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Issue #19 February 2022
Valeriya with Flower Blouse Painting
| W:36.00 H:48.00 in | AW127721120
by Randy Marescalco
published by
Contemporary Art Magazine
Artistonish Magazine
Issue #19 February 2022 February - 2021
artistonish.com/february2022
powered by
b i a f a r i n . c o m
Artistonish Magazine
Code:
MGZ805329646
Link:
https://www.artistonish.com/february2022
Date:
28-Feb-2021
Publisher:
Discover the Artist
Artistonish
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Cleansing the Earth Painting, Oil Color on Linen W:45 H:60 in 2020 Bamazi Talle
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Shell of a Country Painting, Acrylic on Canvas W:30 H:30 in 2022 Caroline Cammack
The US has faced so many challenges in the last five years, because of one person. One. We are drowning in chaos, and this has left us with a shell of a country, depicted by a broken shell applied to the canvas. I don't know how we will recover.
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Graffiti Alley Painting, Acrylic on Paper - Cotton W:11 H:12 in 2021 Cher Pruys
I love graffiti! I came across this alley on an art trips in eastern Canada a few years ago and it sparked memories of my own attempts at graffiti as a kid. It was most rewarding to finally produce a piece of art representing this genre.
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316 Web Photography, Digital Photography on Photo Paper W:20 H:16 in 2020 Denis Sivack
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Circular Logic Painting, Mixed Media on Canvas W:17 H:23 in 2021 Non-objective patterns in reds, blues and light greens Frankie Koger
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Leaf Photography, Digital Photography on Photo W:15 H:15 in 2022 Late Fall Leaf John Retallack
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Fishhead! Painting, Pastel on Paper W:11 H:11 in 2022 A portrait of an old friend Laurie Cartwright
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Fantastic Kraken Fiber Art, Mixed Media on Fabric W:99 H:61 cm 2020 Lynne Brandon
The quilt is made of hand-dyed fabrics, fused fabric pieces and embellished with ink tense pencils and free motion quilting with different colors of cotton threads. AW127288840
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The Setting Sun Painting, Oil Color on Canvas W:50 H:70 cm 2020 Maksim Echein
I wrote this work during quarantine. Movement around the city was limited, so I worked from the window of the studio. Spring came, nature came to life. And along with nature, new forces and a sense of happiness appeared in order to continue to live and work.
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The Pause Painting, Oil Color on Canvas W:53 H:74 cm 2017 Maksim Echein
My work is about the creator, who leaves in everyone of us, and about any artist, who can make a piece of art out of nothing. And this piece of art provokes particular emotions. Besides, my work is about labour: an enormous amount of physical and phsycological strenghs, which every artist overcomes while creating a piece of art. And surely it is about the perseption, the feeling achieved in case the result corresponds to the idea, expectations and thoughts. It's hard to explain these complicated feelings of joy, pride and sadness. I suppose, they come altogether with enormous tiredness at the moment when the artist realises that the work is finished. I can also add here the feeling of victory over oneself and over the obstacles appearing in the process of work when finally the artist lets the piece of art live its own life.
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Almost a Self Portrait Sculpture W:18 H:59 D:25 cm 2022 Nevenka SpasicThater
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From the Ether Painting, Ink Painting on Paper W:11 H:14 in 2022 Valeri Cranston
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Heart Break Painting, Acrylic W:16 H:20 in 2022 Michael Iradi
This piece represents heartache, pain, lost love and found again. The candle represents the flame that will always burn for that one person. The crumbling at the bottom represents the lost love that cannot be mended. AW127137536
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Connectivity Mixed Media on Paper W:116 H:121 D:6 cm 2022 Paulette Martsolf
Monoprints in Acrylic - Ghost Prints - Metal Grommets - Paper is cut, woven and sewn to a substrate with an industrial sewing machine. AW127567960
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Damian Glass Art on Mosaic W:74 H:150 D:21 cm 2021 Will Lorimer
This standing sculptural life-size figure is possibly the largest piece of jewelry in the world Jewelry because of the precious materials (high grade dichroic glass, real diamond and mirror) which facet the figure, and the fine techniques employed. Under the mosaic surface, the figure is made of fiberglass, plaster and metal. Both arms, and the hands are articulated. The weighted, black mirror base, on which Damian, stands is not shown.
