shirts and dresses. “They’re cruel words, like ‘Kill them all and dance.’ But he didn’t mean killing people—he meant killing things that you’re doing creatively in order to move on and explore further.”
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