Portfolio 2011| 2012
Nour Zeino Saccal
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
DE-composing ‘Gestalt’ *
* ‘Die Gestalt’ is a German word for form or shape. It is used in English to refer to a concept of ‘wholeness’.
Gestalt opposes a holistic view by stating that “the whole is different and not reducible to the sum of its parts”
2011-2012 | Barcelona Institute of Architecture
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“Imagination is the analysis, it is the synthesis ... it breaks down all creation and, with the materials collected and arranged according to rules whose origin you can find only in the depths of the soul, it creates a new world, it produces the sensation of new “ (Baudelaire, Salon 1859, in Beyond Romanticism. Writings on Art).
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Methodology
METHODOLOGY
Spectral Process | Soundscape
Thermodynamic Somatisms | Verticalscape
Organization
VI.
Portfolio | Nour Zeino Saccal
2. Analyze
Spectral Process V.
Productivity
Representation Techniques
3. Synthesize
B. For a novel Method in Architecture
ORGANIZATION
Thermodynamic Somatisms
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1. Decompose
Structure System
A. Towards a new Syntax Representation Techniques IV.
2011-2012 | Barcelona Institute of Architecture
System
Structure
II.
I.
Productivity III.
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Content
A. Towards a new Syntax
I.
Building A Structure
II.
Developing a System
1- Digital Culture 2- Facade Technologies
III.
Productive Land Program
IV.
Tools for a rhetroric Representation | Mapping
B. For a Novel Method in Architecture
V.
Dissociating >><<Recomposing _ Spectral Process
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VI.
Applying new Syntax >>> Thermodynamic Somatisms
73
7
17 25 41 51
Portfolio | â&#x20AC;&#x2DC;Decomposing Gestaltâ&#x20AC;&#x2122;
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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A. Towards a new Syntax
I.
Building A Structure The Badalona Olympic Stadium Re-visited
in collaboration with Danielita Mancilla Suarez
Professor : Augusti Obiol
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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The BADALONA Olympic Stadium Re-visited
5m 5m 5m
E.Q.
Basic Geometry
For the roof of the olympic stadium of Badalona, we chose to create a playful roof that would also allow for ample light. To create this, we designed concrete arches that are mirrored along the length of the stadium with decreasing height from the center towards the periphery.
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C
C
T
T
E.Q.
E.Q.
Concave arches>>>compression Convex arches>>>>tension >less depth required in the tension member
The arches intersect with one another to transfer compression loads, obtain rigidity (to prevent buckling) through vertical tiebars and resist the bending moment with an added tension cable.
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
First Concept
E.Q.
The BADALONA Olympic Stadium Re-visited
Increased reinforcement in the tension member
10 m
COMPRESSION
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2.5m 2.5m
COMPRESSION
COMPRESSION
Combination of Components
Since concrete works best under compression and poorly in tension, we chose a varying section through the component of the arch with increased reinforcement at its tension locale. The plane of intersection is increased between the two arches in order to counterbalance the compression forces resulting in the compression member of each arch.
Portfolio | Nour Zeino Saccal
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
COMPRESSION
Single Component | Reinforcement
2.5m
Arrangement of Units over the Roof
2011-2012 | Barcelona Institute of Architecture
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S2 The BADALONA Olympic Stadium Re-visited
SUNLIGHT INFILTRATION
Section 1
ION 1| scale 1:750
S1
Concrete ArchCONCRETE
CABLE
DRAINAGE Drainage Point
POINT
Concrete RingCONCRETE
Section 2
RING S2 Roof Plan
TION 2|scale 1:750
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Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
Tension CableTENSION
ARCH
Portfolio | Nour Zeino Saccal
Building Structures Nour Zeino Saccal_Dani Mancilla Suarez
2011-2012 | Barcelona Institute of Architecture
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The BADALONA Olympic Stadium Re-visited
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Geometry > A System for sustainable Manufacturing
Digital design, doesn’t mean working in virtual space but rather informing the physical reality of geometrical principles, performative behavior and manufacture logics. It is about the permeability of the threshold between the physical and the digital realm. Such permeability is procreated by an exchange of data which itself is dependent on the formalization of inherent geometric relationships between different elements of the architectural design. * The focus in the next two projects is on the geometric and physical principles that faciliate the creation of a System for sustainable manufacturing.
A. Towards a new Syntax
II.
Developing a System
1- Digital Culture
Professor : Juanjo Gonzalez Castellon
in collaboration with Neha Gupta, Glenn Hajadi and Timothy Brennan
a
b
a
b
a
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
*Digital Culture Brief
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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and edi ng of space. This ability for change encourages the user to become an ac ve par cipant in the dynamic crea on of form.
Digital Culture | Triangle | Tension | Tent A. Ini al con gura on of dynamic elements
B. Movement of 2 dynamic elements inward
C. Movement of 2 dynamic elements outward
D. Random movement of dynamic elements
A.
B.
Component
The system is based on the logic of one form/shape-- the triangle with an applied force.
Triangle >>> Tension >>> Tent
LEGEND 1. Triangular net system 1.1. Catenary cables 1.2. Steel ring connec on 1.3. S tched cables on fabric 1.4. Ring connec on 1.5. Standard stainless steel clamps 2. Moveable tables 2.1. Tables with plas c posts 2.2. Table base with sea water deposit as weight 3. Sta c main compression structure 3.1. Wood post 4. Sand
Change of scale
Internal Parameter
A. Tension module outline
The ability to alter the shape and the scale of the triangle is based on a push or pull force.
b a
C. Solid / void rela onship due to sun exposure
A. Tension Module outline
b a
B. Dispersion of component
B. Dispersion of Component
2.1
1.3
1.
C. Solid | void relationship
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
In recent decades, new methodologies have emerged in architectural design that exploit the computer as a design tool. This has generated a varied set of digital skills and a new type of architectural knowledge. Digital design, however, doesn’t mean working in virtual space but rather informing the physical reality of geometrical principles, performative behavior and manufacture logics. It is about the permeability of the threshold between the physical and the digital realm. Such permeability is procreated by an exchange of data which itself is dependent on the formalization of inherent geometric relationships between different elements of the architectural design.*
1.1
a
Combination
Variations of in triangle combination create a solid-void relationship.
