16 × 12 cm Collection: Centro de Arqueologia de São Paulo

Collage with paper pins mounted on aluminum 42,9 × 24,4 × 30,5 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2019

Collage with paper pins mounted on aluminum 65 × 62 × 40 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2019

Collage with paper pins mounted on aluminum 69,9 × 62,9 × 30,5 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2019

Collage with paper pins mounted on aluminum 89,9 × 30,3 × 40,6 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2020

UV print on aluminum with steel pins 66 × 58 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2020

UV print on aluminum with steel pins 80 × 71 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2020

UV print on aluminum with steel pins 90,5 × 56,9 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, undated

4:3 video 3’10’’ Courtesy of the artist and Galerie Nordenhake Stockholm AB

27 offerings for the rain at the Field Museum, 2021

Color pencil and Flashe on paper 153 × 123 cm Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Precipitation for an arid landscape, 2021

Copal (resin), dust from the Field Museum storage, institutional structure for rain water, rainwater Dimensions variable Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Proposal for Luzia, 2021

Printed ink on paper, ashes on napkin Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Whistling and Language Transfiguration (WaLT), 2012

LP album, cyanotype print, sound 30,5 × 30,5 cm (album’s cover dimensions) Artist’s collection Courtesy of the artist and Commonwealth and Council, Los Angeles

The work WaLT was included in the Vento [Wind] exhibition, between November 14th and December 13th, 2020

During the traveling exhibition program, in 2022, the work Proposal for Luzia was renamed by the artist as Leaving the Institution through Cremation is Easier than as a Result of a Deaccession Policy

Giorgio Griffa

Guerreiro da luz, 2020

Acrylic on 13 canvas 250 × 800 cm Artist’s collection Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Acrylic on canvas 278 × 192 cm Artist’s collection Courtesy: Archivio Giorgio Griffa

SuGiúUpDown, 2020

Acrylic on canvas 274 × 191 cm Artist’s collection Courtesy: Archivio Giorgio Griffa

Giorgio Morandi

As part of the network of partnerships with institutions in the city proposed by the 34th Bienal, other works by Giorgio Morandi could be seen in the exhibition Ideias | O legado de Giorgio Morandi at the Centro Cultural Banco do Brasil – São Paulo, from September 22 to November 22, 2021 and at the Centro Cultural Banco do Brasil – Rio de Janeiro, from December 15, 2021 to February 21, 2022

Fiori, 1950

Flowers

Oil on canvas 33,5 × 31 cm Private collection

Natura Morta, 1939

Still life

Oil on canvas 44 × 51,4 cm Collection: Museu de Arte Contemporânea da Universidade de São Paulo – MAC USP. Donation: Francisco Matarazzo Sobrinho

Natura Morta, 1946

Still life

Oil on canvas 28,2 × 38,8 cm Collection: Museu de Arte Contemporânea da Universidade de São Paulo – MAC USP. Donation: Francisco Matarazzo Sobrinho Oil on canvas 23,5 × 45 cm Collaboration: Paulo Kuczynski Escritório de Arte

Natura Morta, 1954

Still life

Oil on canvas 33 × 40,2 cm Private collection

Natura Morta, 1956

Still life

Oil on canvas 30,7 × 35,5 cm Private collection

Grace Passô

The first reinterpretation of Antonin Artaud’s radio play, Pour en finir avec le jugement de dieu, the initial moment of the work presented at the 34th Bienal, was produced in collaboration with the X Festival Novas Frequências (December 1st to 13th, 2020) within the scope of network of partnerships with other institutions in the city proposed by the 34th Bienal

Ficções Sônicas_1: TREMORES, 2021

Sonic Fictions_1: TREMORS

Audio and video installation Soundtrack: Barulhista and Grace Passô. Camera: Wilssa Esser. Film local excecutive production: Hellio Augusto and Bruna Camargo | Margem Cultural. Sound capture: Lorran dos Santos. Film assembly: Renato Pascoal and Grace Passô. Drivers: Cristiano Teixeira and Jeahn Abner. Consultant: Thelmo Cristóvão. General production: Nina Bittencourt Commissioned by Fundação Bienal de São Paulo for the 34th Bienal The work was installed in Parque Ibirapuera and in the Bienal Pavilion