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I've Always Been a Storm Mixed Media, Digital Painting on Canvas W:24 H:36 D:2 in 2021 Haley Sullivan
This piece is an illustration that began in my sketchbook and later became the draft for my digital outline of this stormy lady. Once I had the color scheme down that I wanted, my partner helped me create the background painting with my chosen colors. As I worked on this illustration I kept in mind to consistently play music around tears and storms. I played The Weeknd & Ariana Grande's song "Save Your Tears" a lot at the beginning of this project. However, as it progressed I came across a Fleetwood Mac song that I had somehow never heard before until I started this project. I absolutely loved the melody of "Storms" so much that I played it every day for weeks as I worked on this. Now every time I see this finished project I hear the beautiful lyrics "I've Always Been a Storm". I decided this was the perfect name for this beauty. I hope when you see this piece you understand that going through hard times in your life can always bring out a beau...
AW127931000
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Now What Mixed Media, Oil Color on Wood W:66 H:38 in 2020 - 2021 Andrew Cohen
Oil paint on textured gesso over recycled cardboard and stretched recycled bamboo window blind This piece is a sense of the times. We seem to be dealing with world altering events on an annual basis. This can lead to a feeling of "expecting the unexpected." While this can be a good thing when considering mental preparedness; always anticipating unpredictable events which undoubtedly will change the course of the world, can make one a bit numb to the shock of the event and its repercussions. So I provided a view from a city sidewalk, gazing up between the tall buildings toward the sky of a potentially catastrophic event and titled it "NOW WHAT" as if it was only a matter of time.
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The Olive Orchard Printmaking, Linoprint on Paper - Cotton W:8 H:10 in 2022 Pom Poison
This linocut print is based on a sleepy mountainside village called Valdicastello in Tuscany, Italy. I lived there for half a year and took long walks in the mountains. I would encounter lizards, vipers, hawks, and impressively, foliage covered ancient homes of human residents from before living memory, standing in the most remote areas of the wilderness. It was sometimes very obvious that in places here, the land had been reclaimed by the forest and the human beings were merely brief custodians. Hand pressed linoprint with oil based ink on Rives cream paper.
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The Dance Painting, Oil Color on Canvas W:48 H:48 in 2021 Melodee Davis
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Honoring Williem De Kooning Painting, Oil Color on Canvas W:45 H:45 in 2021 - 2022 Gabriela Cardenas
The genious artist Williem de Kooning is what many artist have reflected the beauty aesthetically into my painting based on women. I had genuinely never seen this painting before but as I compared it to mine I was astonished without a doubt of the appalling features as if this artist was taking my hand on to work. I genuinely derived my idea of doing more of Matise “women with hat” 1905. But as I inspired my self to keep the Central American culture from the embodiment of water and octupi hands transcending behind. I realized this piece was derivative Women musculature and imaginative. As if I lost the beauty in the features and tone with colors Latin American culture never before seen in United States. It’s almost baroque colors with so much purple and pink. Of course the Vermeer blue brights the ghost eyes. It truly does justice see the sublime in women being muscular in vision.
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In my Solitude Painting, Ink Painting on Paper - Cotton W:22 H:30 in 2021 Sumi-e ink on cold pressed watercolor paper Chess Brodnick
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Purple Lady at the Beach Textile Art, Quilt on Fabric W:61 H:61 cm 2022 Quilted painting made with thread and cloth using the free- motion quilting technique. Mabelin Castellanos
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Chrysalis Painting, Acrylic on Canvas W:12 H:12 in 2020 A reorganization of a mind. From destruction comes rebirth. Danica Rasovic
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On-Ramp Painting, Acrylic, Color Pencil, Ink, Watercolor on Paper - Cotton W:56 H:76 cm 2022 Emily Weil
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Bear With Me Painting, Acrylic on Canvas W:20 H:24 in 2022 Jo Saia
Grizzly bear painting - a spirit animal of mine. Shows up when I need her.....and connects deeply as can be seen with her eyes. AW127981920
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Past Encounter Painting, Watercolor W:28 H:19.50 in 2020 Lisa G Bailey
This painting is a collection of antique man-made kitchen objects that portray how the sense of human touch is experienced everyday. AW127394040
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Unchained Painting, Acrylic W:22.50 H:23.50 in 2022 MaryBeth Printz
'Unchained' is an equestrian portrait of a woman who has broken free of the restraints and defeated the challenges that kept her from realizing her power, potential, and true self. She has been through the storm and survived. The setting is Kachemak Bay, Alaska.