D. Geometric expansion strategy
2.1
DIAGRAMS ILLUSTRATING LARGER SCALE OF COMBINATION
2.2
The Project:
The flexibility of triangle | tension system allows for the rearrangement and editing of space. This ability for change encourages the user to become an active participant in the dynamic creation of form. *Digital Media Brief
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Portfolio | Nour Zeino Saccal
Sequence
The component and and its neighbors are in a sequence of events, from the global to the local.
D. Geometric Expansion Strategy
2011-2012 | Barcelona Institute of Architecture
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Digital Culture | Triangle | Tension | Tent
D. Random movement of dynamic elements
C. Movement of 2 dynamic elements outward
A. Initial Configuration of dynamic Elements
A. Tension module outline
B. Dispersion of component
C. Solid / void rela onship due to sun exposure
B. Movement of two dynamic elements inward
LEGEND 1. Triangular net system 1.1. Catenary cables 1.2. Steel ring connec on 1.3. S tched cables on fabric 1.4. Ring connec on 1.5. Standard stainless steel clamps 2. Moveable tables 2.1. Tables with plas c posts 2.2. Table base with sea water deposit as weight 3. Sta c main compression structure 3.1. Wood post 4. Sand
1.1
2.1
1.3
1.4
1. 5
LEGEND 1. Triangular net system 1.1. Catenary cables 1.2. Steel ring connection 1.3. Stre tched cables on fabric 1.4. Ring connection 2.5. Standard stainless steel clamps 2. Moveable tables 2.1. Tables with plastic posts 2.2. Table base with sea water deposit as weight
1
3. Static main compression structure 3.1. Wood post 4. Sand
2
a
C. Movement of two dynamic elements outward
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D. Geometric expansion strategy
2.1
DIAGRAMS ILLUSTRATING LARGER SCALE OF COMBINATION
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
3 2.2
3.1
D. Random movement of dynamic Elements 22
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Digital Culture | Triangle | Tension | Tent
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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A. Towards a new Syntax
II.
Developing a System
2- Facade Technologies| Diamond Facade
in collaboration with Neha Gupta and Marija Bojovic Professor : Miquel Rodriguez
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
2011-2012 | Barcelona Institute of Architecture
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Facade Technologies | Diamond Facade
Area assigned for design
ESCALERAS ESCALERA-ASC. 27.59M2
ESCALERAS ESCALERA-ASC. 28.91M2
ESCALERA-ASC. ESCALERAS 27.60M2
SALIDA
BAJA DE
RAMPA 102.60M2
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Portfolio | Nour Zeino Saccal
ESCALERA-ASC. 25,59M2
ESCALERA-ASC. 25.59M2
ESCALERAS
ESCALERAS
ENTRADA
SALIDA
BAJA DE
90m
RAMPA 102.60
PRIMERA
The brief was to design an envelope in light concrete for a section of a parking block measuring 90m x 37m. The parking block is part of an abandoned building of Terminal 2 at the Barcelona El Prat airport. Our strategy included the creation of courtyards necessary to draw light into the building. In order for the concrete envelope to appear continuous, we decided to fold the envelope in at both the edge of the parking and in between the proposed program and the parking.
SALIDA
ENTRADA
SUBE A
Design Brief | Light Concrete Envelope
RAMPA 102.60M2
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
Line of facade fold/ courtyard
PRIMERA
SUBE A
PRIMERA
ENTRADA
PRIMERA
RAMPA 102.60M2
ENTRADA
SALIDA
ASEOS MUJERES
ESCALERA-ASC. 27.59M2 ESCALERAS
ASEOS HOMBRES
ESCALERA-ASC. 190,76M2 ASCENSORES
Program
2011-2012 | Barcelona Institute of Architecture
SALA PARA
ALMACEN
ASEO SALA CONTROL
LIMPIEZA
CAMBIAR
EXPLOTACION
PAÑALES C.F.
CUADRO GENERAL
ESCALERAS
37m Parking
LOCALES 182,85M2
ESCALERA-ASC. ASCENSORES 186,46M2 ESCALERAS
Plan - Airport Terminal 2: Parking Block
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RA-A ESCALE SC. RAS ALE ESC
ESC
A SUBE
A
TERCER
A SUBE
PA
PA
SUBE
DE
SEGUN
DA
SC. RA-A ALE ESC
SERV.
A SUBE
A
TERCER
A SUBE
1,5
2
RAM
DA DE SUBE
1
1
type.1
Portfolio | Nour Zeino Saccal
Section type.1
6
section
Section
Half-unit 2
type 2| 90 angle (corner unit)
1,5
3
Half-unit
type.3
section
Half-unit 2.1
90 angle (corner unit)
section
0,5
section
type.1| �lat
section
Half-unit 2
type.2| folded at 90
long. folded at 90
0,5
section
0,25
1,5
0,75
1,5
type.2
type.1| �lat
1
0,5
1,5
0,5
Elevation
3
3
3
unit 2
Additionally, following the ‘light’ concrete concept, the third type of units are made up of transparent concrete thereby allowing light into the hotel rooms thus functioning as diamond ‘windows’. Offices and research labs were included as suplementary programs for the hydroponic lettuce “nursery”.
Elevation
0,5
section
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
It was important to create a program relating to the airport, hence a hotel provided a good amenity for transit passengers .The subsequent programs were related to the hotel. As the main goal was to create a facade that is productive, photovoltaic cells (in a thin film on the concrete units) were integrated on the concrete units in solar gain areas. A second productivity to the envelope was added : the growing of hydroponic lettuce on the south facing envelopes of the patio.
1
Half-unit
type.2
3
Section
1
30
6
6
Elevation
Productivity of the Envelope
Roof Plan
unit 1
6
Research And Of�ices
RAS
RA-A ALE ESC
Fourth Floor
1,5
2
ESCALE
SC.
SC. RAS
Third Floor
3
Hydroponic Lettuce
Second Floor
ESCALE
RA-A ESC
ALE
RAS
ESCALE
SC. RA-A ALE ESC
First Floor
SEGUN
DE
SEGUN SUBE
A DE
PRIMER
DA
RAM
PA
RAM
PA
PA
SUBE
A
SEGUN
DA
TERCER
A
LOCAL
LOCAL
LOC
ALE
S
LOC SERV. ALE
S
ESCALE
ALE
RAS
ESC
ESCALE
RAS
SUBE
DE
SEGUN
DA
RAM
RAM SC. RA-A
A DE
PRIMER
SUBE
S ALE LOC
SERV.
LOCAL
Ground Floor
3
Restaurant | Lounge
SUBE
Hotel
TERCER
A
ESC
DA A SUBE
PA
Laundry Services for Airport
Restaurant
Lounge| WIFI Zone
ALE RA-A ESCALE SC. RAS
Industry | Hydroponic Lettuce
RAM
Laundry
Research & Offices
SEGUN
Hotel
ALE RA-A ESCALE SC. RAS
Facade Technologies | Diamond Facade
unit 3
Half-unit
section op.1| �lat
section
op.2| folded @ 90
Half-unit 2
long. folded at 90
section
Units | Typology 2011-2012 | Barcelona Institute of Architecture
31
Facade Technologies | Diamond Facade Concrete Diamond Insulation
Section Details & Organization Logic
Bolts connecting panels
Steel section connection Bolts connecting to slab Existing �loor slab
Continuous member along slab Hotel Room
planting on the south surface of the patio
Light emitting concrete diamond
hotel rooms
Neoprene sealant
Concrete diamond Existing �loor slab Addional slab
Additional slab connected with dowels Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
hotel rooms
Hotel Room
Hotel Room
hotel rooms hotel rooms
Hotel Room
hotel rooms lounge
Lateral Section
Envelope wrapping the building
Plan Plan
Lateral Section | Envelope wrapping the building 32
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
Enlarged Section
Section
33
Facade Technologies | Diamond Facade
6.00
A
A
3.00
3.00
Back Elevation
Section AA
Triangular Slab integrated in the 6m
_ room division solution _ greater rigidness of the unit
1.00
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
2.00
Highly porous light concrete with nutritients | Hydroponic Lettuce
Unfolded Units
Underground cistern for rainwater colAggregate Aggregate lection. Thus, plants get water due to cappilary action : porous light concrete units Filler AshFiller Ash
Cement paste Cement or paste mortar or mortar
Productivity | Planting on the South facade of the Patios Underground Underground cisterncistern for for rainwater rainwater collection collection
Units | Connection Details
(porous(porous light concrete light concrete units) units) 34
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Facade Technologies | Diamond Facade
330
30 JUNE
300
06:18 60
21:28
W
E
12
240
210
150 S
SOUTH - WEST ELEVATION
WEST ELEVATION AT 4PM JUNE 21
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
AT 12PM NOON JUNE 21
Gap
location of pv panels
�lat panel with solar cells| panels must be placed in a series next to one another to recieve sunlight
location of pv panels
Units | Connection Details 36
�lat panel with solar cells| panels dont have to be placed in pairs
West Facade : Parking | 3 types of Units Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Facade Technologies | Diamond Facade
South - East Elevation
North West Facade
Concrete panels
Light transmitting panels
The envelope with parking area behind it is composed of standard light concrete units in combination with units with PV film both as flat panels and extruded units. Some units are taken out to provide natural ventilation and light into the parking lot. The envelope with programmatic areas behind it, on the other hand, is composed of light trasmitting concrte units, units with PV film on the upper right section and standard concrete units.
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Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
South East Facade | Logic of Organization
Portfolio | Nour Zeino Saccal
CONDITIONS FOR PV FACADE UNITS DIAMOND UNIT :
UPPER "EAST" FOURTH
FLAT UNIT :
WHOLE PANEL
Photovoltaic panel
South East Facade
2011-2012 | Barcelona Institute of Architecture
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Facade Technologies | Diamond Facade
PORTFOLIO | NOUR ZEINO SACCAL • ELEMENTS FOR A NOVEL ARCHITECTURE
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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A. Towards a new Syntax
Architecture, the Environment & Productivity:
Productive Land Program | Agri-Dandelion
Professors : Maria Buhigas, Marc Montleo and Anna Viader
in collaboration with Sally Abi Habibi and Omaya Malaeb
Summer
Spring
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
Landscapes are no longer regarded as passive picturesque elements, instead they can be seen as oppurtunities for productivity. Thus, within this framework the project proposed must be self sustainable within an economic cycle guaranteeng profitability. The methodology adopted is based on identifying resources and design solutions to produce self sufficient interventions on sites chosen according to theri foreseen potential. The Productive Land Program (PLP) is oriented to research on and think over the productive and energetic capacities of the non‐urban land as its way to become economically and socially sustainable within metropolitan areas. As a response to the current economic and political context, design strategies that take into account actions supported, promoted or managed by governmental policies will be avoided. Instead, focus is placed on design strategies which can engage the private sector.* The project was set in the area between Sitges, Barcelona and Sant Pere de Ribes i.e. on the fringe of Barcelona’s metropolitan area.
III.
*PLP Brief
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
43
Productive Land Program | Agri-Dandelion
plantation of fruit + dandelion
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Portfolio | Nour Zeino Saccal
Site 2 | 15 hectares of plantable area
2 km circuit re-integrated into the community
2011-2012 | Barcelona Institute of Architecture
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
Site 1 | 23.8 hectares of mixed
Site 2 | Re-adaptation of structures for coffee substitute + dandelion wine production
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Productive Land Program | Agri-Dandelion DANDELIONS
Sant Pere De Ribes
+
FRUIT TREES
INUIN MORNING
+ SHADOW PROJECTION OF 1 FULL DAY
ETHYLENE GAS
INUIN
SHADED AREA
LIT AREA
BETA CAROTENE +
ETHYLENE GAS LABOR BETA CAROTENE
MIDDAY
NON-BITTER LEAVES
Shadow Study
NON-BITTER LEAVES
LABOR
Economic Cycle | Site 1
Dandelion Field
Existing Fruit Trees Poplar Trees
Harvest Machine Path New Fruit Trees
1km long stretch Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
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Productive Land Program | Agri-Dandelion
Economic Cycle | Site 2 Bougainvillea Buffer Zone
DANDELION
Dandelion Fields 2km Track
LABOR TO HARVEST
ROOTS
Vilanova
AGRI - Dandelion | Strategy
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Portfolio | Nour Zeino Saccal LABOR
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
We chose two sites to intervene in that together combine to form a self-sufficient economic and production cycle. Site 1 consists of a fruit field that is abandoned. We envision the planting of dandelion plants in between the existing trees. The dandelion leaves can be harvested for culinary purposes and their prescence simulatenoulsy benefits the fruit trees by aiding them to mature; by releasing ethylene gas, dandelion acts as a good companion plant to fruit trees. Site 2 is an existing former race track. We propose the planting of its entire internal ring with dandelions . The existing structures would be used as infrastructure for the production of coffee substitute from the roots of the dandelion.The ring itself would become a public walkway for the community. In this manner, the ring can be re-integrated within its surrounding.