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Sunflowers Painting, Oil Color on Canvas W:24 H:30 in 2020 Surreal painting Songul Terlemez
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Looking Upward Turquoise Vase Sculpture, Stoneware W:6 H:8.50 D:4 in 2019 Vicki Finkel
This forward leaning and looking turquoise vase is bold and whimsical simultaneously, encouraging the viewer to look upward and forward. I created it by darting a wheel thrown piece, adding a bottom, and additional segment on the top. Its double handle enhances a unique design.
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Funky Bird Form Sculpture on Bronze W:7.50 H:17 D:7 in 2021 Bronze on Marble William Moore
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My Heart Painting, Acrylic W:16 H:20 in 2021 Laura Osborne
One of the best ways to share our love is through an embrace. Looking at this picture makes the viewer feel their embrace like I can feel it. In my heart. AW127010848
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Wiped Mixed Media W:16 H:24 D:3 in 2018 Memory Wiped - Mixed media: Cupboard door, pinball machine, collage, doll, paint Jim Mackey
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Mother And Baby Elephants Painting, Watercolor W:15 H:14 in 2020 Mother elephant and child Rosemary Altshuler
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Orchid Tears Painting, Gouache W:8 H:6 in 2021 Catherine Batsoula
Orchids were a gift from a loved one. Often times the pain is also a gift from a loved one. Looking forward to blooming one day again. AW127415920
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Flower Composition 31 Photography W:30 H:40 in 2020 Fretta Cravens
Archival dye pigment print. Botanical created in one layout session on Epson V700 scanner that explores the time and space of botanical photography.The image is cleaned up for pollen,dust and minor imperfections in Photoshop.Printing is done by the artist on archival rag paper in her studio with a Epson P8000.
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Blood Capsules Sculpture, Mixed Media W:170 H:60 D:25 in 2020 Clay, metal, fiber, cloth Vincent Frimpong
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Tree on Top of Vratnik Pass Photography W:14 H:9.50 in 2018 Norman Gabitzsch
Infrared (IR) photograph of a wind blown tree taken at the top of the Vratnik pass that links interior Croatia to the Adriatic Sea at the city Senj. AW127595480
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Mary Painting, Oil Color on Panel W:18 H:24 in 2021 Julie Gallagher
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Valeriya with Flower Blouse Painting, Acrylic W:36 H:48 in 2019 Randy Marescalco
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AnthozoaBorg 2 Drawing, Graphite Drawing on Board W:24 H:18 in 2020 Andrew Lincoln Nelson
Graphite on cold-press Bristol Board. “AnthozoaBorg” means something like machine-colony-life-form, or machine-coral. The second in a subseries of living machine and exobiological life illustrations, this work fuses plant machine and colony-animal aspects. The work visualizes concepts from evolutionary robotics, feral technologies
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Prairie Illusions Fiber Art, Watercolor, Weaving W:30 H:24 in 2019 Phyllis Packard
Handwoven utilizing 4-harness pattern weave with Watercolor My world and environment is the prairie big sky and the Missouri River Valley. AW127834600
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Lost City Painting, Alcohol Ink W:9 H:12 in 2022 Karen Kinberger
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Wilting Painting W:16 H:12 in 2019 Acrylic on canvas Nocturnal
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Frida Alter Painting, Oil Color on Canvas W:59 H:53 in 2021 Adam Sensel
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Bitcoin 2022 Digital Arts W:16 H:20 in 2022 Digital Media NFT Jill Swartz
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Artistonish Magazine
Issue #19 February 2022 February - 2021
artistonish.com/february2022
powered by
b i a f a r i n . c o m
artistonish.com