+
INUIN
ETHYLENE GAS BETA CAROTENE
2011-2012 | Barcelona Institute of Architecture
Sitges
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Productive Land Program | Agri-Dandelion
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
51
Representation Techniques | Mapping
A rhetoric map, within the framework of this courese, is by definition not a ‘real’ map i.e. it does not concern itself with the documentation of precise topographical and scale patterns. It is instead an informative document that recounts a story. Thus, it can also represent non-existing situations; a technique widely used today for advertising purposes to convey 10-50 year governmental plans. For this purpose, distances, topography etc. are manipulated to convey the idea behind the map.
A. Towards a new Syntax
IV.
Mapping | A view from Above the Middle East
Professor : Kruno Ivanisin
in collaboration with Gauri Gore
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
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Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
53
Mapping | A View from Above the Middle East : Red to Dead Red Sea
Physical Network Red-Dead Region
Source : Google Earth
The area of study, on a territorial scale in the Middle East region is the Great Rift Valley between the Red sea and the Dead Sea extending until the Sea of Galilee. The starting point was to identify the key matters/issues of this region. Based on this, a view was generated using Google Earth references images in order to document all the findings in a single image or rhetoric map. The most important topic of study in this region was chosen to be the proposed Red sea to Dead Sea canal or the so-called Red-to-Dead Project. Hence, the strategy for the study was to catalogue the important characteristics of this valley and contemplate the effect (environmental and economic) of the Red-Dead canal on these characteristics.
Explanation: The physical network relates the main road networks with topography spanning he distance from the red sea to the sea of Galilee.There are two main roads along the ‘valley’ one of which lies within the Jordanian border which is called the Dead Sea-Aqaba Highway (route 65), while the other is on the Israeli territory named Route 90. Route 90 is the longest Israeli road, at about 480 km running from the north of Israrel to the southern border with Egypt on the Red Sea.The section of Route 90 passing the Dead Sea is named Dead Sea Highway, and it is this location that is the lowest road in the world.
Water Tertiary roads Secondary roads Primary roads
The main roads are highlighted in red while the secondary roads are highlighted in orange and tertiary in brown. We can see that the road runs through the lower topography in between mountains and/or hills on both west/east sides.
Dead Sea
Red-Dead Region | Data
Route 65 Route 90
Jordan
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
The water levels in the Dead Sea are reducing at the rate of one metre per year; it has shrunk by 30% in the last 20 years. The main reason for this decrease is the diversion of most of the water from the Jordon River that feeds into the Dead Sea. The proposed canal would thus provide potable water and electricity to the two countries on the either side of the valley, who share the resources of this valley. This canal is a big investment; hence it is being shared by Israel and Jordan together. This has become possible after the peace treaty signed by the two countries in 1994. The level of the Dead Sea is 400ft below the sea level; this natural difference in the topography makes the proposal technically viable.
Palestine
Nour Saccal, Gauri Gore A View From Above :The Middle East Galilee Sea
Exercise 2.2 Physical Network 54
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
55
Mapping | A View from Above the Middle East : Red to Dead
Red-Dead Canal and Topography
This diagram catalogues the topography surrounding the gulf of Aqaba of the Red Sea, the Dead Sea upto the Sea of Galilee.
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Portfolio | Nour Zeino Saccal
+ 1600 m
+ 1600 m
+ 1200 m + 800 m + 400 m
DEAD SEA
DEAD SEA
NAL NAL SED CA ROPOSED CA PROPO P
GULF OF AQABAGULF OF AQABA
RED SEA
RED SEA
00 m
- 400 m - 800 m
2011-2012 | Barcelona Institute of Architecture
+ 1800 m + 1200 m + 800 m + 400 m 00 m
- 400 m - 800 m
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Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
The level of the Dead sea (-400m) and the Red Sea create a natural level difference which can be utilised at its optimum in the canal that will feed water to the Dead Sea from the Red sea without the use of energy.
+ 2000 m
+ 1800 m
It hence shows the variations in the altitudes of the mountains ranging from the mount Tabor at 450m, the Jabal Umm Dami at 1750m, the Jebel al Lawaz at 1975m. The catalogue also indicates the change in the vegetation from the Red sea to the sea of Galilee, where the land is almost barren until the stretch from the Jordan river to the sea of Galilee. Here we find fertile land and agricultural activity changing the landscape to be healthy and green.
+ 2000 m
Mapping | A View from Above the Middle East : Red to Dead
Red-Dead Region | Rhetoric Maps : ‘Before’ Illustration
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Portfolio | Nour Zeino Saccal
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
Thus, the first point of study in this region is the topography as well as the vegetation pattern along this stretch of the selected view. Land-use pattern, the habitation patterns of cities and the physical network of roads were studied and catalogued along the entire view. In the final ‘before’ map of the selected view i.e. in the present state, we see the contrast between the barren landscape of the region from the Red to the Dead Sea, which has no source of water, and the lush green landscape from the Dead Sea to the Sea of Galilee, which has the Jordan river providing water for agriculture and vegetation. Also, a regional contrast in the land-use is observed that mediates between hotel and industrial use in the Red-Dead region, while it is mainly centered upon agriculture in the Jordan River region. Moreover, cities are concentrated primarily in the Jordan River region and at the mouth of the Gulf of Aqaba. 2011-2012 | Barcelona Institute of Architecture
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Mapping | A View from Above the Middle East : Red to Dead
Red-Dead Region | Rhetoric Maps: ‘After’ Illustration
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Portfolio | Nour Zeino Saccal
Portfolio | ‘Decomposing Gestalt’ • TOWARDS A NEW SYNTAX
In the contemplated ‘after’ map of the same stretch imagined after the completion of the Red-Dead canal, we witness a green-ing of the landscape and new agricultural patterns springing up due to the newfound availability of water. As a result, new cities (both touristic hotel areas and residential) would come to life along the Red-Dead region supported by electricity that would be generated using the natural level difference between the two water bodies of the red and dead sea. The desalination plant located at the Dead Sea would provide potable water from the sea water. The level of the Dead Sea increasing might also cause hotel areas to move up along the coast of the Dead Sea. On the downside, the dissolution of the Red Sea water into the Dead Sea may bring about some changes, which could be negative for the phosphate industry around the Dead Sea and the hotel industry based on the popularity of the therapeutic effect of minerals extracted from the mud and water of the dead sea onto the human body. Hence, the two maps along with the catalogues attempt to document natural and environmental findings and predict on a territorial level their potential morphosis upon the introduction of a man-made large scale mega-infrastructure i.e. the red-dead canal.
2011-2012 | Barcelona Institute of Architecture
61
Spectral Process
“It is a question either of inventing new relations between old ideas, old images, or of separating old ids, old images united by tradition, of considering them one by one, free to work them over and arrange and infinite number of new couples which a fresh operation will disunite once more, and so on till new ties, always fragile and doubtful, are formed.” (Remy de Gourmont, 1899 “The Dissociation of Ideas”)
B. For a Novel Method in Architecture
V.
Dissociating >><<Recomposing _ Spectral Process
Professor: Philippe Rahm & Renata Sentkiewicz
1
2
1 | ear drum Outer Ear
Middle Ear
Inner Ear
2 | auditory nerve
sound transformation from acoustical energy to mechanical energy
The eardrum of an ear simpli�ies incoming air pressure waves to a single channel of amplitude. Loud sound pressure outside ear > pressure inside ear
2011-2012 | Barcelona Institute of Architecture
63
Short Design Studio | Spectral Process : Soundscape
4 x area
DIFFUSION
SOUND & ROOM GEOMETRY
Sound Propogation in Section
sound waves re�lecting off convex or uneven surface
area SOUNDSCAPE
Program: Nightclub
1m
Materials were chosen on the basis of their sound absorption coefficient and their sound conducting characteristics. For instance, iron sheets with a changing porosity wrap around slanting walls, thereby changing the level of sound absorption (sound absorption increases with use of perforated iron sheets) and transferring vibration to lower sound level areas. At one point when sitting in the VIP cove area you can hardly hear the music yet you feel the vibration resonating in the walls around you. 64
4 x area
SOUNDSCAPE|
area Program: Nightclub
2m
66 dB
FOCUSING
DIFFUSION
A focusing surface concentrates sound energy,which may be strong enough to be percieved as an echo
sound waves re�lecting off convex or uneven Sound Propogation in Plan surface
Sound Propogation in Section
The aim is to create a landscape of sound where plan, section and form unite to produce the desired sound levels. Thus, in one space you can obtain sound levels ranging from 100 dB to 55dB. Geometry is used as a primary tool to induce a change in the direction of sound to spread evenly produce re�lection, refraction, diffusion and focusing thereby increasing or decreasing the r sound level. 2m 1m Based on the obtained sound levels ‘functions’ are located; for example the dancing area is at FOCUSING 72 dB a sound level of 66 100dB, dB the hot spot drink & dance area is at a level of 90 dB, while the lounge A focusing surface concentrates sound energy,which may be strong undesirable focusing in listening area is placed at a level of 64dB and the VIP cove ‘private converse’ area at the enough to beminimum percieved as an echo plane sound level corresponding to 55dB. Materials were chosen on the basis of their sound absorption coef�icient and their sound SOUNDSCAPE| conducting characteristics. For instance, iron sheets with a changing porosity wrap around Program: Nightclub slanting walls, thereby changing the level of sound absorption (sound absorption increases The aim is to create a landscape of sound where section and unite and to produce the with use of plan, perforated ironform sheets) transferring vibration to lower sound level areas. At desired sound levels. Thus, in one space you can obtain sound levels ranging from 100 dB to one point when sitting in the VIP cove area you can hardly hear the music yet you feel the 55dB. Geometry is used as a primary tool to induce a change in the direction of sound to r vibration resonating the wallsoraround you. produce re�lection, refraction, diffusion and focusing therebyinincreasing decreasing the
sound level. Based on the obtained sound levels ‘functions’ are located; for example the dancing area is at a sound level of 100dB, the hot spot drink & dance area is at a level of 90 dB, while the lounge area is placed at a level of 64dB and the VIP cove ‘private converse’ area at the minimum sound level corresponding to 55dB. Materials were chosen on the basis of their sound absorption coef�icient and their sound conducting characteristics. For instance, iron sheets with a changing porosity wrap around slanting walls, thereby changing the level of sound absorption (sound absorption increases with use of perforated iron sheets) and transferring vibration to lower sound level areas. At one point when sitting in the VIP cove area you can hardly hear the music yet you feel the Masters in Architecture vibration resonating in the walls around you.
r
undesirable focusing in listening plane
r
r
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
The aim is to create a landscape of sound where plan, section and form unite to produce the desired sound levels. Thus, in one space you can obtain sound levels ranging from 100 dB to 55dB. Geometry is used as a primary tool to induce a change in the direction of sound to produce reflection, refraction, diffusion and focusing thereby increasing or decreasing the sound level. Based on the obtained sound levels ‘functions’ are located; for example the dancing area is at a sound level of 100dB, the hot spot drink & dance area is at a level of 90 dB, while the lounge area is placed at a level of 64dB and the VIP cove ‘private converse’ area at the minimum sound level corresponding to 55dB.
72 dB
spread evenly
focal point
focal pt.
r
focal point
2011-2012 | Barcelona Institute of Architecture
small radius : diffuse sound
65
Short Design Studio | Spectral Process : Soundscape
SB
SB
SD
55dB
SD
55dB
64dB
64dB
70dB
70dB
82dB 76dB
SC
82dB 76dB 88dB
100dB
SC 88dB
94dB
100dB
SA
94dB
SA
SA SB
SB
Nightclub Floor Plan
Sound Plan | Soundscape perforated rough iron sheets polished iron sheets
66
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
SA
Masters in Architecture
CARPET RAISED FLOOR + UNDERFLOOR VENTILATION GRASS COVER
perforated rough iron sheets
ABSORPTIVE
polished iron sheets
SMOOTH PAINTED CONCRETE FLOOR REFLECTIVE
2011-2012 | Barcelona Institute of Architecture
CARPET RAISED FLOOR + UNDERFLOOR VENTILATION GRASS COVER
SMOOTH PAINTED CONCRETE FLOOR ABSORPTIVE REFLECTIVE
67
Short Design Studio | Spectral Process : Soundscape SURFACE SLOPING UPWARD
CAN FELIPA CIVIC CENTER
UNEVEN SURFACE+ VOLUME
CONVEX SURFACE
Entrance To Club
LIFT ENTRY
Accessible Courtyard
LOUNGE AREA
Existing Snack
CONCAVE SURFACE KITCHEN & SERVICES DANCE FLOOR
VIP COVE
68
SECTION C SCALE 1:100
+6.8 m
MODERATE
+6.8 m
+0.4 m +0.8 m +0.0 m -1.0 m
COOL
COOL
STREET
SECTION D SCALE 1:100
Masters in Architecture
TOILETS | ECHO CORNER
BAR | DRINK & SOCIALIZE
HOT SPOT | DANCE & DRINK
+1.2 m +0.8 m +0.0 m -1.0 m
2011-2012 | Barcelona Institute of Architecture
69
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
COURTYARD | SMOKE & DANCE
MODERATE
70
PLACA CAN FELIPA
CIVIC CENTER CAN FELIPA
ENTRANCE
COOL
+6.8 m
+0.4 m +0.8 m +0.0 m
100dB
88dB
-1.0 m
94dB
Section A
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
CAN FELIPA SNACK
Short Design Studio | Spectral Process : Soundscape
MODERATE
REFLECTIVE COEFFICIENT
Masters in Architecture
Hot Spot Area | 94 dB 2011-2012 | Barcelona Institute of Architecture
71
Short Design Studio | Spectral Process : Soundscape
REFLECTIVE COEFFICIENT
50dB
STREET
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
ABSORPTIVE COEFFICIENT
ENTRANCE
+6.8 m
+1.0m +0.8 m +0.0 m
Section B 72
94dB
76dB
70dB
-1.0 m
64dB
Lounge Area | 64 dB Masters in Architecture
2011-2012 | Barcelona Institute of Architecture
73
B. For a Novel Method in Architecture
VI. Developing new Syntax >>> Thermodynamic Somatisms Professors: Inaki Abalos & Renata Sentkiewicz
74
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
75
+
CV CV R R
CV
CVRCV CN CN
CV
CV CN CV R R
CVCV CV CNRCN
CVCV CV CNR R
Convection +Conduction Radiation
CV
CVR CV CN CN
CV
CN
CN CNR R
CN
RCN CN CV CV
CN
CVCN CN R R
CNCN CNR CV CV
CNCN CN
CV R R
CN
CN CNR CV CV
CN
CV
R R CN CN
R
CNR R CV CV
R
CV
R R CN CN
Conduction +Convection Radiation
R
R CN R CV CV
R R RCVCN CN
R
R R CV CV CN
R
CV
Radiation +Convection Conduction
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
Design Studio | Thermodynamic Somatisms : Verticalscape
+ +
1 : Thermodynamic Units | Heat Transfer
Starting from the physical processes of conduction, convection and radiation - i.e. from the basis of all heat transfers responsible for thermal comfort and climate responsive architecture - the studio aimed to reverse the traditional starting point of design. Instead of tectonics, the project starts from the parameters that govern a ‘thermodynamic’ architecture : the modes of heat transfer, a zero energy mixed use program and the parameters of sun, wind and humidity. 76
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
77
350
Design Studio | Thermodynamic Somatisms : Verticalscape
300
250
200
150
100
50
8
10
12
Energy to heat|cool
14
Time
16
18
20
22
24
Percentage (%)
Percentage Energy
Area (m2)
0
2
4
6
8
10
12
Energy to heat|cool
14
Time
16
18
20
22
24
Percentage (%)
Percentage Energy
Area (m2)
Cafe
287.5
06-12
12 - 24
0.74
211.31
3675
Leisure | Cultural : Bowling + Cafe
287.5
06-12
12 - 24
0.74
211.31
3675
ty
135
09-12
12 - 18
0.63
85.05
3150
Work | educational : University
135
09-12
12 - 18
0.63
85.05
3150
Work | educational : Newspaper press 315
00-03
03 - 06
0.67
211.05
3350
00-09
18 - 24
1.00
85.00
5000
per press 315
00-09
03 - 06
0.67
18 - 24
211.05
1.00
3350
85.00
85
Residential
5000
15175
Total
15175
Barcelona | Summer Program
40
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
85
00-03
20
0
8
10
12
14
16
18
20
22
2
4
6
8
10
12
14
16
18
20
22
24
-20
24
2 : Thermodynamic Mixer
g
A mixed use program composed of a University, Studio Apartments, a night broadcasting studio and a recreational gaming center is insrtumental to obtaining a zero energy balance in the winter. In the summer, as all the programs are producers what Percentage Energy to is important from the energy charts,Area is to obtain a Percentage (%) Time (m2) Energy heat|cool constant amount of energy production 0.74 211.31 3950 throughout -55.0 06-12 Cafe 12 - 24 the day. The total area obtained from the charts ty 12 - 18 0.63 85.05 3350 58.78 09-12 2 corresponds to 15,175 m in the summer and 16,050 2 per press -65.20 00-03 03 - 06 211.05 3750 m in the winter (i.e.0.67some programs are open in the 00-09 18 24 1.00 85.00 5000 44.32 summer).
-40
in
m
Night B roadc ast
-60
a G ry + ke a B
Energy to heat|cool Leisure | Cultural : Bowling + Cafe
-55.0
Work | educational : University
Time 06-12
12 - 24
Percentage Energy
Area (m2)
0.74
211.31
3950 3350
58.78
09-12
12 - 18
0.63
85.05
Work | educational : Newspaper press -65.20
00-03
03 - 06
0.67
211.05
3750
44.32
00-09
18 - 24
1.00
85.00
5000
Residential Total
Percentage (%)
Nigh B
roadc a
16050
Barcelona | Winter Program
16050
78
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
79
Design Studio | Thermodynamic Somatisms : Verticalscape
N
330
WIND ROSE | BARCELONA 30
10° 20° 30°
300
21:28
JUNE
NW
06:18 60
40° 50° 60°
N
NNW
WNW
70° 80°
W
E
12
240 17:25 210
W
ENE
E ESE
SW
150
S
NE
WSW
DECEMBER 08:14
12
NNE
16 14 12 10 8 6 4 2
SE SSW
40 m
SSE
S
40 m
ALL YEAR
MAXIUMUM SUN ANGLE IN SUMMER = 71° MAXIMUM SUN ANGLE IN WINTER = 25°
Solar Diagram & Wind Rose | Barcelona
Volume: 64,000 m3 Compacted to 50 by 50 by 24m cube
Relative Humidity (%)
Relative Humidity (%)
Humidity Ratio (gm moisture/kg dry air)
30
5. Increasing the north facade
Volume: 64,000 m3 Compacted to 50 by 50 by 24m cube
5. the Increasing the north facade 4. Increasing north facade 4. Increasing the north facade 3. Decreasing the west facade 24 m
25
90%
80% 90%
70% 80%
60% 70%
60% 50% 50%
40% 40%
ground temp. ground temp. 10 m deep 10 m deep
20
24 m
15
30%
30%
20%
10
Psychrometric Chart | JULY Psychrometric Chart | JULY
Psychometric Chart | Barcelona : July Night-Morning (0-9h )
Night-Morning Day (10-20 h) (0-9h ) Night(10-20 (21-24h) h) Day Night (21-24 h)
20%
10%
5
0
0
5
10
10
15
15
20
20
25
25
30
30
35
35
40
40
50m
3. Decreasing the west facade 2. Extrusions
2. Extrusions 1. Initial Volume
8. Creating courtyards for ventilation
1. Initial Volume
8. Creating courtyards for ventilation
7. Shading the west facade
INFO DEDUCED: Temperature Variation 18-32 °C
10%
5
50m
45
50
Dry Bulb Temperature (°C) 45
50
Dry Bulb Temperature (°C)
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
0
SOLAR DIAGRAM| BARCELONA
Variation 40- 90%18-32 °C INFO DEDUCED:Humidity Temperature Variation NEED FOR COOLING DAYTIME + HUMIDITY PROBLEM Humidity Variation 40- 90% POTENTIAL TO USE NIGHT COOLING FOR Temperatures equal to 18 °C NEED FOR COOLING DAYTIME + HUMIDITY PROBLEM POTENTIAL TO USE NIGHT COOLING FOR Temperatures equal to 18 °C
7. the Shading west facade 6. Decreasing west the facade 6. Decreasing the west facade
6. Increasing the north facade 6. Increasing the north facade
80
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
81
Design Studio | Thermodynamic Somatisms : Verticalscape
Environmental Strategy : Barcelona | Summer
SUN
WATER
WIND
+
using thermal currents
NEGATIVE
-
delays night cooling on West Facade
1 2 3
dew point ••• humidity •radiative cooling on •using water in thermally problem facade active surfaces •hydrophobic surfaces •cool surfaces provide area for water vapor to condense •summer winds in prevalent direction increase human comfort •night purging
4 1 2 3
geothermal potential ground cooling
Environmental Strategy : Barcelona | Winter SUN
ACTIVE MEASURES
ground coupling | boreholes 12 m deep using water collected from humidity
4
1
using thermal radiation passive internal gains
WATER WIND GROUND
82
•using water in thermally active surfaces •heating surfaces
geothermal potential ground warmer temperature
winter winds decrease human comfort
ground coupling | boreholes 12 m deep using water collected from humidity
Solar Chimney
Overhangs to protect west facade
RADIATION & CONVECTION
Wind Collectors for inlet air
CONVECTION
promoting convective air currents by placing tall glazed spaces on southern facades using courtyards to enhance cross-ventilation
RADIATION
Solar Chimney
RADIATION & CONVECTION
4
High envelope to volume| advantage to daylight
Passive Systems : Wind collectors | South west angle
54 m
CUT
Thermal surfaces underground increased surface area to promote radiation
Courtyard recieves sunlight on December 21 @ 12pm
Passive Systems : Courtyards | Internal Acupuncture
8m | 2 �loors
water collected from water vapor in air
tilting facade towards prevalent wind direction i.e. south west
CONVECTION
Courtyards with shaded area
Low sun angle in winter hits west facade
1
PROCESS
Optimization of Geometry| Increasing volume towards north east & decreasing it towards south west
2 3 •water for radiative heating in slabs
PASSIVE MEASURES
JUNE 21 | 12 pm
SA
SECTION B
JUNE 21 | 12 pm
courtyards
DECEMBER 21 | 12 pm
RADIATION & CONVECTION
SB
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
GROUND
POSITIVE
PASSIVE SYSTEMS : PATIOS | Internal Acupuncture 5pm | June 21
DECEMBER 21 | 12 pm
PLAN | TILTED FACADES 12pm | June 21
SECTION A
PASSIVE SYSTEMS : WIND COLLECTORS | South West Angle 5pm | June 21
Building oriented to protect from prevalent wind direction from the north west Thermal surfaces underground increased surface area to promote radiation
Portfolio | Nour Zeino Saccal
RADIATION
2011-2012 | Barcelona Institute of Architecture
83
Design Studio | Thermodynamic Somatisms : Verticalscape Energy Strategy & Programmatic Distribution
Thermodynamic Monster | June 21 @ 12 pm
STUDIO APARTMENTS
DEFORMATION according to energy flow | convection
UNIVERSITY VIDEO GAMES+ RESTAURANT
NIGHT BROADCAST
Above
BAKERY
Underground
12pm
un
ive
rsi t
y
Stu Ap dio ts.
Ga
me
Thermodynamic Program & Material Distribution
solar chimney ive
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
un
rd
tya
ur
Co
s
Solar chimney
N
Solar chimney
COPPER TUBES CONDUCTING SOLAR ENERGY
rsi t
y
ard rty
u
Ga
Co
ard rty
Stu d Ap io ts.
u
Co
me
s Ni gh tB
WATER RADIANT SYSTEM
THICK CARBON FIBER REINFORCED CONCRETE SLAB
Stu d Ap io ts.
roa
5pm
84
Portfolio | Nour Zeino Saccal
dc ast
2011-2012 | Barcelona Institute of Architecture
85
Design Studio | Thermodynamic Somatisms : Verticalscape Tectonics | Thermodynamic Organization
Thermodynamic Strategies S1
S2
STRATEGY I - HOT SPOTS
STRATEGY II - SERPENTINE ACTIVE WALLS
concrete reinforced �iber walls
| SUMMER MODE
gaming
stu d
ty
universi
io
ty
universi
STUDIO APTS
UNIVERSITY
GAMES
GAMES
STUDIO APTS GAMES
stu d
gaming
STUDIO APTS
io
ap t
Concrete Panel Glass
y
universit
2.1
ty
universi
STUDIO APTS
2
NGHT BROADCASTING
BAKERY
TECHNICAL PLANT
2 1
Water @ 16 C
BAKERY
convection
1.1 Shaded glass on the west| University space
solar chimney closed at top to maintain heat
UNIVERSITY
THICK CARBON FIBER REINFORCED CONCRETE SLAB | 1.1
U
STUDIO APTS
GAMING
STUDIO APTS
y
sit er niv
1.1
+24
UNIVERSITY
GAMES
UNIVERSITY
Glass
1
STUDIO APTS UNIVERSITY
SECTIONAL PERSPECTIVE Concrete Panel
carbon �iber reinforced concrete + hot radiative system
ap t
STUDIO APTS
COPPER TUBES CONDUCTING SOLAR ENERGY | 1.2
FACADE CATALOGUE
LOCATION
| WINTER MODE
open uni space in summer
WINTER MODE |
WINTER MODE |
ACTIVE WALLS
open uni space in summer
NIGHT BROADCATING
radiation+conduction
+16
2.1 Shaded glass on the west| Studio Apartments
hot air exhaust cladded with copper pipes
Water @ 16 C
open space in summer
space closed in winter
ents
apartm
lou
ng e
stu d
io
y
universit
gaming
ap t
hot surfaces solar chimney closed at top to maintain heat
Studio Apartments
ive rsit
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
un
y
STRATEGY I - COOL SPOTS
STRATEGY II - SERPENTINE ACTIVE WALLS
SUMMER MODE |
SUMMER MODE |
winter
hot air exhaust
UNIVERSITY
GAMES GAMES
AIR= insulator>>
open in summer
BAKERY
STUDIO APTS
STUDIO APTS GAMES NIGHT BROADCASTING
TECHNICAL PLANT
2 1
conduction convection
THICK CARBON FIBER REINFORCED CONCRETE SLAB | 1.1
radiation+conduction
ng e
dc ast
ents
gaming
STUDIO APTS UNIVERSITY
THICK CARBON FIBER REINFORCED CONCRETE SLAB | 1.1
ba
ke ry
active system
GEOTHERMAL CONNECTION
Ba
4.1
g dcastin ht broa
-ov en
pipes with water on both sides of the wall
Gaming south facade
Gaming
nig
4
0
Oven kery -
carbon �iber reinforced concrete + hot radiative system
cooler walls at night
Resto
Resto
NIGHT BROADCATING
hot air through solar power
solar chimney
ents
apartm
STUDIO APTS
3.1 Double Glazed facade rotated to 19 degrees | South facade
concrete reinforced �iber walls
+4
STUDIO APTS
Water @ 16 C
Portfolio | Nour Zeino Saccal
gaming
lou
UNIVERSITY
UNIVERSITY
roa
apartm
BAKERY
Water @ 16 C
86
gaming
GAMING
3
ht b
ents
STUDIO APTS
GAMES
UNIVERSITY
nig
apartm
STUDIO APTS
COPPER TUBES CONDUCTING SOLAR ENERGY | 1.2
3
+12
STUDIO APTS
3.1
4.1 Radiant system promoting condensation in summer and heating in winter
nig broht ad ca st me
ch
an
ica l
-4
2011-2012 | Barcelona Institute of Architecture
87
Design Studio | Thermodynamic Somatisms : Verticalscape Materiality
1.1
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
1.2
1.3
88
1.1 | Concrete Panels 1.2 | Copper Tubes 1.3 | Low - E Glass Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
89
Design Studio | Thermodynamic Somatisms : Verticalscape
air inlets concrete louvers oriented towards south-west
University
SECTION 1
SECTION 2
concrete louvers oriented towards south-west
Studio Apatments | Loft space
glass �ixed
glass ‘operable’ SECTION 3
Entry Point into Courtyard [ ENTRY POINT TO COURTYARD]
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
Wind Analysis Sections [ WIND ANALYSIS & SECTIONS ]
Sun - Shadow Studies
9 am June 21
12 pm June 21
N 330
3 pm June 21 330
30
9 am December 21
N 330
30
JUNE 21:28 300
06:18 60
12 pm December 21
N 330
30
JUNE 21:28 300
3 pm December 21
N 330
30
N 330
30
10°
06:18 60
30
20°
JUNE 21:28 300
30°
06:18 60
300
300
60
300
60
40°
60
50° 60° 70° 80°
70° 80°
9
W
70°
E
70°
80°
W
E
W
80°
E
3
W
E
W
E
W
E
12
240
240
210
90
150
240
210
150
240 17:25
210
150
Portfolio | Nour Zeino Saccal
9
210
150
DECEMBER 08:14
240 17:25
DECEMBER 08:14
12
210
150
240 17:25
DECEMBER 08:14
3
210
150
2011-2012 | Barcelona Institute of Architecture
91
Design Studio | Thermodynamic Somatisms : Verticalscape
Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
UNIVERSITY >>
UNIVERSITY> absorber
UNIVERSITY
UNIVERSITY
UNIVERSITY
GAMES GAMES
producer
GAMES>>>
GAMES
GAMES
Void | passage of wind
Geothermal connection
roducer
>p BAKERY>> GAMES
Concrete �iber reinforced slabs with radiant system
EN
- OV BAKERY
Space open in summer to disconnect recreation/gaming space from the bakery
[ SECTIONAL PERSPECTIVE| ACTIVE SLABS ]
92
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
93
List of Courses & Lectures attended: Disruptive Urban Turn
Professor: Josep Anton Acebillo
Digital Culture Professor : Juanjo Gonzalez Castellon A View from Above: the Middle East Professor: Kruno Ivanisin A Paragim Shift: Mediating Architecture Culture
Professor: Pep Aviles
Positive Transformations for a post-crisis Perspective
Professor: Freddy Massad and Alicia Guerrero Yeste
The Building Structure
Professor: Agusti Obiol
Energy and Sustainability
Professor: Javier Garcia German
Large Structural Typologies
Professor: Agusti Obiol
Facade Technology Professor : Miquel Rodriguez Photography after Photography
Professor: Joan Fontcuberta
Workshops: Productive Land Program Registering Landscapes of Uncertainty
Professor : Maria Buhigas, Marc Montleo, Anna Viader Professor: Toni Girones Portfolio | ‘Decomposing Gestalt’ • For a Novel Method in Architecture
Design Studios: Spectral Process Professor: Philippe Rahm & Renata Sentkiewicz Thermodynamic Somatism Professor: Inaki Abalos & Renata Sentkiewicz
Independent Research:
The Thermal Peformace of Apartment Buildings , Case Study: Beirut, Lebanon
Lectures & Presentations: Bernard Khoury Yoshiharo Tsukamoto Cecilia Puga Manuel Bailo and Rosa Rull Pere Riera Philippe Rahm Chris Wise Toni Kotnik Pier Vittorio Aurelli
96
Portfolio | Nour Zeino Saccal
2011-2012 | Barcelona Institute of Architecture
97